1
A1: L’estasi Dell’oro - Get GOO ing
2
A2: 12 x 12 - Calypso
3
B1: Tobias. - Public Eye
4
B2: STL - Dungeon CeLL
5
C1: N’conduit - Myst
6
C2: October - Like a God
7
D1: JXTPS - In Blue
8
D2: MadderModes - Rhodium (MadderModes Live Rework)
2x12"
Tracklist:
A1: L’estasi Dell’oro - Get GOO ing
A2: 12 x 12 - Calypso
B1: Tobias. - Public Eye
B2: STL - Dungeon CeLL
C1: N’conduit - Myst
C2: October - Like a God
D1: JXTPS - In Blue
D2: MadderModes - Rhodium (MadderModes Live Rework)
11 Years Voodoo Down Records celebrates a decade-plus milestone of music from the
titular label, which was launched by three friends in Brooklyn in late 2012 and later split
across both sides of the Atlantic.
Their 17th vinyl release is their first double 12”, compiling tracks from a selection of the
artists that helped them hone their sound: STL, who featured on the first release on the
label; October, a recurring favorite who came out of a techno hiatus to cut demos for this
release; Tobias., who first appeared on the label in 2015; JXTPS, the recent roster addition
from Melbourne; MadderModes, the Manchester duo who debuted on the Empirical
Evidence EP; and as always, the label founders themselves: L’estasi Dell’oro, 12 x 12, and
N’conduit.
These tracks run the gamut of sounds that have been a staple of the label over the years:
upbeat drone techno from L’estasi Dell’oro leading off the release with “Get GOO ing”,
dusty dub techno courtesy of STL on “Dungeon CeLL”, head-trip hypnotic techno from
Tobias. on “Public Eye”, downtempo melodic from 12 x 12, punchy peak-time techno from
JXTPS and N’conduit, and a raw acid techno groover from October.
This release celebrates a decade plus of music on the label. It also marks the return of STL, Tobias., and
October to the label with all original material. October coming off a long hiatus, and will follow up with a
mini-album later on the label.
The first 2x12” compilation released on the label, and along with the release we will be adding the label’s
back catalog on major digital streaming platforms.
Touring by 12 x 12 and L’estasi Dell’oro planned in Sydney and Melbourne, Australia during the last
weeks of 2024, and in LA, NYC, Denver following later in the year. More
Tracklist:
A1: L’estasi Dell’oro - Get GOO ing
A2: 12 x 12 - Calypso
B1: Tobias. - Public Eye
B2: STL - Dungeon CeLL
C1: N’conduit - Myst
C2: October - Like a God
D1: JXTPS - In Blue
D2: MadderModes - Rhodium (MadderModes Live Rework)
11 Years Voodoo Down Records celebrates a decade-plus milestone of music from the
titular label, which was launched by three friends in Brooklyn in late 2012 and later split
across both sides of the Atlantic.
Their 17th vinyl release is their first double 12”, compiling tracks from a selection of the
artists that helped them hone their sound: STL, who featured on the first release on the
label; October, a recurring favorite who came out of a techno hiatus to cut demos for this
release; Tobias., who first appeared on the label in 2015; JXTPS, the recent roster addition
from Melbourne; MadderModes, the Manchester duo who debuted on the Empirical
Evidence EP; and as always, the label founders themselves: L’estasi Dell’oro, 12 x 12, and
N’conduit.
These tracks run the gamut of sounds that have been a staple of the label over the years:
upbeat drone techno from L’estasi Dell’oro leading off the release with “Get GOO ing”,
dusty dub techno courtesy of STL on “Dungeon CeLL”, head-trip hypnotic techno from
Tobias. on “Public Eye”, downtempo melodic from 12 x 12, punchy peak-time techno from
JXTPS and N’conduit, and a raw acid techno groover from October.
This release celebrates a decade plus of music on the label. It also marks the return of STL, Tobias., and
October to the label with all original material. October coming off a long hiatus, and will follow up with a
mini-album later on the label.
The first 2x12” compilation released on the label, and along with the release we will be adding the label’s
back catalog on major digital streaming platforms.
Touring by 12 x 12 and L’estasi Dell’oro planned in Sydney and Melbourne, Australia during the last
weeks of 2024, and in LA, NYC, Denver following later in the year. More
More records from STL
3LP - First triple lp album of STL
GENRE/S: techno / dub techno / minimal techno / musique concrète
TRACKLISTS:
A - Stoner Dub
B1 - Illumination
B2 - Fast Fizzy
C - Sunny Side Up
D1 - Ocean
D2 - Loop GoldMin
E - Trip Trap
F1 - Ghostdrive
F2 - Kingston Sunbake Chill
SHORT INFO:
Obviously right after Sneak Illuminator Ep, Illumination Lp arrives. And it is an Illumination worthy of the name as the german musical blacksmith delivers here luminous musical landscapes for his first ever "gatefold 3 records lp" album. A very important addition in this artist's already extended disography and an important step for Goldmin too, mostly as we're celebrating our 10 years birthday this year.
More
GENRE/S: techno / dub techno / minimal techno / musique concrète
TRACKLISTS:
A - Stoner Dub
B1 - Illumination
B2 - Fast Fizzy
C - Sunny Side Up
D1 - Ocean
D2 - Loop GoldMin
E - Trip Trap
F1 - Ghostdrive
F2 - Kingston Sunbake Chill
SHORT INFO:
Obviously right after Sneak Illuminator Ep, Illumination Lp arrives. And it is an Illumination worthy of the name as the german musical blacksmith delivers here luminous musical landscapes for his first ever "gatefold 3 records lp" album. A very important addition in this artist's already extended disography and an important step for Goldmin too, mostly as we're celebrating our 10 years birthday this year.
More
1
STL - Fly Fly
2
STL - Eargrind
3
STL - Light Up
4
STL - Unlike Dislike
For their second installment, the Chateau Chepere crew brings on board legendary producer Stephan Laubner under his STL moniker, with four time warping pieces of music. With his distinctive and intricate sonic palette, Laubner extracts from his hardware different musical colors and shapes to produce singular atmospheres. Opening up the EP is Fly Fly, an epic 11 min minimal house trip full of tension and excitement, followed by Eargrind, an eerie, laid back Detroit leaning ballad. On the flip is Light Up, a spaced out, playful and bittersweet number that will revitalize any hazy after-hours dancefloor. Closing up the EP is Unlike Dislike, a quirky, jacking and mischievous techno workout for the packed club. This diverse ep will pull the listeners and dancers into Laubner's multifaceted, low key but captivating universe.
More
1
STL, - A Silent State
2
STL, - Six In A Row
3
STL, - From A Distance
2022 Repress of a classic!
Tracklist:
A Silent State
B1 Six In A Row
B2 From A Distance
Release Info:
Stefan Laubner runs one of the most exciting and inspirational Labels touching the Deep Minimalistic Underground since quite a while: SOMETHING.
Why has the music of STL been played besides the tracks of Theo Parrish, Sascha Dive and the new Toolhouse movement, Jus-Ed or within the vibes of Cadenza- why do his tracks fit for such a wide range of DJs? The answer is simple- Stefan Laubner's music is completely unique, free of selfishness and trend-search, deep and touching- and it hits the floor.
After Releases on Perlon, Styrax and his own Something imprint, we are proud to announce another collection of brillant STL works on Smallville. The number 12 goes out to all the deepsters who still kick the dancefloor with the A-side. For those who like it fast forward and bumpy- two techy low tracks on the bside will catch you up!
All Tracks w&p by Stephan Laubner
Mastering: Dubplates & Mastering
Cover Artwork: Stefan Marx
More
Tracklist:
A Silent State
B1 Six In A Row
B2 From A Distance
Release Info:
Stefan Laubner runs one of the most exciting and inspirational Labels touching the Deep Minimalistic Underground since quite a while: SOMETHING.
Why has the music of STL been played besides the tracks of Theo Parrish, Sascha Dive and the new Toolhouse movement, Jus-Ed or within the vibes of Cadenza- why do his tracks fit for such a wide range of DJs? The answer is simple- Stefan Laubner's music is completely unique, free of selfishness and trend-search, deep and touching- and it hits the floor.
After Releases on Perlon, Styrax and his own Something imprint, we are proud to announce another collection of brillant STL works on Smallville. The number 12 goes out to all the deepsters who still kick the dancefloor with the A-side. For those who like it fast forward and bumpy- two techy low tracks on the bside will catch you up!
All Tracks w&p by Stephan Laubner
Mastering: Dubplates & Mastering
Cover Artwork: Stefan Marx
More
1
STL - A1: Deep Cheese
2
STL - A2: Hug
3
STL - A3: Loop1
4
STL - A4: Loop2
5
STL - A5: Loop3
6
STL - A6: Loop4
7
STL - A7: Loop5
8
STL - B1: Beat-O-Cosm
9
STL - B2: Why Because
10
STL - C1: Peace Out
11
STL - C2: Witchfight
12
STL - C3: Up
13
STL - C4: Crank
14
STL - C5: Loop6
15
STL - D1: Damn Sniffers
16
STL - D2: Reality Is All They Know
17
STL - D3: Loop7
Ignition, Something Records lifts off 'Lost in Musik' by STL aka Stephan Laubner. An album to blow your minds, shake your bodies and touch your souls. On 17 tracks and an extended playing-time, this double vinyl comes in complete album feel, multifarious variations, and in STL's full tonal trademark fit. It will rumble dance-floors the same as moody home listening places. Here we go. STL attends the brains & ears in his magic discrete way with an unstoppable bucket-raining flow of fresh sounds, catching rhythms and aspirating music, like no one else usually does. Soon after joining these vinyl reliefs, you will be under the spellbound and enhexed beauty of these otherworldly beats and tones, which makes you feel all of the sudden, being relocated in other dimensions shrouded in new-born principles of fascinating un-shattered realities. Feel from beyond. Something Vinyl Series 31 works great with special and exceptional. From the sound creations up to the artwork. Everything follows the distinct d-i-y philosophy to what a something-records release is well known for. The Vinyls are coming in limited quantity. So you better be fast catching a copy. Now let the music do the further talking. Enjoy this seldom gem. Take the action and get lost in musik!
More
1
STL - Fluxxy
2
STL - Dub Plus
3
STL - Magic Thing
Echocord welcomes the return of STL this May with the ‘Take Off Music’ EP, comprised of three murky, dubbed out cuts from the acclaimed German producer. Stephan Laubner, better known as STL has long been one of the most respected producers in the underground electronic music scene. Racking up releases on the likes of Smallville, Perlon, Echospace [Detroit], his own Something and of course Echocord where he returns here. ‘Fluxxy’ leads on the package, embracing STL’s signature style via, dusty analogue drums, choppy dub stabs, penetrating low end flutters and airy atmospherics before ‘Dub Plus’ lays focus on a stripped-back, perfectly balanced drum groove, hazy field recordings and bubbling chord delays and bell chime synths. ‘Magic Thing’ then rounds out the release, fusing fm synth melodies and gritty bass stab sequences with thunderous subs and Laubner’s robust rhythmic style. Once again STL delivers a touch of class with a contemporary Dub Techno style for Echocord.
More
1
stl - Lost Harbour
2
stl - Mr. Sinister
3
stl - Sensimilla
The inimitable STL makes a welcome return to Echocord this May with a new three-track EP in the shape of ‘Take Your Seats’. Stephan Laubner, better known to most as simply as STL is highly regarded for his unique twist on dubbed out house and techno sounds and has been responsible for some underground anthems such as the lauded ‘Silent State’ on Smallville Records and other material on the likes of Perlon, Echospace [Detroit] and ofcourse his own Something imprint. Here though we see him returning to Echocord following 2015’s ‘Message Of Sound’ Part 1 & 2 EP’s with yet more mind- altering murky cuts. ‘Lost Harbour’ leads on the package with textural field recordings, crunchy distorted rhythms and an amalgamation of snaking bass, synth and piano lines, intertwining and unfolding throughout. ‘Mr Sinister’ switches the vibes over to menacing bass swells, fluttering subs, gritty percussion and an underlying tension before ‘Sensimilla’ edges into more ethereal territory with spiralling dub chords, shuffled hats and winding atmospherics.
More
Tracklist 12":
A1. STL - No More Words (Wa Wu We Gentlyfication)
B1. STL - No More Words (Sebastian Mullaert Remix)
Release Info:
A very rare remix package of STL's original material from Sebastian Mullaert on very limited edition 12" vinyl.
When I get a request to do a remix, I take that as an invitation… an invitation to express.
The sounds from the original composition become doors / gates… stepping stones for me to travel into this very moment and investigate how it is always changing (that changing being me).
I start working with the sounds… looping, playing, shaping… like a ceramist working with the clay, a painter working with the brush and paint, or the baker working with the dough. This process becomes a mantra; a meditation, and my studio becomes filled with sounds and rhythms… echoes from the original song, filtered by this very moment, temporary passing through "someone" being called Sebastian Mullaert or Wa Wu We.
Expression taking place and there are "NO MORE WORDS". Music becomes being, just Being.
STL is one of my absolute favorite artists, this specific invitation felt very special to me and the journey around the creation of the remix has been very deep.
Now I invite You to take part of it, let your consciousness express this very moment through the experience of the music. Again, being is just Being.
Much love
Sebastian Mullaert & Wa Wu We & …
More
A1. STL - No More Words (Wa Wu We Gentlyfication)
B1. STL - No More Words (Sebastian Mullaert Remix)
Release Info:
A very rare remix package of STL's original material from Sebastian Mullaert on very limited edition 12" vinyl.
When I get a request to do a remix, I take that as an invitation… an invitation to express.
The sounds from the original composition become doors / gates… stepping stones for me to travel into this very moment and investigate how it is always changing (that changing being me).
I start working with the sounds… looping, playing, shaping… like a ceramist working with the clay, a painter working with the brush and paint, or the baker working with the dough. This process becomes a mantra; a meditation, and my studio becomes filled with sounds and rhythms… echoes from the original song, filtered by this very moment, temporary passing through "someone" being called Sebastian Mullaert or Wa Wu We.
Expression taking place and there are "NO MORE WORDS". Music becomes being, just Being.
STL is one of my absolute favorite artists, this specific invitation felt very special to me and the journey around the creation of the remix has been very deep.
Now I invite You to take part of it, let your consciousness express this very moment through the experience of the music. Again, being is just Being.
Much love
Sebastian Mullaert & Wa Wu We & …
More
1
STL - Atlas
2
STL - Bug
3
STL - Night Of Pazuzu
4
STL - Behind You
5
STL - Loop
Special remarks : Full inside/out printed Cover Sleeve, Limited to 500 Copies
Tracklist 12":
a1: STL – Atlas, a2: STL – Bug, b1: STL – Night Of Pazuzu, b2: STL - Behind You, b3: STL- Loop
Short info:
A freshly constructed Something analog disk has landed on planet earth in good faith and with the target to shift emotions, bones and your interiors. Join the overall thrilling tune of this 12" with open ears and it will flow neat-sticky through your ready made receivers directly into intuitive grounds with the purpose to move, amaze and captivate. The sounds on Stephan Laubner's new Something Vinyl are raining down straight out of deep blue skies. It's unusual approach is coming nice yet mind-boggling and will vibrate your inner corners as soon as you've spotted the musical language within these STL translated rills. Experimental circuits entangled with friendly sick delightful noises are navigating the record grooves of this lovely vinyl from first touchdown, up to the loop driven never-ending eternal endings. It's like a cat-eyed walk with your exclusive night vision goggles in well known districts, deep down to the center or your senses. STL's patched up noise has been machined and operated solely with modular gear plot-wise, and also includes those infamous STL drum momentums and dirty dim trademark touch, that you can find nearly everywhere with his sound sculptures. Something Vinyl Series 30 is ready now to broadcast from your turntables, in order to send out joy & sincere emotions. It will silently knock on your secret shelter with the best & positive intentions.
More
Tracklist 12":
a1: STL – Atlas, a2: STL – Bug, b1: STL – Night Of Pazuzu, b2: STL - Behind You, b3: STL- Loop
Short info:
A freshly constructed Something analog disk has landed on planet earth in good faith and with the target to shift emotions, bones and your interiors. Join the overall thrilling tune of this 12" with open ears and it will flow neat-sticky through your ready made receivers directly into intuitive grounds with the purpose to move, amaze and captivate. The sounds on Stephan Laubner's new Something Vinyl are raining down straight out of deep blue skies. It's unusual approach is coming nice yet mind-boggling and will vibrate your inner corners as soon as you've spotted the musical language within these STL translated rills. Experimental circuits entangled with friendly sick delightful noises are navigating the record grooves of this lovely vinyl from first touchdown, up to the loop driven never-ending eternal endings. It's like a cat-eyed walk with your exclusive night vision goggles in well known districts, deep down to the center or your senses. STL's patched up noise has been machined and operated solely with modular gear plot-wise, and also includes those infamous STL drum momentums and dirty dim trademark touch, that you can find nearly everywhere with his sound sculptures. Something Vinyl Series 30 is ready now to broadcast from your turntables, in order to send out joy & sincere emotions. It will silently knock on your secret shelter with the best & positive intentions.
More
1
stl - No Title
2
stl - No Title
3
stl - No Title
4
stl - No Title
Solar Phenomena welcomes singular rhythm master STL for a new EP that offers four fantastic tracks of dubby house. It is the label's fourth release and finds the Something label boss in a typically inventive mood. First track 'Spy vs Spy' opens things with shuffling drum loops and eerie synth details that hypnotises over seven minutes. 'Atomsmasha' has wooden hits and rough shakers peppering a soft, imperfect groove as awkward chords bring an unhinged edge to the mix. On the flip, 'Summer Breeze & Brotherhood' has loose keys doing an off kilter dance over STL's trademark low-key drums where 'Freebird' zones you out with long held chords and detuned keys as cloudy, dusty kicks bring a barely-there groove deep down low. You know what to get from STL by now, but at the same time you can never get enough.
More
Tracklist:
01. No More Words
02. Smooth Selector
03. Out Of The One
Info:
The elusive STL returns with a 3-track EP on his newfound home of Dark Matters.
‘Nonzero Sonics’ is the sixth label release to date, and their first to emerge this year.
Stephan Laubner has enjoyed an accomplished career with releases on labels including Perlon, Smallville and Echospace. Despite a scarcity of interviews and public appearances, his reputation as a devoted audiophile and hardware enthusiast has afforded him a loyal following in underground music circles. This release marks the beginning of a new chapter with Amirali’s Dark Matters imprint.
‘Nonzero Sonics’ explores dark and twisted sentiments in avant-garde structures, consistently executed with impeccable detail. ‘No More Words’ meditates on elements of dub and techno in an extended form, whilst ‘Smooth Selector’ establishes a stripped back groove replete with sub frequencies and cavernous echoes. Closing track ‘Out Of The One’ places peculiar harmonies in a tranquil framework, exemplifying the diversity of a producer with true dedication to his craft.
More
01. No More Words
02. Smooth Selector
03. Out Of The One
Info:
The elusive STL returns with a 3-track EP on his newfound home of Dark Matters.
‘Nonzero Sonics’ is the sixth label release to date, and their first to emerge this year.
Stephan Laubner has enjoyed an accomplished career with releases on labels including Perlon, Smallville and Echospace. Despite a scarcity of interviews and public appearances, his reputation as a devoted audiophile and hardware enthusiast has afforded him a loyal following in underground music circles. This release marks the beginning of a new chapter with Amirali’s Dark Matters imprint.
‘Nonzero Sonics’ explores dark and twisted sentiments in avant-garde structures, consistently executed with impeccable detail. ‘No More Words’ meditates on elements of dub and techno in an extended form, whilst ‘Smooth Selector’ establishes a stripped back groove replete with sub frequencies and cavernous echoes. Closing track ‘Out Of The One’ places peculiar harmonies in a tranquil framework, exemplifying the diversity of a producer with true dedication to his craft.
More
More records from October
1
October - Eviction 909
2
October - Larry Bruce Chest Thumper
3
October - Hunger
4
October - Facemelter
5
October - Tropical Phil
It all started with a handful of cash but ended in eviction. Always intended as a story in two parts, Jules Smith aka October's Eviction EP is the six-son follow up to his Pay Day EP, we unleashed in late 2018. An album's worth of material made 'just for Honey Soundsystem' Jules is back with his sleazy Prophet-one driven industrial disco. As indulgent as the rave sirens and snare pummels on the title track seem, October's sheer mastery in production and studio mixing turn these tongue-in-cheek-in-your-face nightclub firecrackers into delicacies. Oh! And file 'Larry Bruce Chest Thumper' under Front 242 and i:Cube doing a line off of an iPhone together
More
1
october - Tuesday
2
october - Pay Day
3
october - Urgency
4
october - Rent
Honey Soundsystem met October (aka Jules) while on a one-night affair in Bristol in which he immediately dragged us from an artist dinner to the saddest Bear bar in the UK. After a few pints, vetting his taste for drag, boys, and girls that make love to boys who make love to boys, Jules confessed he has always wanted to release on HNYTRX. And so the hazing began, a year of torturing yet another sexy-stranger into refreshing, reminding, and refining a flurry of demos into the army of skeleton soldiers you now have in possession. Money drops, midnight withdrawals, 4 crisp singles: this is the Pay Day EP — gonna make that dance-floor “cha-ching” bitch! A lot of people hate October so... that is why we are releasing this record in September. But seriously though, upon cracking open this 4 track EP you might wish you had saved the vacuum seal just a couple days longer, keeping these ghosts contained until the month where screaming winds strip trees nude
More
Superb new release by Voodoo Down Recorrds with October (Skudge) & wicked remy by Joey Anderson..
More
After the success of the first release, Tanstaafl returns for their second wax adventure, this time with the musical renegade Dj October at the helm. October has entered a new phase of production for the TANSTAAFL series and has focused himself firmly on a reduced, stripped and effective formula for the floor. His productions are heavy, smoked out narcoleptic dub infused journey's, and his latest 12 offers more or less of the same opaque vibe but with his sights firmly set on the floor, with one foot in the past and the other in the future - drawing from his usual Detroit, NYC and Chicago influences. So we kick off 2012 with a future classic, 'Singularity Jump', which douses you in synthesized Saxophone hooks, chopped vocal samples and a meaty Juno Hip-House inspired bass-line. 'Planet Of Minds' is more of a inner space affair very much inspired by acid and dub. Successfully combining the two, October injects more of an airy feel into the mix and delivers a mo ody cosmic acid jam that will not fail your dancing feet or tripped-out mind. Definitely one for the later hours... This is going to be an anthem, hands down, so get it before it's gone for good.
More
More
1
October, - String Theory (feat. Borai)
2
October, - String Theory (feat. Borai)
3
October, - Tension Point
4
October, - String Theory (feat. Borai)
After reaching the milestone of 50 vinyl 12"s in February of last year Will Saul decided it was a good moment to put the label into retirement. Whilst focusing on his other label of love Aus Music and writing an artist album he had no intention of starting the label again. Through his good friend Appleblim Will was introduced to Julian 'October' Smith and they began working on music together in the summer of last year. Jules played Will 'String Theory' and 'Tension Point' and he was blown away…he felt he had to re-start the label to showcase such beautiful and original house music. The package comes complete with two first-rate remixes from the Dutch producer Legowelt (aka Danny Wolfers) and one of his many aliases, Polarius. Since his first label, Caravan Records back in 2007, October has been steadily rising in profile and creativity. In that short time his brand of off-kilter house and techno has also appeared on Perspectiv, Misericord, Jack Off and Immerse, and been championed by the likes of Ewan Pearson and Appleblim. He will be the first artist other than Skudge to release original material on their label and has 2 EP's forthcoming for them alongside an EP for Applepips. He also recently started a new label 'TANSTAAFL', which has been widely praised by the music press, and sets the course for more of the jacking dancefloor house and techno he is known for. Legowelt began producing in the early 90s after he came into contact with the sounds of Detroit's Underground Resistance, Model 500, Blake Baxter and Chicago heroes such as Farley Jackmaster Funk, Armando Gallop and Mr. Fingers. He has released a dozen or so projects on various formats, many of them on vinyl via Bunker records, a label based in The
Hague and of course Cocoon and Clone. Aside from producing, Legowelt has been playing live all over the world for the last 10 years. More
Hague and of course Cocoon and Clone. Aside from producing, Legowelt has been playing live all over the world for the last 10 years. More
More records from voodoo down records
Label:Voodoo Down Records
Cat-No:vdr016
Release-Date:05.06.2020
Genre:House / Techno
Configuration:12" Excl
Label:Voodoo Down Records
Cat-No:vdr016
Release-Date:05.06.2020
Genre:House / Techno
Configuration:12" Excl
1
L’estasi Dell’oro - A1: Proserpina (feat. Crystal Boyd)
2
L’estasi Dell’oro - A2: Proserpina (Penalune Re-strip)
3
L’estasi Dell’oro - B1: Stretching
4
L’estasi Dell’oro - B2: Canopus Blues
A1 : Proserpina (feat. Crystal Boyd)
A2 : Proserpina (Penalune Re-strip)
B1 : Stretching
B2 : Canopus Blues
After racking up a handful of recent releases on Macro and Field Records, L'estasi Dell'oro
has returned from the woodshed to mark his debut solo EP on Voodoo Down Records, the
label he co-founded in Brooklyn nearly a decade ago.
Soaring guitars, twisted violins, dusty pianos, tolling bells, stretched drums, and
outward-bound synths are all features of the sonics presented here across the four songs on
this record. Additionally, the A1 feature song 'Proserpina' revisits the vocals of Crystal Boyd,
the singer featured on the L’estasi tracks from the early Voodoo Down compilations which
helped define his sound in the techno world. Along with the three original songs, his
Penalune alias strips the A1 tune to it's floating core elements for full atmospheric immersion.
More
A2 : Proserpina (Penalune Re-strip)
B1 : Stretching
B2 : Canopus Blues
After racking up a handful of recent releases on Macro and Field Records, L'estasi Dell'oro
has returned from the woodshed to mark his debut solo EP on Voodoo Down Records, the
label he co-founded in Brooklyn nearly a decade ago.
Soaring guitars, twisted violins, dusty pianos, tolling bells, stretched drums, and
outward-bound synths are all features of the sonics presented here across the four songs on
this record. Additionally, the A1 feature song 'Proserpina' revisits the vocals of Crystal Boyd,
the singer featured on the L’estasi tracks from the early Voodoo Down compilations which
helped define his sound in the techno world. Along with the three original songs, his
Penalune alias strips the A1 tune to it's floating core elements for full atmospheric immersion.
More
Label:Voodoo Down Records
Cat-No:vdr015
Release-Date:15.11.2019
Genre:House / Techno
Configuration:12" Excl
Label:Voodoo Down Records
Cat-No:vdr015
Release-Date:15.11.2019
Genre:House / Techno
Configuration:12" Excl
1
JXTPS - Become Nothing
2
JXTPS - Untitled 02
3
JXTPS - Mr. Pink
A: Become Nothing
B1: Untitled 02
B2: Mr. Pink
Infotext:
Voodoo Down Records presents the debut 12" of Melbourne-based techno producer JXTPS, who delivers here three powerful cuts of rolling big-room techno. The EP kicks off with a bang with some breakbeat fills that clear the way for heady hypnotic tension on "Become Nothing". The B-side opens with punchy acid stabs and distorted guitar chords on "Untitled 02", and closes beautifully with a creeping early-morning groover on "Mr. Pink". More
B1: Untitled 02
B2: Mr. Pink
Infotext:
Voodoo Down Records presents the debut 12" of Melbourne-based techno producer JXTPS, who delivers here three powerful cuts of rolling big-room techno. The EP kicks off with a bang with some breakbeat fills that clear the way for heady hypnotic tension on "Become Nothing". The B-side opens with punchy acid stabs and distorted guitar chords on "Untitled 02", and closes beautifully with a creeping early-morning groover on "Mr. Pink". More
Label:Voodoo Down Records
Cat-No:vdr014
Release-Date:15.03.2019
Genre:House / Techno
Configuration:12" Excl
Label:Voodoo Down Records
Cat-No:vdr014
Release-Date:15.03.2019
Genre:House / Techno
Configuration:12" Excl
1
N’conduit - Latent States
2
N’conduit - In The Mood For Zima
3
N’conduit - In The Mood For Zima (October’s Increased pH Levels Remix)
4
N’conduit - Livonia Blues
A1: Latent States
A2: In The Mood For Zima
B1: In The Mood For Zima (October’s Increased pH Levels Remix)
B2: Livonia Blues
Infotext:
Voodoo Down co-founder N’conduit presents his third solo release on the label with Latent States. The first release to come out of his new Brooklyn studio, Latent States has three original jams inspired by defunct beverages and dormant memories. From the A1 though the flipside, expect dirty modular basslines, warbly reel-to-reel FX, dusty saturated beats, and spaced out feedback. October, Bristol-based DJ/producer and O.G. Voodoo Down confidant, has contributed an ac More
A2: In The Mood For Zima
B1: In The Mood For Zima (October’s Increased pH Levels Remix)
B2: Livonia Blues
Infotext:
Voodoo Down co-founder N’conduit presents his third solo release on the label with Latent States. The first release to come out of his new Brooklyn studio, Latent States has three original jams inspired by defunct beverages and dormant memories. From the A1 though the flipside, expect dirty modular basslines, warbly reel-to-reel FX, dusty saturated beats, and spaced out feedback. October, Bristol-based DJ/producer and O.G. Voodoo Down confidant, has contributed an ac More
Label:voodoo down records
Cat-No:vdr013
Release-Date:23.11.2018
Genre:House / Techno
Configuration:12" Excl
Label:voodoo down records
Cat-No:vdr013
Release-Date:23.11.2018
Genre:House / Techno
Configuration:12" Excl
1
12 x 12 - Ignition
2
12 x 12 - The Primitive Streak
3
12 x 12 - Grey Matter
4
12 x 12 - Abstract Method
Tracklist:
A1: Ignition
A2: The Primitive Streak
B1: Grey Matter
B2: Abstract Method
Infotext:
The 13th Voodoo Down release is the sophomore EP by label co-founder Sean Phillips aka 12 x 12. The follow-up to 2014’s Kobayashi Maru, this four-track EP is the culmination of honed process and techniques over the past several years to produce a more organic groove-based style of techno. Mostly the work of a sampler and some analog synths, the tracks range from warm broken-beat atmospheres to digital sequences. More
A1: Ignition
A2: The Primitive Streak
B1: Grey Matter
B2: Abstract Method
Infotext:
The 13th Voodoo Down release is the sophomore EP by label co-founder Sean Phillips aka 12 x 12. The follow-up to 2014’s Kobayashi Maru, this four-track EP is the culmination of honed process and techniques over the past several years to produce a more organic groove-based style of techno. Mostly the work of a sampler and some analog synths, the tracks range from warm broken-beat atmospheres to digital sequences. More
Tracklist:
A1: Deadbeat - Rubby Poly Seqs and a Damn Good Kick A2: L'estasi Dell'oro - Repetition Repetition Repetition B1: N'conduit - Eye Dust B2: 12 x 12 - Future States
Infotext:
Voodoo Down returns to the compilation series that started it all:
Possible Side Effects Vol. 1, released in late 2012, was the first release on the Brooklyn-based label and marked the inception of a concept EP series that would come to define the label's sound. Featuring an A1 cut by German journeyman producer STL and rounded out by the label founders' eclectic techno styles, PSE Vol. I was the perfect vehicle for the producers still working to carve out their own individual aesthetic.
Now with a dozen releases under their belt, the founders L'estasi Dell'oro, N'conduit and 12 x 12 have returned to their roots and this time recruited the prolific Berlin-based producer Deadbeat for volume three of the series. Like the first two volumes, it's a slightly chaotic mix of beefy dance floor tools and heady experimentation. The separate personalities shine through more than ever on this release. VDR always striving to keep things interesting.
More
A1: Deadbeat - Rubby Poly Seqs and a Damn Good Kick A2: L'estasi Dell'oro - Repetition Repetition Repetition B1: N'conduit - Eye Dust B2: 12 x 12 - Future States
Infotext:
Voodoo Down returns to the compilation series that started it all:
Possible Side Effects Vol. 1, released in late 2012, was the first release on the Brooklyn-based label and marked the inception of a concept EP series that would come to define the label's sound. Featuring an A1 cut by German journeyman producer STL and rounded out by the label founders' eclectic techno styles, PSE Vol. I was the perfect vehicle for the producers still working to carve out their own individual aesthetic.
Now with a dozen releases under their belt, the founders L'estasi Dell'oro, N'conduit and 12 x 12 have returned to their roots and this time recruited the prolific Berlin-based producer Deadbeat for volume three of the series. Like the first two volumes, it's a slightly chaotic mix of beefy dance floor tools and heady experimentation. The separate personalities shine through more than ever on this release. VDR always striving to keep things interesting.
More
1
n'conduit - intro dance sequence
2
n'conduit - middle dance sequence
3
n'conduit - end dance sequence
4
n'conduit - end dance sequence, la-4a rmx
Tracklist:
A1: Intro Dance Sequence
A2: Middle Dance Sequence
B1: End Dance Sequence
B2: End Dance Sequence (LA-4A Remix)
Infotext:
The sophomore EP by label head N'conduit.
The name and inspiration for the Pumps EP is derived from New York's infamous strip club, PUMPS. Located on the border of Queens and Brooklyn on the English Kills Canal, it's one of the last holdouts of seedy and unkempt Brooklyn, now that the high rises and artisanal establishments have taken over. The Pumps EP consists of three original tracks and a remix that are supposed to capture what's left of this through raw analog sequences and drum programming.
More
A1: Intro Dance Sequence
A2: Middle Dance Sequence
B1: End Dance Sequence
B2: End Dance Sequence (LA-4A Remix)
Infotext:
The sophomore EP by label head N'conduit.
The name and inspiration for the Pumps EP is derived from New York's infamous strip club, PUMPS. Located on the border of Queens and Brooklyn on the English Kills Canal, it's one of the last holdouts of seedy and unkempt Brooklyn, now that the high rises and artisanal establishments have taken over. The Pumps EP consists of three original tracks and a remix that are supposed to capture what's left of this through raw analog sequences and drum programming.
More
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1
Not A Headliner, DJ HANDIKAP - A1. Not A Headliner - We are not the same
2
Not A Headliner, DJ HANDIKAP - A2. DJ HANDIKAP - Prayer 007 (Remake)
3
Not A Headliner, DJ HANDIKAP - B1. DJ HANDIKAP - Overdrive
4
Not A Headliner, DJ HANDIKAP - B2. Not A Headliner - Emotional Boys
12"
GENRE/S: Techno, Breaks.
TRACKLISTS:
12''
A1) Not A Headliner - We are not the same
A2) DJ HANDIKAP - Prayer 007 (Remake)
B1) DJ HANDIKAP - Overdrive
B2) Not A Headliner - Emotional Boys
Digital
Not A Headliner - We are not the same
DJ Handikap - Prayer 007 (Remake)
DJ Handikap - Overdrive
Not A Headliner - Emotional Boys
SHORT INFO:
First release of the new label "Label Battle Series" a collaboration between Global Offensive Corporation (Globoffcorp) and Unsolved Label. Split EP by Not A Headliner and DJ HANDIKAP
More
GENRE/S: Techno, Breaks.
TRACKLISTS:
12''
A1) Not A Headliner - We are not the same
A2) DJ HANDIKAP - Prayer 007 (Remake)
B1) DJ HANDIKAP - Overdrive
B2) Not A Headliner - Emotional Boys
Digital
Not A Headliner - We are not the same
DJ Handikap - Prayer 007 (Remake)
DJ Handikap - Overdrive
Not A Headliner - Emotional Boys
SHORT INFO:
First release of the new label "Label Battle Series" a collaboration between Global Offensive Corporation (Globoffcorp) and Unsolved Label. Split EP by Not A Headliner and DJ HANDIKAP
More
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
1
DMX Krew - Mutated Brain Process
2
DMX Krew - Electric Mutant
3
DMX Krew - Non-Euclidean Coordinates
4
DMX Krew - Tunnel Mutant
5
DMX Krew - Depressed Mutant
Brains rule for the next No Static / Automatic release as the hyper-prolific DMX Krew presents five new tracks of laser gun acid, bleepy electro and mutant tunnelling techno on Brain Mutants EP.
NS/A could not be more honoured to bring DMX Krew to the label, hugely influential in UK’s electronic music world, the sheer mass and relentless ingenuity of his release history is breathtaking. There’s over 24 albums and even more EPs released to date, found on Rephlex Records, his own Breakin and Fresh Up labels, and more recently a string of albums on Hypercolour Records. It really would not be right to pin him down to one style of beat with the expanse of his work covering braindance, electro funk, pop, acid, ambient, techno and beyond.
Working with the Aphex Twin created Sample Brain, old disco records and analogue synth notes were fed into the sample mashing web app to create the sounds used on this EP. Label boss Ara-u picked out his favourites from the palette which DMX Krew cut up, looped and added in rock-hard drums. The results are super playful, high calibre club tracks you expect from the one and only DMX Krew - designed for heavy impact on the club floor. More
NS/A could not be more honoured to bring DMX Krew to the label, hugely influential in UK’s electronic music world, the sheer mass and relentless ingenuity of his release history is breathtaking. There’s over 24 albums and even more EPs released to date, found on Rephlex Records, his own Breakin and Fresh Up labels, and more recently a string of albums on Hypercolour Records. It really would not be right to pin him down to one style of beat with the expanse of his work covering braindance, electro funk, pop, acid, ambient, techno and beyond.
Working with the Aphex Twin created Sample Brain, old disco records and analogue synth notes were fed into the sample mashing web app to create the sounds used on this EP. Label boss Ara-u picked out his favourites from the palette which DMX Krew cut up, looped and added in rock-hard drums. The results are super playful, high calibre club tracks you expect from the one and only DMX Krew - designed for heavy impact on the club floor. More
1
Model 500 - I.D.L.E. 05:39
2
Ectomorph - Searching (Live at Globus) 04:54
3
AMX - Your Body 05:20
4
DJ Stingray 313 - Dynamic Instability 04:14
5
JakoJako - Metal Goat 05:05
6
Erik Jabari - Screamore 04:47
Territories: World excl. UK
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart. More
FORMAT 12" vinyl, full printed pantone sleeve, glossy varnish, download card
TRACKLIST
1. / A1 Model 500 - I.D.L.E. 05:39
2. / A2 Ectomorph - Searching (Live at Globus) 04:54
3. / A3 AMX - Your Body 05:20
4. / B1 DJ Stingray 313 - Dynamic Instability 04:14
5. / B2 JakoJako - Metal Goat 05:05
6. / B3 Erik Jabari - Screamore 04:47
030/313 – Berlin/Detroit, the fundamental techno union. Now Carhartt WIP, whose roots can be traced to Detroit, Michigan, join forces with Tresor for a collaboration that celebrates the enduring spirit of two music metropolises. Referencing the early 90s compilations like “Tresor II – A Techno Alliance”, they present a 12” mini compilation with exclusive material from both cities.
The compilation opens with “I.D.L.E.”, a lost Model 500 track, of essential funk that touches the techno soul of The Motorcity, with trippy melodies and cosmic drilling traversing electrified Mojo freeways. It’s followed by another true Detroiter: Ectomorph’s “Searching (Live At Globus)”, a first extract from their live set at Globus in 2021, which BMG and Erika played on borrowed equipment after Erika’s case was lost on a flight. The A-Side stays in Detroit and finishes with “Your Body”, an exclusive track by AMX, also known as The AM, one of Detroit’s freshest funk techno sensations. She carries on the mentorship mindset by having learned from two of the greatest: D.I.E. and Scan 7. “Your Body” is a classic techno feel swinger, where subtle chords meet drum machine funk in the spirit of early Detroit techno.
DJ Stingray 313 opens the B-Side with a bang. Precisely hacked techno, full of dark funk and that special industrial jack, that the man in the mask has made his own. A total “Dynamic Instability”. Magic & furious. The thrill continues with “Metal Goat”, by JakoJako, one of Berlin’s brightest synth sensations. She provides an introspective grower that slowly evolves into a fast-paced techno grinder, laden with micro shifts and magic twists. The final tune comes from Erik Jabari, a newcomer from the 030 zone, emerging from the Hard Wax peers with haunting modular synth techno–a feverish minimalistic trip of motorized kicks. DJ Pete performed as spiritual guidance on this one. It’s floor proven. An overall cachet of “030313” - the small compilation with a huge techno heart. More
1
Larionov - Space Threat
2
Larionov - Asteroid Attack
3
Larionov - Flying High
4
Larionov - Vimana Ride
After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy. The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean. 'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally. Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night. 'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro. Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.
More
1
UFO95 - A1 Cogitor 06:27
2
UFO95 - A2 Sexual Tension 06:05
3
UFO95 - B1 Fragment 04:17
4
UFO95 - B2 Solar 05:11
5
UFO95 - B3 Gargk 04:30
6
UFO95 - DX Wallon (Digital Bonus) 05:49
Territories: World excl. UK
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49
Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing. More
FORMAT 12" vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49
Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing. More
1
Plastikman - A1 Drp
2
Plastikman - A2 Plasticity
3
Plastikman - A3 Gak
4
Plastikman - B1 Okx
5
Plastikman - B2 Helikopter
6
Plastikman - B3 Glob
7
Plastikman - C1 Plasticine
8
Plastikman - C2 Koma
9
Plastikman - D1 Vokx
10
Plastikman - D2 Smak
11
Plastikman - D3 Ovokx
Territory: WW-UK/EIRE & USA,Canada
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
2024 repress
Double Vinyl
Pressed on BioVinyl and packaged in environmental wrapping
To celebrate its 30th anniversary, Plastikman's redefining acid techno masterpiece, Sheet One, has been mastered from the original tapes and reissued on vinyl via Mute and NovaMute.
Released in 1993 on Mute's subsidiary label NovaMute, this record was the debut for Richie Hawtin's alias Plastikman. 30 years on Sheet One is a landmark album in the field of electronic music, it changed the shape of what the genre could be and became.
Introducing one of techno's most recognisable logos, the album achieved a degree of notoriety for its acid blotter-style perforated artwork. Musically it focuses on laser-precise minimalist rhythms to drive a series of echo-box acid lines that gradually acquire power over the course of lengthy album tracks, with frequent use of the Roland TB-303, which gained prominence in the electronic music world as a staple of Chicago's acid house scene. Hawtin once described Sheet One perfectly in an interview with MusicRadar, saying "...It's music for the end of the party as you're melting into the floor, which is exactly what the name Plastikman was made to represent."
This seminal album helped to establish the template for minimal techno, and is a must listen for lovers of electronic music.
Available on double bio vinyl.
TRACKLIST
A1 Drp
A2 Plasticity
A3 Gak
B1 Okx
B2 Helikopter
B3 Glob
C1 Plasticine
C2 Koma
D1 Vokx
D2 Smak
D3 Ovokx
More
1
Fireground - The Element 05:13
2
Fireground - Riva 05:26
3
Fireground - Love Letter 05:57
4
Fireground - Etereo 05:40
FORMAT: 12" vinyl, generic sleeve artwork,
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
More
10x15cm postcard inlay, dl code
TRACKLIST
1. / A1 The Element 05:13
2. / A2 Riva 05:26
3. / B1 Love Letter 05:57
4. / B2 Etereo 05:40
Fireground’s live sets brim with joy and Mediterranean warmth so, as we have now passed the vernal equinox in the Northern Hemisphere and are well on en route to leave the long, cold winter behind, what could be more fitting than a new release from the duo?
As with their three previous releases on Tresor (Dualism, Refreshing Part 1, and Dreams) for Love Letter Angela and Daniele have created a heady melange of styles of techno synonymous with the turn of the century with such outrageous elan and jubilation that they practically embody the musical term giocoso:
“We had the "summer" concept in mind from the beginning, this pushed us to create a message in our sound making it uplifting and engaging, capable of conveying a positive, romantic and warm vibe. In our productions we always give priority to the harmonic parts such as melodies, pads, piano and guitar riffs, the peculiarity of this EP is that all the tracks were born first from these elements, and only at the end the groove was crafted, not due to a difference in importance, rather to ensure that the rhythmic part paid as much respect as possible to the harmonic part.”
This decision to build upwards from the harmonics has paid dividends: the entrance of a string section provokes visions of a rapt club crowd cheering with exultation; a looped groove stimulates a connection to such gleeful nostalgia that is almost certain to be heard at many festivals in coming months; a blissful pad sweeps over a
track like the first rays of sun in the morning; a filtered synth rises to be met with a xylophone-like countermelody…every track has a moment where the music overflows with some form of happiness. Together the collection promises, and perhaps even delivers, a summer both ecstatic and joyful.
More
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
1
Cybotron - Maintain 04:56
2
Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
Label:Central Processing Unit
Cat-No:CPU01111100
Release-Date:05.04.2024
Genre:Electro
Configuration:12"
Label:Central Processing Unit
Cat-No:CPU01111100
Release-Date:05.04.2024
Genre:Electro
Configuration:12"
1
Karsten Pflum - WAN1
2
Karsten Pflum - Lola
3
Karsten Pflum - Mousfolk Acid
4
Karsten Pflum - Balm
In a convergence of two of the most celebrated names in contemporary electronic music, Karsten Pflum steps out on Central Processing Unit with the Liars EP. As anyone who has followed either Pflum's work for labels such as Worm Interface/Furthur Electronix or the Sheffield imprint's recent run of top-quality electro joints will have expected, this coming together proves to be a match made in heaven.
What we have here is a tour de force of modern machine music. With Liars, Pflum achieves that rare feat of making something that is at once boundary-pushing yet also thrillingly immediate, his attention to detail shining through with each well-placed snare hit or leftfield structural choice. Equally apt for home listening or dancefloor deployment, Liars is a delight for heads and hedonists alike.
Constantly evolving while also cleaving to a relentless groove throughout, opener 'WAN1' is a brilliant scene-setter for Liars. The track slinks between sections of seething post-Drexciyan acid and eerie vignettes which balance out haunted house synth licks with the sort of punishing bass blasts that recall early grime classics like Youngstar's 'Pulse X'. A sly shift of key halfway through the track only serves to redouble 'WAN1's restless brilliance.
After 'WAN1', 'LOLA' represents something of a gear-switch. The track's wiggly opening bassline is a red herring - make no mistake that we're fully into braindance territory on this one, the drums skittering across the mix as Pflum fills the track out with jungle-adjacent delays and softly insistent synth pads. As 'LOLA' goes on, blurts of synth and some stiffening in the drum work pushes the track into pure rhythm workout territory.
First B-side 'MOUSFOLK' somewhat splits the difference between Liars' A-sides. This track has 'WAN1's unyielding stomp and prominent acid bass line, but the helter-skelter drum breaks and wandering keyboard lines are very much pulling from 'LOLA's zanier energy. As with the other joints here, 'MOUSFOLK' is elevated by Pflum's composerly touch, the Dane frequently throwing in new sonic tidbits - a skippy snare tattoo, a single-note synth loop which sounds like a hovering spaceship - that reinvigorate the mix.
Pflum's musicality is at the fore once more on closer 'BALM'. For the first section of 'BALM', a rich and sombre keyboard fugue, you'd be hard pressed to say whether you're listening to a producer of club music or a contemporary classical maestro. The way Pflum builds this central motif up with deft broken-beat drum programming, a wheezing synth countermelody and distant vocal sighs is equally delightful, the whole track coming off like a kindred spirit of the electronica-infused experiments on Radiohead's 2000 masterwork Kid A.
A brilliantly unorthodox collection of electro-braindance hybrids, Liars is a barnstorming Central Processing Unit debut from the seasoned Karsten Pflum.
RIYL: AFX, Silicon Scally, DMX Krew, Matmos More
What we have here is a tour de force of modern machine music. With Liars, Pflum achieves that rare feat of making something that is at once boundary-pushing yet also thrillingly immediate, his attention to detail shining through with each well-placed snare hit or leftfield structural choice. Equally apt for home listening or dancefloor deployment, Liars is a delight for heads and hedonists alike.
Constantly evolving while also cleaving to a relentless groove throughout, opener 'WAN1' is a brilliant scene-setter for Liars. The track slinks between sections of seething post-Drexciyan acid and eerie vignettes which balance out haunted house synth licks with the sort of punishing bass blasts that recall early grime classics like Youngstar's 'Pulse X'. A sly shift of key halfway through the track only serves to redouble 'WAN1's restless brilliance.
After 'WAN1', 'LOLA' represents something of a gear-switch. The track's wiggly opening bassline is a red herring - make no mistake that we're fully into braindance territory on this one, the drums skittering across the mix as Pflum fills the track out with jungle-adjacent delays and softly insistent synth pads. As 'LOLA' goes on, blurts of synth and some stiffening in the drum work pushes the track into pure rhythm workout territory.
First B-side 'MOUSFOLK' somewhat splits the difference between Liars' A-sides. This track has 'WAN1's unyielding stomp and prominent acid bass line, but the helter-skelter drum breaks and wandering keyboard lines are very much pulling from 'LOLA's zanier energy. As with the other joints here, 'MOUSFOLK' is elevated by Pflum's composerly touch, the Dane frequently throwing in new sonic tidbits - a skippy snare tattoo, a single-note synth loop which sounds like a hovering spaceship - that reinvigorate the mix.
Pflum's musicality is at the fore once more on closer 'BALM'. For the first section of 'BALM', a rich and sombre keyboard fugue, you'd be hard pressed to say whether you're listening to a producer of club music or a contemporary classical maestro. The way Pflum builds this central motif up with deft broken-beat drum programming, a wheezing synth countermelody and distant vocal sighs is equally delightful, the whole track coming off like a kindred spirit of the electronica-infused experiments on Radiohead's 2000 masterwork Kid A.
A brilliantly unorthodox collection of electro-braindance hybrids, Liars is a barnstorming Central Processing Unit debut from the seasoned Karsten Pflum.
RIYL: AFX, Silicon Scally, DMX Krew, Matmos More
1
Dubfire - Descent (Carl Craig Remix)
2
Dubfire - Dark Matter (L.B. Dub Corp Remix)
Single 5
Tracklist
A Dubfire - Descent (Carl Craig Remix)
B Dubfire - Dark Matter (L.B. Dub Corp Remix)
DUBFIRE INVITES CHRIS LIEBING, TRUNCATE, CARL CRAIG, DRUMCELL, NADIA STRUIWIGH & MORE TO HIS REMIX ALBUM
EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.
The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, DEAS, Carl Craig, Truncate, Drumcell, Chris Liebing, and Luke Slater as L.B. Dub Corp who have all given the original music in their own unique style.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.
More
Tracklist
A Dubfire - Descent (Carl Craig Remix)
B Dubfire - Dark Matter (L.B. Dub Corp Remix)
DUBFIRE INVITES CHRIS LIEBING, TRUNCATE, CARL CRAIG, DRUMCELL, NADIA STRUIWIGH & MORE TO HIS REMIX ALBUM
EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.
The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, DEAS, Carl Craig, Truncate, Drumcell, Chris Liebing, and Luke Slater as L.B. Dub Corp who have all given the original music in their own unique style.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.
More
1
Sound Synthesis - Music Love Eternity
2
Sound Synthesis - Ghost Particles
3
Sound Synthesis - Cosmic Dance
4
Sound Synthesis - New Sonic Spaces
Sound Synthesis returns to eudemonia with another stellar acid-infused Electro EP. This time the Maltese delivers four wonderfully crafted tracks that send you to the outer space.
More