House

Tracklist:
A.1 Detective Chimp
A.2 King Conga
B.1 Orangotango
B.2 Grape Ape

Short Info:

Stockholm label Studio Barnhus welcomes Ari Bald and CJ Scott, two local house heads whose “Dance Monkey Dance” EP builds on the brilliancies heard on their previous releases on some of Stockholm's most prominent underground labels: Karlovak, Velvet Pony, Västkransen Records, Bigges District Limited...

From the infinitely rising disco euphoria of opener “Detective Chimp”, to the bittersweet-but-bouncy finale of “Grape Ape”, this record is chock-full of partystarting moments set to turn worldwide dancefloors upside down. No fuss, no frills – just pure, guilt-free and locally sourced house music goodness to enhance your dance. You know you need it!

12'' vinyl and digital release designed by Eliot Axelsson arrives May 12 on Studio Barnhus. More

GENRE/S: House, Dance, Pop

Tracklist:

[12” vinyl]
A1. Rodeo
A2. First Rodeo
B1. Kampai

SHORT INFO:
Veteran producer Blende debuts on Studio Barnhus, the Athens-based Swede delivering 3 cuts full of
force and rich in detail, perfectly straddling that line between weirdo pop and freaky dance that the Stockholm
label loves to explore. Vocal contributions from Belgian rock experimentalist Mickael Karkousse and Los
Angeles-based singer-DJ sensation Smiles Davis complete the package, along with a trippy and menacing
cover by graphic wizard Stefan Fält. An essential Studio Barnhus dance record!
Johan Blende is a Swedish music producer, song writer and DJ. For the biggest part of this side of the millennium
he’s been weaving together modern dance music elements with retro sounds of the ‘70s and ‘80s.

VITAL SALES POINTS:
- limited edition of 500 copies
- purple vinyl with sticker on sleeve front and extra sticker inlay
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GENRE/S: House, Deep House, Ambient, Experimental

Tracklist:
[12” vinyl]
A1.Kika
A2. Bruxas
A3.Más Companhias?
B1.Polvo
B2.High In The Park
B3.Whoever You Are

SHORT INFO:
Silvestre went for a walk in the park and came back a wiser man. This resulted in the Lisboa artist's first
EP for Studio Barnhus, a six-track extravaganza ranging from coke-fueled funk to some heartfelt guitar
ballad business. Radical, enlightened, super fun sounds from this self-proclaimed "big fan of music". Out
April 19 with first single "Kika" dropping March 15.


VITAL SALES POINTS:
- limited edition of 300 copies
- WAS exclusive More

GENRE/S: Electronic, Dance, Minimal

A1. Gogo Gaga
A2. Pond De Replay
B1. Rub it! Rub it!
B2. Frogman

Utter and complete FROG FRENZY on Studio Barnhus as Computer Station (label veteran Your
Planet Is Next + label newcomer KABLAM) take you on a ribbeting ride, leaping right into a lily-pad-laden
wonderland where the basslines forever croak in unison. Club-optimised mixdowns, advanced computer graphics
courtesy of Dennis Vera and not a BPM count under 149 guarantee that this record will make a proper splash in
the frogstep scene!

- Limited edition 12” vinyl of 300 copies
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GENRE/S: House, Deep House, Lo-Fi House

[12” vinyl]
A1 Ewok
A2 Sunday
B1 Polestar 2
B2 Milpool (Ode to Karl)

Reykjavík-born, Vienna-based Moff & Tarkin, prolific producer of highly inventive house music, debuts on Studio
Barnhus with the Stockholm label's first release of 2024. Undeniable grooves, dynamic arrangements and some
very resourceful sample flips indeed can be found aplenty across the four tracks on Mango Boy.

Artwork by Stefan Fält
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Special remarks: containing instrumental and acapella versions of two original tracks.

GENRE/S: Electronica, jazz, spoken word, house, IDM

TRACKLIST:

[12” vinyl]
A1. Learn To Swim Pt 1
A2. Learn To Swim Pt 1 (Instrumental)
A3. Learn To Swim Pt 1 (Acapella)

B1. Stretch for the Stars
B2. Stretch for the Stars (Instrumental)
B3. Stretch for the Stars (Acapella)

SHORT INFO:
Studio Barnhus proudly presents Joshua Idehen, announcing "Stretch for the Stars" – a new EP from
the Stockholm-based British-Nigerian spoken word artist and musician. Joshua's explosive creativity
and soulful voice have made him a fixture on the UK jazz scene, his exuberant live performances
lighting up clubs and festival stages across the world, including recent Studio Barnhus parties and
Boiler Room streams.
Together with producer and instrumentalist Ludvig Parment, Joshua fuses poetry with modern club
sounds in a natural, free-flowing way, resulting in some of the most poignant new music heard at
Studio Barnhus label headquarters in recent times. The new EP was co-produced by label mainstay
Matt Karmil and designed by Laurenz Brunner. Vinyl and digital release date November 24.
More

180g cream colored vinyl with printed inner sleeve, shrink-wrapped with sticker

GENRE/S: Electronic, House

TRACKLISTS:

A1. Bound B1. Heartbeat/ Into The Night
A2. Can't Stop B2. Feel It
A3. Boo Moon B3. Orange
A4. Later B4. 4ever
A5. Summertime B5. Gemini Sun

SHORT INFO:
DreamySpaceyBlue is a new Bella Boo album, written and produced early 2023 when dark times
demanded love, healing and forgiveness. Cozed-up, self-therapeutic winter-spring studio sessions
resulted in Bella's most virtuoso work yet – a collection of dazzling, emotive recordings full of bright
notes, deep vibrations and that signature “Boo mood”. The album marks a distinctive step forward in
Bella's sound: An amalgamation of the etheric sounds on her 2019 debut album Once Upon A Passion
and the ruff and rugged dance tracks on her recent Looney Talks EP.
DreamySpaceyBlue features appearances by a number of Bella's closest confidants in life and music.
The album artwork, designed by good friend Lowe Steiner, portrays her daughter Bozi, who in her turn
shot Bella's last album cover – a fitting full-circle arrangement for an album rooted in collaboration,
intimacy and love. More

Tracklist:
A. Our House Is Barnhus - B. Gut Punch

A very special autumnal presentation from FaltyDL & Studio Barnhus, in the form of a perfect little slab of 12'' vinyl, exhibiting the love for the classic house sound that burns within the hearts of the prolific New York producer as well as the Swedish dance music
powerhouse. In particular, “Our House Is Barnhus” honours and updates the deeper side of the French touch – think Pépé Bradock and early St. Germain – fully displaying the state-ofthe-art production skills and emotional depth always present in Drew Lustman's music.
Known for his shapeshifting sound, FaltyDL has been releasing explorative electronic music for over a decade, switching his sound up intuitively across 6 albums, remixes for The xx and Mount Kimbie, executive production credits for Mykki Blanco and a multitude of
singles and EPs, including two previous Studio Barnhus editions in 2021 and 2019.

Our House Is Barnhus (12'' vinyl + digital release) is out on Studio Barnhus on September 29, 2023.
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12" GENRE/S: House

- First solo venture outside of her own label Frizner Electric
- Baltimore-native, Detroit based DJ and producer
- Releasing new EP on Studio Barnhus 2023
-LADYMONIX's core sound: Essential dance tracks, firmly grounded in sacred house music tradition, executed
with heaps of personality, finesse and charm.


TRACKLISTS:
A1 In A Daze
A2 So Sweet
B1 Welcome 2 My House
B2 Desire
-
4. SHORT INFO:
Do you like house music? We're big fans over here at Studio Barnhus HQ, with the particular house music of
LADYMONIX having been a key element of our liveliest house music get-togethers over the last years. We're thrilled to
announce the Baltimore-native, Detroit based DJ and producer's new EP on our label, which marks her first solo venture
outside of her own Frizner Electric imprint. The four tracks on the Welcome 2 My House EP are perfect examples of
LADYMONIX's core sound: Essential dance tracks, firmly grounded in sacred house music tradition, executed with
heaps of personality, finesse and charm. Vinyl and digital release out June 30 2023.

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House, Techno, Electro/Ambient, Pop

Something never heard before from man of the moment Nikki Nair
Nikki singing full vocals for the first time on record
Comes with a b*nging remix from Stockholm avant-techno ledge Peder Mannerfelt

TRACKLISTS:

-[7” vinyl]
-A1.Cant't Wait
-B.1 Can't Wait (Peder Mannerfelt Remix)

Something never heard before from man of the moment Nikki Nair (or anyone else, for that matter): Whimsical glitchpop-blues with Nikki singing full vocals for the first time on record - lamenting the 9-to-5 struggle, yearning for summer &
getting fucked up on the beach.
The idiosyncratic, strangely addictive original comes with a b*nging remix from Stockholm avant-techno ledge Peder
Mannerfelt going full chaotic evil mode, warping Nikki's vocals into a menacing call to arms for the modern hedonist.
Nikki Nair's latest single arrives on Stockholm label Studio Barnhus, both tracks release digitally and on 7'' vinyl. More

House

Tracklist:
A.1 Detective Chimp
A.2 King Conga
B.1 Orangotango
B.2 Grape Ape

Short Info:

Stockholm label Studio Barnhus welcomes Ari Bald and CJ Scott, two local house heads whose “Dance Monkey Dance” EP builds on the brilliancies heard on their previous releases on some of Stockholm's most prominent underground labels: Karlovak, Velvet Pony, Västkransen Records, Bigges District Limited...

From the infinitely rising disco euphoria of opener “Detective Chimp”, to the bittersweet-but-bouncy finale of “Grape Ape”, this record is chock-full of partystarting moments set to turn worldwide dancefloors upside down. No fuss, no frills – just pure, guilt-free and locally sourced house music goodness to enhance your dance. You know you need it!

12'' vinyl and digital release designed by Eliot Axelsson arrives May 12 on Studio Barnhus. More

Tracklist:
A1. Looney - A2. Dancehall - B1. Girls – B2. Get Away

Release Info:
Bella Boo is back on Studio Barnhus with her most direct and club-focused
material yet. A veteran of the Stockholm underground, named “one of the most
promising new artists not only on Studio Barnhus, but in house music in general”
by Resident Advisor, Bella has channelled the energy of her recent DJ dates at
Berlin’s Panorama Bar and London’s Phonox into this Looney Talks EP, a
collection of four intoxicating dance trax full of intense rhythmic themes and
inventive new takes on classic rave sounds.
Looney Talks (12'' vinyl + digital release) is out on Studio Barnhus on March 24
2023. More

12" including postcard
Tracklist:
A1. Chicken’s Head - A2. Welcome – B1. Air - B2. Home

Release Info:
A LEMON DREAM fuelled night out at the CHICKEN'S HEAD ends, seven friends WELCOME themselves back to the studio, a sense of anticipation fills the AIR, no-one wants to go HOME.. Tracks already danced to by thousands across the globe on this EP – as played by Dixon, Hunee, Axel Boman, DJ Tennis, Butch, Ruf Dug, Mano Le Tough, Jimi Jules the list goes on... Studio Barnhus is proud to present UK producer Wallace & his Lemon Dreams, the result of one of the very best demo emails ever received at label HQ!


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Coloured vinyl

Tracklist:
A1. BAM! (Massproductions Dub) – B1. A Meditation On Furniture By Chris Martin

Release Info:
On this 7” vinyl Axel Boman and furniture company Massproductions present” BAM!
(Massproductions Dub)” - a creative sound experiment, where Swedish music producer Axel
Boman explores Massproductions’ new sofa BAM! The rhythmic A-side was released digitally in
February 2021 and is now followed by a full vinyl release together with the B-side” A Meditation
On Furniture By Chris Martin” which is a hypnotic acid rap with Massproduction's head of design
Chris Martin (not THE Chris Martin).
Contributor to this release is also one of Sweden's most well renowned jazz musicians, Konrad
Agnas, from the jazz group Agnas Bros.
Artwork and design by Stefan Fält.
BAM! (7'' vinyl) is out on Studio Barnhus on May 25, 2022. More

3*12" LP plus Free Digital Download plus Sticker included

Tracklist:

LUZ
A1. Acid Distortion - A2. BHUKA feat. Kamohelo - A3. Nowhere Good feat. Bella Boo
B1. Gröna Dalen - B2. Edgeware Rd - B3. 'Atra feat Kristian Harborg
C1. Out Sailing feat. Man Tear & Inre Frid - C2. Grape - C3. Hold On

Quest for fire
D1. Sottopassaggio feat. Miljon - D2. One Two - D3. Stone Age Jazz
E1. Cacti Is Plural - E2. Roman Plumbing feat. Kristian Harborg - E3. Ostende
F1. Regret Lasagna - F2. Jeremy Irons - F3. Les Lèvres Rouges

Release Info:

Nearly a decade after the release of his breakthrough debut album “Family Vacation”, Axel Boman returns with astonishing force: Two albums, titled “LUZ” and “Quest for fire”, will drop
simultaneously on April 15th 2022. Containing nine songs each and featuring guests like Off The Meds frontman Kamohelo, Baba Stiltz, Bella Boo, Man Tear, Miljon and saxophonist Kristian
Harborg, the two albums are separate but corresponding works, communicating through music, design and words. Together with long time collaborators Robin Ekemark (design) and Erik
Lavesson (words and art direction), Axel has spearheaded a project with plenty of layers available to those that dig deep.

Erik writes:
” For Axel’s two albums, we wanted to build on the music to create a kind of expanded universe. If you just want to listen to the music, it’s all there and you don’t have to look any further. If you want
to go deeper, you have these extra layers to delve into: album art, text, archive material. They feed back into the music and open up new perspectives, while the music opens up ways
to enter the other material as well.”

Erik’s text “Brandenburger Ulam” will accompany the album project's physical release, with both records arriving together in a limited triple vinyl package, allowing for the full experience of Robin’s
design. In the digital domain, the albums will be featured separately on all streaming platforms, with Dolby Atmos mastering for those seeking to go beyond the usual listening experience.


LUZ / Quest for fire (3 x 12" LP plus Free Digital Download plus sticker included) is out on Studio Barnhus on April 15 2022. More

2x12" LP, ALBUM

A1. A Message From Mr. Music - A2. Welcome 2 The Party - A3. Metalhead – B1. Crazy 4 U - B2. I
Used 2 Believe - B3. Special K - C1. Jack Your Body - C2. Hedgehog's Dilemma C3. XG Tulpa
D1. Neo Tokyo - D2. Pflaumenmaus - D3. Lisa 1503 Outro

Your Planet Is Next is the nom de guerre of one Arvid Wretman –
multidisciplinary artist, live performer and noise maker from Stockholm, Sweden.
Since his 2014 debut cassette under the YPIN alias, through two floor-optimised
solo EPs for Studio Barnhus, this self-proclaimed “Mr. Music” has terrorised us
with the most gloriously disturbed electronic funk, all while cultivating his puzzling
YPIN persona: part failed pop-star, part extraterrestrial threat. On his first fulllength release for Studio Barnhus, emotions range from acidic romance to pure
paranoia. Rave, screw, electro, and chill vibes are all combined on an album that
plays like an exhilarating journey through the mind of a mad genius.

Mr. Music (double 12'' vinyl + digital release) is out on Studio Barnhus on February
25 2022. More

LP, ALBUM

Tracklist:
A1. Spirit high - A2. Vet du vad det betyder - A3. Dom låg där i en hög - A4. Flyg iväg
B1. Tråden - B2. Bakom en buske - B3. Du sa - B4. Marschera - B5. Älska dig

Release Info:
Själen is a Stockholm-based duo consisting of Johan Jan Jonason and Mats Andberg.
Spirit High is their debut album, arriving after the band’s previous Studio Barnhus
appearances with 2020's heartfelt ballad “Älska mig” as well as a single release of this
album’s title track in summer 2021.
On Spirit High, multi-instrumentalist Andberg together with album co-producer Axel
Boman weave a shimmering lo-fi tapestry that frontman Jonason vigorously tears apart
using simple iconic phrases delivered with a unique singing voice – naïvely desperate,
delicately forceful. No posing, just transparency! No nuances, just the pure expression of
Själen! Out December 10 on Studio Barnhus. More

Tracklist:
A1. Wrath - A2. Stereo Zaddy
B1. Night Regulators - B2. Roller - B3. Lust

Release Info:
If a tree falls in Sweden, do you hear it in Brooklyn? If I find my keys, can I leave my
house? …and what is the difference between raging Lust and vengeful Wrath? On my
second EP for Studio Barnhus, I make my case for a shared space for both. Sandwiched
between two love notes to Vangelis are three cuts of choice deli meats procured from the
finest bodegas of the land. For headphones, cars, hi-fi systems and even clubs too.
- FaltyDL
“The Wrath EP” is released through Studio Barnhus on all digital platforms and as a vinyl
EP October 15. More

GENRE/S: House

TRACKLISTS:
A1: Night Susan
B1: Boom-A-Rang

SHORT INFO:
‘Two pop-infused tunes from under the blanket, ahead of their upcoming new EP, stay tuned!’












More

Format Notes: 2024 first time vinyl release, 140g double vinyl, remastered audio with restored artwork


Track List:

A1 Mr. Righteous (Intro) 0:35
A2 You Need Knowledge 3:45
A3 88 Soul 3:12
A4 Black Shakespeare 3:02

B1 For My People...It's Spiritual 2:55
B2 Lonely At The Top 3:56
B3 Just Listen 4:05
B4 California Dreamin' 4:33

C1 Purity 3:59
C2 Kunta Kente 4:20
C3 1993 Shit 3:49

D1 We Got Plots 3:38
D2 Do Win-Dis 4:11
D3 Hope She Remembers Me 3:15

Release Notes:

Holy grail hip-hop alert! Superstar Quamallah's Invisible Man was never released on wax so, to celebrate the 15th anniversary of this astounding record, we present the first ever vinyl edition. A stunning record which gained accolades upon its initial release, such as a prominent feature on Gilles Peterson's renowned Best Of 2009 show, it's one of the most essential jazz rap albums of all time. Cut across double vinyl, it’s exceedingly limited, with just 500 pressed for the world.

Deep jazz rap on that mellow-melodic tip, Invisible Man is an unforgettable album with nothing but dope beats and dope bars. There's a strong chance this album has passed you by but we truly believe it to be a lost hip-hop masterpiece. It supremely captures the essence of a golden age classic without being slavish to the past. No, this ain't some facile throwback rap. It's a fresh and deeply soulful, original album shot through straight from the heart. Perfect to chill to, Invisible Man is profoundly jazz-oriented and captures with simplicity and sincerity the essence of hip-hop circa 1983-1994. It sounds like vibing with your nearest, dearest and oldest friends on a long hot summer night as the tantalising thought that anything is possible fills the air. You know what, we can just call this "magic hour rap" and we think you'll know what we mean. It's just beautiful. Just Listen.

Brooklyn-born, California-based emcee, DJ, and producer Superstar Quamallah was active in the West Coast underground scene throughout the 90s and recorded extensively with such revered names as Defari and Tajai. His parents were some serious artistic heavyweights, too; his father was soul organist Big John Patton, a giant in the jazz world known for his releases on Blue Note whilst his mother was an active designer. However, he remains relatively unknown. Invisible Man, named ostensibly after the classic Ralph Ellison novel, could also refer to how he is viewed by the public at large. With close affiliations to the Hieroglyphics, Dilated Peoples and Likwit crew, his debut EP "Don't Call Me John" arrived in 1999 on ABB Records, after which he took a sabbatical from recording which included graduate school, travelling, teaching at Inglewood High and eventually a professorship of African Studies at Berkeley.

With a laidback flow and deep, relaxing presence on the mic, Superstar Quamallah is equal parts Big Daddy Kane, Rakim and Guru. Invisible Man is refined, soulful, feel-good hip-hop of the old school. Its wise, spiritual and literate sound, combined with the summertime vibes projected by the smooth beats and the nostalgia-inducing samples and vocal scratches, created jazzy boom-bap rap reminiscent of prime De La Soul, A Tribe Called Quest and Gang Starr.

Irresistibly bouncing opener "You Need Knowledge" loops sparkling pianos, horns and a nagging whistle refrain with scratched vocal refrains from Slick Rick, Mobb Deep and Guru. The super-smooth head-nod classic "88 Soul" also utilises a beautifully swelling piano line and dusty breaks whilst Quamé reminisces about his childhood in NYC. Deeply moving, the silky, sultry "Black Shakespeare" is built around an elegant piano loop and goes hard on the superman lover tip whilst "For My People...It's Spiritual" is transcendental rap in conversation with Rakim and older gods. The "Moment Of Truth"-sampling "Lonely At The Top" is striking for its undiluted boom-bap stylings and the staccato flute-hop of "Just Listen" is riddled with soulful refinement. The deeply-affecting, wistful-yet-triumphant bells and horn-drenched single "California Dreamin'" is top-tier rap of unimpeachable quality. What a flow!

Another highlight is the rich melodic piano-rap of "Purity", a beautiful ode to the foundations of rap and those keeping the culture authentically alive. Beautifully played instruments and spiritual jazz samples elevate the deep thinking present on "Kunta Kente" whilst the darker jazz-tinged battle-rap of "93 Shit" goes super hard both in a lyrical sense and with its no-holds drum punches. The breezy Rhodes and string loops that serve as the sonic backdrop to the slinky jazz rap of "We Got Plots" are just gorgeous as our hero evokes Common's "I Used To Love H.E.R." with a head-spinning tale of crime, deception and double crossing. And some twist! "Do Win-Dis" has a tense crime-funk backing and rolling beats which complement Quamé's flow perfectly before the record is rounded out by the tough yet jazzy brilliance of rap confessional "Hope She Remembers Me". Just sensational.

Upon its original release, Quamallah himself declared: "My favorite time period for Hip Hop music was definitely between 1983 and 1994 with 1988 and 1993 being two years that standout as extremely impressive years musically and culturally. The fashion, slang, movies, TV shows and vibe during those years was incredible. While totally submerged in the feelings and music of that entire time period, I went to work on Invisible Man and I am excited for people to hear the result! It is an album that I would want to hear from some of my favorite artists of the past and present today. This is not a RETRO trip for me; this is me at my best lyrically and spiritually using the accessories of the 80s and 90s to fuel me. I am a 88 soul as the song states!"

This album goes deep. It goes all in. When Invisible Man first came out it had a real hold on us here at Be With HQ. We couldn't stop listening to it. We'd venture to say it's one of the top 25 rap records of the 2000s. In the years since its release, it has remained a criminally underrated record, an increasingly hidden gem. We sincerely hope this first time double LP release will go some way to correct this. It's been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. Finally available on the format it should always have been on, it must never be rendered invisible again.
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2024 Repress

TRACKLIST
1. / A1 messy kafka world 05:21
2. / A2 synthi chase 05:15
3. / B1 wooden dolls don’t cry 06:13
4. / B2 cassiopea 36 06:30

The unassuming maestro of techno music Donato Dozzy returns to Tresor Records on its 30th year with a new EP entitled 124. The record follows a majestic appearance on the Tresor 30 anniversary compilation and his expert devotion to the Roland TB-303, Filo Loves The Acid. True to form, 124 meddles sharp rhythmic minimalism and diverse textures, each track pushing at the epiphanic threshold as the boss of Spazio Disponibile allows his deeply intuitive productions to take effect.
"messy kafka world" introduces a frenetic and concentrated atmosphere of rhythmic forces, hallucinatory and euphoric in effect. Its dizzying staccato loops are given structure by strengthening beats and bleak synthetic pillars. "synthi chase" emits radical powers, as buzzing rhythms and monotone synths make raw gestures towards altered states. It shares a kindred spirit with "cassiopeia 36", seen in particular through its determined
and primitive pulses, nested within wobbling wood percussion and nervous synth repetitions. "wooden dolls don’t cry" stamps a warm groove, its tempered percussion taking centre stage as shimmering melodic loops threaten spiralling feedback. These dark, hypnotic tracks are flawlessly programmed to cast mesmeric momentums onto club floors and into loosened limbs.
124 represents Donato Dozzy ever-expanding his powers and musical freedom. His innate groove and inventive sound design push minimal and serene techno with a substantial weight and voice that sets him apart from others.

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The EP by Bézier "Negative Velocity" sees the Californian artist (now for a few years a Berlin resident) initiate the launch of their new German-based record label "Körperspannung".

For 'Negative Velocity', Bézier collaborated with Bay Area drummer and avant-garde musician Dave Easlick taking live recordings of him on a drum kit warping and wrapping his pieces into curves and ellipses to project mappings outward into the atmosphere. From Easlick's source material Bézier generates a technological, multi-dimensional landscape through mental manipulation of sound waves bending the fabric of time and space. For both the title track and on the b-side 'Diabolical Embroidery' the lattice work here involved sampling and resampling every puncture from Easlick to atomize, pressurise, polish and disintegrate into fine particulate matter while reassembling parts back together fortifying the sonic tapestry further.

'Deep Sea State' is an exercise showcasing the raw form of Easlick's drumming but laced with an adamantium frame. Melodies from Bézier's musical training past haunt the entire interlude.

- New label and EP from the Dark Entries artist and Honey Soundsystem associate Bézier
- First vinyl release since their 2019 release "Fucheng"
- Limited 300 copies
- Exclusive distribution by Word and Sound

TRACKLISTS:

A1 Negative Velocity
B1 Diabolical Embroidery
B2 Deep Sea State

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Territory: No Sales to Japan & Brasil

LP
'Tempo Sem Tempo' is the fifth studio album by São Paulo based clarinet player, singer and composer Joana Queiroz, now available on vinyl for the first time outside of Brazil.


Tracklist:

A1) O Barco 07:52 min
A2) Memórias 06:57 min
A3) O Seu Olhar 04:31 min
B1) Cidade 04:34 min
B2) Beira de Rio, Beira de Mar 04:21 min
B3) Jóia 02:30 min
B4) Tempo Sem Tempo 04:28 min
B5) Dois Litorais 05:44 min


Info:

'Tempo Sem Tempo' is the fifth studio album by São Paulo based clarinet player, singer and composer Joana Queiroz, now available on vinyl for the first time outside of Brazil.
It is indeed a timeless record. A cocooning blend of looped reeds and low-key electronics holding melodies and lyrics.
When Joana sings, it's with noble restraint and grace, as can be heard on four songs including Gilberto Gil's 'Seu Olhar' and 'Dois Litorais' by her friend and Quartabê band mate Mariá Portugal.
Standing out on 'Tempo Sem Tempo' is a wistful beauty that makes it easy to immerse oneself in the intimate vastness of this album.
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12"

GENRE/S:
House, Raptor House, Bass, Techno, Tribal

TRACKLISTS:
A1 The Journey
A2 In the Groove
B1 Xpansion Move
B2 In the Jungle


DJ Babatr, an influential figure in Caracas' miniteca scene, pioneered the city's distinctive raptor house sound,
also known as changa tuki. Breaking free from established norms, DJ Babatr explores genres, creating a sonic
universe that defies easy classification. Born from the rich tapestry of Venezuelan sound, DJ Babatr boldly
reimagines electronic music within the nation's unique context, shaping and redefining the global landscape with
Raptor House. His recent resurgence in the electronic music scene, catalysed by his contribution to Nick León's
breakout track "Xtasis," has rightfully brought attention to his innovative work. This vinyl release on Paryìa, the
next chapter in the ongoing narrative of electronic music, captures the essence of Venezuela's electronic
evolution. It serves as a testament to a cultural movement originating in vibrant Venezuelan neighbourhoods,
inviting listeners on a transcendent journey through innovative electronic landscapes. As electronic music
continues to evolve, DJ Babatr's story underscores the importance of diverse voices and Latin rhythms in
shaping the genre's global roots and influences. To seal off this special release, NYC’s Ayesha's percussive
remix of DJ Babatr's track brings a fresh, dynamic energy to the raptor house sound, infusing it with pulsating
rhythms and vibrant textures.

VITAL SALES POINTS:

- Collaborations with Nick León (Resident Advisor's Best Track of 2022)
- Second EP on Vinyl
- Profile in Shawn Reynaldo's "First Floor" newsletter

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- Beautiful 1 LP 33rpm Cut Re-Edition
- 33 rpm LP mastercut by Emil Berliner

*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***

Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E

Info


WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.

Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.

The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.

Bio

Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.

Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.

She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.

In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.

In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".

Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.

Every live performance Midori Takada gives is unique and prepared especially for that occasion.


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Territories: Worldwide no restrictions

Format Notes: First time vinyl release, 140g vinyl

Track List:

A1 Dance In The Dust
A2 Amber Whispers
A3 Where Were We
A4 The Lights Of Kinshasa
A5 Pictures Of You

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B1 Serendipity For Two
B2 Smiles By The Millions
B3 Higher Still
B4 Oriental
B5 Days To Wonder
B6 Dawn Of Europa
B7 Crystal Falls
B8 Purple Lines


Release Notes:

Synth pioneer and musical polymath, Wally Badarou is a genius. But you know that already. A vinyl version of his majestic Colors Of Silence has been craved by the Balearic cognoscenti ever since its low-key 2001 release. Indeed, when we first started work on Be With, we asked some pals with exquisite taste what their dream release would be. We asked Balearic legend Moonboots and, without hesitation, he said Colors Of Silence by Wally Badarou. We didn't know Wally had made this album. And most still don't. But that's about to change.

Colors Of Silence is ostensibly a new age album. As ever though, Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. It's simply stunning, throughout. It sounds like A.r.t. Wilson or Suzanne Kraft, with traces of CFCF and Jonny Nash. But it was made a good decade earlier than the work of these modern giants. Sometimes, it doesn't seem far from some Larry Heard albums.

Island Records founder Chris Blackwell's friend Nathalie Delon asked Wally to provide music for the yoga DVD she was to release. Lack of time on both sides made them agree on using "quality demos" Wally had in his ideas bank. It's understandable why Colors Of Silence remains somewhat of a lost gem. As Wally explains: "Total lack of promotion made it an 'intimate' release, which was exactly what I was looking for: just a buzz-maker and time-buyer that would allow me to concentrate on the real thing as soon as I'd have time, which could also turn into a rare collecting item later, once the final versions made their way to success. You never know."

Over the years, Colors Of Silence has become a true cult record for the ambient/Balearic heads.

The beguiling but brief "Dance In The Dust" is the shuffling, hyper-percussive, hypnotic opener. It gives way to the deep serenity of "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. The bright and breezy "Where Were We" follows, a tropical, reggae-tinged bounce through the islands.

The uptempo groove is maintained on the keys-drizzled soca-funk of "The Lights Of Kinshasa" before Side A is rounded out with "Pictures Of You". It starts with stately, melancholic, unadorned piano and this alone would make for a beautiful song. But Wally always gives us that bit extra and he effortlessly introduces warm, dreamy pads and minimal, slo-mo percussion to augment a frankly stunning piece of work.

Ushering in Side B, Wally's mesmeric piano playing is to the fore again, in the intro to uber-chilled "Serendipity For Two". The playing becomes more mellifluous as the track progresses and adds warmth through exotic percussion, woodwind, sweeping synths and digi-drums. It has echoes of, er, Echoes. It segues seamlessly into the more propulsive, wavy "Smiles By The Millions". If you're not nodding and grinning along widely to the gently throbbing bassline underpinning this, we can't help you. The meditative "Higher Still" follows, cinematic in feel and ever so slightly sinister with the strings. It sounds particularly Badalamenti-esque, if you ask us.

That unmistakable, almost peculiar Badarou funk - so lyrical, so texturally rich and so rhythmically spacious - is all over "Oriental". Next up, "Days To Wonder" brings the serenity back, insistent yet melodic keys, as if played in a place of worship, coupled with birdsong, conjure a kind of instant nostalgia for halcyon days of youth. The contemplative "Dawn Of Europa" is a sombre, beatless, ambient journey whilst the glorious, too-brief "Crystal Falls" features soft percussion and sparkle before fully glistening with some gentle head-nod beats. Wally brings this incredible collection to a mellow, tender close with the graceful "Purple Lines".

There can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. A synth specialist, Badarou was the long-time associate of Level 42. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Special thanks must go to Apiento from Test Pressing who first introduced us to Wally and facilitated all those early zoom meetings. It couldn't have happened without his help. Not least on pulling the art together, too, which features striking original photography by Mads Perch. Benji Roebuck of Roebuck Press did his thing brilliantly in art working the whole package to completion. All in all: essential. More

LP: Artwork by Hiroshi Yoshimura, 350gsm Sleeve with selected UV High Gloss Varnish, Liner Notes by Midori Takada, Satoshi Ashikawa, and Gareth Quinn Redmond, Sticker

NO SALES TO JAPAN
- Official reissue of Satoshi Ashikawa's highly sought after Japanese ambient/environmental masterpiece Still Way (Wave Notation 2), originally released in 1982.
WRWTFWW Records is honored to announce the much anticipated reissue of Satoshi Ashikawa's undeniable classic of Japanese environmental/ambient/minimalism, Still Way (Wave Notation 2). The album, available on vinyl (first time since 1982) and digipack CD (with one bonus track), comes with a cover artwork by Hiroshi Yoshimura and liner notes by Midori Takada, Satoshi Ashikawa himself, and Irish producer Gareth Quinn Redmond (whose Still Way-inspired album Laistigh den Ghleo is being released simultaneously on WRWTFWW).



Tracklisting LP
A1. Prelude
A2. Landscape of Wheels
A3. Still Park - Ensemble
B1. Still Park - Piano Solo
B2. Still Sky
B3. Image Under The Tree


Info

Initially released in 1982 as part of the Wave Notation series*, Still Way is, without a doubt, a seminal Japanese environmental/ambient/minimalism album, often mentioned alongside Midori Takada's Through Looking Glass and Hiroshi Yoshimura's Green as one of the genre's most important pieces.

"Like the moment of stillness, after the wind passes through the garden, when the rain stops for a brief second…" Notably inspired by Erik Satie's Furniture Music and Brian Eno's ambient work, Satoshi Ashikawa aimed to compose music "intended to be listened to in a casual manner, as a musical landscape or a sound object…not something that would stimulate listeners but music that should drift like smoke and become part of the environment."
The result is simply phenomenal, subtle minimalism and emotional elegance exquisitely orchestrated by Satoshi Ishikawa and his team consisting of his wife Masami Ashikawa (on flute), Midori Takada (on vibraphone), Yuko Utsumi (on harp), Tomoko Sono (on piano), and Junko Arase (on vibraphone).
In conjunction with Still Way, WRWTFWW is releasing Laistigh den Ghleo, a companion album by Irish ambient/minimalist composer Gareth Quinn Redmond, inspired by Ashikawa's approach.
*The Wave Notation series also includes Hiroshi Yoshimura's Music For Nine Postcards album.

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Territories: WORLDWIDE

LP: 350gsm Sleeve, Liner Notes, Sticker

Tracklisting LP
A1. #Notes Of Forestry 6:13
A2. Pascal 7:44
B1. Spiral For Multipul Instruments 8:04
B2. Nude 17:14


Info

WRWTFWW Records is excited to announce the official reissue of Motohiko Hamase’s remarkable ambient/environmental/minimalism project #Notes of Forestry, available for the first time since 1988. The album is sourced from original masters and available on vinyl and CD with liner notes from the artist. This marks the third release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano.

One of the most fascinating and peculiar works from the golden era of Japanese ambient, #Notes of Forestry was initially released in 1988 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. Conceived by Jazz bassist turned experimentalist Motohiko Hamase, the magnum opus offers an enchanting mix of free-form pastoral electronics, otherworldly percussions by Yasunori Yamaguchi, and delightfully allusive piano played by none other than Satsuki Shibano (Sound Process’ Wave Notation 3).

Vibrant, sometimes eerie, and absolutely captivating, #Forestry captures Hamase’s quest for musical freedom, he explains:

"Inside the body of a musician, music is always transcendentally resonating. More than
language, music reigns. When creating music overlaps with the moment my body performs, I
strive to be as close as possible to the feeling of musical freedom. I feel that this notion lies at
the foundation of this album".

Musical freedom, here, provides an essential escape, extending the path uncovered by pivotal releases such as Midori Takada’s Through The Looking Glass, Satoshi Ashikawa’s Still Way, and Yutaka Hiros’s Nova.

#Notes of Forestry is reissued in conjunction with Motohiko Hamase’s Technodrome and Anecdote albums, all coming out May 29th 2020.


Points of interests

- For fans of ambient, experimental, environmental, minimalism, avant-garde, synth, Midori Takada, Hiroshi Yoshimura, Satoshi Ashikawa, Yoshio Ojima, Vanity Records, forests, musical freedom, and finding inner peace.

- Official reissue of Motohiko Hamase’s magnum opus #Notes of Forestry, originally released in 1988 via Spiral/Wacoal Art Center/Newsic. A monument of Japanese ambient/environmental in the same category as Midori Takada’s Through The Looking Glass or Satoshi Ashikawa’s Still Way.

- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Grauzone’s Eisbär…), label founded by Olivier Ducret of Mental Groove (Miss Kittin, Orbe, Donato Dozzy...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher, John Armleder, Sylvie Fleury…)
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