Label:Avant! Records
Cat-No:AV!092
Release-Date:26.04.2024
Genre:Alternative/Electronic
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1
Profit Prison - Seven Words
2
Profit Prison - A Matter Of Tact
3
Profit Prison - An Ascetic
4
Profit Prison - Avowal
5
Profit Prison - Sophia
6
Profit Prison - Katalina
7
Profit Prison - Interment
8
Profit Prison - A.R.P. (Amphetamine Research Project)
Four years and one pandemic after his latest Dreams Of A Dark Building EP, the herald of dungeon synth pop is finally back from his shallow grave.
Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.
It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.
Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.
What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.
Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record. More
Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.
It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.
Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.
What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.
Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record. More
More records from Avant! Records
Label:Avant! Records
Cat-No:AV!071
Release-Date:05.07.2024
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:AV!071
Release-Date:05.07.2024
Genre:Alternative/Electronic
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1
House Of Harm - Isolator
2
House Of Harm - Coming Of Age
3
House Of Harm - Behind You
4
House Of Harm - Against The Night
5
House Of Harm - Catch
6
House Of Harm - Waste Of Time
7
House Of Harm - Vicious Pastimes
8
House Of Harm - Always
9
House Of Harm - Control
Repress!
Boston is not exactly worldwide known for its coldwave or synth pop artists. Most of us know the Capital of Massachusetts because of its hardcore legacy that still continues today.
And yet, just like flowers in a rugged land, here comes House Of Harm, a post-punk trio whose new approach to the genre was showcased on their two tape EPs, earning them a cult international following as well as an imposing line up of supporting gigs opening for Editors, She Past Away, Lust For Youth, and The Cure’s Reeves Gabrels. Due on September 4 is their debut full-length Vicious Pastimes out on vinyl LP and digital format.
Nine songs where timeless melodies of Kiss Me Kiss Me Kiss Me-era Cure perfectly match French coldwave moodiness, enhanced by Cocteau Twins ethereal airiness and Creation Records seminal shoegaze sounds. Just enough light reaches House Of Harm’s base layer, giving life to infectious hooks and unforgettable mantras. The gritted core of every song makes expansive moments of release cathartic, always tethered by commanding drums.
Check out the very first single they wrote Isolator and its melancholic synth pop refrain, or Against The Night whose darkwave is as claustrophobic as One Hundred Years. Catch sounds almost like a Sarah Records hit, while the title-track hurls us back into the bleak realms of the Sisterhood. Different influences but everything is just in its place simply because House Of Harm are the rare band where you can feel every individual member’s devotion to each song’s world.
RIYL: The Cure, Depeche Mode, A Flock Of Seagulls, For Against, Drab Majesty. More
Boston is not exactly worldwide known for its coldwave or synth pop artists. Most of us know the Capital of Massachusetts because of its hardcore legacy that still continues today.
And yet, just like flowers in a rugged land, here comes House Of Harm, a post-punk trio whose new approach to the genre was showcased on their two tape EPs, earning them a cult international following as well as an imposing line up of supporting gigs opening for Editors, She Past Away, Lust For Youth, and The Cure’s Reeves Gabrels. Due on September 4 is their debut full-length Vicious Pastimes out on vinyl LP and digital format.
Nine songs where timeless melodies of Kiss Me Kiss Me Kiss Me-era Cure perfectly match French coldwave moodiness, enhanced by Cocteau Twins ethereal airiness and Creation Records seminal shoegaze sounds. Just enough light reaches House Of Harm’s base layer, giving life to infectious hooks and unforgettable mantras. The gritted core of every song makes expansive moments of release cathartic, always tethered by commanding drums.
Check out the very first single they wrote Isolator and its melancholic synth pop refrain, or Against The Night whose darkwave is as claustrophobic as One Hundred Years. Catch sounds almost like a Sarah Records hit, while the title-track hurls us back into the bleak realms of the Sisterhood. Different influences but everything is just in its place simply because House Of Harm are the rare band where you can feel every individual member’s devotion to each song’s world.
RIYL: The Cure, Depeche Mode, A Flock Of Seagulls, For Against, Drab Majesty. More
Label:Avant! Records
Cat-No:AV!091
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:AV!091
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Genre:Alternative/Electronic
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1
Blind Seagull - Connections
2
Blind Seagull - Last Who Cares
3
Blind Seagull - Emotional
4
Blind Seagull - Winter
5
Blind Seagull - Filth
6
Blind Seagull - Animals Die In The Scaffolding
7
Blind Seagull - Save
8
Blind Seagull - Animals Die In The Scaffolding (Trouble Concept Remix)
9
Blind Seagull - Cold Hands
10
Blind Seagull - Train To Tallinn
11
Blind Seagull - Nails
12
Blind Seagull - Pressure
13
Blind Seagull - Ribs
14
Blind Seagull - Human Being
15
Blind Seagull - Memories
16
Blind Seagull - Le Dernier Rendez-Vous
10 Years Anniversary compilation LP.
Ten years ago, on 21 April 2014, Russian enclave of the Baltic Kaliningrad-based trio Blind Seagull started off its adventure in the soon to be known as Sovietwave aka Russian post-punk underground. Tean years later they have accomplished to release nine full-length albums on all sorts of limited edition formats such as LPs, CDs, tapes with most of them being sold out for years.
It was time to bring many of these tracks back to life, picking up the best among them and reissuing for the global post punk/darkwave niche.
Fifteen cuts previously released by labels like Detriti, Sierpien, Pine Hill through which the band led by Denis Zarubin has shaped its own brand of icy coldwave, one pretty classic and extremely fresh and contemporary at once. On top of these we have one more track exclusive to this release which is a eurodance-oriented remix for their minor hit Animals Die in the Scaffolding. Think of a bunch of goth kids screwing around at the local carnival and you’ll get the vibe!
Decade Of Effort is due on April 21, 2024 on white vinyl LP limited to 300 with fairy-tale artwork by the band enhanced by the magical lettering of young Spanish artist Sara Fornés. More
Ten years ago, on 21 April 2014, Russian enclave of the Baltic Kaliningrad-based trio Blind Seagull started off its adventure in the soon to be known as Sovietwave aka Russian post-punk underground. Tean years later they have accomplished to release nine full-length albums on all sorts of limited edition formats such as LPs, CDs, tapes with most of them being sold out for years.
It was time to bring many of these tracks back to life, picking up the best among them and reissuing for the global post punk/darkwave niche.
Fifteen cuts previously released by labels like Detriti, Sierpien, Pine Hill through which the band led by Denis Zarubin has shaped its own brand of icy coldwave, one pretty classic and extremely fresh and contemporary at once. On top of these we have one more track exclusive to this release which is a eurodance-oriented remix for their minor hit Animals Die in the Scaffolding. Think of a bunch of goth kids screwing around at the local carnival and you’ll get the vibe!
Decade Of Effort is due on April 21, 2024 on white vinyl LP limited to 300 with fairy-tale artwork by the band enhanced by the magical lettering of young Spanish artist Sara Fornés. More
Label:Avant! Records
Cat-No:AV!089
Release-Date:22.03.2024
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:AV!089
Release-Date:22.03.2024
Genre:Alternative/Electronic
Configuration:LP
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1
Dancing Plague - Dreamless
2
Dancing Plague - Fading Forms
3
Dancing Plague - Shadow Self
4
Dancing Plague - Rot With Me
5
Dancing Plague - Elogium
6
Dancing Plague - Suffer The Senses
7
Dancing Plague - Cold Fire
8
Dancing Plague - Echoes Of The Void
Portland based act Dancing Plague has been a steady presence in the dark/cold electronic music scene for quite a few years now.
Since 2016 Conor Knowles’ solo project has been putting out one constant flow of independent releases on multiple formats such as vinyl LPs, EPs, tapes and CDs, creating one sonic palette rich with Ebm, goth, industrial and synth influences.
On their 5th studio album, Dancing Plague continues to flesh out and perfect their unique brand of crushing darkwave.
Elogium explores themes of loss, regret, rebirth and growth coupled with throbbing basslines, rave synths, and pounding drums. Knowles balances aggressive waves of electronics with enough pop sensibilities and catchy hooks to be inviting to those new to the genre.
His skills can be clearly appreciated on tracks like the first single Fading Forms which explores the somber feeling of the years passing you by. Knowles’ emotive baritone crooning paints a melancholic picture of the slow fading of time as you feel like you’re fading with it. The words fall like snow onto cold fields of pulsing 80s synths and pounding drum machine rhythms that bring forth nostalgic familiarity but feel fresh at the same time.
Fans of classic icons such as Depeche Mode, Ministry, Nine Inch Nails as well as contemporary torchbearers Cold Cave and Kontravoid do not sleep on this.
Plenty of disturbing beauty to be found in the depths of the underground. More
Since 2016 Conor Knowles’ solo project has been putting out one constant flow of independent releases on multiple formats such as vinyl LPs, EPs, tapes and CDs, creating one sonic palette rich with Ebm, goth, industrial and synth influences.
On their 5th studio album, Dancing Plague continues to flesh out and perfect their unique brand of crushing darkwave.
Elogium explores themes of loss, regret, rebirth and growth coupled with throbbing basslines, rave synths, and pounding drums. Knowles balances aggressive waves of electronics with enough pop sensibilities and catchy hooks to be inviting to those new to the genre.
His skills can be clearly appreciated on tracks like the first single Fading Forms which explores the somber feeling of the years passing you by. Knowles’ emotive baritone crooning paints a melancholic picture of the slow fading of time as you feel like you’re fading with it. The words fall like snow onto cold fields of pulsing 80s synths and pounding drum machine rhythms that bring forth nostalgic familiarity but feel fresh at the same time.
Fans of classic icons such as Depeche Mode, Ministry, Nine Inch Nails as well as contemporary torchbearers Cold Cave and Kontravoid do not sleep on this.
Plenty of disturbing beauty to be found in the depths of the underground. More
Label:Avant! Records
Cat-No:AV!064
Release-Date:08.12.2023
Genre:Alternative/Electronic
Configuration:LP
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Last in:16.01.2024
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Label:Avant! Records
Cat-No:AV!064
Release-Date:08.12.2023
Genre:Alternative/Electronic
Configuration:LP
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1
Skemer - Shout Or Cry
2
Skemer - Sunseeker
3
Skemer - Rhoeas
4
Skemer - Best
5
Skemer - Call Me
6
Skemer - Heartbreak
7
Skemer - Wait For Me
Note: limited repress of 300 copies on clear vinyl
Skemer is a brand new cooperation between singer Kim Peers, who’s also a model for Vogue, Steven Meisel, Prada and guitarist Mathieu Vandekerckhove of post-metal band Amenra and his personal project Syndrome.
Two very different worlds collide and lead to minimalist dark wave deconstructions that are equal parts brutal and erotic.
This duality is reflected in the name Skemer, which next to its obvious English meaning of ‘intriguer’ also stands for ‘dusk’ in Mathieu’s native tongue West-Flemish, as well as in their debut album.
Recorded just a few months after meeting, a sense of urgency shines through in the tracks that build Benevolence. The winding sensuality of Sunseeker juxtaposed with the pounding harshness of Best, the faint twirl of Call Me versus the solemn gait of Heartbreak.
Just like with their effervescent live performances where Peers seductive vocals coalesce with Vandekerckhove’s austere beats to meld into a transcendent fury. Everything has a double nature in the hands of Skemer. More
Skemer is a brand new cooperation between singer Kim Peers, who’s also a model for Vogue, Steven Meisel, Prada and guitarist Mathieu Vandekerckhove of post-metal band Amenra and his personal project Syndrome.
Two very different worlds collide and lead to minimalist dark wave deconstructions that are equal parts brutal and erotic.
This duality is reflected in the name Skemer, which next to its obvious English meaning of ‘intriguer’ also stands for ‘dusk’ in Mathieu’s native tongue West-Flemish, as well as in their debut album.
Recorded just a few months after meeting, a sense of urgency shines through in the tracks that build Benevolence. The winding sensuality of Sunseeker juxtaposed with the pounding harshness of Best, the faint twirl of Call Me versus the solemn gait of Heartbreak.
Just like with their effervescent live performances where Peers seductive vocals coalesce with Vandekerckhove’s austere beats to meld into a transcendent fury. Everything has a double nature in the hands of Skemer. More
Label:Avant! Records
Cat-No:AV!087
Release-Date:17.11.2023
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:AV!087
Release-Date:17.11.2023
Genre:Alternative/Electronic
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1
Skemer - Eyelashes
2
Skemer - Seen
3
Skemer - Zegens
4
Skemer - Easy To Embrace
5
Skemer - Kiss Me Kill Me
6
Skemer - Used To You
7
Skemer - Overgave
8
Skemer - Out Of Favor
9
Skemer - New Born Babe
10
Skemer - Apocalypse
11
Skemer - Like Dolls
After a hiatus of quite some time, the Belgian duo composed by the world renowned model Kim Peers and post-metal band Amenra’s guitarist Mathieu Vandekerckhove, is finally back with a new full-length album.
Four years have passed since their debut Benevolence. Meanwhile Skemer took the time to let all sides of their personality grow and eventually explode. You remember their minimalist cold wave deconstructions equally made of brutal and erotic components. A duality deeply rooted in the band’s music as well as in their line-up and obviously their live shows, where romantic and ethereal atmospheres collide with the gothic side of electronic and techno music. This is even more present on their new LP Toasts & Sentiments.
Eleven new cuts where every side of Skemer’s nature gets its own share of expression only to leave you wrapped in one pitch black cloak. A few episodes in the duo’s native language Dutch, add even more mystery to the occult receipt.
Get in the introspective, tranche insistent riff on the opening track Eyelashes and get catapulted, quite literally, on the dark side of the moon. Keep on wandering the alien surface with Seen and its solemn gait. Pick up your pace with the pounding drums of Easy To Embrace and Kiss Me Kill Me. Go down the stairs to the dungeon of the club culture with lead singles Overgave and Out Of Favor claustrophobic electro. Remain bogged down in the darkness with New Born Babe, get slapped by Apocalypse’s industrial trance crescendo. Rest and collapse with the final track’s texture of ambient synths and reverberating guitars.
It may have taken four years for Skemer to present their new creation but it was definitely worth the wait. Walk the night with us. More
Four years have passed since their debut Benevolence. Meanwhile Skemer took the time to let all sides of their personality grow and eventually explode. You remember their minimalist cold wave deconstructions equally made of brutal and erotic components. A duality deeply rooted in the band’s music as well as in their line-up and obviously their live shows, where romantic and ethereal atmospheres collide with the gothic side of electronic and techno music. This is even more present on their new LP Toasts & Sentiments.
Eleven new cuts where every side of Skemer’s nature gets its own share of expression only to leave you wrapped in one pitch black cloak. A few episodes in the duo’s native language Dutch, add even more mystery to the occult receipt.
Get in the introspective, tranche insistent riff on the opening track Eyelashes and get catapulted, quite literally, on the dark side of the moon. Keep on wandering the alien surface with Seen and its solemn gait. Pick up your pace with the pounding drums of Easy To Embrace and Kiss Me Kill Me. Go down the stairs to the dungeon of the club culture with lead singles Overgave and Out Of Favor claustrophobic electro. Remain bogged down in the darkness with New Born Babe, get slapped by Apocalypse’s industrial trance crescendo. Rest and collapse with the final track’s texture of ambient synths and reverberating guitars.
It may have taken four years for Skemer to present their new creation but it was definitely worth the wait. Walk the night with us. More
Label:Avant! Records
Cat-No:AV!085
Release-Date:29.09.2023
Genre:Alternative/Electronic
Configuration:LP
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Label:Avant! Records
Cat-No:AV!085
Release-Date:29.09.2023
Genre:Alternative/Electronic
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1
Crush Of Souls - Unloved
2
Crush Of Souls - The Gift
3
Crush Of Souls - World Of Fear
4
Crush Of Souls - Lie(be)
5
Crush Of Souls - Youth In Smoke
6
Crush Of Souls - Reaper John
7
Crush Of Souls - Who Will Silence The Pigs
8
Crush Of Souls - Zone
9
Crush Of Souls - Statues Fall For Love
10
Crush Of Souls - Servant
Legendary 2010’s indie band Crocodiles’ guitarist Charles Rowell’s new synthpop-meets-gothic rock project. Think Nick Cave crooning over Martin Rev’s minimal electronics or The Lords of the New Church-era Stiv Bators jamming with Wayne Hussey and Douglas Pearce.
After relocating from New York to France, Charles Rowell began stuffing his suitcase with various synths and samplers while taking cheap bus rides to bordering countries.
While living out of a hotel in north east Paris, he played his demos for Third Coming Records who quickly released the Bad Trip EP in 2020. Concerts became more frequent after the pandemic, with the release of Spellwound and a few have become infamous with guitars smashed to pieces, broken glasses, unruly audience front flipping onto the stage.
With Paris providing the background and a scene of friends such as avant-garde drag artist Tuna Mess and industrial techno veteran Poison Point who pushed his creativity even further, Crush Of Souls constant spirit is that it remains unpredictable and thrives on collaboration.
This is even more true with his upcoming album (A)Void Love.
Written over a period of intense insomnia that coincided with a run of shows playing guitar for Australian legend Harry Howard, Crush Of Soul’s main man Charles Rowell finally found rest after writing and recording the last song entitled World of Fear. Six months prior he had quit his job as a chef, traveled east to Prague for inspiration and returned ragged and sleepless.
Rowell’s insistence on keeping the instrumentation simple and clean came from an arduous two years of literal blood, sweat and tears. Every bit of drama, eastern excursion and sleep psychosis can be found within the walls of (A)Void Love.
Acoustic guitars and dramatic synths provide a cold wilderness for the various rhythms to inhabit; touches of minimal electronics, cold wave and synth pop can be found while the song writing remains classic for lovers of Echo & the Bunnymen and Nick Cave & the Bad Seeds.
There’s always been a thread of synth-punk, death rock and DIY noise running through all of Charles’ projects (Crocodiles, ISSUE, Flowers of Evil), however Crush Of Souls pushes harder and further into the darkness with the new album ‘(A)Void Love’. More
After relocating from New York to France, Charles Rowell began stuffing his suitcase with various synths and samplers while taking cheap bus rides to bordering countries.
While living out of a hotel in north east Paris, he played his demos for Third Coming Records who quickly released the Bad Trip EP in 2020. Concerts became more frequent after the pandemic, with the release of Spellwound and a few have become infamous with guitars smashed to pieces, broken glasses, unruly audience front flipping onto the stage.
With Paris providing the background and a scene of friends such as avant-garde drag artist Tuna Mess and industrial techno veteran Poison Point who pushed his creativity even further, Crush Of Souls constant spirit is that it remains unpredictable and thrives on collaboration.
This is even more true with his upcoming album (A)Void Love.
Written over a period of intense insomnia that coincided with a run of shows playing guitar for Australian legend Harry Howard, Crush Of Soul’s main man Charles Rowell finally found rest after writing and recording the last song entitled World of Fear. Six months prior he had quit his job as a chef, traveled east to Prague for inspiration and returned ragged and sleepless.
Rowell’s insistence on keeping the instrumentation simple and clean came from an arduous two years of literal blood, sweat and tears. Every bit of drama, eastern excursion and sleep psychosis can be found within the walls of (A)Void Love.
Acoustic guitars and dramatic synths provide a cold wilderness for the various rhythms to inhabit; touches of minimal electronics, cold wave and synth pop can be found while the song writing remains classic for lovers of Echo & the Bunnymen and Nick Cave & the Bad Seeds.
There’s always been a thread of synth-punk, death rock and DIY noise running through all of Charles’ projects (Crocodiles, ISSUE, Flowers of Evil), however Crush Of Souls pushes harder and further into the darkness with the new album ‘(A)Void Love’. More
Label:Avant! Records
Cat-No:AV!086
Release-Date:29.09.2023
Genre:Alternative/Electronic
Configuration:LP
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Cat-No:AV!086
Release-Date:29.09.2023
Genre:Alternative/Electronic
Configuration:LP
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1
Deluxxe - Waiting For A Sign
2
Deluxxe - Queen Of Hearts
3
Deluxxe - In Another Place
4
Deluxxe - Moving On
5
Deluxxe - Sweet With Sin
6
Deluxxe - Phantom Figure
7
Deluxxe - Common Ground
8
Deluxxe - Lightning In A Bottle
Deluxxe is a new post punk/new wave band from Buffalo, NY.
It was formed by Mason and Greg, and later completed with Nick, Bailey and Mackenzie, sharing members of Oi and hardcore bands such as Violent Way, Bad Blood and Exhibition. Their punk background can be heard in the music, but it’s the love for new wave, post punk, darkwave, and goth that led to creation of their debut record “If You Were Me”. Written in the cold winters of Buffalo, you can almost feel the harshness of the weather affecting the sounds that propagate from these grooves. Icy and frostbitten but somehow still relevantly civic and urban.
The Chameleons and The Sound are two main references here, but that whole cold dimension is rocked by a strong pop vein reminiscent of After The Snow-era Modern English and occasionally enhanced by an hoarseness typical of a young Paul Weller. Passionate lyricism proper of Echo And The Bunnymen and hopeless romanticism à la Sad Lovers And Giants get balanced by a sharp songwriting which keeps everything in perfect order, giving you exactly what you need, nothing more and nothing less.
You can tell some skinheads are involved here because the outcome is so tidy and neat, without losing one inch of atmosphere or enchantment. If you are wondering how something that was invented forty years ago can still sound, literally, fresh and cool, look no further because what this band delivers lives just up to its name.
“If You Were Me” is out September 22 on black vinyl LP limited to 300. More
It was formed by Mason and Greg, and later completed with Nick, Bailey and Mackenzie, sharing members of Oi and hardcore bands such as Violent Way, Bad Blood and Exhibition. Their punk background can be heard in the music, but it’s the love for new wave, post punk, darkwave, and goth that led to creation of their debut record “If You Were Me”. Written in the cold winters of Buffalo, you can almost feel the harshness of the weather affecting the sounds that propagate from these grooves. Icy and frostbitten but somehow still relevantly civic and urban.
The Chameleons and The Sound are two main references here, but that whole cold dimension is rocked by a strong pop vein reminiscent of After The Snow-era Modern English and occasionally enhanced by an hoarseness typical of a young Paul Weller. Passionate lyricism proper of Echo And The Bunnymen and hopeless romanticism à la Sad Lovers And Giants get balanced by a sharp songwriting which keeps everything in perfect order, giving you exactly what you need, nothing more and nothing less.
You can tell some skinheads are involved here because the outcome is so tidy and neat, without losing one inch of atmosphere or enchantment. If you are wondering how something that was invented forty years ago can still sound, literally, fresh and cool, look no further because what this band delivers lives just up to its name.
“If You Were Me” is out September 22 on black vinyl LP limited to 300. More
Label:Avant! Records
Cat-No:AV!084
Release-Date:21.07.2023
Genre:Alternative/Electronic
Configuration:LP
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Last in:02.08.2023
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Label:Avant! Records
Cat-No:AV!084
Release-Date:21.07.2023
Genre:Alternative/Electronic
Configuration:LP
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1
SDH - Balance
2
SDH - Denial
3
SDH - Talk In Dreams
4
SDH - Hollowed Out
5
SDH - Cellular Sky
6
SDH - Do I Look Like I'm Laughing
7
SDH - Our Fear
8
SDH - Greedy
9
SDH - Hectic
The duo formed by Andrea P. Latorre and Sergi Algiz is a specialist in shedding skin and gladly combines new heteronyms in Fake is Real, their sophomore album after their self titled debut in 2018 and subsequent EPs Against Strong Thinking and Maybe a Body, which have been full of reinterpretations and remixes.
Another sign is that they trust their modus operandi to mutation and the idea that nothing is ever quite said. It’s been three years of work, growth and numerous performances in venues and festivals throughout Europe.
In Fake is Real, SDH go out once again in search of nightclubs that are familiar, but never obvious.
The occasion is tremendous and the list of honorees is select: beginning with the producer Kris Baha, who has provided forcefulness to the rhythmic base and prominence to the voices. The dress code transcends the categories of dark wave, to dress as mischievous EBM, with accessories from new dance, acid house and disrupted but melodic techno, with structured twists that come to caress the electronic psychedelia.
Ready to play? Let’s play. Let’s change our epidermis, let’s confuse our coats in the dark. Knowing that only in the dark is where everything unpronounceable can have a place, SDH go all-in. Their darkwave résumé allows the duo to blend diverse electronica and leftfield sounds such as big beat, eurodance, synthwave, hard trance and body music in a very personal and emotional way.
You may hear influences drawn from Da Blitz to the Prodigy, Yves Deruyter to Faithless, yet everything is so SDH you just can’t mistake them with any other band out there.
Not unlike early 90’s-era Coil, the music here is as important as the idea behind the band, a unit conceived to explore and operate on the margins of the music genres it supposedly belongs to, making it hard and therefore so damn interesting to define what’s been done.
A work open to so many influences, that it gives a pleasant vertigo to be involved in it. If you’ve ever been afraid of the night, Fake is Real offers you a reconciliation with all its rhythms that invites you to move together in the club. More
Another sign is that they trust their modus operandi to mutation and the idea that nothing is ever quite said. It’s been three years of work, growth and numerous performances in venues and festivals throughout Europe.
In Fake is Real, SDH go out once again in search of nightclubs that are familiar, but never obvious.
The occasion is tremendous and the list of honorees is select: beginning with the producer Kris Baha, who has provided forcefulness to the rhythmic base and prominence to the voices. The dress code transcends the categories of dark wave, to dress as mischievous EBM, with accessories from new dance, acid house and disrupted but melodic techno, with structured twists that come to caress the electronic psychedelia.
Ready to play? Let’s play. Let’s change our epidermis, let’s confuse our coats in the dark. Knowing that only in the dark is where everything unpronounceable can have a place, SDH go all-in. Their darkwave résumé allows the duo to blend diverse electronica and leftfield sounds such as big beat, eurodance, synthwave, hard trance and body music in a very personal and emotional way.
You may hear influences drawn from Da Blitz to the Prodigy, Yves Deruyter to Faithless, yet everything is so SDH you just can’t mistake them with any other band out there.
Not unlike early 90’s-era Coil, the music here is as important as the idea behind the band, a unit conceived to explore and operate on the margins of the music genres it supposedly belongs to, making it hard and therefore so damn interesting to define what’s been done.
A work open to so many influences, that it gives a pleasant vertigo to be involved in it. If you’ve ever been afraid of the night, Fake is Real offers you a reconciliation with all its rhythms that invites you to move together in the club. More
Label:Avant! Records
Cat-No:AV!083
Release-Date:12.05.2023
Genre:Alternative/Electronic
Configuration:LP
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1
Male Tears - Krypt
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Male Tears - Sleep 4Ever
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Male Tears - Domin8
4
Male Tears - I Expire
5
Male Tears - Deal3r
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Male Tears - Never Again
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Male Tears - Jaded
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Male Tears - Stay
Here comes something unapologetically goth.
Male Tears is the dark electro group consisting of vocalist, James Edward and synthesist, Frank Shark. Hailing from Los Angeles, what began as a solo project re-established itself as a duo in 2021, simultaneously moving from the breezy sounds of the first self-titled album to darker realms with their sophomore Trauma Club.
Krypt is their third full-length recording and it shows a fully grown ensemble capable of pushing everything over the top; blending elements of darkwave, goth rock, EBM and futurepop into a sound they call Dark Rave.
Naturally drawing inspiration from the Californian goth tradition (45 Grave, Christian Death) and the Canadian post-industrial brood (Skinny Puppy, FLA), as well as the best UK synthpop (Depeche Mode, The Human League), Male Tears emphasizes the most glamourous, and at once, gruesome aspects of the whole gothic subculture, bringing everything to the next level, resulting in a contemporary and cutting edge album.
Eight new cuts that alternate rarefied synthwave (Krypt), dark eurodance (Slay) with goth techno-pop (Sleep 4Ever) and pounding electro-industrial (I Expire) to create something we may call New Romantic Body Music. It’s no wonder we wanted the scene’s top studio, La Distilleria, run by Maurizio Baggio, to master this for the most bombastic outcome.
And yet Krypt is not just about the music, it’s about one up with the times attitude that can review aggressive EBM in the light of an extravagant pop sensibility and a theatrical grandeur worthy of the Blitz Kids from London circa 1979-80.
You may think it takes quite a bit of nonchalance to do so but the L.A. duo easily succeeds at this. Akin to their aesthetics, they may seem spooky from the outside but their approach is nothing stuffy. Quite the contrary, everything regarding Male Tears is a celebration of life’s most bizzare shades, driven by some of the best dark humor you’ll find around.
So Dance with me, my dear, on a dancefloor of bones and skulls / The music is our master The devil controls our souls. More
Male Tears is the dark electro group consisting of vocalist, James Edward and synthesist, Frank Shark. Hailing from Los Angeles, what began as a solo project re-established itself as a duo in 2021, simultaneously moving from the breezy sounds of the first self-titled album to darker realms with their sophomore Trauma Club.
Krypt is their third full-length recording and it shows a fully grown ensemble capable of pushing everything over the top; blending elements of darkwave, goth rock, EBM and futurepop into a sound they call Dark Rave.
Naturally drawing inspiration from the Californian goth tradition (45 Grave, Christian Death) and the Canadian post-industrial brood (Skinny Puppy, FLA), as well as the best UK synthpop (Depeche Mode, The Human League), Male Tears emphasizes the most glamourous, and at once, gruesome aspects of the whole gothic subculture, bringing everything to the next level, resulting in a contemporary and cutting edge album.
Eight new cuts that alternate rarefied synthwave (Krypt), dark eurodance (Slay) with goth techno-pop (Sleep 4Ever) and pounding electro-industrial (I Expire) to create something we may call New Romantic Body Music. It’s no wonder we wanted the scene’s top studio, La Distilleria, run by Maurizio Baggio, to master this for the most bombastic outcome.
And yet Krypt is not just about the music, it’s about one up with the times attitude that can review aggressive EBM in the light of an extravagant pop sensibility and a theatrical grandeur worthy of the Blitz Kids from London circa 1979-80.
You may think it takes quite a bit of nonchalance to do so but the L.A. duo easily succeeds at this. Akin to their aesthetics, they may seem spooky from the outside but their approach is nothing stuffy. Quite the contrary, everything regarding Male Tears is a celebration of life’s most bizzare shades, driven by some of the best dark humor you’ll find around.
So Dance with me, my dear, on a dancefloor of bones and skulls / The music is our master The devil controls our souls. More
Label:Avant! Records
Cat-No:AV!081
Release-Date:31.03.2023
Genre:Alternative/Electronic
Configuration:LP
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1
Veil Of Light - Apricot Kiss
2
Veil Of Light - Head-On Collision
3
Veil Of Light - Hypersleep
4
Veil Of Light - Tonight
5
Veil Of Light - Raindancing
6
Veil Of Light - Remain The Same
7
Veil Of Light - Keen Blade
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Veil Of Light - Heartland Road
9
Veil Of Light - Homesick
Two years after their previous effort, regular as clockwork, Swiss throbbing synth pop duo Veil Of Light is back with a new album and what can we say? These guys keep on getting better and better.
If you have followed the Zurich-based outfit over the past few years, you must have noticed the constant moving towards 80’s FM new wave and synthpop tones – without losing their electro/body music outline – that have marked the band’s parable, especially since their latest Landslide LP.
Sundancing is their sixth full-length and it stays the course, bringing what we’ve just said to the next step. Nine new dancy and bright tunes with emotional depth that blend lush instrumentation and robust rhythms, guided by funky and rubbery basslines. Syncopated rhythm sections match suburban cool synths in the lead single Apricot Kiss and Hypersleep, while Raindancing and Tonight summon a sinuosity long gone since the mid Eighties. The musical backdrop here serves as the fundament for emotional vocals delivering lyrics dealing with the fragility of love, joy and loneliness.
There’s some subtle addictiveness to these songs, one that will gently grab you by the collar of your coat and stick the refrains from Sundancing inside your head for good.
Veil Of Light might make it look easy to keep it neat without being minimalist, intimate without being depressing, romantic in the most true sense of the word, but we know that’s possibly the hardest thing to do. More
If you have followed the Zurich-based outfit over the past few years, you must have noticed the constant moving towards 80’s FM new wave and synthpop tones – without losing their electro/body music outline – that have marked the band’s parable, especially since their latest Landslide LP.
Sundancing is their sixth full-length and it stays the course, bringing what we’ve just said to the next step. Nine new dancy and bright tunes with emotional depth that blend lush instrumentation and robust rhythms, guided by funky and rubbery basslines. Syncopated rhythm sections match suburban cool synths in the lead single Apricot Kiss and Hypersleep, while Raindancing and Tonight summon a sinuosity long gone since the mid Eighties. The musical backdrop here serves as the fundament for emotional vocals delivering lyrics dealing with the fragility of love, joy and loneliness.
There’s some subtle addictiveness to these songs, one that will gently grab you by the collar of your coat and stick the refrains from Sundancing inside your head for good.
Veil Of Light might make it look easy to keep it neat without being minimalist, intimate without being depressing, romantic in the most true sense of the word, but we know that’s possibly the hardest thing to do. More
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Genre:Alternative/Electronic
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1
Buzz Kull - Crime Lights
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Buzz Kull - Destination
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Buzz Kull - New Kind Of Cross
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Buzz Kull - The Garden
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Buzz Kull - Avoiding The Light
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Buzz Kull - Existence
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Buzz Kull - Ode To Hate
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Buzz Kull - Time
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Buzz Kull - Flowers Have No Meaning
After the release of 2017's Chroma, Buzz Kull (real name Marc Dwyer), has returned with his sophomore album. Traversing EBM, darkwave and goth sounds with ease, New Kind Of Cross traverses much darker waters than Dwyer’s last effort, speaking to the rapid change and tension at play in Dwyer’s own life.Marc spends a good portion of each year in a new city every night - and when settled in Sydney, is constantly between jobs. It makes perfect sense that New Kind Of Cross deals explicitly with themes of isolation, introversion and sometimes anger. The music on this record is heavy and unforgiving. Throughout the past, Dwyer has refined his sound to a knife's edge, proving his capabilities within the realm of darker music time and time again.
Third Euro edition limited to 300 copies on Coke Bottle Clear Vinyl. Comes in insideout sleeve. More
Third Euro edition limited to 300 copies on Coke Bottle Clear Vinyl. Comes in insideout sleeve. More
Label:Avant! Records
Cat-No:AV!080
Release-Date:02.12.2022
Genre:Alternative/Electronic
Configuration:LP
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1
Buzz Kull - Rise From Your Grave
2
Buzz Kull - Do You See
3
Buzz Kull - Last In The Club
4
Buzz Kull - Man On The Beat
5
Buzz Kull - Beyond The Ceiling
6
Buzz Kull - Fascination
7
Buzz Kull - Dead Inside
8
Buzz Kull - Dancing With Machines
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Buzz Kull - Burn It To The Ground
10
Buzz Kull - Heaven Will Find Me
The Australian master of the dark synth arts is back and – boy – he is out for blood.
We’ve been missing Marc Dwyer solo project Buzz Kull since his latest single Last In The Club from late 2019 and since back then we knew he was up to something. At first glimpse, the minimal wave days of We Were Lovers seem far away now that Marc has gone full Club Body Music with his upcoming new album, but there is a thread that binds Buzz Kull hits from the past such as Into The Void, Avoiding The Light and New Kind Of Cross with these ten new cuts: a thread of darkness proper to the most handsome man in the game and that’s here to stay.
Echoes of 90’s era Front 242 and Front Line Assembly will resonate from tracks like Fascination and Dead Inside; elements of early body music flirting with the dark side of British synthpop will rave from the grooves of Dancing with Machines and Man on the Beat, while late 80’s Belgian new beat cellar-like vibes rise from Do You See and Burn it to the Ground.
But Buzz Kull’s third full-length is not just about music subgenres we all know and love, it’s about a feeling that comes alive only with the dark and drives you through the small hours just to leave you drained and filled at once. The creature of the night is on the loose, the sticky dancefloor its natural habitat, its lust for the upside-down world of the club can’t be cured. More
We’ve been missing Marc Dwyer solo project Buzz Kull since his latest single Last In The Club from late 2019 and since back then we knew he was up to something. At first glimpse, the minimal wave days of We Were Lovers seem far away now that Marc has gone full Club Body Music with his upcoming new album, but there is a thread that binds Buzz Kull hits from the past such as Into The Void, Avoiding The Light and New Kind Of Cross with these ten new cuts: a thread of darkness proper to the most handsome man in the game and that’s here to stay.
Echoes of 90’s era Front 242 and Front Line Assembly will resonate from tracks like Fascination and Dead Inside; elements of early body music flirting with the dark side of British synthpop will rave from the grooves of Dancing with Machines and Man on the Beat, while late 80’s Belgian new beat cellar-like vibes rise from Do You See and Burn it to the Ground.
But Buzz Kull’s third full-length is not just about music subgenres we all know and love, it’s about a feeling that comes alive only with the dark and drives you through the small hours just to leave you drained and filled at once. The creature of the night is on the loose, the sticky dancefloor its natural habitat, its lust for the upside-down world of the club can’t be cured. More
Label:Avant! Records
Cat-No:AV!079
Release-Date:04.11.2022
Genre:Alternative/Electronic
Configuration:LP
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Genre:Alternative/Electronic
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1
Hørd - Arrows
2
Hørd - Ice
3
Hørd - Blood
4
Hørd - Turn
5
Hørd - Challenger One
6
Hørd - London
7
Hørd - Fires
8
Hørd - Bridges
Two years after his previous Bodies LP, French synth solo project Hørd is back with a new full-length. Started in 2014, producer Sebastien Carl has proven himself to be able to gather a cult fan-base around his creation, collaborating with artists as Hante, Winter Severity Index and Radical G, remixing goth legends Clan Of Xymox and performing live in most European countries.Debuted by Giallo Disco in 2016, two records on Avant! have followed until this upcoming fourth album.
While the music keeps on flirting with darkwave aesthetic in a forward- thinking way, the sound is now clearer than ever. Elements of EBM, shoegaze and techno are reflected through arctic synth pads, ghostly reverbs and urban spleen-filled lyrics to create haunting soundscapes, but Sciences also features beat-driven lead singles that twirl space synths and rounded kicks all over the place like never before.
Enhanced by the great mixing and mastering job done by scene-guiding light producer Maurizio Baggio, you’ll find balearic arpeggios and clangorous trance crescendo on Arrows, italo suggestions over groovy acid house beats on Ice, while mid-tempo synthwave marches menacingly on Turn and vibrates deeply on Fires.
Typical nebulous atmospheres are now less blurry and more on point without losing a single bit of enchantingness, marking a major step-up in Hørd discography. More
While the music keeps on flirting with darkwave aesthetic in a forward- thinking way, the sound is now clearer than ever. Elements of EBM, shoegaze and techno are reflected through arctic synth pads, ghostly reverbs and urban spleen-filled lyrics to create haunting soundscapes, but Sciences also features beat-driven lead singles that twirl space synths and rounded kicks all over the place like never before.
Enhanced by the great mixing and mastering job done by scene-guiding light producer Maurizio Baggio, you’ll find balearic arpeggios and clangorous trance crescendo on Arrows, italo suggestions over groovy acid house beats on Ice, while mid-tempo synthwave marches menacingly on Turn and vibrates deeply on Fires.
Typical nebulous atmospheres are now less blurry and more on point without losing a single bit of enchantingness, marking a major step-up in Hørd discography. More
Label:Avant! Records
Cat-No:AV!077
Release-Date:29.04.2022
Genre:Alternative/Electronic
Configuration:12"
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Genre:Alternative/Electronic
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1
SDH - Maybe A Body
2
SDH - Maybe A Body (Phase Fatale Remix)
3
SDH - All Of That
4
SDH - All Of That (Pablo Bozzi Remix)
Two years after their previous Against Strong Thinking mini album, Spanish techno-meets-new wave duo SDH returns with a new, killer EP. There is a duality rooted deeply in the very soul of this project that is reflected in the line-up as well as in the music the band creates. While Sergi Algiz is behind the machines propagating a wide spectrum of electronic beats ranging from techno and body music to synthpop and electro, Andrea P. Latorre offsets the night club vibe of the pounding drums with her emotional, romantic vocals. This same dichotomy is perfectly represented here by their new 12-inch Maybe A Body, out April 29, 2022 on Avant!.
The title-track is a powerful song about body recognition, about having a voice and using it, sustained by some throbbing EBM with traces of 90’s trance/progressive, ending up in a perfect balance of rousing groove and hypnagogic feelings.
The B side is the hunting ground for more dream-like scenarios as it digs deep in the nostalgia realm with its retro mood filled with italo and synth-pop bliss. To power up both these aspects of SDH’s identity, we have called two of the best electronic producers out there to remix one track each.
Maybe A Body has been given to techno golden boy and Avant! alumni Phase Fatale who has managed to enhance even further the trance-like nature of the track, creating just the perfect dancefloor filler.
All Of That has been instead reworked by the skillful hands of the rising star of the Eighties sound Pablo Bozzi who literally exploded the italo groove, occasionally smoothing things out with some breakbeats just where they’re most needed.
Produced by Matia Simovich at Infinite Power Studios, LA. Mastered at Dadub Studio, Berlin. More
The title-track is a powerful song about body recognition, about having a voice and using it, sustained by some throbbing EBM with traces of 90’s trance/progressive, ending up in a perfect balance of rousing groove and hypnagogic feelings.
The B side is the hunting ground for more dream-like scenarios as it digs deep in the nostalgia realm with its retro mood filled with italo and synth-pop bliss. To power up both these aspects of SDH’s identity, we have called two of the best electronic producers out there to remix one track each.
Maybe A Body has been given to techno golden boy and Avant! alumni Phase Fatale who has managed to enhance even further the trance-like nature of the track, creating just the perfect dancefloor filler.
All Of That has been instead reworked by the skillful hands of the rising star of the Eighties sound Pablo Bozzi who literally exploded the italo groove, occasionally smoothing things out with some breakbeats just where they’re most needed.
Produced by Matia Simovich at Infinite Power Studios, LA. Mastered at Dadub Studio, Berlin. More
Label:Avant! Records
Cat-No:AV!076
Release-Date:29.04.2022
Genre:Alternative/Electronic
Configuration:LP
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Genre:Alternative/Electronic
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1
M!R!M - Moody Moon
2
M!R!M - Faultless Pitch
3
M!R!M - Exile
4
M!R!M - Post Fight
5
M!R!M - The New House
6
M!R!M - Grey Skies
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M!R!M - Say Nothing (Feat. SDH)
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M!R!M - Desert Love (Feat. Nuovo Testamento)
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M!R!M - Peninsula
10
M!R!M - Goodnight Galaxie
Two years and one pandemic after his previous release, the Italian, London-based solo project M!R!M is back with a new full- length album.
Inspired by the synth pop classics, as well as from cold and dark waves, multi-instrumentalist Jack Milwaukee has been releasing material on labels such as Fabrika and Manic Depression until his first record on Avant! ”The Visionary” back in 2020.
On April 22 his fourth LP ”Time Traitor” will be released and we’re excited to say this is Milwaukee’s most personal job to date.
If you are familiar with his work, you know the DIY/lo-fi approach of his first recordings was already gone with his previous LP but these new ten recordings dig even deeper, drawing the outlines of a fantasy world lost within the foggy memories of a collective childhood.
Possibly locked in his bedroom for the necessary time, Milwaukee has been able to recreate an imaginative realm of 80’s FM suggestions, scattering a number of acoustic clues from different parts of this parallel, yet so familiar dimension. It’s almost like M!R!M is sending us a message in a bottle with each of these new tracks and each message tells a different story.
Post Fight has a punchy pop-punk riff drove by solid synthwave beats, Faultless Pitch hosts a mellow, funky bass line over a solemn drum gate, Desert Love screams italo like nothing else and it was indeed composed four-handed with fellow artists Nuovo Testamento, Say Nothing features SDH singer Andrea Pe´rez’s backing vocals to invoke a dream-like scenario.
There is even a Turquoise Days’ Grey Skies cover that is just one more perfect example of Milwaukee’s ability to take a single item from the suitcase of the past and make it extremely current in a handful of minutes.
All this is adorned by semi-instrumental postcards with suggestive names such as Moody Moon, Peninsula and Goodnight Galaxie that will guide you through this journey across M!R!M sound-&-memory experience. More
Inspired by the synth pop classics, as well as from cold and dark waves, multi-instrumentalist Jack Milwaukee has been releasing material on labels such as Fabrika and Manic Depression until his first record on Avant! ”The Visionary” back in 2020.
On April 22 his fourth LP ”Time Traitor” will be released and we’re excited to say this is Milwaukee’s most personal job to date.
If you are familiar with his work, you know the DIY/lo-fi approach of his first recordings was already gone with his previous LP but these new ten recordings dig even deeper, drawing the outlines of a fantasy world lost within the foggy memories of a collective childhood.
Possibly locked in his bedroom for the necessary time, Milwaukee has been able to recreate an imaginative realm of 80’s FM suggestions, scattering a number of acoustic clues from different parts of this parallel, yet so familiar dimension. It’s almost like M!R!M is sending us a message in a bottle with each of these new tracks and each message tells a different story.
Post Fight has a punchy pop-punk riff drove by solid synthwave beats, Faultless Pitch hosts a mellow, funky bass line over a solemn drum gate, Desert Love screams italo like nothing else and it was indeed composed four-handed with fellow artists Nuovo Testamento, Say Nothing features SDH singer Andrea Pe´rez’s backing vocals to invoke a dream-like scenario.
There is even a Turquoise Days’ Grey Skies cover that is just one more perfect example of Milwaukee’s ability to take a single item from the suitcase of the past and make it extremely current in a handful of minutes.
All this is adorned by semi-instrumental postcards with suggestive names such as Moody Moon, Peninsula and Goodnight Galaxie that will guide you through this journey across M!R!M sound-&-memory experience. More
Label:Avant! Records
Cat-No:AV!075
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:LP
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1
Plastic Estate - Open
2
Plastic Estate - Out Of Reach
3
Plastic Estate - Divinely Impaired
4
Plastic Estate - Antique Days
5
Plastic Estate - When You're Gone
6
Plastic Estate - There Must be More Than This
7
Plastic Estate - Sins
8
Plastic Estate - The Difference
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Plastic Estate - Berlin
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Plastic Estate - Change Your Mind
Slightly more than one year has passed since we debuted the Cardiff-based duo Plastic Estate’s first single This Place and we all know what happened meanwhile. But if you thought the global pandemic discouraged the Welsh boys from pursuing their research for an evolution of pop music from the past, think again.
Quite on the contrary, it seems that these past months of forced isolation and necessary restrictions only empowered the ability of the band led by Nicholas James and Stanley Fouracres to compose great songs perfectly in balance between dark, melancholia and happier, brighter feelings.
Or maybe their love for the best UK new wave and pop artists such as Dave Gahan, Ian McCulloch, Bryan Ferry is just too tough to die. However that may be, Plastic Estate have masterfully used this year to write their first full-length album and we at Avant! couldn’t be happier to bring it to you on 4 February 2022.
Ten new songs that shine a light on the duo’s impressive skills to juggle between the heritage of lost golden era and the pressing presence of the here and now, as well as electronic dance elements and acoustic instruments, ending up sounding classic and contemporary at once. Not an easy task, if you ask me.
Check out Out of Reach and its crystal clear synth-pop radiance, or one whirlwind dancefloor filler such as There Must Be More Than This, juxtaposed with the romantic intimacy of Berlin or Divinely Impaired’s elegant sombreness. Dive into the imaginary mémoires of a Sophisti-pop era with Antique Days and then resurface nowadays with the hypnagogic club notes of The Difference. We can even feel some Stone Roses-like vibe in the album’s last track Change Your Mind but maybe it’s just us.
What’s for sure is that if you liked their 7-inch single you will love their album. If you don’t know this group yet but you righteously adore the artists above, do yourself a favour and take a good listen now and you will not be disappointed.
Not in the least, as it is this rare to stand in the exact spot where you have a full view of the days behind you and the complete control of the moment you are in.
RIYL: New Order, Roxy Music, The Blue Nile, Future Islands, Lust For Youth More
Quite on the contrary, it seems that these past months of forced isolation and necessary restrictions only empowered the ability of the band led by Nicholas James and Stanley Fouracres to compose great songs perfectly in balance between dark, melancholia and happier, brighter feelings.
Or maybe their love for the best UK new wave and pop artists such as Dave Gahan, Ian McCulloch, Bryan Ferry is just too tough to die. However that may be, Plastic Estate have masterfully used this year to write their first full-length album and we at Avant! couldn’t be happier to bring it to you on 4 February 2022.
Ten new songs that shine a light on the duo’s impressive skills to juggle between the heritage of lost golden era and the pressing presence of the here and now, as well as electronic dance elements and acoustic instruments, ending up sounding classic and contemporary at once. Not an easy task, if you ask me.
Check out Out of Reach and its crystal clear synth-pop radiance, or one whirlwind dancefloor filler such as There Must Be More Than This, juxtaposed with the romantic intimacy of Berlin or Divinely Impaired’s elegant sombreness. Dive into the imaginary mémoires of a Sophisti-pop era with Antique Days and then resurface nowadays with the hypnagogic club notes of The Difference. We can even feel some Stone Roses-like vibe in the album’s last track Change Your Mind but maybe it’s just us.
What’s for sure is that if you liked their 7-inch single you will love their album. If you don’t know this group yet but you righteously adore the artists above, do yourself a favour and take a good listen now and you will not be disappointed.
Not in the least, as it is this rare to stand in the exact spot where you have a full view of the days behind you and the complete control of the moment you are in.
RIYL: New Order, Roxy Music, The Blue Nile, Future Islands, Lust For Youth More
Label:Avant! Records
Cat-No:AV!052
Release-Date:19.11.2021
Genre:Alternative/Electronic
Configuration:LP
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Label:Avant! Records
Cat-No:AV!052
Release-Date:19.11.2021
Genre:Alternative/Electronic
Configuration:LP
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1
Holiday Inn - She
2
Holiday Inn - Dirty Town
3
Holiday Inn - The Closer I Get
4
Holiday Inn - I Don't Want To Die Alone (I'm Going To Kill You)
5
Holiday Inn - Black Sun
6
Holiday Inn - Feel Free! (Feat. D.a.P.)
7
Holiday Inn - They Wanted It
8
Holiday Inn - No Speaking
9
Holiday Inn - Torbido
Fictional larger than life characters come in all forms and ways but no one expected East Rome acid minimal synth-punk duo Holiday Inn to spread their cult in such a distinctive manner, overthrowing all sets of rules in the peninsula’s stuffy DIY circuit and uniting techno-industrial enthusiasts, hardcore noisers and theatrical dark wavers. At some point though someone just had to do it!
Co-released by Avant! Records and Maple Death Records, Torbido is Holiday Inn’s debut full-length and by all accounts their strongest manifesto yet. A collaboration between Gabor (Aktion, Metro Crowd) on voice and Frenchman Bob Junior (Trans Upper Egypt, Bobsleigh Baby, Hiss) on synth and drum machine, they leave their best on stage, live shows have cemented their ill reputation: Gabor is a lanky dude and struts onstage with a boxer’s pre match ritual dance, ready to vomit words in your face while Bob’s composure never fails to spread misery and mystery through his vintage noise assault setup.
Torbido kicks off with She, a hallucinogenic dub infused punk anthem, Dirty Town is an industrial boogie for wide eyed dreamers, Feel Free! is an electro jungle b-boys rhythmic speed induced breakbeat tune for the future. The feverish magic happens on No Speaking, where Holiday Inn turns an acid techno tune into a circuit breaking warped frenzy.
Holiday Inn are shaped and scarred by the unauthorized development of buildings once considered a sign of gleaming growth in the Roman suburbs. It’s nostalgic and nasty, and will not have a bright future and let’s not forget that Torbido means murky and sinister, so come on and take a plunge into Tevere’s mudbanks. More
Co-released by Avant! Records and Maple Death Records, Torbido is Holiday Inn’s debut full-length and by all accounts their strongest manifesto yet. A collaboration between Gabor (Aktion, Metro Crowd) on voice and Frenchman Bob Junior (Trans Upper Egypt, Bobsleigh Baby, Hiss) on synth and drum machine, they leave their best on stage, live shows have cemented their ill reputation: Gabor is a lanky dude and struts onstage with a boxer’s pre match ritual dance, ready to vomit words in your face while Bob’s composure never fails to spread misery and mystery through his vintage noise assault setup.
Torbido kicks off with She, a hallucinogenic dub infused punk anthem, Dirty Town is an industrial boogie for wide eyed dreamers, Feel Free! is an electro jungle b-boys rhythmic speed induced breakbeat tune for the future. The feverish magic happens on No Speaking, where Holiday Inn turns an acid techno tune into a circuit breaking warped frenzy.
Holiday Inn are shaped and scarred by the unauthorized development of buildings once considered a sign of gleaming growth in the Roman suburbs. It’s nostalgic and nasty, and will not have a bright future and let’s not forget that Torbido means murky and sinister, so come on and take a plunge into Tevere’s mudbanks. More
Label:Avant! Records
Cat-No:AV!074
Release-Date:30.06.2021
Genre:Alternative/Electronic
Configuration:LP
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Label:Avant! Records
Cat-No:AV!074
Release-Date:30.06.2021
Genre:Alternative/Electronic
Configuration:LP
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1
Nuovo Testamento - Michelle Michelle
2
Nuovo Testamento - The Searcher
3
Nuovo Testamento - Electricity
4
Nuovo Testamento - Golden Boy
5
Nuovo Testamento - Vanity
6
Nuovo Testamento - Prayers
7
Nuovo Testamento - New Earth
8
Nuovo Testamento - Intuition
Nuovo Testamento is the Los Angeles & Bologna-based trio featuring members of Horror Vacui, Sheer Mag, Tørsö, Terremoto and Crimson Scarlet.
With the addition of Chelsey Crowley on vocals, synthesists Andrea Mantione & Giacomo Zatti found that their initial coldwave tracks, originally written for the male voice, took on an undeniable synthpop feel. While still recording these songs for the debut Exposure EP in 2019, the band leaned into this evolution and their shared love of Italo disco, beginning to write what would become the New Earth LP.
Recorded in isolation during a global pandemic, New Earth is a dark Italo record dappled with light. For eight new tracks, dancing synths perfectly balance the rich dream of a charmed life with melancholy. Guitars have taken a step back, allowing disco beats to flood the floor and joyful fun to prevail. The record anticipates a return to dance spaces, imagines shared experiences and celebrates personal power.
Produced by sound engineer Maurizio Baggio (The Soft Moon, Boy Harsher and many more), with vocal recording by Riki and featuring guest vocals from B. Sven Gustavson (Spectres, Nouveaux), New Earth reflects international influences from the goth club scene to Hi-NRG classics, reminiscent of Italian Baby Records, Mute Records and the spaces in between. More
With the addition of Chelsey Crowley on vocals, synthesists Andrea Mantione & Giacomo Zatti found that their initial coldwave tracks, originally written for the male voice, took on an undeniable synthpop feel. While still recording these songs for the debut Exposure EP in 2019, the band leaned into this evolution and their shared love of Italo disco, beginning to write what would become the New Earth LP.
Recorded in isolation during a global pandemic, New Earth is a dark Italo record dappled with light. For eight new tracks, dancing synths perfectly balance the rich dream of a charmed life with melancholy. Guitars have taken a step back, allowing disco beats to flood the floor and joyful fun to prevail. The record anticipates a return to dance spaces, imagines shared experiences and celebrates personal power.
Produced by sound engineer Maurizio Baggio (The Soft Moon, Boy Harsher and many more), with vocal recording by Riki and featuring guest vocals from B. Sven Gustavson (Spectres, Nouveaux), New Earth reflects international influences from the goth club scene to Hi-NRG classics, reminiscent of Italian Baby Records, Mute Records and the spaces in between. More
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Label:Burial Mix
Cat-No:BMLP2
Release-Date:17.02.2023
Genre:House
Configuration:LP
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Cat-No:BMLP2
Release-Date:17.02.2023
Genre:House
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collection of all the instrumental versions of BMD-2. An essential dub album!
Tracklist
01. Cornel Campbell - King In My Empire
02. Jennifer Lara - Queen In My Empire
03. Paul St. Hilaire - Jah Rule
04. Shalom - We Been Troddin
05. The Chosen Brothers - Mash Down Babylon
06. Jah Batta - Music Hit You
07. Love Joy - Best Friend
08. The Chosen Brothers - Making History More
Tracklist
01. Cornel Campbell - King In My Empire
02. Jennifer Lara - Queen In My Empire
03. Paul St. Hilaire - Jah Rule
04. Shalom - We Been Troddin
05. The Chosen Brothers - Mash Down Babylon
06. Jah Batta - Music Hit You
07. Love Joy - Best Friend
08. The Chosen Brothers - Making History More
Label:burial mix
Cat-No:BMLP3
Release-Date:17.02.2023
Genre:Dub/Reggae
Configuration:LP
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Label:burial mix
Cat-No:BMLP3
Release-Date:17.02.2023
Genre:Dub/Reggae
Configuration:LP
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1
Rhythm & Sound - King Version
2
Rhythm & Sound - Queen Version
3
Rhythm & Sound - Jah Version
4
Rhythm & Sound - Toddin Version
5
Rhythm & Sound - Mash Down Version
6
Rhythm & Sound - Hit You Version
7
Rhythm & Sound - Friend Version
8
Rhythm & Sound - History Version
Repress!
collection of all the instrumental versions of BMD-2. An essential dub album!
Tracklist:
01. King Version
02. Queen Version
03. Jah Version
04. Troddin Version
05. Mash Down Version
06. Hit You Version
07. Friend Version
08. History Version More
collection of all the instrumental versions of BMD-2. An essential dub album!
Tracklist:
01. King Version
02. Queen Version
03. Jah Version
04. Troddin Version
05. Mash Down Version
06. Hit You Version
07. Friend Version
08. History Version More
Label:burial mix
Cat-No:bmlp4
Release-Date:30.08.2018
Genre:House
Configuration:LP
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Label:burial mix
Cat-No:bmlp4
Release-Date:30.08.2018
Genre:House
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vocal versions of See Mi Yah riddim w/ Sugar Minott, Willi Williams a.o.
More
Label:R&S Records
Cat-No:RS9201X
Release-Date:31.05.2024
Genre:Techno
Configuration:2x12"
Barcode:5060944577216
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Label:R&S Records
Cat-No:RS9201X
Release-Date:31.05.2024
Genre:Techno
Configuration:2x12"
Barcode:5060944577216
“It’s just too easy to make a standard dance track,” Aphex Twin said of his mindset back in 1992. “You’ve got to put a bit of thought into it to get something a bit different.” ‘Didgeridoo’ was released on the Belgian R&S Records label in 1992, and originally peaked at #55 in the UK singles chart in May of that year. Over the last 32 years the track has become one of the essential Aphex Twin tracks in a gargantuan catalogue that continues to amaze and inspire. “I wanted to have some tracks to play to finish the raves I used to play in Cornwall, to really kill everybody off so they couldn’t dance,” Richard D James, AKA Aphex, told Select magazine back in the 90s. “Digeridoo came out of that.” Released as a 4 track EP that also included early Aphex productions (now classics) including the industrial, acidic clang of ‘Flap Head’ and hyperbolic futurism of ‘Isopropanol’, the release cemented a relationship with the R&S label that went on to release the ‘Xylem Tube’ EP and the pivotal album ‘Selected Ambient Works 85-92’ in the same year. The label’s owner & A&R Renaat Vandepapeliere reflected “When I first heard Aphex Twin’s music I said, ‘This is it!’, and everybody else said, ‘You’re crazy!’ …a lot of the hardcore R&S fans dropped us. To them it wasn’t music.” ‘Didgeridoo’ (Expanded Edition) is the first time the EP has been re-issued with extra material. Whilst digging in his DAT archive (allegedly stored in an airtight military ammo box), Richard James revisited the recordings, encoding them through a Nakamichi CR7e cassette deck, using the customised deck with vari-speed to encode at speeds “felt right at the time”. Alongside these CR7e versions, the original mixes have been remastered by Beau Thomas at Ten Eight Seven Mastering, offering a dilated insight into one of electronic music’s most endearing releases.
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Last in:19.09.2024
Label:Token
Cat-No:token125
Release-Date:17.05.2024
Genre:Techno
Configuration:12"
Barcode:
1
Oscar Mulero - The Sweat And The Salt
2
Oscar Mulero - The Reddish Glow
3
Oscar Mulero - Why Are You Holding a Gun?
4
Oscar Mulero - The Sunlight Blinded His Eyes
Tracklist
Tracklist
A1. Oscar Mulero - The Sweat And The Salt
A2. Oscar Mulero - The Reddish Glow
B1. Oscar Mulero - Why Are You Holding a Gun?
B2. Oscar Mulero - The Sunlight Blinded His Eyes
Known for his intense DJ sets and heavily textured productions, Oscar Mulero embodies all that has made him a central figure in the international techno scene in 'The Stranger'. His first release on Token since 2021's 'Titan', the Spaniard announces his return the only way he knows how, through layered concoctions of noisy synth work and impactful percussion wrapped up in a four track EP of impressive weight.
The record's first track 'The Sweat and the Salt' is a representative introduction to the rest of the project. Mulero holds nothing back with his moody, obscure style and funnels measured grit into every detail he can. Hypnotic to its core but noisy and saturated enough to give it an industrial edge, the intricacies of this first track are upheld and continued in 'The Reddish Glow'. Here, we have more of a melodic back and forth being played between synth sequences. With no small dose of reverb to open up the dimension of the track, the incessant tapping of high to low frequency plucks make it a destabilizing mind trip of a club record. Complete with racing hi hats and his signature kick, Mulero plays with his elements to ensure depth in disorientation. 'Why Are You Holding a Gun' flattens up the space a little bit, creating more of a two-dimensional ambiance and taking synth distortion to a new level. A mess of an analog sequence hissing in the high end is paced out by metallic rides and short hi hats, making an effective dancefloor instrument. As powerful as ever, the PoleGroup boss controls his chaos with rhythmically questionable elements that add to the general delirium of 'The Stranger'. As the final chapter, 'The Sunlight Blinded His Eyes' is the perfect arrival to a stomping EP. A meditative pad hovers in the back while a rhythmically centered track forms, shuffling through drum patterns and an infectious bassline. Still packing a punch in the kick, this final song takes us out into the cosmos after a high pressure club music display by one of Spain's most respected contributors to techno.
More
Tracklist
A1. Oscar Mulero - The Sweat And The Salt
A2. Oscar Mulero - The Reddish Glow
B1. Oscar Mulero - Why Are You Holding a Gun?
B2. Oscar Mulero - The Sunlight Blinded His Eyes
Known for his intense DJ sets and heavily textured productions, Oscar Mulero embodies all that has made him a central figure in the international techno scene in 'The Stranger'. His first release on Token since 2021's 'Titan', the Spaniard announces his return the only way he knows how, through layered concoctions of noisy synth work and impactful percussion wrapped up in a four track EP of impressive weight.
The record's first track 'The Sweat and the Salt' is a representative introduction to the rest of the project. Mulero holds nothing back with his moody, obscure style and funnels measured grit into every detail he can. Hypnotic to its core but noisy and saturated enough to give it an industrial edge, the intricacies of this first track are upheld and continued in 'The Reddish Glow'. Here, we have more of a melodic back and forth being played between synth sequences. With no small dose of reverb to open up the dimension of the track, the incessant tapping of high to low frequency plucks make it a destabilizing mind trip of a club record. Complete with racing hi hats and his signature kick, Mulero plays with his elements to ensure depth in disorientation. 'Why Are You Holding a Gun' flattens up the space a little bit, creating more of a two-dimensional ambiance and taking synth distortion to a new level. A mess of an analog sequence hissing in the high end is paced out by metallic rides and short hi hats, making an effective dancefloor instrument. As powerful as ever, the PoleGroup boss controls his chaos with rhythmically questionable elements that add to the general delirium of 'The Stranger'. As the final chapter, 'The Sunlight Blinded His Eyes' is the perfect arrival to a stomping EP. A meditative pad hovers in the back while a rhythmically centered track forms, shuffling through drum patterns and an infectious bassline. Still packing a punch in the kick, this final song takes us out into the cosmos after a high pressure club music display by one of Spain's most respected contributors to techno.
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Cat-No:wrwtfww041
Release-Date:14.06.2024
Configuration:12" Excl
Barcode:4251648411826
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Label:WRWTFWW
Cat-No:wrwtfww041
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1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
Label:Efficient Space
Cat-No:ES031
Release-Date:26.04.2024
Genre:Folk
Configuration:2LP Excl
Barcode:4251804180269
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Last in:12.03.2024
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Last in:12.03.2024
Label:Efficient Space
Cat-No:ES031
Release-Date:26.04.2024
Genre:Folk
Configuration:2LP Excl
Barcode:4251804180269
1
Sharkey - Someone Like Me
2
Lynne Ann Kingan - If You Love Me - Hate Me
3
James Thornbury - So Tan
4
Jim Huxley - Only A Song
5
Charlie Webster - Snodland
6
The Bob Hughes Band - You Broke My Heart
7
Goldrust - Going Yesterday
8
Jim Kennedy - You Are The Reason
9
Jon Betmead - Marie Elene
10
Charles Murphy - The Foot That's Holding Me Down
11
Remnant - I Will Set You Free
12
Fred Potts - Following Rainbows
13
The Superwomen - Lowlands
14
Robison Kaplan Ltd. - Don't Say Goodbye
15
Gary Ramey - You Are His
16
John Agostino - Loss of Love
17
Ritchie Tierney - Please Stop Breaking Me Down
Genres: Rock / Folk / Psych
2LP
Tracklist:
1. Sharkey - Someone Like Me
2. Lynne Ann Kingan - If You Love Me - Hate Me
3. James Thornbury - So Tan
4. Jim Huxley - Only A Song
5. Charlie Webster - Snodland
6. The Bob Hughes Band - You Broke My Heart
7. Goldrust - Going Yesterday
8. Jim Kennedy - You Are The Reason
9. Jon Betmead - Marie Elene
10. Charles Murphy - The Foot That's Holding Me Down
11. Remnant - I Will Set You Free
12. Fred Potts - Following Rainbows
13. The Superwomen - Lowlands
14. Robison Kaplan Ltd. - Don't Say Goodbye
15. Gary Ramey - You Are His
16. John Agostino - Loss of Love
17. Ritchie Tierney - Please Stop Breaking Me Down
Short info:
A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.
Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.
Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.
Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.
Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.
More
2LP
Tracklist:
1. Sharkey - Someone Like Me
2. Lynne Ann Kingan - If You Love Me - Hate Me
3. James Thornbury - So Tan
4. Jim Huxley - Only A Song
5. Charlie Webster - Snodland
6. The Bob Hughes Band - You Broke My Heart
7. Goldrust - Going Yesterday
8. Jim Kennedy - You Are The Reason
9. Jon Betmead - Marie Elene
10. Charles Murphy - The Foot That's Holding Me Down
11. Remnant - I Will Set You Free
12. Fred Potts - Following Rainbows
13. The Superwomen - Lowlands
14. Robison Kaplan Ltd. - Don't Say Goodbye
15. Gary Ramey - You Are His
16. John Agostino - Loss of Love
17. Ritchie Tierney - Please Stop Breaking Me Down
Short info:
A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.
Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.
Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.
Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.
Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.
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Label:A.r.t.less
Cat-No:ARTLESSVEXTRE2
Release-Date:17.05.2024
Genre:Techno
Configuration:2LP Excl
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Last in:13.05.2024
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Last in:13.05.2024
Label:A.r.t.less
Cat-No:ARTLESSVEXTRE2
Release-Date:17.05.2024
Genre:Techno
Configuration:2LP Excl
Barcode:
1
Convextion - A - Kuiper
2
Convextion - B - Miranda
3
Convextion - C - Ebulience
4
Convextion - D - Niche
NO RETURNS! -
Special remarks:
2x12" vinyl in full colour cover
Genre: Techno, Detroit Techno, Deep Techno, Dub Techno
- reissue of legendary Convextion classics
- collectable full color cover-art by David A. Hardy
Tracklist 2x12":
A - Kuiper
B - Miranda
C - Ebulience
D - Niche
Short Info:
Long awaited reissue of classic sought-after Convextion tracks originally released on Matrix (Detroit).
Cover illustration by David A. Hardy. Mastered by Redshape.
More
Special remarks:
2x12" vinyl in full colour cover
Genre: Techno, Detroit Techno, Deep Techno, Dub Techno
- reissue of legendary Convextion classics
- collectable full color cover-art by David A. Hardy
Tracklist 2x12":
A - Kuiper
B - Miranda
C - Ebulience
D - Niche
Short Info:
Long awaited reissue of classic sought-after Convextion tracks originally released on Matrix (Detroit).
Cover illustration by David A. Hardy. Mastered by Redshape.
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LP Excl
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Label:International Feel
Cat-No:IFEEL085
Release-Date:10.05.2024
Configuration:LP Excl
Barcode:4251804180900
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Last in:24.04.2024
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Last in:24.04.2024
Label:International Feel
Cat-No:IFEEL085
Release-Date:10.05.2024
Configuration:LP Excl
Barcode:4251804180900
1
Edwin Schimscheimer - Bon Nuit Michelle
2
Dancing Fantasy - Mystery Voice
3
Peak Of Normal - Hava
4
Christian Ch. Kneisel - Jungle Connection
5
Beau Michael - Move Away (Extended)
6
Summer Vee - Judas
7
Patrick Jahn & Erobique - Moonlight Shuffle
8
Ikee Largo - After The Storm
Tracklist:
A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection
B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm
This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.
As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.
Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.
Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).
Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!
Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.
More
A1. Edwin Schimscheimer – Bon Nuit Michelle
A2. Dancing Fantasy – Mystery Voice
A3. Peak Of Normal – Hava
A4. Christian Ch. Kneisel – Jungle Connection
B1. Beau Michael – Move Away (Extended)
B2. Summer Vee – Judas
B3. Patrick Jahn & Erobique – Moonlight Shuffle
B4. Ikee Largo – After The Storm
This whole text about a compilation of legit chill slippers could be over with one quote of drummer Aaron Sterling. The John Mayer band member and studio guru called Basso (our compiler) the „ECM of chill wave“.
As we all know, even if some words may be hollow, good quotes help to tell a story. And that is definitely a great quote and if someone has a good story to tell, it is Basso.
Best known for his label Growing Bin and probably even more so for the online record shop of the same name, he is one of those miraculous figures in music or record culture who can be called a true believer.
Helplessly addicted to collecting music nonstop (hence Growing Bin) from all corners of the spectrum and with an uncanny knack of finding precious little diamonds, where others only assume slop, his shop features everything from original trance tapes to fake reggae and plain private press folly. Much to the pleasure of his devoted customers and even more so to the nickel nursers who use his website for window shopping and go bargain hunting in the dusty canyons and wide plains of the internet. Unfair, you might think, because knowledge like that comes with a commitment. A commitment that is not only financial in nature, but also involves time, dedication, thrift store and flea market visits and hardships (lacerated cuticles especially).
Sitting in Trees for International Feel is a sampling demonstration of this commitment. Devotees of his previous compiling efforts Proper Sunburn (Music For Dreams) and Lucky Are Those Who Hear The Birds Sing (Growing Bin), know what to expect: some of the best songs you have never heard before, some you would probably never hear without this and even some that you did not know you would even like. Even self-proclaimed record diggers might not recognize more than Mystery Voice by smooth jazz new agers Dancing Fantasy. It is a world of merry music that pretty much is boundary- and genre-free and includes sunshine stepper like Beau Michael’s Move Away. Patrick Jahn’s and Erobique’s previously unreleased Moonlight Shuffle (the soundtrack to a lost Schimanski Tatort) and Christian Ch. Kneisel’s impossible-to-find Balearic digi gem Jungle Connection.
All contextualized, explained and wonderfully described with meticulous liner notes by the king
of record descriptions himself: Basso. But what else would you expect from a DJ turned trip-hop-producer turned artiste turned record sommelier? Magic moments galore that won’t make you move away!
Short: Legit chill slippers by the „ECM of chill wave“ by Growing Bin boss and record collector sommelier Basso. A world of merry music, precious little diamonds and impossible to find records. File under Balearic beats, smooth hardcore jazz, new age ambient or fake reggae.
More
Label:NOTON
Cat-No:N-064-2
Release-Date:05.07.2024
Configuration:2LP Excl
Barcode:4251804155328
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Last in:27.05.2024
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Last in:27.05.2024
Label:NOTON
Cat-No:N-064-2
Release-Date:05.07.2024
Configuration:2LP Excl
Barcode:4251804155328
1
Alva Noto - A1 HYbr:ID Noh Talk
2
Alva Noto - A2 HYbr:ID Sync Dark
3
Alva Noto - A3 HYbr:ID Noh Human
4
Alva Noto - B1 HYbr:ID Sync Inter
5
Alva Noto - B2 HYbr:ID Collective Open
6
Alva Noto - B3 HYbr:ID Obsessive Behaviour Day
7
Alva Noto - B4 HYbr:ID Obsessive Behaviour Night
8
Alva Noto - C1 HYbr:ID Para Contamination
9
Alva Noto - C2 HYbr:ID Script Solitude
10
Alva Noto - C3 HYbr:ID Script Sacre Drone
11
Alva Noto - D1 HYbr:ID Script Broken Conversation
12
Alva Noto - D2 HYbr:ID Rehuman
13
Alva Noto - D3 HYbr:ID Épilogue
2LP
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
A1. HYbr:ID Noh Talk
A2. HYbr:ID Sync Dark
A3. HYbr:ID Noh Human
B1. HYbr:ID Sync Inter
B2. HYbr:ID Collective Open
B3. HYbr:ID Obsessive Behaviour Day
B4. HYbr:ID Obsessive Behaviour Night
C1. HYbr:ID Para Contamination
C2. HYbr:ID Script Solitude
C3. HYbr:ID Script Sacre Drone
D1. HYbr:ID Script Broken Conversation
D2. HYbr:ID Rehuman
D3. HYbr:ID Épilogue
For an aesthetic of (dis)obedience. The impressions Richard Siegal and his company Ballet of Difference gathered on a trip to Japan in September 2022 now find their way into a full-length dance evening. Siegal and his team had set off for Tokyo to learn the practice of Shuudan Koudou, also known as "Japanese Precision Walking". The strictly synchronised group choreographies are astonishing in their radical stringency and have become a secret YouTube hit, not least because of their peculiar subtle humour. Siegal recognises in the extreme disciplining of the bodies an analogy to the training practice of classical ballet. In the mutual exchange of these movement cultures, questions are raised about individual and collective thinking, about personal decision-making power and social responsibility. For this extraordinary project, Richard Siegal has invited a special guest: Nazareth Panadero, long-time companion of Pina Bausch, who has long since become an icon of Wuppertal dance theatre and will be on stage with the BoD ensemble.
The production BALLET OF (DIS)OBEDIENCE is sponsored by Goethe Institut, with the kind support of Sissel GmbH.
CHOREOGRAPHY & STAGE: RICHARD SIEGAL
COSTUME: FLORA MIRANDA
LIGHT & VIDEO: MATTHIAS SINGER
MUSIC: ALVA NOTO
DRAMATURGY: TOBIAS STAAB
more info to: Shuudan koudou
'Shuudan koudou' Shuudan Koudou Is the Japanese #art of Synchronized Precision ...YouTube · Boson TV: Tech Marvels & Cool Discoveries22 Dec 2022
Kottke.org https://kottke.org › shuudan-koud...Shuudan Koudou Is the Japanese Art of Synchronized Precision Walking
On the other hand, hybrid 3 is inspired by Noh Play - Japanese performances and deals with the refusal of rules musically, hybrid three continues the two previous albums and weaves both rhythmic and beatless musical pieces into a holistic work.
The idea for me has always been that these albums are not only perceived as individual tracks, but as a whole piece, which is why I find the possibility of experiencing and listening to these albums in the right order and as a whole particularly important. For me, the pieces are not only closely related to the ballet that was created for them, but also function as individual pieces as pure, musical pieces and mark a new quality for me, which is very strongly focussed on producing electronic sounds and structures in such a way that they can develop a sculptural quality.
More
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Last in:24.05.2024
Label:Warm Up
Cat-No:WU95
Release-Date:17.05.2024
Genre:Techno
Configuration:12"
Barcode:
1
Claudio PRC - Elliptic
2
Claudio PRC - Focal Zone
3
Claudio PRC - Axial
4
Claudio PRC - Focal Zone (Oscar Mulero remix)
Tracklisting
A1 Claudio PRC - Elliptic
A2 Claudio PRC - Focal Zone
B1 Claudio PRC - Axial
B2 Claudio PRC - Focal Zone (Oscar Mulero remix) More
A1 Claudio PRC - Elliptic
A2 Claudio PRC - Focal Zone
B1 Claudio PRC - Axial
B2 Claudio PRC - Focal Zone (Oscar Mulero remix) More
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Last in:11.12.2023
Label:Perlon
Cat-No:perlon135
Release-Date:27.10.2023
Genre:House
Configuration:4LP Excl
Barcode:4251804143097
1
VILLALOBOS - EASY LEE
2
VILLALOBOS - THEOGENESE
3
VILLALOBOS - BAHAHA HAHI
4
VILLALOBOS - LA RAJA
5
VILLALOBOS - I TRY TO LIVE (CAN I LIVE)
6
VILLALOBOS - QUIZÅS
7
VILLALOBOS - FUSION THE ENEMIES
8
VILLALOBOS - DEXTER
9
VILLALOBOS - BACH TO BACK
10
VILLALOBOS - Y.G.H.
11
VILLALOBOS - WAIWORINAO
Format: 4x12"LP
Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO
Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More
Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO
Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More