Label:Avant! Records
Cat-No:AV!087
Release-Date:17.11.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!087
Release-Date:17.11.2023
Genre:Alternative/Electronic
Configuration:LP
1
Skemer - Eyelashes
2
Skemer - Seen
3
Skemer - Zegens
4
Skemer - Easy To Embrace
5
Skemer - Kiss Me Kill Me
6
Skemer - Used To You
7
Skemer - Overgave
8
Skemer - Out Of Favor
9
Skemer - New Born Babe
10
Skemer - Apocalypse
11
Skemer - Like Dolls
After a hiatus of quite some time, the Belgian duo composed by the world renowned model Kim Peers and post-metal band Amenra’s guitarist Mathieu Vandekerckhove, is finally back with a new full-length album.
Four years have passed since their debut Benevolence. Meanwhile Skemer took the time to let all sides of their personality grow and eventually explode. You remember their minimalist cold wave deconstructions equally made of brutal and erotic components. A duality deeply rooted in the band’s music as well as in their line-up and obviously their live shows, where romantic and ethereal atmospheres collide with the gothic side of electronic and techno music. This is even more present on their new LP Toasts & Sentiments.
Eleven new cuts where every side of Skemer’s nature gets its own share of expression only to leave you wrapped in one pitch black cloak. A few episodes in the duo’s native language Dutch, add even more mystery to the occult receipt.
Get in the introspective, tranche insistent riff on the opening track Eyelashes and get catapulted, quite literally, on the dark side of the moon. Keep on wandering the alien surface with Seen and its solemn gait. Pick up your pace with the pounding drums of Easy To Embrace and Kiss Me Kill Me. Go down the stairs to the dungeon of the club culture with lead singles Overgave and Out Of Favor claustrophobic electro. Remain bogged down in the darkness with New Born Babe, get slapped by Apocalypse’s industrial trance crescendo. Rest and collapse with the final track’s texture of ambient synths and reverberating guitars.
It may have taken four years for Skemer to present their new creation but it was definitely worth the wait. Walk the night with us. More
Four years have passed since their debut Benevolence. Meanwhile Skemer took the time to let all sides of their personality grow and eventually explode. You remember their minimalist cold wave deconstructions equally made of brutal and erotic components. A duality deeply rooted in the band’s music as well as in their line-up and obviously their live shows, where romantic and ethereal atmospheres collide with the gothic side of electronic and techno music. This is even more present on their new LP Toasts & Sentiments.
Eleven new cuts where every side of Skemer’s nature gets its own share of expression only to leave you wrapped in one pitch black cloak. A few episodes in the duo’s native language Dutch, add even more mystery to the occult receipt.
Get in the introspective, tranche insistent riff on the opening track Eyelashes and get catapulted, quite literally, on the dark side of the moon. Keep on wandering the alien surface with Seen and its solemn gait. Pick up your pace with the pounding drums of Easy To Embrace and Kiss Me Kill Me. Go down the stairs to the dungeon of the club culture with lead singles Overgave and Out Of Favor claustrophobic electro. Remain bogged down in the darkness with New Born Babe, get slapped by Apocalypse’s industrial trance crescendo. Rest and collapse with the final track’s texture of ambient synths and reverberating guitars.
It may have taken four years for Skemer to present their new creation but it was definitely worth the wait. Walk the night with us. More
More records from Skemer
Label:Avant! Records
Cat-No:AV!064
Release-Date:08.12.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!064
Release-Date:08.12.2023
Genre:Alternative/Electronic
Configuration:LP
1
Skemer - Shout Or Cry
2
Skemer - Sunseeker
3
Skemer - Rhoeas
4
Skemer - Best
5
Skemer - Call Me
6
Skemer - Heartbreak
7
Skemer - Wait For Me
Note: limited repress of 300 copies on clear vinyl
Skemer is a brand new cooperation between singer Kim Peers, who’s also a model for Vogue, Steven Meisel, Prada and guitarist Mathieu Vandekerckhove of post-metal band Amenra and his personal project Syndrome.
Two very different worlds collide and lead to minimalist dark wave deconstructions that are equal parts brutal and erotic.
This duality is reflected in the name Skemer, which next to its obvious English meaning of ‘intriguer’ also stands for ‘dusk’ in Mathieu’s native tongue West-Flemish, as well as in their debut album.
Recorded just a few months after meeting, a sense of urgency shines through in the tracks that build Benevolence. The winding sensuality of Sunseeker juxtaposed with the pounding harshness of Best, the faint twirl of Call Me versus the solemn gait of Heartbreak.
Just like with their effervescent live performances where Peers seductive vocals coalesce with Vandekerckhove’s austere beats to meld into a transcendent fury. Everything has a double nature in the hands of Skemer. More
Skemer is a brand new cooperation between singer Kim Peers, who’s also a model for Vogue, Steven Meisel, Prada and guitarist Mathieu Vandekerckhove of post-metal band Amenra and his personal project Syndrome.
Two very different worlds collide and lead to minimalist dark wave deconstructions that are equal parts brutal and erotic.
This duality is reflected in the name Skemer, which next to its obvious English meaning of ‘intriguer’ also stands for ‘dusk’ in Mathieu’s native tongue West-Flemish, as well as in their debut album.
Recorded just a few months after meeting, a sense of urgency shines through in the tracks that build Benevolence. The winding sensuality of Sunseeker juxtaposed with the pounding harshness of Best, the faint twirl of Call Me versus the solemn gait of Heartbreak.
Just like with their effervescent live performances where Peers seductive vocals coalesce with Vandekerckhove’s austere beats to meld into a transcendent fury. Everything has a double nature in the hands of Skemer. More
More records from Avant! Records
Label:Avant! Records
Cat-No:AV!071
Release-Date:05.07.2024
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!071
Release-Date:05.07.2024
Genre:Alternative/Electronic
Configuration:LP
1
House Of Harm - Isolator
2
House Of Harm - Coming Of Age
3
House Of Harm - Behind You
4
House Of Harm - Against The Night
5
House Of Harm - Catch
6
House Of Harm - Waste Of Time
7
House Of Harm - Vicious Pastimes
8
House Of Harm - Always
9
House Of Harm - Control
Repress!
Boston is not exactly worldwide known for its coldwave or synth pop artists. Most of us know the Capital of Massachusetts because of its hardcore legacy that still continues today.
And yet, just like flowers in a rugged land, here comes House Of Harm, a post-punk trio whose new approach to the genre was showcased on their two tape EPs, earning them a cult international following as well as an imposing line up of supporting gigs opening for Editors, She Past Away, Lust For Youth, and The Cure’s Reeves Gabrels. Due on September 4 is their debut full-length Vicious Pastimes out on vinyl LP and digital format.
Nine songs where timeless melodies of Kiss Me Kiss Me Kiss Me-era Cure perfectly match French coldwave moodiness, enhanced by Cocteau Twins ethereal airiness and Creation Records seminal shoegaze sounds. Just enough light reaches House Of Harm’s base layer, giving life to infectious hooks and unforgettable mantras. The gritted core of every song makes expansive moments of release cathartic, always tethered by commanding drums.
Check out the very first single they wrote Isolator and its melancholic synth pop refrain, or Against The Night whose darkwave is as claustrophobic as One Hundred Years. Catch sounds almost like a Sarah Records hit, while the title-track hurls us back into the bleak realms of the Sisterhood. Different influences but everything is just in its place simply because House Of Harm are the rare band where you can feel every individual member’s devotion to each song’s world.
RIYL: The Cure, Depeche Mode, A Flock Of Seagulls, For Against, Drab Majesty. More
Boston is not exactly worldwide known for its coldwave or synth pop artists. Most of us know the Capital of Massachusetts because of its hardcore legacy that still continues today.
And yet, just like flowers in a rugged land, here comes House Of Harm, a post-punk trio whose new approach to the genre was showcased on their two tape EPs, earning them a cult international following as well as an imposing line up of supporting gigs opening for Editors, She Past Away, Lust For Youth, and The Cure’s Reeves Gabrels. Due on September 4 is their debut full-length Vicious Pastimes out on vinyl LP and digital format.
Nine songs where timeless melodies of Kiss Me Kiss Me Kiss Me-era Cure perfectly match French coldwave moodiness, enhanced by Cocteau Twins ethereal airiness and Creation Records seminal shoegaze sounds. Just enough light reaches House Of Harm’s base layer, giving life to infectious hooks and unforgettable mantras. The gritted core of every song makes expansive moments of release cathartic, always tethered by commanding drums.
Check out the very first single they wrote Isolator and its melancholic synth pop refrain, or Against The Night whose darkwave is as claustrophobic as One Hundred Years. Catch sounds almost like a Sarah Records hit, while the title-track hurls us back into the bleak realms of the Sisterhood. Different influences but everything is just in its place simply because House Of Harm are the rare band where you can feel every individual member’s devotion to each song’s world.
RIYL: The Cure, Depeche Mode, A Flock Of Seagulls, For Against, Drab Majesty. More
Label:Avant! Records
Cat-No:AV!091
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!091
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:LP
1
Blind Seagull - Connections
2
Blind Seagull - Last Who Cares
3
Blind Seagull - Emotional
4
Blind Seagull - Winter
5
Blind Seagull - Filth
6
Blind Seagull - Animals Die In The Scaffolding
7
Blind Seagull - Save
8
Blind Seagull - Animals Die In The Scaffolding (Trouble Concept Remix)
9
Blind Seagull - Cold Hands
10
Blind Seagull - Train To Tallinn
11
Blind Seagull - Nails
12
Blind Seagull - Pressure
13
Blind Seagull - Ribs
14
Blind Seagull - Human Being
15
Blind Seagull - Memories
16
Blind Seagull - Le Dernier Rendez-Vous
10 Years Anniversary compilation LP.
Ten years ago, on 21 April 2014, Russian enclave of the Baltic Kaliningrad-based trio Blind Seagull started off its adventure in the soon to be known as Sovietwave aka Russian post-punk underground. Tean years later they have accomplished to release nine full-length albums on all sorts of limited edition formats such as LPs, CDs, tapes with most of them being sold out for years.
It was time to bring many of these tracks back to life, picking up the best among them and reissuing for the global post punk/darkwave niche.
Fifteen cuts previously released by labels like Detriti, Sierpien, Pine Hill through which the band led by Denis Zarubin has shaped its own brand of icy coldwave, one pretty classic and extremely fresh and contemporary at once. On top of these we have one more track exclusive to this release which is a eurodance-oriented remix for their minor hit Animals Die in the Scaffolding. Think of a bunch of goth kids screwing around at the local carnival and you’ll get the vibe!
Decade Of Effort is due on April 21, 2024 on white vinyl LP limited to 300 with fairy-tale artwork by the band enhanced by the magical lettering of young Spanish artist Sara Fornés. More
Ten years ago, on 21 April 2014, Russian enclave of the Baltic Kaliningrad-based trio Blind Seagull started off its adventure in the soon to be known as Sovietwave aka Russian post-punk underground. Tean years later they have accomplished to release nine full-length albums on all sorts of limited edition formats such as LPs, CDs, tapes with most of them being sold out for years.
It was time to bring many of these tracks back to life, picking up the best among them and reissuing for the global post punk/darkwave niche.
Fifteen cuts previously released by labels like Detriti, Sierpien, Pine Hill through which the band led by Denis Zarubin has shaped its own brand of icy coldwave, one pretty classic and extremely fresh and contemporary at once. On top of these we have one more track exclusive to this release which is a eurodance-oriented remix for their minor hit Animals Die in the Scaffolding. Think of a bunch of goth kids screwing around at the local carnival and you’ll get the vibe!
Decade Of Effort is due on April 21, 2024 on white vinyl LP limited to 300 with fairy-tale artwork by the band enhanced by the magical lettering of young Spanish artist Sara Fornés. More
Label:Avant! Records
Cat-No:AV!092
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!092
Release-Date:26.04.2024
Genre:Alternative/Electronic
Configuration:LP
1
Profit Prison - Seven Words
2
Profit Prison - A Matter Of Tact
3
Profit Prison - An Ascetic
4
Profit Prison - Avowal
5
Profit Prison - Sophia
6
Profit Prison - Katalina
7
Profit Prison - Interment
8
Profit Prison - A.R.P. (Amphetamine Research Project)
Four years and one pandemic after his latest Dreams Of A Dark Building EP, the herald of dungeon synth pop is finally back from his shallow grave.
Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.
It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.
Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.
What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.
Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record. More
Life has not been gentle with Seattle-based solo producer Parker Lautenschlager over the past few years, imposing its unpredictability and forcing him to channel all the feelings that come with it into Profit Prison’s music.
It’s no surprise that his first full-length album Gilt marks one futher step towards the dark corners of italo / hi-nrg body music. Typical Profit Prison’s vocals and melodies, reminiscent of OG synth masters Kraftwerk, Giorgio Moroder and Orchestral Manoeuvres in the Dark, are still here, buried in the mix and waiting to haunt the listeners and drag them down in one sulfurous dancing spiral.
Lead single Sophia juxtaposes some weirdly camouflaged vocals with one heavenly chorus that seems willing to revive your fortunes while instead it literally sings “But I lost it all”. A Matter Of Tact displays pop escapism over some throbbing minimal synth tension, Seven Words sounds like a throwback to 70’s italo filtered through the eyes of a 21st century punk rocker. Katalina has a rampant synth à la Carpenter climbing over a story of loss and Katalina, An Ascetic is a solo ramble reaching for the inner light on a carpet of cold keys.
What’s more, tracks got longer in Parker’s recent songwriting, with most of the songs being now five minute long and reaching peaks of seven minutes with the closing, almost progressive disco jam of A.R.P. (Amphetamine Research Project), nothing short of a lucid dream on the floor of Studio 54.
Last but not least, the artwork by French artist Robin Roche delivers medieval-yet-punk graphic vibes to match just perfectly the sounds on this record. More
Label:Avant! Records
Cat-No:AV!089
Release-Date:22.03.2024
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!089
Release-Date:22.03.2024
Genre:Alternative/Electronic
Configuration:LP
1
Dancing Plague - Dreamless
2
Dancing Plague - Fading Forms
3
Dancing Plague - Shadow Self
4
Dancing Plague - Rot With Me
5
Dancing Plague - Elogium
6
Dancing Plague - Suffer The Senses
7
Dancing Plague - Cold Fire
8
Dancing Plague - Echoes Of The Void
Portland based act Dancing Plague has been a steady presence in the dark/cold electronic music scene for quite a few years now.
Since 2016 Conor Knowles’ solo project has been putting out one constant flow of independent releases on multiple formats such as vinyl LPs, EPs, tapes and CDs, creating one sonic palette rich with Ebm, goth, industrial and synth influences.
On their 5th studio album, Dancing Plague continues to flesh out and perfect their unique brand of crushing darkwave.
Elogium explores themes of loss, regret, rebirth and growth coupled with throbbing basslines, rave synths, and pounding drums. Knowles balances aggressive waves of electronics with enough pop sensibilities and catchy hooks to be inviting to those new to the genre.
His skills can be clearly appreciated on tracks like the first single Fading Forms which explores the somber feeling of the years passing you by. Knowles’ emotive baritone crooning paints a melancholic picture of the slow fading of time as you feel like you’re fading with it. The words fall like snow onto cold fields of pulsing 80s synths and pounding drum machine rhythms that bring forth nostalgic familiarity but feel fresh at the same time.
Fans of classic icons such as Depeche Mode, Ministry, Nine Inch Nails as well as contemporary torchbearers Cold Cave and Kontravoid do not sleep on this.
Plenty of disturbing beauty to be found in the depths of the underground. More
Since 2016 Conor Knowles’ solo project has been putting out one constant flow of independent releases on multiple formats such as vinyl LPs, EPs, tapes and CDs, creating one sonic palette rich with Ebm, goth, industrial and synth influences.
On their 5th studio album, Dancing Plague continues to flesh out and perfect their unique brand of crushing darkwave.
Elogium explores themes of loss, regret, rebirth and growth coupled with throbbing basslines, rave synths, and pounding drums. Knowles balances aggressive waves of electronics with enough pop sensibilities and catchy hooks to be inviting to those new to the genre.
His skills can be clearly appreciated on tracks like the first single Fading Forms which explores the somber feeling of the years passing you by. Knowles’ emotive baritone crooning paints a melancholic picture of the slow fading of time as you feel like you’re fading with it. The words fall like snow onto cold fields of pulsing 80s synths and pounding drum machine rhythms that bring forth nostalgic familiarity but feel fresh at the same time.
Fans of classic icons such as Depeche Mode, Ministry, Nine Inch Nails as well as contemporary torchbearers Cold Cave and Kontravoid do not sleep on this.
Plenty of disturbing beauty to be found in the depths of the underground. More
Label:Avant! Records
Cat-No:AV!064
Release-Date:08.12.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!064
Release-Date:08.12.2023
Genre:Alternative/Electronic
Configuration:LP
1
Skemer - Shout Or Cry
2
Skemer - Sunseeker
3
Skemer - Rhoeas
4
Skemer - Best
5
Skemer - Call Me
6
Skemer - Heartbreak
7
Skemer - Wait For Me
Note: limited repress of 300 copies on clear vinyl
Skemer is a brand new cooperation between singer Kim Peers, who’s also a model for Vogue, Steven Meisel, Prada and guitarist Mathieu Vandekerckhove of post-metal band Amenra and his personal project Syndrome.
Two very different worlds collide and lead to minimalist dark wave deconstructions that are equal parts brutal and erotic.
This duality is reflected in the name Skemer, which next to its obvious English meaning of ‘intriguer’ also stands for ‘dusk’ in Mathieu’s native tongue West-Flemish, as well as in their debut album.
Recorded just a few months after meeting, a sense of urgency shines through in the tracks that build Benevolence. The winding sensuality of Sunseeker juxtaposed with the pounding harshness of Best, the faint twirl of Call Me versus the solemn gait of Heartbreak.
Just like with their effervescent live performances where Peers seductive vocals coalesce with Vandekerckhove’s austere beats to meld into a transcendent fury. Everything has a double nature in the hands of Skemer. More
Skemer is a brand new cooperation between singer Kim Peers, who’s also a model for Vogue, Steven Meisel, Prada and guitarist Mathieu Vandekerckhove of post-metal band Amenra and his personal project Syndrome.
Two very different worlds collide and lead to minimalist dark wave deconstructions that are equal parts brutal and erotic.
This duality is reflected in the name Skemer, which next to its obvious English meaning of ‘intriguer’ also stands for ‘dusk’ in Mathieu’s native tongue West-Flemish, as well as in their debut album.
Recorded just a few months after meeting, a sense of urgency shines through in the tracks that build Benevolence. The winding sensuality of Sunseeker juxtaposed with the pounding harshness of Best, the faint twirl of Call Me versus the solemn gait of Heartbreak.
Just like with their effervescent live performances where Peers seductive vocals coalesce with Vandekerckhove’s austere beats to meld into a transcendent fury. Everything has a double nature in the hands of Skemer. More
Label:Avant! Records
Cat-No:AV!085
Release-Date:29.09.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!085
Release-Date:29.09.2023
Genre:Alternative/Electronic
Configuration:LP
1
Crush Of Souls - Unloved
2
Crush Of Souls - The Gift
3
Crush Of Souls - World Of Fear
4
Crush Of Souls - Lie(be)
5
Crush Of Souls - Youth In Smoke
6
Crush Of Souls - Reaper John
7
Crush Of Souls - Who Will Silence The Pigs
8
Crush Of Souls - Zone
9
Crush Of Souls - Statues Fall For Love
10
Crush Of Souls - Servant
Legendary 2010’s indie band Crocodiles’ guitarist Charles Rowell’s new synthpop-meets-gothic rock project. Think Nick Cave crooning over Martin Rev’s minimal electronics or The Lords of the New Church-era Stiv Bators jamming with Wayne Hussey and Douglas Pearce.
After relocating from New York to France, Charles Rowell began stuffing his suitcase with various synths and samplers while taking cheap bus rides to bordering countries.
While living out of a hotel in north east Paris, he played his demos for Third Coming Records who quickly released the Bad Trip EP in 2020. Concerts became more frequent after the pandemic, with the release of Spellwound and a few have become infamous with guitars smashed to pieces, broken glasses, unruly audience front flipping onto the stage.
With Paris providing the background and a scene of friends such as avant-garde drag artist Tuna Mess and industrial techno veteran Poison Point who pushed his creativity even further, Crush Of Souls constant spirit is that it remains unpredictable and thrives on collaboration.
This is even more true with his upcoming album (A)Void Love.
Written over a period of intense insomnia that coincided with a run of shows playing guitar for Australian legend Harry Howard, Crush Of Soul’s main man Charles Rowell finally found rest after writing and recording the last song entitled World of Fear. Six months prior he had quit his job as a chef, traveled east to Prague for inspiration and returned ragged and sleepless.
Rowell’s insistence on keeping the instrumentation simple and clean came from an arduous two years of literal blood, sweat and tears. Every bit of drama, eastern excursion and sleep psychosis can be found within the walls of (A)Void Love.
Acoustic guitars and dramatic synths provide a cold wilderness for the various rhythms to inhabit; touches of minimal electronics, cold wave and synth pop can be found while the song writing remains classic for lovers of Echo & the Bunnymen and Nick Cave & the Bad Seeds.
There’s always been a thread of synth-punk, death rock and DIY noise running through all of Charles’ projects (Crocodiles, ISSUE, Flowers of Evil), however Crush Of Souls pushes harder and further into the darkness with the new album ‘(A)Void Love’. More
After relocating from New York to France, Charles Rowell began stuffing his suitcase with various synths and samplers while taking cheap bus rides to bordering countries.
While living out of a hotel in north east Paris, he played his demos for Third Coming Records who quickly released the Bad Trip EP in 2020. Concerts became more frequent after the pandemic, with the release of Spellwound and a few have become infamous with guitars smashed to pieces, broken glasses, unruly audience front flipping onto the stage.
With Paris providing the background and a scene of friends such as avant-garde drag artist Tuna Mess and industrial techno veteran Poison Point who pushed his creativity even further, Crush Of Souls constant spirit is that it remains unpredictable and thrives on collaboration.
This is even more true with his upcoming album (A)Void Love.
Written over a period of intense insomnia that coincided with a run of shows playing guitar for Australian legend Harry Howard, Crush Of Soul’s main man Charles Rowell finally found rest after writing and recording the last song entitled World of Fear. Six months prior he had quit his job as a chef, traveled east to Prague for inspiration and returned ragged and sleepless.
Rowell’s insistence on keeping the instrumentation simple and clean came from an arduous two years of literal blood, sweat and tears. Every bit of drama, eastern excursion and sleep psychosis can be found within the walls of (A)Void Love.
Acoustic guitars and dramatic synths provide a cold wilderness for the various rhythms to inhabit; touches of minimal electronics, cold wave and synth pop can be found while the song writing remains classic for lovers of Echo & the Bunnymen and Nick Cave & the Bad Seeds.
There’s always been a thread of synth-punk, death rock and DIY noise running through all of Charles’ projects (Crocodiles, ISSUE, Flowers of Evil), however Crush Of Souls pushes harder and further into the darkness with the new album ‘(A)Void Love’. More
Label:Avant! Records
Cat-No:AV!086
Release-Date:29.09.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!086
Release-Date:29.09.2023
Genre:Alternative/Electronic
Configuration:LP
1
Deluxxe - Waiting For A Sign
2
Deluxxe - Queen Of Hearts
3
Deluxxe - In Another Place
4
Deluxxe - Moving On
5
Deluxxe - Sweet With Sin
6
Deluxxe - Phantom Figure
7
Deluxxe - Common Ground
8
Deluxxe - Lightning In A Bottle
Deluxxe is a new post punk/new wave band from Buffalo, NY.
It was formed by Mason and Greg, and later completed with Nick, Bailey and Mackenzie, sharing members of Oi and hardcore bands such as Violent Way, Bad Blood and Exhibition. Their punk background can be heard in the music, but it’s the love for new wave, post punk, darkwave, and goth that led to creation of their debut record “If You Were Me”. Written in the cold winters of Buffalo, you can almost feel the harshness of the weather affecting the sounds that propagate from these grooves. Icy and frostbitten but somehow still relevantly civic and urban.
The Chameleons and The Sound are two main references here, but that whole cold dimension is rocked by a strong pop vein reminiscent of After The Snow-era Modern English and occasionally enhanced by an hoarseness typical of a young Paul Weller. Passionate lyricism proper of Echo And The Bunnymen and hopeless romanticism à la Sad Lovers And Giants get balanced by a sharp songwriting which keeps everything in perfect order, giving you exactly what you need, nothing more and nothing less.
You can tell some skinheads are involved here because the outcome is so tidy and neat, without losing one inch of atmosphere or enchantment. If you are wondering how something that was invented forty years ago can still sound, literally, fresh and cool, look no further because what this band delivers lives just up to its name.
“If You Were Me” is out September 22 on black vinyl LP limited to 300. More
It was formed by Mason and Greg, and later completed with Nick, Bailey and Mackenzie, sharing members of Oi and hardcore bands such as Violent Way, Bad Blood and Exhibition. Their punk background can be heard in the music, but it’s the love for new wave, post punk, darkwave, and goth that led to creation of their debut record “If You Were Me”. Written in the cold winters of Buffalo, you can almost feel the harshness of the weather affecting the sounds that propagate from these grooves. Icy and frostbitten but somehow still relevantly civic and urban.
The Chameleons and The Sound are two main references here, but that whole cold dimension is rocked by a strong pop vein reminiscent of After The Snow-era Modern English and occasionally enhanced by an hoarseness typical of a young Paul Weller. Passionate lyricism proper of Echo And The Bunnymen and hopeless romanticism à la Sad Lovers And Giants get balanced by a sharp songwriting which keeps everything in perfect order, giving you exactly what you need, nothing more and nothing less.
You can tell some skinheads are involved here because the outcome is so tidy and neat, without losing one inch of atmosphere or enchantment. If you are wondering how something that was invented forty years ago can still sound, literally, fresh and cool, look no further because what this band delivers lives just up to its name.
“If You Were Me” is out September 22 on black vinyl LP limited to 300. More
Label:Avant! Records
Cat-No:AV!084
Release-Date:21.07.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!084
Release-Date:21.07.2023
Genre:Alternative/Electronic
Configuration:LP
1
SDH - Balance
2
SDH - Denial
3
SDH - Talk In Dreams
4
SDH - Hollowed Out
5
SDH - Cellular Sky
6
SDH - Do I Look Like I'm Laughing
7
SDH - Our Fear
8
SDH - Greedy
9
SDH - Hectic
The duo formed by Andrea P. Latorre and Sergi Algiz is a specialist in shedding skin and gladly combines new heteronyms in Fake is Real, their sophomore album after their self titled debut in 2018 and subsequent EPs Against Strong Thinking and Maybe a Body, which have been full of reinterpretations and remixes.
Another sign is that they trust their modus operandi to mutation and the idea that nothing is ever quite said. It’s been three years of work, growth and numerous performances in venues and festivals throughout Europe.
In Fake is Real, SDH go out once again in search of nightclubs that are familiar, but never obvious.
The occasion is tremendous and the list of honorees is select: beginning with the producer Kris Baha, who has provided forcefulness to the rhythmic base and prominence to the voices. The dress code transcends the categories of dark wave, to dress as mischievous EBM, with accessories from new dance, acid house and disrupted but melodic techno, with structured twists that come to caress the electronic psychedelia.
Ready to play? Let’s play. Let’s change our epidermis, let’s confuse our coats in the dark. Knowing that only in the dark is where everything unpronounceable can have a place, SDH go all-in. Their darkwave résumé allows the duo to blend diverse electronica and leftfield sounds such as big beat, eurodance, synthwave, hard trance and body music in a very personal and emotional way.
You may hear influences drawn from Da Blitz to the Prodigy, Yves Deruyter to Faithless, yet everything is so SDH you just can’t mistake them with any other band out there.
Not unlike early 90’s-era Coil, the music here is as important as the idea behind the band, a unit conceived to explore and operate on the margins of the music genres it supposedly belongs to, making it hard and therefore so damn interesting to define what’s been done.
A work open to so many influences, that it gives a pleasant vertigo to be involved in it. If you’ve ever been afraid of the night, Fake is Real offers you a reconciliation with all its rhythms that invites you to move together in the club. More
Another sign is that they trust their modus operandi to mutation and the idea that nothing is ever quite said. It’s been three years of work, growth and numerous performances in venues and festivals throughout Europe.
In Fake is Real, SDH go out once again in search of nightclubs that are familiar, but never obvious.
The occasion is tremendous and the list of honorees is select: beginning with the producer Kris Baha, who has provided forcefulness to the rhythmic base and prominence to the voices. The dress code transcends the categories of dark wave, to dress as mischievous EBM, with accessories from new dance, acid house and disrupted but melodic techno, with structured twists that come to caress the electronic psychedelia.
Ready to play? Let’s play. Let’s change our epidermis, let’s confuse our coats in the dark. Knowing that only in the dark is where everything unpronounceable can have a place, SDH go all-in. Their darkwave résumé allows the duo to blend diverse electronica and leftfield sounds such as big beat, eurodance, synthwave, hard trance and body music in a very personal and emotional way.
You may hear influences drawn from Da Blitz to the Prodigy, Yves Deruyter to Faithless, yet everything is so SDH you just can’t mistake them with any other band out there.
Not unlike early 90’s-era Coil, the music here is as important as the idea behind the band, a unit conceived to explore and operate on the margins of the music genres it supposedly belongs to, making it hard and therefore so damn interesting to define what’s been done.
A work open to so many influences, that it gives a pleasant vertigo to be involved in it. If you’ve ever been afraid of the night, Fake is Real offers you a reconciliation with all its rhythms that invites you to move together in the club. More
Label:Avant! Records
Cat-No:AV!083
Release-Date:12.05.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!083
Release-Date:12.05.2023
Genre:Alternative/Electronic
Configuration:LP
1
Male Tears - Krypt
2
Male Tears - Sleep 4Ever
3
Male Tears - Domin8
4
Male Tears - I Expire
5
Male Tears - Deal3r
6
Male Tears - Never Again
7
Male Tears - Jaded
8
Male Tears - Stay
Here comes something unapologetically goth.
Male Tears is the dark electro group consisting of vocalist, James Edward and synthesist, Frank Shark. Hailing from Los Angeles, what began as a solo project re-established itself as a duo in 2021, simultaneously moving from the breezy sounds of the first self-titled album to darker realms with their sophomore Trauma Club.
Krypt is their third full-length recording and it shows a fully grown ensemble capable of pushing everything over the top; blending elements of darkwave, goth rock, EBM and futurepop into a sound they call Dark Rave.
Naturally drawing inspiration from the Californian goth tradition (45 Grave, Christian Death) and the Canadian post-industrial brood (Skinny Puppy, FLA), as well as the best UK synthpop (Depeche Mode, The Human League), Male Tears emphasizes the most glamourous, and at once, gruesome aspects of the whole gothic subculture, bringing everything to the next level, resulting in a contemporary and cutting edge album.
Eight new cuts that alternate rarefied synthwave (Krypt), dark eurodance (Slay) with goth techno-pop (Sleep 4Ever) and pounding electro-industrial (I Expire) to create something we may call New Romantic Body Music. It’s no wonder we wanted the scene’s top studio, La Distilleria, run by Maurizio Baggio, to master this for the most bombastic outcome.
And yet Krypt is not just about the music, it’s about one up with the times attitude that can review aggressive EBM in the light of an extravagant pop sensibility and a theatrical grandeur worthy of the Blitz Kids from London circa 1979-80.
You may think it takes quite a bit of nonchalance to do so but the L.A. duo easily succeeds at this. Akin to their aesthetics, they may seem spooky from the outside but their approach is nothing stuffy. Quite the contrary, everything regarding Male Tears is a celebration of life’s most bizzare shades, driven by some of the best dark humor you’ll find around.
So Dance with me, my dear, on a dancefloor of bones and skulls / The music is our master The devil controls our souls. More
Male Tears is the dark electro group consisting of vocalist, James Edward and synthesist, Frank Shark. Hailing from Los Angeles, what began as a solo project re-established itself as a duo in 2021, simultaneously moving from the breezy sounds of the first self-titled album to darker realms with their sophomore Trauma Club.
Krypt is their third full-length recording and it shows a fully grown ensemble capable of pushing everything over the top; blending elements of darkwave, goth rock, EBM and futurepop into a sound they call Dark Rave.
Naturally drawing inspiration from the Californian goth tradition (45 Grave, Christian Death) and the Canadian post-industrial brood (Skinny Puppy, FLA), as well as the best UK synthpop (Depeche Mode, The Human League), Male Tears emphasizes the most glamourous, and at once, gruesome aspects of the whole gothic subculture, bringing everything to the next level, resulting in a contemporary and cutting edge album.
Eight new cuts that alternate rarefied synthwave (Krypt), dark eurodance (Slay) with goth techno-pop (Sleep 4Ever) and pounding electro-industrial (I Expire) to create something we may call New Romantic Body Music. It’s no wonder we wanted the scene’s top studio, La Distilleria, run by Maurizio Baggio, to master this for the most bombastic outcome.
And yet Krypt is not just about the music, it’s about one up with the times attitude that can review aggressive EBM in the light of an extravagant pop sensibility and a theatrical grandeur worthy of the Blitz Kids from London circa 1979-80.
You may think it takes quite a bit of nonchalance to do so but the L.A. duo easily succeeds at this. Akin to their aesthetics, they may seem spooky from the outside but their approach is nothing stuffy. Quite the contrary, everything regarding Male Tears is a celebration of life’s most bizzare shades, driven by some of the best dark humor you’ll find around.
So Dance with me, my dear, on a dancefloor of bones and skulls / The music is our master The devil controls our souls. More
Label:Avant! Records
Cat-No:AV!081
Release-Date:31.03.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!081
Release-Date:31.03.2023
Genre:Alternative/Electronic
Configuration:LP
1
Veil Of Light - Apricot Kiss
2
Veil Of Light - Head-On Collision
3
Veil Of Light - Hypersleep
4
Veil Of Light - Tonight
5
Veil Of Light - Raindancing
6
Veil Of Light - Remain The Same
7
Veil Of Light - Keen Blade
8
Veil Of Light - Heartland Road
9
Veil Of Light - Homesick
Two years after their previous effort, regular as clockwork, Swiss throbbing synth pop duo Veil Of Light is back with a new album and what can we say? These guys keep on getting better and better.
If you have followed the Zurich-based outfit over the past few years, you must have noticed the constant moving towards 80’s FM new wave and synthpop tones – without losing their electro/body music outline – that have marked the band’s parable, especially since their latest Landslide LP.
Sundancing is their sixth full-length and it stays the course, bringing what we’ve just said to the next step. Nine new dancy and bright tunes with emotional depth that blend lush instrumentation and robust rhythms, guided by funky and rubbery basslines. Syncopated rhythm sections match suburban cool synths in the lead single Apricot Kiss and Hypersleep, while Raindancing and Tonight summon a sinuosity long gone since the mid Eighties. The musical backdrop here serves as the fundament for emotional vocals delivering lyrics dealing with the fragility of love, joy and loneliness.
There’s some subtle addictiveness to these songs, one that will gently grab you by the collar of your coat and stick the refrains from Sundancing inside your head for good.
Veil Of Light might make it look easy to keep it neat without being minimalist, intimate without being depressing, romantic in the most true sense of the word, but we know that’s possibly the hardest thing to do. More
If you have followed the Zurich-based outfit over the past few years, you must have noticed the constant moving towards 80’s FM new wave and synthpop tones – without losing their electro/body music outline – that have marked the band’s parable, especially since their latest Landslide LP.
Sundancing is their sixth full-length and it stays the course, bringing what we’ve just said to the next step. Nine new dancy and bright tunes with emotional depth that blend lush instrumentation and robust rhythms, guided by funky and rubbery basslines. Syncopated rhythm sections match suburban cool synths in the lead single Apricot Kiss and Hypersleep, while Raindancing and Tonight summon a sinuosity long gone since the mid Eighties. The musical backdrop here serves as the fundament for emotional vocals delivering lyrics dealing with the fragility of love, joy and loneliness.
There’s some subtle addictiveness to these songs, one that will gently grab you by the collar of your coat and stick the refrains from Sundancing inside your head for good.
Veil Of Light might make it look easy to keep it neat without being minimalist, intimate without being depressing, romantic in the most true sense of the word, but we know that’s possibly the hardest thing to do. More
Label:Avant! Records
Cat-No:AV!059
Release-Date:02.12.2022
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!059
Release-Date:02.12.2022
Genre:Alternative/Electronic
Configuration:LP
1
Buzz Kull - Crime Lights
2
Buzz Kull - Destination
3
Buzz Kull - New Kind Of Cross
4
Buzz Kull - The Garden
5
Buzz Kull - Avoiding The Light
6
Buzz Kull - Existence
7
Buzz Kull - Ode To Hate
8
Buzz Kull - Time
9
Buzz Kull - Flowers Have No Meaning
After the release of 2017's Chroma, Buzz Kull (real name Marc Dwyer), has returned with his sophomore album. Traversing EBM, darkwave and goth sounds with ease, New Kind Of Cross traverses much darker waters than Dwyer’s last effort, speaking to the rapid change and tension at play in Dwyer’s own life.Marc spends a good portion of each year in a new city every night - and when settled in Sydney, is constantly between jobs. It makes perfect sense that New Kind Of Cross deals explicitly with themes of isolation, introversion and sometimes anger. The music on this record is heavy and unforgiving. Throughout the past, Dwyer has refined his sound to a knife's edge, proving his capabilities within the realm of darker music time and time again.
Third Euro edition limited to 300 copies on Coke Bottle Clear Vinyl. Comes in insideout sleeve. More
Third Euro edition limited to 300 copies on Coke Bottle Clear Vinyl. Comes in insideout sleeve. More
Label:Avant! Records
Cat-No:AV!080
Release-Date:02.12.2022
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!080
Release-Date:02.12.2022
Genre:Alternative/Electronic
Configuration:LP
1
Buzz Kull - Rise From Your Grave
2
Buzz Kull - Do You See
3
Buzz Kull - Last In The Club
4
Buzz Kull - Man On The Beat
5
Buzz Kull - Beyond The Ceiling
6
Buzz Kull - Fascination
7
Buzz Kull - Dead Inside
8
Buzz Kull - Dancing With Machines
9
Buzz Kull - Burn It To The Ground
10
Buzz Kull - Heaven Will Find Me
The Australian master of the dark synth arts is back and – boy – he is out for blood.
We’ve been missing Marc Dwyer solo project Buzz Kull since his latest single Last In The Club from late 2019 and since back then we knew he was up to something. At first glimpse, the minimal wave days of We Were Lovers seem far away now that Marc has gone full Club Body Music with his upcoming new album, but there is a thread that binds Buzz Kull hits from the past such as Into The Void, Avoiding The Light and New Kind Of Cross with these ten new cuts: a thread of darkness proper to the most handsome man in the game and that’s here to stay.
Echoes of 90’s era Front 242 and Front Line Assembly will resonate from tracks like Fascination and Dead Inside; elements of early body music flirting with the dark side of British synthpop will rave from the grooves of Dancing with Machines and Man on the Beat, while late 80’s Belgian new beat cellar-like vibes rise from Do You See and Burn it to the Ground.
But Buzz Kull’s third full-length is not just about music subgenres we all know and love, it’s about a feeling that comes alive only with the dark and drives you through the small hours just to leave you drained and filled at once. The creature of the night is on the loose, the sticky dancefloor its natural habitat, its lust for the upside-down world of the club can’t be cured. More
We’ve been missing Marc Dwyer solo project Buzz Kull since his latest single Last In The Club from late 2019 and since back then we knew he was up to something. At first glimpse, the minimal wave days of We Were Lovers seem far away now that Marc has gone full Club Body Music with his upcoming new album, but there is a thread that binds Buzz Kull hits from the past such as Into The Void, Avoiding The Light and New Kind Of Cross with these ten new cuts: a thread of darkness proper to the most handsome man in the game and that’s here to stay.
Echoes of 90’s era Front 242 and Front Line Assembly will resonate from tracks like Fascination and Dead Inside; elements of early body music flirting with the dark side of British synthpop will rave from the grooves of Dancing with Machines and Man on the Beat, while late 80’s Belgian new beat cellar-like vibes rise from Do You See and Burn it to the Ground.
But Buzz Kull’s third full-length is not just about music subgenres we all know and love, it’s about a feeling that comes alive only with the dark and drives you through the small hours just to leave you drained and filled at once. The creature of the night is on the loose, the sticky dancefloor its natural habitat, its lust for the upside-down world of the club can’t be cured. More
Label:Avant! Records
Cat-No:AV!079
Release-Date:04.11.2022
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!079
Release-Date:04.11.2022
Genre:Alternative/Electronic
Configuration:LP
1
Hørd - Arrows
2
Hørd - Ice
3
Hørd - Blood
4
Hørd - Turn
5
Hørd - Challenger One
6
Hørd - London
7
Hørd - Fires
8
Hørd - Bridges
Two years after his previous Bodies LP, French synth solo project Hørd is back with a new full-length. Started in 2014, producer Sebastien Carl has proven himself to be able to gather a cult fan-base around his creation, collaborating with artists as Hante, Winter Severity Index and Radical G, remixing goth legends Clan Of Xymox and performing live in most European countries.Debuted by Giallo Disco in 2016, two records on Avant! have followed until this upcoming fourth album.
While the music keeps on flirting with darkwave aesthetic in a forward- thinking way, the sound is now clearer than ever. Elements of EBM, shoegaze and techno are reflected through arctic synth pads, ghostly reverbs and urban spleen-filled lyrics to create haunting soundscapes, but Sciences also features beat-driven lead singles that twirl space synths and rounded kicks all over the place like never before.
Enhanced by the great mixing and mastering job done by scene-guiding light producer Maurizio Baggio, you’ll find balearic arpeggios and clangorous trance crescendo on Arrows, italo suggestions over groovy acid house beats on Ice, while mid-tempo synthwave marches menacingly on Turn and vibrates deeply on Fires.
Typical nebulous atmospheres are now less blurry and more on point without losing a single bit of enchantingness, marking a major step-up in Hørd discography. More
While the music keeps on flirting with darkwave aesthetic in a forward- thinking way, the sound is now clearer than ever. Elements of EBM, shoegaze and techno are reflected through arctic synth pads, ghostly reverbs and urban spleen-filled lyrics to create haunting soundscapes, but Sciences also features beat-driven lead singles that twirl space synths and rounded kicks all over the place like never before.
Enhanced by the great mixing and mastering job done by scene-guiding light producer Maurizio Baggio, you’ll find balearic arpeggios and clangorous trance crescendo on Arrows, italo suggestions over groovy acid house beats on Ice, while mid-tempo synthwave marches menacingly on Turn and vibrates deeply on Fires.
Typical nebulous atmospheres are now less blurry and more on point without losing a single bit of enchantingness, marking a major step-up in Hørd discography. More
Label:Avant! Records
Cat-No:AV!077
Release-Date:29.04.2022
Genre:Alternative/Electronic
Configuration:12"
Label:Avant! Records
Cat-No:AV!077
Release-Date:29.04.2022
Genre:Alternative/Electronic
Configuration:12"
1
SDH - Maybe A Body
2
SDH - Maybe A Body (Phase Fatale Remix)
3
SDH - All Of That
4
SDH - All Of That (Pablo Bozzi Remix)
Two years after their previous Against Strong Thinking mini album, Spanish techno-meets-new wave duo SDH returns with a new, killer EP. There is a duality rooted deeply in the very soul of this project that is reflected in the line-up as well as in the music the band creates. While Sergi Algiz is behind the machines propagating a wide spectrum of electronic beats ranging from techno and body music to synthpop and electro, Andrea P. Latorre offsets the night club vibe of the pounding drums with her emotional, romantic vocals. This same dichotomy is perfectly represented here by their new 12-inch Maybe A Body, out April 29, 2022 on Avant!.
The title-track is a powerful song about body recognition, about having a voice and using it, sustained by some throbbing EBM with traces of 90’s trance/progressive, ending up in a perfect balance of rousing groove and hypnagogic feelings.
The B side is the hunting ground for more dream-like scenarios as it digs deep in the nostalgia realm with its retro mood filled with italo and synth-pop bliss. To power up both these aspects of SDH’s identity, we have called two of the best electronic producers out there to remix one track each.
Maybe A Body has been given to techno golden boy and Avant! alumni Phase Fatale who has managed to enhance even further the trance-like nature of the track, creating just the perfect dancefloor filler.
All Of That has been instead reworked by the skillful hands of the rising star of the Eighties sound Pablo Bozzi who literally exploded the italo groove, occasionally smoothing things out with some breakbeats just where they’re most needed.
Produced by Matia Simovich at Infinite Power Studios, LA. Mastered at Dadub Studio, Berlin. More
The title-track is a powerful song about body recognition, about having a voice and using it, sustained by some throbbing EBM with traces of 90’s trance/progressive, ending up in a perfect balance of rousing groove and hypnagogic feelings.
The B side is the hunting ground for more dream-like scenarios as it digs deep in the nostalgia realm with its retro mood filled with italo and synth-pop bliss. To power up both these aspects of SDH’s identity, we have called two of the best electronic producers out there to remix one track each.
Maybe A Body has been given to techno golden boy and Avant! alumni Phase Fatale who has managed to enhance even further the trance-like nature of the track, creating just the perfect dancefloor filler.
All Of That has been instead reworked by the skillful hands of the rising star of the Eighties sound Pablo Bozzi who literally exploded the italo groove, occasionally smoothing things out with some breakbeats just where they’re most needed.
Produced by Matia Simovich at Infinite Power Studios, LA. Mastered at Dadub Studio, Berlin. More
Label:Avant! Records
Cat-No:AV!076
Release-Date:29.04.2022
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!076
Release-Date:29.04.2022
Genre:Alternative/Electronic
Configuration:LP
1
M!R!M - Moody Moon
2
M!R!M - Faultless Pitch
3
M!R!M - Exile
4
M!R!M - Post Fight
5
M!R!M - The New House
6
M!R!M - Grey Skies
7
M!R!M - Say Nothing (Feat. SDH)
8
M!R!M - Desert Love (Feat. Nuovo Testamento)
9
M!R!M - Peninsula
10
M!R!M - Goodnight Galaxie
Two years and one pandemic after his previous release, the Italian, London-based solo project M!R!M is back with a new full- length album.
Inspired by the synth pop classics, as well as from cold and dark waves, multi-instrumentalist Jack Milwaukee has been releasing material on labels such as Fabrika and Manic Depression until his first record on Avant! ”The Visionary” back in 2020.
On April 22 his fourth LP ”Time Traitor” will be released and we’re excited to say this is Milwaukee’s most personal job to date.
If you are familiar with his work, you know the DIY/lo-fi approach of his first recordings was already gone with his previous LP but these new ten recordings dig even deeper, drawing the outlines of a fantasy world lost within the foggy memories of a collective childhood.
Possibly locked in his bedroom for the necessary time, Milwaukee has been able to recreate an imaginative realm of 80’s FM suggestions, scattering a number of acoustic clues from different parts of this parallel, yet so familiar dimension. It’s almost like M!R!M is sending us a message in a bottle with each of these new tracks and each message tells a different story.
Post Fight has a punchy pop-punk riff drove by solid synthwave beats, Faultless Pitch hosts a mellow, funky bass line over a solemn drum gate, Desert Love screams italo like nothing else and it was indeed composed four-handed with fellow artists Nuovo Testamento, Say Nothing features SDH singer Andrea Pe´rez’s backing vocals to invoke a dream-like scenario.
There is even a Turquoise Days’ Grey Skies cover that is just one more perfect example of Milwaukee’s ability to take a single item from the suitcase of the past and make it extremely current in a handful of minutes.
All this is adorned by semi-instrumental postcards with suggestive names such as Moody Moon, Peninsula and Goodnight Galaxie that will guide you through this journey across M!R!M sound-&-memory experience. More
Inspired by the synth pop classics, as well as from cold and dark waves, multi-instrumentalist Jack Milwaukee has been releasing material on labels such as Fabrika and Manic Depression until his first record on Avant! ”The Visionary” back in 2020.
On April 22 his fourth LP ”Time Traitor” will be released and we’re excited to say this is Milwaukee’s most personal job to date.
If you are familiar with his work, you know the DIY/lo-fi approach of his first recordings was already gone with his previous LP but these new ten recordings dig even deeper, drawing the outlines of a fantasy world lost within the foggy memories of a collective childhood.
Possibly locked in his bedroom for the necessary time, Milwaukee has been able to recreate an imaginative realm of 80’s FM suggestions, scattering a number of acoustic clues from different parts of this parallel, yet so familiar dimension. It’s almost like M!R!M is sending us a message in a bottle with each of these new tracks and each message tells a different story.
Post Fight has a punchy pop-punk riff drove by solid synthwave beats, Faultless Pitch hosts a mellow, funky bass line over a solemn drum gate, Desert Love screams italo like nothing else and it was indeed composed four-handed with fellow artists Nuovo Testamento, Say Nothing features SDH singer Andrea Pe´rez’s backing vocals to invoke a dream-like scenario.
There is even a Turquoise Days’ Grey Skies cover that is just one more perfect example of Milwaukee’s ability to take a single item from the suitcase of the past and make it extremely current in a handful of minutes.
All this is adorned by semi-instrumental postcards with suggestive names such as Moody Moon, Peninsula and Goodnight Galaxie that will guide you through this journey across M!R!M sound-&-memory experience. More
Label:Avant! Records
Cat-No:AV!075
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!075
Release-Date:11.02.2022
Genre:Alternative/Electronic
Configuration:LP
1
Plastic Estate - Open
2
Plastic Estate - Out Of Reach
3
Plastic Estate - Divinely Impaired
4
Plastic Estate - Antique Days
5
Plastic Estate - When You're Gone
6
Plastic Estate - There Must be More Than This
7
Plastic Estate - Sins
8
Plastic Estate - The Difference
9
Plastic Estate - Berlin
10
Plastic Estate - Change Your Mind
Slightly more than one year has passed since we debuted the Cardiff-based duo Plastic Estate’s first single This Place and we all know what happened meanwhile. But if you thought the global pandemic discouraged the Welsh boys from pursuing their research for an evolution of pop music from the past, think again.
Quite on the contrary, it seems that these past months of forced isolation and necessary restrictions only empowered the ability of the band led by Nicholas James and Stanley Fouracres to compose great songs perfectly in balance between dark, melancholia and happier, brighter feelings.
Or maybe their love for the best UK new wave and pop artists such as Dave Gahan, Ian McCulloch, Bryan Ferry is just too tough to die. However that may be, Plastic Estate have masterfully used this year to write their first full-length album and we at Avant! couldn’t be happier to bring it to you on 4 February 2022.
Ten new songs that shine a light on the duo’s impressive skills to juggle between the heritage of lost golden era and the pressing presence of the here and now, as well as electronic dance elements and acoustic instruments, ending up sounding classic and contemporary at once. Not an easy task, if you ask me.
Check out Out of Reach and its crystal clear synth-pop radiance, or one whirlwind dancefloor filler such as There Must Be More Than This, juxtaposed with the romantic intimacy of Berlin or Divinely Impaired’s elegant sombreness. Dive into the imaginary mémoires of a Sophisti-pop era with Antique Days and then resurface nowadays with the hypnagogic club notes of The Difference. We can even feel some Stone Roses-like vibe in the album’s last track Change Your Mind but maybe it’s just us.
What’s for sure is that if you liked their 7-inch single you will love their album. If you don’t know this group yet but you righteously adore the artists above, do yourself a favour and take a good listen now and you will not be disappointed.
Not in the least, as it is this rare to stand in the exact spot where you have a full view of the days behind you and the complete control of the moment you are in.
RIYL: New Order, Roxy Music, The Blue Nile, Future Islands, Lust For Youth More
Quite on the contrary, it seems that these past months of forced isolation and necessary restrictions only empowered the ability of the band led by Nicholas James and Stanley Fouracres to compose great songs perfectly in balance between dark, melancholia and happier, brighter feelings.
Or maybe their love for the best UK new wave and pop artists such as Dave Gahan, Ian McCulloch, Bryan Ferry is just too tough to die. However that may be, Plastic Estate have masterfully used this year to write their first full-length album and we at Avant! couldn’t be happier to bring it to you on 4 February 2022.
Ten new songs that shine a light on the duo’s impressive skills to juggle between the heritage of lost golden era and the pressing presence of the here and now, as well as electronic dance elements and acoustic instruments, ending up sounding classic and contemporary at once. Not an easy task, if you ask me.
Check out Out of Reach and its crystal clear synth-pop radiance, or one whirlwind dancefloor filler such as There Must Be More Than This, juxtaposed with the romantic intimacy of Berlin or Divinely Impaired’s elegant sombreness. Dive into the imaginary mémoires of a Sophisti-pop era with Antique Days and then resurface nowadays with the hypnagogic club notes of The Difference. We can even feel some Stone Roses-like vibe in the album’s last track Change Your Mind but maybe it’s just us.
What’s for sure is that if you liked their 7-inch single you will love their album. If you don’t know this group yet but you righteously adore the artists above, do yourself a favour and take a good listen now and you will not be disappointed.
Not in the least, as it is this rare to stand in the exact spot where you have a full view of the days behind you and the complete control of the moment you are in.
RIYL: New Order, Roxy Music, The Blue Nile, Future Islands, Lust For Youth More
Label:Avant! Records
Cat-No:AV!052
Release-Date:19.11.2021
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!052
Release-Date:19.11.2021
Genre:Alternative/Electronic
Configuration:LP
1
Holiday Inn - She
2
Holiday Inn - Dirty Town
3
Holiday Inn - The Closer I Get
4
Holiday Inn - I Don't Want To Die Alone (I'm Going To Kill You)
5
Holiday Inn - Black Sun
6
Holiday Inn - Feel Free! (Feat. D.a.P.)
7
Holiday Inn - They Wanted It
8
Holiday Inn - No Speaking
9
Holiday Inn - Torbido
Fictional larger than life characters come in all forms and ways but no one expected East Rome acid minimal synth-punk duo Holiday Inn to spread their cult in such a distinctive manner, overthrowing all sets of rules in the peninsula’s stuffy DIY circuit and uniting techno-industrial enthusiasts, hardcore noisers and theatrical dark wavers. At some point though someone just had to do it!
Co-released by Avant! Records and Maple Death Records, Torbido is Holiday Inn’s debut full-length and by all accounts their strongest manifesto yet. A collaboration between Gabor (Aktion, Metro Crowd) on voice and Frenchman Bob Junior (Trans Upper Egypt, Bobsleigh Baby, Hiss) on synth and drum machine, they leave their best on stage, live shows have cemented their ill reputation: Gabor is a lanky dude and struts onstage with a boxer’s pre match ritual dance, ready to vomit words in your face while Bob’s composure never fails to spread misery and mystery through his vintage noise assault setup.
Torbido kicks off with She, a hallucinogenic dub infused punk anthem, Dirty Town is an industrial boogie for wide eyed dreamers, Feel Free! is an electro jungle b-boys rhythmic speed induced breakbeat tune for the future. The feverish magic happens on No Speaking, where Holiday Inn turns an acid techno tune into a circuit breaking warped frenzy.
Holiday Inn are shaped and scarred by the unauthorized development of buildings once considered a sign of gleaming growth in the Roman suburbs. It’s nostalgic and nasty, and will not have a bright future and let’s not forget that Torbido means murky and sinister, so come on and take a plunge into Tevere’s mudbanks. More
Co-released by Avant! Records and Maple Death Records, Torbido is Holiday Inn’s debut full-length and by all accounts their strongest manifesto yet. A collaboration between Gabor (Aktion, Metro Crowd) on voice and Frenchman Bob Junior (Trans Upper Egypt, Bobsleigh Baby, Hiss) on synth and drum machine, they leave their best on stage, live shows have cemented their ill reputation: Gabor is a lanky dude and struts onstage with a boxer’s pre match ritual dance, ready to vomit words in your face while Bob’s composure never fails to spread misery and mystery through his vintage noise assault setup.
Torbido kicks off with She, a hallucinogenic dub infused punk anthem, Dirty Town is an industrial boogie for wide eyed dreamers, Feel Free! is an electro jungle b-boys rhythmic speed induced breakbeat tune for the future. The feverish magic happens on No Speaking, where Holiday Inn turns an acid techno tune into a circuit breaking warped frenzy.
Holiday Inn are shaped and scarred by the unauthorized development of buildings once considered a sign of gleaming growth in the Roman suburbs. It’s nostalgic and nasty, and will not have a bright future and let’s not forget that Torbido means murky and sinister, so come on and take a plunge into Tevere’s mudbanks. More
Label:Avant! Records
Cat-No:AV!074
Release-Date:30.06.2021
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!074
Release-Date:30.06.2021
Genre:Alternative/Electronic
Configuration:LP
1
Nuovo Testamento - Michelle Michelle
2
Nuovo Testamento - The Searcher
3
Nuovo Testamento - Electricity
4
Nuovo Testamento - Golden Boy
5
Nuovo Testamento - Vanity
6
Nuovo Testamento - Prayers
7
Nuovo Testamento - New Earth
8
Nuovo Testamento - Intuition
Nuovo Testamento is the Los Angeles & Bologna-based trio featuring members of Horror Vacui, Sheer Mag, Tørsö, Terremoto and Crimson Scarlet.
With the addition of Chelsey Crowley on vocals, synthesists Andrea Mantione & Giacomo Zatti found that their initial coldwave tracks, originally written for the male voice, took on an undeniable synthpop feel. While still recording these songs for the debut Exposure EP in 2019, the band leaned into this evolution and their shared love of Italo disco, beginning to write what would become the New Earth LP.
Recorded in isolation during a global pandemic, New Earth is a dark Italo record dappled with light. For eight new tracks, dancing synths perfectly balance the rich dream of a charmed life with melancholy. Guitars have taken a step back, allowing disco beats to flood the floor and joyful fun to prevail. The record anticipates a return to dance spaces, imagines shared experiences and celebrates personal power.
Produced by sound engineer Maurizio Baggio (The Soft Moon, Boy Harsher and many more), with vocal recording by Riki and featuring guest vocals from B. Sven Gustavson (Spectres, Nouveaux), New Earth reflects international influences from the goth club scene to Hi-NRG classics, reminiscent of Italian Baby Records, Mute Records and the spaces in between. More
With the addition of Chelsey Crowley on vocals, synthesists Andrea Mantione & Giacomo Zatti found that their initial coldwave tracks, originally written for the male voice, took on an undeniable synthpop feel. While still recording these songs for the debut Exposure EP in 2019, the band leaned into this evolution and their shared love of Italo disco, beginning to write what would become the New Earth LP.
Recorded in isolation during a global pandemic, New Earth is a dark Italo record dappled with light. For eight new tracks, dancing synths perfectly balance the rich dream of a charmed life with melancholy. Guitars have taken a step back, allowing disco beats to flood the floor and joyful fun to prevail. The record anticipates a return to dance spaces, imagines shared experiences and celebrates personal power.
Produced by sound engineer Maurizio Baggio (The Soft Moon, Boy Harsher and many more), with vocal recording by Riki and featuring guest vocals from B. Sven Gustavson (Spectres, Nouveaux), New Earth reflects international influences from the goth club scene to Hi-NRG classics, reminiscent of Italian Baby Records, Mute Records and the spaces in between. More
Customers who bought this also bought this
Label:The Very Polish Cut Outs
Cat-No:TVPCLP008
Release-Date:29.09.2023
Genre:Electronic
Configuration:LP Excl
Label:The Very Polish Cut Outs
Cat-No:TVPCLP008
Release-Date:29.09.2023
Genre:Electronic
Configuration:LP Excl
1
PEJZAZ - List I
2
PEJZAZ - Szepty
3
PEJZAZ - Mikrokosmos
4
PEJZAZ - Czwarty Wymiar
5
PEJZAZ - Fata Morgana
6
PEJZAZ - Cargo
7
PEJZAZ - Directions
8
PEJZAZ - Reguly Gry
9
PEJZAZ - Barwa I
10
PEJZAZ - Barwa II
11
PEJZAZ - Barwa III
12
PEJZAZ - Barwa IV
13
PEJZAZ - Barwa V
Pejzaz (aka Bartosz Kruczynski) returns with a captivating new collage album. Divided into two records LIST I (set out to be released end of september) & LIST II (scheduled for end of November), it delves into the realm of 90s/Y2K Eastern European CD releases. Employing hundreds of samples, Pejzaz sculpts a mesmerizing and distinctive body of work.
LIST I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).
Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.
Tracklist:
A1 List I
A2 Szepty
A3 Mikrokosmos
A4 Czwarty Wymiar
A5 Fata Morgana
A6 Cargo
A7 Directions
B1 Regu?y Gry
B2 Barwa I
B3 Barwa II
B4 Barwa III
B5 Barwa IV
B6 Barwa V
More
LIST I, bathed in sun-drenched chords, seamlessly blends pop-rock guitars, soulful drums, and dreamy, pastoral folk elements with minimal music and ambient textures, reminiscent of Baltic Beat (the Polish incarnation of Balearic Music).
Notably, this marks Pejza's first foray into a fully instrumental album. Although devoid of lyrics, the bittersweet blend of samples infuses the music with a profoundly Polish essence, further enhancing its distinctive allure.
Tracklist:
A1 List I
A2 Szepty
A3 Mikrokosmos
A4 Czwarty Wymiar
A5 Fata Morgana
A6 Cargo
A7 Directions
B1 Regu?y Gry
B2 Barwa I
B3 Barwa II
B4 Barwa III
B5 Barwa IV
B6 Barwa V
More
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
1
Gigi Masin & Rod Modell - Red Hair Girl At The Bus Stop
2
Gigi Masin & Rod Modell - Summer Morning At Lighthouse Beach
Repress!
Vinyl LP presented in a deluxe edition with printed innersleeve and a special transparent obi strip; the cover is also printed internally. Hand numbered.
Making music is trying to start over again every time. It’s a matter of questioning and approaching. It’s never settling for the sound that fills the world around. It’s looking for a door in the sky. And maybe find it, open it, go beyond it. Rod Modell and Gigi Masin, this time together, are offering each other vibrations and insights. The former lives between two lakes, the latter between the Venetian lagoon and the sea. Everyone on their own shore, building electronic bridges in semi-darkness to allow us to cross too.
No words would be needed to explain this work... It is the meeting of two people, an exchange of different points of view. A way to meet and then break up. Rod has reworked a piece of Gigi making it his own... and so did Gigi with a piece of Rod. A magnificent intersection of sounds and thoughts... remaining suspended to watch the passing of time, to listen to the noises and silences of life that passes inexorably around us.
Track 1: RED HAIR GIRL AT THE BUS STOP 19'31"
Track 2: SUMMER MORNING AT LIGHTHOUSE BEACH 15'43" More
Vinyl LP presented in a deluxe edition with printed innersleeve and a special transparent obi strip; the cover is also printed internally. Hand numbered.
Making music is trying to start over again every time. It’s a matter of questioning and approaching. It’s never settling for the sound that fills the world around. It’s looking for a door in the sky. And maybe find it, open it, go beyond it. Rod Modell and Gigi Masin, this time together, are offering each other vibrations and insights. The former lives between two lakes, the latter between the Venetian lagoon and the sea. Everyone on their own shore, building electronic bridges in semi-darkness to allow us to cross too.
No words would be needed to explain this work... It is the meeting of two people, an exchange of different points of view. A way to meet and then break up. Rod has reworked a piece of Gigi making it his own... and so did Gigi with a piece of Rod. A magnificent intersection of sounds and thoughts... remaining suspended to watch the passing of time, to listen to the noises and silences of life that passes inexorably around us.
Track 1: RED HAIR GIRL AT THE BUS STOP 19'31"
Track 2: SUMMER MORNING AT LIGHTHOUSE BEACH 15'43" More
Label:Avant! Records
Cat-No:AV!064
Release-Date:08.12.2023
Genre:Alternative/Electronic
Configuration:LP
Label:Avant! Records
Cat-No:AV!064
Release-Date:08.12.2023
Genre:Alternative/Electronic
Configuration:LP
1
Skemer - Shout Or Cry
2
Skemer - Sunseeker
3
Skemer - Rhoeas
4
Skemer - Best
5
Skemer - Call Me
6
Skemer - Heartbreak
7
Skemer - Wait For Me
Note: limited repress of 300 copies on clear vinyl
Skemer is a brand new cooperation between singer Kim Peers, who’s also a model for Vogue, Steven Meisel, Prada and guitarist Mathieu Vandekerckhove of post-metal band Amenra and his personal project Syndrome.
Two very different worlds collide and lead to minimalist dark wave deconstructions that are equal parts brutal and erotic.
This duality is reflected in the name Skemer, which next to its obvious English meaning of ‘intriguer’ also stands for ‘dusk’ in Mathieu’s native tongue West-Flemish, as well as in their debut album.
Recorded just a few months after meeting, a sense of urgency shines through in the tracks that build Benevolence. The winding sensuality of Sunseeker juxtaposed with the pounding harshness of Best, the faint twirl of Call Me versus the solemn gait of Heartbreak.
Just like with their effervescent live performances where Peers seductive vocals coalesce with Vandekerckhove’s austere beats to meld into a transcendent fury. Everything has a double nature in the hands of Skemer. More
Skemer is a brand new cooperation between singer Kim Peers, who’s also a model for Vogue, Steven Meisel, Prada and guitarist Mathieu Vandekerckhove of post-metal band Amenra and his personal project Syndrome.
Two very different worlds collide and lead to minimalist dark wave deconstructions that are equal parts brutal and erotic.
This duality is reflected in the name Skemer, which next to its obvious English meaning of ‘intriguer’ also stands for ‘dusk’ in Mathieu’s native tongue West-Flemish, as well as in their debut album.
Recorded just a few months after meeting, a sense of urgency shines through in the tracks that build Benevolence. The winding sensuality of Sunseeker juxtaposed with the pounding harshness of Best, the faint twirl of Call Me versus the solemn gait of Heartbreak.
Just like with their effervescent live performances where Peers seductive vocals coalesce with Vandekerckhove’s austere beats to meld into a transcendent fury. Everything has a double nature in the hands of Skemer. More
1
Italcimenti (Robotnick & Lombardi) - Beyond The Mind (Italo Club Mix)
2
Italcimenti (Robotnick & Lombardi) - Electric Dancer
3
Italcimenti (Robotnick & Lombardi) - Structural Collapse
4
Italcimenti (Robotnick & Lombardi) - Disco Tamarro
5
Italcimenti (Robotnick & Lombardi) - Somewhat You Need
6
Italcimenti (Robotnick & Lombardi) - Trigger Happy
7
Italcimenti (Robotnick & Lombardi) - Bela Lugosi Is Dead (Cover)
8
Italcimenti (Robotnick & Lombardi) - Jimbo
9
Italcimenti (Robotnick & Lombardi) - Lunar Weekend
10
Italcimenti (Robotnick & Lombardi) - Bencio
11
Italcimenti (Robotnick & Lombardi) - Like a Dreamer
Electro / Italo disco Classic!
Ludus Pinsky (Lapo Lombardi) and Alexander Robotnick (Maurizio Dami) are Italcimenti, a fuzz project seeking to re-construct the way to heavy-cement music, so sadly famous in the early 80s.
Thanks to their boldness and daring a new generation of survivors will have the chance again to listen to the sound that makes your legs feel as heavy as cement blocks.
Previously released in a CD in 2005 this is the first ever pressing on vinyl!
It includes an exclusive extended and dj friendly version of "Beyond The Mind" the "Italo Club Mix" not released in the vinyl single, and the electric jumping vocodered ballad "Somewhat You Need" , not be overlooked!
All the other tracks are the same versions of the Cd release, and all tunes have been rewarmed and remastered to get the best sound on Vinyl!
A must have release for all Electro-Techno and Italo-Disco lovers / collectors..
VITAL SALES POINTS:
Very sought after tracks from ROBOTNICK even when they were released in 2005 only on CD format.
This is the FIRST EVER release on Vinyl of these tunes, there has been a single but with different version of "Beyond the Mind" only.
All tracks have been remastered to get the best sound for vinyl
Tracklist:
A1. Beyond The Mind (Italo Club Mix) 6'47"
A2. Electric Dancer 5'52"
B1. Structural Collapse 4'55"
B2. Disco Tamarro 5'24"
B3. Somewhat You Need 3'52"
C1. Trigger Happy 4'33"
C2. Bela Lugosi Is Dead (Cover) 5'37"
C3. Jimbo 3'32"
D1. Lunar Weekend 5'06"
D2. Bencio 4'51"
D3. Like a Dreamer 4'02"
More
Ludus Pinsky (Lapo Lombardi) and Alexander Robotnick (Maurizio Dami) are Italcimenti, a fuzz project seeking to re-construct the way to heavy-cement music, so sadly famous in the early 80s.
Thanks to their boldness and daring a new generation of survivors will have the chance again to listen to the sound that makes your legs feel as heavy as cement blocks.
Previously released in a CD in 2005 this is the first ever pressing on vinyl!
It includes an exclusive extended and dj friendly version of "Beyond The Mind" the "Italo Club Mix" not released in the vinyl single, and the electric jumping vocodered ballad "Somewhat You Need" , not be overlooked!
All the other tracks are the same versions of the Cd release, and all tunes have been rewarmed and remastered to get the best sound on Vinyl!
A must have release for all Electro-Techno and Italo-Disco lovers / collectors..
VITAL SALES POINTS:
Very sought after tracks from ROBOTNICK even when they were released in 2005 only on CD format.
This is the FIRST EVER release on Vinyl of these tunes, there has been a single but with different version of "Beyond the Mind" only.
All tracks have been remastered to get the best sound for vinyl
Tracklist:
A1. Beyond The Mind (Italo Club Mix) 6'47"
A2. Electric Dancer 5'52"
B1. Structural Collapse 4'55"
B2. Disco Tamarro 5'24"
B3. Somewhat You Need 3'52"
C1. Trigger Happy 4'33"
C2. Bela Lugosi Is Dead (Cover) 5'37"
C3. Jimbo 3'32"
D1. Lunar Weekend 5'06"
D2. Bencio 4'51"
D3. Like a Dreamer 4'02"
More
1
MKWAJU ensemble (Midori Takada) - Mkwaju
2
MKWAJU ensemble (Midori Takada) - Shak Shak
3
MKWAJU ensemble (Midori Takada) - Lemore
4
MKWAJU ensemble (Midori Takada) - Tira-Rin
5
MKWAJU ensemble (Midori Takada) - Pulse In The Mind
6
MKWAJU ensemble (Midori Takada) - Flash-Back
- Beautiful 1 LP Edition CLASSIC with 350g cardboard sleeve, Sticker Noen in a 2023 Repress Edition in BioVinyl (co2 neutral in zteh Vinyl Production process)
- THE holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble
WRWTFWW Records is proud to announce the highly anticipated official reissue of holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble, sourced from the original masters and available in two versions: a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon) and a digipack CD.
Originally recorded in February and March 1981 and released by fabled Japanese avant-garde label Better Days (home of Ryuichi Sakamato's debut album, Yasuaki Shimizu's Kakashi, Colored Music self-titled LP and many more) MKWAJU is the fruit of the collaboration between Takada's crew and world-famous composer/musical director Joe Hisaishi, the man behind most of of Hayao Miyazaki's Studio Ghibli anime soundtracks and over 100 other films scores, including Takeshi Kitano's Sonatine, Hana-Bi, and Kikujiro. The ensemble's transcendental wonder is, in fact, the first-ever Midori Takada album and the first-ever Joe Hisaishi-produced album. Historic.
Led by Midori Takada on marimba, gong, vibraphone, and tom tom, MKWAJU is an inventive and riveting take on Eastern and Western minimalist traditions, African rhythms, and early electronica. Drawing from its jazz-rooted polyrhythmic improvisations in the most inventive ways, the album covers a wide spectrum of sounds, from colorful dance floor-ready percussion pieces that stand somewhere between proto-techno and experimental synth-pop, to cinematic ambient landscapes and ethereal drone delicacies. The feverishly sought-after full-length is a stepping-stone in Midori Takada's career and an all-around pioneering album.
Alongside Takada and Hisaishi (who not only produced the album but also played synthesizers), personnel on MKWAJU includes famed Japanese musicians Yoji Sadanari and Hideki Matsutake of KI-Motion fame, Junko Arase (heard on Satoshi Ashikawa's legendary Still Way - Wave Notation 2), and Pecker (whose stacked resume boasts collaborations with Ryuichi Sakamoto and Jun Fukamachi).
Tracklisting Vinyl LP
A1. Mkwaju
A2. Shak Shak
A3. Lemore
B1. Tira-Rin
B2. Pulse In The Mind
B3. Flash-Back
NO SALES TO JAPAN! More
- THE holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble
WRWTFWW Records is proud to announce the highly anticipated official reissue of holy grail album MKWAJU by acclaimed Japanese percussionist Midori Takada's MKWAJU ensemble, sourced from the original masters and available in two versions: a vinyl LP cut at Emil Berliner Studios (formerly the in-house recording department of Deutsche Grammophon) and a digipack CD.
Originally recorded in February and March 1981 and released by fabled Japanese avant-garde label Better Days (home of Ryuichi Sakamato's debut album, Yasuaki Shimizu's Kakashi, Colored Music self-titled LP and many more) MKWAJU is the fruit of the collaboration between Takada's crew and world-famous composer/musical director Joe Hisaishi, the man behind most of of Hayao Miyazaki's Studio Ghibli anime soundtracks and over 100 other films scores, including Takeshi Kitano's Sonatine, Hana-Bi, and Kikujiro. The ensemble's transcendental wonder is, in fact, the first-ever Midori Takada album and the first-ever Joe Hisaishi-produced album. Historic.
Led by Midori Takada on marimba, gong, vibraphone, and tom tom, MKWAJU is an inventive and riveting take on Eastern and Western minimalist traditions, African rhythms, and early electronica. Drawing from its jazz-rooted polyrhythmic improvisations in the most inventive ways, the album covers a wide spectrum of sounds, from colorful dance floor-ready percussion pieces that stand somewhere between proto-techno and experimental synth-pop, to cinematic ambient landscapes and ethereal drone delicacies. The feverishly sought-after full-length is a stepping-stone in Midori Takada's career and an all-around pioneering album.
Alongside Takada and Hisaishi (who not only produced the album but also played synthesizers), personnel on MKWAJU includes famed Japanese musicians Yoji Sadanari and Hideki Matsutake of KI-Motion fame, Junko Arase (heard on Satoshi Ashikawa's legendary Still Way - Wave Notation 2), and Pecker (whose stacked resume boasts collaborations with Ryuichi Sakamoto and Jun Fukamachi).
Tracklisting Vinyl LP
A1. Mkwaju
A2. Shak Shak
A3. Lemore
B1. Tira-Rin
B2. Pulse In The Mind
B3. Flash-Back
NO SALES TO JAPAN! More
1
Yagya / DeepChord - DeepChord Redesigns 1
2
Yagya / DeepChord - DeepChord Redesigns 2
3
Yagya / DeepChord - DeepChord Redesigns 3
4
Yagya / DeepChord - DeepChord Redesigns 4
5
Yagya / DeepChord - DeepChord Redesigns 5
6
Yagya / DeepChord - DeepChord Redesigns 6
7
Yagya / DeepChord - DeepChord Redesigns 7
8
Yagya / DeepChord - DeepChord Redesigns 8
Legendary DeepChord/Yagya collaboration finally gets a vinyl pressing! 8 tracks of Ambient/dub techno of the highest quality. Limited pressing of 350 copies and no repress!
No sales to Benelux. More
No sales to Benelux. More