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Alex Ranzino - Ride Da Perc
2
Alex Ranzino - Ride Da Perc (Advent Remix)
3
Alex Ranzino - Alienated
4
Alex Ranzino - Acid Groove
5
Alex Ranzino - Machine Geweld
Alex Ranzino shows off four highly effective techno tracks on the legendary Phoq U Phonogrammen, alongside a remix from The Advent. Amsterdam's Alex Ranzino joins Phoq U Phonogrammen, the 26-year-old sublabel of U-TRAX, with the 'Ride Da Perc' EP. The Utrecht-based imprint welcomes the fast-rising producer following stints on underground labels such as Revenge Techniques and Clone, coming in hot on the heels of its own recent Phoq U release featuring Detroit's Rebecca Goldberg. Alex Ranzino kicks things off with the title track of his 'Ride Da Perc' EP, rocking punchy 909s and spacious, undulating strings. The Advent shows a different side to the track in his remix, still alien-like in nature but demonstrating a sense of dark, mysterious hypnotism through incessant groove and deep pulsating synth work. On the flip side of the 'Ride Da Perc' EP, Ranzino drops 'Acid Groove', a track that proves the age-old fact that b-sides should never be ignored. It's got pumping 303s and ceaseless rhythm, marked by a subtle but masterful house touch. Next up, 'Alienated' rolls on as the perfect warehouse party starter before 'Machine Geweld' closes out the EP as a real late-night mind-melter, already in heavy rotation in Alex's sets at Dutch institutions like BRET, WAS, Intercell and De School.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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DE - 22113 Hamburg
Germany
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More records from Alex Ranzino
1
Alex Ranzino - Rambler
2
Alex Ranzino - I Want U
3
Alex Ranzino - Burn
4
Alex Ranzino - Baddest MF (TAFKAMP remix)
Tracklisting:
A1 Alex Ranzino - Rambler
A2 Alex Ranzino - I Want U
B1 Alex Ranzino - Burn
B2 Alex Ranzino - Baddest MF (TAFKAMP remix)
Sales Note:
Revenge Techniques presents the first solo 12" from young Amsterdam-based producer Alex Ranzino! A selection of techno/house tracks from the producer plus a remix by labelhead TAFKAMP. Essential techno & house dancefloor cuts!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Alex Ranzino - Rambler
A2 Alex Ranzino - I Want U
B1 Alex Ranzino - Burn
B2 Alex Ranzino - Baddest MF (TAFKAMP remix)
Sales Note:
Revenge Techniques presents the first solo 12" from young Amsterdam-based producer Alex Ranzino! A selection of techno/house tracks from the producer plus a remix by labelhead TAFKAMP. Essential techno & house dancefloor cuts!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Phoq U Phonogrammen
1
The Implant - Panopticant
2
The Implant - Panopticant (Assembler Code Remix)
3
The Implant - Resisting Arrest
4
The Implant - 211 (KlingKlang Edit)
5
The Implant - Trush
After 27 years, The Implant (aka Arno Peeters/Sp@sms) retruns to Phoq U, with four weird and wonderful tracks, including a Assembler Code remix.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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1
inventions and diamentions - No Title
2
inventions and diamentions - No Title
3
inventions and diamentions - No Title
4
inventions and diamentions - No Title
Phoq U Phonogrammen is a recordlabel that puts out quick and dirty music, rough and soulful techno straight from the heart onto vinyl. Who gives a fuck about sound quality?
Not Fanon Flowers anyway, who was responsible for the first release in 1995. He had been dissed by a record company, a so-called 'underground' label from south of Detroit even before he ended up with Phoq U. As a student he lived in Ypsilanti nearby Detroit, but he is from Kalamazoo originally, the hometown of Jay Denham, the genius responsible for one of the best techno 12"s ever made: Fade II Black on Derrick May's Fragile Records. Inspired by Jay, he picked up producing tracks himself and in 1992, and made some raw, lo-fi analog 909/101-tracks.
Four of these tracks ended up on this The Sleeper EP. Critically acclaimed by those who know, tracks like 'Flim Flam' will get everybody bouncing. The real gem is hidden on the B-side though, where 'Serinity' lives, a completely mental and beautiful tripping techno jam.
The term 'vintage techno' couldn't be explained better than with this release.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Not Fanon Flowers anyway, who was responsible for the first release in 1995. He had been dissed by a record company, a so-called 'underground' label from south of Detroit even before he ended up with Phoq U. As a student he lived in Ypsilanti nearby Detroit, but he is from Kalamazoo originally, the hometown of Jay Denham, the genius responsible for one of the best techno 12"s ever made: Fade II Black on Derrick May's Fragile Records. Inspired by Jay, he picked up producing tracks himself and in 1992, and made some raw, lo-fi analog 909/101-tracks.
Four of these tracks ended up on this The Sleeper EP. Critically acclaimed by those who know, tracks like 'Flim Flam' will get everybody bouncing. The real gem is hidden on the B-side though, where 'Serinity' lives, a completely mental and beautiful tripping techno jam.
The term 'vintage techno' couldn't be explained better than with this release.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Rebecca Goldberg - Automated
2
Rebecca Goldberg - Automated (Mark Broom remix)
3
Rebecca Goldberg - Elevated
4
Rebecca Goldberg - Staying on
5
Rebecca Goldberg - Linear Motion
Detroit's Rebecca Goldberg, aka 313 Acid Queen, releases 5 techno bangers incl. Mark Broom remix on Phoq U. Phoq U Phonogrammen, the rebellious U-TRAX sublabel, returns after 26 years with its eight release, produced and manufactured in Detroit. Detroit native Rebecca Goldberg, who has previously released music and performed live under her 313 Acid Queen alias, will present her brand new People Mover EP at the Detroit Movement festival, on May 26, 2023. The EP features 5 dancefloor fillers, including the Detroit-style remix by Mark Broom of the opening track Automated. The EP is inspired by transportation, industry and travel, as well as the city of Detroit of course, paying homage to the original minimal techno music and the evolution of technology and industry.all tracks are live jams, recorded in one take on all hardware instruments. Rebecca tries to do as little post-work as possible, with just a little bit of final arrangement. Her work often incorporates field recorded sounds, and for this EP she used samples recorded while riding on the Detroit People Mover itself, the elevated automated light rail system in downtown Detroit. Goldberg started a sound walk group called Detroit Frequency and the recordings were taken on during the first event last summer. The EP kicks off with the fast-paced Automated, that echoes the hypnotic minimal techno sound of Robert Hood. Mark Broom added an extra dose of 909 funk in his Mark Broom remix, which provides the track with even more pumping rhythms and making it sound even more 'classic Detroit'. The B-side opens with Elevated, that features industrial-ish DPM sounds on a bed of pure acid, as if Goldberg wants us to remember why she is named the 313 Acid Queen. Staying On meanwhile, puts a repeating DPM announcer's voice central stage, making it a fascinating piece of minimal techno. The closing track Linear Motion creates a dark atmosphere, with eerie, down-pitched DPM sounds that makes this a spooky techno trip that we believe many people will love.
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Germany
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Germany
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1
ATR - No Title
2
ATR - No Title
3
ATR - No Title
4
ATR - No Title
5
ATR - No Title
The producer behind this project wished to remain anonymous when we released this EP back in 1996, but 23 years later we can be a bit more candid: it's none other than Utrecht DJ legend Peter Aarsman, a.k.a. P.A. Presents!
Peter knew he wanted to be a DJ since he was ten years old, in a time when this was still a very unusual career to dream about. Long before house music had landed in Europe, Peter was fiddling around with disco and Italo 12"-es and all those years of training is what made him the awesome DJ that he still is today.
While the era of house of techno of the late 80s and the 90s brought him countless DJ gigs, his reputation didn't cross the city borders much, until he bought his first gear and started producing techno music himself. Peter is well-known for his intuitive approach of techno, helped by his DJ background. His live-gigs are famous for the enormous amount of energy they radiate. At home, at his Analogue Treasury Room, he records his tracks in a way that is very similar to playing live. This usually results in fierce and energetic Detroit-style techno tracks, that work perfectly well on the dancefloor.
Peter debuted with the mini-album Salicylic Acid on U-TRAX in 1993, followed by the Flight Stimulator EP a year later. Both are classics today, but neither brought him as much fame as his 12" Entangled did on Deviate, a record label that was started by a couple of our friends from Utrecht a year prior to U-TRAX. Entangled made it to many charts and compilation albums, including Carl Craig's mix CD as part of !K7's DJ-Kicks series.
This EP contains exactly what the title says: some old shit. The tracks are made in less than one hour, recorded on cassettes and then forgotten about. They were found again at the bottom of an old cardboard box back in 1996. Because we liked the vibes in these tracks still a million times more than most of the shit that was released in the mid-nineties, we decided to put these tracks out in a limited edition of 600 copies. All tracks sound raw, and are sometimes unfinished even. What's more: Peter didn't bother to come up with titles. So just follow the instructions on the vinyl's label: grab a marker and make up your own titles!
Original release date: August 1996.
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Germany
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Peter knew he wanted to be a DJ since he was ten years old, in a time when this was still a very unusual career to dream about. Long before house music had landed in Europe, Peter was fiddling around with disco and Italo 12"-es and all those years of training is what made him the awesome DJ that he still is today.
While the era of house of techno of the late 80s and the 90s brought him countless DJ gigs, his reputation didn't cross the city borders much, until he bought his first gear and started producing techno music himself. Peter is well-known for his intuitive approach of techno, helped by his DJ background. His live-gigs are famous for the enormous amount of energy they radiate. At home, at his Analogue Treasury Room, he records his tracks in a way that is very similar to playing live. This usually results in fierce and energetic Detroit-style techno tracks, that work perfectly well on the dancefloor.
Peter debuted with the mini-album Salicylic Acid on U-TRAX in 1993, followed by the Flight Stimulator EP a year later. Both are classics today, but neither brought him as much fame as his 12" Entangled did on Deviate, a record label that was started by a couple of our friends from Utrecht a year prior to U-TRAX. Entangled made it to many charts and compilation albums, including Carl Craig's mix CD as part of !K7's DJ-Kicks series.
This EP contains exactly what the title says: some old shit. The tracks are made in less than one hour, recorded on cassettes and then forgotten about. They were found again at the bottom of an old cardboard box back in 1996. Because we liked the vibes in these tracks still a million times more than most of the shit that was released in the mid-nineties, we decided to put these tracks out in a limited edition of 600 copies. All tracks sound raw, and are sometimes unfinished even. What's more: Peter didn't bother to come up with titles. So just follow the instructions on the vinyl's label: grab a marker and make up your own titles!
Original release date: August 1996.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Lynx - No Title
2
Lynx - No Title
3
Lynx - No Title
4
Lynx - No Title
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pieces Of A Pensive State Of Mind - Crossin' The Madmoon
2
Pieces Of A Pensive State Of Mind - Draxin'
3
Pieces Of A Pensive State Of Mind - Simple Motion
4
Pieces Of A Pensive State Of Mind - In Between
Phoq U Phonogrammen is a recordlabel that puts out quick and dirty music, rough and soulful techno straight from the heart onto vinyl. Original release date: August 1996.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
cray emoticon aka the connection machine - No Title
2
cray emoticon aka the connection machine - No Title
3
cray emoticon aka the connection machine - No Title
4
cray emoticon aka the connection machine - No Title
The Artists Formerly Known As The Connection Machine (Utrecht, Netherlands) go raw and mean on this one! If the underground The Hague-style from the 90s is your thing, this 12" is your cup of tea. 4 hectic 808/303 trax, all mixed in a dirty way, with loadsa fx on the 303.
The Connection Machine/Cray Emoticon is the multi-talented duo of Natasja Hagemeier and Jeroen Brandjes, who debuted on U-TRAX in 1993 with their instant classic and much sought after 'The Dreamtec Album' (catalogue no: 3 UTR UMM 1). They went on to create another epic release called 'The Black Hole EP' on U-TRAX (catalogue no: 5 UTR UMM 2), but not after they presented 'Bitflower', a true work of art on Planet E from Detroit. Later they released the CD album 'Painless' on Down Low Music and in more recent years two 12"s (shared with The Lost Trax) and an album on Tabernacle Records from the UK.
The title track is originally meant as a replacement for the original game music of level 9 of the 2nd episode (E2L9) of the computer game Doom. The artists thought the original score wasn't doing right to the intensity of the game and made their own apocalyptic soundtrack. 'Gnawing The Heart' already proved its usefulness on many a dancefloor, whilst 'Choice Chip' will satisfy the ultimate speed freaks amongst you. If you're not into drugs or mushrooms, 'I Wish My Zapper Was A Gun' can deliver you the same effects: it's a psychedelic space-acid trip, built around a sample of the sitcom 'Neighbours'.
You can't get wrong with this vintage and merciless dance floor material from the mid-nineties.
Original release date: October 1995.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The Connection Machine/Cray Emoticon is the multi-talented duo of Natasja Hagemeier and Jeroen Brandjes, who debuted on U-TRAX in 1993 with their instant classic and much sought after 'The Dreamtec Album' (catalogue no: 3 UTR UMM 1). They went on to create another epic release called 'The Black Hole EP' on U-TRAX (catalogue no: 5 UTR UMM 2), but not after they presented 'Bitflower', a true work of art on Planet E from Detroit. Later they released the CD album 'Painless' on Down Low Music and in more recent years two 12"s (shared with The Lost Trax) and an album on Tabernacle Records from the UK.
The title track is originally meant as a replacement for the original game music of level 9 of the 2nd episode (E2L9) of the computer game Doom. The artists thought the original score wasn't doing right to the intensity of the game and made their own apocalyptic soundtrack. 'Gnawing The Heart' already proved its usefulness on many a dancefloor, whilst 'Choice Chip' will satisfy the ultimate speed freaks amongst you. If you're not into drugs or mushrooms, 'I Wish My Zapper Was A Gun' can deliver you the same effects: it's a psychedelic space-acid trip, built around a sample of the sitcom 'Neighbours'.
You can't get wrong with this vintage and merciless dance floor material from the mid-nineties.
Original release date: October 1995.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
heinrich tillack - tick trax volume 2
2
heinrich tillack - No Title
3
heinrich tillack - No Title
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heinrich tillack - No Title
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heinrich tillack - No Title
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heinrich tillack - No Title
The second and, as later would turn out, also the last release in Heinrich Tillack's critically acclaimed Tick Trax-series. The first Tick Trax-release by this talented producer from Braunschweig (Germany) was released as Volume 1 on U-TRAX in 1994 (cat. no.: 13 UTR SYS 1). It was a very successful record, however a bit too 'rough' for U-TRAX. Therefore, Volume II is launched on the U-TRAX sublabel Phoq U Phonogrammen, that has a more raw approach to techno, acid and electro.
Heinrich is a bit of an enigma. Having released some 12"s on Detroit's Plus 8 Records (as Sysex), Force Inc. Music Works (as Absolute) and Disko B (as Festival) and his own label Jakpot (both as Festival, as well as Co-Jack, together with Olivier Bondzio aka Hardfloor), he more or less disappeared from the face of the earth. It is said that he is a developer of children's apps for mobile phones nowadays.
This second Tick Trax release has 6 tracks, all in the distinctive raw Chicago-style that Heinrich uses only in his Tick Trax-identity. For minimalists, the CR-78 orientated beats on 'Samba Track' (from '93!) will be the track to go for. For heavy pounding floor fillers you can rely on 'Heavy Weight Track' and 'Super Heavy Weight Track'. Our personal favorite is 'Rush Track', another minimal track, but heavy and dark at the same time. The power is the drive in this one!
Original release date: October 1995.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Heinrich is a bit of an enigma. Having released some 12"s on Detroit's Plus 8 Records (as Sysex), Force Inc. Music Works (as Absolute) and Disko B (as Festival) and his own label Jakpot (both as Festival, as well as Co-Jack, together with Olivier Bondzio aka Hardfloor), he more or less disappeared from the face of the earth. It is said that he is a developer of children's apps for mobile phones nowadays.
This second Tick Trax release has 6 tracks, all in the distinctive raw Chicago-style that Heinrich uses only in his Tick Trax-identity. For minimalists, the CR-78 orientated beats on 'Samba Track' (from '93!) will be the track to go for. For heavy pounding floor fillers you can rely on 'Heavy Weight Track' and 'Super Heavy Weight Track'. Our personal favorite is 'Rush Track', another minimal track, but heavy and dark at the same time. The power is the drive in this one!
Original release date: October 1995.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Customers who bought this also bought this
1
Unknown Artist - The Messiah
2
Unknown Artist - It Started In Chicago
3
Unknown Artist - How Does It Feel
4
Unknown Artist - Changes
The debut release on brand new label Shadow Pressings hits the ground running with 4 heavyweight club tracks that doff the cap to the halcyon days of Chicago house music. Opening track The Messiah takes the maestro Lil Louis blueprint with sampled sax licks and punchy synth stabs accompanying the raw, minimal house groove. It Started In Chicago heads in a more jacking direction with a snaking bassline, muscular drum groove, cut up vocal and sax hits.
Flipping over we have How Does It Feel which brings a touch of late night deepness with a rolling FM bassline and familiar vocal hook. Classic string stabs join the party in the breakdown adding the icing on the cake and making for a track guaranteed to create a special moment on the dance floor. Closing out this killer 4 tracker we have Changes which keeps things stripped back to the meat and potatoes placing all the emphasis on the punchy 909 drums and simple bassline.
A1 - The Messiah
A2 - It Started In Chicago
B1 - How Does It Feel
B2 - Changes
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Flipping over we have How Does It Feel which brings a touch of late night deepness with a rolling FM bassline and familiar vocal hook. Classic string stabs join the party in the breakdown adding the icing on the cake and making for a track guaranteed to create a special moment on the dance floor. Closing out this killer 4 tracker we have Changes which keeps things stripped back to the meat and potatoes placing all the emphasis on the punchy 909 drums and simple bassline.
A1 - The Messiah
A2 - It Started In Chicago
B1 - How Does It Feel
B2 - Changes
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DE - 22113 Hamburg
Germany
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1
Donato Dozzy & Tin Man - Test 7
2
Donato Dozzy & Tin Man - Test 3 (Vocal Version)
3
Donato Dozzy & Tin Man - Test 2
4
Donato Dozzy & Tin Man - Test 3
Tracklist
A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3
The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.
The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.
In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.
Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.
Mastered and recut by Rashad.
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DE - 22113 Hamburg
Germany
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A1. Test 7
A2. Test 3 (Vocal Version)
B1. Test 2
B2. Test 3
The now 10 year old Acid Test 09 sees a special 10th Anniversary Edition repress with a new vocal mix of track “Test 3”.
The original EP saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient.
In this special 10 Year Anniversary Edition Test 3” comes with a new vocal mix and it’s a welcome return to the mic for Tin Man. Perfectly-placed words sit among chiming bells and are layered deep into the echoes, almost like the synths themselves are speaking.
Acid Test 09 proved to be pairing in 303 paradise, but the results outclassed even Dozzy and Tin Man’s special partnership - they created simply a timeless signal that could broadcast through space ad infinitum.
Mastered and recut by Rashad.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Dying & Barakat - From Where I Am
2
Dying & Barakat - The Storytellers
3
Dying & Barakat - Emotional Souls
4
Dying & Barakat - No Place In Time
Genre: Techno
Tracklist 12":
A1 Dying & Barakat – From Where I Am
A2 Dying & Barakat – The Storytellers
B1 Dying & Barakat – Emotional Souls
B2 Dying & Barakat – No Place In Time
Short Info:
Dubby, detroit inspirated floating techno EP
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Tracklist 12":
A1 Dying & Barakat – From Where I Am
A2 Dying & Barakat – The Storytellers
B1 Dying & Barakat – Emotional Souls
B2 Dying & Barakat – No Place In Time
Short Info:
Dubby, detroit inspirated floating techno EP
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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1
Shai Fm - Collision
2
Shai Fm - Headroom
3
Shai Fm - Mist
4
Shai Fm - Fixation
5
Shai Fm - Fixation (T5UMUT5UMU Remix)
6
Shai Fm - Trip
Art-Aud is back with some hot new tunes! Five mesmerizing modern dancefloor tunes by talented new artist Shai FM, straight outta Philadelphia who is dropping his debut record called "Motion Blur". Comes with a remix by one of our Japanese favorites, T5UMU5UMU! Art designed by Leoxdema. Forward-thinking stuff from the folks who brought you the Secret Raves series. Limited supplies!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Cuddling Monsters - Lucky Star
2
Cuddling Monsters - Crystal Growing
3
Cuddling Monsters - Floating Tank
4
Cuddling Monsters - Analog Dreams
Tracklist:
01 Lucky Star
02 Crystal Growing
03 Floating Tank
04 Analog Dreams
MASK’s ZentaSkai & Laura Merino Allue announce vinyl-only underground house and techno series as
Cuddling Monsters.
Cuddling Monsters serve up the first vinyl-only volume of a new self-titled series on Berlin-based Mask Records. All
four cuts explore deep and classy techno, dub and house soundscapes with the aim of rediscovering the soul of
electronic music and forming new bonds between human creativity and technological innovations.
Cuddling Monsters is the coming together of creative partners ZentaSkai and Laura Merino Allue. ZentaSkai is the
MASK founder recognised for his immersive, hypnotic groove, and Allue is a fashion and graphic designer. They are
newly assembled under this alias but have a long-time love of vinyl and analogue machines, which shows in their sounds.
"Crafting music with analogue instruments holds profound importance in the contemporary musical landscape. Despite
the omnipresence of digital technology, analogue instruments maintain a pivotal role, offering distinctive sonic qualities,
creative constraints, and genuine sound reproduction. The tactile, hands-on connection." - Cuddling Monsters
The superbly deep and atmospheric 'Lucky Star' is a dubby minimal cut with a deft rhythm and warm pads that are
perfect for cosy back rooms. The absorbing 'Crystal Growing' is another stripped-back techno roller with rubbery drums
and pensive chords that lock you into a state of meditation. Up next is the powerful 'Floating Tank' which pairs gorgeous
ambient synths with driving drums. It's a great coming together of the physical and the emotional that will take dance
floors to the next level. 'Analog Dreams' shuts down with more perfectly smoky pads and grainy lo-fi atmospheres as
slick but driving drums power onwards.
Cuddling Monsters ‘Cuddling Monsters_CM Vol. 01’ releases via MASK 29th March 2024.
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01 Lucky Star
02 Crystal Growing
03 Floating Tank
04 Analog Dreams
MASK’s ZentaSkai & Laura Merino Allue announce vinyl-only underground house and techno series as
Cuddling Monsters.
Cuddling Monsters serve up the first vinyl-only volume of a new self-titled series on Berlin-based Mask Records. All
four cuts explore deep and classy techno, dub and house soundscapes with the aim of rediscovering the soul of
electronic music and forming new bonds between human creativity and technological innovations.
Cuddling Monsters is the coming together of creative partners ZentaSkai and Laura Merino Allue. ZentaSkai is the
MASK founder recognised for his immersive, hypnotic groove, and Allue is a fashion and graphic designer. They are
newly assembled under this alias but have a long-time love of vinyl and analogue machines, which shows in their sounds.
"Crafting music with analogue instruments holds profound importance in the contemporary musical landscape. Despite
the omnipresence of digital technology, analogue instruments maintain a pivotal role, offering distinctive sonic qualities,
creative constraints, and genuine sound reproduction. The tactile, hands-on connection." - Cuddling Monsters
The superbly deep and atmospheric 'Lucky Star' is a dubby minimal cut with a deft rhythm and warm pads that are
perfect for cosy back rooms. The absorbing 'Crystal Growing' is another stripped-back techno roller with rubbery drums
and pensive chords that lock you into a state of meditation. Up next is the powerful 'Floating Tank' which pairs gorgeous
ambient synths with driving drums. It's a great coming together of the physical and the emotional that will take dance
floors to the next level. 'Analog Dreams' shuts down with more perfectly smoky pads and grainy lo-fi atmospheres as
slick but driving drums power onwards.
Cuddling Monsters ‘Cuddling Monsters_CM Vol. 01’ releases via MASK 29th March 2024.
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1
Element 1-15 - Operation PPRCLP
2
Element 1-15 - 41 Minutes Past Midnight
3
Element 1-15 - 6EQUJ5
4
Element 1-15 - Celestial Beings
Operation_PPRCLP kicks off release SUB010 asking how far will we go in the race for technological advancement, and at what cost? Have we forgotten our humanity as a result? Should we be more focused on how to expand human consciousness rather than trying to command, control and obfuscate or is this just in our habitual nature?
41 Minutes Past Midnight investigates painful emotions around losing loved ones without being able to get any closure, how do we move forward without answers in the face of unexplained, heartbreaking tragedy.
6EQUJ5 aka the Wow! signal first detected on August 5th 1977 shifts the perspective out into the constellation of Sagittarius from where the signal is thought to have originated. In 2022 we learned that 3 distant Sun-like stars within the original antenna-pointed coordinates may provide the answer but at a vast distance of 1800 light years from earth, since then, it's all gone quiet... What world reached out from the cosmos, intentionally or mistakenly...
The final track Celestial Beings asks the age old question of what other life exists across the universe, how advanced are these civilizations that may already be exploring distant galaxies with our shared sense of curiosity and when will we be able to connect collectively with such conscious entities.
100 copies only.
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DE - 22113 Hamburg
Germany
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41 Minutes Past Midnight investigates painful emotions around losing loved ones without being able to get any closure, how do we move forward without answers in the face of unexplained, heartbreaking tragedy.
6EQUJ5 aka the Wow! signal first detected on August 5th 1977 shifts the perspective out into the constellation of Sagittarius from where the signal is thought to have originated. In 2022 we learned that 3 distant Sun-like stars within the original antenna-pointed coordinates may provide the answer but at a vast distance of 1800 light years from earth, since then, it's all gone quiet... What world reached out from the cosmos, intentionally or mistakenly...
The final track Celestial Beings asks the age old question of what other life exists across the universe, how advanced are these civilizations that may already be exploring distant galaxies with our shared sense of curiosity and when will we be able to connect collectively with such conscious entities.
100 copies only.
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DE - 22113 Hamburg
Germany
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1
OFF / GRID - For the Mind
2
OFF / GRID - Monolith
3
OFF / GRID - Is This the End
4
OFF / GRID - Consequences
Genre: Techno
Tracklist 12":
A1 OFF / GRID – For the Mind
A2 OFF / GRID - Monolith
B1 OFF / GRID – Is This the End
B2 OFF / GRID - Consequences
Short Info:
Powerful dubby techno EP with a fast paced groovy soul.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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Tracklist 12":
A1 OFF / GRID – For the Mind
A2 OFF / GRID - Monolith
B1 OFF / GRID – Is This the End
B2 OFF / GRID - Consequences
Short Info:
Powerful dubby techno EP with a fast paced groovy soul.
Mastering & lacquer cut by Kassian Troyer at Dubplates & Mastering Berlin
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DE - 22113 Hamburg
Germany
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1
Jakobin - Drawan
2
Jakobin - Skulpt
3
Jakobin - Octagonial Tribe
4
ROTCIV - Frenesy
5
ROTCIV - No More Room In Hell
6
ROTCIV - The Confidence
Special remarks: handstamped vinyl, cover sticker
Tracklist 12":
A1. Jakobin - Drawan
A2. Jakobin - Skulpt
A3. Jakobin – Octagonial Tribe
B1. ROTCIV - Frenesy
B2. ROTCIV – No More Room In Hell
B3. ROTCIV – The Confidence
Short Info:
For release number 045, Luv Shack Records brings together two long time contributors Jakobin and ROTCIV for a split EP thats brimming with references to early 90s electronica.
Jakobin lays the foundation with the bubbly, trance infused „Drawan“, follows up with the spooky, upbeat electro of „Skulpt“, and finishes off with „Octagonial Tribe“, a track that oscillates between laid back melodies and squelchy acid sequences.
On the flip-side, ROTCIV showcases his signature style of industrial new beat madness: „Frenesy“ marries breakbeats with syncopated synthesizer sequences, „No More Room in Hell“ sound like a late 80s Italo Disco instrumental on steroids, while „The Confidence“ opts for broken beats and ethereal FM-flutes. As a digital bonus, ROTCIV gifts us with a heavy hitting, acid infused track by the name of „Living Art“.
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Germany
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Tracklist 12":
A1. Jakobin - Drawan
A2. Jakobin - Skulpt
A3. Jakobin – Octagonial Tribe
B1. ROTCIV - Frenesy
B2. ROTCIV – No More Room In Hell
B3. ROTCIV – The Confidence
Short Info:
For release number 045, Luv Shack Records brings together two long time contributors Jakobin and ROTCIV for a split EP thats brimming with references to early 90s electronica.
Jakobin lays the foundation with the bubbly, trance infused „Drawan“, follows up with the spooky, upbeat electro of „Skulpt“, and finishes off with „Octagonial Tribe“, a track that oscillates between laid back melodies and squelchy acid sequences.
On the flip-side, ROTCIV showcases his signature style of industrial new beat madness: „Frenesy“ marries breakbeats with syncopated synthesizer sequences, „No More Room in Hell“ sound like a late 80s Italo Disco instrumental on steroids, while „The Confidence“ opts for broken beats and ethereal FM-flutes. As a digital bonus, ROTCIV gifts us with a heavy hitting, acid infused track by the name of „Living Art“.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Baldo - Ride The Night (Red Axes Remix)
2
Baldo - Ride The Night (Alex Neri Remix)
3
Baldo - Ride The Night (Jennifer Loveless Remix)
4
Baldo - Ride The Night (Original Version)
Tracklist
1. Ride The Night (Red Axes Remix)
2. Ride The Night (Alex Neri Remix)
3. Ride The Night (Jennifer Loveless Remix)
4. Ride The Night (Original Version)
Short Info
Baldo's electrifying track "Ride The Night" has been making waves across the global dance music scene, captivating audiences and dominating dancefloors with its infectious energy. Now, the hit single receives a fresh spin from acclaimed artists Red Axes, Alex Neri, and Jennifer Loveless in a highly anticipated vinyl release, marking a new chapter in the evolution of this standout track.
Originally unleashed as a dancefloor anthem, "Ride The Night" has solidified Barcelona's Baldo's reputation as a maestro of electronic beats. Its pulsating rhythms, captivating melodies, and euphoric atmosphere have earned it widespread acclaim, garnering support from DJs and fans alike. In this special vinyl edition, the magic of "Ride The Night" is reinvented through the unique perspectives of three distinguished remixers:
1. Red Axes: Renowned for their eclectic blend of genres and signature psychedelic soundscapes, Red Axes inject their remix with an otherworldly groove that pushes the boundaries of sonic exploration.
2. Alex Neri: A stalwart of the electronic music scene, Italian's Alex Neri brings his decades of experience to the table, delivering a remix that seamlessly blends classic house vibes with a contemporary edge, ensuring dancefloor domination.
3. Jennifer Loveless: With her innovative approach to DJing and production, Jennifer Loveless infuses her remix with a pulsating energy that captivates from start to finish, offering a fresh perspective on "Ride The Night" that is bound to ignite dancefloors worldwide.
This vinyl release marks the first time these remixes are available in physical format, offering fans and collectors alike the opportunity to own a piece of electronic music history. Each remix brings a distinct flavor to the table, showcasing the versatility and timelessness of Baldo's original composition.
"Ride The Night" on vinyl is a must-have for any discerning DJ or electronic music aficionado, serving as a testament to the enduring power of Baldo's music and the boundless creativity of the remixers involved.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1. Ride The Night (Red Axes Remix)
2. Ride The Night (Alex Neri Remix)
3. Ride The Night (Jennifer Loveless Remix)
4. Ride The Night (Original Version)
Short Info
Baldo's electrifying track "Ride The Night" has been making waves across the global dance music scene, captivating audiences and dominating dancefloors with its infectious energy. Now, the hit single receives a fresh spin from acclaimed artists Red Axes, Alex Neri, and Jennifer Loveless in a highly anticipated vinyl release, marking a new chapter in the evolution of this standout track.
Originally unleashed as a dancefloor anthem, "Ride The Night" has solidified Barcelona's Baldo's reputation as a maestro of electronic beats. Its pulsating rhythms, captivating melodies, and euphoric atmosphere have earned it widespread acclaim, garnering support from DJs and fans alike. In this special vinyl edition, the magic of "Ride The Night" is reinvented through the unique perspectives of three distinguished remixers:
1. Red Axes: Renowned for their eclectic blend of genres and signature psychedelic soundscapes, Red Axes inject their remix with an otherworldly groove that pushes the boundaries of sonic exploration.
2. Alex Neri: A stalwart of the electronic music scene, Italian's Alex Neri brings his decades of experience to the table, delivering a remix that seamlessly blends classic house vibes with a contemporary edge, ensuring dancefloor domination.
3. Jennifer Loveless: With her innovative approach to DJing and production, Jennifer Loveless infuses her remix with a pulsating energy that captivates from start to finish, offering a fresh perspective on "Ride The Night" that is bound to ignite dancefloors worldwide.
This vinyl release marks the first time these remixes are available in physical format, offering fans and collectors alike the opportunity to own a piece of electronic music history. Each remix brings a distinct flavor to the table, showcasing the versatility and timelessness of Baldo's original composition.
"Ride The Night" on vinyl is a must-have for any discerning DJ or electronic music aficionado, serving as a testament to the enduring power of Baldo's music and the boundless creativity of the remixers involved.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Sandy Kerr - Original Mix
2
Sandy Kerr - Chimental Mix
Repress!
Daughter of the mighty George Kerr, Sandy set the scene alight in ’82 with the explosive classic, ‘Thug Rock’. Badass slap basslines, zapping synths, ethereal pads and Sandy’s iconic rap were a timeless recipe of pure ‘80s, boogie-infused power that’s blasted from many a boombox, sung on all manner of club systems and sound tracked endless open road cruises over the years.
Released on the South Carolina label Catawba Records, two prolific duos blessed ‘Thug Rock’ alongside Sandy and co. Her father, who produced for the likes of Alice Clark and The O’Jays and Sugarhill wizard, Reggie Griffin, headed up the production and arrangement, with ever-dependable M&M aka John Morales & Sergio Munzibai taking the reins on the mix. Their combined talents can be heard in the tangible weight of the track, each element getting the space it deserves to facilitate that crystal-clear clout - from the huge bass riffs and sublime keys, to the punchy drums and Kerr’s infectious rap. An earworm if ever there was one!
Take to the flip to find the much in-demand dub version, echoing out choice snippets of Sandy’s rap to focus in more on that killer boogie-funk groove. Original copies are tough to come by in the UK, so an official reissue will be music to many an ear.
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DE - 22113 Hamburg
Germany
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Daughter of the mighty George Kerr, Sandy set the scene alight in ’82 with the explosive classic, ‘Thug Rock’. Badass slap basslines, zapping synths, ethereal pads and Sandy’s iconic rap were a timeless recipe of pure ‘80s, boogie-infused power that’s blasted from many a boombox, sung on all manner of club systems and sound tracked endless open road cruises over the years.
Released on the South Carolina label Catawba Records, two prolific duos blessed ‘Thug Rock’ alongside Sandy and co. Her father, who produced for the likes of Alice Clark and The O’Jays and Sugarhill wizard, Reggie Griffin, headed up the production and arrangement, with ever-dependable M&M aka John Morales & Sergio Munzibai taking the reins on the mix. Their combined talents can be heard in the tangible weight of the track, each element getting the space it deserves to facilitate that crystal-clear clout - from the huge bass riffs and sublime keys, to the punchy drums and Kerr’s infectious rap. An earworm if ever there was one!
Take to the flip to find the much in-demand dub version, echoing out choice snippets of Sandy’s rap to focus in more on that killer boogie-funk groove. Original copies are tough to come by in the UK, so an official reissue will be music to many an ear.
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DE - 22113 Hamburg
Germany
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1
V.A. - A1.Woman Of The World
2
V.A. - B1.Magic Number
3
V.A. - B2.III
Essential Item Limited Edition No Re-Press ...
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DE - 22113 Hamburg
Germany
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Germany
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1
Gaussian Curve - Winter Sun
2
Gaussian Curve - Fever Dream
The return of Gaussian Curve - Gigi Masin, Jonny Nash and Marco Sterk’s much-loved trio are back for the first time since their 2016 sophomore album 'The Distance', presenting two new tracks entitled 'Winter Sun' and 'Fever Dream'.
Both tracks originate from recording sessions that took place in Amsterdam in 2016 for 'The Distance'. Despite not finding a place on the final album and being left as unfinished sketches for six years, the tracks represent an important part of the Gaussian Curve story which the band felt compelled to complete. Coinciding with the decision to perform a handful of live shows in 2022, they finally revisited the sketches, mixing and arranging them with the goal of giving them the full release that they deserve.
The trio’s trademark sound hits from first moments of 'Winter Sun'; a lush slow builder with all the classic GC ingredients; Nash’s airy and spacious guitar lines interplay with Masin’s warm rhodes, underpinned by Sterk’s subtle use of electronics and the minimal rhythm of a CR-78 drum machine.
On 'Fever Dream', the trio subtly expand their palette; a gently building 303 bass line and 808 rhythm form the foundations of the piece, with Masin’s vocals adding to a slow-burning intensity. Arguably a fuller sound hinting at new areas of exploration for the trio, but unmistakably Gaussian Curve.
Graphic art by Qiu Yang, design by Steele Bonus,
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Both tracks originate from recording sessions that took place in Amsterdam in 2016 for 'The Distance'. Despite not finding a place on the final album and being left as unfinished sketches for six years, the tracks represent an important part of the Gaussian Curve story which the band felt compelled to complete. Coinciding with the decision to perform a handful of live shows in 2022, they finally revisited the sketches, mixing and arranging them with the goal of giving them the full release that they deserve.
The trio’s trademark sound hits from first moments of 'Winter Sun'; a lush slow builder with all the classic GC ingredients; Nash’s airy and spacious guitar lines interplay with Masin’s warm rhodes, underpinned by Sterk’s subtle use of electronics and the minimal rhythm of a CR-78 drum machine.
On 'Fever Dream', the trio subtly expand their palette; a gently building 303 bass line and 808 rhythm form the foundations of the piece, with Masin’s vocals adding to a slow-burning intensity. Arguably a fuller sound hinting at new areas of exploration for the trio, but unmistakably Gaussian Curve.
Graphic art by Qiu Yang, design by Steele Bonus,
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More