Tracklist 12":
A1 The Change - A2 The Change (Jacques Renault Remix) - B1 Magic Mushrooms
Info:
Baldo's next EP is released on Good Ratio Music, the label run by himself and his buddy Carlo. As far as we remember the Barcelona based producer had always an affinity for dirty drum-machines rhythms and buzzing analog sounds.

Baldo can be recognised by his choice of style, a fierce and confident House, pure in intent and effective in execution. And this is exactly what you should expect in this new EP.

For the eighth instalment of the label they have the remix coming directly from NYC. The boss of Let's Play House, Jacques Renault has remixed The Change, giving to the track a whole different mind to the track and making a round EP, ready to roll this summer.

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UPC 827170555860 Rel date 23.6.2014
Tracklist: A1: Attention B2: Attention (Andrade Remix) B1: Voices Inside B2: You Are My
Info:
3 strong deeper high quality house tracks from Barcelona's Baldo and a dope Andrade Remix! Baldo is one of the front figures in Barcelona's underground scene. His previous releases on Subwax Excursions, Waehlscheibe, Good Ratio and Street Knowledge has gained a lot of attention among many of the worlds top underground house dj's. Watch out for this guy, he is the future folks..


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Barcode: 827170528666 Release Date: November 25:th 2013
Tracklist:: A1: Choosing Time A2: Much Desired B1: My Kingdom B2: Single Flight
Choosing Time EP is just what the name suggest's. It features 4 absolutely timeless deep house tracks in the veins of old-school Chicago house. If you are into Mr Fingers, Chip E, Robert Owens, Rocky Jones and so on.. then this one is for you! Don't sleep :


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Next up on Good Ratio Music is Baldo, an artist who spent the past few months working in the back of this label getting prepared to release the third chapter in his own imprint. Spies & Lies is the name of his work which follows some brilliant remixes and tracks he did lately in labels like Stranjjur and Elevation Recordings.
As the story goes on after the great result of the Tom Ellis release, we wanted to give a different dimension to the label to bring it back into a more classical sound. The magic starts with Might Be, a fresh cut out of house music with a funky bassline and great pads full of liveliness. Followed by Dare to Feel, a track based on a deeper and melancholic side, turning your brain with some acid stuff in the end. The last one is Juggling, which will finish this awesome work with some analogic feeling, adding more acid melodies on top and together make it sound as a beautiful symphony for the senses. As different as they are, all the tracks make it an awesome project, directly out of the mind of this Spanish artist.
Together with this work we present the debut of the Irish producer John Daly on Good Ratio Music. Daly, who will release very soon his new LP on Drumpoet Community, is getting bigger and bigger in this scene. He has made a remix of the track Might Be combining all the elements and approaching them into his sounds. A great bass line and a groovy riffs will make this track a great option to play it loud this summer.
Released in 12" and distributed by Wordandsound, it will be also avalaible in all the best digital stores.


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Tracklist
a1 Clint - Bliss Science
a2 Aldonna - Pisa 97
b1 Sam Goku - Walking Drums
b2 Rosa Red – Rhapsody (Known Artist Remix)
b3 Third Son & Baldo - This Is Your Brain On Music

Short Info
This is a 5 track vinyl sampler taken from the new Permanent Vacation Selected Label Works 11
compilation.
Vinyl comes in transparent green, in a rose colour sleeve.

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Tracklist
01 Will You Hate Me
02 Is It Really Love (Dub)
03 Back For More
04 What To Do With That

Short Info
Austrian powerhouse Demuja debuts on Permanent Vacation with a deep four-tracker. A name long in the spotlight of the global house and disco scenes, Demuja has previously releasedhis deep, soulful sounds on the likes of Aus Music, Shall Not Fade, Nervous, and his own MUJA label. On his latest EP, he turns to Benjamin Frohlich and Tom Bioly’s revered Permanent Vacation imprint, showcasing four tracks of deep sonic bliss across the ‘Bring Back Love’ EP, which has already garnered support from Laurent Garnier, Stacey Pullen, Alinka, and more.


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Tracklist:
A.
1. Depak Ine
2. Destiny
3. Oro Y sangre
4. Last Land

B.
1. Journeys
2. Missing you
3. When the past was present
4. El Oeste
5. So will be now

If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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Tracklist:
01 Depak Ine
02 Destiny feat. Pional
03 El Oeste
04 Oro y Sangre
05 Journeys feat. Ekhi
06 Missing You
07 Last Land
08 Estiu
09 When The Past Was Present
10 H.O.R.S.E.
11 So Will Be Now... feat. Pional

If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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Tracklist:

Album
01 Depak Ine
02 Destiny feat. Pional
03 El Oeste
04 Oro y Sangre
05 Journeys feat. Ekhi
06 Missing You
07 Last Land
08 Estiu
09 When The Past Was Present
10 H.O.R.S.E.
11 So Will Be Now... feat. Pional


ƒin outtakes & remixes
01 Tragedial
02 Destiny feat. Pional (Bullion Version)
03 Matilda's Dream (LP Version)
04 Mai Mes
05 Last Land (Kenton Slash Demon Remix)
06 Zanzibar (80’s Tapemix)
07 I Want Tonite
08 Journeys feat. Ekhi (Bostro Pesopeo Remix)
09 When The Past Was Present (Pachanga Boys Purple Remix)


If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

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Tracklist:
A1 Si Si Si
A2 Burnt Deep
A3 Like
A4 Out Of Reach
A5 Day In Shock

B1 The OK Hole
B2 I Wanna Be Adored
B3 Strobe
B4 With The Night At Our Feet

New Jackson marks his long awaited follow-up to 2017’s From Night To Night with its successor OOPS!... POP for long-time collaborators Permanent Vacation. A concise triumph in techno pop, its 9 tracks elevate his signature electronic sounds into anthemic new heights.
David Kitt is a prolific sonic polymath who’s enjoyed a colourful career making whatever he likes.
While releasing music under a vast array of aliases and collaborations for close to two and a half decades, New Jackson has remained his irregular home since 2011 for when ‘at one with the machines’. It offers a kaleidoscopic window into his love of dance music, and on his debut album under the alias From Night To Night (released in 2017 on Dublin’s All City label) he unfurled his singular vision; a dilated suite of nocturnal soul coaxed from his beloved electronic equipment with songwriter’s nous, sonically etched as blunted whispers coalesced from the dusky billows of Dublin bay. Further EPs and singles followed, alongside a beloved live show he toured globally, plus detours with his critically-lauded Garies duo (with Lumigraph) and a David Kitt solo album.
In the time since his New Jackson debut, he’s slowly distilled his studio methodology to help mine the true core of his musical self. Within this experimentation, he has stumbled upon the bounty that is OOPS!... POP, his most direct and euphoric body of work to date. Recorded across the span of five years and three different countries, Kitt has managed to transform his beloved alias into a leaner beast, tightening the screws around arrangements and songwriting to inspire an album sonically effortless in demeanour and spontaneously playful in structure and form. Aided by a stacked cast of collaborators including Rita Lynn, Donnacha Costello, Riche “Jape” Egan, Yenkee, Kean Kavanagh, Margie Jean Lewis, Meg Cronin and Fehdah, it bears the hallmarks of the studio albums of yesteryear in its dynamism and gratification while drawing on his rich bouquet of influences across a century of recorded music.
Opener SI SI SI lulls you in with its smothered vocoder’d croons and patient groove, BURNT DEEP next yields a surprising deep house turn, lit gently with casual hedonism. LIKE rewires the playbook entirely, shuffling along its minimal 80’s boogie groove with a cheeky grin, before lead single OUT OF REACH further mines the golden pastures with its glorious stuttering techno power-pop fit with that anthemic chorus. DAY IN SHOCK digi-dubs around the wonderful vocal turn of Fehdah in purest heads-down manner, then THE OK HOLE and STROBE both descend the psychedelic wormhole of anaesthetised breaks and electro with its entranced dancefloor gaze. I WANNA BE ADORED, the Madchester anthem from The Stone Roses, is then surprisingly reimagined as a lost kraut-pop robo sung classic while WITH THE NIGHT AT OUR FEET is our climactic conclusion, a mechanised symphony of dual proportions; a humane core of angelic harmonies chugging along in electro rhythm before soaring strings take us on our way.
New Jackson’s oeuvre, indeed David Kitt’s musical world, is vast; OOPS!... POP then might just be his opus across it all, a towering achievement of soaring catharsis in melody and song that soundtracks the most direct transmissions from his heart to yours.



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A
Kicking And Screaming
High Noon
Locked Groove A
B
How To Dream
Flat Footed Laurence

Short Info
SNECKER is the musical union of German born Panorama Bar resident DJ nd_baumecker and American musician and performer Snax. An initial foray making a bootleg remix of a Lady Gaga track led to weekly meetings at Baumecker's studio on the legendary Berghain nightclub campus. Jams would last for hours as Baumecker tinkered with his vast array of gear, Snax hoped from keyboard to keyboard and everything was recorded. At Snax's studio across town, arrangements were solidified and vocals added. Soon, files and files of heady, psychedelic and groovy music was piling up on hard drives and after Snecker's first release on Vienna's Freeride Millenium and a track on the 8th Permanent Vacation compilation, the boys now present "How To Dream" EP on Permanent Vacation. Four tracks (and some tools for creative DJs to be found on the vinyl release) full of blends of House, Boogie and Disco only a duo with a long creative history can provide.


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Tracklist

A1 Spumatore
A2 Giro D'Italia
A3 Decathlon
A4 Fracture
A5 Pendio Acid

B1 No No No
B2 Dillingen
B3 Obereggen
B4 Corporate Mind Disintegration
B5 Alpha Synthauri



Short Info


A famous anthem once begged: “Don’t Make Me Wait.” Sometimes, though, it’s good to make ‘em wait—even just a little bit. Case in point: The production duo of Fabrizio Mammarella and Phillip Lauer, known to clubbers, DJs and music heads as Black Spuma.

Three years after their last EP—and nearly a decade into their production existence—the duo have finally given us a full-length manifesto. Sure, there have been a smattering of remixes and EPs over the years on labels like Futureboogie, International Feel and Live At Robert Johnson. But on their new LP “No No No,” the Spumas at last get to stretch out and give us their full-meal-deal.

The pair birthed the tracks at Lauer’s famed Pyramide III studio, with 10 tunes finalised and selected remotely, thanks to the wonders of high-speed Internet. While the Spumas are well-known (both together and as solo acts) for their melodic, 80s-tinged club workouts, the album format has allowed the guys to push their sound into parts unknown. The album drops at the end of May on Permanent Vacation, and it distils all the things we love about the duo: The melody, the playfulness and the musicianship of two veterans in full command of their powers.



Take the tune “Obereggen,” which expands a punchy, staccato bassline into that sweet spot where trance and italo can play next to each other. Or the cut “Fracture,” which is built on a Detroit-like chassis but makes room for gorgeous pads, subby bass and a nimble breakbeat.

For the established fans, there’ll be plenty to latch onto, including the title cut (and first single), which sounds like something Robocop may have produced if he’d taught a violence diversion program.
Meanwhile, cuts like “Dillingen” remind us of one of those lost Eurythmics B-sides that show up in the dark corners of MixesDB. The album was mixed and mastered by Lopazz, and boasts a colourful cover from Berlin-based artist Ilja Karilampi.

So, 17 years after initially meeting, we finally have a full album from these Spuma Men. And in the end, it was worth the wait.



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Tracklist

A1 Session Victim Extended Remix
A2 Session Victim Dub Mix

B1 Bella Boo Remix
B2 Original



Short Info

40 Thieves classic hit "Don't Turn It Off" feat. Qzen on vocals gets the 2023 update with new versions by Sweden's finest Bella Boo and professional boundaries pushers Session Victim. Both remixes bring new facets of the original to the forefront and shine new light on this Permanent Vacation classic, which was initially releaseed in 2008.


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LP incl Digital Download Voucher

Tracklist

A Side

01 Yellow River Drone
02 Cycles
03 Lotus Drive
04 Libellenflug
05 Things We See When We Look Closer

B Side

01 Mangrove Railways
02 Sky And Sand
03 Silver Rushing Streams
04 Zoom Out
05 Life By The Pond


Short Info

It's album time for Sam Goku aka Robin Wang: "Things We See When We Look Closer" is the second album from the Chinese-German artist, releasing nearly two years after his debut album "East Dimensional Riddims", that combined traditional Asian instruments and field recordings with his own modern take on dance music that focuses on fluid rhythms, beautiful melodies and ambient haze.

Based in Munich, things came together naturally with Permanent Vacation as a label for the DJ and producer. Not only sharing the same hometurf, but also a certain eclectic approach on music. After two EPs on the label, that found their way into DJ Sets from the likes of Ben Ufo & Four Tet, DJ Voices, Call Super and many more, Robin is drawing ever wider circles with his new album.

On eleven tracks he is refining his unique approach in his productions, probably described best as a deeply nature-rooted and aethereal sound from twinkling ambience over bright, bouncy kickdrums to shuffling breaks. Robin is hunting for the bigger picture by taking a closer look. Finding new life in the different microcosms and gaining new perspectives on things by switching the angle and developing a meditative and psychedelic swirl.



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2-LP incl Digital Download Voucher

Tracklist

Vinyl #1:

A1. Half-time Dreams feat. INIT
A2. Persistently There
A3. See you In Paradise feat. Vanessa

B1. Reset feat. Fort Romeau & Coloray
B2. Snap Out feat. Snax

Vinyl #2:

C1. Nocturnal Prowler
C2. Intense Affectionate
C3. Non Attachment

D1. Pepper On The Tongue Feat. Curses
D2. Mitate



Short Info

Massimiliano Pagliara returns to Permanent Vacation with his fourth studio album "See You In Paradise". After the highly acclaimed "Nothing Stays In One Place For Long" EP from 2020, this is the first full-length from the Italian-raised and Berlin-based producer for the label. Albums in the dance music genre can often be a challenge in terms of finding the right balance between the dancefloor and listening at home. Massimiliano, however, mastered this craftmanship perfectly while reviving the art of the album format.
Mostly written and produced in the lockdown period of spring 2020 these 10 tracks offer the whole sonic spectrum from the "Massi universe". The hardware enthusiast blends analogue-heavy and bright synthesizer melodies, pop hooks, Chicago house groove with more technoid tracks and atmospheric soundscapes. Taking you on a journey through his mind, body and soul: From his underground disco passion and pulsating dancefloor moments to ethereal and meditative ambience.

Inspired, both musically and aesthetically - one of his favourite carnal catchphrases titles the album - by Disco hero Patrick Cowley, Massimiliano channelled past, present and future in searching for new adventures within his music. For the first time working with live musicians (saxophone and piano) to bring a new facet on the table, that flows with the production seamlessly.

Communication and getting into a dialogue is a crucial part for Massimiliano as an artist. Whether it used to be as a ballet dancer, as a DJ, most prominently as a resident of the legendary Berghain / Panorama Bar, a producer and in collaboration with other artists and musicians: Maestro Massi has gathered an illustrious group of friends and like minded artist such as Snax, Fort Romeau and Init (with whom he has worked before), as well as new collaborators including Curses, Coloray and Vanessa. Under the artistic direction of Massimiliano each artist was able to bring his own unique talent into the album's coherent production and together with Massimiliano they created something that is more than the sum of its parts: A refuge full of beauty and harmony and free from worries in an upside down world. In other words: "See You In Paradise”


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Tracklist

A1 On Your Mind
A2 Piano Dance
A3 Cocktail
B1 Veto
B2 Got To Keep On
B3 Night Walk

Short Info
Fresh from delivering standout performances at Berlin’s renowned Panorama Bar and Amsterdam’s DGTL, Theo
Kottis presents his first solo release on Permanent Vacation, the sparkling ‘On Your Mind’ EP, released on 1
July (vinyl & digital).
The creation of the six tracks on ‘On Your Mind’ EP, provided moments of escapism for Theo Kottis, during the
depths of lockdown 2020. His nods to synth pop and italo fun, inspired by bands of the new wave era, are
intended to bestow upon the listener those same blissed out moments. There’s more to these tracks than meets
the ear, particularly stand out ‘On Your Mind’, the product of relentless pursuit. For Theo, the collaboration with
Permanent Vacation was long awaited and is a memorable mark within his thriving career.
Theo Kottis said: “Thrilled to finally share these tracks, I worked on them 2 years ago and was fortunate enough
to find them a home at Permanent Vacation, which has long been one of the labels I've admired most. As these
tracks were a solo lockdown project, I've loved collaborating with PV on the release - particularly the creation of
the vinyl. Next up - I can't wait to play them out IRL in parties this summer.”
Edinburgh-born and now London-based Theo Kottis is set for a big summer with a host of high profile worldwide
festival and club dates, with forthcoming dates including his Beautiful Strangers label Off Sonar showcase party in
Barcelona with KiNK, Saoirse, & a B2B with Ryan Elliott, Warehouse Project, El Dorado Festival, Ijland
Amsterdam, Pikes Ibiza and Lost Village Festival.

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LP

Tracklist
a1 party life
a2 show her your soul
a3 audrey
a4 show me
b1 thought you were the one
b2 anything
b3 the key
b4 party life (dub mix)

Short Info
After the re-release of the classic "Nu Romantix" album, Ed DMX aka DMX Krew returns to Permanent Vacation
with his new album "Party Life". This time the long-haired UK legend is taking a step back from his trademark
Electro and Techno sound and putting on his romancing suit. Ed is crooning over 80's styled Boogie, Disco and
Funk tracks in a way only he can do it and that will either make you jump for joy or cruising down the coastal
promenade. "Party Life" is another example why Ed is a master of all crafts in the ever expanding DMX Krew
universe.






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Tracklist
A1 The Night Mail
A2 Hussle Free
B1 Shoot Out The Lights
B2 It's Not Over

Short Info
Completely new mastered vinyl re-issue of the classic and highly sought after New Jackson EP from 2011.





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Vinyl LP with digital download voucher

Tracklist
A Side
1. Monday Funday
2. Sponge Bob
3. Planets & Orbits
4. Pixie Crop
B Side
1. Feathered Flip
2. Telemark
3. Angry Professor
4. Techno Power

Short Info
The Covid Pandemic hit Germany in March 2020 and by the 15th of March all of the public life was shut down. It
was the same day where my son Rio was born.
For me, this early stage of the pandemic had something very intimate and private, since I was forced to stay at
home with my young family for weeks. In Mai 2020 I started to leave the house, for other occasions then just
going to the shop or taking a walk and that was the time I started working on “Hotel Solaris”. It was an intense
creative rush: in 8 weeks the album was written, performed and produced in one flow. I had two days every week,
where I could go to the studio for 4 hours and that time the album was done. It had a corpus in a sense that I
knew I wanted a faster or a slower track at points, but the whole hotel idea came when I saw photos of the old
Hotel Arkada on the Croatian island Hvar, that my extremely talented friend Marcella Zanki shot on her holidays.
They show a well preserved socialist-brutalist hotel architecture in the middle of the beautiful Adriatic and for me it
was like looking at pictures from a timeless place, without knowing where and when it exactly was, totally surreal.
I liked that idea of a hote that stands as an escape symbol from the real world, which was something everyone
needed when the pandemic was building stronger and stronger. I decided to call it Hotel Solaris, inspired by the
novel from Stanislav Lem, where Solaris is a planet covered by an ocean which triggers our subconscious mind to
become reality. It all fit at the end and “Hotel Solaris” was done.






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Repress. Vinyl 12" in black standard sleeve

Tracklist

A1 Original
A2 Perel Remix

B1 Krystal Klear Remix
B2 Theo Kottis Remix

Short Info

Midnight Magic's, New York's No.1 Disco Band, evergreen "Beam Me Up" gets the anniversary remix treatment by some of today's experts in this area: First up is Running Back regular Krystal Klear, who gives the original the electronic disco do-over transporting "Beam Me Up" into the new decade. Whizz-Kid and Wonder Woman Perel steps up with an 80's flavoured and synth-heavy Cosmic Disco version. Scotland's finest Theo Kottis, turns up the euphoria level with his piano house meets italo version. A hit is a hit is a hit.




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Tracklist
A1. Melodies On The Meridian
A2. Quantum Field Trip

B1. The Final Front Ear
B2. Journey To Now-Here

Short Info
Hailing from Donald Street in Brunswick, Melbourne, James and Peter Isaacs are the brotherly duo Donald’s House. Taking influence from Paradise Garage styled disco, early 90s house, Italo and anything with a DMX drum kit, their take on dance music is as refreshing as it is familiar. After two EP releases with Nick Höppner’s label, Touch From A Distance, James and Peter present their first full length EP for Permanent Vacation: "Final Frontier" with 4 tracks that show their prolific productions skills on all i's glory.





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Tracklist
A Vlucht

B1 Morse
B2 Megane



Short Info
Yør Kultura is back on Permanent Vacation with "Vlucht", which marks the third round of their EP series. After their success of the fist two releases (including classics "Shimming" and "Today") the three Dutchmen refined their hypnotic and percussive trademark sound on their latest EP. Yør Kultura takes you to their own land full of ancient landscapes, ruins of sanctuaries and mythical tribes. So be prepared to get drawn into the portal.




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Format: 12” vinyl, printed labels, printed inner sleeve, dl code

Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr.

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GENRE/S: House, Electronic

TRACKLIST:

A1. Cosmic Rising
A2. Kool Stop
A3. Fatties
B1. Mountain Pads
B1. Appex

SHORT INFO:
Tokyo-based, globally-destined DJ and producer Mayurashka comes thru on Studio Barnhus with five awe-inspiring examples of fearless sonic exploration on the dancefloor.
A rare record that strikes with immediacy while still revealing new details on the 1000th listen, this EP shares a cosmic connection with the new wave and disco records Mayu fuses into her infamous late night sets in the Japanese house underground.
Loaded with unstoppable vibrations that have left us at Studio Barnhus HQ shaking all autumn, Cosmic Rising is out on 12'' vinyl and all digital formats on November 29.

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Track list:
A1. The Last Time
A2. Come Back
B1. The Last Time (K-LONE 2-Step Mix)
B2. Come Back (Chloe´ Robinson & DJ ADHD Remix)

Dutch duo Dam Swindle appear on Aus Music's 200 series and two new house originals come with remixes from K-Lone and Chloe Robinson & DJ ADHD
Dam Swindle have been helping to define the underground house sound for a decade, not least with their Heist label. The pair deal in timeless, fad-free sounds that are rich with dance floor dynamics and hint at a love of everything from disco to tech and plenty in between. They are notorious crate diggers who have played the world's most cultured clubs, their recent track Allright (Just A Tribute) on Phonica’s 20 year celebration has received widespread love by DJ’s this summer on the festival circuit and now they offer up two more of their studio gems for their 3rd full release on Aus.
This EP is the second in a series of four releases from different artists to mark the 200th outing of Will Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass- driven post-dubstep fusions.
This EP kicks off with 'The Last Time', a blissed-out deep house sound with impassioned vocal cries tugging at the heartstrings. Mellifluous synth daubs percolate through the mix to a captivating, feel- good effect. Next is 'Come Back,' an infectious house bubbler with gloopy synths and something of a garage shuffle in the kicks. It's fresh and packed with neon colour that brims with soul.
New school house and garage tastemaker and core Aus Music family member K-LONE steps up with a remix hot on the heels of his two-part EP series on the label. His version of 'The Last Time' is typically deft as soft focus chords swirl around prickly garage house beats. The distant vocal, the cavernous bass and the wistful feel all make it another classic.
Last but not least, Chloe´ Robinson & DJ ADHD are frequent collaborators on labels like Fabric Originals as well as Chloe´’s Pretty Weird imprint where they serve up potent, bass-heavy sounds. Their version of 'Come Back' is expertly stripped back. It teases and pleases with a blend of filthy low- end oscillations, slinky drums and tooting chord hooks that are effortlessly fun and effective.


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Tracklist 12” :
A1: Dub theory I
A2: Dub theory II
B1: Dub theory III
B2: Dub theory IV


Short info:
13 years after his first release on Quintessentials, Italian master of Chicago House Simoncino is back on the label! With his impressive release catalogue and his love for vintage sounds, Simoncino is always welcome back. The EP title hints at what his new release is all about: Dub Techno! All of us are still fond of those BC and CR releases, so there’s a strong need to check out Simoncino’s 4 “dub theories”! Classic tunes!









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Tracklist:
(A1) Metal Master – Spectrum (Bart Skils & Weska Reinterpretation)
(B1) Metal Master – Spectrum (Original Mix)

Release Info:

black 12-inch vinyl + cover with rainbow silver foil

You may have already been waiting for this one. After the limited splattered one-sided vinyl edition, this 12-inch pressing comes with the remastered original mix on the B-side.

The original, the second release on the label Harthouse at the time, is an all-time classic and went down in the music history of Frankfurt. Thirty years later, the track by Sven Väth and A.C. Boutsen has not lost its shine and will certainly continue to provide goosebump moments.

Techno is all too often described as timeless but while most of it eventually evaporates into the ether, there are some riffs, melodies, and breakdowns that remain etched into our collective consciousness forever. Legendary Frankfurt label Harthouse is home to more than its fair share of such moments, but you must go all the way back to 1992, the opening strains of the Metal Master classic ‘Spectrum’ to locate the source for this special single-sided remix release.

The common denominator and catalyst to all this is of course Sven Väth, co-creator of ‘Spectrum’ and founder of both Harthouse and Cocoon Recordings, while the independent variables in the equation are Bart Skils and Weska, who lend their considerable talent and vision to this sublime makeover.

Coming on like rolling thunder, sparks fly immediately as crackling vocoder licks, silky ride cymbals and soaring arpeggios build an atmosphere taut with anticipation before giving way to that iconic melody - a love letter from Frankfurt to Ibiza, wrought from metal, drenched in distortion yet pulling at the heartstrings - the perfect soundtrack to any chemical sunrise.

It‘s a powerful re-interpretation that pays the warmest respects to the original and, despite the relentless groove, there is still room for sentimentality - an invitation to momentarily pause for thought and reflect on the journey so far as the sumptuous breakdown washes over the dance-floor. But not for long, the simmering bass line soon emerges from the euphoria and the track kicks in again, driving us forward towards a new, uncharted spectrum of possibilities.





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CD

Tracklist:

01. Xerrox Topia
02. Xerrox Sans Nom I
03. Xerrox Sans Nom II
04. Xerrox Ascent I
05. Xerrox Ascent II
06. Xerrox Sans Repit
07. Xerrox Nausicaa
08. Xerrox Xenonym
09. Xerrox Ada
10. Xerrox Arc
11. Xerrox Kryogen
12. Xerrox Isotope


NOTON is pleased to announce the release of Xerrox Vol. 5, the final installment of Alva Noto’s Xerrox series.

For anyone who has been following the series since its inception in 2007, the concept of Xerrox no longer requires introduction. Originally, it aimed to create copies of images—both visual and acoustic—that are more memorable than the originals. The exploration of the relationship between the original and the copy, along with the invention of the copier, not only inspired the series name but also informed its underlying concept. In 2024, this series comes to an end, marking the culmination of a journey that began with the first recording in 2005/2006. Over nearly two decades, the five albums in this series have accompanied the artist's evolving perspective and conceptual approach.

Initially characterized by rawness and a conceptual focus on seeking resolution in white noise, the later works engage with themes of dissolution while shifting their emphasis toward acoustic particles. The copying process is now less visible through software manipulation; rather, it unfolds as the artist describes melodic and acoustic images that are then manipulated, copied, and transformed into new patterns during composition.

Nicolai describes this evolution as a journey encompassing buildup, exploration, and resolution, drawing parallels to the Odyssey and the stories of Jules Verne, particularly those featuring Captain Nemo.

The conclusion of this album holds a sense of finality for the artist. “I aimed to create a whole cycle of tracks that frame both the beginning and the end,” Nicolai explains. “The motif of the journey continues, but this time, the story reaches a dissolution through a conceptual object that embarks on its own journey into infinity. The word “dissolution” (“Auflösung” in German) is a wonderful concept. On one hand, you can solve a riddle, on the other hand, a pill can completely dissolve in water. Here, I am deliberately describing the process of dissolution.”
In crafting Volume 5, Nicolai has evolved his compositional process, eschewing samples in favor of original melodies. “This album probably took the longest to complete,” he reveals. “I first created melodic sketches, which became the foundation for the pieces. These recordings are created entirely from scratch. Based on these sketches, I constructed the process of copying, manipulating, and reshaping.”

Drawing from his recent experiences working with film and larger ensembles, Nicolai's approach to composition reflects a growing influence of classical instrumentation. “This experience of working with acoustic classical instruments has flowed into the compositional process for Xerrox Vol. 5. Certain instruments are designed with potential orchestral translation in mind.”

The sonic atmosphere of Xerrox Vol. 5 is one of profound dissolution. “I wasn’t initially interested in strong, emotional melodic aspects,” Nicolai shares, “but I realized that the fragment plays a central role.” This shift leads to an emotionally charged experience, imbued with melancholy and the bittersweet essence of farewell. The passing of Ryuichi Sakamoto, an admirer of the series, has further deepened the album’s emotional resonance.

“Xerrox Vol. 5 has a lot to do with farewell,” the artist explains. "Not only the farewell to the series itself, which I’ve nurtured for almost two decades, but also there have been many farewells to people who were close to me. I believe these people are recognizable in the music. It’s a very emotional, personal album.”

Listeners can expect a visual dimension to the music, though Nicolai intentionally leaves this open to interpretation. “I prefer to allow the music to evoke personal experiences and images rather than dictate a specific narrative,” he states. The result is a layered listening experience that invites tenderness and introspection.

Xerrox Vol. 5 will be released as a limited edition vinyl, digitally, and on CD by NOTON on November 29, 2024.

Album art designed by Carsten Nicolai & Nibo.
Mastering by Bo at Calyx.




























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