Label:DFA Records
Cat-No:DFA2707
Release-Date:08.03.2024
Genre:Electronic
Configuration:LP
Barcode:829732000283
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Label:DFA Records
Cat-No:DFA2707
Release-Date:08.03.2024
Genre:Electronic
Configuration:LP
Barcode:829732000283
1
Naum Gabo - Aora
2
Naum Gabo - Tolis
3
Naum Gabo - Schinokapsala
4
Naum Gabo - Hebust Cometh
5
Naum Gabo - Haerstag
6
Naum Gabo - This 1
7
Naum Gabo - Nothing In My Hand
8
Naum Gabo - Parasymptofelia
You must surrender. Because if you’ve followed Naum Gabo over the past 15 years – across various 12-inches, styles, and notable labels - and you’re listening to “F. Lux,” their first proper album, then you’re probably wondering how you wound up here, all the way down, barely able to see through the brain-clogging atmosphere and towering low-end. “F. Lux” is a deep, enthralling listen, alternating between moments of pounding, world-ending techno (“Schinokapsala” and “This 1”) and sharply imagined, surrealist scenes painted with metallic machines (“Aora” and “Haerstag”). There is light to be found in the darkness, but the only way out is through. Naum Gabo are Glasgow’s Jonnie Wilkes (also known as one-half of DJ duo Optimo) and James Savage (prolific mastering engineer). F. Lux was written and produced entirely by them at their Glasgow Hottrax Studios and mastered by James Savage. The album’s front cover artwork is a painting by cherished Scottish painter, Andrew Cranston. The vinyl was pressed at MPO in France using lacquers cut by Bob Weston in Chicago.
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Last in:22.05.2018
Label:belters
Cat-No:bltrs09
Release-Date:23.03.2018
Genre:Techno
Configuration:12"
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1
naum gabo - They're Decent Sweets (Short Version)
2
naum gabo - Qara
3
naum gabo - 250914ªº (Night Mix)
4
naum gabo - High On Cat Milk
5
naum gabo - Bim Bap
After kicking off the year with releases by Wheelman and General Ludd, we’re very pleased to announce that Naum Gabo completes our recent trilogy of releases from Glasgow based artists. Alongside Ivan Smagghe, it’s no secret that Optimo have been a huge influence around these parts and having released Ivan’s Smagghe & Cross project on Belters last year, it’s a huge honour to work with Naum Gabo - the production partnership of Jonnie Wilkes (JG Wikes of Optimo) and James Savage (Mastering Engineer for Optimo Music). Fittingly enough, Naum Gabo played live at the first ever Optimo related parties we attended at the Sub Club back in 2005 and Jonnie’s influential and supportive presence has been felt over the years as we started to become more involved in the Glasgow scene and as the label developed. So it didn’t require much thought to do this release before we had even heard these new Naum Gabo tracks…they are absolute slammers of the highest order! Really big release, bringing to our minds the likes of Errorsmith. Belters is a new club-focussed label brought to you by Huntleys + Palmers.
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Last in:25.11.2016
Label:rubadub
Cat-No:rad-ng1
Release-Date:21.10.2016
Genre:Techno
Configuration:12"
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1
naum gabo - Sleep C'mon
2
naum gabo - Val's Hair
So this is the tune you’ve been hearing all summer in Ibiza. Many of the world's biggest djs have been playing it, it’s had something like a million plays on Youtube and didn’t even require a sponsored post on Facebook.
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Label:let's play house
Cat-No:lph004
Release-Date:04.04.2012
Configuration:12"
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Label:let's play house
Cat-No:lph004
Release-Date:04.04.2012
Configuration:12"
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1
Naum Gabo, - It's On
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Naum Gabo, - It's On (Tevo Howard Remix)
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Naum Gabo, - It's On (Tevo Howard Acid Remix)
4
Naum Gabo, - Ay & Oh
The 4th release comes from Naum Gabo who inject a bit of motoric stomp to LPH's housey identity.
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Label:fright
Cat-No:fright003
Release-Date:27.10.2011
Configuration:12"
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Label:fright
Cat-No:fright003
Release-Date:27.10.2011
Configuration:12"
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1
Naum Gabo, - The Crystal Line (Original Mix)
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Naum Gabo, - Dmitri's Darkness (Original Mix)
3
Naum Gabo, - Galena (Original Mix)
Music for unseen films that also maintain an unmistakable NG groove for the stranger dancefloors.
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Label:DFA Records
Cat-No:DFA2693
Release-Date:26.01.2024
Configuration:12"
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Label:DFA Records
Cat-No:DFA2693
Release-Date:26.01.2024
Configuration:12"
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1
Dickie Landry Featuring JD Twitch - Hang The Rich
2
Dickie Landry Featuring JD Twitch - Hang The Rich (JD Twitch Edit)
Dickie Landry’s saxophones have challenged, soothed, and blown minds around the world in his lengthy career as a jazz and avant-garde blower of the highest regard. He was a founding member of the Phillip Glass Ensemble and (according to Wikipedia lore) introduced Paul Simon to zydeco, one of the indigenous sounds of his native southern Louisiana.
Rarely, though, does Dickie’s saxophone make you want to get up and dance like a crazy person.
Such is the effect of “Hang The Rich,” a nugget of slinky, ecstatic punk-funk that was until recently completely lost to the sands of time. Recorded in 1986 (or thereabouts) in New Orleans and featuring vocalist Evelyn Erhard, percussionist Billy Ware, drummer Ricky Sebastian and Dickie himself on saxophones and a Roland Jupiter 4 synthesizer, it’s the kind of song that compels you to move any which way you can, drunk on indignance and the power of satan’s music.
The track came to DFA via LCD Soundsystem’s Korey Richey, who knows Dickie from back home in Louisiana. After a lengthy search, we located the original tapes in a storage locker somewhere in the Southeast and finally were able to get a clean, quality transfer done here at DFA HQ.
From there, we only had one person in mind for a more DJ-friendly edit: Glasgow’s JD Twitch, one half of Optimo and a selector of similarly puckish spirit. Twitch’s ability to contextualize these older, skronkier sounds for a modern dancefloor are in full display on his version, which hits hard and jagged but then opens up into those ineffable rapturous moments. More
Rarely, though, does Dickie’s saxophone make you want to get up and dance like a crazy person.
Such is the effect of “Hang The Rich,” a nugget of slinky, ecstatic punk-funk that was until recently completely lost to the sands of time. Recorded in 1986 (or thereabouts) in New Orleans and featuring vocalist Evelyn Erhard, percussionist Billy Ware, drummer Ricky Sebastian and Dickie himself on saxophones and a Roland Jupiter 4 synthesizer, it’s the kind of song that compels you to move any which way you can, drunk on indignance and the power of satan’s music.
The track came to DFA via LCD Soundsystem’s Korey Richey, who knows Dickie from back home in Louisiana. After a lengthy search, we located the original tapes in a storage locker somewhere in the Southeast and finally were able to get a clean, quality transfer done here at DFA HQ.
From there, we only had one person in mind for a more DJ-friendly edit: Glasgow’s JD Twitch, one half of Optimo and a selector of similarly puckish spirit. Twitch’s ability to contextualize these older, skronkier sounds for a modern dancefloor are in full display on his version, which hits hard and jagged but then opens up into those ineffable rapturous moments. More
12"
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Label:DFA Records
Cat-No:DFA2702
Release-Date:14.04.2023
Genre:Alternative/Electronic
Configuration:12"
Barcode:829732000191
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Label:DFA Records
Cat-No:DFA2702
Release-Date:14.04.2023
Genre:Alternative/Electronic
Configuration:12"
Barcode:829732000191
1
LCD Soundsystem - New Body Rhumba
LIMITED EDITION RUN OF 1500 COPIES
Stretch 'em out and shake off the cobwebs - LCD Soundsystem have returned, in recorded form, from a 5-year hibernation. 'New Body Rhumba' was written and recorded for the new Noah Baumbach film, White Noise, which is an adaptation of the Don DeLillo novel. It’s classic LCD, all tight and brash, with a coda headed for the second star from the right and straight on 'till morning.
Single-sided 12'' vinyl, mastered and cut at 45rpm by Bob 'Sparklebear' Weston at Chicago Mastering Service, pressed at MPO in France. More
Stretch 'em out and shake off the cobwebs - LCD Soundsystem have returned, in recorded form, from a 5-year hibernation. 'New Body Rhumba' was written and recorded for the new Noah Baumbach film, White Noise, which is an adaptation of the Don DeLillo novel. It’s classic LCD, all tight and brash, with a coda headed for the second star from the right and straight on 'till morning.
Single-sided 12'' vinyl, mastered and cut at 45rpm by Bob 'Sparklebear' Weston at Chicago Mastering Service, pressed at MPO in France. More
Label:DFA Records
Cat-No:DFA2140
Release-Date:25.11.2022
Genre:Electronic
Configuration:4LP
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Cat-No:DFA2140
Release-Date:25.11.2022
Genre:Electronic
Configuration:4LP
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1
Black Leotard Front - - Casual Friday
2
J.O.Y. - - Sunplus (DFA Remix)
3
The Juan MacLean - - I Robot
4
The Juan MacLean - - Dance Hall Modulator Dub
5
Delia Gonzalez & Gavin Russom - - Rise (DFA Remix)
6
Black Dice - - Wasteder
7
J.O.Y. - - Sunplus
8
LCD Soundsystem - - Yeah (Pretentious Version)
9
The Rapture - - Sister Saviour (DFA Dub)
10
Liquid Liquid - - Bellhead
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LCD Soundsystem - - Yeah (Crass Version)
12
Delia Gonzalez & Gavin Russom - - El Monte
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The Rapture - - Alabama Sunshine
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Pixeltan - - Get Up : Say What (DFA Remix)
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LCD Soundsystem - - Beat Connection (Extended Disco Dub)
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Pixeltan - - That’s The Way I Like It
“What could have been a mere anthology of the label's uniformly excellent 2004 output is, additionally, a meticulously assembled personal narrative. This is a label that balances its musical and commercial aspirations with an earthy, no-bullshit disposition and-- let's say it-- the world's best fucking handclaps.” - Nick Sylvester, Pitchfork, in the heady days of 2004. Behold, Compilation #2. A compendium what are arguably the best prime-era DFA cuts, mostly all recorded and/or remixed at the old DFA Studios on W. 13th Street (with some notable exceptions), released as 12-inches and then compiled onto a 3xCD set for convenience because, at the time, people actually bought CDs more than vinyl. Now, in the spirit of time not really being much of a linear thing anymore, and for our own selfish desire to have this version of Liquid Liquid’s “Bellhead,” produced by the DFA, finally committed to wax, we have reverse engineered this thing back onto vinyl and presented it as a four-record boxed set. We went back and found the master tapes or files for each song - a not insignificant effort given our habit of disorganization. We then rather painstakingly resequenced and remastered it with the guy we trust with such things: Bob Weston at Chicago Mastering Service. The lacquers Bob cut were plated and pressed at what we believe to be one of the best pressing plants in the country: QRP in Salina, Kansas. We tell you all of this to say: we took this shit pretty seriously. Because we felt like it was important and because we felt like some folks would really appreciate it. It sounds remarkable. It looks great. (Rob Carmichael re-did the original packaging, adding a new photo from DFA OG Tim Saccenti from one of the original parties at W. 13th St.) Of course, we somehow can’t stop ourselves from making labeling errors - Pixeltan’s “That’s the Way I Like It” somehow escaped the center labels on the fourth record. It’s kind of the DFA curse. Has to be!
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Label:DFA Records
Cat-No:DFA2144
Release-Date:25.11.2022
Genre:Electronic
Configuration:2LP
Barcode:
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Label:DFA Records
Cat-No:DFA2144
Release-Date:25.11.2022
Genre:Electronic
Configuration:2LP
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1
Delia Gonzalez & Gavin Russom - Rise
2
Delia Gonzalez & Gavin Russom - 13 Moons
3
Delia Gonzalez & Gavin Russom - Relevee
4
Delia Gonzalez & Gavin Russom - Black Spring
We’ve unearthed some “lost” copies of a long-out-of-print DFA classic; four sides of ecstatic synthesizer improvisations from Delia Gonzalez and Gavilán Rayna Russom. Produced by the DFA at DFA for DFA.
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Label:Dalmata Daniel
Cat-No:dds09
Release-Date:05.04.2024
Genre:Electro
Configuration:12"
Barcode:
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Label:Dalmata Daniel
Cat-No:dds09
Release-Date:05.04.2024
Genre:Electro
Configuration:12"
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1
Timothy J. Fairplay - Caliber 9
2
Timothy J. Fairplay - TV Tower
3
Norwell - Midnight Rituals
4
Norwell - Natives
Tracklisting
A1 Timothy J. Fairplay - Caliber 9
A2 Timothy J. Fairplay - TV Tower
B1 Norwell - Midnight Rituals
B2 Norwell - Natives
Sales Note
Neither Timothy J. Fairplay, nor Norwell are strangers to the Dalmata Daniel family: both of them are trustworthy contributors to DD compilation albums of earlier years, plus Norwell has released his 'ODD' EP and 'Joint Spaceflights' EP back in 2017 and 2019 on the label. So this time, it's a return for Norwell, and a debut for Mr. Fairplay: their DDS09 split EP is here to present 4 tracks full of outer space lights, eerie vibes, mesmerizing beats and cosmic energies.
Timothy J. Fairplay's side A starts with the explicit kicks and ominous basslines of 'Caliber 9'. Slowly and steadily, the laser blasts and relentless drums all add up to define a world of space cadets on the run, where any odd-looking figure can turn out to be a malignant, speedy alien. 'TV Tower' takes us to another planet with an even higher rotation velocity. Fast percussion elements and squished lower frequencies take center stage in this intergalactic episode, but the whistle-like melodies and descending, bubbling robot signals make the journey complete.
Flip to side B, and enter the contemplating, otherworldly atmospheres of Norwell. 'Midnight Rituals' gives you the chills with its breath-like swooshes, grievous sirens and deadly asteroid belts. Yet, there is no need to worry: after an intense ride with your spaceship, eventually you end up in the same spot, where you started: in the stable and steady mid-tempo beats of an expertly-programmed drummachine. The orbital mission comes to an end with 'Natives', a dense and heroic hymn with emotive structures and well-crafted harmonics. The track starts with the bittersweet, lamenting synths of a solo voice, pouring their heart out in the spotlight, all alone on the stage. All of a sudden, a hard-hitting, rhythmic groove commences its last rush of dedicated cadences. It is full of breaks, it is full of 303s, completed with airy echoes and dreamy, light gestures. 'Natives' keeps on building its structure with elegant paces, providing a massive, yet delicate experience of Norwell's defined aesthetics. The track lets the last strokes of its gloomy synths roll out, along with the final round of looping drums, thus putting an end to DDS09. More
A1 Timothy J. Fairplay - Caliber 9
A2 Timothy J. Fairplay - TV Tower
B1 Norwell - Midnight Rituals
B2 Norwell - Natives
Sales Note
Neither Timothy J. Fairplay, nor Norwell are strangers to the Dalmata Daniel family: both of them are trustworthy contributors to DD compilation albums of earlier years, plus Norwell has released his 'ODD' EP and 'Joint Spaceflights' EP back in 2017 and 2019 on the label. So this time, it's a return for Norwell, and a debut for Mr. Fairplay: their DDS09 split EP is here to present 4 tracks full of outer space lights, eerie vibes, mesmerizing beats and cosmic energies.
Timothy J. Fairplay's side A starts with the explicit kicks and ominous basslines of 'Caliber 9'. Slowly and steadily, the laser blasts and relentless drums all add up to define a world of space cadets on the run, where any odd-looking figure can turn out to be a malignant, speedy alien. 'TV Tower' takes us to another planet with an even higher rotation velocity. Fast percussion elements and squished lower frequencies take center stage in this intergalactic episode, but the whistle-like melodies and descending, bubbling robot signals make the journey complete.
Flip to side B, and enter the contemplating, otherworldly atmospheres of Norwell. 'Midnight Rituals' gives you the chills with its breath-like swooshes, grievous sirens and deadly asteroid belts. Yet, there is no need to worry: after an intense ride with your spaceship, eventually you end up in the same spot, where you started: in the stable and steady mid-tempo beats of an expertly-programmed drummachine. The orbital mission comes to an end with 'Natives', a dense and heroic hymn with emotive structures and well-crafted harmonics. The track starts with the bittersweet, lamenting synths of a solo voice, pouring their heart out in the spotlight, all alone on the stage. All of a sudden, a hard-hitting, rhythmic groove commences its last rush of dedicated cadences. It is full of breaks, it is full of 303s, completed with airy echoes and dreamy, light gestures. 'Natives' keeps on building its structure with elegant paces, providing a massive, yet delicate experience of Norwell's defined aesthetics. The track lets the last strokes of its gloomy synths roll out, along with the final round of looping drums, thus putting an end to DDS09. More
Label:Disco Segreta
Cat-No:DSM024
Release-Date:26.04.2024
Configuration:12"
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Last in:07.05.2024
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Label:Disco Segreta
Cat-No:DSM024
Release-Date:26.04.2024
Configuration:12"
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1
Susy Pintus - Fragile (Original 1986 Version)
2
Susy Pintus - Live For Your Love (Original 1986 Version)
3
Susy Pintus - Fragile (Cosmo Dance Remix)
4
Susy Pintus - Live For Your Love (Cosmo Dance Remix)
Disco Segreta breathes new life into two of the most elusive and coveted italo disco tracks of all time!
Originating from the paradisiac island of Sardinia, Italy, Susy Pintus embarked on her musical journey alongside her brother at Radio Cagliari Centrale, one of Sardinia’s very first “free radios,” which opened its doors in 1977. Her singing career took flight in 1978, and by 1979, she attained national acclaim with her single “C’Est Magnifique,” a disco reinterpretation of the renowned Cole Porter track.
However, Susy’s most sought-after single undoubtedly remains her 1986 italo-disco 45 featuring the tracks “Fragile” and “Live for Your Love”. These compositions, expertly arranged by Italian jazz piano virtuoso Danilo Rea and superstar musician Aldo Tamborrelli, weave a captivating tapestry of sound using instruments like Yamaha DX7 and CP80, Roland Juno 60 and JX 8P, as well as the omnipresent Linn 9000. The result is a distinctive blend of italo-disco, synth-pop, and a touch of the “balearic” vibe.
Originally released in a limited run of 1500 copies on a 45, these tracks have become exceedingly rare over time, finding their way into the wishlists and collections of discerning italo-disco enthusiasts.
Now, Disco Segreta proudly reissues these two exceptional italo disco gems, granting them the expanded 12” treatment they rightfully deserve.
This deluxe edition includes the original tracks, meticulously remastered to meet contemporary standards without destroying the feel of the originals, along with two remixes of “Fragile” and “Live For Your Love” by Italian wonder Cosimo Mandorino aka Cosmo Dance. More
Originating from the paradisiac island of Sardinia, Italy, Susy Pintus embarked on her musical journey alongside her brother at Radio Cagliari Centrale, one of Sardinia’s very first “free radios,” which opened its doors in 1977. Her singing career took flight in 1978, and by 1979, she attained national acclaim with her single “C’Est Magnifique,” a disco reinterpretation of the renowned Cole Porter track.
However, Susy’s most sought-after single undoubtedly remains her 1986 italo-disco 45 featuring the tracks “Fragile” and “Live for Your Love”. These compositions, expertly arranged by Italian jazz piano virtuoso Danilo Rea and superstar musician Aldo Tamborrelli, weave a captivating tapestry of sound using instruments like Yamaha DX7 and CP80, Roland Juno 60 and JX 8P, as well as the omnipresent Linn 9000. The result is a distinctive blend of italo-disco, synth-pop, and a touch of the “balearic” vibe.
Originally released in a limited run of 1500 copies on a 45, these tracks have become exceedingly rare over time, finding their way into the wishlists and collections of discerning italo-disco enthusiasts.
Now, Disco Segreta proudly reissues these two exceptional italo disco gems, granting them the expanded 12” treatment they rightfully deserve.
This deluxe edition includes the original tracks, meticulously remastered to meet contemporary standards without destroying the feel of the originals, along with two remixes of “Fragile” and “Live For Your Love” by Italian wonder Cosimo Mandorino aka Cosmo Dance. More
7"
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Last in:01.03.2024
Label:Luaka Bop
Cat-No:SI-LBOP-4536
Release-Date:20.04.2024
Genre:Jazz
Configuration:7"
Barcode:680899453615
Finally we are more than happy to announce this Pharoah Sanders 7" for this year's RecordStoreDay release!
This limited-edition Japanese radio edit single of gHarvest Time / Love Will Find a
Wayh is a complement to Pharoah Sandersf seminal album from 1977 Pharoah,
which was recently re-released for the first time since its original pressing, in a
deluxe 2 LP box set (Luaka Bop, Fall 2023).
At times ambient and serene, at others funky and modal, Pharoah has long been
a holy grail for collectors, seen as one of the artistfs most beloved records and
one of the great works of the 20th century. Released after forty-five years with
Pharoahfs blessing, MOJO (ššššš) called it gan ethereal masterpiece,h Pitchfork
(8.9) deemed it gunearthly magic,h and The New York Times (Critics Pick) said that
Pharoah gbeckoned the Gods on the intimate Pharoah.h
Included here are two unreleased radio edits of gHarvest Timeh and gLove Will
Find a Wayh.packaged in a limited, eye-catching Japanese sleeve exclusively for
Record Store Day, pressed on Black Power Black vinyl.
ƒgƒ‰ƒbƒNƒŠƒXƒg
A. Harvest Time (ŽûŠnŽžŠú . Radio Edit)
B. Love Will Find a Way (ƒ‰ƒ”EƒEƒBƒ‹Eƒtƒ@ƒCƒ“ƒhEƒAE
ƒEƒFƒC. Radio Edit) More
This limited-edition Japanese radio edit single of gHarvest Time / Love Will Find a
Wayh is a complement to Pharoah Sandersf seminal album from 1977 Pharoah,
which was recently re-released for the first time since its original pressing, in a
deluxe 2 LP box set (Luaka Bop, Fall 2023).
At times ambient and serene, at others funky and modal, Pharoah has long been
a holy grail for collectors, seen as one of the artistfs most beloved records and
one of the great works of the 20th century. Released after forty-five years with
Pharoahfs blessing, MOJO (ššššš) called it gan ethereal masterpiece,h Pitchfork
(8.9) deemed it gunearthly magic,h and The New York Times (Critics Pick) said that
Pharoah gbeckoned the Gods on the intimate Pharoah.h
Included here are two unreleased radio edits of gHarvest Timeh and gLove Will
Find a Wayh.packaged in a limited, eye-catching Japanese sleeve exclusively for
Record Store Day, pressed on Black Power Black vinyl.
ƒgƒ‰ƒbƒNƒŠƒXƒg
A. Harvest Time (ŽûŠnŽžŠú . Radio Edit)
B. Love Will Find a Way (ƒ‰ƒ”EƒEƒBƒ‹Eƒtƒ@ƒCƒ“ƒhEƒAE
ƒEƒFƒC. Radio Edit) More
12"
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Label:Melodies International
Cat-No:MRC3
Release-Date:09.12.2022
Genre:Soul/Funk
Configuration:12"
Barcode:5053760080114
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Last in:27.05.2024
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Label:Melodies International
Cat-No:MRC3
Release-Date:09.12.2022
Genre:Soul/Funk
Configuration:12"
Barcode:5053760080114
TRACKLIST:
A1. Digital Justice-Theme From "It's All Gone Pearshaped"
B1. Dorothy Ashby-For Some We Loved
B2. Frantz Tuernal-Koultans
We're glad to be back with the third instalment of our new series of DJ and Artist curated 12" mini compilations: Melodies Record Club.
Following Ben UFO and Four Tet's selections last year, Hunee helms volume three which includes three tracks this time including music from Digital Justice, Dorothy Ashby and Frantz Tuernal. Available early November in loud 12" format.
In his own words: " These three distinct pieces of music tap into different layers of my memory. One being part of the imagination, the other two rooted in the memories of a special morning in the woods of Houghton (and other times and places). On one side we have a beatless ecstatic piece of electronic music by Digital Justice called Theme From 'It's All Gone Pearshaped'. Originally released in 1994 on Rob Gretton's (ex-manager of Joy Division and New Order) label Robs Records, Pearshaped is a 13 minute live jam from two friends messing around in a loft studio full of synths, inadvertently creating magic that can "take many shapes and forms in the hands of a DJ and the movement of a dance floor, whilst its harmonic counterpoint shines through the wildest mixes and combinations"
On the flip, we have Dorothy Ashby's spiritual piece featuring Koto and spoken word "For Some We Loved" from her classic album "The Rubáiyát Of Dorothy Ashby" originally released in 1970 on Cadet and Frantz Tuernal's "Koultans" originally released in 1986 by l'AMEP (Association Martiniquaise d'Enseignement Populaire) which was also a school in Martinique. "After dancing to a set from Cedric Woo at an intimate, after-closing dance party at Brilliant Corners called "Freedom Suite" which completely re-calibrated my sense of experiencing and dancing to music, I went home and immediately searched through my collection for music to listen to and potentially play with these new found sensitivities - the very physical experience of music, the pulling force pushing one into the transcendence of time and space. Dorothy Ashby's "For Some We Loved"immediately took me back to that feeling and opened up in front of me an otherworldly-world through it's free flowing polyrhythms and sparkling Koto playing. I have yet to play my own "Freedom Suite"night, but I hope when that moment comes, I can give back what I have received back then, and "For Some We Loved"is a first step in trying just that.""I have been shown Frantz Tuernal's privately pressed 12"containing "Koultans" by my trusted music friend Nicolas Skliris from Paris a few years ago. An unlikely piece of music (a Zouk song with flamenco-inspired guitar playing) from Martinique that was both a highlight back at Giant Steps when I played the song 3 times in a row in the early morning, and a few weeks later in the woods of Houghton where a few thousand dancers were deeply moved to its melody, when the sun came up in the morning and started descending upon the lake behind the DJ booth, bathing the smiles upon the dancers faces with its reflection."
Hunee's instalment is out early November in loud 12" format, and the first press comes with a folded A2 insert with words from and about the Artists. Graphic design by Atelier ChoqueLeGoff, illustration and animation by Nevil Bernard and for the audiophiles out there, remastered and cut at half speed by Matt Colton at Metropolis Studios!
More volumes with more music coming soon, stay tuned!
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A1. Digital Justice-Theme From "It's All Gone Pearshaped"
B1. Dorothy Ashby-For Some We Loved
B2. Frantz Tuernal-Koultans
We're glad to be back with the third instalment of our new series of DJ and Artist curated 12" mini compilations: Melodies Record Club.
Following Ben UFO and Four Tet's selections last year, Hunee helms volume three which includes three tracks this time including music from Digital Justice, Dorothy Ashby and Frantz Tuernal. Available early November in loud 12" format.
In his own words: " These three distinct pieces of music tap into different layers of my memory. One being part of the imagination, the other two rooted in the memories of a special morning in the woods of Houghton (and other times and places). On one side we have a beatless ecstatic piece of electronic music by Digital Justice called Theme From 'It's All Gone Pearshaped'. Originally released in 1994 on Rob Gretton's (ex-manager of Joy Division and New Order) label Robs Records, Pearshaped is a 13 minute live jam from two friends messing around in a loft studio full of synths, inadvertently creating magic that can "take many shapes and forms in the hands of a DJ and the movement of a dance floor, whilst its harmonic counterpoint shines through the wildest mixes and combinations"
On the flip, we have Dorothy Ashby's spiritual piece featuring Koto and spoken word "For Some We Loved" from her classic album "The Rubáiyát Of Dorothy Ashby" originally released in 1970 on Cadet and Frantz Tuernal's "Koultans" originally released in 1986 by l'AMEP (Association Martiniquaise d'Enseignement Populaire) which was also a school in Martinique. "After dancing to a set from Cedric Woo at an intimate, after-closing dance party at Brilliant Corners called "Freedom Suite" which completely re-calibrated my sense of experiencing and dancing to music, I went home and immediately searched through my collection for music to listen to and potentially play with these new found sensitivities - the very physical experience of music, the pulling force pushing one into the transcendence of time and space. Dorothy Ashby's "For Some We Loved"immediately took me back to that feeling and opened up in front of me an otherworldly-world through it's free flowing polyrhythms and sparkling Koto playing. I have yet to play my own "Freedom Suite"night, but I hope when that moment comes, I can give back what I have received back then, and "For Some We Loved"is a first step in trying just that.""I have been shown Frantz Tuernal's privately pressed 12"containing "Koultans" by my trusted music friend Nicolas Skliris from Paris a few years ago. An unlikely piece of music (a Zouk song with flamenco-inspired guitar playing) from Martinique that was both a highlight back at Giant Steps when I played the song 3 times in a row in the early morning, and a few weeks later in the woods of Houghton where a few thousand dancers were deeply moved to its melody, when the sun came up in the morning and started descending upon the lake behind the DJ booth, bathing the smiles upon the dancers faces with its reflection."
Hunee's instalment is out early November in loud 12" format, and the first press comes with a folded A2 insert with words from and about the Artists. Graphic design by Atelier ChoqueLeGoff, illustration and animation by Nevil Bernard and for the audiophiles out there, remastered and cut at half speed by Matt Colton at Metropolis Studios!
More volumes with more music coming soon, stay tuned!
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Label:Smallville Records
Cat-No:smallville62
Release-Date:17.05.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180030
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Label:Smallville Records
Cat-No:smallville62
Release-Date:17.05.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180030
1
Lawrence - Gravity Hill
2
Lawrence - Beaver
3
Lawrence - The Swamp
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Lawrence - Stargazer
2024 repress, full cover, same set up as before
Tracklist:
A1 Gravity Hill
A2 Beaver
B1 The Swamp
B2 Stargazer
Dial Records boss makes a welcome return to Smallville in March of 2024 with a fresh four-tracker EP ‘Gravity Hill’. Peter Kersten, better known to most as Lawrence, has been at the forefront of underground house and techno for decades now. His Dial imprint, co-founded alongside Carsten Jost, has grown to become a north star for many seeking out raw, emotive and understated electronic music and Lawrence’s own productions follow a similar path, finding a home on many beloved labels beyond Dial such as Kompakt, Mule Musiq, Ghostly
International, Giegling, Pampa and of course Smallville, that he co-founded together with Stella Plazonja and Julius Steinhoff in 2005.
Title-track ‘Gravity Hill’ opens the project and perfectly sets the tone with Lawrence’s distinct atmospheric haze of keys, chords and pads billowing atop swaying bass tones and crisp drums. ‘Beaver’ follows next and edges into dubbed out realms with expansive stab delays, rounded subs, modulating percussive flutters and a robust rhythmic drive.
‘The Swamp’ then leads the B-side, diving into a deeper territory via airy Rhodes melodies and subtly unfurling pads, intertwined with organic percussion and a jazz tinged bass line. ‘Stargazer’ then concludes the package and shifts back to a more straight, dance floor- oriented feel via a twitchy acid bass, circling resonant synth licks, hypnotic textures and a swinging drum groove.
Smallville 62 artwork by Stefan Marx as always and it's the first 12“ Smallville cover in full colour ever after 61 black/white releases.
All tracks written, produced and mixed by Peter M. Kersten
Mastering by Helmut Erler, vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound More
Tracklist:
A1 Gravity Hill
A2 Beaver
B1 The Swamp
B2 Stargazer
Dial Records boss makes a welcome return to Smallville in March of 2024 with a fresh four-tracker EP ‘Gravity Hill’. Peter Kersten, better known to most as Lawrence, has been at the forefront of underground house and techno for decades now. His Dial imprint, co-founded alongside Carsten Jost, has grown to become a north star for many seeking out raw, emotive and understated electronic music and Lawrence’s own productions follow a similar path, finding a home on many beloved labels beyond Dial such as Kompakt, Mule Musiq, Ghostly
International, Giegling, Pampa and of course Smallville, that he co-founded together with Stella Plazonja and Julius Steinhoff in 2005.
Title-track ‘Gravity Hill’ opens the project and perfectly sets the tone with Lawrence’s distinct atmospheric haze of keys, chords and pads billowing atop swaying bass tones and crisp drums. ‘Beaver’ follows next and edges into dubbed out realms with expansive stab delays, rounded subs, modulating percussive flutters and a robust rhythmic drive.
‘The Swamp’ then leads the B-side, diving into a deeper territory via airy Rhodes melodies and subtly unfurling pads, intertwined with organic percussion and a jazz tinged bass line. ‘Stargazer’ then concludes the package and shifts back to a more straight, dance floor- oriented feel via a twitchy acid bass, circling resonant synth licks, hypnotic textures and a swinging drum groove.
Smallville 62 artwork by Stefan Marx as always and it's the first 12“ Smallville cover in full colour ever after 61 black/white releases.
All tracks written, produced and mixed by Peter M. Kersten
Mastering by Helmut Erler, vinyl Cut by Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound More
Label:Other People
Cat-No:OP076
Release-Date:28.03.2024
Genre:Alternative/Electronic
Configuration:TAPE Excl
Barcode:4251804180511
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Last in:07.02.2024
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Last in:07.02.2024
Label:Other People
Cat-No:OP076
Release-Date:28.03.2024
Genre:Alternative/Electronic
Configuration:TAPE Excl
Barcode:4251804180511
1
Valentina Villarroel - 1. Antena magne?tica captando campos electromagneticos I
2
Valentina Villarroel - 2. Antena magne?tica captando campos electromagne?ticos II
3
Valentina Villarroel - 3. Micro?fono de contacto captando vibracio?n del puente Llacole?n
4
Valentina Villarroel - 4. Micro?fono de contacto captando la interaccio?n entre el viento y un a?rbol
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Valentina Villarroel - 5. Micro?fono de contacto en elementos vibrantes
6
Valentina Villarroel - 6. Micro?fonos de contacto captando granizos
7
Valentina Villarroel - 7. Micro?fonos de contacto en autobu?s
8
Valentina Villarroel - 8. Hidro?fono bajo el fondo del mar
9
Valentina Villarroel - 9. Vibraciones de materiales Geofon II
10
Valentina Villarroel - 10. Vibraciones de materiales Geofon I
11
Valentina Villarroel - 11. Vibraciones de materiales Geofon III
12
Valentina Villarroel - 12. En la direccio?n del viento
13
Valentina Villarroel - 13. Ronroneo de selai
14
Valentina Villarroel - 14. Rai?l
15
Valentina Villarroel - 15. Efectos sonoros en la naturaleza
Cassette
GENRE/S: Alternative / Electronic / Soundscapes
TRACKLISTS:
1. Antena magne?tica captando campos electromagneticos I
2. Antena magne?tica captando campos electromagne?ticos II
3. Micro?fono de contacto captando vibracio?n del puente Llacole?n
4. Micro?fono de contacto captando la interaccio?n entre el viento y un a?rbol
5. Micro?fono de contacto en elementos vibrantes
6. Micro?fonos de contacto captando granizos
7. Micro?fonos de contacto en autobu?s
8. Hidro?fono bajo el fondo del mar
9. Vibraciones de materiales Geofon II
10. Vibraciones de materiales Geofon I
11. Vibraciones de materiales Geofon III
12. En la direccio?n del viento
13. Ronroneo de selai
14. Rai?l
15. Efectos sonoros en la naturaleza
SHORT INFO:
Valentina Villarroel is a sound artist and phonographer who explores the intricate dynamics within various Southern ecosystems. Her work revolves around the profound potential of acoustic ecology, particularly in the face of encroaching real estate development on natural spaces. She also delves into the consequences of sound pollution on numerous species, contributing to their decline or disappearance. In recent years, her focus has extended to urban soundscapes and significant sonic events, such as the October 18th protest in Chile. With a solid background in bioacoustics applied to both human and animal well-being, Valentina assumes the role of co-director at AOIR Sound Laboratory. There, she spearheads an interdisciplinary initiative that centers sound as its core element. This includes the creation of the sonic cartography portal aoir.cl, as well as the development of handmade electronic devices like the Bowerbankii and the creation of various experimental microphones.
VITAL SALES POINTS:
Available only on limited cassette
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GENRE/S: Alternative / Electronic / Soundscapes
TRACKLISTS:
1. Antena magne?tica captando campos electromagneticos I
2. Antena magne?tica captando campos electromagne?ticos II
3. Micro?fono de contacto captando vibracio?n del puente Llacole?n
4. Micro?fono de contacto captando la interaccio?n entre el viento y un a?rbol
5. Micro?fono de contacto en elementos vibrantes
6. Micro?fonos de contacto captando granizos
7. Micro?fonos de contacto en autobu?s
8. Hidro?fono bajo el fondo del mar
9. Vibraciones de materiales Geofon II
10. Vibraciones de materiales Geofon I
11. Vibraciones de materiales Geofon III
12. En la direccio?n del viento
13. Ronroneo de selai
14. Rai?l
15. Efectos sonoros en la naturaleza
SHORT INFO:
Valentina Villarroel is a sound artist and phonographer who explores the intricate dynamics within various Southern ecosystems. Her work revolves around the profound potential of acoustic ecology, particularly in the face of encroaching real estate development on natural spaces. She also delves into the consequences of sound pollution on numerous species, contributing to their decline or disappearance. In recent years, her focus has extended to urban soundscapes and significant sonic events, such as the October 18th protest in Chile. With a solid background in bioacoustics applied to both human and animal well-being, Valentina assumes the role of co-director at AOIR Sound Laboratory. There, she spearheads an interdisciplinary initiative that centers sound as its core element. This includes the creation of the sonic cartography portal aoir.cl, as well as the development of handmade electronic devices like the Bowerbankii and the creation of various experimental microphones.
VITAL SALES POINTS:
Available only on limited cassette
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Label:Super Rhythm Trax
Cat-No:SRTX041
Release-Date:22.03.2024
Genre:Acid House
Configuration:12"
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Label:Super Rhythm Trax
Cat-No:SRTX041
Release-Date:22.03.2024
Genre:Acid House
Configuration:12"
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1
Hannah Holland Ft. Joy Joseph - She's Giving Cray (Ft. Joy Joseph)
2
Hannah Holland Ft. Joy Joseph - She's Giving Cray (Jerome Hill Remix)
3
Hannah Holland Ft. Joy Joseph - Satisfy
4
Hannah Holland Ft. Joy Joseph - Roller
Super Rhythm Trax is excited to present Adonis’ resident DJ, Hannah Holland making her label debut.
These tracks leap out the speakers sounding super fresh and have been doing plenty of damage already featuring heavily in her sets during the last months.
3 larger than life HH productions take the scenic route around Acid, House, Techno and even some early jungle references for the eagle eared spotters amongst you with live percussion from Joy Joseph on the track ‘She’s Giving Cray’.
Jerome Hill also joins the party with an euphorically doom laden remix!
100 copies only. More
These tracks leap out the speakers sounding super fresh and have been doing plenty of damage already featuring heavily in her sets during the last months.
3 larger than life HH productions take the scenic route around Acid, House, Techno and even some early jungle references for the eagle eared spotters amongst you with live percussion from Joy Joseph on the track ‘She’s Giving Cray’.
Jerome Hill also joins the party with an euphorically doom laden remix!
100 copies only. More
Label:Boo Moonman
Cat-No:BMM30
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
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Label:Boo Moonman
Cat-No:BMM30
Release-Date:10.05.2024
Genre:House
Configuration:12"
Barcode:
1
Boo Williams - A1. Can't Forget you (Instrumental)
2
Boo Williams - A2. All About The Music (Service Mix)
3
Boo Williams - B1. Replay
4
Boo Williams - B2. Last Thoughts Feat Jamiel Patton
BOO WILLIAMS coming thru with a slightly more chilled out vibe on this hand stamped 12", the 7th release in the limited series of 10 on his BOO MOONMAN imprint. BOO stretches his trademark cosmic sound out into deep space across 4 tracks of jazzy keys & floating synths. Perfect for sunrise sets
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Label:Kaoz Theory
Cat-No:KT033V
Release-Date:12.04.2024
Genre:House
Configuration:12"
Barcode:
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Label:Kaoz Theory
Cat-No:KT033V
Release-Date:12.04.2024
Genre:House
Configuration:12"
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1
Kerri Chandler - Let It (Give Me Back My Love) ft. AbbieLee
2
Kerri Chandler - Another Dawn (Vocal Mix)
3
Kerri Chandler - The Bassline (Kerri’s Dark Mix)
4
Kerri Chandler - The Breeze (Original Mix)
Kerri Chandler returns to his own Kaoz Theory with Vol.3 of his archive focused ‘Lost & Found’ series.
Kerri Chandler and his Kaoz Theory imprint continues to move from strength to strength still after decades at the forefront of House music. In this ‘Lost & Found’ series, Chandler dives back into his vault to unearth forgotten gems and bring them into the limelight today. For this release, Kerri also revisits ‘Let It’ from his recent ‘Spaces and Places’ LP, reworking it with a new vocalist this time round, namely AbbieLee.
Kicking things off is new version of Let It (Give Me Back My Love), laid out across six minutes, employing shimmering Rhodes melodies, fluttering arpeggios, a bumpy bass groove and crisp drums intertwined with AbbieLee’s soulful vocal stylings. ‘Another Dawn (Vocal Mix)’ follows with jazzy, bruk-tinged drums, uplifting piano chords and pulsating subs running alongside enchanting vocal lines,On the flip-side, Kerri dives into more underground basement realms with the murky basstones, shuffled dusty drums and expansive reverberations of ‘The Bassline (Kerri’s DarkMix). ‘The Breeze’ then rounds out the EP with an electro tinged 808 jam, utilising the machines classic cowbell chimes, skippy snares, rumbling toms and thunderous kicks. More
Kerri Chandler and his Kaoz Theory imprint continues to move from strength to strength still after decades at the forefront of House music. In this ‘Lost & Found’ series, Chandler dives back into his vault to unearth forgotten gems and bring them into the limelight today. For this release, Kerri also revisits ‘Let It’ from his recent ‘Spaces and Places’ LP, reworking it with a new vocalist this time round, namely AbbieLee.
Kicking things off is new version of Let It (Give Me Back My Love), laid out across six minutes, employing shimmering Rhodes melodies, fluttering arpeggios, a bumpy bass groove and crisp drums intertwined with AbbieLee’s soulful vocal stylings. ‘Another Dawn (Vocal Mix)’ follows with jazzy, bruk-tinged drums, uplifting piano chords and pulsating subs running alongside enchanting vocal lines,On the flip-side, Kerri dives into more underground basement realms with the murky basstones, shuffled dusty drums and expansive reverberations of ‘The Bassline (Kerri’s DarkMix). ‘The Breeze’ then rounds out the EP with an electro tinged 808 jam, utilising the machines classic cowbell chimes, skippy snares, rumbling toms and thunderous kicks. More
LP
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Label:International Anthem
Cat-No:IARC0077LPI
Release-Date:02.02.2024
Genre:Jazz
Configuration:LP
Barcode:789993993949
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Label:International Anthem
Cat-No:IARC0077LPI
Release-Date:02.02.2024
Genre:Jazz
Configuration:LP
Barcode:789993993949
"The Closest Thing to Silence" is the result of a collaboration between Australia-based, French born fourth-world music legend Ariel Kalma and the International Anthem recording artists Jeremiah Chiu & Marta Sofia Honer, whose critically-acclaimed duo debut "Recordings from the Åland Islands" had been released last year
LPI colour is 'Silent Gray'
In August 2022, Australia-based, French born fourth-world music legend Ariel Kalma was invited to participate in BBC Radio 3’s Late Junction series of special collaborations. The program pairs artists that have not previously collaborated to create new music together. Kalma was quick to suggest working together with two musicians whom he has never met – the International Anthem recording artists Jeremiah Chiu & Marta Sofia Honer, whose critically-acclaimed duo debut Recordings from the Åland Islands had been released just a few months earlier. Kalma sent an invitation to Chiu and Honer, which was received with great enthusiasm. Chiu had been a fan of Kalma’s work for a long time, even citing him as a major influence on his approach to electronic music composition. After meeting their goal of 20 minutes worth of music for the program (which was four pieces total), the three musicians were satisfied in what they would present, and sent along their work to the producers of Late Junction; but simultaneously they felt like there was much more to be said, more work to be done. There were several pieces that they had nearly completed that weren’t sent for inclusion in the radio program, and there were many ideas for refining those that had. The three musicians collectively agreed that they would continue work together and try to push the music further. The Closest Thing to Silence is the result of their efforts to take the collaboration further.
Tracklist
1.1Ten Hour Wave
1.2Breathing In Three Orbits (Intro)
1.3Breathing In Three Orbits
1.4The Closest Thing To Silence
1.5Dizzy Ditty
1.6Une Ombre Légère
1.7New Air
1.8Écoute Au Loin
1.9A Treasure Chest
1.10Stay Centered
1.11Stack Attack More
LPI colour is 'Silent Gray'
In August 2022, Australia-based, French born fourth-world music legend Ariel Kalma was invited to participate in BBC Radio 3’s Late Junction series of special collaborations. The program pairs artists that have not previously collaborated to create new music together. Kalma was quick to suggest working together with two musicians whom he has never met – the International Anthem recording artists Jeremiah Chiu & Marta Sofia Honer, whose critically-acclaimed duo debut Recordings from the Åland Islands had been released just a few months earlier. Kalma sent an invitation to Chiu and Honer, which was received with great enthusiasm. Chiu had been a fan of Kalma’s work for a long time, even citing him as a major influence on his approach to electronic music composition. After meeting their goal of 20 minutes worth of music for the program (which was four pieces total), the three musicians were satisfied in what they would present, and sent along their work to the producers of Late Junction; but simultaneously they felt like there was much more to be said, more work to be done. There were several pieces that they had nearly completed that weren’t sent for inclusion in the radio program, and there were many ideas for refining those that had. The three musicians collectively agreed that they would continue work together and try to push the music further. The Closest Thing to Silence is the result of their efforts to take the collaboration further.
Tracklist
1.1Ten Hour Wave
1.2Breathing In Three Orbits (Intro)
1.3Breathing In Three Orbits
1.4The Closest Thing To Silence
1.5Dizzy Ditty
1.6Une Ombre Légère
1.7New Air
1.8Écoute Au Loin
1.9A Treasure Chest
1.10Stay Centered
1.11Stack Attack More
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Last in:23.01.2024
Label:Sofia
Cat-No:SOF009
Release-Date:16.02.2024
Genre:House
Configuration:12" Excl
Barcode:4251804144803
1
KiNK & Rachel Row - Time (Vocal) feat. Rachel Row
2
KiNK & Rachel Row - Freedom
3
KiNK & Rachel Row - Time (Instrumental)
4
KiNK & Rachel Row - Time (Accapella)
5
KiNK & Rachel Row - Freedom (Accapella)
Tracklist:
A1. Time (Vocal) feat. Rachel Row
A2. Freedom
B1. Time (Instrumental)
B2. Time (Accapella)
B3. Freedom (Accapella)
Release Info:
KiNK is back with the ninth release on his Sofia imprint. He unveils his inaugural release of 2024 in collaboration with the talented Rachel Row. This dynamic release comprises three tracks and two engaging DJ accapellas.
"The past, like the future, is indefinite and exists only as a spectrum of possibilities"
S.Hawking
SOFIA: Founded by Strahil Velchev and Konstantin Petrov, Sofia is not only the physical location where this music was made, the city where they met and developed as artists, but also a paradox that is reflected in the art and music that comes from the place. Beautiful and ugly at the same time, clean and dirty, brutal as well as romantic, it's a place where aesthetically seemingly incompatible styles come together in a twisted, yet unifying form. The photographs for the sleeves are made by influential local selector DJ Valentine, effortlessly capturing the local reality.
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A1. Time (Vocal) feat. Rachel Row
A2. Freedom
B1. Time (Instrumental)
B2. Time (Accapella)
B3. Freedom (Accapella)
Release Info:
KiNK is back with the ninth release on his Sofia imprint. He unveils his inaugural release of 2024 in collaboration with the talented Rachel Row. This dynamic release comprises three tracks and two engaging DJ accapellas.
"The past, like the future, is indefinite and exists only as a spectrum of possibilities"
S.Hawking
SOFIA: Founded by Strahil Velchev and Konstantin Petrov, Sofia is not only the physical location where this music was made, the city where they met and developed as artists, but also a paradox that is reflected in the art and music that comes from the place. Beautiful and ugly at the same time, clean and dirty, brutal as well as romantic, it's a place where aesthetically seemingly incompatible styles come together in a twisted, yet unifying form. The photographs for the sleeves are made by influential local selector DJ Valentine, effortlessly capturing the local reality.
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Label:Fuck Reality
Cat-No:fuckreality07
Release-Date:15.03.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180085
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Last in:19.01.2024
Label:Fuck Reality
Cat-No:fuckreality07
Release-Date:15.03.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804180085
1
Fossar - Good 2 Me
2
Fossar - Free
3
Fossar - Make Me Feel
4
Fossar - Aeriel (Windy City Version)
Tracklist:
A1 Good 2 Me
A2 Free
B1 Make Me Feel
B2 Aeriel (Windy City Version)
Smallville Record sub-label Fuck Reality returns in March 2024 with Fossar’s ‘Make Me Feel’ EP.
The Fuck Reality imprint founds it origins in 2015 as a sub label of the widely lauded Smallville label with a heavy focus on classic House music. The label kicked off with the reissue of Westbam and Nena’s iconic ‘Oldschool Baby’ with remixes from Smallpeople and Gerd Janson before going on to release music from Smallville staple Moomin, Frantzvaag – who also release the first album on the label last year - and more. Here the label welcomes Fossar, co-founder of the Feuilleton imprint, onto the imprint with his new EP.
‘Good 2 Me’ opens with airy chords, robust toms, flickers of resonant synth stabs and soulful vocals running atop snappy drums before ‘Free’ embraces a classic 90’s New York aesthetic with heavily swung percussion a jazzy bass groove, emotive piano lines and warm vocal chants.
The B-side is then kicked off with ‘Make Me Feel’, diving deep with shimmering, expansive leads, looped vocal, swirling string melodies and a classic bumpy bass and snare combination. The ‘Aeriel (Windy City Version)’ then rounds things out, as the name would suggest nodding to the Chicagoan roots of House and employing all the classic tropes from slick flutes, intertwined keys, glistening piano melodies and shuffled 909 drums.
All tracks written, produced and mixed by Pchris Gruber
Mastering by Lopazz / Mixmastering, vinyl Cut by Helmut Erler / Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound More
A1 Good 2 Me
A2 Free
B1 Make Me Feel
B2 Aeriel (Windy City Version)
Smallville Record sub-label Fuck Reality returns in March 2024 with Fossar’s ‘Make Me Feel’ EP.
The Fuck Reality imprint founds it origins in 2015 as a sub label of the widely lauded Smallville label with a heavy focus on classic House music. The label kicked off with the reissue of Westbam and Nena’s iconic ‘Oldschool Baby’ with remixes from Smallpeople and Gerd Janson before going on to release music from Smallville staple Moomin, Frantzvaag – who also release the first album on the label last year - and more. Here the label welcomes Fossar, co-founder of the Feuilleton imprint, onto the imprint with his new EP.
‘Good 2 Me’ opens with airy chords, robust toms, flickers of resonant synth stabs and soulful vocals running atop snappy drums before ‘Free’ embraces a classic 90’s New York aesthetic with heavily swung percussion a jazzy bass groove, emotive piano lines and warm vocal chants.
The B-side is then kicked off with ‘Make Me Feel’, diving deep with shimmering, expansive leads, looped vocal, swirling string melodies and a classic bumpy bass and snare combination. The ‘Aeriel (Windy City Version)’ then rounds things out, as the name would suggest nodding to the Chicagoan roots of House and employing all the classic tropes from slick flutes, intertwined keys, glistening piano melodies and shuffled 909 drums.
All tracks written, produced and mixed by Pchris Gruber
Mastering by Lopazz / Mixmastering, vinyl Cut by Helmut Erler / Lathesville
Artwork and Typography by Stefan Marx
Distributed by Wordandsound More