PAUL MURPHY PRESENTS: COPA SALVO

JAZZ ROOM RECORDS – JAZZR 040

Fom the Sleevenotes by Paul Murphy: Jazz Room Records:

"I took a trip to the If Music Store, 2nd Floor, above the paint shop and that got me hooked on the sound of COPA SALVO.

"You NEED this!" said Jean-Claude. "They're an amazing and unique Jazzy Combo from Japan!" But at the time I was stuck in some dead end Gulag job getting things together for the launch of a record label idea I'd been working on and the bobs were just not in abundance. Especially in the part of the wallet marked "Japanese Vinyl Import Department". But he gave it a spin and I was pretty much hooked from that day on.

Things soon looked up though and the next sighting of COPA SALVO was on the BBE Records release: A Journey Into Deep Jazz Vol. 3 (Compiled by that very same Jean-Claude!) which featured COPA SALVO - Hasta La Victria Siempre, a pounding piano driven homage to Fidel which incidentally is one of the featured numbers of the album that is soon to be released on Jazz Room Records.

I kept looking for more COPA SALVO as I was really intrigued by the sound they produced and, over a period of time I managed to obtain nearly all of their sparse catalogue. Once Jazz Room Records had started to get established and the release of the Colin Curtis Presents: indigo jam unit compilation had been a success I thought "Time for COPA SALVO to make their Jazz Room debut!"

This Jazz Room Records Compilation will feature their unique and highly original compositions which are an energetic meltdown of Funk, J-Jazz, Afro-Cuban, Boogaloo and range from the Heavy Latin Jazz Vibes of Bolivia 67 to the Kung Fu '70's sound of Tong King Rock with a journey that takes in an Eastern Folktale and a Jump Up Life along the way."

Vocal/Guiro : Tadahiro Masuda

Piano : Eri Konishi

Bass : Hironori Kobayashi

Percussion : Yo Sato

Percussion : Pyon Nakajima

Timbales/Drum : Peach Iwasaki

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A strikingly unique dance music project from Nagasaki producer, DJ and sound director Keisuke Yamazoe, Aflex Combo has always been an impressive project, straddling several EPs stretching back to 2002 - and all centring, in the artist's own words, on heavy funk beats and obscure jazz and Latin grooves. Jazz Room Records are pleased to release this special cover of the underground club classic "Hibaros" originally by B&G Rhythm (Donny Beck & Steve Gutierrez and featuring Bobby Lyle!) and after one listen you will agree that this is a must-check 45! Over on the flip is "Something Special", a Latin-tinged jazz-funk number that's every bit as essential as the floor rocking A-side.

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Big thanks to a certain Mr. Gilles Peterson who first alerted Paul Murphy, Head of Jazz Room Records to this Spiritual Jazz meets Bebop gem when he played the track "I've Known Rivers" on his show on BBC6 MUSIC. Paul immediately took steps to contact Mr. Noviello with a view to release this previously unknown (to him anyway) hidden delight. It's Frank Noviello's debut album and a mixed bag of Jazz Standards and highly original covers and originals. Randy Westons's "High Fly" has a really grooving arrangement, Vocal Bebop in the original "Tribal Dance" and the highlight in the Gary Bartz/Langston Hughes Spiritual Jazz outing "I've Known Rivers". If you're known to glide in and around to that Mark Murphy bag then this is hip to the trip for you!

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THE legendary release by Ronnie April's Positive Energy, pressed by Ronnie on his own Jude imprint and distributed only locally by him without success, leading to the disappearance of all but a few copies. An impossibly rare holy grail which has changed hands in the past for as much as £300! "Snowflake" has been a stable of the jazzdance scene for years and the track was even bootlegged at one point! Most importantly, the music is amazing - composer, arranger, producer, saxophonist, clarinetist and flautist, Ronnie April has performed with many greats such as Tito Puente, Frank Foster, Nat Adderley, Lionel Hampton, and Louis Armstrong, to name a few. It's a limited pressing at 500 copies only.

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ALPHA RAY by The Norio Maeda Trio was originally released in the Swinging Sixties and this hot latin number was rediscovered by the Tokyo Hipsters at the height of the Acid Jazz Boom and became part of Shibuya Jazz Dance Folklore.

HAKUCHU NO SHUGEKI - THEME by Terumasa Hino Quintet is from a Japansploitation thriler made in 1970 with plenty of guns, gals, guys, sharpsuited action and gallons of studio blood! Mostly freeform blowing by the Legend that is Terumasa Hino for the soundtrack, one of the exceptions being this Blue Note Styled Soul Jazz number that sounds as if it came off the Van Gelder production line circa '66 to '71. Easily could be mistaken for Blue Mitchell, Donald Byrd or Freddie Hubbard's outputs post soul, pre-electric happenings. Another Jazz Room thing of beauty!

Now on 45 RPM release by Jazz Room Records, a 2 cut slab of wax that will have Jazzfloorista's waiting at the gate!

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Abacothozi were formed in 1973 by bassist Berthwel Maphumulo, formerly of the Elite Swingsters.

Together with Mac Mathunjwa on organ, his brother Innocent Mathunjwa on drums, and Joe Zikhali on guitar, they recorded at least two albums: "Thema Maboneng" released in 1975 and "Night in Pelican" released in 1976 (reissued on Matsuli Music Compilation "Night In Pelican"). These six sizzling tracks were originally recorded by West Nkosi for the Mavuthela label.

Released without fanfare and then forgotten, they remained totally unknown to DJs and clubgoers for over 40 years.

Rediscovered by Diggers Extraordinaire Kon & Amir for their much-lauded "Off Track Volume Two: Queens" (3xLP) on BBE Records and suddenly, a Volcanic Meltdown Frenzy for a Holiest of Grails emerged with sightings reported in hushed tones just in case you were beaten to the draw in some backstreet waxcave that someone foolishly whispered about on a social media site for all the world to see.

Now, Jazz Room Records is proud to release this epic fusion of sun-soaked exuberance, funk-infused rhythms and soul-jazz-driven beats for the first time in 50 years.

Sounding as if it were recorded yesterday, it is poised to light up dance floors again, from the Vibrant Streets of Soweto to the Funky Basement Dives of Barcelona, filling floors from the Outasite Getdown Grooves of Uncle Funks Palace to the Solid Soul Boulevards of Funky Broadway.

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Two fabulous funky tracks originally released on the award winning album Goma-Laca – Afrobrasilidades in 78 rpm which updated Brazilian Music originally recorded on 78's in the 1920s to the 1950s. With musical direction and arrangements by Letieres Leite, the vocal pyrotechnics of Russo Passapusso and Juçara Marçal masterfully accompanied by double bassist Marcos Paiva, Hercules Gomes on piano, Sergio Machado on drums and percussion master Gabi Guedes. Under the direction of Letieres, the group created with the singers arrangements of jazzy tones over Afro-Bahian rhythms, and everything was recorded live at Estúdio Traquitana, in São Paulo.

The version of Cala Menino Boca best known from the version by Joao Donato that's been doing the Dancefloor round since the early Acid Jazz days here gets a funky and rhodes led percussive update and of course the traditional tune "Ogum" gets a soulful jazz run through, folky funk like you've never heard before. This is yet another welcome addition to the Jazz Room canon, watch those dancefloors light up when this wax spins!

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Soul Jazz of the First Order from Robert Dubwise Browne with two epic takes on tunes that should be in every DJ's grab bag of goodies. Sun Goddess originally by Ramsey Lewis and written by Earth, Wind and Fire's Maurice White together with a Ruff and Tuff version of the Grover Washington Jazz Funk classic "Mister Magic" featuring Jamaican Sax Man Dean Fraser. Guitarist Browne's appearance credits include the likes of his father Dennis Brown, as well as Gregory Isaacs, Beres Hammond and Toots Hibbert.. Produced by Japanese Reggae Legend Hayassen for his label Vortex and signed up on first hearing by Jazz Room Supremo Paul Murphy. If you've got a dancefloor you need these tunes!

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Paul Murphy: Jazz Room Records. "The first time I heard this I said "I gotta sign it!" as not only was it featured in one of the maddest and most memorable scenes on one of my favorite TV Shows "Severance" from Apple TV, but it's also on one of my favourite albums anyway, "Nation Time" by Joe McPhee." Takumi Moriya's version Is as funky as it gets and is truly way up there and meeting the high as a kitemark standards of "Defiant Jazz" (What a Niche Genre to be in!) This is going to cause some serious Defiant Jazz Shake on a dancefloor near you! Break out the Maraccas!" A limited vinyl 45 release and it's release number 30 on Jazz Room Records so ultra special.

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2020. Full On Lockdown: Musician Laurence Mason puts together this off the wall idea meshing together two of his biggest musical heroes, Dave Greenfield of the tough 1970's proto-punk band The Stranglers with the oh so cool 1960's jazz of Dave Brubeck. He puts up his demo on Youtube not really expecting much in the way of feedback. And gets ONE MILLION hits. And hundreds of requests for a release. Jazz Room Records Head Honcho Paul Murphy says "Do you wanna record that and release it?"."Affirmative!" The result is this grooving Soulful and Funky Jazz version of "Golden Brown". On the "B" side is a languid and super cool version of "Walking On The Moon", originally by 80's Supergroup The Police. The first release sold 3000 (!) 7-inch singles and got into the Official Vinyl Singles Top 30. (Yes, there's still such a thing!). The latest version of the best selling Jazz Room Release. Now in Blue Splatter Vinyl.

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Another Holy Grail album from Jazz Room Records with Danny Ward & Reality who were the Go To Funky Jazz Band for College and other Hardcore Funk Party gigs in the Mid to late '70's in the Seattle area of the Pacific North West. They didn't just drop covers of the latest Disco or Top 40 hits though but instead took their audiences on a musical trip through the Funkiest and Jazziest sounds of the day featuring cuts made famous by George Benson, Lydia Pense and Coldblood, The Headhunters , Mandrill and many more. This unique recording capturing them live at a midweek gig showcases their style which of which Danny Ward says: "In the summer of 1977 this album was recorded at a club called The Tyee Restaurant and Lounge in Bremerton, Washington State, USA. The night this album was recorded, there was hardly an audience, perfect conditions for making this recording. We played every kind of venue, a lot of Top 40 dance clubs,but our style was to do a lot of soloing, despite the pressure of club owners and agents not to do so much soloing and be so "jazzy". We didn't care, we knew the audience loved us and we were very popular. This was the best group of musicians that i've ever worked with under the name of Danny Ward and Reality."

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indigo jam unit, a Japanese super heavy jazz dance fusion supergroup, are set to release their specially compiled album in the UK for the first time. They are renowned for their unique blend of hard-hitting piano and percussion-driven jazz. Gilles Peterson asked Colin Curtis to start his radio show on Worldwide FM called Jazz Dance Fusion at the beginning of the pandemic in May 2020 and this meant he could introduce underexposed music that he loved. indigo jam unit was a natural fit. Following a conversation with his long-time Jazz Ally Paul Murphy of Jazz Room Records, they both quickly decided that now was the time to unleash some of the best indigo jam unit tracks to the world on an exclusive vinyl-only release. With pounding bass lines, percussive piano breaks, and the distinct addition of two drummers and percussionists, indigo jam unit's sound is truly unique. They have carved a path for emerging bands in the jazz scene of today. The four musicians from Osaka, Japan - Isao Wasano (Drums Percussion), Katsuhiko Sasai (Bass Double Bass), Takehiro Shimizu (Drums), and Yoshichika Tarue (Piano) - take no prisoners with their uncompromising style! Power, passion, drive, and incredible playing - like a lethal force.
From 2006 to 2016, they had a prolific output of albums with single-minded titles: Demonstration, Realism, Collectivity, Pirates, Roots, Independent Rebel, Milestone, Lights, and more - over 17 projects. indigo jam unit embody the same energy as those jazz dance greats like Art Blakey, Dom Um Romao, Stone Alliance, and the like - just uncompromising raw passion!

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Hideo Shiraki travelled to the US from Japan in 1962 and was bowled over by Horace Silver and the Bossa Nova Craze happening at the same time. When he returned to Japan he went straight into the studio and cut this Blue Note inspired Japanese Jazz Masterpiece. With a selection of tunes ranging from the 1940's stylings of "Tico Tico" through to the samba infused "Orfeo Negro" and arriving in Silversville with "Sayonara Blues" Hideo Shiraki has hit all the sweet spots! With sleeve notes translated into English for the first time and laid out in the Blue Note Style this release is going to be seen as a landmark re-issue. A special Vinyl Only release on Jazz Room Records.

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The second in Jazz Room's occasional Pure Latin releases this Underground Masterpiece first emerged in 1980 and is an outstanding example of the Classic Era Nu Yorican El Barrio Underground Sound! If you dig the Tata Vasquez LP on Jazz Room then this is for you. Featuring the Afro-Cubano Salsaero Jazz Heavyweights of the day including Chocolate Armenteros, Jose Mangual, Mauricio Smith and Orestes Vilato and a huge seven man Percussion Section it really blasts out the Afro-Latin message. A part history of the Afro-Cuban Music Journey from the Hinterlands of Cuba via Havana and eventually arriving in Jazz Age New York it is a welcome addition to the Jazz Room Catalogue (as well as being Jazz Room Head Honcho's favourite albums). Floor filler cuts for Latin Lovers with "Esa Brujeria" always turning up the heat.

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Japanese trio Nautilus, whose name and style was inspired by the great Bob James turn their attention to Gil Scott-Heron's Jazz tribute and turn it into a broken beat masterclass. Coming soon on London Jazz DJ Paul Murphy's must-check Jazz Room records on vinyl seven-inch. On the B side you will find UK underground Jazz Keyboard Surf Queen Jessica Lauren's much admired funkster "Serengeti". Already receiving plays on Gilles Peterson's BBC6 Music and Colin Curtis Latin Jazz Fusion show.

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Eric Ghost is well named as he is indeed a mystery man. A contemporary (and best friend) of 1960's Funky Jazzman Jeremy Steig his self published Private Press albums are much coveted and difficult to obtain and command high prices. This Psychedelic Jazz masterpiece was recorded in 1975 and features Dave Valentin bassist Lincoln Goines in his studio debut as well as Jim McGilveray who went on to record with Paul Horn and The Cult. If you're a fan of The Blues Project "Flute Thing", Paul Horn's more esoteric offerings or indeed the aforementioned Jeremy Steig then this album is for you. The music is intense and demands your attention, it's both Funky and Spiritual from the first note of "Orangeland" to the last notes of the Eastern influenced "Bizarre Bazaar". Eric was involved with the Counter Culture from his time in Morocco in the early 1960's (while serving in the US Army, kind of like a Hip Elvis) until shortly after this album was recorded when under his real name, Richard Barth Sanders he was convicted of LSD Manufacture (he invented the blotting paper method of LSD distribution so could be entitled to say he was the world's first Acid Jazzer) and sentenced to 7 years in a Federal Prison. The album is re-issued with the original cover artwork with the correct track order for the first time.

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A superb Jazz Flavoured Latin Funk Soul album recorded in 1977 by Grammy Award Winning Carlos Franzetti when he was a struggling musician trying to get his first breaks in a tough New York Jazz scene. With a Top Notch grouping including Percussionist Ray Mantilla, Victor Venegas on Bass and Dick Meza from the Tito Puente Orchestra Carlos played all the Keyboards, wrote the numbers and was also responsible for all the arrangements. Released by Guiness Records (No relation to the Drink) and swiftly forgotten Stateside it was picked up by the DJ's in London's early Jazz Dance scene where "Cocoa Funk" became a must have cut, eventually appearing on Soul Jazz Records seminal re-issue series "London Jazz Classics". It also became a hit in Germany after being re-issued on a double vinyl by leading label Sonorama Records. Now available again in its original single album format and sounding as fresh as if recorded yesterday from the opening bars of the jazz inflected cut "Beatriz" via the Worldwide sounds of "Sweet And Low" to the Funky Latin Jazz of the title track "Graffiti". Still changing hands for eye watering sums on collectors sites and now available again for a reasonable sum courtesy of Jazz Room Records.

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Recorded when Johnny Walker was touring Worldwide with Veteran Jazz Star Lionel Hampton in 1982 and originally released on his own Private Press label: Walk On Productions. This neglected underground classic LP has been off the radar since then except for the appearance of "Dipping" on the Kev Beadle ?– Private Collection (Independent Jazz Sounds From The Seventies And Eighties) compilation on BBE Records. Almost unknown and unjustly negected, it's a funk drenched jazz journey with some crunchy fat beats laid down by the excellent rhythm section complementing Johnny Walkers cool horn stylings. Reminiscent of the albums of that early Jazz Dance era by Tom Browne and Rahmlee but with less of a commercial edge and wholly instrumental this is Funky Jazz that has not dated and sounds like it was fresh out of the studio in 2022. Funk all the way on "Dipping" and "Dirkie" while "Arrival" is one for the Jazz Dancers.

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Note: limited edition picture disc

A cult 12? EP from 1987 by legendary Japanese erotic actress Kaoru Kuroki, repressed for the first time on sexy picture disc vinyl.

A total of 4 tunes, including “???? (The Age Of Innocence)”; a strange synth-pop track based on an Okinawan folk song, “A Love Note For You”; an erotic poetry reading she wrote herself, “?????? (Birth From Time)”; a killer techno-pop track that could work as a hidden gem for DJs and ???? (Chinatown Love) ???; an erotic serenade dedicated to Chinatown.

Picture disc in the colorful cover.

Licensed by TEICHIKU RECORDS CO.,LTD; original master tapes.

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Genre: Folk, Avant-Garde, Rock

TRACKLISTING:

“Rhododendrons Coral Aspides”,

1988 (lost album)

Re-recorded in 1990, which was included in the program “Novi Pestunchiki” (The New Sissies), which was later included in the “Manirna muzika” (Mannered Music) compilation

A1. The Great Hen-Yuan’ River
A2. Summer Will Not Come

“Novi Pestunchiki” (New Sissies),1990

Re-recording of the songs from the lost album “Rhododendrons Coral Aspides” (1988, later included in the “ManneredMusic” compilation)

A3. Six Coral Devils (Part II)
A4. Six Coral Devils (Part III)
A5. Six Coral Devils (Part IV)
A6. Six Coral Devils (Part V)

“Venera z Dovgoiu Shieiu” (Venus with a long neck), 1990 (from the “Mannered Music” compilation)

A7. Six Coral Devils (Part VII)
A8. Definitely That Ketsal
A9. The Waltz Windows On The Floor

B1. Blue
B2. Kwolyj Twist (Slow Twist)

“Antinoy Vidjizdzhaje” (Antinoy IsLeaving), 1990

(from the Mannered Music compilation)

B3. Argolida (Part I)
B4. Argolida (Part II)
B5. Argolida (Part III)
B6. Argolida (Part V)
B7. Argolida (Part VI)
B8. Argolida (Part VII)
B9. Argolida (Part VIII)

C1. All Secrets Of A Poem (Part III)
C2. All Secrets Of A Poem (Part IV)
C3. All Secrets Of A Poem (Part VI)
C4. All Secrets Of A Poem (Part VII)

“Selo” (The Village), 1993

C5. Poliuwannia (The Hunt)
C6. Smilywo Chodit’ Do Zymy (Walk Brave To The Winter)
C7. Zradnyky (The Traitors)

“Selo” (The Village), 1993

D1. Obminaj Misce (Around This Place)
D2. Widen Spyt’ (Vienna Is Sleeping)
D3. Wartowyj (The Stand Guard)
D4. Procesija Mertwych (Dead Ceremony)
D5. Na Skryni (On The Basket)
D6. Untitled (Bonus Track)


The founders of Cukor Bila Smert’ (Ukrainian: ?????– ???? ??????, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.



For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.



In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.



In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.



Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.



In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.



In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.



Credits:



Cukor Bila Smert’: Svitlana Okhrimenko (lyrics, keyboards, piano, vocals), Eugene Taran (lyrics, keyboards, guitar), Oleksandr Kohanovs’kyi (piano, A1-B2), Tamila Mazur (cello, A1-B2), Boleslaw Blaszczyk (cello, C5-D6)

Cover photo by Vlad Urazovs’kiy

Photo archive courtesy: Vlad Urazovs’kiy, Vlodek Nakonechnyj (Koka Records),

Oleh Yuhrinov, Sergii Myasoyedov

Audio archive courtesy: Vlodek Nakonechnyj (Koka Records), Guido Erfen,

Sergii Myasoyedov

Liner notes: Vlad Yakovlev

Compiled by Dmytro Nikolaienko, Dmytro Prutkin and Sasha Tsapenko

© ? Shukai / Cukor Bila Smert’

2024


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These tracks are among my absolute favourites in the realm of house music. Their haunting grooves seamlessly blend into house, techno or even garage sets. Despite being recorded about 30 years ago the sonic quality remains unmatched for its time, embodying the essence of timeless music.

However, I’ve never been entirely satisfied with the sound of the original pressings. The vinyl limited total time length compromised the audio quality. Thus, I’ve long desired to remaster it in my studio and properly cut them, which led to our decision to undertake this endeavour.

I am immensely proud of this release and thrilled to include it in our exquisite collection on Pariter. YA


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