2024 Repress

First vinyl pressing of Baroque by Japanese composer and multi-instrumentalist Susumu Yokota. The full length album was originally released by United Sounds Of Blue in 2014, a subdivision of Frogman Records in CD format. Now it is being re-released by Barcelona-based record label Modern Obscure Music as a double LP and in digital format. Baroque is one of the most significant albums of Susumu signed under his original name, and this is the first time the album will be pressed on a double LP 12". Yokota, was an eclectic, highly prolific electronic musician and composer from Japan who died in 2015 at 54. "There is always fear, rage, and ugliness existing behind beauty. I have been trying to express ki-do-ai-raku (the four emotions: joy, anger, sorrow, and happiness) through music. I would like to express even one's hidden emotion with reality. It's my eternal goal." Baroque is a clear example of this, thought the deep listeing of the album you can experiment all of that feelings in just one record and feel how his music infulenced the next generation of producers during the two next decades till today. The Tokyo-based artist devoted his time and creative energy to achieving this goal, and the result is a vast discography that begins with banging early acid house tracks in the 1990s, moves across the next two decades to include deep house and Detroit-influenced techno, a stunning run of ambient electronic albums and, in his last decade, a glorious confluence that wove his various skills into a series of borderless electronic records. Modern Obscure Music team is really excited to bring this gem to the light, Baroque is remastered and distributed in two 12" to be played in clubs and home sound-system bringing the best quality of sound to have the best experience. Susumu Yokota (?? ? Yokota Susumu, or ???·??? Susumu Yokota (April 22,1960 - March 27, 2015) Also known by the pseudonyms Stevia and Ebi, among other.


TRACKLIST

A1 Deformed Pearl 6:06
A2 Deep Sea Diva 5:54
A3 Gem Stones 5:37

B1 Keel 5:12
B2 Re 4:47

C1 Extension 4:25
C2 Royal Flush 5:50
C3 Boreas 5:25

D1 Spinner 5:44
D2 Nacre 6:04

All tracks written and produced by SUSUMU YOKOTA
A&R and Art Direction DAI SATO & KENGO
Original art direction and design by SHIN-ICHIRO HIRATA (PRIMITIVEHANDS INC.)
Photo by HIROHIKO IKEDA
Mastered by THORU KOTETUSU
Remastered by PEDRO PINA
Design adapted by ALBERT PÉREZ CASDO
Reissued by PEDRO VIAN on MODERN OBSCURE MUSIC

MOMA002

® FROGMAN RECORDS 2004
© MODERN OBSCURE MUSIC 2022


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Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.

TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN


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Pedro Vian and Merzbow release their first joint work, an unbounded expression of creativity
and experimentation. Over the album's forty-minute duration, listeners can experience a blend of
field recordings made by Pedro Vian at the Dia Beacon Foundation in NYC, specifically inside Richard
Serra's sculptures. These recordings are interwoven with the ambient percussion and melodies
characteristic of Vian's work, alongside the piercing and sharp computer frequencies produced by
Merzbow, one of the most acclaimed artists in the global noise scene.

"Inside Richard Serra Sculptures" is both a complex and spontaneous piece, an abstract journey
into the unconscious that may be difficult to grasp for closed minds. This work stands as a
masterpiece of contemporary expressionism, merging ambient sound and noise in a way that
challenges and redefines the boundaries of sound art.

The collaboration between Vian and Merzbow is notable not only for its innovation but also for
its ability to transport listeners to a space where sound becomes an immersive and visceral
experience. The use of Richard Serra's sculptures as a source of inspiration and sonic material
adds a unique dimension to the project, emphasizing the interaction between physical space
and musical creation. Photo by Alba Ricard




A Inside Richard Serra Sculptures Part I 20:13
B Inside Richard Serra Sculptures Part II 21:00


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World excl. UK

White Vinyl Repress!

Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker

All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.

©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.

Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.


1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX


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“Earth, Our Planet?”: A call for environmental awareness. This time, Pedro Vian - the
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.


1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Lucid Dreams
5_Pedro Vian - Un Storia Infinita
6_Pedro Vian feat. Raul Refree - The Limit of Nothing
7_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
8_Pedro Vian - Your Face Shines more than the Sun
9_Pedro Vian - Hipódromo
10_Pedro Vian - Crema Lent

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

“Earth, Our Planet?”: A call for environmental awareness. This time, Pedro Vian - the
founder of Modern Obscure Music - presents his fourth solo album (following his 2020
release, "Ibillorca").
Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving
odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the
protection of our planet. On this occasion Vian has composed the album influenced by the
myth of the eternal return, the compositions are long and repetitive, generating states of pure
trance.
Pedro Vian, singular for his fusion of genres and styles, ventures into even more complex
territories in "Earth, Our Planet?". From the first listen, it is evident that this work treads the
line of convention and breaks the boundaries of electronic and experimental music with
artistic dexterity. The album weaves together texture, hypnotic rhythms and melody. Each
track reveals his distinctive ability to create immersive landscapes, guiding the listener into
deep emotional introspection. This is not just music; it is a transformative experience.
The beauty of this album lies not only in the musical vision. The album features high-calibre
collaborations that add layers of creativity and elegance. Trumpeter Pierre Bastien, whose
early productions left an indelible mark on Aphex Twin's Reflex label, infuses "A Day in
Rotterdam" with a unique emotional resonance. Violinist, Asia, renowned for her avant-garde
approach and ability to conjure unique landscapes, elevates the album's opening tracks
"Urobóros" and "Les Tambours Subterraniens". Their skill and sensitivity intertwine perfectly
with Vian's artistic vision. In addition, Italian producer Daniele Mana, with whom Pedro Vian
collaborated closely on his previous album "Cascades", known for his experimental
approach and talent for creating extraterrestrial atmospheres also contributes to "Les
Tambours Subterraniens". His artistic perspective adds more complexity and texture to the
piece, pushing the boundaries of contemporary electronic music. There is also a
collaboration with Raül Refree, an artist with whom Vian worked with last year, presenting
“Font De la Vera Pau”, an album that The Guardian defined as "a wonderful piece of electroacoustic
music, a captivating mix of strings and analogue synth drones which sometimes
flirts with Alice Coltrane-ish spiritual jazz".
With "Earth, Our Planet?", Pedro Vian not only offers up some of his best work to date, but it
is also a call to reflect on our relationship with the natural world. As a part of a planet where
environmental awareness is more crucial than ever, he urges us to protect and preserve our
world as an extension of ourselves. This extensive work is a statement, Vian addresses the
notion that too often we prioritise immediate needs over the well-being of the planet. It
highlights the fact that we often consider the Earth as a possession when, in reality, we are
but a part of it.


1_Pedro Vian feat. Asia - Uróboros
2_Pedro Vian feat. Mana - Les Tambours Suterraniens
3_Pedro Vian - Satan’s Voice
4_Pedro Vian - Mother of Dragons
5_Pedro Vian - Silent Ecstasy
6_Pedro Vian - Lucid Dreams
7_Pedro Vian - Un Storia Infinita
8_Pedro Vian feat. Raul Refree - The Limit of Nothing
9_Pedro Vian feat. Pierre Bastien - A Day in Rotterdam
10_Pedro Vian - Your Face Shines more than the Sun
11_Pedro Vian - Crema Lent
12_Pedro Vian - Hipódromo


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WAS - Word and Sound Medien GmbH
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Germany
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We are thrilled to introduce the world to the innovative sounds of the Japanese improvisational music trio 'I-I'. Composed of three exceptionally talented musicians, Kazuhisa Uchihashi (guitar, daxophone, pedals), Mitsuhisa Sakaguchi (synthesizers, pedals) and Tatsuhisa Yamamoto (percussion). This dynamic ensemble has embarked on a remarkable musical journey with their homonymous debut album.
"There's no inspiration from others. We just played." With this raw and unfiltered approach to music, 'I-I' promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.
In their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.
'I-I' is the trio's debut album, marking the beginning of their musical journey as a collective.
Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless."We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.' The trio hopes that listeners will fully immerse themselves in "I-I" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.
"I-I" is now available for listeners who crave the thrill of uncharted musical territory. Embrace the unexpected and embark on a sonic adventure with this groundbreaking debut album.

Tracklist

1.I-I - movement 1

2.I-I - movement 2

3.I-I - movement 3

4.I-I - movement 4

5.I-I - movement 5

6.I-I - movement 6



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lim. 150 blue transparent 180 Gr LP + 7" + Poster / incl. Silent Servant Remix

A cross-cutting label exploring the boundaries between different disciplines based on deep listening and music research, Modern Obscure Music is set to release 'INRI' (INDUSTRIA NACIONAL DEL RUIDO INFINITO) on the 1st December, the new album from Dellarge.

Inspired by the scenic beauty of his studio's surroundings at Lake Pátzcuaro in Michoacan, Mexico, Alejandro Barba, aka Dellarge, delves deep into the depths of his artistic consciousness to craft a spiritual album that encapsulates the essence of the place. 'INRI' stands for Industria Nacional del Ruido Infinito (National Industry of Infinite Noise) and serves as a vessel for Dellarge's innermost self-expression and reflections on the potential of humanity.

A multifaceted artist and veteran of the music industry for over two decades, his latest musical creation is an intimate and personal album and a departure from previous Techno/EBM-orientated Dellarge releases. 'INRI' (INDUSTRIA NACIONAL DEL RUIDO INFINITO) offers a mesmerizing blend of ambient, futuristic, and industrial sounds that transport listeners into a realm of mysticism, futurism, and duality and stands as a testament to Dellarge's artistic growth and his ability to transcend boundaries, offering listeners an immersive experience that connects them to his world.

Drawing inspiration from numerous sources, Dellarge found creative fuel in books such as 'El Arte de los Ruidos' by Luigi Russolo, 'Manifiestos y Textos Futuristas' by F.T. Marinetti, and science fiction classics including 'Congreso de Futurología' by Stanislaw Lem, 'Neuromancer' by William Gibson, and 'Dune' by Frank Herbert. Musically, he delved into the works of Coil, Michael Bundt, The Threshold Houseboys Choir, krautrock legends CAN and Popol Vuh, early Kraftwerk, Arthur Brown, Yello, Esquivel, The Residents, and Hector Lavoe for inspiration.

When asked about the creative process behind the album, Dellarge revealed a disciplined routine that involved immersing himself in the sounds, focusing on minute details that connected with the vivid world he envisioned. Ethereal tracks such as 'Viento Androide' and 'Viaje al Sol' offer a glimpse of a hopeful future, while darker compositions such as 'Corpus de Sangre' and 'Toro de Falaris', explore the wickedness and compassion within humanity. Each piece in the album represents a unique sonic journey.

'Viaje al Sol', the first single to be taken from the album, is set for release on the 27th October, and is also available as an EP which includes a remix from Juan Mendez aka Silent Servant. The remix is also included on the digital version of the album and available on 7" vinyl alongside an exclusive reworking of 'Cascabel' by the founder of Modern Obscure Music, Pedro Vian.


Tracklisting:

1. Viaje al Sol
2. The Maestro
3. Esferas de Cristal
4. Mama
5. Cascabel
6. Juguentes Rotos
7. Sigilo
8. Orquesta Sinfonica Angustia
9. Toro de Falaris
10. Perdon de Judas
11. Viento Androide
12. Corpus de Sangre

Digital Only:
13. Inferno
14. Invasores
15. Nave Nodriza
16. Espino

7":
A Dellarge - Viaje al Sol (Silent Servant Remix)
B Dellarge - Cascabel (Pedro Vian Remix)

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We are thrilled to introduce the world to the innovative sounds of the Japanese improvisational music trio 'I-I'. Composed of three exceptionally talented musicians, Kazuhisa Uchihashi (guitar, daxophone, pedals), Mitsuhisa Sakaguchi (synthesizers, pedals) and Tatsuhisa Yamamoto (percussion). This dynamic ensemble has embarked on a remarkable musical journey with their homonymous debut album.
"There's no inspiration from others. We just played." With this raw and unfiltered approach to music, 'I-I' promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.
In their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.
'I-I' is the trio's debut album, marking the beginning of their musical journey as a collective.
Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless."We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.' The trio hopes that listeners will fully immerse themselves in "I-I" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.
"I-I" is now available for listeners who crave the thrill of uncharted musical territory. Embrace the unexpected and embark on a sonic adventure with this groundbreaking debut album.

Tracklist

1.I-I - movement 1

2.I-I - movement 2

3.I-I - movement 3

4.I-I - movement 4

5.I-I - movement 5

6.I-I - movement 6



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World excl. UK

Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker

All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.

©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.

Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.


1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

World excl. UK

Artwork by Mati Klarwein
Design by Nicolas Barreto
Mastered by Rashad Becker

All music was written, mixed, and produced by Pedro Vian & Raül Refree in Barcelona. Special thanks to the Blancafort family for providing the positive organ for the recording of the album. Also thanks to Mar, Gina, Teo, and Balthazar for the support.

©All Rights Reserved. All rights of the manufacturer and of the owner of the recorded work are reserved. Unauthorized public performance broadcasting & copyright of this record are prohibited.

Ref number. MOM043
© ® Modern Obscure Music 2023; under exclusive license from Raül Refree & Pedro Vian.


1.Raül Refree & Pedro Vian - La vera pau I
2.Raül Refree & Pedro Vian - La vera pau II
3.Raül Refree & Pedro Vian - La vera pau III
4.Raül Refree & Pedro Vian - La vera pau IV
5.Raül Refree & Pedro Vian - La vera pau V
6.Raül Refree & Pedro Vian - La vera pau VI
7.Raül Refree & Pedro Vian - La vera pau VII
8.Raül Refree & Pedro Vian - La vera pau VIII
9.Raül Refree & Pedro Vian - La vera pau IX


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Constantly evolving and adapting his sound, Shackleton has releases
spanning labels such as Honest Jon’s, Perlon and his own imprints, Skull
Disco (co-founded with Appleblim) and Woe to the Septic Heart!.
Shackleton now finds a home for a brand new project on the
Barcelona-based, Modern Obscure Music.
Undoubtedly Shackleton, but taking the meditative aspects of his sound
to a new plane, The Purge of Tomorrow, is an alias born to transmit a
less dancefloor-orientated experience to whomever is ready to receive it.
‘The Other Side of Devastation’ is an investigation into a novel form of
deepness. Adverse to the reductive label of ‘Ambient’, these tracks are
spawned from a live performance context. The essence was to create an
immersive encounter where listeners are called on to actively unburden
their mind of unnecessary thoughts. Staying true to the trance elements
that Shackleton is renowned for, this EP is not dependent on traditional
structures or a linear narrative.
‘Time Moving’ presents itself through a journey of disquieted moments
and contemplative states. Hypnotic strings provided by Kathy Alberici
construct pastoral phrases that mesh with the larger looming drones,
culminating to conjure a daydream-like energy. Following on, ‘Waves’
twists through various forms, awash with cascading vocal splices and
soothing murmurs contrasted with rousing sub pressure.
Reflective and sometimes provocative, as an artist who resents the
pigeon-holes of genre, The Purge of Tomorrow presents an exciting new
direction for Shackleton. Bursting-at-the-seams with emotional
complexity as to echo the woes of the human condition, this EP is
steeped in feelings of forgone events doomed to be replicated.

Artwork by Juaki Pesudo
Design by Andrea di Franco
Mastered by Rupert Clervaux

A1. The Purge of Tomorrow - Time Moving
B1. The Purge of Tomorrow - Waves

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ARTIST:
Felicia Atkinson, Büsra Kayikçi, Carmen Villain, Kuniyuki

Takahashi, Pavel Milyakov, KMRU, Ana Quiroga, Abul Mogard, Pedro Vian

It’s a pleasure to bring together, on this album, musicians with whom we feel a very special connection,
namely Felicia Atkinson, Büþra Kayýkçý, Carmen Villain, Kuniyuki Takahashi, Pavel Milyakov,
KMRU, Ana Quiroga, Abul Mogard and Pedro Vian. All of them have been very generous in their
willingness to participate in an artistic experiment: to build bridges between architecture and music.
Each of these artists chose a space and translated it into a piece of music, and the result is a sonic
kaleidoscope through which specific territories can be gazed upon from unexplored points of view. The
compositions that make up this compilation are synaesthetic windows through which we can observe with
our ears. To look through them, all we have to do is listen and we’ll be able to contemplate, in a unique
way, spaces located in such different places as Vilches (Chile), Istanbul (Turkey), Oslo (Norway), Sapporo
(Japan), Nairobi (Kenya), London (England), Rome (Italy), Berlin (Germany), or even in imaginary
universes.

TRACKLIST

1. Büsra Kayikçi - Genius Loci
2. Pavel Milyakov - GTR chords movement 1
3. Felicia Atkinson - Le Poème de l’Angle Droit
4. Carmen Villain - Luften Imellom
5. Kuniyuki Takahashi - Moere
6. KMRU - Stretch Mabati
7. Ana Quiroga - London Fields
8. Abul Mogard - Teatro Romano di Tuscolo
9. Pedro Vian - Neue Nationalgalerie

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On 9th December Modern Obscure Music presents Cascades, the new album from Pedro Vian &
Mana, which premiered during their immersive live set at the most recent Sonar Festival in Barcelona.
Cascades was recorded over a three-day studio session in Turin during the winter months, which is
reflected in the musical narrative, as the eleven tracks flow gently like an icy river, filled with a mixture
of hazy melancholy, uncanny dream-states and euphoria.
Various recording techniques and instrumentation was utilised, including the Lyra-8 organismic
analogue synthesiser, which takes principles from living organisms to produce sounds resembling a
conversation between nature and technology. The result is a spellbinding ambient odyssey that
features a luminous synthesis of neo-classical strings and orchestral drones, together with strange
voices, and abstract passages designed to evoke Dante’s Inferno, which represent the soul’s journey.
Pedro Vian is a renowned Catalan artist who has released three solo albums (Beautiful Things You
Left Us For Memories, Pedro Vian and Ibillorca) and a collection of singles on his Modern Obscure
Music imprint – a multi-disciplinary platform based on deep listening and music research. The
‘PRSNT’ compilation, which Pedro curated in 2021 and featured Laurie Spiegel, Ryuichi Sakamoto,
and Visible Cloaks, received support from Pitchfork, Crack, Brooklyn Vegan, The Quietus, The
Wire and Metal. Pedro has been remixed by Inga Copeland and Pye Corner Audio, and has
recorded mixes for of Bleep, Self-Titled and Juno Daily.
As part of a new generation of Italian electronic music artists, Piedmont born composer and producer
Mana has released two full length albums (Seven Steps Behind and Asa Nisi Masa) on Kode 9's
Hyperdub imprint, plus an EP on Nicolas Jaar's Other People label under his Vaghe Stelle alias.
Earlier in his musical journey, Mana supported Laurent Garnier, James Holden and Skream across
the Torino club scene, and in 2011 teamed up with Italian friends Lorenzo Senni and A:RA to form
the experimental group One Circle.
Pedro Vian & Mana’s previous work as solo producers has pushed the limits of electronic music, and
together they’ve garnered critical acclaim from the likes of Pitchfork, The Quietus, The Vinyl
Factory, Resident Advisor and more. They now join forces to traverse new sonic territories between
electronica, ambient, drone, and trance-inducing soundscapes.

Tracklist:

1. Cascades Intro
2. Cascades 1
3. Cascades 2
4. Cascades 3
5. Cascades 4
6. Cascades 5
7. Cascades 6
8. Cascades 7
9. Cascades 8
10. Cascades 9
11. Cacades Outro

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Territories: WORLD EXCLUDING UK

Genre: Techno/Dance/Electronic

Tracklist 12":

A1.Albino Sound - Black Lagoon
A2.Albino Sound - Plum Valley
A3.Albino Sound - Transparent Colony
B1.Albino Sound - Dried Seeds
B2.Albino Sound - Dried Seeds (DJ Normal 4's Vibe Strike Remix)

Release Info:
Modern Obscure Music has been making links with the Far East since label boss Pedro Vian visited Japan and this is their first 12” release from a Japanese artist. Albino Sound is Hirotaka Umetani from Osaka and here he presents Black Lagoon. This is an exciting EP of experimental soundcapes and left of centre dancefloor escapades with an extra special remix from German producer DJ Normal 4. Black Lagoon opens the EP with live percussion and mysterious sounds and is followed by the mesmerising tones of Plum Valley. Transparent Colony is an open-armed ambient cut and the EP finishes with two versions on Dried Seeds. The original is an energetic mover and DJ Normal 4's Vibe Strike Remix is an eastern synth inspired mission.


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Territory: WW / excl. UK

Tracklist:

A1 - Can Mortera
A2 - The destiny manifest
A3 - A romance between to planets
A4 - Interlude
B1 - Terrestial images
B2 - Medusa
B3 - The night dancer
B4 - Un passatge obscur
B5 - Le printemps est arrivé

Release Info:
Spanish producer Pedro Vian is dreaming of the sea on “Ibillorca”, his third studio album.

Vian, whose Modern Obscure Music label is at the heart of the Barcelona electronic scene, moved to Amsterdam in 2018. While the Dutch capital has embraced this inventive producer and DJ, Vian says the new album is inspired by a feelings of absence and longing for his Mediterranean home. “On this album I explore my feelings of missing the light,” he says. “Ibillorca is a journey to a utopian island, a journey to a new state of mind.”

You can hear this displaced utopia on songs like “Can Mortera”, a dreamy reflection on house music, recorded in Ibiza in summer 2019, that brings to mind Larry Heard at his most meditative; or “Medusa” (featuring artist Rosalie Wammes), which sounds like Tangerine Dream drifting over the sea.

The Quietus called Pedro Vian’s debut album “Beautiful Things You Left Us For Memories” “the soundtrack to walking around the city at night”, while his eponymous second album was both deeply personal and more suited for the dance floor. “Ibillorca” is his Mediterranean album. “I love the Mediterranean sea,” Vian explains. “I come from there and I miss the light, the sun and the smell of the sea, so I dedicated this album to this feeling.” Fittingly, “Ibillorca”’s enigmatic cover art, painted by Spanish artist Blanca Miró, depicts the Mediterranean islands of Ibiza & Mallorca

“Ibillorca” is also Vian’s most varied release to date: “The Destiny Manifest” nods to drum and bass - albeit a touchingly Iberian take on the genre - while “Western Snow” has a hint of Erik Satie’s piano minimalism. Vian’s new home in The Netherlands also played a role in shaping “Ibillorca” .Vian recorded the album during his residency at HetHEM, a new contemporary space in Zandaam, 30 minutes from Amsterdam. “I have my studio at the top of the building, from there I can see all the boats going up and down the river IJ,” Vian says. “The art space is located in an industrial area, everything is grey, also the sky.” All the better, then, for dreaming of the sea.

“Ibillorca” will be released in Spring,2020.

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Format: LP
Format Notes: 2023 repress, 180 g vinyl

EAN: 4251648412526

Track List:
A1 : (You’ve Got) That Something
A2 : Dancing Into The Stars
A3 : Something Else
B1 : I Know You Will
B2 : Lay It On The Line
B3 : Sweet To Me

Release Notes:
The undisputed Godfather of Boogie, Leroy Burgess’s Logg project is his grand masterpiece.

The self-titled LP, originally released on Salsoul in August 1981, is one of the greatest albums of the post-disco era. It’s one of Be With’s favourite ever LPs and so it’s a complete honour to be giving it our reissue treatment. With all the touchstones of Burgess’s finest work - breezy grooves, undulating synths, funk-drenched bass and life-affirming lyrics - delivered with gospel-derived vocals and harmonies - it’s a record to uplift both body and spirit.

Already a cult soul figure as lead singer of seminal vocal group Black Ivory, Leroy Burgess cut his teeth as arranger, vocalist and songwriter with legendary producer Patrick Adams on essential late-70s projects like Phreek and Dazzle. He went on to define the essence of “boogie”: the vibrant underground dance sound that stood in contrast to commercial disco. With its reduced speed - mid-90 to under 110 BPM - the cool boogie of Burgess has the disco bounce, just more laidback.

All six tracks here could have been stand alone 12" hits. Indeed, some of them were. But together they are also an incredibly cohesive album, where all the compositions are deeply relevant to each other. In short, it’s essential; a thrilling showcase for Burgess’s finest arranging and production work - with his vocals at their euphoric peak alongside the inventive rhythm section of Aaron (Sonny) T. Davenport on drums and James Calloway on bass.

Opener “(You’ve Got) That Something” is a balmy sunshine groover with an insistent chorus whilst the timeless vocal of “Dancing Into The Stars” - married to percolating synth and airtight drums - showcases the chemistry between Burgess and the rhythm section.

The fusion of funk and gospel-influenced harmonies which propels “Something Else” is remarkable - deep, joyous and bouncy. Infamously mixed by Larry Levan, “I Know You Will” is an easy glide, all rollicking electric piano underpinned by a precise and relentlessly upbeat groove. “Lay It On The Line” radiates smooth, understated brilliance, elevated by interstellar keys and finally album-closer “Sweet To Me” is a chilled-out gem of profound soulful elegance.

Logg has long been a hit with the likes of Kenny Dope and Dam-Funk whilst, in the last decade, MCDE and Harvey Sutherland have routinely cited it as a huge influence. Accordingly, finding original copies on vinyl at affordable prices has been a thankless task. This fresh Be With reissue ensures this legendary record now sounds, looks and feels as sensational as it deserves to.

Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, we think this is a reissue that does justice to this classic LP.







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Genre: Folk, Alternative, Psychedelic

LP: 180g, Heavy 350gsm Sleeve, Stickers

Tracklisting LP
A1. Mukai Kaze
A2. Shiroi Hana
A3. Himawari
A4. Tenjo
A5. Help Me
B1. Hitori Uta
B2. Harmonica Fuki No Otoko
B3. Tsunawatari
B4. Utaitaino
B5. Tanjo Iwai

Release Info:

WRWTFWW Records is proud to present the first official worldwide reissue of the sophomore album from fabled Japanese folk singer-songwriter/actress/writer Hako Yamasaki, Tsunawatari. The limited edition 180g vinyl LP comes in a heavy sleeve with the original artwork, and the digipack CD has one bonus track. Tsunawatari is also available in digital formats.

Recorded right after her outstanding debut Tobimasu, Tsunawatari was released in 1976 on Elec Records, one of the first independent labels in Japan, and solidified Hako Yamasaki as one of the most gorgeous voices of the country and an exceptional musician and singer. A truly perfect follow-up, it immortalizes the bitter beauty of heartache with tearful performances and nostalgic empowerment.

The beauty of melancholic songs reaches heartbreaking heights in Tsunawatari, a magnificent ode to the sorrow of lost love and the time that passes offered to the world with a very unique brand of folk music. The kind of folk that goes for the guts, folk that shamelessly flirts with tearful blues, contemplative soft pop and psychedelic nostalgia. Put the needle on "Help Me" - there’s simply no holding back.

Hako Yamasaki, a pioneer in both the creative boom and the rise of feminism of 1970s Japan, went on to release over thirty albums, building an impressive discography and a fascinating career filled with ups and downs. Her work, inimitable and timeless, deserves the utmost recognition and should be celebrated. Again and again and again.

Tsunawatari is released in conjunction with Hako Yamasaki’s classic debut album Tobimasu, also available on WRWTFWW Records.

Points of interests

- For fans of folk, alternative, ballads, psychedelic, poetic music, the joy of love, the sorrow of love, nostalgia, nature, Janis Joplin, Lana Del Rey, being human.

- Official reissue of Hako Yamasaki’s sophomore album in pristine 180g vinyl.







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Aaliyah is the self-titled third and final studio album by the "Queen of Urban Pop." Originally released in 2001 by Blackground Records, the album debuted at number two on the Billboard 200 albums chart. Cited by critics as one of the best R&B records of its time, the album is a reflection of herself as both a young adult and matured vocalist. Standout tracks include "We Need A Resolution," "More Than A Woman," and "Rock The Boat."

Key Selling:
First time pressed on Vinyl since 2001
First time pressed on CD in the US since 2001
Aaliyah debuted at number two and peaked at number one on the Billboard 200
Cited by critics as one of the best and influential R&B records from this era
The album was certified 2x Platinum in the US, certified Platinum in the UK and Canada, & certified Gold in France, Australia, Germany & Japan
The album has sold 13 million copies worldwide
Aaliyah was nominated for Best R&B Album and the single, Rock The Boat, was nominated for Best Female R&B Vocal Performance at the 2001 GRAMMY Awards

Key Marketing:
Single/Video rereleases for "We Need A Resolution," "Rock The Boat," "More Than A Woman," & "I Care 4 U"
Fully produced visualizers for each song using album packaging planned
OOH activations planned worldwide - digital billboards, stenciling, wheatpasting, murals, etc
Fan activation: Aaliyah Immersive Experience
Virtual events on Clubhouse, Verzuz x Triller
Virtual Official Dance Party planned with D-Nice
Content planned with Genius
Artist testimonials planned
Radio: Mixshow/DJ Club Takeovers


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Modern Obscure Music presents "Sakuraza," a live album featuring Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). Recorded at the Sakuraza jazz club in Kofu, Japan, this dynamic and sophisticated performance blends jazz, electronic music, and pop elements.
Giovanni Di Domenico, a frequent visitor to Japan, organized this June 2023 concert with long-time collaborators Ishibashi, O'Rourke, and Yamamoto, and invited saxophonist Matsumaru. The warm, intimate setting of Sakuraza provided the perfect backdrop for their unedited, improvisational session.
"Sakuraza" captures the deep musical connection and spontaneity of these artists, offering an immersive auditory experience. Recorded on June 14, 2023.

TRACKLISTS:
A Sakuraza part I 16:29MIN
B. Sakuraza part II 22:19MIN


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Tracklist:
A1 / Charlie - Spacewoman (Instrumental)
A2 / Charlie - Let Go
B1 / Charlie - Dark Waver
B2 / Charlie - In The Night


Key Selling Points
Polish multi-instrumentalist and prolific producer Charlie lands on Wrong Era with her earth-shattering EP 'Spacewoman'. As a revered live act and spearhead within the Italo-Proto scene, Charlie’s record is a testament to her unique and impactful sound design, which is on full display in her thunderous progressions.

Having garnered a following with her DJ and live performances at some of the most influential clubs in Europe, the record sees the Polish producer integrate her infectious rhythmic flair into another standout release, capturing the consistently mind-opening energy of her live sets and hooking us in with potent synth lines and vocals.


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TERRITORY: World excluding France
Les Mystères de Lorient remixes

After the release of their first album, Il Est Vilaine ask to artists and friends to deliver a series of high-flying remixes: Tolouse Low Trax, Krikor, Khidja, Marvin & Guy, Golden Bug, Rubin Steiner, C.A.R…
Tolouse Low Trax opens the ball with a destructured version of Yvré- L'évêque while keeping the darkness of the track. We can hear a nod to the track "Holland Tunnel Dive" anthem of the Salon des Amateurs.
For the eponymous track Khidja were inspired by the sounds of the land of the rising sun which is a good thing to accompany the song of Narumi Hedgehog! A bright version and influenced by YMO's era Sakamato.
Golden Bug & In Field proposes an alternative just as trippy as the original version of Marilyn Drum, a trip between neighborhood hospitals and crazy guru.
Another version of Yvré-l'Evêque this time Krikor takes care of it and takes out his sampler for a digi-dancehall version that only he has the secret, Faya !
Rubin Steiner delivers a version back to the roots of Bar à Gwin mixing deep house texture and 80's-NY-hip-hop/electro.
The two Italians of Marvin & Guy bring out the hits, the guitars and the arpeggios for an epic version of Mystères de Lorient.
To close the album, we find Narumi Hérisson at the controls of her piano for a dreamy and sensitive version of Phare Ouest where her voice and that of Yula Kasp are mixed in the greatest harmony!


A1. Yvré-L'Evêque feat. C.A.R, Tolouse Low Trax broken pleasure remix
A2. Les Mystères de Lorient feat. Narumi Herisson, Khidja remix
A3. Marilyn Drum, Golden Bug & In Fields remix
B1. Yvré-L'Evêque feat. C.A.R, Krikor remix
B2. Bar A Gwin feat. Macdara, Rubin Steiner remix
B3. Les Mystères de Lorient feat. Narumi Herisson, Marvin & Guy remix
B4. Phare Ouest feat. Yula Kasp, Narumi rework



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2 x 12”, black vinyl, 4C gatefold
My studio is my shelter, I feel comfortable there, surrounded by wonderful inspiring machines. A small cosy room where ideas emerge, mature, morph, and solidify into their final shape. 'Studio' is the result of spending time in that space. The album's intention is simple: Presenting a beautiful personal musical journey. The creative process in itself matters to me, the interaction with my instruments, the accidental discoveries, the successful execution of a vision and anything in between.
Most of the tracks on this album got revised countless times, and then even more, once I knew in which context and order I wanted to arrange them. I have been living with my music for months now, listening, thinking, changing, diving deeper and deeper into each piece.
I love albums, they are a beautiful long-form format where each part has its place, a journey from the start till the end. Each piece has its own story, its own flavour and history.
Some of them have been with me since a while already. There is material which I created years ago for installations and music derived from previous audiovisual works, all completely ripped apart and rearranged multiple times. During their creation my pieces often turn into something completely different, they repeatedly shift from one state to another until they become solid. What I consider a core element at the beginning might be later discarded completely, and a little detail in the background might become the essence.
Many explorations ended in the trash bin before the results had a chance to be part of 'Studio'. Things did not fall into place, did not feel right.
Other compositions had to fill the void instead, some created quickly in a rush of inspiration, some slowly, shy, questioning their significance. This album did not come into existence in a hurry, it took as long as it needed. I used the time to walk around my creations, to listen to them from the distance, physically, mentally, with friends, in all kinds of different contexts. I tried to understand what I just did. I started to see patterns, hidden motifs, things that were buried in between too many layers of sound. What is essential? What is ornament? I reduced, rearranged, added again.
The closer I got to the final state of 'Studio' the more clarity I found. The inherent doubts and the nagging voices from the inside got more quiet, and a sense of achievement started to manifest itself. More and more details just fell into place. And now it is done. After making electronic music since almost thirty years I don't care anymore about genres, about how to label things. It is music, my own personal music, and that's it. Call it electronica if you wish.
Process Notes
The music on this album has been constructed in Ableton Live. Most of the sounds have been created with my collection of beloved hardware synthesisers and effects, often further processed until something completely different did emerge. Sometimes I spend days in the studio just recording sounds or creating new presets, without already having a composition in mind. A few selected musical instruments contributed significantly to the palette of this album; a New England Digital Synclavier II, which also served as inspiration for the artwork, a Sequential Prophet VS, which is present on all Monolake albums since 1996, a Yamaha SY77, Linn Drum, and the Oberheim Xpander. And then there is Operator in Ableton Live, which I developed in 2004 and still love to use, and a lot of the other effects and instruments in the software. And of course my Granulator III instrument, and the PitchLoop89 audio effect. The final sonic world is often the result of radical processing of these elements, via filtering, pitch shifting, time stretching and other types of processing, both in Live and with my hardware. The good old Alesis Quadraverb deserves an honorary mention here, so does the AMS RMX 16.
Artwork
The cover combines a few complex elements. A composition of various lichen photographs, and a computational noise field that cuts rivers into the structure, where the inner artwork of the album shines through: The inside of the CD package and the gatefold vinyl cover shows a non-existing musical instrument, based on the user interface of the Synclavier II. I've always been fond of its futuristic button matrix with red LEDs, which conjures a sense of nostalgia for early computer systems. But I wanted more than just a photograph of it. Instead, I created a collage that not only consists of its existing controls but also integrated additional features it never possessed, though it might have in a subsequent iteration. In essence, I crafted a vision of a future that never materialized.
Geeky detail: When a Synclavier II is turned on, and the connected mainframe computer did not boot yet, the LEDs in the buttons light up in random patterns. The imaginary version of it does the same.
Track Listing:
01 The Elders Disagree
02 Thru Stalactites
03 Signals
04 Cute Little Aliens
05 Intermezzo
06 Global Transport
07 Stasis Field
08 Prime Lundy
09 Red Alphonso
10 Eclipse

Composed, mixed and produced by Robert Henke 2024..

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