Label:TH Tar Hallow
Cat-No:tar019t
Release-Date:02.02.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar019t
Release-Date:02.02.2024
Genre:Techno
Configuration:12"
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1
A Thousand Details - The Puppet of The West
2
A Thousand Details - Trifecta Bones
3
A Thousand Details - Sandes de CQTF
4
A Thousand Details - The Puppet Of The West (Sick Bastard Tool, Vinyl Version)
5
A Thousand Details - Cornered Without Options
Tracklisting
A1 A Thousand Details - The Puppet of The West
A2 A Thousand Details - Trifecta Bones
B1 A Thousand Details - Sandes de CQTF
B2 A Thousand Details - The Puppet Of The West (Sick Bastard Tool, Vinyl Version)
B3 A Thousand Details - Cornered Without Options
Sales Note
The very prolific ATD Records Founder, Gustavo Lima, brings 5 techno cuts on Tar Hallow for the first release of 2024. Early support by: Amotik, Answer Code Request, Ben Klock, Charlton, Chontane, Gary Beck, Kessell / Exium, Krenzlin, Kwartz, Leiras, Marco Bailey, Nastia, Perc, Steffi, W.I.R.E. and more. More
A1 A Thousand Details - The Puppet of The West
A2 A Thousand Details - Trifecta Bones
B1 A Thousand Details - Sandes de CQTF
B2 A Thousand Details - The Puppet Of The West (Sick Bastard Tool, Vinyl Version)
B3 A Thousand Details - Cornered Without Options
Sales Note
The very prolific ATD Records Founder, Gustavo Lima, brings 5 techno cuts on Tar Hallow for the first release of 2024. Early support by: Amotik, Answer Code Request, Ben Klock, Charlton, Chontane, Gary Beck, Kessell / Exium, Krenzlin, Kwartz, Leiras, Marco Bailey, Nastia, Perc, Steffi, W.I.R.E. and more. More
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Label:HAYES
Cat-No:hysep57
Release-Date:22.11.2024
Genre:Techno
Configuration:12"
Barcode:
1
A Thousand Details - Unrestful Mind
2
A Thousand Details - Saatchi at Sloane
3
A Thousand Details - Highbury Fields
4
A Thousand Details - Cheerish the Moment
Tracklisting
A1 A Thousand Details - Unrestful Mind
A2 A Thousand Details - Saatchi at Sloane
B1 A Thousand Details - Highbury Fields
B2 A Thousand Details - Cheerish the Moment
Sales Note
Thick chords, swirling organs and timeless grooves intermingle on Unrestful Mind, the latest entry from A Thousand Details on HAYES. More
A1 A Thousand Details - Unrestful Mind
A2 A Thousand Details - Saatchi at Sloane
B1 A Thousand Details - Highbury Fields
B2 A Thousand Details - Cheerish the Moment
Sales Note
Thick chords, swirling organs and timeless grooves intermingle on Unrestful Mind, the latest entry from A Thousand Details on HAYES. More
More records from TH Tar Hallow
Label:TH Tar Hallow
Cat-No:tar025t
Release-Date:01.11.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar025t
Release-Date:01.11.2024
Genre:Techno
Configuration:12"
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1
Louis The 4th - Rootedness
2
Louis The 4th - Conception
3
Louis The 4th - Two Days Before Leaving
4
Louis The 4th - Tumultuous Groove
5
Louis The 4th - Frequencies
Tracklisting
A1 Louis The 4th - Rootedness
A2 Louis The 4th - Conception
B1 Louis The 4th - Two Days Before Leaving
B2 Louis The 4th - Tumultuous Groove
B3 Louis The 4th - Frequencies
Sales Note
Groovy, percussive and hypnotic tracks by Louis the 4th. More
A1 Louis The 4th - Rootedness
A2 Louis The 4th - Conception
B1 Louis The 4th - Two Days Before Leaving
B2 Louis The 4th - Tumultuous Groove
B3 Louis The 4th - Frequencies
Sales Note
Groovy, percussive and hypnotic tracks by Louis the 4th. More
Label:TH Tar Hallow
Cat-No:tar026t
Release-Date:01.11.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar026t
Release-Date:01.11.2024
Genre:Techno
Configuration:12"
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1
Taken - Hybrid
2
Taken - Drumcode
3
Taken - Ice Truck
4
Taken - Standard Truck
Tracklisting
A1 Taken - Hybrid
A2 Taken - Drumcode
B1 Taken - Ice Truck
B2 Taken - Standard Truck
Sales Note
TAKEN [2024] MADE IN STOCKHOLM FOR [TH TAR HALLOW]
TAKEN = Elias Landberg & Nihad Tule More
A1 Taken - Hybrid
A2 Taken - Drumcode
B1 Taken - Ice Truck
B2 Taken - Standard Truck
Sales Note
TAKEN [2024] MADE IN STOCKHOLM FOR [TH TAR HALLOW]
TAKEN = Elias Landberg & Nihad Tule More
2x12"
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Label:TH Tar Hallow
Cat-No:tar-lp1
Release-Date:27.09.2024
Genre:Techno
Configuration:2x12"
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Label:TH Tar Hallow
Cat-No:tar-lp1
Release-Date:27.09.2024
Genre:Techno
Configuration:2x12"
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1
Decka - Locked 4
2
Decka - Intake
3
Decka - Dense
4
Decka - Locked 1
5
Decka - Keeps Rising
6
Decka - Exit
7
Decka - Locked 2
8
Decka - Emaciated
9
Decka - After Motion
10
Decka - Locked 3
11
Decka - Finalise
12
Decka - Under Influence
Tracklisting
A1 Decka - Locked 4
A2 Decka - Intake
A3 Decka - Dense
B1 Decka - Locked 1
B2 Decka - Keeps Rising
B3 Decka - Exit
C1 Decka - Locked 2
C2 Decka - Emaciated
C3 Decka - After Motion
D1 Decka - Locked 3
D2 Decka - Finalise
D3 Decka - Under Influence
Sales Note
Double 12inch, four sides, twelve direct and powerful techno cuts giving away Decka's impactful style. Every side starts with a locked groove. More
A1 Decka - Locked 4
A2 Decka - Intake
A3 Decka - Dense
B1 Decka - Locked 1
B2 Decka - Keeps Rising
B3 Decka - Exit
C1 Decka - Locked 2
C2 Decka - Emaciated
C3 Decka - After Motion
D1 Decka - Locked 3
D2 Decka - Finalise
D3 Decka - Under Influence
Sales Note
Double 12inch, four sides, twelve direct and powerful techno cuts giving away Decka's impactful style. Every side starts with a locked groove. More
Label:TH Tar Hallow
Cat-No:savage003
Release-Date:30.08.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:savage003
Release-Date:30.08.2024
Genre:Techno
Configuration:12"
Barcode:
1
DJ Savage - Fuente
2
DJ Savage - Gridlock
3
DJ Savage - Abaddon
4
DJ Savage - Inside Out
Tracklisting
A1 DJ Savage - Fuente
A2 DJ Savage - Gridlock
B1 DJ Savage - Abaddon
B2 DJ Savage - Inside Out
Sales Note
DJ SAVAGE - DUBS 2000-2002
"TO CALM YOU DOWN" More
A1 DJ Savage - Fuente
A2 DJ Savage - Gridlock
B1 DJ Savage - Abaddon
B2 DJ Savage - Inside Out
Sales Note
DJ SAVAGE - DUBS 2000-2002
"TO CALM YOU DOWN" More
Label:TH Tar Hallow
Cat-No:tar024t
Release-Date:30.08.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar024t
Release-Date:30.08.2024
Genre:Techno
Configuration:12"
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1
JSPRV35 - Echo
2
JSPRV35 - Fear
3
JSPRV35 - Gras
4
JSPRV35 - Trapped
Tracklisting
A1 JSPRV35 - Echo
A2 JSPRV35 - Fear
B1 JSPRV35 - Gras
B2 JSPRV35 - Trapped
Sales Note
Constant creativity and raw energy by JSPRV35. More
A1 JSPRV35 - Echo
A2 JSPRV35 - Fear
B1 JSPRV35 - Gras
B2 JSPRV35 - Trapped
Sales Note
Constant creativity and raw energy by JSPRV35. More
Label:TH Tar Hallow
Cat-No:tarv035
Release-Date:21.06.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tarv035
Release-Date:21.06.2024
Genre:Techno
Configuration:12"
Barcode:
1
JSPRV35 - Pacific
2
JSPRV35 - Pimp
3
JSPRV35 - Prolix
4
JSPRV35 - Retry
2024 Repress
Tracklisting
A1 JSPRV35 - Pacific
A2 JSPRV35 - Pimp
B1 JSPRV35 - Prolix
B2 JSPRV35 - Retry
Sales Note
New and super fresh sounding 4 tracker by an hugely inspiring and unstoppable producer called JSPRV35. More
Tracklisting
A1 JSPRV35 - Pacific
A2 JSPRV35 - Pimp
B1 JSPRV35 - Prolix
B2 JSPRV35 - Retry
Sales Note
New and super fresh sounding 4 tracker by an hugely inspiring and unstoppable producer called JSPRV35. More
Label:TH Tar Hallow
Cat-No:tar023t
Release-Date:21.06.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar023t
Release-Date:21.06.2024
Genre:Techno
Configuration:12"
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1
Dynamic Forces - Refuse (String Mix)
2
Dynamic Forces - Self Surrender (MStr-1ng)
3
Dynamic Forces - Raw Voltage Rhythms
4
Dynamic Forces - Helix
Tracklisting
A1 Dynamic Forces - Refuse (String Mix)
A2 Dynamic Forces - Self Surrender (MStr-1ng)
B1 Dynamic Forces - Raw Voltage Rhythms
B2 Dynamic Forces - Helix
Sales Note
Not just a follow-up. Tar 23 shows the duo's distinct style and artistic progression. More
A1 Dynamic Forces - Refuse (String Mix)
A2 Dynamic Forces - Self Surrender (MStr-1ng)
B1 Dynamic Forces - Raw Voltage Rhythms
B2 Dynamic Forces - Helix
Sales Note
Not just a follow-up. Tar 23 shows the duo's distinct style and artistic progression. More
Label:TH Tar Hallow
Cat-No:tar022t
Release-Date:17.05.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar022t
Release-Date:17.05.2024
Genre:Techno
Configuration:12"
Barcode:
1
Dimi Angélis - Drifter
2
Dimi Angélis - Tyrant
3
Dimi Angélis - Limbo
4
Dimi Angélis - Phantom
Tracklisting
A1 Dimi Angélis - Drifter
A2 Dimi Angélis - Tyrant
B1 Dimi Angélis - Limbo
B2 Dimi Angélis - Phantom
Sales Note
Dimi Angelis is coming bright-eyed and bushy-tailed with his 3rd appearance on Tar Hallow, bringing 4 intense, hard tracks
DIMI ANGELIS INCUBUS TAR022 More
A1 Dimi Angélis - Drifter
A2 Dimi Angélis - Tyrant
B1 Dimi Angélis - Limbo
B2 Dimi Angélis - Phantom
Sales Note
Dimi Angelis is coming bright-eyed and bushy-tailed with his 3rd appearance on Tar Hallow, bringing 4 intense, hard tracks
DIMI ANGELIS INCUBUS TAR022 More
Label:TH Tar Hallow
Cat-No:tar021t
Release-Date:15.03.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar021t
Release-Date:15.03.2024
Genre:Techno
Configuration:12"
Barcode:
1
Earwax - Behind The Grid
2
Earwax - Raw Shadow
3
Earwax - Fast Human
4
Earwax - Again
5
Earwax - No Need More
Tracklisting
A1 Earwax - Behind The Grid
A2 Earwax - Raw Shadow
B1 Earwax - Fast Human
B2 Earwax - Again
B3 Earwax - No Need More
Sales Note
B2 track ends in a 4 beat locked groove. More
A1 Earwax - Behind The Grid
A2 Earwax - Raw Shadow
B1 Earwax - Fast Human
B2 Earwax - Again
B3 Earwax - No Need More
Sales Note
B2 track ends in a 4 beat locked groove. More
Label:TH Tar Hallow
Cat-No:tar020t
Release-Date:16.02.2024
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar020t
Release-Date:16.02.2024
Genre:Techno
Configuration:12"
Barcode:
1
Slight Function - Dunkler Traum
2
Slight Function - Sicofanta
3
Slight Function - Adaptation Disorder
4
Slight Function - Shuffle Ground
Tracklisting
A1 Slight Function - Dunkler Traum
A2 Slight Function - Sicofanta
B1 Slight Function - Adaptation Disorder
B2 Slight Function - Shuffle Ground
Sales Note
Slight Function = Krenzlin + Rhombic
Early support by: Alexander Kowalski, angel molina, Casual Treatment, Dave Clarke, Dj Shufflemaster, Eduardo de la calle, Kastil, MTD, Oliver Rosemann, pacou, R/D/V, Ryuji Takeuchi, Svreca More
A1 Slight Function - Dunkler Traum
A2 Slight Function - Sicofanta
B1 Slight Function - Adaptation Disorder
B2 Slight Function - Shuffle Ground
Sales Note
Slight Function = Krenzlin + Rhombic
Early support by: Alexander Kowalski, angel molina, Casual Treatment, Dave Clarke, Dj Shufflemaster, Eduardo de la calle, Kastil, MTD, Oliver Rosemann, pacou, R/D/V, Ryuji Takeuchi, Svreca More
Label:TH Tar Hallow
Cat-No:tar018t
Release-Date:17.11.2023
Genre:Techno
Configuration:12"
Barcode:
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Label:TH Tar Hallow
Cat-No:tar018t
Release-Date:17.11.2023
Genre:Techno
Configuration:12"
Barcode:
1
NTTR-909 a.k.a. Nihad Tule & Roseen - Rebound
2
NTTR-909 a.k.a. Nihad Tule & Roseen - Odyssey
3
NTTR-909 a.k.a. Nihad Tule & Roseen - Hyperbell
4
NTTR-909 a.k.a. Nihad Tule & Roseen - Dialogue
Tracklisting
A1 NTTR-909 a.k.a. Nihad Tule & Roseen - Rebound
A2 NTTR-909 a.k.a. Nihad Tule & Roseen - Odyssey
B1 NTTR-909 a.k.a. Nihad Tule & Roseen - Hyperbell
B2 NTTR-909 a.k.a. Nihad Tule & Roseen - Dialogue
Sales Note
NTTR-909 is a collaboration project between Nihad Tule and Roseen. More
A1 NTTR-909 a.k.a. Nihad Tule & Roseen - Rebound
A2 NTTR-909 a.k.a. Nihad Tule & Roseen - Odyssey
B1 NTTR-909 a.k.a. Nihad Tule & Roseen - Hyperbell
B2 NTTR-909 a.k.a. Nihad Tule & Roseen - Dialogue
Sales Note
NTTR-909 is a collaboration project between Nihad Tule and Roseen. More
Label:TH Tar Hallow
Cat-No:tar017t
Release-Date:06.10.2023
Genre:Techno
Configuration:12"
Barcode:
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Label:TH Tar Hallow
Cat-No:tar017t
Release-Date:06.10.2023
Genre:Techno
Configuration:12"
Barcode:
1
Louis The 4th - Va De Soi
2
Louis The 4th - Tolo
3
Louis The 4th - Declined
4
Louis The 4th - Kassl
Tracklisting:
A1 Louis The 4th - Va De Soi
A2 Louis The 4th - Tolo
B1 Louis The 4th - Declined
B2 Louis The 4th - Kassl
Sales Note
Straight-forward 4 tracker bringing fresh vibes and high energy. More
A1 Louis The 4th - Va De Soi
A2 Louis The 4th - Tolo
B1 Louis The 4th - Declined
B2 Louis The 4th - Kassl
Sales Note
Straight-forward 4 tracker bringing fresh vibes and high energy. More
12"
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Label:TH Tar Hallow
Cat-No:tar016t
Release-Date:08.09.2023
Genre:Techno
Configuration:12"
Barcode:
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Last in:28.09.2023
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Label:TH Tar Hallow
Cat-No:tar016t
Release-Date:08.09.2023
Genre:Techno
Configuration:12"
Barcode:
1
Dynamic Forces - Directions
2
Dynamic Forces - Old Bite
3
Dynamic Forces - TRSR
4
Dynamic Forces - Substance
Tracklisting:
A1 Dynamic Forces - Directions
A2 Dynamic Forces - Old Bite
B1 Dynamic Forces - TRSR
B2 Dynamic Forces - Substance
Sales Note
New, fresh material by the duo Dynamic Forces. A serious, effective 4 tracker compiled by the duo's significant powerful productions. More
A1 Dynamic Forces - Directions
A2 Dynamic Forces - Old Bite
B1 Dynamic Forces - TRSR
B2 Dynamic Forces - Substance
Sales Note
New, fresh material by the duo Dynamic Forces. A serious, effective 4 tracker compiled by the duo's significant powerful productions. More
Label:TH Tar Hallow
Cat-No:tar015t
Release-Date:23.06.2023
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar015t
Release-Date:23.06.2023
Genre:Techno
Configuration:12"
Barcode:
1
Charlton - Would It Be
2
Charlton - Getting Back Out There
3
Charlton - Calm Your Drift
4
Charlton - Right Ear In Left Ear Out
Tracklisting:
A1 Charlton - Would It Be
A2 Charlton - Getting Back Out There
B1 Charlton - Calm Your Drift
B2 Charlton - Right Ear In Left Ear Out
Sales Note:
Charlton with his own unique style returns on Tar Hallow with a banging 4 tracker. More
A1 Charlton - Would It Be
A2 Charlton - Getting Back Out There
B1 Charlton - Calm Your Drift
B2 Charlton - Right Ear In Left Ear Out
Sales Note:
Charlton with his own unique style returns on Tar Hallow with a banging 4 tracker. More
12"
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Label:TH Tar Hallow
Cat-No:tar014t
Release-Date:19.05.2023
Genre:Techno
Configuration:12"
Barcode:
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Label:TH Tar Hallow
Cat-No:tar014t
Release-Date:19.05.2023
Genre:Techno
Configuration:12"
Barcode:
1
Lenson - Party Groove
2
Lenson - Andiam
3
Lenson - Bipolar Disorder
4
Lenson - Red Alert
Tracklisting:
A1 Lenson - Party Groove
A2 Lenson - Andiam
B1 Lenson - Bipolar Disorder
B2 Lenson - Red Alert
Sales Note
Excellent cuts by Lenson, the man behind Rotterdam Electronix returns on Tar Hallow. More
A1 Lenson - Party Groove
A2 Lenson - Andiam
B1 Lenson - Bipolar Disorder
B2 Lenson - Red Alert
Sales Note
Excellent cuts by Lenson, the man behind Rotterdam Electronix returns on Tar Hallow. More
Label:TH Tar Hallow
Cat-No:TAR009
Release-Date:28.04.2023
Genre:Techno
Configuration:12"
Barcode:
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Label:TH Tar Hallow
Cat-No:TAR009
Release-Date:28.04.2023
Genre:Techno
Configuration:12"
Barcode:
1
Decka - Endurance
2
Decka - Derelict
3
Decka - Exhaled
4
Decka - No Hats Needed Locked Groove (Vinyl version)
5
Decka - Subversion
Repress
Tracklisting:
A1 Decka - Endurance
A2 Decka - Derelict
B1 Decka - Exhaled
B2 Decka - No Hats Needed Locked Groove (Vinyl version)
B3 Decka - Subversion
Release Note:
Exceptional 12inch by Decka, comes on Tar Hallow with five hard force, direct, groove-tunnelling cuts. More
Tracklisting:
A1 Decka - Endurance
A2 Decka - Derelict
B1 Decka - Exhaled
B2 Decka - No Hats Needed Locked Groove (Vinyl version)
B3 Decka - Subversion
Release Note:
Exceptional 12inch by Decka, comes on Tar Hallow with five hard force, direct, groove-tunnelling cuts. More
12"
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Label:TH Tar Hallow
Cat-No:tar013t
Release-Date:14.04.2023
Genre:Techno
Configuration:12"
Barcode:
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Label:TH Tar Hallow
Cat-No:tar013t
Release-Date:14.04.2023
Genre:Techno
Configuration:12"
Barcode:
1
Dimi Angélis - Untergang
2
Dimi Angélis - Purify
3
Dimi Angélis - Drone Rider
4
Dimi Angélis - Aftermath
Tracklisting:
A1 Dimi Angélis - Untergang
A2 Dimi Angélis - Purify
B1 Dimi Angélis - Drone Rider
B2 Dimi Angélis - Aftermath
Sales Note
Dimi Angelis with his characteristic obsessive way brings a new 12inch on Tar Hallow with 4 excellent raw bangers.
"The Time Machine 1895-2023" More
A1 Dimi Angélis - Untergang
A2 Dimi Angélis - Purify
B1 Dimi Angélis - Drone Rider
B2 Dimi Angélis - Aftermath
Sales Note
Dimi Angelis with his characteristic obsessive way brings a new 12inch on Tar Hallow with 4 excellent raw bangers.
"The Time Machine 1895-2023" More
Label:TH Tar Hallow
Cat-No:tar012t
Release-Date:10.03.2023
Genre:Techno
Configuration:12"
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Label:TH Tar Hallow
Cat-No:tar012t
Release-Date:10.03.2023
Genre:Techno
Configuration:12"
Barcode:
1
ARKVS - Rise and Fall
2
ARKVS - Killing the vibe
3
ARKVS - A-110 X 303
4
ARKVS - Luvion
Tracklisting:
A1 ARKVS - Rise and Fall
A2 ARKVS - Killing the vibe
B1 ARKVS - A-110 X 303
B2 ARKVS - Luvion
Sales Note
Techno from Rotterdam. More
A1 ARKVS - Rise and Fall
A2 ARKVS - Killing the vibe
B1 ARKVS - A-110 X 303
B2 ARKVS - Luvion
Sales Note
Techno from Rotterdam. More
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Last in:12.11.2024
Label:defected
Cat-No:DFTD050X
Release-Date:19.07.2018
Genre:House
Configuration:12"
Barcode:
1
shakedown - At Night (Peggy Gou's Acid Journey Remix)
2
shakedown - At Night (Tiger & Woods Remix)
3
shakedown - At Night (Purple Disco Machine Extended Remix)
4
shakedown - At Night (Shakedown's Galactic Boogie)
Simply an iconic track from Swiss brothers Mandrax and Seb K aka Shakedown, ‘At Night’ is one of the most recognisable house tracks of the last two decades. With one of the most-hyped remixes of the year, artist of the moment Peggy Gou delivers with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling. Stepping up to tackle this masterpiece with a nu-disco dance track, Tiger & Woods use cowbell to accent a B-boy beat, with drum machine breaks bringing it back to the dancefloor. With a sophisticated house remix with a nu-disco edge is Purple Disco Machine, fusing a funk-infused bassline with Terra Deva’s unforgettable vocals. Finally is a brand new version from the Shakedown duo themselves, the Galactic Boogie Mix. With saturated synths and interplanetary breakdowns, Shakedown bring a carefree 80s quality to this iconic track’s irresistible after-dark charm.
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Label:Source Material
Cat-No:SM011
Release-Date:15.03.2024
Genre:Electro
Configuration:12"
Barcode:
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Label:Source Material
Cat-No:SM011
Release-Date:15.03.2024
Genre:Electro
Configuration:12"
Barcode:
1
YTP - Trace
2
Raw Takes - 116ctro
3
Ole Mic Odd & Alonzo - And We Rock
4
Chupacubras - Compassion
The Source Material Various Artist series is back with a monster record for its second instalment once again featuring some of the realest heads on the underground – YTP, Raw Takes, Ole Mic Odd & Alonzo, and Chupacabras. This one comes hand-stamped on translucent green wax and is limited to 250 copies.
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Label:Few & Far Between
Cat-No:F&FB001RP
Release-Date:03.03.2023
Genre:House
Configuration:12"
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Cat-No:F&FB001RP
Release-Date:03.03.2023
Genre:House
Configuration:12"
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1
Language - Breakdown Wo!
2
Language - Crystal Clean
3
Language - Tranquility Bass
4
Language - Lake Placid
Repress!
26 years after its initial release, In The Lab EP by Language receives a reissue via Few & Far Between, a new imprint out of Bristol. Founder of Few & Far Between, Sam Hall, makes the 1992 deep house record the figurehead of his new label, setting the scene for the forthcoming original releases and further reissues in 2018 and beyond. More
26 years after its initial release, In The Lab EP by Language receives a reissue via Few & Far Between, a new imprint out of Bristol. Founder of Few & Far Between, Sam Hall, makes the 1992 deep house record the figurehead of his new label, setting the scene for the forthcoming original releases and further reissues in 2018 and beyond. More
Label:Gondwana Records
Cat-No:GONDLP060
Release-Date:03.10.2023
Genre:Jazz
Configuration:LP
Barcode:5050580794696
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Label:Gondwana Records
Cat-No:GONDLP060
Release-Date:03.10.2023
Genre:Jazz
Configuration:LP
Barcode:5050580794696
Gondwana Records are proud to announce Octava the sublimely beautiful second album from immersive LA deep-jazz masters Phi-Psonics. Phi-Psonics is a meditative, deeply soulful immersive jazz group from Los Angeles, led by bassist Seth Ford-Young and featuring Sylvain Carton on woodwinds, Mitchell Yoshida on electric piano, and Josh Collazo on drums. Their deeply soulful music draws on jazz and classical influences together with Ford-Young"s own musical experiences, relationships, and his introduction to spirituality, yoga and philosophy at a young age, along the way they create something uniquely their own, beautiful landscapes for your thoughts to roam within.
Tracklist
1.1Invocation
1.2An Offering
1.3We Walk in the Gardens of Our Ancestors
1.4Green Dreams
1.5Where We've Been
1.6Lunar Reflections
1.7Becoming
1.8New You More
Tracklist
1.1Invocation
1.2An Offering
1.3We Walk in the Gardens of Our Ancestors
1.4Green Dreams
1.5Where We've Been
1.6Lunar Reflections
1.7Becoming
1.8New You More
Label:Cuts From The Vaults
Cat-No:CFTV001
Release-Date:03.03.2023
Configuration:12"
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Label:Cuts From The Vaults
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Release-Date:03.03.2023
Configuration:12"
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1
Unknown - Shot
2
Unknown - Shot (Special Dub)
3
Unknown - Bossarocker (Bossa Edit)
4
Unknown - Bossarocker (Break On Edit)
Repress!
Double trouble from the depths with this audacious edit package taking in two ultimate, belt from the bottom of your heart classics. Reworked, reloved and revamped to provide maximum dancefloor elation. Two big, bold edit beasts to help you break on through to the other side. More
Double trouble from the depths with this audacious edit package taking in two ultimate, belt from the bottom of your heart classics. Reworked, reloved and revamped to provide maximum dancefloor elation. Two big, bold edit beasts to help you break on through to the other side. More
Label:Rare Wiri
Cat-No:RWWAX015
Release-Date:09.02.2024
Configuration:12"
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Cat-No:RWWAX015
Release-Date:09.02.2024
Configuration:12"
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1
Rayko - Rain
2
Rayko - Mercy
3
Rayko - Gold Dust Woman
4
Rayko - Amigo
Rayko the Spanish Disco Producer and DJ extraordinaire has been busy in his Madrid based Studio burning the midnight oil to deliver Vadillo Vice Volume two.
Four reworked funk fuelled bass heavy cuts, tried and tested by the man himself on dancefloors across the globe and due to be released on vinyl only later in the year.
Deeply rooted in the golden era of the 70s and 80s, Rayko’s influences are masterfully interpreted and transformed into modern day dancefloor bombs, and are a key signature sound of his long established label Rare Wiri (Since 2008) an outlet for his productions alongside other likeminded artists such as Daniele Baldelli, Man Parrish, Gazeebo, Ilija Rudman, Ichisan, Spirit Catcher, Mushrooms Project, Eric Duncan among many others. More
Four reworked funk fuelled bass heavy cuts, tried and tested by the man himself on dancefloors across the globe and due to be released on vinyl only later in the year.
Deeply rooted in the golden era of the 70s and 80s, Rayko’s influences are masterfully interpreted and transformed into modern day dancefloor bombs, and are a key signature sound of his long established label Rare Wiri (Since 2008) an outlet for his productions alongside other likeminded artists such as Daniele Baldelli, Man Parrish, Gazeebo, Ilija Rudman, Ichisan, Spirit Catcher, Mushrooms Project, Eric Duncan among many others. More
Label:Dead Oceans
Cat-No:DOCLP357
Release-Date:05.04.2024
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605165714
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Label:Dead Oceans
Cat-No:DOCLP357
Release-Date:05.04.2024
Genre:Indie Rock/Alternative
Configuration:LP
Barcode:0656605165714
“‘A La Sala,’ I used to scream it around my house when I was a little girl, to get everybody in the living room; to get my family together. That’s kind of what recording the new album felt like. Emotionally there was a desire to get back to square-one between the three of us, to where we came from–in sonics and in feeling. Let’s get back there.” - Laura Lee Ochoa
The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go further, and do so on your own terms. It extends the air of mystery and sanctity that’s key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. Yet if 2020’s Mordechai, the last studio album Khruangbin made without collaborators, was a party record whose ensuing post-lockdown tour enhanced the band’s musical reputation far and wide, A La Sala is the measured morning after. It’s a gorgeously airy album made only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It is a porthole onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.
It is also a response to the unique moment Khruangbin finds itself in now: following a decade spent cultivating extraordinary music paths, beginning a year when they'll perform for more people, in more iconic spaces, staging a live show that pushes a creative envelope peculiar to them alone. (Look for the band at major festivals and venues near you.) 2024 feels like both marker and pivot, cementing Khruangbin’s stature as a commercially and critically successful group that continues to be guided by creative possibilities.
Such crossroads are familiar for iconic artists throughout the rock era — your Dylans, Stevies and Bowies, up thru turn-of-the-century Radiohead, all have navigated these straits. On A La Sala, Khruangbin also pulls exploration inward, spurning the din of the crowd’s expectations, mapping a personal direction home. The trio’s collective musical DNA and the years spent constructing it in Houston’s local-meets-global cultural stew ensure the band carries on sounding like no one but itself. A La Sala may in fact be Khruangbin’s purest distillation. A cascade of crisp melodies still emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place.
Where prior album-by-album growth seemed to point the narratives towards music’s polyglot edges, such inquiries now sound like known intimacies. What once seemed like sonic invocations — spaghetti-western film scores, found-sounds, dancing moments more living room than rooftop disco — are ingrained characteristics. This is who they are! And there’s a freshness to the instrumental interactivity on A La Sala that’s less concerned with getting further out than going deeper in. That depth is not about therapeutic self-reflection, but a profound desire to celebrate the world’s external wonders.
A La Sala invites intimate intercontinental partying. The first single is, after all, called “A Love International.” “Pon Pón” holds the band’s table at the West African discotheque; yet the joy now moves to the corner left of the dancefloor, where the back-and-forth between Laura Lee’s bass, DJ’s hi-hat, and Marko’s tuneful rhythm scratches, is a marvel of knowing head-nods. There’s “Hold Me Up (Thank You),” a familial sweetness in its spare lyrics, feeding off the rhythm section’s sturdy funk shuffle, and a chorus on which Marko’s guitar evokes both sides of the Atlantic in confident unshowy rhythms. They’re on “Todavía Viva” too, next to DJ’s noir-soul rim-shots, synth strings and a pregnant pause that is Laura Lee’s favorite moment on the album, the mood kin to the band’s glorious live interpretations of G-funk fantasias. And the rocked-up miniature, “Juegos y Nubes,” demonstrates Khruangbin’s Houston-born superpower to culture-mix, a dancing mood less concerned with worldly glamor than communal grooving.
“I read something long ago, attributed to Miles Davis. He said, ‘When they play fast, you play slow. When they play slow, you play fast.’ And it's definitely how I've approached looking at music: Don't follow the trends. And if the trend is this, then do something else.” - Marko
From the get-go, Khruangbin’s journey has been emphatically its own: a sound and visual representation with few precedents, ignoring pop expectations, relying only on internal inspirations, and a multitude of visions. It’s a mindset of penetrating the self, connecting to the surrounding world, modeling your own life experiences. This ethos is threaded throughout A La Sala, audible in the album’s form and function. (It’s even visible in the vinyl version’s physical package, which will be released as a set of seven distinctive covers and color-sets — more on which in a sec.)
The building blocks for the album’s 12 songs were jigsaw pieces found in Khruangbin’s creative past. Having stockpiled ideas originally set down as off-the-cuff recordings (voice-memos made at sound-checks, on long voyages, as absentminded epiphanies), they began fitting those pieces together in the studio. Which parts were apt? Which could be massaged and stretched out? Which inspired new sections or rhythms or musical interactions? Once more, Khruangbin’s familial DNA kicked in. Layer-by-layer, the intimate work, rework and re-rework bore new fruit. They also brought back a strategy once foundational to their records: seeding an album with field recordings.
Some results fold directly into A La Sala’s down-home feel. “Three From Two” and “May Ninth” are wistful mid-tempo numbers, with guitar melodies that reside somewhere between Bakersfield and by-the-riverside, cues that, for all its borderless inclusivity, another core Khruangbin value is being steeped in American roots. And in the landscape that music comes from. Like all albums prior to Mordechai, Marko made sure environmental sounds — natural and man-made — appeared as textures. (At times philosophically: the group recorded while cricket chirps played in their headphones, presumably for terroir.) It’s how A La Sala achieves such interconnected set-and-setting-ness.
Other results are more metaphorical, especially in Khruangbin’s flirtation with ambient spaces. The dramatically beatless “Farolim de Felgueiras” and “Caja de la Sala” both feature only Marko’s unmistakable guitar dueting with Laura Lee’s Moog, lightly layered with sounds of shoes on stone steps, and cicadas in an open field. The closing “Les Petits Gris” more fully reduces and fleshes out the ambiance, with a piano and a simple single-note bass pattern, Marko’s plaintive spare guitar echoing the melody of a ballerina-turning music box. It feels an apt way of ending — as a passing of this particular moment, preparation for the next one, soon-come.
Even the seven different covers that adorn A La Sala’s various vinyl editions offer a throughline from the music into Khruangbin’s current frame. Designed by the band using Marko’s multitude of travelog photos, they are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances illuminating what is going on inside. These are also directly related to David Black’s images of DJ, Laura Lee and Marko which accompany A La Sala, and to Khruangbin’s live staging reinvention. It’s all about looking out and looking back, in order to better look ahead.
“All the little moments you capture. You don't see how impactful they are until you hear what eventually comes of them. A lot of those scraps end up being the thing — and you don't realize it until it's ‘The Thing.’” - DJ
credits
releases April 5, 2024
Produced by Mark Speer & Steve Christensen
Written, Arranged & Performed by Khruangbin
Art Direction: Tiny Frees
Mixing: Steve Christensen
Mastering: Chris Longwood More
The title makes it clear. A La Sala (“To the Room” in Spanish), the fourth studio album by Khruangbin, is an exercise in returning in order to go further, and do so on your own terms. It extends the air of mystery and sanctity that’s key to how bassist Laura Lee Ochoa, drummer Donald “DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music. Yet if 2020’s Mordechai, the last studio album Khruangbin made without collaborators, was a party record whose ensuing post-lockdown tour enhanced the band’s musical reputation far and wide, A La Sala is the measured morning after. It’s a gorgeously airy album made only in the company of the group’s longtime engineer Steve Christensen, with minimal overdubs. It is a porthole onto the bounties powering Khruangbin’s vision, a reimagining and refueling for the long haul ahead. A La Sala scales Khruangbin down to scale up, a creative strategy with the future in mind.
It is also a response to the unique moment Khruangbin finds itself in now: following a decade spent cultivating extraordinary music paths, beginning a year when they'll perform for more people, in more iconic spaces, staging a live show that pushes a creative envelope peculiar to them alone. (Look for the band at major festivals and venues near you.) 2024 feels like both marker and pivot, cementing Khruangbin’s stature as a commercially and critically successful group that continues to be guided by creative possibilities.
Such crossroads are familiar for iconic artists throughout the rock era — your Dylans, Stevies and Bowies, up thru turn-of-the-century Radiohead, all have navigated these straits. On A La Sala, Khruangbin also pulls exploration inward, spurning the din of the crowd’s expectations, mapping a personal direction home. The trio’s collective musical DNA and the years spent constructing it in Houston’s local-meets-global cultural stew ensure the band carries on sounding like no one but itself. A La Sala may in fact be Khruangbin’s purest distillation. A cascade of crisp melodies still emanates from Marko’s reverb-heavy electric, dancing gently around Laura Lee’s minimalist almost-dub bass triangles, while DJ’s drums serve as the tightened-up pocket and unwavering dance-floor on which all this movement takes place.
Where prior album-by-album growth seemed to point the narratives towards music’s polyglot edges, such inquiries now sound like known intimacies. What once seemed like sonic invocations — spaghetti-western film scores, found-sounds, dancing moments more living room than rooftop disco — are ingrained characteristics. This is who they are! And there’s a freshness to the instrumental interactivity on A La Sala that’s less concerned with getting further out than going deeper in. That depth is not about therapeutic self-reflection, but a profound desire to celebrate the world’s external wonders.
A La Sala invites intimate intercontinental partying. The first single is, after all, called “A Love International.” “Pon Pón” holds the band’s table at the West African discotheque; yet the joy now moves to the corner left of the dancefloor, where the back-and-forth between Laura Lee’s bass, DJ’s hi-hat, and Marko’s tuneful rhythm scratches, is a marvel of knowing head-nods. There’s “Hold Me Up (Thank You),” a familial sweetness in its spare lyrics, feeding off the rhythm section’s sturdy funk shuffle, and a chorus on which Marko’s guitar evokes both sides of the Atlantic in confident unshowy rhythms. They’re on “Todavía Viva” too, next to DJ’s noir-soul rim-shots, synth strings and a pregnant pause that is Laura Lee’s favorite moment on the album, the mood kin to the band’s glorious live interpretations of G-funk fantasias. And the rocked-up miniature, “Juegos y Nubes,” demonstrates Khruangbin’s Houston-born superpower to culture-mix, a dancing mood less concerned with worldly glamor than communal grooving.
“I read something long ago, attributed to Miles Davis. He said, ‘When they play fast, you play slow. When they play slow, you play fast.’ And it's definitely how I've approached looking at music: Don't follow the trends. And if the trend is this, then do something else.” - Marko
From the get-go, Khruangbin’s journey has been emphatically its own: a sound and visual representation with few precedents, ignoring pop expectations, relying only on internal inspirations, and a multitude of visions. It’s a mindset of penetrating the self, connecting to the surrounding world, modeling your own life experiences. This ethos is threaded throughout A La Sala, audible in the album’s form and function. (It’s even visible in the vinyl version’s physical package, which will be released as a set of seven distinctive covers and color-sets — more on which in a sec.)
The building blocks for the album’s 12 songs were jigsaw pieces found in Khruangbin’s creative past. Having stockpiled ideas originally set down as off-the-cuff recordings (voice-memos made at sound-checks, on long voyages, as absentminded epiphanies), they began fitting those pieces together in the studio. Which parts were apt? Which could be massaged and stretched out? Which inspired new sections or rhythms or musical interactions? Once more, Khruangbin’s familial DNA kicked in. Layer-by-layer, the intimate work, rework and re-rework bore new fruit. They also brought back a strategy once foundational to their records: seeding an album with field recordings.
Some results fold directly into A La Sala’s down-home feel. “Three From Two” and “May Ninth” are wistful mid-tempo numbers, with guitar melodies that reside somewhere between Bakersfield and by-the-riverside, cues that, for all its borderless inclusivity, another core Khruangbin value is being steeped in American roots. And in the landscape that music comes from. Like all albums prior to Mordechai, Marko made sure environmental sounds — natural and man-made — appeared as textures. (At times philosophically: the group recorded while cricket chirps played in their headphones, presumably for terroir.) It’s how A La Sala achieves such interconnected set-and-setting-ness.
Other results are more metaphorical, especially in Khruangbin’s flirtation with ambient spaces. The dramatically beatless “Farolim de Felgueiras” and “Caja de la Sala” both feature only Marko’s unmistakable guitar dueting with Laura Lee’s Moog, lightly layered with sounds of shoes on stone steps, and cicadas in an open field. The closing “Les Petits Gris” more fully reduces and fleshes out the ambiance, with a piano and a simple single-note bass pattern, Marko’s plaintive spare guitar echoing the melody of a ballerina-turning music box. It feels an apt way of ending — as a passing of this particular moment, preparation for the next one, soon-come.
Even the seven different covers that adorn A La Sala’s various vinyl editions offer a throughline from the music into Khruangbin’s current frame. Designed by the band using Marko’s multitude of travelog photos, they are windows from the band’s living room onto a set of daydreams, scenes of impossible skies, external glances illuminating what is going on inside. These are also directly related to David Black’s images of DJ, Laura Lee and Marko which accompany A La Sala, and to Khruangbin’s live staging reinvention. It’s all about looking out and looking back, in order to better look ahead.
“All the little moments you capture. You don't see how impactful they are until you hear what eventually comes of them. A lot of those scraps end up being the thing — and you don't realize it until it's ‘The Thing.’” - DJ
credits
releases April 5, 2024
Produced by Mark Speer & Steve Christensen
Written, Arranged & Performed by Khruangbin
Art Direction: Tiny Frees
Mixing: Steve Christensen
Mastering: Chris Longwood More
12"
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Label:Planet Rhythm
Cat-No:dubwars001
Release-Date:25.08.2023
Genre:Techno
Configuration:12"
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Cat-No:dubwars001
Release-Date:25.08.2023
Genre:Techno
Configuration:12"
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1
Gunjack - From Within
2
Gunjack - Theme From Dubwars
3
Gunjack - Gatekeepers Ball
4
Gunjack - Ratsel Box
Tracklisting:
A1 Gunjack - From Within
A2 Gunjack - Theme From Dubwars
B1 Gunjack - Gatekeepers Ball
B2 Gunjack - Ratsel Box More
A1 Gunjack - From Within
A2 Gunjack - Theme From Dubwars
B1 Gunjack - Gatekeepers Ball
B2 Gunjack - Ratsel Box More
Label:WRWTFWW
Cat-No:wrwtfww086
Release-Date:24.11.2023
Configuration:LP Excl
Barcode:4251804142014
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Barcode:4251804142014
1
Danny Scott Lane - Three Is Company
2
Danny Scott Lane - A Shower At Six
3
Danny Scott Lane - Share
4
Danny Scott Lane - Must Have
5
Danny Scott Lane - Star Thing
6
Danny Scott Lane - Spy On Me
7
Danny Scott Lane - Shower Dance
8
Danny Scott Lane - 11PM
9
Danny Scott Lane - Smells Like Flowers
10
Danny Scott Lane - Showering Sad
WORLDWIDE
LP: Biovinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Three Is Company
A2. A Shower At Six
A3. Share
A4. Must Have
A5. Star Thing
B1. Spy On Me
B2. Shower Dance
B3. 11PM
B4. Smells Like Flowers
B5. Showering Sad
Info
WRWTFWW Records is so happy to announce Shower, the brand-new album by New York born, Los Angeles based ambient / jazz / downtempo musician Danny Scott Lane, following the recently released and very well-received cozy soundscape, Home Decor. The limited edition LP (500 copies worldwide) is available on biovinyl housed in a heavy 350gsm sleeve featuring an illustration by Gabrielle Rul and design by Jazlyn Fung. The album is also available digitally.
Continuing to gently push (caress?) the boundaries of chill out music, smooth jazz, and comfy electronica, Shower draws inspiration from “the feeling of a steamy shower shared with a stranger after a night on the dance floor”, a warm immersive affair for the mind and the body. This latest funky auditory experience once again invites Matt Elliot Gooden’s soothing saxophone, and this time also welcomes the vibrant beats of drummer David Ruiz. Organic, discreet in the most relaxing and elegant ways, and just the right amount of sexy – Lane’s new creation offers the finest in audio cocooning.
As you tilt your head back and close your eyes, let the hot and dripping sounds of Shower transport you to a world of sonic serenity. Feel the rich textures and appeasing harmonies wash over you, enveloping your senses in pure musical bliss.
Shower is the first new release by WRWTFWW Records made with biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of ambient, smooth jazz, minimalism, saxophone, solo showers, duo showers, shower à trois, and the fresh side of the pillow.
- Limited edition biovinyl of Danny Scott Lane’s new album featuring saxophone by Matt Elliot Gooden and drums by David Ruiz.
More
LP: Biovinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Three Is Company
A2. A Shower At Six
A3. Share
A4. Must Have
A5. Star Thing
B1. Spy On Me
B2. Shower Dance
B3. 11PM
B4. Smells Like Flowers
B5. Showering Sad
Info
WRWTFWW Records is so happy to announce Shower, the brand-new album by New York born, Los Angeles based ambient / jazz / downtempo musician Danny Scott Lane, following the recently released and very well-received cozy soundscape, Home Decor. The limited edition LP (500 copies worldwide) is available on biovinyl housed in a heavy 350gsm sleeve featuring an illustration by Gabrielle Rul and design by Jazlyn Fung. The album is also available digitally.
Continuing to gently push (caress?) the boundaries of chill out music, smooth jazz, and comfy electronica, Shower draws inspiration from “the feeling of a steamy shower shared with a stranger after a night on the dance floor”, a warm immersive affair for the mind and the body. This latest funky auditory experience once again invites Matt Elliot Gooden’s soothing saxophone, and this time also welcomes the vibrant beats of drummer David Ruiz. Organic, discreet in the most relaxing and elegant ways, and just the right amount of sexy – Lane’s new creation offers the finest in audio cocooning.
As you tilt your head back and close your eyes, let the hot and dripping sounds of Shower transport you to a world of sonic serenity. Feel the rich textures and appeasing harmonies wash over you, enveloping your senses in pure musical bliss.
Shower is the first new release by WRWTFWW Records made with biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.
Points of interests
- For fans of ambient, smooth jazz, minimalism, saxophone, solo showers, duo showers, shower à trois, and the fresh side of the pillow.
- Limited edition biovinyl of Danny Scott Lane’s new album featuring saxophone by Matt Elliot Gooden and drums by David Ruiz.
More
2LP
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Label:Isle Of Jura Records
Cat-No:ISLELP003
Release-Date:07.07.2023
Genre:World Music
Configuration:2LP
Barcode:
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Label:Isle Of Jura Records
Cat-No:ISLELP003
Release-Date:07.07.2023
Genre:World Music
Configuration:2LP
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Repress!
The first in a series of compilations by Jura Soundsystem is a blend of Dub, Ambient, Downtempo, Boogie and Proto House with a focus on music never before released on Vinyl, sought after out of print titles and some special versions edited specifically for the album.
The intention with this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. Highlights include Smackos (AKA Legowelt) Ambient epic ‘We Can Watch Alf In The Hotel Room’, never before released on Vinyl, the Dub / Psych hybrid of Minus Group’s ‘Black Shadow’, Kash’s sought after ‘Percussion Sundance’ and special edits of Ken Dang and Tabou Combo. The end of the album includes some soothing Ambient tools. More
The first in a series of compilations by Jura Soundsystem is a blend of Dub, Ambient, Downtempo, Boogie and Proto House with a focus on music never before released on Vinyl, sought after out of print titles and some special versions edited specifically for the album.
The intention with this project was to delve deeper into the reissue pond and unearth some lesser known tracks and artists. Highlights include Smackos (AKA Legowelt) Ambient epic ‘We Can Watch Alf In The Hotel Room’, never before released on Vinyl, the Dub / Psych hybrid of Minus Group’s ‘Black Shadow’, Kash’s sought after ‘Percussion Sundance’ and special edits of Ken Dang and Tabou Combo. The end of the album includes some soothing Ambient tools. More
Label:Music From Memory
Cat-No:MFM067
Release-Date:02.08.2024
Configuration:12"
Barcode:0731628580796
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Label:Music From Memory
Cat-No:MFM067
Release-Date:02.08.2024
Configuration:12"
Barcode:0731628580796
1
Gaussian Curve - Winter Sun
2
Gaussian Curve - Fever Dream
The return of Gaussian Curve - Gigi Masin, Jonny Nash and Marco Sterk’s much-loved trio are back for the first time since their 2016 sophomore album 'The Distance', presenting two new tracks entitled 'Winter Sun' and 'Fever Dream'.
Both tracks originate from recording sessions that took place in Amsterdam in 2016 for 'The Distance'. Despite not finding a place on the final album and being left as unfinished sketches for six years, the tracks represent an important part of the Gaussian Curve story which the band felt compelled to complete. Coinciding with the decision to perform a handful of live shows in 2022, they finally revisited the sketches, mixing and arranging them with the goal of giving them the full release that they deserve.
The trio’s trademark sound hits from first moments of 'Winter Sun'; a lush slow builder with all the classic GC ingredients; Nash’s airy and spacious guitar lines interplay with Masin’s warm rhodes, underpinned by Sterk’s subtle use of electronics and the minimal rhythm of a CR-78 drum machine.
On 'Fever Dream', the trio subtly expand their palette; a gently building 303 bass line and 808 rhythm form the foundations of the piece, with Masin’s vocals adding to a slow-burning intensity. Arguably a fuller sound hinting at new areas of exploration for the trio, but unmistakably Gaussian Curve.
Graphic art by Qiu Yang, design by Steele Bonus, More
Both tracks originate from recording sessions that took place in Amsterdam in 2016 for 'The Distance'. Despite not finding a place on the final album and being left as unfinished sketches for six years, the tracks represent an important part of the Gaussian Curve story which the band felt compelled to complete. Coinciding with the decision to perform a handful of live shows in 2022, they finally revisited the sketches, mixing and arranging them with the goal of giving them the full release that they deserve.
The trio’s trademark sound hits from first moments of 'Winter Sun'; a lush slow builder with all the classic GC ingredients; Nash’s airy and spacious guitar lines interplay with Masin’s warm rhodes, underpinned by Sterk’s subtle use of electronics and the minimal rhythm of a CR-78 drum machine.
On 'Fever Dream', the trio subtly expand their palette; a gently building 303 bass line and 808 rhythm form the foundations of the piece, with Masin’s vocals adding to a slow-burning intensity. Arguably a fuller sound hinting at new areas of exploration for the trio, but unmistakably Gaussian Curve.
Graphic art by Qiu Yang, design by Steele Bonus, More
LP Excl
in stock
Label:Mutual Intentions
Cat-No:MI-023
Release-Date:26.02.2021
Genre:HipHop/Rap/Urban
Configuration:LP Excl
Barcode:7090011905077
in stock
Last in:20.01.2021
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in stock
Last in:20.01.2021
Label:Mutual Intentions
Cat-No:MI-023
Release-Date:26.02.2021
Genre:HipHop/Rap/Urban
Configuration:LP Excl
Barcode:7090011905077
1
Stimulator Jones - A1 Drama Time
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Stimulator Jones - A2 Floatin On
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Stimulator Jones - A3 La Mano
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Stimulator Jones - A4 Late Night With Terry Phillmore
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Stimulator Jones - A5 Shaman's Dose
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Stimulator Jones - A6 Cupcakes
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Stimulator Jones - A7 Prince Sammy
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Stimulator Jones - B1 Don't Be Afraid
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Stimulator Jones - B2 Tripp Cisco
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Stimulator Jones - B3 Chuck Taylor Strut
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Stimulator Jones - B4 Bout Dat Love
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Stimulator Jones - B5 Stoned Sneakers
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Stimulator Jones - B6 From Afar
Special remarks :
High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve, shrink wrap and hype sticker!
Genre: Jazz-funk, library, fusion, soul, funk, dub
Tracklist:
A1 Drama Time
A2 Floatin On
A3 La Mano
A4 Late Night With Terry Phillmore
A5 Shaman's Dose
A6 Cupcakes
A7 Prince Sammy
B1 Don't Be Afraid
B2 Tripp Cisco
B3 Chuck Taylor Strut
B4 Bout Dat Love
B5 Stoned Sneakers
B6 From Afar
Press text:
Stimulator Jones breaks new ground on his sophomore LP, La Mano. The Stones Throw affiliate heads over to Mutual Intentions for a novel instrumental record that expands a musical dialect built on his singular fusion of sounds. The artist explores the musical possibilities contained in his hands as he moves between keys, guitars, drums and wind instruments in arrangements that break down the intellectual barriers of genre for the corporeal intimacy of the soul.
Vital Sales Points:
The title track is already picked up and compiled by Gilles Peterson on Brownswood Recordings.
La Mano is Stimulator Jones first instrumental LP between two Stones Throw albums as a singer.¨
Scroll to next page for audio and artwork links + resources…
More
High quality laqcuer cut LP with custom pantone printed innersleeve, pantone printed outer sleeve, shrink wrap and hype sticker!
Genre: Jazz-funk, library, fusion, soul, funk, dub
Tracklist:
A1 Drama Time
A2 Floatin On
A3 La Mano
A4 Late Night With Terry Phillmore
A5 Shaman's Dose
A6 Cupcakes
A7 Prince Sammy
B1 Don't Be Afraid
B2 Tripp Cisco
B3 Chuck Taylor Strut
B4 Bout Dat Love
B5 Stoned Sneakers
B6 From Afar
Press text:
Stimulator Jones breaks new ground on his sophomore LP, La Mano. The Stones Throw affiliate heads over to Mutual Intentions for a novel instrumental record that expands a musical dialect built on his singular fusion of sounds. The artist explores the musical possibilities contained in his hands as he moves between keys, guitars, drums and wind instruments in arrangements that break down the intellectual barriers of genre for the corporeal intimacy of the soul.
Vital Sales Points:
The title track is already picked up and compiled by Gilles Peterson on Brownswood Recordings.
La Mano is Stimulator Jones first instrumental LP between two Stones Throw albums as a singer.¨
Scroll to next page for audio and artwork links + resources…
More