Viikatory joins Source Material for the Granite City labels 12th record. Following recent releases on Mechatronica, UTTU and Trust, this EP continues her exploration into electro, techno and beatless workouts featuring some relentless kicks and extreme bassline modulation. Limited to 200 copies.

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No Hype Crew is a new collaboration project between two of Source Materials main stays - Nonentity and Ole Mic Odd. United by their love of hardware, the four tracks here have been created through bouncing ideas and building on live jams between their studios in Aberdeen, Scotland and Los Angeles. This one dives deep into the emotive side of electro whilst still holding onto that raw edge you would expect from both artists solo work.

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Revered bossman Nonentity takes the Source Material back to its roots with this firing new EP on hand-stamped and numbered 10". 'Denzel' is the visceral opener and one that sounds as if its synths have been fired by the hadron collider they are so fierce and fast. The drums too are hefty and the squelchy bass rounds out this instant electro classic. 'Equilibrium' on the flip takes a deeper tact, with moody chords hinting at unease as the slapping drum funk powers onwards. It's a two-tracker that is well worth adding to your aural assault arsenal.

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Sentient State returns to Source Material following a stellar debut release via the label back in 2019. Here, the Brooklyn based artist continues his journey into the deeper regions of acid laced electro with the first in a two part series called Sentient Machines.

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Simply an iconic track from Swiss brothers Mandrax and Seb K aka Shakedown, ‘At Night’ is one of the most recognisable house tracks of the last two decades. With one of the most-hyped remixes of the year, artist of the moment Peggy Gou delivers with a squelching 7 minute groover, bringing in that iconic synth motif to lift the production and keep it rolling. Stepping up to tackle this masterpiece with a nu-disco dance track, Tiger & Woods use cowbell to accent a B-boy beat, with drum machine breaks bringing it back to the dancefloor. With a sophisticated house remix with a nu-disco edge is Purple Disco Machine, fusing a funk-infused bassline with Terra Deva’s unforgettable vocals. Finally is a brand new version from the Shakedown duo themselves, the Galactic Boogie Mix. With saturated synths and interplanetary breakdowns, Shakedown bring a carefree 80s quality to this iconic track’s irresistible after-dark charm.

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Tracklisting
A1 A Thousand Details - The Puppet of The West
A2 A Thousand Details - Trifecta Bones
B1 A Thousand Details - Sandes de CQTF
B2 A Thousand Details - The Puppet Of The West (Sick Bastard Tool, Vinyl Version)
B3 A Thousand Details - Cornered Without Options

Sales Note
The very prolific ATD Records Founder, Gustavo Lima, brings 5 techno cuts on Tar Hallow for the first release of 2024. Early support by: Amotik, Answer Code Request, Ben Klock, Charlton, Chontane, Gary Beck, Kessell / Exium, Krenzlin, Kwartz, Leiras, Marco Bailey, Nastia, Perc, Steffi, W.I.R.E. and more.

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Repress!

Konduku returns to the nest for the fifth and final installment on his Nous'klaer Audio K-series. A diverse four tracker embodying Konduku's signature style of poly grooves and vibrant euphonies. A flow from dark to light that marks the end of this special series of releases.

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D’Julz’s Bass Culture Records signs up ZKY for four exceptional deep house cuts.

ZKY’s ‘New Standards’ EP on Bass Culture opens up with ‘Zycho’, a lithe house sound with wispy pads that bring cosmic colour to its dynamic groove. It’s endlessly on the move and ramps up the tension with tripped-out chord movements. The fantastic ‘Floating Phonk’ then slows things down via funky loops and sprinkles of organic percussion. Filtered, cut-up vocal samples enter the mix next to smudged pads, adding warmth to ice-cold beats and otherworldly vocal murmurs.

‘Sonar Train’ showcases ZKY’s machine mastery, continuing his ‘New Standards’ EP on Bass Culture with grounded drum sounds accompanied by infectious synth work, making for a track set to light up any dance floor. ‘Feeling’ rounds out the release with muted chords and crawling, soft acid bass, swinging drum grooves getting things moving in this timeless new outing on D’Julz’s Bass Culture.

Co-founder of Cabinet Records and running his own Ground Service Records, ZKY has been in the thick of the scene since the 90s, putting out an array of sounds across the house, minimal and tech spectrum as one half of Cab Drivers, and under aliases including Horseshoe, Warten Borgmann, Compass and more.

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Oro Azul‘s debut offering, ‘Water Seeds,’ takes us through 4 shades of an aquatic garden. Dembow floats underneath the waves while woodblock melodies bubble up through the weeds. Sub bass shifts the tide. Some sounds are moss-like, a protective balm. Other tones come through as minerals and metals, shining in the refracted light from above.

A collaboration between Ultima Esuna and Michael Red, the music of Oro Azul took shape over the course of a year of purposeful and transformative studio sessions. This release follows the pair’s solo releases on DJ Python’s Worldwide Unlimited, Nervous Horizon, and Isla.

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Gothenburg Electro City 3 (Stilleben Records063) is a V/A compilation with producers only from the Gothenburg region. It's three generations of Scandinavian electro sound on this record and I'm very happy with the result. Everybody knows It's More Fun to Compute. Gothenburg is the capital of Vastra Gotaland county in Sweden, it's also the capital of electro in Sweden. Enjoy! Best regards, label head Luke Eargoggle.

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Available on limited vinyl and digital (IR006) Irish electro great Decal was digging back through the archives to find the original edit of Free The Flange for Sunil Sharpe's recent "Dreams Of Electric Bleep" compilation when he found a stash of old electro tracks from 1999-2004 that never quite made it onto any release.

"At the time I'd have been fairly upfront about wanting to release tracks that were faster than most and in a style that wasn't straight electro. Some of these tracks fell into a weird middle ground for me, so they got put aside. It had been 20 years since I'd heard any of them and on listening back I reckoned that time had been kind to them so I started remastering them and uploading to Soundcloud alongside some classic 12" releases from my label Trama Industries.

For me, it was interesting to hear sounds and techniques emerging on some later tracks that would form the basis of my later projects like Legion Of Two and Of One. I'd kinda forgotten about that. Huge thanks to Eddie and Intrinsic Rhythm for suggesting a release and believing in the project"

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DIGGERS DOZEN presents it’s first compilation on BBE Music selected by Japan’s DJ MURO
- King Of Diggin'. This exciting new release offers 12 stunning Japanese jazz-funk and latin-
jazz gems which fuse Japanese traditional musical instruments and traditional melodies.
These recordings were produced during the 70's for Nippon Columbia by master
composers and musicians of Japan’s jazz and latin scene, including Kiyoshi Yamaya, Tadaaki
Misago & Tokyo Cuban Boys, Kifu Mitsuhashi, Toshiyuki Miyama and more. It's original vinyl
releases that these tracks featured on have become scarce and super rare for the Japanese
collectors market and now these magnificent tracks are available outside of Japan for the
first time on this killer compilation. The focus and selections made by MURO for this release
is a continuation from his Wa Groove Mix “Nippon Breaks” released in 2020.
DJ MURO known as King Of Diggin’ rightfully owns this title being one of the world's deepest
and most respected collectors of specialist rare records and music related relics. MURO first
and foremost is a globally renowned DJ who has made his mark in releasing countless
ground breaking mixtapes of various sounds and genres - mainly funk, soul and disco all
selected with rare and original pressings. As well as this MURO is widely known for
producing, remixing and re-editing many monumental titles and releases, reigning as King in
the various fields he prevails.
12 is the magic number... London based event, label & brand DIGGERS DOZEN is best known
for it's marvellous live mix series, where record supremo's worldwide are curated by
Maxwell Pastor, boss of DIGGERS DOZEN to select and play 12 of their most loved vinyl
rarities. The first event began on the date 12.12.12. when Maxwell forged the concept of 12
DJ's each play 12 records on this significant date. From it's launch the music direction leaned
more towards the less familiar sounds than the obvious and all vinyl selections to be strictly
original pressings from the 60's through to the late 80's. Some ten years later the DIGGERS
DOZEN events still continue, keeping a well respected reputation and growing appeal from
record collectors and it's listeners globally. Aside to the live mix series, DIGGERS DOZEN has
evolved into a niche brand & record label focusing on specialist merchandise, mixtapes and
vinyl releases which echo the interests and music direction of the events including this first
very special DIGGERS DOZEN compilation selected by DJ MURO

SIDE A

1. Fuke Jobutsu~ Part 1 Tohri (Edited by MURO) - Kiyoshi Yamaya & Contemporary Sound
2. Osorezan (Edited by MURO) - Kiyoshi Yamaya & Contemporary Sound Orchestra
3. Souma Nagareyama - Kifu Mitsuhashi, Kiyoshi Yamaya
4. Tabaruzaka - Katsuya Yokoyama, The Million Pops

SIDE B

1. Seijinshiki aka Adult’s Day - Toshiyuki Miyama & His New Herd
2. Asadoya Yunta - Kifu Mitsuhashi, Kiyoshi Yamaya

SIDE C

1. Nanbu Ushioi Uta - Kifu Mitsuhashi, Kiyoshi Yamaya
2. Saitara Bushi - Kifu Mitsuhashi, Kiyoshi Yamaya
3. Soran Bushi - Tadaaki Misago & Tokyo Cuban Boys
4. Hanagasa Odori - Tadaaki Misago & Tokyo Cuban Boys

SIDE D

1. Sakura Sakura - Tadaaki Misago & Tokyo Cuban Boys
2. Yagi Bushi - Tadaaki Misago & Tokyo Cuban Boys

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Written and Recorded by Sonja Tofik in Stockholm and Paris 2023 Visual by Viktor Fordell?Mastered by Giuseppe Tillieci at EnissLab, Rome
With 'Respire', Stockholm's Sonja Tofik presents a collection of works that cluster around themes of disunion and contemplation. In two halves, tiers of synthetic materials are layered into sullen reveries with organic components and concrète treatments, and as the obscurity of their genesis reaches a crescendo, these delicate and foreboding compositions find further means of communication the more they blister and bloom.


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