Presenting the second single from D.D. Mirage, a double header aimed squarely at the dancefloor featuring guest musicians Daniel Monaco and Nu Genea's Andrea De Fazio. A side 'Feel it' is a glittering cosmic disco jam with a hint of hedonism and an air of psychedelia. Capturing the euphoric exuberance of the dance floor, it draws influence from boogie legends such as 400 Blows, Patrick Cooley, Quando Quango and the Idjut Boys. The 12" Instrumental Mix takes inspiration from the Paradise Garage and Larry Levan, stripping back the musical elements to their core resulting in a Dubby and powerful DJ orientated mix.

B side 'So Hot' is a wonky mid-tempo heater, fusing trippy, sun-stroke delieria with infectious disco grooves. D.D. Mirage collaborated with some of Italy's finest groove merchants on this track, with Daniel Monaco (Rush Hour/Periodica Records) featuring on bass and Andrea De Fazio (Nu Genea/Parbleu) on drums. The track was influenced heavily by 80s Italo and Nigerian Disco. Label head Jura Soundsystem provides a Dubby extended take on the B2.

Instruments: JX-3P, Farfisa, Roland D-50, Jupiter, JV-1080, Korg Poly61, Juno-60, Guitar, Bass, Drums and various percussion.

A 140 gram pressing in 3mm spine kraftboard sleeve with labels and sticker designed by Bradley Pinkerton.

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A smooth Reggae version of the Randy Newman classic, most famously covered by Nina Simone, that was originally released in 1985. Licensed from producer and bona fide reggae legend Errol Dunkley, this version features killer horns and soulful vocals from Judy & Lynda. Backed with 'Heavenly Day'.

A 140 gram pressing in 3mm spine black disco sleeve with sticker and labels designed by Bradley Pinkerton.

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This rare Brit Funk 12” was originally released in 1984 and is now officially reissued for the first time. Licensed from producer Lindel Lewis, the 12” was heavily influenced by US Boogie and Disco and there’s a Dub influence at play as Lindel was also producing a lot of reggae around this time, most famously ‘Night Over Egypt’ by Mystic Harmony.

The 12” includes a previously unreleased Dub Version of ‘I Need You’ and was produced on two Analogue classics, Lindel says “I used a Linn Drum for the drums and played all synth parts using a Roland 106. I’m a classically trained musician and also a sound engineer, I worked at Mark Angelo Recording Studios for 18 years and have produced a great many artists. Steve Jones real name is Steve Myers, but I didn’t like the surname so changed it to Jones which felt more soulful. The name The Fat Boys came about because of the big bellies of myself the flute player Mike Appoh, my trainee engineer at the time. Ray Carlass played the sax solo, they have both now sadly passed”.

This long overdue reissue revives a standout moment in Brit Funk history, making it an essential addition for fans of classic Boogie and Disco. A 140 gram pressing in 3mm spine disco sleeve with labels and sticker designed by Bradley Pinkerton.

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**Limited to 300 copies - housed in a kraftboard sleeve**

Lovers rock style soul runnings from Sydney, Australia on this debut 7” from D.D. Mirage featuring Private Joy. The Original has a true 80’s lovers vibe with sweet harmonies from Private Joy and the flipside features a dubbed version.

Labels and sticker designed by Bradley Pinkerton.

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2x 12" 140g pressing of this big tune from Cameroonian outfit, ESA, originally released on an LP in 1986. Pressed in full 45RPM glory with extra versions from the original tapes. TIP!

For the first time ‘A Muto’ by Esa is given an official reissue. Not only does this mark a first as a stand along single, but the reissue contains previously unheard Instrumental, Dub and Keys Versions alongside an Acapella. Licensed from writer and producer Martin Socko Moukoko, for 40 years Martin kept the original 2” master tape in mint condition so for the reissue the tape was baked and stems transferred by Archive Audio in Paris and the tracks given new mixdowns by Martin himself alongside Jerome Caron. The resulting mixes stay true the original whilst making the most of today’s digital studio technology, cut at 45rpm and truly representing the gold standard of quality when it comes to a reissue.

‘A Muto’ was originally released in 1986 on the ‘Atesa’ album and became an instant hit in Cameroon and Africa. The lyrics tell the story of a woman who abandons her husband, complaining of being alone as the keeper of the house. ‘A Muto’ is a blend of Makossa, a style originating in the French Cameroons characterised by prominent brass arrangements, and Ambasse Bey, traditional fast paced dance music from Cameroon. Martin assembled a team of session musicians in Paris in 1985 and programmed the drums and synths himself on the Linn Drum and Yamaha DX 7.

The Esa project ground to a halt in 1989 following a legal dispute which saw Martin win a court case in France regaining the rights to his music. In the intervening years Martin has continued to work in music studying jazz for 4 years at the American school of modern music in Paris and providing background music for the corporate world.

Artwork by Bradley Pinkerton.

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(2024 repress) Isle Of Jura go back to 1976 to resurrect ‘Anambra’, the jewel in the crown of Dub, Soul & Funk outfit Ozo. ‘Anambra’ is something of a classic, a unique song that’s slow, ritualistic and spiritual, mixing African & Nyabinghi drumming with a Buddhist Sanskrit mantra ‘Om Mani Padme Hum’. An alternate version ‘Anambra River’ appears for the first time on the same 12”.

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A 140 gram pressing in 3mm spine red disco sleeve with sticker.

Vermelho Wonder is a Brazilian duo formed by music producer and DJ Márcio Vermelho and performer/singer Ivana Wonder. Since their formation in 2016, they have been acclaimed for their avant-garde and experimental style. ‘Se Você’ is an electronic torch song that was originally released digitally in 2021 by Gop Tun (also one of Brazil’s main festivals for Electronic music). For the first time the single is brought to Vinyl alongside a new Jura Soundsystem interpretation. Bonus track ‘Catman’ (Dub) rounds off the 12” with a touch of underground house.

Vermelho Wonder is a unique phenomenon, creating a one-of-a-kind atmosphere with their mix of performance, vocals, and DJ sets. Ivana's mysterious and captivating presence, combined with Vermelho's elegant production, has seen their live show delivering captivating performances at iconic venues such as SESC, CCSP, Oca do Ibirapuera, Teatro Oficina, and Hélio Oiticica's installation in Brasília.

Design by Bradley Pinkerton.

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Repress!
Isle Of Jura's first LP reissue, the highly sought after 'Voyage'. A Journey Into Discoid Funk by Brian Bennett originally released in 1978. A cosmic disco classic completely re-mastered from the original master tapes by Matt Colton. 180g vinyl. Bootlegged badly in the past, re-issued with love now, the sound quality s top notch! TIP.

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**2024 Repress on 140g Vinyl with updated Sleeve**

The first in a series of mini compilations exploring instrumental Dub versions of sought after and long out of print titles from the world of Reggae, Disco, Boogie and House. Many of these versions still contain vocals, snippets here and there drenched in delay or reverb, a style you’ll recognise from many of the Jura Soundsystem edits on the label. The late Glen Adams & Finesse open proceedings with their Island Disco cover of Marvin Gaye’s classic, followed on the A2 by a super rare UK Boogie/Brit Funk mix of Tippa Irie’s ‘Panic Panic’ (shouts to Tippa for personally helping to push through the license) and the A side closes with the 80’s leaning ‘Yes I Do’ from Belgium’s Special Occasion. The first half of the B side comes from Carol Williams with the Special Club Dub mix of ‘Can’t Get Away’, originally a one sided promo only 10” from 1983 complete with spoken word intro from Carol thanking New York’s Metro DJs for their support of the song. The LP closes with a Jura Soundsystem Dubby Edit of La Palace De Beaute’s ‘Sin’ pulling back on the vocal and going heavy on the delay.

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Originally released in 1986 ‘Power’ was the work of Philly producer Derrick Graves and vocalist Terrance T. The machine lead production on ‘Power’ was part of an emerging wave of post disco producers embracing a dub aesthetic that proved to be the precursor to the emergence of house music. The vocal harmonies from Terrance were influenced by Cameo and Prince and combined with the powerful production results in a dancefloor bomb in the Larry Levan style, stripped back and dubby with a strong song at its core. This level of musicality and production was no fluke, Derrick was a seasoned session musician who worked extensively with the likes of Sister Sledge, Dexter Wansel & Donny Hathaway. Derrick had a clear understanding of emerging studio trends “Music production was evolving into a new phase where home studios were developing and it was becoming more possible for real recordings to be made! From there, I eventually enhanced my production skills by learning how to compose using sequencers, computer software (DAWs), and midi instrument implementation in the 80's and 90's. I went from a 4-track to eventually a 24-Track 2" tape machine setup!”.

The fully remastered 12” includes the essential Instrumental mix.

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180g Pressing

The debut solo album from Ronnie Lion, one half of Ambient Warrior, is a homage to Spanish Town the capital of St Catherine in Jamaica. As the title suggests the Spanish guitar features heavily from both Ronnie and lead guitarist Sean Wilkinson. The album has a reggae palette at its core with the rhythm section of Ronnie on Bass and Horseman on drums providing a rock solid foundation for the intricate and memorable hooks provided by Sean’s Spanish Guitar. The album’s fusion of Reggae with Bossa Nova & Flamenco Guitar creates another special album that will appeal to fans of Ambient Warrior and beyond.

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Pressed on 180g Heavyweight Vinyl.

Welcome to ‘Instrumental Dubs #2’, a deep dive into the world of the Dub version and beyond. The A side has a distinct boogie feel, starting slow with a George Kerr produced cut from 1984 followed by a Brit Funk-esq instrumental from Harold Melvin & the Bluenotes originally released on the Philly World label (home to ‘Voice of Q’). The B side closes with the ‘Sweeter’ instrumental mix of Boogie bomb ‘Loving Sweet Devotion’ by Idiater Edwards.

The B side opens with ‘H2S04’ from Mad Professor that defies categorisation, sitting somewhere between Electro, Disco and Dub. Last but by no means least there’s an uptempo Dub mix of Original Rockers ‘Push Push’ making its first appearance on Vinyl having only been on the CD single release first time around.

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Isle Of Jura’s second longplayer reissue is an album from Ingleton Falls that touches upon Ambient, Dub, House and Balearic styles and was originally released in 1991 as a limited run of 100 self distributed cassette tapes Ingleton Falls are Andy Hannam Seymour and Andy Eardley from Tyne and Wear in Newcastle. Having come from a more traditional band background originally, Ingleton Falls was their electronic project and the result of a love of acts like Dub Syndicate, African Headcharge, Gary Clail, The Orb and The KLF. Andy Hannam Seymour remembers “It was a very creative time musically, there was a lot going on around us that used new technology. I was excited by the possibilities. Up until then I'd been playing guitar with a more traditional drums/bass/guitar/vocal band with all the 'musical differences' that entailed (the two bands ran side by side for a while). I also liked the idea that you could write and record a piece of music that was ready to release yourself, rather than it being a demo or having to pay a lot of cash for studio time. That DIY aspect was a lot of fun.” The album is split into 2 parts, ‘Aware’ and ‘Unaware’. Andy explains “We decided that 'side1' and side2' were pretty dull and came up with the aware and unaware division based on a kind of enlightened and unenlightened mind kind of idea. The unaware side had the tunes with themes like necrophilia and samples of christians and the aware side was more expansive mindful themes.” Equipment used the make the album included a Cheetah SX16 sampler, Alesis HR16 Drum Machine, Yamaha FG440 Acoustic Guitar, Tokai Stratocaster Guitar and an Atari ST computer running a Steinberg Pro 24 sequencing program (from floppy disk!). Due to a lack of sampling memory sounds were added live from cassette into the final mixes.
25 years later these songs finally reach a wider audience, initially via a limited cassette release followed 6 weeks later by the 180 Gram Heavyweight L

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UK Lovers Rock holy grail 12” from Sonia Whittingham, produced by Glen Sloley and originally released in 1988. ‘When I look into your eyes I feel a sweet sensation. I know our love is true ‘cos you make me happy'

A 140gram pressing in full colour sleeve designed by Bradley Pinkerton.

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The long awaited official reissue of ‘She Wants’, one of the first UK Street Soul singles originally released in 1985 by The NM Band.

The NM Band was an alias for UK Lovers Rock band Natural Mystic, responsible for a number of hits in the late 70’s and early 80’s most notably ‘Runaway Love’ and ‘Groove Rocking’. They released a string of acclaimed reggae LPs and toured extensively throughout the UK, but by 1985 wanted to try something away from their trademark roots reggae sound. Influenced by the availability of affordable hardware the band set about fusing Reggae and Soul using an Akai Drum machine, Yamaha DX7 and Roland sound module. ‘She Wants’ is one of the forebearers of UK Street Soul, raw machine drums paired with an incredibly soulful vocal from Ashley Sommers. The band created their own imprint ‘Mixdown’ to release the single, but it slipped under the radar, despite strong radio play from Choice FM and the then pirate station Kiss. The 12” is backed with Dub Version ‘She Wants’ (More).

A 140gram pressing in 3mm spine black disco sleeve with metallic sticker designed by Bradley Pinkerton.

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140gram pressing in 3mm spine Disco Sleeve

Two lost Disco classics appearing for the first time on a single 12” featuring soul legend Leon Ware and Jo Ann Harris, a little known backing singer for Bob Dylan throughout the 80s.

Both songs originally appeared on the ‘20 Minute Workout’ Video and LP released in 1983 by Canadian label Ronco, ‘What Does It Take’ providing an uptempo crescendo to the third part of the workout and ‘Never Gonna Give You Up’ the final warm down track. Licensed from producer Ira Newborn, Hollywood soundtrack royalty who composed the scores for an incredible run of films including The Blues Brothers, Ferris Bueller’s Day Off, The Naked Gun trilogy, Weird Science, Ace Ventura and Uncle Buck. Ira’s lawyer persuaded him to get involved in the project for Ronco and it was Ira who hand picked Leon Ware and Jo Ann Harris to add vocals to two tracks to aid the commercial potential of the album.

There are two original versions backed with extended instrumentals sourced from a rare Lazer Disc Version of the album. It feels right to shine a light on one of Leon Ware’s lesser known performances, whilst the Jo Ann Harris cut has a distinct Balearic air featuring sultry keys and sax at a tempo of 98 BPM.

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140g Vinyl and Limited to 300 copies
Limited one sided 12” featuring an extended edit by IOJ label boss Jura Soundsystem that teases out the vocal and pulls back on the Sax with judicious amounts of delay and reverb to create a 11’25 mins dubby disco excursion.

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Alec Falconer releases the first ep on his new flatship Ba Dum Tish label : a 4-track banger. Usual recipe, an assortment of synth, drums and bass to brighten your day.

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Melodic, powerfull and very deep classic tracks by Mike Huckaby. Originally released on Cross Section Records in 1997.

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Fresh from the recent success of “Makes Me Happy” & “Amberjack”, that saw Dan Be and Marc Brauner make their names on the imprint once again, Happiness Therapy continues a standout run of releases this December, with a new and long awaited four-track offering from label-founder Crowd Control.

“I collaborated with the south korean singer & artist ÜJEAN on this EP, with Marc Brauner remixing one of the tracks. I wanted to explore diverse influences, most of which had never been included in my music in the past. It's a versatile piece - and one that I'm very happy with!” - Crowd Control.

Crowd Control has been heading up Happiness Therapy since 2018, flying the flag for France’s underground music scene ever since. An established DJ, producer and event curator, his label has gone from strength to strength, boasting an already solid back-catalogue of productions, with many more to come!

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Tempo Records sublabel TempoCore presents Pugilist & Tamen; with four True To The Core Jungle & Drum and Bass tracks. A diverse quality production with amens, drumfunk and heavy bass ingredients. This beautiful crafted LIMITED EDITION crystal clear vinyl 12? comes in a new designed Tempo Records "Logo" high quality "Kraft" outer sleeve + a white innersleeve. All tracks mastered by Stuart Hawkes of Metropolis Mastering, London.

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The 3rd release in the IMPROX series explores the uncharted territories where electro, techno, bass and breaks converge. Once again, 7 tracks to feed your need.

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Repress!

It's been a busy 3 years since Danny Berman aka Red Rack'em released on his own Bergerac imprint.

Since then he's toured relentlessly, released a whole album of live music based disco/punk funk for Sonar Kollektiv as Hot Coins, managed to completely update his biggest track 'In Love Again' to make it a hit the second time around plus released spaced out, wonky party smashers on Wolf Music, Phonica, City Fly and Telefonplan.

While all this was going on Bergerac was largely on ice but now Berman is turning his energy back to the label with a vengeance.

Wonky Bassline Disco Banger is accurately titled. An uplifting intro breaks down into a slamming disco house number and just when you think you know what's going on…

Then the trademark Red Rack'em wonky bass drops in. 150% Guaranteed party smasher…

Jazzy House Extension is super vintage Red Rack'em from around 2004 - something for the jazz heads out there - cracked out piano and far too loud double bass come together to birth a euphoric yet banging snapshot of a producer learning his chops.

Destined is a slightly demented leftfield house number featuring mangled, pitch shifting fretless bass and vocals samples discussing someones destiny.

A woozy end to the EP.

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LIMITED BUSINESS... DON'T SLEEP. TIP!

L.F.T (Love, Fist, Tears), aka Johannes Haas, returns to Osàre! Editions for another scorching release. As ever, the German producer’s sonic palette is immediately recognisable as he manoeuvres through 1980s- inspired wave and raw, rugged electro. Equal parts dancefloor elixir and cerebral wonderment, Minecrawler showcases Haas’ flair for freewheeling, chemical artistry, and experimentation.

Divided into heavy, vocal numbers on one side and potent, club-orientated material on the other, the EP is unified overall by the frigid crackle of drum machines, primal synths, and goth aesthetics. ‘Halbverdient’ opens up – made in collaboration with fellow cold wave renegade Konstantin Unwohl, the song captures the duo’s shared love for all things dark and driving.

Structured around pummelling basslines, the titular track follows, an electro breed of The Hague’s West Coast variety, and a perfect example of L.F.T’s signature sound. This is vampire music at its finest – fanged, winged, and seductively menacing. Despite its impromptu origins, arising out of a spontaneous jam session, ‘Auf Meiner Haut’ is slick and steady. Cracking some beers with musicians Bella and Viva, L.F.T invited the duo to improvise lyrics, resulting in their detached, icily amorous exchange. Apocalyptic groover ‘Broken 101’ is next up, with ‘Fear and Machines’ preceding, a sparking stomper burning with cool, electric heat. Finally, don’t miss the digital bonus – ‘Planetary Intellect’ broods with penetrating, glacial energy that sends shivers down the spine.

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Tracklisting
A1 G303 - Acid Dropping
A2 G303 - Power Corrupts
B1 G303 - Beelzebub Rising
B2 G303 - Walk On By

Sales Note
LIMITED 200 COPIES POSTER EDITION (inclusive stickers)

Zodiak commune records resident G303 delivers 4 acid tracks for the volume 1 of the new 'Acid Machines' series.
As we can clearly hear on this first ep, 'Acid Machines' will be focussed more on the raw, industrial side of acid, with respect for the past and open to the future.
While 'acid dropping' and 'power corrupts' transport you straight back to the nineties, beelzebub rising starts off as raw electro acid evolving into a 4/4 dancefloorkiller.
Finally 'walk on by' is a fresh electro take on a sixties classic.

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