Ace dubbers - made the old way.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Estonian meteoric label Sad Fun lets loose “Sauna Belt” 12—inch by Roma Vjazemski. Vjazemski brings along four tracks from his recent limited cassette “Handlebar” for Berceuse Heroique & adds an extraterritorial remix by Philipp Otterbach. Loose oddball electronica by the Tallinn based astronomy enthusiast.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Fruit Express is here! This is their debut EP and "they" are Roma and Madis. A mellow electronica producer meets multi-instrumentalist and old time guitar hero. The outcome? Funky shit with its roots in dub and what seems like some smoky country music.
The title track is prominently catchy & poppy, while "Harlan County Line" crosses the border jamming away with a heavy spaghetty western feel. "Samurai" jam holds the mystique levels high, all spacey and mushy in its dub sauce.

The 12" is spotlessly sewn together by Tapes who throws the original "No Secret" into a 8-bit blender and out comes... well a sensational 8 bit version "The Secret"."

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Ace dubbers - made the old way.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Dark Entries celebrates its 15th anniversary with legendary synth-punk deviants Crash Course in Science. Dale Feliciello, Mallory Yago, and Michael Zodorozny formed CCIS in 1979 after meeting at art school in Philadelphia. As a gesture born of equal parts punk irreverence and brute necessity, the band incorporated toy instruments and kitchen appliances into their aggressive, angular sound. Their anthems “Cardboard Lamb” and “Flying Turns” from 1981’s Signals From Pier Thirteen EP have been staples in adventurous DJ sets for over 40 years - yet some of their finest work is to be found on Near Marineland, a full-length LP recorded in 1981 but remained unreleased in its time. Near Marineland shows the band moving into more diverse and polished territory (although it’s still as abrasive as sandpaper). Tracks like “No More Hollow Doors” and “Jump Over Barrels” highlight CCIS’s singular knack for embedding infectiously monotone hooks in their stiff-yet-funky grooves. Elsewhere we see CCIS going fully unhinged, like on the searing “Someone Reads” or the demented “Pompeii Spared”, where a spray of honks is barely glued together by a frantic synthetic pulse. While this masterwork of malfunctioning analog electronics has surfaced on a few occasions - this first time stand alone remaster includes four never-before-released bonus tracks and includes a lyric sheet. Near Marineland is crucial listening for all devotees of synth-punk and minimal electronics.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

In the mid-90s, Ken Ishii rose to prominence, with a futuristic sound rooted in Detroit’s machine soul yet unmistakably his own. Hailing from Sapporo, Ishii quickly became synonymous with futuristic, cutting-edge productions, and ‘Jelly Tones’ - originally released on R&S Records in 1995 - was the breakthrough release that propelled the Japanese producer to global notoriety.

Now reissued on vinyl for the first time since 2008, this 30-year anniversary edition of ‘Jelly Tones’, celebrates the album’s lasting legacy and continued influence with the dynamic rhythms, crystalline synth textures, and sophisticated arrangements that set Ishii apart - from the propulsive elegance of ‘Stretch’ and the layered complexity of ‘Pause in Herbs’, to the tribal, otherworldly darkness of ‘Moved By Air’ and the lush close of ‘Endless Season’.

Liste: https://open.spotify.com/intl-de/album/4TU4WS5SHMNlIJ02ABUdTY?si=ljfjR6eGR12jahQ9gtM_oQ&nd=1&dlsi=3e5e7f016f2140c7

TRACKLIST
A1 Extra
A2 Cocoa Mousse
B1 Stretch
B2 Ethos 9
C1 Moved By Air
C2 Pause In Herbs
D1 Frame Out
D2 Endless Season

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Discotchari is delighted to release a first-of-its-kind various artists compilation: Tehrangeles Vice (Iranian Diaspora Pop 1983–1993), fully licensed from Taraneh Enterprises. The album is a groundbreaking exposé of the vibrant subcultural hub of Tehrangeles (portmanteau of Tehran + Los Angeles), and the action–packed, true story of the Iranian diaspora music industry. Featuring 12 tracks remastered by award–winning Osiris Studio, lyrics and translations to all featured songs, original cassette covers, a 20+ page album note booklet by Dr. Farzaneh Hemmasi and more! Sprawling from Westwood to Glendale across the San Fernando Valley, the Tehrangeles scene was cultivated by the same producers and artists who industrialized the “golden age” of entertainment in pre–revolution Iran and fled from the 1979 Islamic Revolution along with millions of Iranian citizens. Through music and visual media, Iranian producers and artists working out of Tehrangeles have engaged in what the Iranian government calls a “cultural attack” against the Islamic Republic for over 40 years.

The album title Tehrangeles Vice underscores the illicit nature and daring circumstances from which Tehrangeles pop music was born and compares its legacy within Persian media to one of the most significant crime–drama TV shows of all time. In the same manner that Miami Vice and its aesthetics had a dynamic impact on sonic, visual and cultural trends in the United States and around the world, Tehrangeles media was a shock to the systems of Islamic Republic ideology and Iranian expatriate communities. Listening to these songs in hindsight, the contribution of Tehrangeles can be better understood as a triumphant effort to preserve Iranian identity by realizing it in conjunction with prevailing music genres of the ‘80s and ‘90s, and to rebel against the oppressive regime of the Islamic Republic of Iran through the most seductive of means: dance music.


A1 - Shahrokh - Man Va Tou ("Me and You")
A2 - Shahram Shabpareh, Shohreh Solati - Ghesmat ("Fate")
A3 - Farzin - Eshgheh Man ("My Love")
B1 - Aldoush - Vay Az In Del ("Woe To This Heart")
B2 - Fataneh - Mola Mamad Jan ("Mola Mamad Jan")
B3 - Ebi - Kolbeh Man ("My Cottage")
C1 - Sattar - Khaak ("[Home] Land")
C2 - Susan Roshan - Nazanin ("Sweetheart")
C3 - Delaram - Gharibeh ("Stranger")
D1 - Black Cats - Rhythm of Love
D2 - Leila Forouhar - Hamsafar ("Fellow Traveler")
D3 - Hassan Shojaee - Nazi Joon ("Dear Sweetheart")

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Twenty-four years on from its original release, Monolake's seminal Gravity receives its first vinyl pressing courtesy of Field Records. Occupying its own space at the intersection of dub techno, minimal and electronica, it's an ageless album of staggering vision and technological prowess which has matured into an all-time pillar of electronic music. This edition, remastered by the album's key architect Robert Henke, follows on from the recent reissue of Monolake's first album, Hongkong.

Arriving just after the turn of the millennium, Gravity marked a turning point for Monolake. With co-founder Gerhard Behles moving on to other ventures, Henke produced most of the album solo and journeyed deeper into spatial exploration and the dub-informed principles that underpinned their project from the start. Minimalism and negative space run through the whole record, from the keen slithers of percussion pinging through lattices of delay to the hypnotising pulse of subliminal basslines anchoring the tracks. Gravity is a record which hangs on techno's linearity as a form of meditation, but the crystalline clarity of the mix allows every micro-fluctuation in rhythm and sound to cut through.

Compared to a lot of overly sterile digital music released in the early 2000s, Gravity endures thanks to the warmth and texture Henke elicited from his processes — even when leaning into none-more-digital effects like bit reduction. He described the ninth-floor view over Berlin from his studio at night as a key influence on the sound of the record, but the space Gravity shapes out feels thrillingly implacable. Unbound by the standard conventions of time and space, Gravity stands proud as a true original and finally gets the ceremonious vinyl pressing it so richly deserves.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More