Hard driving Electro Techno with a BIG nod to the heydays of 90's techno by mysteriously named Ten Lardell. Limited handstamped coloured vinyl. TIP!!! More

Hard driving Electro Techno with a BIG nod to the heydays of 90's techno by mysteriously named Ten Lardell. Limited handstamped coloured vinyl. TIP!!! More

TRACKLIST

A1.Stalker
A2. Profiler
B1. Wurlitzer Machinery
B2. Sonica

INFO

Klockworks is pleased to welcome back Stef Mendesidis for the label’s upcoming chapter.

The Kyiv-based DJ & Producer returns with 5 highly energetic techno cuts, exemplifying his seamless productions skills. The EP is filled with endless dynamic and fast-paced sound patterns, solidifying Stef’s compelling productions as rival to his renowned DJ sets.
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Tracklisting
A1 DJ Sommer - Darling I Pray
A2 DJ Sommer - All My Love
B1 DJ Sommer - Heartbeat
B2 DJ Sommer - So Happy

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Dazzle rolled deep. Very deep. In the 1980s, it wasn't unusual for the Milwaukee-based group to show up at various Midwest night clubs in a caravan of 30-40 cars and vans. Their live following was hard won over a career that spanned 20+ years, many line up changes, and a handful of project names. Friends, family, and fans made the journey with them weekend after weekend, a testimony to both the musical prowess of the group and the tight-knit community that they emerged from.

Donald Smith, band leader, was there the whole time - joined by many of his siblings and friends - first as founder of the Ghetto Players, a early 70's nine-piece which also included siblings Michael, Ronald, and Charles. They played hard funk in the style of early Kool and the Gang, and although they sadly left no recordings, the strength of their live act managed to catch the eye of local Milwaukee R&B music entrepreneur Cobie Joe Payne. Cobie had made a couple of records locally in the early/mid 70s as a singer, including the impossibly weird and amazing rare afro-blues-funk 45 "Sweet Thing", but had never enjoyed national success. When the Ghetto Players disbanded in the early-mid 70s, Donald soon put together a new group, C on the Funk (the 'C' referring to lead vocalist and sibling Charles), under Payne's tutelage. Sister Lorrie Smith came in as the drummer, the line-up being fleshed out by brothers David and Melvin Johnson, and friend Robert Mitchell. After a few years as a strictly live attraction, they drove to Chicago and produced a single, "In the Disco" / "A Place" for Payne's small record label Sweet Thang Records in 1980. Lacking the financial backing needed to supply the local R&B disk jockey's "promotional fees" , this single sadly languished in obscurity, gathering dust inside the local tavern jukeboxes and manilla promo envelopes that comprised Payne's DIY distribution network.

C on the Funk were traveling the Mid West extensively at this point, and making some important friends on the road. Ike Wiley Jr. of the Dazz Band/Kinsman Dazz took particular interest and the band was re-christened Dazzle, partially as a tie-in with Dazz, partially to embrace the new sounds that would distinguish the 70s disco scene from what record collectors and DJs would now refer to as the "Boogie" era. There no doubt was a stigma attached to the word "Disco" as the eighties began, and as we see in this collection C On the Funk's "In the Disco" is remixed and transformed into the psychedelic synth instrumental of Dazzle's "Disco's Out", a title which embodies both the next-step approach Smith and company were pushing for, and humorously comments on the state of black dance music in the early 1980s. The Dazzle recording, done in Chicago in 1982, updated the sound and featured an expanded line up, most notably a second synth player (Charles Washington), and a percussionist/second lead vocalist (Greg McDonald). The added synth textures and deep percussive grooves give the Dazzle recordings an elegant late night vibe that resonate just as well in a good pair of headphones as they do on the dance floor. The trance inducing cough syrup-warble of "Explain" may best exemplify this here. Sadly, a pressing flaw in the 12" halted production and promotion, and the EP and the songs within were lost to the ages. The group, having done a much better line in the live music business, followed that path instead all the way to the early 90s. --bio provided by andy noble More

After a stellar release on Saoirse's label trUst—which caught the attention of DJs like Ben UFO, rRoxymore and dBridge—Ryan Aitchison aka Mella Dee is back on the dials for another outing of quality tech ‘aus fodder. Rug Cutters Vol. 1 kicks off a slew of upcoming dancefloor weapons from the Warehouse Music boss. Visually underlined by his own original artworks, the EP shows off Mella Dee’s signature flair for whipping up raw, no-nonsense ingredients into irresistibly infectious grooves. Vol. 1 starts strong with ‘Cutting Snakes (Keep on Moving)’, a track that screams instant classic with its shuffling beat and fat, sassy synthline. A2 track ‘Bumps (You Say)’ dives deep into those bassbin vibrations—it’s big, rude, and dead set on shaking up even the swampiest of dancefloors. Together, these cuts are not messing around. On the flip, ‘Cutters (They Don't Get It)’ plays with the more futuristic, percussive end of the techno continuum. Drum breaks slither over each other, while a minimal vocal and bass hook locks everything down. Finally, ‘Pay No Mind (Who Am I)’ pulls the EP back to euphoria. This one will have the club cruising to its cocktail of flirty chord stabs and soulful house vocals—you’ll never want to go home. Luckily, it won’t be long before we get one more tune from Ryan Aitchison—with plenty on the horizon, ‘Rug Cutters Vol. 1’ is also a taste of what’s to come. Stay tuned! More

Tracklisting
A1 Michel Lauriola - Complete
A2 Michel Lauriola - The wait
B1 Michel Lauriola - Basic solution
B2 Michel Lauriola - Returns

Sales Note
Mord sublabel: Kazerne More

Preorder for repress
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Kalahari Oyster Cult welcomes another from down under, Furious Frank with his very own Trip 2 Fantasy via OYSTER28. Three OG acid-licked club-ready rollers from the Australian 303-connoisseur plus a bonus destruction mix from trusted Frankfurt associate Ludwig A.F.

A1 Existential Crisis, aka the current natural state of the world, sparks fly with flanged percussion springing between damaging drum work, making space for the juicy acid evolution. The journey develops to include dystopian stuttered vocals, glistening bells and pads to form a melancholic driver.

Continue the mood, elastic processed rhythms roll and dip for the A2 Artificial Simulation, robotic mechanism holding hands with the heavenly, dream state timbre, fluttered and full of melodic resonance.

The title track on the B2 Trip 2 Fantasy opens bold and brave, a punishing bass line and commanding claps, hot syncopation aimed for bodies moving. Thundering toms run stealthily underneath an ascending motif of delicate synthesis. “Join Me in my Dreams, My Trip to Fantasy” echoing out in seductive bliss over the driving undergrowth.

The record is rounded off with an even deeper, throbbing rejig of the former from none other than Ludwig A.F. The “Floor destruction” mix isn’t coy about its intentions, risers, diced vocals and anticipation through the roof.

A record ready to explode, whenever and wherever that may be. More

Tracklisting
A1 Linear System - Dubbing
A2 Not A Headliner - Not A Headliner
B1 Anika Kunst - Introspective Trip
B2 Decka - Vented

Sales Note
The infamous "All Stars" series on End Of Dayz are back this 2024 with a selection of 4 of the most hard workers producers and djs the last times. Linear System deliveries "Dubbing" a hard and deep squizo party shaker, Not A Headliner comes with a funky percussive game as "Mystery Box", Anika Kunst arrives into the last sinapsis of your brain in her "Introspective Trip" and Decka will make the delights of the hard UK Techno lovers with "Vented. Lethal weapons as we like it in the End Of Dayz heardquarters. More

Intrinsic Rhythm is proud to present a new EP by John Heckle entitled "Return To Titan" and the first on the the label from a different artist other than label owner Tr One.

This will be John's first release under his own name for a number of years and also includes a remix by Michigan techno visionary John Beltran.

The EP kicks off with "A" where energetic skillful production combines with Chicago and Detroit influences to concoct a brilliant mix of styles very much focused on the floor.

Next up is 7C where melodic bass and chords merge together to offer a brilliant whimsical approach towards analogue music that only John has mastered over previous releases.

Following this is the brief and one of the most beautiful tracks on the EP entitled "DSI" where building strings engage with soft percussion and kickdrum interplay to pull the listener in to the musicality on show.

On the B side we kick off with the beatless and ambient driven "CII" where 8 minutes of melodic density and synth interplay swirl between crescendo and musical culmination.

Finally John Beltran steps up and delivers a beautifully hypnotic club ready version of "A" where the Michigan artist teases between Detroit techno elegance and organic flair to show why he is one of electronic music's all time great producers. More

After the amazing State Of Play EP, Synaptic Voyager returns to Frame Of Mind with the beautiful and deep Disconnect To Reconnect. Six Detroit influenced techno and house tracks. Simply breathtaking! More

Fasme joins Craigie Knowes for a fantastical outing of acid-smiley conjuring synthesis, trance influenced sun-rays and sunset Sunday steppers. Creeping Plant climbs and attaches to all bases of the Fasme spectrum, with a foot-loose in every camp and crevasse. Expect thumping club euphorics and odes to nod your head to on the walk home. More

New Burial 12" on XL. More

printed sleeve / incl. dl code

Tracklisting
A1 Magna Pia - Mysteria
A2 Magna Pia - Hieros Gamos
B1 Magna Pia - Eleusis
B2 Magna Pia - Hieros Gamos (Inland remix)

Sales Note
Magna Pia - Hieros Gamos [TV002]
Written & Produced by Huseyin Evirgen.
Remix by Inland.
Mastered by Carlos Koschitzky.
Design by Dennis Moya Razafimandimby.
Temporal Variation, 2024. More