25th Anniversary Vinyl Reissue (May 2025)
A sonic time capsule wrapped in summer grooves

When Since Then first arrived in 2000, it felt like opening a window to somewhere sun-drenched and far away—a place where gentle Brazilian rhythms danced effortlessly with the pulse of deep house. Now, a quarter-century later, the album returns to vinyl for the first time, not as a relic, but as a timeless companion.

This reissue spins more than just music—it breathes new life into a moment when sound, place, and feeling merged into something unforgettable. Pooley was ahead of his time, weaving breezy South American textures into club-ready arrangements. Tracks like “900 Degrees” and “Balmes (A Better Life)” still shimmer with warmth and clarity, their melodies floating with an ease that refuses to age.

Tracklist:

A1 Since Then
A2 Bay Of Plenty
A3 Venasque
B1 Coração Tambor
B2 Balmes
C1 Visions
C2 Spicy Snapper
D1 900 Degrees
D2 Sundowner

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Rødhåd presents: Solara Melfera - the second compilation on WSNWG - BACK TO ZERO will be released on April 4th. This Compilation features a selection of the finest contemporary techno music.
Each characterized by a vigorous commitment to the dance floor.Mastered by Connor Dalton ate Calyx Mastering in Berlin.

Vinyl Cut by Schnittstelle Mastering Berlin
Artwork & Layout by Mike Bierbach
WSNWG - BACK TO ZERO I 2025


A1 Ignez - Passion Overdrive

A2 Pierce - Vairoc

B1 Anika Kunst - Brain Wreck

B2 Michael Ius - Electric Impulse

C1 Tauceti - Iris d'Alger

C2 Connor Wall - Disposed

D1 Phillberg - Menace

D2 Toru Ikemoto - Starry Enclave



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RSD 2025 - don't sell before 12th of April - Rights: World excluding France & UK

Packaging: 1 X Transparent Blue-Purple Vinyl, 3 mm spine sleeve gloss finish, printed inner gloss finish , marketing sticker

KEY POINTS
- Following on from 2023's 20th Anniversary re-issues of Neon Nights (RetroPop's #1 Re-issue of Year, 2023), Dannii Minogue returns to the dance floor once more for Neon Nights Remixed.

- Neon Nights Remixed brings together the best new remixes, newly commissioned for the 2023 for the first time on vinyl, including reworks from Initial Talk, AMYL, Luke Mornay, Project K and a specially commissioned new remix of 'Put The Needle on It' by Korpi & Blackcell.

- All mixes featured appear on vinyl for the very first time.

- Limited transparent blue vinyl - Record Store Day 2025 Exclusive.



TRACKLISTING
SIDE A
A1 Put The Needle On It (Korpi & Blackcell Ree'wurk)
A2 Who Do You Love Now? (Bart Claessen Radio Mix)
A3 For The Record (Luke Mornay Thirst Trap Radio Edit)
A4 Don't Wanna Lose This Feeling (Initial Talk Radio Edit)
A5 Blame It On The Music (Amyl Radio Edit)
A6 Nervous
A7 Hide And Seek (Thriller Jill Original Radio Mix)
SIDE B
B1 Blame It On The Music (Original Roger Sanchez 12" Mix)
B2 For The Record (Luke Mornay Track Ya Baby Dub)
B3 Come And Get It (Sebastian Krieg Edit)
B4 I Begin To Wonder (Project K's All Night At 54 Mix)


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DJ Merci collabs with kickin’ up dust & shows his soulful side with a 4 Song EP incl. Track ’’Let’s Love’’ with Vocals by House Music Icon Robert Owens. Grab it while u can! (Download Card in Sleeve + Bonus Track „Dreams“)


Tracklist:
1. Waves
2. Let's Love ft. Robert Owens
3. Move Me
4. Wistful Melody
5. Dreams (Bonus Track) / only with DL Code
6. Let's Love ft. Robert Owens (Demo Version) / only with DL Code

*track 5 & 6 only digital, download code in sleeve !

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2LP,TRIPLE GATEFOLD, Download Codes included

Genre: Melodic House & Techno

Tracklist:
A1) Definition – Pain
A2) Definition – Malfunction
A3) Definition – Drowning
B1) Definition – Hope
B2) Definition – Demolition
C1) Definition – Blueprint
C2) Definition, Natascha Polké – After Rain Comes Sun
C3) Definition – Gold
C4) Definition – Full Spectrum
D1) Definition – Herz
D2) Definition – Ending
D3) Definition, Treeboot – Relief

Lion, The Lion is Definition's summary of a phase of life. It roars with an unmistakable sense of strength, woven into every resonating beat and drifting melody.
Through shimmering synth textures, driving basslines, and subtle vocal traces, it carries you across a spectrum of emotional states—from feverish, pulsing energy to meditative introspection. Each track feels like a small yet significant battle won, a testament to resilience in the face of challenges. Percussion elements build tension, then dissolve into moments of calm, highlighting the dynamic interplay of fragility and power. Beneath its surface lies a constant wave of determination, anchoring the album’s softer elements in a foundation of raw strength.
Twisting tempos and sudden shifts in atmosphere propel you forward, ensuring that no section remains complacent or still. There is both grit and grace here, fused together in a complete experience that summons courage from the very first note. As the journey unfolds, a quiet resolve emerges, a promise of hope amid challenging times. Ultimately, the record stands as a moving ode to perseverance, asserting that true might resides not in grand gestures, but in the steady, unwavering pulse that keeps us going.


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RSD 2025 - don't sell before 12th of April - Rights: World excluding France & UK

Packaging: 1 X Phosphorescent Vinyl, 3 mm spine sleeve Matt finish, Black Dust Inner Sleeve , marketing sticker

KEY POINTS
- Originally released as a DJ only promo 12" single in 1992, The Dub Extravaganza Part 2 of Shakespears Sister's 'Black Sky' was an early taste of Underworld's remixing prowess, with Darren Emerson and Rick Smith twisting the original's goth pop into a nine-minute progressive house boiler. Since then, copies of the single have been much sought after.

- Finally The Dub Extravaganza Part 2 is re-issued on vinyl, alongside The Dub Extravaganza Part 1 and two newly commissioned of the re-edits of the Underworld mix by Leo Zero.

- Limited Glow-In-The-Dark green vinyl with newly commissioned artwork - Record Store Day 2025 Exclusive.


TRACKLISTING
A1. Black Sky (The Dub Extravaganza) (Leo Zero Edit)
A2. Black Sky (The Dub
Extravaganza) (Leo Zero Extended Edit)
B1. Black Sky (The Dub Extravaganza) (Part 2)
B2. Black Sky (The Dub Extravaganza) (Part 1)



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At the heart of this double album, and amid the intense internal struggle between creative instinct an artistic reasoning, Ziggy has identified two key themes: Inspire and Radicalise. It is within this duality that the 15 tracks of this new work, recorded between Berlin and London throughout January 2024, take shape. Throughout its creation, the crew enlisted a familiar pallet of materials, seeking those obscure and vintage music-making machines, meeting a myriad of percussion and drums with the new addition of electric guitar as the band ventures into disco / highlife inspired territories. bring this ambitious project to life, Ziggy enlisted a team of forward thinking musicians across Europe and the UK alongside old friends and collaborators from the grassroots in Melbourne, Australia: Lewis Moody (Energy Exchange Records), Szabolcs Bognar (Abase), Eric Owusu (Jemba Groove), and Tom Varrall (Jamie Cullum) form the core rhythm section alongside a hefty list of guest appearances (from the likes of Oscar Jerome & Tom Driessler) making this truly the most ambitious and diverse incarnation of ZFEX to date.

Please add VSPs as key points.
-ZFEX 5th album studio and 18 tracks, most ambitious project to date for the band
-ZFEX, in the past received support from Gilles Peterson, Aly Giliani, Moxie, Zakia, Macca
-Featuring Oscar Jerome, Eric Owusu (Jemba Groove), Desney Bailey, Szabolcs Bognar (Abase), Lewis Moody (Nubyian Twist)

SIDE A
A1. Astras Theme
A2. Clearly Packing
A3. Inspire (draft)
A4. Celebrate Some Time

SIDE B
B1. Just one Bump
B2. Inspire (afterthought)
B3. Whos the Kid ?
B4. Radicalise
B5. Living in the Future

SIDE C
C1. Shine Your Light
C2. Cyberfunk
C3. Inspire (deluxe)
C4. Lifestyles of the Hip and the Crazy
C5. Radicalise (urself)

SIDE D
D1. Wavy
D2. Baby Its U
D3. Sylvester
D4. Midas Touch



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NO Return!

Here comes a very special production from East Germany of the early 70s!
One of the TOP Soul-Jazz & Beat combos in the country led by bassist and singer HORST KRÜGER,
recorded two previously unreleased, outrageously good titles here in the newly formed septet format.
"Ich will die Zeit nicht bereuen" is probably by far one of the most crispy produced German-language soul beat numbers that existed in the GDR at that time! From the pen of Ralf Petersen, the then head of Berliner Rundfunk personally, no pure high-class hit was recorded here, but hard-hitting, rocking beat.
It was not without reason that the choice of the head of broadcasting fell on the recently formed Horst Krüger Septet, which also gave the contemporary jazzy sound a perfect touch through an intensified brass section from 1970 on.
The title "Sonderbar" is exactly what its title promises, peculiar and extraordinary. A feat that was created as such in 1972. This somewhat sweeter SoulJazz vocal piece had a concrete idea, which composers Dieter Kopf, Horst Krüger and Franz Bartzsch as a musical arranger as well as Jens Gerlach in the musical free spirit of the hippiesque era. A through the stylistic device of Repetito in the text
dominant repetition, which is complicated in the context of the ever-evolving theme about feelings and love Groove of bass, guitar, drums and organ theme is reflected, redefined and constantly found again, simply masterfully. An interlude with a flute solo and a groovy dreamy Hammond organ solo at the end of the title, envelops the verses very contemporary.
Horst Krüger on bass guitar and his wife Gerti Möller with her outstandingly distinctive and powerful voice on the microphone.
A must for every fan of early beat, rock and soul!

TRACKLISTS:

A: Ich will die Zeit nicht bereuen
B: Sonderbar

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Non Exclsuive Title! Oreirder Only. No Returns.

Format:Deluxe Edition of 299 copies, remastered from the original analog tapes
by Masami Akita, each LP comes in its individual sleeve reproducing the
original artwork, also includes a LP-sized 32-page book + Wooden Box


Tracklist:

Tracking list:

1.
Collection 001 - 001 A 23:46
Collection 001 - 001 B 23:48
2.
Collection 002 - 002 A 18:12
Collection 002 - 002 B 20:54
3.
Collection 003 - 003 A 22:14
Collection 003 - 003 B1 09:33
Collection 003 - 003 B2 05:25
4.
Collection 004 - 004 A 16:11
Collection 004 - 004 B1 07:08
Collection 004 - 004 B2 09:52
5.
Collection 005 - 005 A1 08:38
Collection 005 - 005 A2 08:54
Collection 005 - 005 B1 07:14
Collection 005 - 005 B2 03:53
Collection 005 - 005 B3 03:57
Collection 005 - 005 B4 04:03
6.
Collection 006 - 006 A1 17:35
Collection 006 - 006 A2 05:12
Collection 006 - 006 B 23:12
7.
Collection 007 - Merzrock B1 + Dubbing 5 11:21
Collection 007 - Merzrock A1 + Anemic Pop 1 02:00
Collection 007 - Merzrock A1 + Anemic Pop 2 08:32
Collection 007 - E-Study #3-1 + Merzsolo 1 15:49
Collection 007 - E-Study #3-1 + Merzsolo 2 05:58
8.
Collection 008 - Concrete Tape PH#1~ 05:19
Collection 008 - E8 A1 + 006 A1 06:03
Collection 008 - Merzsolo 10/6.81 A1 10:36
Collection 008 - E8 B2/Concrete Tape PH#1~ 06:28
Collection 008 - Sans Titre Merz 1 + Tape Loops 04:54
Collection 008 E6 A3 + Concrete Tape PH#1~ 06:46
Collection 008 - Merzsolo 10/6.81 A5 + Violin 03:21
9.
Collection 009 - N.A.M.4 + E-8 06:11
Collection 009 - Telecom 1/3 + N.A.M.5 17:32
Collection 009 - E-3-1-1 11:24
Collection 009 - E-3-1-2 01:50
Collection 009 - Tape Loop + Noise 1 (Concrete Tapes) 02:39
Collection 009 - Tape Loop + Noise 2 (Concrete Tapes) 04:25
10.
Collection 010 - 007 B1 + Ah Corps 11:47
Collection 010 - E3 B2 + Ah Corps 11:28
Collection 010 - N.A.M.6 With Radio & Tapes 22:47

Carrying on their longstanding dedication to the seminal output of
Merzbow, Urashima returns with what is unquestionably their most
ambitious release to date: “Collection 001-010”, a deluxe, 10 LP vinyl
box set limited to 299 copies, gathering together the entirety of the
project’s first ten releases, originally released in 1981. Encountering
the band in its early incarnation of the duo of Masami Akita and Kiyoshi
Mizutani, raw, exposed and bristling with energy, foreshadowing numerous
trajectories they would follow over the coming years, these astounding
full lengths - the majority of which have never been released on vinyl -
come housed in a beautifully produced, deluxe wooden box, with each LP
in its own individual sleeve reproducing the original artwork, and a
LP-sized 32-page book containing reproductions of artworls and collages
by Masami Akita, an interview conducted by Jim O'Rourke, and liner notes
penned by Lasse Marhaug, Thurston Moore, and Akita himself, amounting to
what is unquestionably one of the most historically significant releases
we’re likely to encounter in 2025.

Deluxe Edition of 299 copies, remastered from the original analog tapes
by Masami Akita, each LP comes in its individual sleeve reproducing the
original artwork, also includes a LP-sized 32-page book. ** Since its
founding during the late 2000s, the Italian imprint, Urashima, has
become a definitive voice in the landscape of noise. Bringing forth
beautiful limited edition releases, they’ve sculpted a singular vision
of one of the most vibrant and revolutionary bodies of experimental
sound to have graced the globe. Among the many projects that they have
supported over the decades, there has been an undeniable dedication to
the output of the seminal Japanese noise outfit, Merzbow, making a
significant amount of the project’s out of print back catalog available
across a range of formats. Now they return with what is arguably their
most stunning and ambitious release dedicated to the project to date:
“Collection 001-010”, gathering the entirety of Merzbow’s first ten
releases, largely privately released by the band on cassette across
1981, in a deluxe, 10 LP vinyl box set. Representing what is effectively
ground zero in Japanese noise and collectively amounting to some of the
most sought after releases ever produced within that movement,
Urashima’s truly beautiful collection comes fully remastered by Masami
Akita himself from the original tapes, presenting all but a small number
in their first ever vinyl pressings, with each LP housed in its own
individual sleeve reproducing the original artwork, alongside a LP-sized
32-page book containing reproductions of artworks and collages by Masami
Akita, an interview conducted by Jim O'Rourke, and liner notes penned by
Lasse Marhaug, Thurston Moore and Akita himself. Towering with energy
and groundbreaking creative vision, within the realms of noise and
experimental music, releases don’t get more monumental or historically
important than this!

Merzbow came roaring onto the Tokyo scene in 1979, and remains, to this
day, one of the most prolific and aggressively forward-thinking projects
in experimental music. Eventually becoming the solo vehicle for the
efforts of Masami Akita, in its earliest incarnation the project was the
duo of Akita and Kiyoshi Mizutani, taking their name from German artist
Kurt Schwitters' pre-war architectural assemblage, The Cathedral of
Erotic Misery or Merzbau, and quickly set out to challenge entrenched
notions of what music could be. Embracing technology and the machine,
even in its earliest iterations, Merzbow pushed toward new territories
of the extreme, arriving at a space of pure, unadulterated sonic
onslaught that has continued, for over 40 years, to set the pace for the
entire genre of noise, and has remained one of the movement’s most
important, definitive voices, continuously laying the groundwork for
countless artists who have followed in its wake.

When dealing with historical gestures, there’s an invertible aura
surrounding original line-ups and early statements, and rightfully so.
It is often within a band’s debut that we catch the purest glimpse of
the raw energy and creative ferment that made them what they are. This
is certainly the case when regarding the coveted early releases of
Merzbow, capturing the emergence of the project in its form as the duo
of Masami Akita and Kiyoshi Mizutani as they helped set the blue print
from the then emerging movement of Japanese noise. Over the course of
its nearly five decades of activity, Merzbow has always been noted for
how prolific and ambitious the project is. This was no less the case in
the very beginning. While they were active for roughly two years prior,
in 1981 alone they issued ten self-released cassettes numerically titled
“Collection 001-010”, albums which have both individually and
collectively become holy grails in the realms of noise, with only two -
“Collection 007” and “Collection 009” - ever receiving vinyl reissues
prior to now.

As Lasse Marhaug deftly articulates in the newly commissioned liner
notes for “Collection 001-010”, despite having been recorded in
different location across a span of time, the sum total of Merzbow’s
first ten releases might be best regarded as a single release to be
listened to in the same, durational sitting, with the material standing
well apart from what most came to expect from Merzbow, while
foreshadowing numerous trajectories the project would take over the
coming years. Not only do these recordings feature a vast array of
instrumentation - tapes, acoustic and electric guitar, violin, drums,
voice, recorder, organ, found sounds, clarinet, homemade and prepared
instruments, a vast arsenal of effects and electronics, and piano, to
only begin to scratch the surface - the majority of which would
disappear from the project’s active sources of sound generation over the
subsequent years, but there is a slow pacing and raw sense of openness
and exposure that reveals strong connections to the avant-garde
improvisations of groups like AMM, Musica Elettronica Viva, and Gruppo
di Improvvisazione Nuova Consonanza, the psychedelia of groups like Taj
Mahal Travellers and Flower Traveling band (both of whom Akita mentions
having seen in youth within his interview with Jim O’Rourke), and rock
in general - albeit in fully abstracted forms - unspooling as brittle,
pointillistic, textural, raw and abrasive forms, that occasionally
flirts with unexpected tonal sensibilities. As Marhaug describes it in
his excellent liner notes: «Sonically, “Collection” sounds more sparse
and stripped. It’s dry sounding, up-front, no reverb, and there’s less
heavy low-end grime and thin on the signature frequency sweeps. Viewed
in a 1981 context, musically, it’s more akin to what the LAFMS (Los
Angeles Free Music Society) pool of artists were doing at that time than
what was happening in industrial music... There’s a strong playfulness
throughout, like the sound objects are being explored for the first
time, without neither restraint nor hurry. Events are allowed to be
fully examined before the music moves on, or simply cuts off. To a large
degree, the music on “Collection” feels acoustic in nature, although a
Electro-Harmonix ring-modulator features prominently throughout.»

Easily described as a rarely encountered revelation into the original
and earlier documented studio sound of Merzbow, “Collection 001-010”
collectively amounts to an engrossing sonic journey in its own right,
while also allowing for important, often overlooked connections drawn
from numerous other creative wellsprings, notably free jazz, underground
rock, the output of European and Japanese avant-garde music, as well as
Dada, Fluxus, and Mail Art, much of which, beyond the illumination made
possible by the sounds, Jim O’Rourke’s fantastic interview with Akita,
published in the booklet, further explores, offering great insights into
the origins of Merzbow and the thinking behind the project, as well as
aspects of the earliest days of Japanese noise.

Absolutely incredible in every possible way, with “Collection 001-010”
Urashima takes their already astounding dedication to the output of
Merzbow to new heights, producing one of the most beautiful and
historically significant releases we’re likely to encounter in 2025.
Gathering the entirety of Masami Akita and Kiyoshi Mizutani’s first ten
releases together, largely privately released by the band on cassette
across 1981, in a deluxe, 10 LP vinyl box set, with each full-length
fully remastered from the original analog tapes by Masami Akita himself,
optimized for vinyl pressing by Andrea Marutti, and housed in its own
individual sleeve reproducing the original artwork, alongside a LP-sized
32-page book containing reproductions of original artworks and collages
by Masami Akita, an interview with Akita conducted by Jim O'Rourke, and
liner notes penned by Lasse Marhaug, Thurston Moore and Akita himself,
all housed in a stunningly produced wooden box.

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Contact: [email protected]More