Tracklisting
A1 Stef Mendesidis - Exaiter
A2 Stef Mendesidis - Spectral Transmission
B1 Stef Mendesidis - Techno
B2 Stef Mendesidis - Terra Nihil

Sales Note
Exaiter 1

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2025 Repress

Tracklisting:
A1 Stef Mendesidis - The Suspect Zone
A2 Stef Mendesidis - Crocodile's Grin
B1 Stef Mendesidis - Kraken
B2 Stef Mendesidis - Nisha

Sales Note:
The first installment of Vault Records is finally here.

Stef Mendesidis takes the baton with a ravaging, no-nonsense, 4 tracker EP.

With this label we aim to focus on the art itself, we'll let the music to the talking!

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Tracklisting:
A1 Stef Mendesidis - Cyborg
A2 Stef Mendesidis - Operator
B1 Stef Mendesidis - Inertial Force
B2 Stef Mendesidis - Minimalist Birmingham

Sales Note:
- 2023 repress -

PROJEKTS002 release welcomes new label mainstay, Stef Mendesidis.

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Stef Mendesidis returns to Klockworks with a massive four-tracker. A resident at Moscow’s Monasterio, the DJ & producer has developed a solid techno sound channeling cinematic aesthetics that he already proved with his first appearance on the label. Mostly using analogue gear Mendesidis records his grooves in one take. ‘Klockworks 26’ includes 4 of his distinctive cuts showcasing his excellent production that you will experience at Ben Klock's DJ sets.


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Ben Klock introduces Greek-grown, Moscow-based artist Stef Mendesidis for the next Klockworks release. Mendesidis delivers 3 original tracks utilising solely analogue gear to produce soundscapes inspired by cinematic scenes.


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Tracklist
A1. Interludio
A2. Tregua

B1. Demencia
B2. El Nexo


Following their debut on Klockworks in 2023, Spanish duo Ribé & Roll Dann return on Ben Klock’s celebrated imprint with ‘Klockworks 40’, delivering a pure driving techno four-tracker sure to be heard on dancefloors and festivals across the globe.

From the kinetic groove of opener ‘Interludio’ to the sharp-edged energy of ‘Tregua’, the A-side captures the duo’s command of movement and space on the dancefloor. The flip side pushes further with ‘Demencia’ hauntigly rolling in with a darker, hypnotic mood and ‘El Nexo’ showcases yet again immersive sound design and wonky corrosive rhythms.




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Tracklist

A1. Minore
A2. Methodist

B1. Aquaton
B2. Super Septima

C1. Crime And Punishment
C2. Cyberfox

D1. Axial Force
D2. The Dance Class


Klockworks after a series of celebrated EPs now proudly presents the first full length album on the imprint by Stef Mendesidis, marking the producer’s return on the label for its upcoming chapter with ‘Decima’ LP due out in July, showcasing his excellent production also to be experienced at Ben Klock’s DJ sets.

As with his three previous releases on the imprint, for ‘Decima’, Stef Mendesidis has created a heady melange of groovy fast paced techno perfectly aligned with the signature Klockworks sound. Mendesidis is using his one-take recording technique, staying loyal to the principle of live techno creation and the result is ten distinctive cuts of perfectly balanced minimalistic yet dynamic, no-nonsense, driving techno sure to be heard on dancefloors and festivals across the globe.



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Known for fast paced rhythms and kinky grooves he left his signature on labels such as Newrhytmic Records, Mutual Rytm, his imprint Katana Records and he now continues to explore the depths and possibilities of sound with his debut on Ben Klock's Klockworks. Over four tracks he cycles between classy, minimalistic effectiveness and rough edged grimy vibes perfectly matching the label's sound with his unique take on techno.

TRACKLIST

A1. AF 97
A2. Chromo
B1. Lost In Lima
B2. Nisba

INFO

Alarico debuts on Klockworks with a flawless four tracker of classy yet gritty pure driving techno. The Milan based DJ and producer Alarico started his journey in 2015 with a style strongly shaped by the raw and forward-leaning sound of 90’s Techno. Known for fast paced rhythms and kinky grooves he left his signature on labels such as Newrhytmic Records, Mutual Rytm, his imprint Katana Records and he now continues to explore the depths and possibilities of sound with his debut on Ben Klock’s Klockworks.

Over four tracks he cycles between classy, minimalistic effectiveness and rough edged grimy vibes perfectly matching the label’s sound with his unique take on techno. The EP kicks off with the raw stomping groove of ‘AF 97’ building up the tension to be followed by the unstoppable rolling drift of ‘Chromo’, while on the flip-side ‘Lost In Lima’ takes the listener on a sonic journey of frenetic tribal rhythms and closing track ‘Nisba’ is a restless techno track showcasing droning, hypnotic sound design and effortless elegance.



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TRACKLIST

A1. Scars
B1. Minus 2


INFO

One of the most active players in techno, Portuguese DJ and producer João Rodrigues aka Temudo, after leaving his trademark sound on labels such as Blueprint, Soma and Mord returns on Klockworks and delivers two cuts of elegant, pure bred techno. In his words: “I think these two tracks truly represent my vision for minimalist techno: repetitive music reduced to its core elements, where the sequencing of sounds and their texture come together to form a solid idea with every detail being meticulously crafted and has a clear intention. I honestly associate these tracks to the label and I’m glad they have found the perfect home.”



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Madrileans Ribé & Roll Dann debut on Klockworks with a massive four-tracker ready for the dance floor. After leaving their signature on labels such as Semantica, Soma and Mord the duo now delivers a sublime collaborative EP of fast paced yet truly minimalistic techno on Berlin's legendary imprint.



TRACKLIST

A1. Preludio
A2. El Vínculo
B1. Pugna
B2. Delirio


INFO

Madrileans Ribé & Roll Dann debut on Klockworks with a massive four-tracker ready for the dance floor. After leaving their signature on labels such as Semantica, Soma and Mord the duo now delivers a sublime collaborative EP of fast paced yet truly minimalistic techno on Berlin’s legendary imprint.

On A-Side ‘Preludio’ is an effortless frenetic groover, offering mighty drops to stir any dance floor and it has been Ben Klock’s secret weapon for a reason. It is followed by the classy, moody cut ‘El Vinculo’ which showcases Ribé & Roll Dann’s connection and their production chemistry. On the flip side ‘Pugna’ is a raw and elegant, atmospheric cut, while ‘Delirio’ delivers precisely what the title promises.

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Troy returns on Klockworks with a finely crafted EP, showcasing his signature sound across a collection of four highly effective dance floor cuts of gnarly, raw yet groovy techno. The Dutch producer made the tracks with his beloved OB6 synth which has been his go-to synth since his last EP on Klockworks and shines throughout the record with its haunting analog warmth.

TRACKLIST:

A1. Zenith
A2. The Rite
B1. Tzeentch
B2. Stormveil


INFO:

Troy returns on Klockworks with a finely crafted EP, showcasing his signature sound across a collection of four highly effective dance floor cuts of gnarly, raw yet groovy techno. The Dutch producer made the tracks with his beloved OB6 synth which has been his go-to synth since his last EP on Klockworks and shines throughout the record with its haunting analog warmth.

In his words: “The majority of this EP was made during a very productive period in my life. During this post-covid time, when clubs where re-opening I was getting back into my passion for loopy Techno. I channeled this energy into a collection of dance floor focussed tracks in which I tried to capture the momentum of an energy burst that needs to get out.



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Temudo debuts on Klockworks with a powerful four tracker that oscillates between dancefloor-oriented tracks and a journey in his ‘inner self’.



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TRACK LISTING

A1. Prefix
A2. Gateway
B1. Hydrocarbon
B2. Prism

INFO

After a collaboration on a futuristic NFT in 2021, Ben Klock and Fadi Mohem join forces again - this time taking it back to the base with four classic techno tracks on Klockworks 34. All tracks have been made in a go with analogue machines in an oldschool manner with a focus for groove and reduction to the essentials.

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Power duo Vil & Cravo debut on Klockworks with a high-spirited 3 tracker showcasing their warm approach inspired in soul and funk tracks from the 80’s and early 00’s. Fusing funky techno with soulful vocals, this EP reminds us of the carefully chosen euphoric moments Ben Klock drops in his sets with hope to get them back this summer.


TRACKLIST

A1. Fuck This Dub
B1. Dubbd
B2. Links

INFO

Power duo Vil & Cravo debut on Klockworks with a high-spirited 3 tracker showcasing their warm approach inspired in soul and funk tracks from the 80’s and early 00’s.

Both behind Portugal’s freshest collective Hayes, the duo started their project 6 years ago with the idea of bringing colour, light and groove to the scene.

Fusing funky techno with soulful vocals, this EP reminds us of the carefully chosen euphoric moments Ben Klock drops in his sets with hope to get them back this summer.


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This latest Klockworks release relinquishes the sparse energy of The Advent's live sets from the 90's with these previously unreleased timeless live recordings. Favouring off-kilter percussion and warbled bass, all three strike hard with a distorted and visceral energy.


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fabric resident Jay Clarke returns to Klockworks for his second solo release on the label following his EP in 2016 and his contribution to the ‘Klockworks 20’ compilation ‘Perdita’. Through this new 12-inch he presents a mix of tough modern rollers, dreamy Detroit melodies, and mysterious atmospheres.


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Berlin rising DJ and producer Fadi Mohem debuts on Klockworks with four atmospheric techno cuts for the 27th outing on the label.


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Stef Mendesidis returns to Klockworks with a massive four-tracker. A resident at Moscow’s Monasterio, the DJ & producer has developed a solid techno sound channeling cinematic aesthetics that he already proved with his first appearance on the label. Mostly using analogue gear Mendesidis records his grooves in one take. ‘Klockworks 26’ includes 4 of his distinctive cuts showcasing his excellent production that you will experience at Ben Klock's DJ sets.


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A resident of the infamous club Bassiani in Tbilisi, Newa will debut with a solo EP on Klockworks. Following her contribution to the 'Klockworks 20' compilation she is set to gain notoriety with this newly released trio of tracks. Expertly blending percussive stabs with hypnotic holds the Georgian rising artist pushes forward the conversation with her signature acid sound and epic breaks to showcase her varied taste.


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Heiko Laux returns to Klockworks with a three-track EP following his first appearance on the label in 2016. The German producer and Kanzleramt label head present 3 sophisticated techno cuts that focus on pulsating acid lines and uncanny atmospheres. Expectedly, these pieces have become secret weapons for Ben Klock’s hypnotic DJ sets, now available on wax.


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Ben Klock introduces Greek-grown, Moscow-based artist Stef Mendesidis for the next Klockworks release. Mendesidis delivers 3 original tracks utilising solely analogue gear to produce soundscapes inspired by cinematic scenes.


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Originally released in 1993, Surfing On Sine Waves is the second album released under the Warp Artificial Intelligence series (the series also includes the two titular compilations, as well as contributions by Autechre, The Black Dog, F.U.S.E. and more).

Surfing On Sine Waves is also the sole album released under Richard D. James’ (aka Aphex Twin’s) Polygon Window alias. The name “Polygon Window” originally appeared as a track name under Richard D. James’ other pseudonym The Dice Man, as the track title for his submission on Artificial Intelligence. Surfing On Sine Waves was chosen as a title by Rob Mitchell based on a quote by Richard D. James. The album debuted at #2 on the UK dance charts. The album was followed the same year with a companion EP titled Quoth. The EP’s title track originally appeared on the album, accompanied by additional songs who first appeared on this release.

Fast forward 32 years to 2025, Surfing On Sine Waves (Expanded Edition) sees the pair of companion releases as a single entity, out on vinyl and CD.

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Tracklist
A1 Cleric & Azrael - Addicted To Love
A2 Cleric & Azrael - Revival
B1 Cleric & Azrael - The Importance Of Success?
B2 Cleric & Azrael - Cannon Fodder

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Sticking a dirty thumb in the eye of fate, our third collaboration sees this marrow deep family malarky turn official as Pace Yourself teams up with YS’s own imprint ERF REC for a split release. As if our status as minor celebrities and footnotes of the underground could level off no further: the unification no one asked for is here. Sticking it to the man, handing your arse to ya on plate; cauterising infected suburban minds world over.

Burn is the second YS album and written as a direct follow-up album to Brutal Flowers. If their first album was an exercise in the incremental, a construction of poise and patience, Burn, should be taken way the fuck at it’s word: it quite literally finds catharsis in twisted reverse. Birthed out the malignant kick found in deconstruction and chaos. Evil twin, psychotic younger sibling, call it what the hell you like. It might take you a moment to get the lay of the land in this darkly mutated world. Like a bug eye’d native first confronted with a zippo, the hit is radical and instant: a new way for the world to go up in smoke.

Splice the Seattle slacker scene with the spliffhead soundsystem culture of the 90s Bristol trip-hop scene, then cross-breed that with the DIY optimism and glee in creation found in the cut-and-paste worlds of skate, graffiti and hiphop, now run that through the skitzo basement mind of John.T. Gast and you’re close to the kind of scorched earth and spiked suburbia that birthed Burn.

Dunno quite what YS have been ingesting of late but this massively twisted LP touches on a host of gloriously fucked totemic underground sources while not sounding much like any of them. It has the ballsy swagger and hard flipping of the script as Massive Attack’s seminal Blue Lines. Indeed, the eponymous album tracks sound similar - the opener ‘Burn’ is like a hard nosed jammed out redux of ‘Blue Lines’. Getting into a kind of slow-spinning overdubbed maximal euphoria ending with mumbled downer vocals, struggling to conceal their tongues in their cheeks there’s an air of paranoia and proto-conspiracy theory. It’ll leave you scratching your head, feeling like you’ve stepped into a New World Order governed by a cacophony of drop outs, dope fiends and apocalyptic stoners. A cracked out world somewhere between Richard Linklater’s movie Slacker (1990) and Marc Singer’s Dark Days (2001).

The rest of the album parts like a tongue on a wine glass: Smith and Mighty, Bandulu, ambient Luke Slater records, Wah Wah Wino, Nurse with Wound, Land of the Loops, Placid Angels, Adrian Sherwood, Urban Tribe and DJ Shadow can all be heard in momentary splatters - but Burn like other works by YS, is its own ritual beast. ‘Moth’, a track which has been knocking about the underground deejai circuit for many moons, is a real raw chopped and screwed slice of stoner erotica that reeks of obsession and unrequited desire. Elsewhere, on tracks like ‘Switch’, ‘Trying’ and ‘Drift’ the throughline from Brutal Flowers can be heard. Underneath the driving heavy gravity the trademark emotional intimacies of YS linger: eternal recurrence, ghosts of static and shortwave, worn memories of the playful and painful sort. The brief moments where flashes of orchestral ambience get out from underneath the swagger are so pure, personal and unguarded that for a moment they leave you completely lonesome. In the album’s closer ‘End’, you can hear the fleeting promise and DIY possibilities of an analogue world and embers of ash that flutter in its wake: where it seemed, for a brief moment, that collective of DJs, engineers, rappers, graffiti artists and skate crews were emerging from the streets, giving the middle fingers to the system, before just as quickly disappearing back to the doldrums of obscurity. ‘End’ is a bittersweet ode to early soundsystem culture, MCs and pirate radio - an out of step time where for a moment the underdogs and weirdos seemed to be kicking on the door of something bigger.

A veritable teenage doof suite dosed with desire, claustrophobia and deviance. Burn is a good old howl at the moon: lonely, raw, and out for blood; basement style exegesis at its best. A thump to the gut, a stud through your blood. A dubbed-to-death classic straight out of the annals of nowhere. A perfect post card from oblivion. A bleak, bold and personally ferocious vision of tomorrow and tomorrow and tomorrow.

This is everything that record collectors skip dates for. Fuck the scene and keep that shit underground. That’s what it is all about. Know what I mean, if you do? You’re in…


Words by Jack Anderson


RIYL: Smith and Mighty, Bandulu, ambient Luke Slater records, Wah Wah Wino, Nurse with Wound, Land of the Loops, Placid Angels, Adrian Sherwood, Urban Tribe and DJ Shadow.

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Joyful Intimate Harbour Gateway

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Celestial Echo is here with one of the all time holy grail soul double siders. When we tell you a record will never leave your bag after buying it, this is exactly the record it applies to.

Originally released in 1970 and written, produced and arranged by the great Van McCoy, Washington D.C.’s Bobby Reed stepped up and delivered “The Time Is Right For Love” an incredible loved up stepper, and then “If I Don’t Love You”, a perfect compliment, another… loved up stepper.

This one isn’t a fresh find, or a new discovery - Just an essential, officially licensed reissue of an incredible slice of soul.

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Tracklisting
A1 KiNK & Raredub - You And Me (Original Mix)
A2 KiNK & Raredub - You And Me (Dub Mix)
B1 KiNK & Raredub - Time To Change (Special Request VIP)

Sales Note
KiNK & Raredub launch new sub-label Raw on SHDW's Mutual Rytm with bold two-tracker 'You And Me', backed by a VIP remix of 'Time To Change' from Paul Woolford aka Special Request.

Following their standout debut on Spectra with 'Time To Change', Bulgaria's finest dance music export KiNK & Raredub return to the Mutual Rytm universe to launch the label's new sub-series: Mutual Rytm Raw. Their latest release, 'You And Me', marks the next step in their collaboration - two stripped-back yet anthemic cuts that embody their signature sound: "Rude Boy Techno", a fusion of techno's drive with the swing and grit of UK Garage. Both versions of 'You And Me' are built for the floor, combining sharp percussion, catchy vocal hooks, and powerful low-end pressure - minimal in structure but rich in character and groove.

Rounding off the release is a standout VIP remix from Paul Woolford aka Special Request - one of his infamous 'Variation in Production' versions - offering a stripped yet high-impact reinterpretation of KiNK & Raredub's previous single 'Time To Change'. Raw, rolling, and unmistakably shaped by his UK Garage-influenced style.





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One of the biggest tunes of 2011 gets a reload on Hotflush with a brand new remix from house legend Mr. G.Hotflush label boss Scuba was a dubstep exile in Berlin running parties at Berghain in 2011, following the release of his landmark album Triangulation the previous year. The SCB project had been launched as a platform for his productions outside of the 140 realm, anticipating a stylistic move that would make a serious impact on the dance scene at large.‘Loss’ was released on Aus Music that March, proceeded to destroy dancefloors across the globe, and ended the year at number 7 in RA’s ‘Top Tracks of 2011’. In 2025, it retains the unique combination of minimal elegance and trance power that gave it such impact all those years ago.UK house mastermind Mr. G steps up with a trademark remix - uncompromising in groove and structure, guaranteed to do the business on the floor.And to round off the package, a previously unreleased version of the original b-side, FutureUnknown is included. The ‘Voxattack’ made many appearances in the Scuba DJ set at the time and qualifies for ‘sought-after lost dub’ status.

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Tracklisting
A1 Amorphic & Tensal - AT4 - The Sleepwalker
A2 Amorphic & Tensal - AT3
B1 Amorphic & Tensal - AT5
B2 Amorphic & Tensal - AT6

Sales Note
***
blind men
walk through the skin
of another life.
feeling shadows,
it is morning.
***

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