SAR04 introducing the brand new project SS96, dedicated to the way that connect two cities of South Italy.
Label boss Antony Reale has the pleasure to share synthesizers with south Italian deepness Maestro Nicola Loporchio. Timeless house music for your pleasure.

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Fresh third release for Sub Authority, with Reale & Vincent XXI and the always good Frank Roger, that adds some house inflections and a dose of wiggly acid with a stunning remix. A classic synth basslines and robust drums make this an essential 3am choice for the more decerning D.J.


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Sub Authority reissue an old school flavour that the early 90’s house fans might particularly enjoy.
Licensed by UMM, "Pump The Voice" of Dj M. Verbeni, is still capable of causing much damage on dance-floors in 2021! All tracks remastered with an additional remix by Reale & Vincent XXI.

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Sub Authority Records debut release with a 4 tracks Ep from the Italian duo Reale & Vincent. Houses deep powerful tracks back and forth from '90. Magic killer groovin.

A1. I Will Be Heart
A2. Back to Underground
B1. My Body
B2. Pacific Swing

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Doug Gomez’s new album “Puro” is that rare release in our dance music industry where the level of artistry in the music is just as important as this collection’s ability to move the dancefloor. Doug’s extensive experience in the industry, and his own personal development as a producer /DJ, enables him to walk that fine line between musical craftsmanship and dancefloor accessibility. The result is an album that is an essential addition to the collection of all lovers of House Music and Afro-Latin Rhythms. The album’s title track “Puro” flows with a multi percussive rhythmic core that’s embellished with exotic and energetic sythn lines and instrumental elements that display Doug’s international background, while tracks like “Theresa’s Paradise” and “Without You feat. Aaron K. Gray” illuminate his extensive experience in playing and producing tracks that represent the evolution of New York’s storied House Music history. The vinyl release is packaged in a vibrant and multi-layered custom art package that was designed by Doug himself.

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Caution alert! The brilliant Italian producer made in peruggia Simoncino is back on Skylax Records again with a remix featuring the great Larry Heard aka Mr Fingers. You already know his ability to create sounds that are
deeply imbued with the chicago sound, you sometimes might think you're hearing some lost gems from the great Armando. In short, no need to add more, this item is essential for any normally constituted dj. Pure gold.

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Repress!

2 tracks. 45 RPM. It's a steal!
Compiled by Rey Colino.
Mastered and Cut by Marco Pellegrino.
Design by AJAM.

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For his debut solo release on Not An Animal, label co-pilot Andy Bainbridge serves up a raw, late-night house dub, accompanied by sizzling remixes from Donald’s House & Komodo for good measure.

Up Too Much starts simply, evoking house classics of old. Dubby percussion sets the genre but don’t be fooled, the Buchla synth wobbles that form the track’s melody, delicately placed acid sprinkles and a vocal garnish A-typical to the host label bring the track squarely into the modern day to form a tough yet gentle roller.

Next off the pass is the Donald’s House remix, finely weaving the essence of the original mix into a proggy sidewinder, highlighting the acid arps previously lurking in the background and slowly melting the track into a delicious trancey mess.

Meanwhile Komodo kicks things off in a classic Chicago style; claps, stabs and all, with vocal samples adding that extra texture for the knockout punch.

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- Spec: 2 x LP in paper inners, in 5mm outer sleeve with download card insert.

Tucked away in the great depths of the Warp catalogue is this elegant, liquid heartache of a record. An album credited to the late James Stinson, one half of cult-Detroit techno unit (alongside Gerald Donald) Drexciya, Lifestyles... stands as one of the remarkable records of the genre. Stinson died a year after release, lending this already beautiful work endless resonance.
Where the dystopian aqua-tronics of previous Drexciya were often jet-black, cold, brittle and abrasive this is a yearning soul music, played out down rain soaked streets, the buzzing lights of industry flickering in the darkness, the warm blue of a new day ready to break. This is a record where techno reached its raw, most emotive peak... Sustained pads paint minor-key melodies while electroid-vocals are buried deep in the hydrothermal mass of squelching bass-clusters and funky-filtered bleeps. At its skittering percussion core, a stripped back 808 tapestry, sequenced into myriad jazz-inflected shapes, a pulsing kick drum the snapping heartbeat, ticking hi-hats bursting from every angle.

All this tingles with the ghosts of records past, of Kraftwerkian humanoids, of first-wave Detroit, of refracted Hancock and Ayres, but as Stinson intones on the fifth track, ‘let me be what I wanna be’, Lifestyles is a creation all of its own special making, a sound that would inspire the latter day deep-house machinations of Omar S, Jus-Ed, Moodymann and influence –however indirectly- a wealth of current UK/US bass operators including Actress and Kyle Hall. More importantly it remains a beguiling epitaph to Stinson’s sadly distinguished life.

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Altered Circuits' next release comes by way of Bologna-to-Berlin transplant Jacopo Latini. On the Motherboard EP he combines stubby drums and sultry, efficient basslines with richly hued synth work. Once the cuts get going, a tapestry of melody reveals itself: gated leads are accompanied by burbling arpeggios, momentous chord progressions and bright pads that crawl in and out. The patches often incline to the bright and dreamy but are deployed with restraint; in the same vein, concealed and aloof vocal samples get sprinkled in. These techniques - staples for the artist - add an inscrutable quality to his work's mood. It is dance music that feels direct on the surface yet hides more ambiguous emotions underneath. Being a DJ was Latini's first approach to the electronic genres, and it arguably still is his main inspiration - it even occurs he writes tracks with a specific venue in mind. Since starting over a decade ago, and having meanwhile swapped the local Italian stages for the international ones, he has amassed a ton of analogue gear to help him do so. On this occasion, he plugged in his Roland D-50, Moog Sub 37 and microKorg XL, among other favorites, to take on progressive, trance and tech house. "Motherboard", "High Voltage", "It Comes In The Morning", and "Dual Effect" make for a diverse selection but have indeed the same objective: the club floor.

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Repress on black vinyl!
OFFICIAL 2022 REISSUE

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Tracklisting
A1 ARKVS - Surcharge
A2 ARKVS - Neoprene
B1 ARKVS - Crave Slave
B2 ARKVS - Steam

Sales Note
The fifth release on Pleistocene Future is a powerful 4 tracker 12inch by ARKVS.

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Tracklisting
A1 Border One - Third Vision
A2 Border One - Optical Void
B1 Border One - Mind's Eye
B2 Border One - Inner Sight

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6-track EP compilation with Terada's work for the Ape Escape games, tip!

Outside of the international house underground, where his early ‘90s works for the Far East Recording label he co-founded with Shinichiro Yokota are rightly celebrated as bona-fide classics, Soichi Terada is best-known for his work composing music for video games. Yet until now, few of his productions for video games have been released outside of Japan, especially on vinyl.

Apes In The Net, a six-track EP featuring music composed for the popular PlayStation 1 series Ape Escape, sets the record straight. It not only showcases Terada’s quality as a composer and producer, but also his versatility. Like much of Terada’s work on the Ape Escape series, the tracks featured don’t explore deep, New York and New Jersey influenced house sounds, but rather his lesser-celebrated love of jungle and drum & bass – a sound he fully explored on 1996 album Sumo Jungle.

“The producer of the Ape Escape games heard that and got in touch,” Soichi remembers. “They asked me to make the soundtrack, and then work on the music for the sequels after that. I used to love making music with AKAI hardware samplers, synthesisers, and computers, so I played and recorded the tracks using almost the same methods as I did when I made house music. Using breakbeats and audio samples with a sampler was the most useful way to make the soundtracks.”

The six tracks on show, which were originally recorded in the ‘90s but reconstructed and remastered for Japan-only CD and digital releases over a decade ago, mix elements of Terada’s familiar deep house style – think warming chords and pads, memorable melodies, and emotive musical motifs – with blistering D&B breakbeats, 16-bit synth sounds, electronic bleeps and undeniably weighty basslines. They’ve stood the test of time and arguably sound just as fresh now as they did at the turn of the millennium.

For proof, check the soaring, spellbinding ‘Spectors Castle’, where uplifting lead lines and sumptuous chords dance atop punchy beats and growling bass, the jazzy and saucer-eyed rush of ‘Mount Amazing’ (all twinkling piano motifs, alien synth sounds, squelchy bass and skittish drums) and the intergalactic, liquid D&B excellence of ‘Time Station’, whose whistling melodies and stargazing chords are undeniably alluring.

There are plenty of other delights to be found across the EP, too, from the bustling, race-to-the-finish breathlessness of D&B/bleep techno fusion workout ‘Spectors Factory In’, and the rumbling sub-bass, creepy pads and suspenseful melodies of ‘Haunted House’, to the bombastic, all-out-assault on the senses that is ‘Coaster’, the set’s most “purist” jungle workout – albeit one that also doffs a cap to the pulsating world of big room techno.

Apes In The Net, then, celebrates Soichi Terada’s mastery as a video games composer and early Japanese junglist. Props are well and truly overdue.

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Record producer, composer, singer, and pioneer of the dub music genre Lee Scratch Perry passed away in August 2021. Conceived, written and recorded during the COVID pandemic, ‘King Perry’ was produced by Daniel Boyle, and features guest performances from Greentea Peng, Shaun Ryder, Tricky, Marta, Rose Waite and Fifi Rong. Two tracks were also co-produced with Tricky, who releases Perry’s last recorded performances on his False Idols label

https://listen.k7.com/d5600b03-0ff9-4056-b523-c06d7f732156

Tracklist
1.1100lbs Of Summer feat Greentea Peng
1.2Evil Generation
1.3Midnight Blues feat Fifi Rong
1.4King Of The Animals
1.5Green Banana feat Shaun Ryder
1.6Jesus Life
1.7I Am A Dubby feat Marta
1.8No Illusion
1.9The Person I Am feat Rose Waite
1.10Jah People In Blue Sky feat Greentea Peng
1.11Future Of My Music feat Tricky & Marta
1.12Goodbye



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'Following the release of the critically acclaimed Random Access Memories 10th Anniversary Edition earlier this year, Daft Punk unveils a new iteration of their GRAMMY-award winning Album of the Year. This version strips away all drum and percussive elements from the album, giving listeners the ability to dive deeper into the layers of instrumentation on each track. Double Black LPV & single CD.

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