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Last in:26.01.2024
Label:Apnea
Cat-No:Apnea107
Release-Date:22.12.2023
Genre:Electro
Configuration:12"
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Hamatsuki - Sea Of Nothingness
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Hamatsuki - Dance And Cry
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Hamatsuki - Sulitkveteba
Apnea concludes an eventful 2023 with "Sulitkveteba EP" by Tbilisi's Hamatsuki. Recognized for past releases on Fantastic Planet and Mind Controller Rectifier, Hamatsuki crafts a three-track journey that explores the depths of music. Fusing sustained lo-fi pads, ethereal gated echoing vocals, and entrancing trippy acid lines, this EP resonates with a nostalgic rave essence. Each track takes listeners on a vivid sonic adventure, capturing the spirit of bygone rave eras while infusing a fresh perspective into the beats.
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Last in:19.06.2018
Label:sensu
Cat-No:sensu002
Release-Date:28.02.2018
Genre:House
Configuration:12"
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hamatsuki - Remember
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hamatsuki - Rett
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hamatsuki - Rett (DJ Sports mix
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hamatsuki - Inexplainable Inner Sadness
Tblisi is fast becoming a hotbed for emerging Talent. Glasgow's very own DJ / Club night collective Sensu will use Georgian native Hamatsuki to re launch their label. All tracks have been tried and tested at the place they have called home for 12 years - Sub Club. The ever impressive DJ Sports offers his remix duties to kick start a busy year for the label.
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Label:Apnea
Cat-No:Apnea113
Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
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Label:Apnea
Cat-No:Apnea113
Release-Date:20.12.2024
Genre:House / Techno
Configuration:12"
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Kyle Hall - Acid Tea
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Kyle Hall - Nimbus
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Kyle Hall - Told Them Before
Detroit's stalwart Kyle Hall is back on Apnea Records with "Crimson Clouds," his second release for the label following the acclaimed "Cosmic Touch." This acid-infused record is a tribute to Detroit's electronic legacy, drawing inspiration from the 90s sound of labels like Matrix and Underground Resistance, all while injecting Hall's unmistakable modern flair. Tracks like "Acid Tea" showcase Hall's acid-driven approach, delivering a dancefloor twister that's pure bliss. Meanwhile, "Nimbus" stands out with its syncopated rhythms and soulful synth lines, and "Told Them Before" brings raw, head-spinning techno energy to the forefront. With "Crimson Clouds," Kyle Hall delivers another essential record that bridges classic Detroit sounds with his unique modern twist. A must.
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Label:Apnea
Cat-No:Apnea111
Release-Date:29.11.2024
Genre:Electro
Configuration:12"
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1
Versalife - Colorvi
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Versalife - Omen Observer
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Versalife - Prophetic Traces
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Versalife - Out Of Ether
Apnea Records proudly welcomes a new face to the family, though one whose name resonates deeply in the electronic music world. Versalife, also known as Conforce, steps onto the label with the first of two meticulously crafted EPs in the "Parallax Effect" series. With a career spanning over 20 years of sonic innovation, Versalife delivers a masterful blend of broken rhythms, metallic textures, pulsating synths, and analog tones. From industrialesque electro to deep IDM explorations, "Parallax Effect PT.1" takes listeners on an immersive journey through cutting-edge soundscapes. And with Part 2 on the horizon, this is just the beginning of an exciting new chapter for both Versalife and Apnea Records. Pure bliss for lovers of forward-thinking electronic music!
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2LP
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Last in:11.11.2024
Label:Apnea
Cat-No:Apnea110
Release-Date:08.11.2024
Genre:Electro
Configuration:2LP
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E.R.P. - Home Route
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Dopplereffekt - Quantum Zeno
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Eduardo De La Calle - Antonio Ortega (Amnésia)
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Hieroglyphic Being - The Nag Hammadi Scriptures
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Alex Under - Display:None
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Thomas Brinkmann - Paspas37
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Kyle Hall & Kero - Party Boi
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Damian Schwartz - Cadence
For its landmark 20th anniversary, Apnea Records proudly presents XX, a double 12" compilation that chronicles the label's journey from its inception to its current cutting-edge form. Featuring both original innovators and fresh talents from its recent relaunch, this release is a sonic time capsule and a forward-looking statement. Spanning from deep techno to Detroit-infused house, Jamal Moss's abstract house, electro, and E.R.P.'s signature machine funk, XX dives into the label's broad sonic spectrum. With contributions from Alex Under, Damian Schwartz, Jamal Moss, E.R.P., Dopplereffekt, Thomas Brinkmann, and Kyle Hall & Kero, this collection serves as both a reflection of Apnea's past and a bold vision for the future.
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Last in:30.08.2024
Label:Apnea
Cat-No:Apnea109
Release-Date:19.07.2024
Genre:Electro
Configuration:2LP
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E.R.P. - Let's Amble
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E.R.P. - Miami Nice
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E.R.P. - Easy Afternoon
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E.R.P. - Loose Trucks
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E.R.P. - Comfortable Pants
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E.R.P. - Cape Earl
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E.R.P. - Summer Nights
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E.R.P. - El Camino Part II
For its 9th release after its relaunch, Apnea Records proudly presents another ERP record, this time in the form of a 2x12" Album "Faded Caprice" is a mesmerizing journey into the heart of summer's fading glow. Crafted with meticulous attention to detail, each track is a sonic tableau, capturing the essence of hot afternoons and wistful sunsets. E.R.P.'s signature blend of deep, cosmic funky electro gems resonates with emotional depth, inviting listeners to lose themselves in its hypnotic embrace. From the pulsating rhythms of "Miami Nice" to the introspective melodies of "Cape Earl "Faded Caprice" is a testament to E.R.P.'s artistry and vision. A testament to Gerard Hanson's music landscape, offering audiences a glimpse into the boundless possibilities of sound and emotion.
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Label:Apnea
Cat-No:Apnea108
Release-Date:07.06.2024
Genre:Techno
Configuration:2LP
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MA - 4A
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MA - Room 224
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MA - Hekla
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MA - Fjadra
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MA - Aval
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MA - Gunna
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MA - Kerid
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MA - The Snow Storm
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MA - Heisa
'Sounds From The Northern Hemisphere' is a collection of live-recorded takes, registered between 2021 and 2023. The Icelandic extraterrestrial scenery was the main inspiration for this work. Similarly to the nature of each landscape, every composition was crafted with a genuine and spontaneous approach, entirely avoiding digital instruments. A methodical sound research was enacted, exploring the analog behaviours of classic and modern machines. The result is a minimalistic and intense merge of sounds: simple, but meaningful.
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Label:Apnea
Cat-No:Apnea106
Release-Date:15.12.2023
Genre:Electro
Configuration:12"
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Quantum Collapse - Lobha
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Quantum Collapse - Magadha
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Quantum Collapse - Kumaras 4
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Quantum Collapse - Himsa
After more than 20 years of studio work, it can be said that this album is the result of long hours of introspection and solitude. The inquisitive, investigative and analytical listening of the earliest works of artists such as Robert John Brown & Sean Booth, Mike Paradinas or Jochem George Paap influenced me a lot during the execution of this EP. The deconstruction or deconstructive process was something I needed to explore and put into practice, giving as a result naked periplos or sound spaces, in which the protagonism belongs solely and exclusively to sounds or textures that for my part deserved a thorough review and analysis, making these periplos a challenge in themselves, giving way to resulting works where the rhythmic section was in the background or simply disappeared. In relation to the cover design, thanks to Julian Schnabel and T?fol Cruz for the inspiration and the final artwork respectively.
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Label:Apnea
Cat-No:Apnea104
Release-Date:13.10.2023
Genre:Electronic
Configuration:2LP
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Last in:03.11.2023
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Last in:03.11.2023
Label:Apnea
Cat-No:Apnea104
Release-Date:13.10.2023
Genre:Electronic
Configuration:2LP
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Hieroglyphic Being - When The Earths Shadow Falls On The Moon
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Hieroglyphic Being - The Moondance (Moonwalk Version)
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Hieroglyphic Being - Lunar Mind Manipulation
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Hieroglyphic Being - Tethered 2 The Divinely Spaces With In
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Hieroglyphic Being - Fooled 2 The Divinely Spaces With In
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Hieroglyphic Being - Celestial Poems Of The Lady With 10000 Names
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Hieroglyphic Being - No Matter How Far We Are We Can Always Share The Moon Stars
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Hieroglyphic Being - Purple Skies WIth Cotton Candy
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Hieroglyphic Being - An Eternal Star Beyond The Firmament
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Hieroglyphic Being - Helium Three
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Hieroglyphic Being - Mawu
'The Moon Dance' Mark's the come back of one of Chi Towns most innovative and iconic figures to Apnea Records. Jamal Moss (Hieroglyphic Being) sound's were first released on Apnea in 2007. Now, in 2023, he's back with this double 12'' album flooded with synth jazz and cosmic acid explorations in his signature and irreverent style.
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Label:Apnea
Cat-No:Apnea105
Release-Date:15.09.2023
Genre:Detroit Techno
Configuration:12"
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Last in:22.09.2023
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Last in:22.09.2023
Label:Apnea
Cat-No:Apnea105
Release-Date:15.09.2023
Genre:Detroit Techno
Configuration:12"
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Kyle Hall - The Cosmic Touch
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Kyle Hall - Colbalt
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Kyle Hall - Phantom
Apnea 105 presents Kyle Hall in pure Detroit Techno explorations, deep and cosmic dancefloor burners crafted around Hall's signature syncopated rhythms, reminiscent of Detroit's 90s Matrix Records era.
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Last in:20.06.2023
Label:Apnea
Cat-No:Apnea103
Release-Date:05.05.2023
Genre:Electro
Configuration:12"
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E.R.P. - Lake Bachman
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E.R.P. - Summer Springs
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E.R.P. - Myrtle
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E.R.P. - Station Wagon
E.R.P. is back with 4 electro cuts drenched in soul, machine funk and style. Pure E.R.P. dopeness
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Last in:17.04.2023
Label:Apnea
Cat-No:Apnea102
Release-Date:07.04.2023
Genre:Electro
Configuration:12"
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Gedankenexperiment - Experiment
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Gedankenexperiment - Conclusion
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Gedankenexperiment - Hypothesis
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Gedankenexperiment - Radiation Vacuum
Futuristic electro by Gerald Donald (Dopplereffekt, Drexciya) and Beta Evers, originally released on Weme, including a previously unreleased track.
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2LP
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Label:Apnea
Cat-No:Apnea101
Release-Date:23.09.2022
Genre:Electronic
Configuration:2LP
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Last in:04.04.2023
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Last in:04.04.2023
Label:Apnea
Cat-No:Apnea101
Release-Date:23.09.2022
Genre:Electronic
Configuration:2LP
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1
Quantum Collapse aka Eduardo De La Calle - Orthogonal Eigenstates
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Quantum Collapse aka Eduardo De La Calle - The Observer
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Quantum Collapse aka Eduardo De La Calle - Dirac Aka Bra Ket Notation
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Quantum Collapse aka Eduardo De La Calle - Scattering Hamiltonian
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Quantum Collapse aka Eduardo De La Calle - Schr Dinger Equation
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Quantum Collapse aka Eduardo De La Calle - Algebraic Formalism
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Quantum Collapse aka Eduardo De La Calle - Brogile Bohm Theory Lmilu
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Quantum Collapse aka Eduardo De La Calle - Compton Simon Pradigm (Written & Produced By David Strike & Quantum Collapse)
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Quantum Collapse aka Eduardo De La Calle - Eigenvalue
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Quantum Collapse aka Eduardo De La Calle - Dynamical Variables 1
Orthogonal Eigenstates is the title of the new full-length album by Quantum Collapse aka Eduardo de La Calle where the author definitively moves away from dance music and starts a new period of exploration strongly influenced by the English Glicht IDM trends from early 90's and styles that goes from Soundtrack to Experimental Jazz ,Cinematic Electronica or Abstract Hiphop
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Label:Knekelhuis
Cat-No:KH048
Release-Date:19.01.2024
Genre:Alternative/Electronic
Configuration:LP
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Last in:26.02.2024
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Last in:26.02.2024
Label:Knekelhuis
Cat-No:KH048
Release-Date:19.01.2024
Genre:Alternative/Electronic
Configuration:LP
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1
Trystero - Ritmo Dellellica Con Rita
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Trystero - La Lingua Rosso
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Trystero - La Vostra Autonomia
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Trystero - Rock Dei Pelicani Con Alexia
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Trystero - The Intermezzo Of The Footloose Footman
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Trystero - Suburra
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Trystero - Trentanni Con Alexia
Trystero comprises Scottish/Luxembourgish producer Thomas Lea Clarke (aka MR TC) and Low Bat, otherwise known as one half of the formidable duo Jean-Luc. Their debut album, Sfumare e Vedere, was conceived over three days aboard Urban Boat, a 1960s barge transformed into an arts and performance space. Moored along the river just outside of Paris, the duo embarked on a joint residency, discovering their complementary creative energies and a mutual passion for all things strange and psychedelic.
As frontman, Low Bat is a fire-powered poet, his unparalleled stage presence resonating through Trystero's music. The French native and fluent German speaker has a natural flair for languages. For this project, he sings in a combination of Italian and English about love, loss, and class struggle, constructing surreal wordplay about pelicans and puttanesca. Meanwhile, Clarke's drone-lead electronic accompaniment takes its cues from sizzling acid, 1990s snap rhythms, post-punk, krautrock and shoegaze. Firmly rooted in these tripped-out genres, Trystero journeys to entirely new cosmic dimensions. More
As frontman, Low Bat is a fire-powered poet, his unparalleled stage presence resonating through Trystero's music. The French native and fluent German speaker has a natural flair for languages. For this project, he sings in a combination of Italian and English about love, loss, and class struggle, constructing surreal wordplay about pelicans and puttanesca. Meanwhile, Clarke's drone-lead electronic accompaniment takes its cues from sizzling acid, 1990s snap rhythms, post-punk, krautrock and shoegaze. Firmly rooted in these tripped-out genres, Trystero journeys to entirely new cosmic dimensions. More
Label:Animalia
Cat-No:ANIMA9
Release-Date:23.02.2024
Genre:House / Techno
Configuration:12"
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Last in:23.02.2024
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Last in:23.02.2024
Label:Animalia
Cat-No:ANIMA9
Release-Date:23.02.2024
Genre:House / Techno
Configuration:12"
Barcode:
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Command D - 0 Zone Feat. Cousin
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Command D - Cycles
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Command D - Esc
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Command D - Stat Point
Command D's life in the lush, green surrounds of Sydney/ Eora shines through in his Animalia debut, with a warm, dubby four tracker. Diving between slinky downtempo and groovy dance-floor beats, balmy bass-lines, crisp percussion & blissful pads wrap the release in an atmosphere of blissful summer joy.
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Label:Alleviated
Cat-No:ML2313
Release-Date:23.02.2024
Genre:House
Configuration:12"
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Last in:23.02.2024
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Last in:23.02.2024
Label:Alleviated
Cat-No:ML2313
Release-Date:23.02.2024
Genre:House
Configuration:12"
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Ché - The Incident (Raw Mix)
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Ché - The Incident (Smooth & Free Mix)
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Ché - The Incident (Wet Dream Mix)
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Ché - The Incident (Seduction Mix)
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Ché - The Incident (Prototype 1)
Classic 90's Larry Heard production for this x-rated* track by Ché on the updated re-issue of "The Incident". Originally came with four mixes on Trackmode Recordings from 1994. Now with extra "Prototype 1" version unearthed from the Alleviated archives. *NOTE: disclaimer included on original 12" release: "The scene expressed in this recording is a fantasy in the age of promiscuity and HIV (let alone full blown aids). The truth is, be careful about who you love and always wear a condom".
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Label:Bad Timin'
Cat-No:BDTIMIN004
Release-Date:12.01.2024
Genre:House
Configuration:12"
Barcode:
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Last in:07.06.2024
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Last in:07.06.2024
Label:Bad Timin'
Cat-No:BDTIMIN004
Release-Date:12.01.2024
Genre:House
Configuration:12"
Barcode:
1
Jex Opolis - Pneumatic
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Jex Opolis - Catalytic
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Jex Opolis - Molecools
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Jex Opolis - Catalytic (Converter Mix)
Number 4 in the Bad Timin' series is here, featuring a quartet of shovel-ready tunes perfect for ur club set, radio show or gym session. Let the gains begin... Six months in the making, the "Sound Man" (aka Jex Opolis) spent the extended winter slumped in his studio crafting these tunes... "Pneumatic" builds pressure with crunchy synth riffs, while "Molecools" drops slide guitar over some proggy breaks. Filling out the EP are two mixes of "Catalytic," a tune that came to life after the muffler on Jexy's 2003 Toyota went kaput.
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Last in:12.04.2024
Label:Artreform
Cat-No:arr048-1
Release-Date:08.12.2023
Genre:Minimal
Configuration:12"
Barcode:
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Funky Trip - 88
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Funky Trip - 88 (Petit Batou remix)
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Funky Trip - 88 (Barac remix)
Tracklisting
A1 Funky Trip - 88
A2 Funky Trip - 88 (Petit Batou remix)
B1 Funky Trip - 88 (Barac remix) More
A1 Funky Trip - 88
A2 Funky Trip - 88 (Petit Batou remix)
B1 Funky Trip - 88 (Barac remix) More
Label:Balmat
Cat-No:BALMAT05Y
Release-Date:19.01.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548080599
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Last in:11.03.2024
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Last in:11.03.2024
Label:Balmat
Cat-No:BALMAT05Y
Release-Date:19.01.2024
Genre:Electronic
Configuration:2LP
Barcode:4062548080599
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µ-Ziq - 4am
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µ-Ziq - Éire
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µ-Ziq - Allegro
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µ-Ziq - Houzz 13
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µ-Ziq - Belt & Carpet
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µ-Ziq - ;ar,ote
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µ-Ziq - Asda
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µ-Ziq - 1977 (Ft. Meemo Comma)
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µ-Ziq - Xolbe 3
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µ-Ziq - Burnt Orange
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µ-Ziq - Lime Aero
12
µ-Ziq - Reference Gravy
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µ-Ziq - Mesolithic Jungle
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µ-Ziq - Pillowy
15
µ-Ziq - Froglets
Yellow Vinyl Repress!
When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.
Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.
There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.
Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same. More
When we established Balmat in 2021, neither of us could have imagined that within two years, we’d be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.
Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s—coincidentally, this year marks the 30th anniversary of his debut album, Tango N’ Vectif, for his friend and sometime collaborator Aphex Twin’s Rephlex label—and his label Planet Mu has built up a formidable catalog of visionary, forwardlooking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album’s title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early ’90s, before the tools and tropes had calcified into cut-and-dried styles.
There’s no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more selfaware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas’ first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.
Along the way Paradinas touches on dark-ambient drones (“Marmite”), horror-film themes (“Belt & Carpet”), jungle breaks (“Mesolithic Jungle”), and even house music (“Houzz 13”), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never—to our ears, anyway— feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same. More
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Last in:26.01.2024
Label:Delsin
Cat-No:158DSR
Release-Date:16.01.2024
Genre:Techno
Configuration:12"
Barcode:
1
Answer Code Request & Amotik - LED
2
Answer Code Request & Amotik - Hazardous
3
Answer Code Request & Amotik - Wide Range
Two Berlin techno icons merge their art for a first collaborative EP on Amsterdam's Delsin Records. The two prolific producers have been playing a series of back to back DJ sets in the past months before they joined forces in the studio. The result is a flawless combination of their own unique styles, atmospheric break-beats from Answer Code Request matching the impeccable grooves and deep subs of Amotik.
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Label:Chapelle XIV Music
Cat-No:CHXIV03B01V
Release-Date:01.09.2023
Genre:Techno
Configuration:12"
Barcode:
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Last in:20.02.2024
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Last in:20.02.2024
Label:Chapelle XIV Music
Cat-No:CHXIV03B01V
Release-Date:01.09.2023
Genre:Techno
Configuration:12"
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1
Sato Aka Satoshi Tomiie - B01V
2
Sato Aka Satoshi Tomiie - A57V
3
Sato Aka Satoshi Tomiie - A56 (Take 2)
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Sato Aka Satoshi Tomiie - A58V (Take 3)
Chapelle XIV Music proudly presents ‘B01V’ by the enigmatic Sato, aka Satoshi Tomiie. The tracks on this EP are produced and curated with DJs in mind, offering different takes and alternative versions of the much sought-after “Blue, Black And Grey.”
A1. ‘B01V’ – The album “Blue, Black And Grey” was a live recording, where the original ‘B01’ served as the second track of continuous play. ‘B01V’ presents an alternative version of ‘B01,’ while maintaining the deepness and vibe, this cut focuses on a DJ mix.
A2. A57V, B1. A56V, and B2. A58V are all different studio takes of A57, A56, and A58 from the album. Although they share similar titles and elements with the ones on the album, they sound like almost different compositions as they were all recorded during Satoshi’s live performances in the studio.”
This 12? pressing serves as a bridge between the mindful journey of the initial 8-tracker double album and the corporeal reality of the dancefloor, making it an essential piece for both collectors and DJs alike.
The sleeve follows the visual identity of the original, displaying Julien Gachadoat’s computer art, which encapsulates the sound frequencies of the album into tangible shapes. Here, these visuals are now reflecting the reinterpreted audio content, keeping the continuity and synergy between both releases intact.
Remember, this is a strictly limited release, designed for those seeking an alternative take on Sato’s mindful journey. Don’t sleep on this one. More
A1. ‘B01V’ – The album “Blue, Black And Grey” was a live recording, where the original ‘B01’ served as the second track of continuous play. ‘B01V’ presents an alternative version of ‘B01,’ while maintaining the deepness and vibe, this cut focuses on a DJ mix.
A2. A57V, B1. A56V, and B2. A58V are all different studio takes of A57, A56, and A58 from the album. Although they share similar titles and elements with the ones on the album, they sound like almost different compositions as they were all recorded during Satoshi’s live performances in the studio.”
This 12? pressing serves as a bridge between the mindful journey of the initial 8-tracker double album and the corporeal reality of the dancefloor, making it an essential piece for both collectors and DJs alike.
The sleeve follows the visual identity of the original, displaying Julien Gachadoat’s computer art, which encapsulates the sound frequencies of the album into tangible shapes. Here, these visuals are now reflecting the reinterpreted audio content, keeping the continuity and synergy between both releases intact.
Remember, this is a strictly limited release, designed for those seeking an alternative take on Sato’s mindful journey. Don’t sleep on this one. More
Label:Casa Voyager
Cat-No:POST02
Release-Date:09.02.2024
Genre:Alternative/Electronic
Configuration:LP
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Label:Casa Voyager
Cat-No:POST02
Release-Date:09.02.2024
Genre:Alternative/Electronic
Configuration:LP
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1
Post Industrial Boys - 1971
2
Post Industrial Boys - Lilian
3
Post Industrial Boys - Becky
4
Post Industrial Boys - The Cook
5
Post Industrial Boys - Flowers
6
Post Industrial Boys - Strange
7
Post Industrial Boys - I See
8
Post Industrial Boys - When You are
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Post Industrial Boys - Dreams
After 8 years Georgian pioneer George Dzodzuashvili is back as Post Industrial Boys with a new album. It's his most personal record to date and opens up its own world: a world full of memories of a bygone time and observations so precise you almost feel like you are living and capturing them yourself with a Super8 camera.
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LP
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Label:Nous'klaer Audio
Cat-No:OEMOEMENOE6RMXS
Release-Date:22.12.2023
Genre:Techno
Configuration:LP
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Last in:15.01.2024
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Label:Nous'klaer Audio
Cat-No:OEMOEMENOE6RMXS
Release-Date:22.12.2023
Genre:Techno
Configuration:LP
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1
Nadia Struiwigh - Nana (DJ Nobu Remix)
2
Nadia Struiwigh - Dreaming About Rollercoasters (JakoJako Remix)
3
Nadia Struiwigh - Organic (Om Unit Remix)
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Nadia Struiwigh - Feroit (Julia Gjertsen Remix)
Nous'klaer Audio is proud to present a stellar line-up of remixers for Nadia Struiwigh's third album Pax Aurora. DJ Nobu kicks things off with his mind-bending IDM version of Nana. Followed by JakoJako's pulsating hypnotic metamorphosis of Dreaming About Rollercoasters. On the flip, Om Unit turns the healing sounds of Organic into a powerful club tool fusing influences of jungle, dubstep & electronica. The record is completed by Norwegian classical artist Julia Gjertsen, whose layered pianos playfully transform Feroit into a stunning kosmische track.
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2LP
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Label:Glossy Mistakes
Cat-No:GLOSSY010
Release-Date:20.01.2023
Genre:House
Configuration:2LP
Barcode:4250101439841
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Cat-No:GLOSSY010
Release-Date:20.01.2023
Genre:House
Configuration:2LP
Barcode:4250101439841
1
Stevia / Susumu Yokota - Maverick
2
Stevia / Susumu Yokota - Fruits Of The Planet
3
Stevia / Susumu Yokota - Little Comets
4
Stevia / Susumu Yokota - Flying Sheep
5
Stevia / Susumu Yokota - Some Questions
6
Stevia / Susumu Yokota - Paint It
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Stevia / Susumu Yokota - Penguin On Desert
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Stevia / Susumu Yokota - Sensitive Plant
9
Stevia / Susumu Yokota - Sunny Side
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Stevia / Susumu Yokota - Zebra Tone
11
Stevia / Susumu Yokota - The Way
2023 Repress!
In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.
This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeace, originally released on CD during the golden days of the format. Packaged in reimagined cover artwork created by the celebrated Japanese visual artist Masaho Anotani, these two albums perfectly capture the diversity at the heart of Yokota-san’s oeuvre. Across Greenpeace sees Yokota-san conjuring up a heady concoction of dusty loops, sampledelic breaks, kraut-rock and psychedelic downbeat. A remarkable listening experience based on the inspired era of a genius.
When Yokota-san wrote and produced the music on Fruits of The Room and Greenpeace in 1997, he was reflecting on the broader culture that surrounded dance music in Japan in the early to mid-nineties. It was an era when the psychedelic culture of late sixties America, the afterglow of UK acid house/rave, the new age movement and cyberpunk dovetailed together. Within DJ Miku and Yokota-san’s social circles, the thinking of Timothy Leary, Ram Dass, Allen Ginsberg, Jack Kerouac and William S. Burroughs electrified the air.
By 1996, the moment, brilliant and blinding as it was, was over. “We all felt that the rave scene fizzled out,” DJ Miku says. As he puts it, there was a collective feeling around him that it had all become too much. From the calm that followed, DJ Miku, Yokota-san and their open-eared peers made the decision to switch tracks and start from scratch. DJ Miku believes that with his Stevia releases, Fruits of The Room and Greenpeace, Yokota-san wanted to express the sweet and sour nature of the passing of those wild early days and his wish for true peace. “At the time, we saw eye-to-eye, with an implicit understanding of each other,” he explains. “Even now, twenty-five years later, I am confident it was like that.” More
In 1997 and 1998, the late great Japanese composer, producer, and DJ Susumu Yokota released two of the most eclectic albums of his decades-long career, Fruits of The Room and Greenpeace. Recorded under his Stevia alias for Tokyo Techno pioneer DJ Miku’s Newstage Records/NS-COM, they were Yokota-san’s homage to the foundational days of club music in Japan.
This year, Glossy Mistakes are proud to present the first official vinyl editions of Fruits of The Room and Greenpeace, originally released on CD during the golden days of the format. Packaged in reimagined cover artwork created by the celebrated Japanese visual artist Masaho Anotani, these two albums perfectly capture the diversity at the heart of Yokota-san’s oeuvre. Across Greenpeace sees Yokota-san conjuring up a heady concoction of dusty loops, sampledelic breaks, kraut-rock and psychedelic downbeat. A remarkable listening experience based on the inspired era of a genius.
When Yokota-san wrote and produced the music on Fruits of The Room and Greenpeace in 1997, he was reflecting on the broader culture that surrounded dance music in Japan in the early to mid-nineties. It was an era when the psychedelic culture of late sixties America, the afterglow of UK acid house/rave, the new age movement and cyberpunk dovetailed together. Within DJ Miku and Yokota-san’s social circles, the thinking of Timothy Leary, Ram Dass, Allen Ginsberg, Jack Kerouac and William S. Burroughs electrified the air.
By 1996, the moment, brilliant and blinding as it was, was over. “We all felt that the rave scene fizzled out,” DJ Miku says. As he puts it, there was a collective feeling around him that it had all become too much. From the calm that followed, DJ Miku, Yokota-san and their open-eared peers made the decision to switch tracks and start from scratch. DJ Miku believes that with his Stevia releases, Fruits of The Room and Greenpeace, Yokota-san wanted to express the sweet and sour nature of the passing of those wild early days and his wish for true peace. “At the time, we saw eye-to-eye, with an implicit understanding of each other,” he explains. “Even now, twenty-five years later, I am confident it was like that.” More
LP
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Label:Nippon Columbia Japan
Cat-No:hmjy201
Release-Date:08.03.2024
Genre:Jazz
Configuration:LP
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Label:Nippon Columbia Japan
Cat-No:hmjy201
Release-Date:08.03.2024
Genre:Jazz
Configuration:LP
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LP with obi. Toshiyuki Miyama & The New Herd's 1972 Jazz, big band masterpieces re-released on clear green color vinyl! Nio dances and pigeons dance. A mysterious melody that flows in a strong groove. Pursuing the possibilities of big band sound, this is the true essence of new hard and its climax.
TRACKLIST
A1.Kakurenbo
A2.Kitsune no Yomeiri Koushinkyoku
A3.Enka ni Taisuru Kanashimi
A4.Niou to Hato
A5.Hakuchou no Nemurutoki
B1.Sumidagawa no Nagare
B2.Kiganbi
B3.Seijinshiki
INFO
Japanese jazz and big band masterpieces re-released on clear green color vinyl!
Nio dances and pigeons dance. A mysterious melody that flows in a strong groove. Pursuing the possibilities of big band sound, this is the true essence of new hard and its climax.
New Hard, led by Toshiyuki Miyama, is one of Japan's leading big bands. Since the release of ``Perspective'' in 1969, they have opened up new horizons in big band jazz with their cutting-edge sound. This work "Niou to Hato" is one of the representative works of new hard released in 1972. Kozaburo Yamaki was in charge of the entire composition and arrangement, and deeply pursued one of his long-standing themes: "Japan." Japanese features, traditions, and scenes expressed through elaborate, multi-layered arrangements and performances. A profound and dynamic melody with a Japanese atmosphere that can be described as mysterious. Starting with "Seijinshiki," which is led by a strong groove, the album is lined up with songs full of deep flavor and great excitement. This is the true essence of new hard work and its climax.
text by Yusuke Ogawa (universounds/Deep Jazz Reality) More
TRACKLIST
A1.Kakurenbo
A2.Kitsune no Yomeiri Koushinkyoku
A3.Enka ni Taisuru Kanashimi
A4.Niou to Hato
A5.Hakuchou no Nemurutoki
B1.Sumidagawa no Nagare
B2.Kiganbi
B3.Seijinshiki
INFO
Japanese jazz and big band masterpieces re-released on clear green color vinyl!
Nio dances and pigeons dance. A mysterious melody that flows in a strong groove. Pursuing the possibilities of big band sound, this is the true essence of new hard and its climax.
New Hard, led by Toshiyuki Miyama, is one of Japan's leading big bands. Since the release of ``Perspective'' in 1969, they have opened up new horizons in big band jazz with their cutting-edge sound. This work "Niou to Hato" is one of the representative works of new hard released in 1972. Kozaburo Yamaki was in charge of the entire composition and arrangement, and deeply pursued one of his long-standing themes: "Japan." Japanese features, traditions, and scenes expressed through elaborate, multi-layered arrangements and performances. A profound and dynamic melody with a Japanese atmosphere that can be described as mysterious. Starting with "Seijinshiki," which is led by a strong groove, the album is lined up with songs full of deep flavor and great excitement. This is the true essence of new hard work and its climax.
text by Yusuke Ogawa (universounds/Deep Jazz Reality) More