Rambal Cochet's "Kebra Negus" EP takes listeners on a sonic journey through mystical forests and the far reaches of space. The release features five tracks that seamlessly blend deep, hypnotic rhythms with expansive, otherworldly melodies. Including a moody, raw chugger by French producer S.O.N.S, and owner of the cult Seoul-based record label Junction Forest. Perfect for those seeking an immersive and transformative listening experience, each track pushes the boundaries of acid, psy, and progressive genres, creating captivating soundscapes for deep mind trips.

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Contact is now established with mystic entity Rambal Cochet. Metallic movements and biological compositions project 4K renders to your mind’s eye. Voice fragments and expertly controlled oscillations advance you along the ascension path. Download these nebulous chronicles to the depths of your subconscious.

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A familiar face in space·lab’s catalogue, Rambal Cochet’s deep-diving new EP, Mixed Reality, marks the occasion of the label’s eighth release with four tracks traversing the darker edges of psy-prog. Opening track, ‘Talpa Lionis’, mines the spiralling depths of a psychedelic abyss, driven by a dark, tunnelling bassline reminiscent of mid-90s psy trance. Titular track, ‘Mixed Reality’, is tonally brighter. Brimming with buoyant, prog energy, its liquefied melody submerges the track’s percussion in a glowing, ambrosial fluid. On the B side, ‘Sequence 2000’ grows from the ground up. A rippling, cosmic-hued melody traces ever wider reaches, circling the track’s drums as they rise from deep below ground-level. Skittering high-ends flutter organically through the track’s length, lulling us into a state of all-enveloping hypnosis. To close, ‘Aura 900’ unfolds onto expansive, new-age atmospheres. Delicately sinking into a delectable, chugging pace, its patient speed creates a sense of spaciousness, leaving room for the track’s melody to breathe. Mixed Reality journeys through vast terrains - an EP for introspective listening and mind-opening dancefloor experiences alike.

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After a string of successful reissues over the past years, the Berlin label is launching a new sub label, Crystal Ceremony, which will release music from stylistically aligned contemporary artists.
The first release features four dance-floor cuts from the Ukrainian production power house Rambal Cochet. Based in Southern Russia since 2021, he’s been honing his production skills for over ten years across a number of aliases and styles. Since the occupation of Ukraine last year he’s continued to push his artistic vision and remain connected with the world’s music community despite being physically isolated. Bypassing Russian censorship and contributing to a number of compilations supporting Ukrainian charities as well as releasing two stand out EPs on Italy’s Spazio Tempo and Bristol based Space Lab. This latest release further solidifies his place as one of electronic music’s most consistent producers.

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Russian producer Rambal Cochet aka Volta Cab, an artist very much influenced by Goa Trance brings three new tracks with a sound that captivates us to that time, adding New Beat and EBM waves close to ‘Valencia Sound’ and its legendary ‘Ruta Destroy’. The record includes an absolute banger: a Kris Baha remix to burn the dancefloor, as usual.

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Following his appearance on Soil Records’ second anniversary commemorative album, Rambal Cochet earned himself a special place on the label. His style makes him unique, the repeated tonal use of the harmonic minor scale is perhaps the most characteristic of this artist, with a musicality in his works that recall an early stage of Goa, situated long before moving to the force and energy of psy – trance.

His return this time is solo and he does it starring in the tenth reference on vinyl with UFO Researcher, an EP that he releases with 3 original tracks and 2 versions by Cute Heels and Pablo Bozzi. The homonymous track opens side A with an imposing bass and a rhythm that doubles its tempo as if it were IDM, but this is just the foundation of a much more complex sounding structure in which the melodies are crossed by different ranges of frequencies. . Paco Resist is the second track on side A, a cut with the standardized metric of techno but with a great groove originating from the bass line and with arpeggiated melodic elements. The Cute Heels version is more direct than the original track, its rhythm is more marked, direct and less expansive.

Side B opens with Tatra Tropicana, a track with a different sound from the rest, set in a scenario more typical of Synthwave and although this time the musicality is simpler because there are few tonal variations, Rambal Cochet’s predilection for the minor hues. The version of Tatra Tropicana by Pablo Bozzi closes the EP. the remix is ??much more energetic and its sound variations take on an acid tinge.

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Ancient Japanese spirits meet contemporary electronic music in *Yokai Parade EP*, a mystical collaboration between Italian producer Volantis and Japanese artist Hiroko. Inspired by a psychedelic experience in Kobe where train sounds summoned supernatural visitors, this four-track journey merges folklore with modern dance music through a unique blend of hardware synthesis and haunting vocals.

The title track “Yokai Parade” leads listeners into a shadowy realm where Hiroko’s Italian narration intertwines with Japanese train announcements, calling forth ancient spirits. Eden Burns transforms this nocturnal tale into a hypnotic, percussion-driven remix that deepens its ceremonial essence. On “La Kappa,” Hiroko embodies a playful water spirit, her accented Italian dancing over dreamlike sequences. Fabrizio Mammarella’s Italorama Version injects classic Italo disco energy, creating a perfect bridge between Japanese mythology and Mediterranean dance floors.

Co-produced with Niccolò Barozzi, this vinyl and digital release captures a unique moment where East meets West, and traditional folklore dissolves into electronic rhythms.

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Brillante debuts on Alzaya with a vinyl-only EP. “Iniziazione” is a sonic voyage inspired by tribal initiation rituals, symbolizing the club dance experience from entrance to ecstasy. Each track represents a phase of transformation, blending progressive and trance with pulsating techno beats. Each track merges early trance flavor with modern techno vibes and hypnotic textures, leading to a trance-ecstatic trip.

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Anastasia Zems lands on Alzaya with a new EP resulting from a self-reflective journey marked by hypnotic electronic rhythms that echo the passage of time and the change of life.

ALZC03 – Atlantika EP is a rolling cycle of inspiration, mirroring new experiences and sonic explorations that oscillate from warm memories to dark atmospheres aligned to current events. The EP ends by inviting us to slow down, reinterpreted in a separate track by Eklektique, who uplifts its essence and message.

Pastel de Nata is a track resonating with trance-tech rhythms to evoke warm and welcoming memories in a new home that smells of the Atlantic Ocean.

With Bairro Alto, the piece evolves, wandering and experimenting with old-school trance soundscapes across borders—a memento of the past days spent in local record stores searching for new rhythms.

Casa Amarela tunes into a dark, oppressive atmosphere pronounced by classic acid and arp-bass sounds. A symbol of sorrow and pain tuned to the current times.

The hypnotic, acid, mid-tempo sound in Push The Tempo Down stands high in the sky to remind and invite us to slow down before rising again.

Push The Tempo Down Remix is a unique reinterpretation by Eklektique, injecting hypnotic and acidic components crossed with a groovy bass line to reinforce the track’s essence and message.

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Akasha System – Midnight Tide

Philip Sherburne once described the Oregon’s producer as follows: the closer you peer, the more Akasha System’s seemingly uncomplicated music turns out to be something like an interdependent system, a dynamic landscape of give and take. This sense of interdependence is deep and alive. Still relevant today of Thompson’s sound signature. Blooming interconnected soundscascapes that channel house, IDM, ambient and timeless dreamy synths.

Tape Hiss – Scirocco

A soft wind blows from sea to sea, carrying with it siren songs of gentle piano and hope for a brighter future.
Emotional dance music from the Brooklyn producer.

Manuel Darquart – Low Tide

Going back to what makes us happiest. ‘Low Tide’ is the sister track to our Italo-inspired ‘High Tide’ tune from our Infinite Pleasure EP. 606 Hats, 808 snares, and of course the Lately Bass punching through some wavy Juno pads. Name us a better combo, we’ll wait.

Cosmic Cherry – Malibu

After making it through yet another lengthy and grey Berlin winter, DJ and producer Cosmic Cherry put together “Malibu” to have you dream of warmer, friendlier places. A summery, mellow house track with airy vocals and a punchy bass line that takes you to your favorite destinations. Using her own voice in German, she longs for those times where you can smell the saltwater in the air and dance through mild summer nights.

Nicodemo – Esmeralda

Nicodemo gets back to his own imprint with his italo touch, balearic infused; a hypnotic and effective track that jacks your body with plenty of hands-in-the-air synths, a pumping bassline, and rhythmic elements rising to a harmonic crescendo.

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After a vigorous start from the freshly formed Alzaya label, next up is the Chilean rising talent Paula Tape who has teamed up with Volantis for the new brand release ‘Octava Dimension’, including the remixes curated by the prince of Netherlands, Elias Mazian and the Australian icon Tornado Wallace, masters like few others.

Paula Tape has developed a signature style in front of listeners eyes and ears with her drum patterns and her voice samples. After ‘Agua Congas EP’ on SOBO was welcomed warmly around the world and opened the door for club-oriented releases on Rhythm Section and Permanent Vacation. The original track channels electro and dreamy vibes carefully crafted by Volantis with Paula Tape’s hypnotic voice, all blending together for a single summer heater.

Remix by Elias Mazian, that recently pleased us with a sophisticated electronic pop release, kicks things off with a beautiful, melodic, overwhelming tune.

Tornado Wallace revisited the original version with his spacious sense of deep house groove and an unique, relentless drum programming.

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Repress!

Bologna born Italo Disco legend Celso Valli’s ‘Tantra’ project had one aim; to push the boundaries of disco! Released in 1979 in the vein of Cerrone and Giorgio Moroder, ‘Hills of Katmandu’ is a unique, progressive slice of classic Italo Disco. The pulsating ‘Moroder-on-steroids bassline’, menacing female vocal and warbling synths take you on a trippy disco journey. The track became a huge dancefloor anthem at legendary clubs such as The Loft and The Saint in New York and Baia Degli Angeli in Rimini.

Originally available on vinyl in 1982 on San Francisco’s “Hot Classics” DJ Service”, Patrick Cowley’s “Original Underground Mix” is a work of pure genius that unleashes his skills on the synths and somehow manages to surpass the original.

High Fashion Music have enrolled Ben Liebrand to restore all the original remix-tapes, managing to re-edit and adjust each and every nuance to perfection, taking away any and all flaws which appeared in the original and it’s acetates, so that it is now steady preserving the original Hi NRG sound.

This is the first time this restored and upgraded version has been released.

On the flip-side, there is the original 16’20 minutes version of the Jurgen Koppers mix, an extended re-edit of the original Celso Valli version, which appeared first on Disconet in 1979, and in the following year on the US (Importe/12) release of the “Tantra – the Double Album” longplayer.

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Repress!

Harri Pierson bangs the box with his new EP for Duca Bianco, a full thrill mix of disco and house sounds that want to get the party going. 'Instant Message' has a dense mix of raw drum sounds and squelchy synths with interesting melodic designs and steamy female coos. 'Techno Native' is laced up with piano stabs and a hint of old school energy then 'Trippy Too' cuts loose with a head-twisting mix of drums and whistles and bass and pads. 'Young Australians' then brings some big guitar licks to a Balearic beat that is for dancing under the stars. All four of these cuts are unique and compelling.

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A new addition to our ever-growing discoid dance club is Curses. With recent releases on Snap Crackle & Pop, Bordello A Parigi and Dischi Autunno, the Italo American brings something a little darker to our party – four cuts of EBM influenced madness. Bone crunching snares and B-Movie samples sit atop shimmering synth licks that will be right at home on a wide variety of modern and retro dance-floors.

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Hi-NRG synth pioneer Patrick Cowley moved away from his usual robotic steeliness on 1982’s “Primitive World,” drawing instead on the groove rock of early 1970s gay discos. It’s a percussion track influenced by Baba- tunde Olatunji’s 1959 hit “Jin-Go-Lo-Ba,” made more famous by Santana’s 1969 cover. Cowley updated the sound for the 1980s with electronics and drum machines but kept the playful attitude of the original. Two choirs of voices chant back and forth to each other, giving Cowley a chance to include many of his friends from the San Francisco dance music community. This has been DJ Hifi Sean’s year, with a best-selling album with David McAlmont , count- less live gigs and high-profile remixes to his name. His interpretation of Cowley’s “Primitive World” can be counted among his best, bringing an intense TB-303 acid house vibe that perfectly complements Cowley’s weird electronic blips and bleeps. The effect is a disorienting mix of psychedelic 70’s groove, 80s synth pop, and 90s tacky house vibes. “Primitive World,” is one of the brilliant standouts on Cowley’s final record, Mind Warp, the so-called “death album” written as his health was rapidly sinking. Hifi Sean’s new remixes pay tribute to Cowley’s genius while fusing the track even more strongly to dance music’s electronic future.

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Stamp is back with a special three tracker of disco edits from J1mi Beyonders!
A trio of unashamed hands-in-the-air pumpers to induce dancefloor euphoria...

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Following his appearance on Soil Records’ second anniversary commemorative album, Rambal Cochet earned himself a special place on the label. His style makes him unique, the repeated tonal use of the harmonic minor scale is perhaps the most characteristic of this artist, with a musicality in his works that recall an early stage of Goa, situated long before moving to the force and energy of psy – trance.

His return this time is solo and he does it starring in the tenth reference on vinyl with UFO Researcher, an EP that he releases with 3 original tracks and 2 versions by Cute Heels and Pablo Bozzi. The homonymous track opens side A with an imposing bass and a rhythm that doubles its tempo as if it were IDM, but this is just the foundation of a much more complex sounding structure in which the melodies are crossed by different ranges of frequencies. . Paco Resist is the second track on side A, a cut with the standardized metric of techno but with a great groove originating from the bass line and with arpeggiated melodic elements. The Cute Heels version is more direct than the original track, its rhythm is more marked, direct and less expansive.

Side B opens with Tatra Tropicana, a track with a different sound from the rest, set in a scenario more typical of Synthwave and although this time the musicality is simpler because there are few tonal variations, Rambal Cochet’s predilection for the minor hues. The version of Tatra Tropicana by Pablo Bozzi closes the EP. the remix is ??much more energetic and its sound variations take on an acid tinge.

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Russian producer Rambal Cochet aka Volta Cab, an artist very much influenced by Goa Trance brings three new tracks with a sound that captivates us to that time, adding New Beat and EBM waves close to ‘Valencia Sound’ and its legendary ‘Ruta Destroy’. The record includes an absolute banger: a Kris Baha remix to burn the dancefloor, as usual.

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Perfect imperfections come one as Swiss producer Modex
journeys through an array of hypnotic melodies and driving
basslines, culminating in 4 cuts of future dance floor classics.

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Vibraphone Records presents 49th Floor - Zamani. incl. Magic K aka Juan Atkins RMX!
It's the first new release for 49th Floor after 1992 - highy recommended!

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Repress end of April 2024!

2 tracks. 45 RPM. It's a steal!
Compiled by Rey Colino.
Mastered and Cut by Marco Pellegrino.
Design by AJAM.

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Fazack, Not Even Noticed, NairLess and Henrik Villard battle it out on the 4th Terrazzo disc, unleashing a contagious arsenal of acid and proggy tech house in the process.

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Altered Circuits' next release comes by way of Bologna-to-Berlin transplant Jacopo Latini. On the Motherboard EP he combines stubby drums and sultry, efficient basslines with richly hued synth work. Once the cuts get going, a tapestry of melody reveals itself: gated leads are accompanied by burbling arpeggios, momentous chord progressions and bright pads that crawl in and out. The patches often incline to the bright and dreamy but are deployed with restraint; in the same vein, concealed and aloof vocal samples get sprinkled in. These techniques - staples for the artist - add an inscrutable quality to his work's mood. It is dance music that feels direct on the surface yet hides more ambiguous emotions underneath. Being a DJ was Latini's first approach to the electronic genres, and it arguably still is his main inspiration - it even occurs he writes tracks with a specific venue in mind. Since starting over a decade ago, and having meanwhile swapped the local Italian stages for the international ones, he has amassed a ton of analogue gear to help him do so. On this occasion, he plugged in his Roland D-50, Moog Sub 37 and microKorg XL, among other favorites, to take on progressive, trance and tech house. "Motherboard", "High Voltage", "It Comes In The Morning", and "Dual Effect" make for a diverse selection but have indeed the same objective: the club floor.

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