The Super Biton has existed since the 60s, like Ségou, its orchestra, the Super Biton has always remained behind what was done in Bamako and in the big cities of Africa. The Ségou orchestra developed and incorporated amplified instruments that mingle with brass, in particular electric guitars, symbols of modernity at the time. It opens up to Cuban music, and congas and bongos complement the sound of the orchestra. The group drew a unique sound from it, a perfect balance between tradition and the modern. There are about fifteen artits on stage, singers, guitarists drummer and percussionists. The Super Biton has for years been the best known and most sought-after orchestra of Mali outsid the country's borders, the Super Biton transcends the only Bambara heritage with its repertoire. Ségou is crossroads between Bambara, Fulani, Mandingo and Somono cultures and Biton has drawn on all these traditions to creat a repertoire extremely rich in rhythms and words. Some musicians completed their training in Cuba. They play "bambara jazz", incorporating a lot of brass instruments such as saxophone, trumpet, clarinet. The compositions are modern and sophisticated.

Mieruba Art Center is a place dedicated to the transmission and safeguarding of Malian musical heritage through musical exchange between the older and newer generation - Artist residences, music lessons,rehearsals, Workshops, Masterclasses - and so on. Just as happy former musicians of Mali, the members of Super Biton give lessons on site. It is also the office of the Mieruba-ML label in the same place where DeviationRecords is collaboration for the second time on the album - After the « Lost Maestros Collection » - with the support of La Manufacture de Vinyles. Phil of Deviation Records tells: "I am very enthusiastic at the idea of offering you these two volumes of the History of the Super Biton of Ségou, Clique of Super Heroes of sound, a source of inspiration for generations of musicians, DJs and also griots and storytellers of great renown! This double LP compiles the first Chapter of the rich Afro-Jazz-Folk Collection whose tapes have been remastered by Monsieur Jonin and cut at the MB Mastering Studio in Aubervilliers .The gatefold artwork is conceived by Ewwanuelle Collage and formatted by Bertrand Tondeur, Graphic designer of Les Mouches. All that’sleft to say is that i hope that you enjoy listening to the final result !"

Full tracklist:
A1. Ndossoke
A2. Super Biton
B1. Kamalen Wari
C1. Lebamfe
C2. Primprin
D1. Bwabaro
D2. Sournousso Haba
D3. Garan

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The definitive compilation of Super Biton de Ségou, one of Mali's most important orchestra's during its golden age of music. This album contains the best of the 2 early 70's albums previously released on Mali Kunkan and recorded under the aegis of sound wizard Boubacar Traoré. TIP!
Of all the Malian orchestras, the mighty Super Biton de Ségou stands tall in the history of Malian modern music. Largely forgotten these days, it still remains one of the oldest and probably one of the best orchestras on the African continent. Like most great orchestras from West Africa, Super Biton have always combined a subtle mix of tradition and modernity, instrumental ease and vocal virtuosity along their scattered and scarce discography. Hailing from Orchestre Régional de Kayes, at the other end of the country, guitar player Mama Sissoko joined the Biton in 1972. He quickly became the main soloist of the band, and paved the way for a music which was both lyrical and sober. They triumphed at the 1974 and 1976 Biennales over the Kanaga de Mopti, Sidi Yassa de Kayes, Mystère Jazz de Tombouctou, Negro Band de Gao and Kénéstar de Sikasso, Mali’s main regional orchestras. By that time, Super Biton were declared Mali’s first ‘national orchestra’. At the height of their power, the Biton had a repertoire of over 200 songs and counted 19 musicians among their ranks.By 1977, they released two consecutive albums under the name Super Biton National de Ségou, lavishly recorded at the fabled Radio Mali studio under the aegis of sound wizard Boubacar Traoré. Compiled here for the first time in their full glory, these songs belong to Mali’s golden age. They display the true nature of Malian musical genius, mixing traditional and modern instruments, such as Mama Sissoko’s mighty electric guitar, with sheer enthuasism at a time when most of these orchestras had largely overpassed the regional and national status they were given. Just like the Super Biton, still carrying on after many tribulations, they failed to reach a wider audience outside of Mali. Now it’s about time to enjoy the timelessness of Mali’s regional music from Segu.


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To reveal to the world all the musical riches of Mali, and more particularly the music of the Mandé
region, cradle of the great griot families, is the highly laudable purpose of this LP The Lost Maestros
Collection. To perpetuate and transmit this ancestral musical history, The Lost Maestros Collection
brings together 8 wonders of Mali who have each in their own way managed to develop this tradition
towards more modern and electrified countries and associates pioneers of Mandingo music and actors
of the young post generation.
The Lost Maestros Collection is the result of the collaboration between Deviation Records, newly
created by Phil Margueron and the independent Malian label Mieruba, which has been working since
2010 to ensure that this golden age of Mande music does not fall into oblivion. Aware that these
nuggets are not eternal, Mieruba, based in Ségou on the banks of the Niger river and capital of the
former Bambara kingdom, undertook for eight years the preservation of this musical heritage by putting
these 16 pieces on tapes at the Kôré studio de Ségou as well as at the famous Bogolan studio in
Bamako.

TRACKLIST:
A1. Zoumana Tereta – Dunia
A2. Askia Modibo – Sebela
A3. Labouzou – So Happy In You
A4. Tiowa Dembele – Hi Inimouwo
B1. Trico Kante – Mani Kuru
B2. Tambaoura Jazz – Kaabu
B3. Namakoro Fombae – Segou To Yamfolila
B4. Mangala Camara – Djelale
C1. Zoumana Tereta – Falla
C2. Askia Modibo – Nioumamba
C3. Balanzan – 4444
C4. Tiowa Dembele – Mahari
D1. Trico Kante – Thierombay
D2. Tambaoura Jazz – Salia
D3. Mangala Camara – Fantaden
D4. Tamboura Jazz - Magasse

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TRACKLISTING

A1. Setaoc Mass - The Eyes Don't Lie
A2. Setaoc Mass - 24 hours
B1. Setaoc Mass - Move In Shadows
B2. Setaoc Mass - Hide n' Seek


INFO

James Ruskin's Blueprint Records welcomes Setaoc Mass to the label's ever-increasing roster of techno artists.

As a DJ and producer, Setaoc Mass is part of a select cut of young artists who are absorbing techno's legacy and carrying the torch into tomorrow. Whilst overseeing his own imprints, SK¦eleven and SKX, his releases push a galvanising brand of techno steeped in a sense of urgency, ever-propulsive with acute detailing and nods to a futuristic space-age. As a selector, the Mancunian's extended DJ sets pull from an expansive spectrum of material both new and old.

Delivering four new techno cuts that form his 'Working Ways EP', it lands on vinyl and digital for release on 27 October.

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Long-time house music producer, DJ and journalist Anthony Teasdale is back with a new four-track EP for London’s Pamela Records.

The lead track is ‘Tango de la Boca’, an uplifting house tune with an unforgettable piano line and a groovy disco beat. Named after the barrio of La Boca in Buenos Aires, the tango feel is supplemented with layers of percussion, electric guitar stabs and moody strings. So far, it’s been played in clubs and on the radio by DJs like Rocky, David Holmes and Richard Sen.

“I think this is the most uplifting record I’ve ever made,” says Anthony. “Hearing those piano lines come in on a club system is a massive buzz.”

Second up is ‘A Pavement in Palma’ – a chilled jazz-house track. Inspired by lazy afternoons in Majorca’s capital, its swinging beat is joined by electric piano chords, live bongos and a bassline you can’t help but move to.

On Side B, we set sail on the good ship disco for ‘Deep in the Forest Something Stared’. Opening with bucolic bird noises – referencing the title – the track adds ’80s-style bass, glockenspiel melodies and soothing strings. It ends with a haunting piano motif that’s well worth the wait.

Finally, we return to 2023 with ‘It’s 5am Somewhere’, which blends old-school Roland 909 drum beats with minor chord synth stabs and rumbling piano melodies – plus an atmospheric breakdown guaranteed to excite any dancefloor.

Anthony says: “The EP reflects the music I’m listening to at the moment – which goes from classic techno to uptempo disco-house (and lots of synth pop!). The fusion of beautiful, often brittle, melodies with percussive house beats sets these records apart. And they sound as good on a dancefloor as they do in headphones when you’re relaxing at home.”

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Featherstone’s fifth release for Ernest’s Way is a 5 track, electro inspired EP featuring deep, syncopated sequences and angular rhythms contrasted with emotive passages that hit in all the right places.

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Tracklisting:
A1 Sterac - Score 3.0
A2 Sterac - Coin Flippers
B1 Sterac - Manifestation Power
B2 Sterac - Arutam

Sales Note
Unveil Sterac's journey on Somov, immersing in a spiritual opening and euphoric soulful revelations that shape his unique sound. A dimension where Amsterdam's electronic pioneer connects rhythm and heart.

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Red Vinyl Repress.

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Repress coming soon!

Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.

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Zenit is a jazz ensemble from Krems in Lower Austria, founded in 1976 by Hannes Treiber and Willi Langer. Their music
was celebrated locally, but to reduce them to their local fame would be misleading:
After all, their first two LPs, Stimmungswechsel (Change of Moods) and Früchte (Fruits), quickly gained them a much wider
audience of discerning listeners. Arguably, however, Zenit’s third and final LP Straight Ahead is the most special of their
records. It initially came out in 1986 on the producers label Spray Records, and is today one of the hardest-to-find Austrian
jazz records. Its centrepiece is the infectious slow-motion disco piece “Waiting,” with vocals by American jazz singer Linda
Sharrock. Effortlessly bringing together pop, soul and new age vibes, this is a record that is as unique as it is difficult to
date. Does it sound like from the 80s?
We’re not sure. To our minds at least, it could also be from the future.

TRACKLIST:
A1. Colours In My Head
A2. Different World
A3. A Little Bit Funk
A4. Play The Game Of Life
B1. Magic Words
B2. Come On And Try
B3. Departure 03
B4. Waitin'

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Keith Tucker and Gerald Donald of Dopplereffekt did it......They finally got together two of the originators from the monumental Detroit electronic groups Aux88 and Drexciya. The combination of these two musicians has created a retro bombardment of funk as only Keith Tucker and Gerald Donald can bring.
That unearthly eerie funk and strings from other worlds. This release gives a sense of a melding of Cybotron and Kraftwerk....That snappy intelligent funk that Detroit so heavily influenced and unleashed to the universe

1) "Star Gazing"- Is reminiscent of Cybotrons eclectic funk style with Tucker unmistakable electronic vocals and electronic beats slapping you in the face.

2) "Telescope Array"- Is an extension of Gerald Donald legendary aliases that give listeners that cold minimal drum and beautiful arps that hypnotize. Thumping bass line and .....bonus vocal interlude at the end of this interstellar track

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A modern day mashup classic from AMERIGO GAZAWAY that takes the Afrobeat rhythms and music of FELA KUTI and mixes it with the rap stylings of DE LA SOUL. Awesome.

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