1
Super Biton De Segou - Ndossoke
2
Super Biton De Segou - Primprin
The Super Biton has existed since the 60s, like Ségou, its orchestra, the Super Biton has always remained behind what was done in Bamako and in the big cities of Africa. The Ségou orchestra developed and incorporated amplified instruments that mingle with brass, in particular electric guitars, symbols of modernity at the time. It opens up to Cuban music, and congas and bongos complement the sound of the orchestra. The group drew a unique sound from it, a perfect balance between tradition and the modern. There are about fifteen artits on stage, singers, guitarists drummer and percussionists. The Super Biton has for years been the best known and most sought-after orchestra of Mali outsid the country's borders, the Super Biton transcends the only Bambara heritage with its repertoire. Ségou is crossroads between Bambara, Fulani, Mandingo and Somono cultures and Biton has drawn on all these traditions to creat a repertoire extremely rich in rhythms and words. Some musicians completed their training in Cuba. They play "bambara jazz", incorporating a lot of brass instruments such as saxophone, trumpet, clarinet. The compositions are modern and sophisticated.
Mieruba Art Center is a place dedicated to the transmission and safeguarding of Malian musical heritage through musical exchange between the older and newer generation - Artist residences, music lessons,rehearsals, Workshops, Masterclasses - and so on. Just as happy former musicians of Mali, the members of Super Biton give lessons on site. It is also the office of the Mieruba-ML label in the same place where DeviationRecords is collaboration for the second time on the album - After the « Lost Maestros Collection » - with the support of La Manufacture de Vinyles. Phil of Deviation Records tells: "I am very enthusiastic at the idea of offering you these two volumes of the History of the Super Biton of Ségou, Clique of Super Heroes of sound, a source of inspiration for generations of musicians, DJs and also griots and storytellers of great renown! This double LP compiles the first Chapter of the rich Afro-Jazz-Folk Collection whose tapes have been remastered by Monsieur Jonin and cut at the MB Mastering Studio in Aubervilliers .The gatefold artwork is conceived by Ewwanuelle Collage and formatted by Bertrand Tondeur, Graphic designer of Les Mouches. All that’sleft to say is that i hope that you enjoy listening to the final result !"
Full tracklist:
A1. Ndossoke
A2. Super Biton
B1. Kamalen Wari
C1. Lebamfe
C2. Primprin
D1. Bwabaro
D2. Sournousso Haba
D3. Garan More
Mieruba Art Center is a place dedicated to the transmission and safeguarding of Malian musical heritage through musical exchange between the older and newer generation - Artist residences, music lessons,rehearsals, Workshops, Masterclasses - and so on. Just as happy former musicians of Mali, the members of Super Biton give lessons on site. It is also the office of the Mieruba-ML label in the same place where DeviationRecords is collaboration for the second time on the album - After the « Lost Maestros Collection » - with the support of La Manufacture de Vinyles. Phil of Deviation Records tells: "I am very enthusiastic at the idea of offering you these two volumes of the History of the Super Biton of Ségou, Clique of Super Heroes of sound, a source of inspiration for generations of musicians, DJs and also griots and storytellers of great renown! This double LP compiles the first Chapter of the rich Afro-Jazz-Folk Collection whose tapes have been remastered by Monsieur Jonin and cut at the MB Mastering Studio in Aubervilliers .The gatefold artwork is conceived by Ewwanuelle Collage and formatted by Bertrand Tondeur, Graphic designer of Les Mouches. All that’sleft to say is that i hope that you enjoy listening to the final result !"
Full tracklist:
A1. Ndossoke
A2. Super Biton
B1. Kamalen Wari
C1. Lebamfe
C2. Primprin
D1. Bwabaro
D2. Sournousso Haba
D3. Garan More
More records from Super Biton De Segou
1
Super Biton De Segou - Nantan
2
Super Biton De Segou - Farafina
Introducing the 2nd Volume of Super Biton of Segou’s Afro.Jazz.Folk collection, led by Malian conductor Amadou Bah, also known as “The Armstrong Malian”.
Deviation Records is thrilled to present this collaboration with The Mieruba Label Team, showcasing the diverse musical roots of 1970s Mali, combining Afro-Latin percussion, Mandingo songs, jazzy brass, and funky guitar. The album also features the captivating ArtCollage of Emma Margo incorporating visuals of Segou, Mieruba Art Center, and Françoise Huguier.
The graphic design is conceived by Les Mouches Graphic Design, with a selective varnish made from traditional Bogolan fabric of the Segou area. The audio was remastered by Raphael Jonin and cut by MB Mastering Studio in Aubervilliers.
Get ready for a full sensory experience!
A1 - Nantan
A2 - Bouguel
A3 - A Tou N Diaye
B1 - Farafina
B2 - Ladilikan
B3 - Diarabi Muso
C1 - Djiri Maridie
C2 - Kibaru 75
D1 - Mariana
D2 - Moriba
D3 - Waraba Tchatcho More
Deviation Records is thrilled to present this collaboration with The Mieruba Label Team, showcasing the diverse musical roots of 1970s Mali, combining Afro-Latin percussion, Mandingo songs, jazzy brass, and funky guitar. The album also features the captivating ArtCollage of Emma Margo incorporating visuals of Segou, Mieruba Art Center, and Françoise Huguier.
The graphic design is conceived by Les Mouches Graphic Design, with a selective varnish made from traditional Bogolan fabric of the Segou area. The audio was remastered by Raphael Jonin and cut by MB Mastering Studio in Aubervilliers.
Get ready for a full sensory experience!
A1 - Nantan
A2 - Bouguel
A3 - A Tou N Diaye
B1 - Farafina
B2 - Ladilikan
B3 - Diarabi Muso
C1 - Djiri Maridie
C2 - Kibaru 75
D1 - Mariana
D2 - Moriba
D3 - Waraba Tchatcho More
The definitive compilation of Super Biton de Ségou, one of Mali's most important orchestra's during its golden age of music. This album contains the best of the 2 early 70's albums previously released on Mali Kunkan and recorded under the aegis of sound wizard Boubacar Traoré. TIP!
Of all the Malian orchestras, the mighty Super Biton de Ségou stands tall in the history of Malian modern music. Largely forgotten these days, it still remains one of the oldest and probably one of the best orchestras on the African continent. Like most great orchestras from West Africa, Super Biton have always combined a subtle mix of tradition and modernity, instrumental ease and vocal virtuosity along their scattered and scarce discography. Hailing from Orchestre Régional de Kayes, at the other end of the country, guitar player Mama Sissoko joined the Biton in 1972. He quickly became the main soloist of the band, and paved the way for a music which was both lyrical and sober. They triumphed at the 1974 and 1976 Biennales over the Kanaga de Mopti, Sidi Yassa de Kayes, Mystère Jazz de Tombouctou, Negro Band de Gao and Kénéstar de Sikasso, Mali’s main regional orchestras. By that time, Super Biton were declared Mali’s first ‘national orchestra’. At the height of their power, the Biton had a repertoire of over 200 songs and counted 19 musicians among their ranks.By 1977, they released two consecutive albums under the name Super Biton National de Ségou, lavishly recorded at the fabled Radio Mali studio under the aegis of sound wizard Boubacar Traoré. Compiled here for the first time in their full glory, these songs belong to Mali’s golden age. They display the true nature of Malian musical genius, mixing traditional and modern instruments, such as Mama Sissoko’s mighty electric guitar, with sheer enthuasism at a time when most of these orchestras had largely overpassed the regional and national status they were given. Just like the Super Biton, still carrying on after many tribulations, they failed to reach a wider audience outside of Mali. Now it’s about time to enjoy the timelessness of Mali’s regional music from Segu.
More
Of all the Malian orchestras, the mighty Super Biton de Ségou stands tall in the history of Malian modern music. Largely forgotten these days, it still remains one of the oldest and probably one of the best orchestras on the African continent. Like most great orchestras from West Africa, Super Biton have always combined a subtle mix of tradition and modernity, instrumental ease and vocal virtuosity along their scattered and scarce discography. Hailing from Orchestre Régional de Kayes, at the other end of the country, guitar player Mama Sissoko joined the Biton in 1972. He quickly became the main soloist of the band, and paved the way for a music which was both lyrical and sober. They triumphed at the 1974 and 1976 Biennales over the Kanaga de Mopti, Sidi Yassa de Kayes, Mystère Jazz de Tombouctou, Negro Band de Gao and Kénéstar de Sikasso, Mali’s main regional orchestras. By that time, Super Biton were declared Mali’s first ‘national orchestra’. At the height of their power, the Biton had a repertoire of over 200 songs and counted 19 musicians among their ranks.By 1977, they released two consecutive albums under the name Super Biton National de Ségou, lavishly recorded at the fabled Radio Mali studio under the aegis of sound wizard Boubacar Traoré. Compiled here for the first time in their full glory, these songs belong to Mali’s golden age. They display the true nature of Malian musical genius, mixing traditional and modern instruments, such as Mama Sissoko’s mighty electric guitar, with sheer enthuasism at a time when most of these orchestras had largely overpassed the regional and national status they were given. Just like the Super Biton, still carrying on after many tribulations, they failed to reach a wider audience outside of Mali. Now it’s about time to enjoy the timelessness of Mali’s regional music from Segu.
More