Subb-an returns with the third instalment on his own Sub Series Records, delivering Amnesia EP—a four-track collection of club-ready cuts that dive deep into his signature sound.

Crafted with the dance floor in mind, Amnesia EP showcases Subb-an’s unmistakable ability to blend raw underground energy with polished, sophisticated beats.

Known for his infectious grooves and dynamic production, Subb-an brings his unique style to the forefront once again, with each track offering an immersive blend of driving basslines, hypnotic rhythms, and lush uplifting atmospheric elements that reflect the essence of his creative vision.

The label has gained widespread support from the likes of Peach, Sonja Moonear, Saoirse, Enzo Siragusa, Raresh, Sedef Adasi, Shanti Celeste, Priku, Midland Anotr and Chris Stussy.

Available on both vinyl and digital formats, Amnesia EP is a testament to Subb-an’s enduring influence in the world of electronic music

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Subb-an joins the Semi Delicious family for their 17th edition with the aptly named ‘Wobble’ EP, complete with a remix from label head Demi Riquísimo. The release marks another progression in the label’s sonic development as Subb-an contributes a heady, all killer no filler collection of tracks that fit snugly in the diverse, forward thinking back catalog of the imprint. ‘Liquid Sun’ kicks off the release. A subtle, chugging track that utilises a classic organ with a bass acid lines to get rolling. A low end heavy ‘Contact’ is next bringing with it a deep brooding tone and housy shuffling drums. The A-side wraps up with ‘Balance’ a more ethereal track that uses classic deep house motifs whilst remaining inherently modern. The title track ‘Wobble’ opens up the B-side doing exactly what it says on the tin and the EP closes out with the main man, Demi on remix duties putting his own imitable spin on the aforementioned track.

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Hoarfrost EP exemplifies Subb-An’s commitment to sonic excellence and attention to detail. The EP seamlessly navigates across genres, expertly blending ambient, minimal, and house elements into a harmonious fusion.
My King Is Light proudly presents this vinyl release as a celebration of the convergence of talent, innovation, and the timeless spirit of electronic music.

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Hot on the heels of the success of the Phonica AM’s debut release, lable curator Luther Vine has un- earthed another rare find. London based Subb-An is no stranger to all manner of Tech and Minimal sounds. He’s well known for the high calibre releases on his own One Records and countless seminal releases on lablel far too many to mention. Yet on ‘Synchronicity EP’ you will discover Subb-An like you’ve never heard him before. The newly found sound that he explores here with ease and panache is both steeped in 90’s history yet with knowledge of modern dancefloors.

The tight and driving opener ‘Synchronicity’ is sharp as a tack. The relentless kick of the 909 is pep- pered with Acid-tinged synths. A banger by all means, yet due to the eerie sensual vocals the overall feel of the track is positively hypnotic. It is followed by ‘Salvia Apiana’. The track evokes the Tribal rites with its gamelan influenced arrangement and superbly inventive use of playful arps. This melodic yet danceable sage scrub is guaranteed to rejuvenate all manner of tiered dancefloors.

The flip side opens with ‘Higher Frequency’ and travels far beyond the straight forward beatscapes of obvious and mundane. It resonates on mystic frequencies of Techno spectrum but remains infectiously danceable at all times.The closing track of the EP is an understated meditative masterpiece. ‘Atlantis’ takes bright jubilant semi-tones and sees them timidly burst through the artfully constructed dusty soundframe. The more you listen to it the more you will hear. Pure magic.

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It gives us great please to present Subb-an’s first solo release on 20/20 Vision. Since his joint release with Adam Shelton 4 years ago, we have been very keen to get him involved on a solo release and the time is now! Since he arrived on the scene he has since gone on to become one of its biggest players, with a constantly jam-packed tour schedule and a loyal fan base. This is all down to his considered DJ sets, and trademark groove & appeal that accompany all of his productions. ‘Modern Love’ opens the release with a bouncing groove characterised by it’s kick and bass combo. The star of the show is a wobbly acidic sequence that rears its head sporadic through track and is sure to create some waves on the dancefloor. This is followed by title track ‘The Other Side’, in which a collection of crisp and sharp soundscapes are combined with Subb-an’s typical precision and attention to detail. On the B side we then find ‘El Otro Lado (Terrace Dub)’ which showcases a slightly tougher and techno-orientated side to the release. Featuring a stripped back collection of raw drum patterns with big kick drums and sharp high hats. The release is capped off with the digitally exclusive ‘El Otro Lado (Original Mix)’ which adds a dreamy synth layer that complements the core elements perfectly.

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The mighty Visionquest get set to release the highly anticipated ‘Rain’ from young shining star Subb-an. A monster of a release, the A-side features the haunting vocals of Visionquest favourites Footprintz, while the B-side welcomes a collaboration with Holland’s Tom Trago featuring label co-founder and No.1 Seth Troxler on vocals. Released as a digital only, Subban’s partner in crime Adam Shelton steps in for remix duty and rounds of what is undoubtedly set to be a special release for all involved.


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Following the noir glory of "The Lovers Night", Subb-an blesses Spectral with another techhouse monster.

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Subb-an returns with the third instalment on his own Sub Series Records, delivering Amnesia EP—a four-track collection of club-ready cuts that dive deep into his signature sound.

Crafted with the dance floor in mind, Amnesia EP showcases Subb-an’s unmistakable ability to blend raw underground energy with polished, sophisticated beats.

Known for his infectious grooves and dynamic production, Subb-an brings his unique style to the forefront once again, with each track offering an immersive blend of driving basslines, hypnotic rhythms, and lush uplifting atmospheric elements that reflect the essence of his creative vision.

The label has gained widespread support from the likes of Peach, Sonja Moonear, Saoirse, Enzo Siragusa, Raresh, Sedef Adasi, Shanti Celeste, Priku, Midland Anotr and Chris Stussy.

Available on both vinyl and digital formats, Amnesia EP is a testament to Subb-an’s enduring influence in the world of electronic music

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Filipovich is one of a kind. The Belarus-born, Paris-based artist works in a multitude of media - found footage films, painting, silkscreening and performance to name a few. It's her musical output that has caught the attention of late, though, with Filipovich dropping a run of releases in recent years which began with 2021's Magnificat on Time Released Sound. Filipovich takes as much of a novel approach to her music-making as she does with her other artistic endeavours - Magnificat was centred around treated samples of Sergei Rachmaninov's All-Night Vigil, and she's also combined classical composition with contemporary electronic techniques on her subsequent drops.For Idealized, Filipovich's debut on Sheffield's Central Processing Unit, she maintains the gothic air which characterised her previous releases and applies it to a record of widescreen contemporary techno joints. These tracks represent something of a gear shift for CPU, a label which has long made its name by delivering top-quality electro and machine-funk jams, but such is the quality of Idealized that these superbly-executed techno productions are sure to win over label fans both old and new.Idealized is very much schooled in the German tradition of minimal/dub techno. Tracks like 'Physical', 'Wave' and 'Dance Minor' all anchor themselves on single, steady drum pulses and delay-drenched single-chord loops. Filipovich generally lets the central idea of these tracks play out across several minutes while introducing increasingly disorientating elements into the rest of the mix - wiccan atmospherics, clashing chords, spiralling delays and so forth. It's an approach at once respectful of Filipovich's predecessors - Basic Channel, Deepchord, Ellen Allien and so on - but also full of idiosyncrasies and individuality.Many of the club cuts here hardwire us into the moody, murky environs of the darkest Berlin Basements. 'Ultra Red' rides forward on a crisp drum machine snap, a menacing burble of bassline and an eerie single-note synth whistle in the upper end of the mix; 'Dance Minor' shows off a bit of KiNK in the brain-bending modular loop that waxes and wanes at its centre; the second-half run from 'Wave' to closer 'Small Cave' travels ever-further out into deep space - the kick drums remain insistent, yet the textural elements are delivered with an edge and flair that evidences Filipovich's ability to think outside the box.Filipovich's unusual methods, and the influence of sound art and electroacoustic composition on her music, are drawn out further when Idealized steps away from the dancefloor. 'Hydra' comes off like a more gothic version of Pole - its central pulse draws from dub techno but never quite settles into a danceable groove, and this beat is combined with the kind of unnerving keyboard work that would make John Carpenter proud. Although closer 'Small Cave' eventually locks into another dark-room techno roller, the opening section of the track delivers a weightless soundscape of bright, tinny chords and a scene-setting field recording.Idealized, the first drop on Central Processing Unit from Paris-based Belarusian Lina Filpovich, broadens the label's horizons with a selection of finely crafted minimal/dub techno joints.

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Incredible Techno and dub techno by now legendary Conforce (aka Versalife) that will Take You on a Sonic journey with Commute "Part 1" on Syncrophone. No need to introduce Conforce anymore... The Dutch producer blasts off with "Commuting Part 1," a 4-track EP on Syncrophone Records. Buckle up for a sonic adventure that electrifies your daily routine. "

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12" compilation with new tracks by Eoism, Voertuig, Colkin and a lost gem by Peter Seiler featuring Sheryl Hackett. Picture sleeve with a bold artwork based on a sculpture by Hede Bühl. Limited to 500 copies.

Label text:

"Colkin (Raw Soul, Mauke Club) kicks off the a-side with a spheric acid house meditation. Next is a track by Peter Seiler which could be found on the extended reissue of his 'Flying Frames' debut LP on Innovative Communication in 1989. It features the soulful voice of Sheryl Hackett. An extraordinary groover that is meandering between song and jazz improvisation. Eoism (Pulse Drift, Undersound, Inch By Inch) complete the a-side with some low-swung electro flavors, driving you straight into sunset.

On the b-side Voertuig (Tonal Oceans, Cobra Club) hit us with a serious and raw acid jam - dark and dirty. On the following track they show us their experimental jazzy side and cool things down again. A track the 1990s downbeat era was missing. Eoism close the first volume of FUTUR with a floating, futuristic banger from their lab.

Benedikt Meger's aspiration for funkscapes was always to feature funk grooves, old and new, fresh and relevant for today. Whether some rare, not so rare or just under the radar recordings from the past or new productions from today's artists across different electronic genres. This idea now culminates into the selection for the compilation FUTUR.

Enjoy the ride."

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Dustin Zahn & Z.I.P.P.O team up for a brand new EP entitled “Tools for Levitation.” Looking for a party record? Wrong EP. These tracks are designed to bend reality to your will. The record focuses on 4 esoteric Techno tracks with a strong emphasis on sound design, with each track being as heavy as they are mental.

Written during the depths of lock down, the finished results have a darker and more nihilistic approach than one would normally find on their solo productions. Since then, these tracks have been road tested over the years by our close friends and favorite DJs. Now, they’re finally available to the public

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"Asset003 is Stojche’s debut release in 2013. He returns back to his solo imprint to present the 3rd EP in the series. Again 4 – tracker 12’’, range of quality techno and house outputs in brilliant symbiosis.

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Airual002 proudly presents the "Devotion" EP, a mesmerizing journey into the realms of dub techno with great passion and devotion to tradition but approaching it `also with modern studio strategies and equipment.Mario Lauriano, a Naples native now based in Berlin, showcases his prowess in crafting meticulously designed dub techno with "Devotion."

The title track is a captivating fusion of pulsating rhythms and ethereal melodies, transporting listeners to another dimension. XDB's remix of "Devotion" amplifies the energy while retaining the essence of the original track, making it perfect for obscure dancefloors.

On the flip side, Lauriano's "Patiently Waiting" offers a mesmerizing exploration of broken atmospheric techno, complemented by a fresh and house remix from the legendary Samuel L Session.

"Devotion" EP is a testament to Airual002's commitment to pushing the boundaries of electronic music while staying true to its roots. With its exquisite blend of elegant dub techno and atmospheric sounds, this release is set to leave a lasting impression on listeners.

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Steve O'Sullivan Returns to Phonogramme Records with New EP 'Tribal Dubs’ Following the success of his debut EP on the label, Steve is back with a mesmerizing three-track offering that showcases his signature blend of deep grooves and atmospheric textures.This marks Steve O'Sullivan's second EP on Phonogramme Records, further solidifying his relationship with the label and cementing his reputation as a leading figure in the techno scene. 'Tribal Dubs' is a testament to Steve's continued creativity and innovation, showcasing his ability to push boundaries while staying true to his roots.'Tribal Dubs' is set to release on Phonogramme Records and will be available on all major streaming platforms and vinyl. Don't miss out on this exceptional release from one of techno's most respected artists.

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Dubbed out new version of a Japanese reggae classic from 1982 by UK-based Tokyo Riddim Band. Recorded and mixed by the legendary Prince Fatty in South London, it's a fusion of past and present, East and West.
Three generations of female musicians from Japan come together, blending reggae drums, funky bass, and the smooth City Pop guitar, all magically dubbed-out live on stage. Tokyo Riddim Band is a culture clash phenomenon unlike anything else.

Championed by Gilles Peterson, and featured on NTS, Pitchfork and Bandcamp Daily, the group was born out of Time Capsule’s wildly popular compilation “Tokyo Riddim 1976-1985”. In just a matter of months they have sold out headline shows across London and supported Kyoto Jazz Massive at Jazz Cafe, conjuring a raucous, dubby dancefloor that brings the classic Japanese reggae sound of the ‘70s and ‘80s to life for a new generation.

Led by the inimitable pianist and composer Izumi ‘Mimi’ Kobayashi who featured on the original compilation, Tokyo Riddim Band are set to release a series of 7” singles in the coming months with more live shows planned throughout the summer 2024.

The first single, 'Denshi Lenzi', reinvents the Natural Mystic riddim of the original Japanese production, infusing it with dubbed-out vocals, sirens, and electrifying e-tom sounds, delivering an authentic reggae/dub experience with a distinct UK flair.

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Third outing by Utrecht's Böhm on M>O>S Recordings! As always, a beautiful collection of warm, jacking, bleep-y, deep house. Reminiscing to good old times, 90's Chicago house, early 00's UK bleep techno, it all feels very much at home here on M>O>S.

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Freerange welcomes back dutch producer Yannick Roberts for his follow up to his 2022 I Can’t Hide From Myself EP. That release gained club spins and chart support from the likes of Dave Lee, Jamie 3:26, Luke Solomon and Fred Everything and became a hit with lovers of deep, disco-influenced Detroit house sounds as championed by fellow countrymen such as Dam Swindle, Fouk and Nachtbraker. Opening track Grace sets the tone with a chunky groover guaranteed to set the right mood on the dance floor. Next up Yannick picks up the pace with Anyone (This Late At Night Mix) which uses syncopated synth stabs and a simple two note bassline to create peak time energy levels. Amsterdam Nights keeps things bubbling along nicely with fat 909 beats, piano stabs and intense vocal samples while the EP closes out in fine fashion with All For You. Four tracks which perfectly demonstrate Yannick’s knack for producing quality club tunes.

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Limited edition of 100 copies. There will be no repress in the future.

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