Subb-an returns with the third instalment on his own Sub Series Records, delivering Amnesia EP—a four-track collection of club-ready cuts that dive deep into his signature sound.

Crafted with the dance floor in mind, Amnesia EP showcases Subb-an’s unmistakable ability to blend raw underground energy with polished, sophisticated beats.

Known for his infectious grooves and dynamic production, Subb-an brings his unique style to the forefront once again, with each track offering an immersive blend of driving basslines, hypnotic rhythms, and lush uplifting atmospheric elements that reflect the essence of his creative vision.

The label has gained widespread support from the likes of Peach, Sonja Moonear, Saoirse, Enzo Siragusa, Raresh, Sedef Adasi, Shanti Celeste, Priku, Midland Anotr and Chris Stussy.

Available on both vinyl and digital formats, Amnesia EP is a testament to Subb-an’s enduring influence in the world of electronic music More

Subb-an joins the Semi Delicious family for their 17th edition with the aptly named ‘Wobble’ EP, complete with a remix from label head Demi Riquísimo. The release marks another progression in the label’s sonic development as Subb-an contributes a heady, all killer no filler collection of tracks that fit snugly in the diverse, forward thinking back catalog of the imprint. ‘Liquid Sun’ kicks off the release. A subtle, chugging track that utilises a classic organ with a bass acid lines to get rolling. A low end heavy ‘Contact’ is next bringing with it a deep brooding tone and housy shuffling drums. The A-side wraps up with ‘Balance’ a more ethereal track that uses classic deep house motifs whilst remaining inherently modern. The title track ‘Wobble’ opens up the B-side doing exactly what it says on the tin and the EP closes out with the main man, Demi on remix duties putting his own imitable spin on the aforementioned track. More

Hoarfrost EP exemplifies Subb-An’s commitment to sonic excellence and attention to detail. The EP seamlessly navigates across genres, expertly blending ambient, minimal, and house elements into a harmonious fusion.
My King Is Light proudly presents this vinyl release as a celebration of the convergence of talent, innovation, and the timeless spirit of electronic music. More

Hot on the heels of the success of the Phonica AM’s debut release, lable curator Luther Vine has un- earthed another rare find. London based Subb-An is no stranger to all manner of Tech and Minimal sounds. He’s well known for the high calibre releases on his own One Records and countless seminal releases on lablel far too many to mention. Yet on ‘Synchronicity EP’ you will discover Subb-An like you’ve never heard him before. The newly found sound that he explores here with ease and panache is both steeped in 90’s history yet with knowledge of modern dancefloors.

The tight and driving opener ‘Synchronicity’ is sharp as a tack. The relentless kick of the 909 is pep- pered with Acid-tinged synths. A banger by all means, yet due to the eerie sensual vocals the overall feel of the track is positively hypnotic. It is followed by ‘Salvia Apiana’. The track evokes the Tribal rites with its gamelan influenced arrangement and superbly inventive use of playful arps. This melodic yet danceable sage scrub is guaranteed to rejuvenate all manner of tiered dancefloors.

The flip side opens with ‘Higher Frequency’ and travels far beyond the straight forward beatscapes of obvious and mundane. It resonates on mystic frequencies of Techno spectrum but remains infectiously danceable at all times.The closing track of the EP is an understated meditative masterpiece. ‘Atlantis’ takes bright jubilant semi-tones and sees them timidly burst through the artfully constructed dusty soundframe. The more you listen to it the more you will hear. Pure magic. More

It gives us great please to present Subb-an’s first solo release on 20/20 Vision. Since his joint release with Adam Shelton 4 years ago, we have been very keen to get him involved on a solo release and the time is now! Since he arrived on the scene he has since gone on to become one of its biggest players, with a constantly jam-packed tour schedule and a loyal fan base. This is all down to his considered DJ sets, and trademark groove & appeal that accompany all of his productions. ‘Modern Love’ opens the release with a bouncing groove characterised by it’s kick and bass combo. The star of the show is a wobbly acidic sequence that rears its head sporadic through track and is sure to create some waves on the dancefloor. This is followed by title track ‘The Other Side’, in which a collection of crisp and sharp soundscapes are combined with Subb-an’s typical precision and attention to detail. On the B side we then find ‘El Otro Lado (Terrace Dub)’ which showcases a slightly tougher and techno-orientated side to the release. Featuring a stripped back collection of raw drum patterns with big kick drums and sharp high hats. The release is capped off with the digitally exclusive ‘El Otro Lado (Original Mix)’ which adds a dreamy synth layer that complements the core elements perfectly. More

The mighty Visionquest get set to release the highly anticipated ‘Rain’ from young shining star Subb-an. A monster of a release, the A-side features the haunting vocals of Visionquest favourites Footprintz, while the B-side welcomes a collaboration with Holland’s Tom Trago featuring label co-founder and No.1 Seth Troxler on vocals. Released as a digital only, Subban’s partner in crime Adam Shelton steps in for remix duty and rounds of what is undoubtedly set to be a special release for all involved.
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Following the noir glory of "The Lovers Night", Subb-an blesses Spectral with another techhouse monster. More

Subb-an returns with the third instalment on his own Sub Series Records, delivering Amnesia EP—a four-track collection of club-ready cuts that dive deep into his signature sound.

Crafted with the dance floor in mind, Amnesia EP showcases Subb-an’s unmistakable ability to blend raw underground energy with polished, sophisticated beats.

Known for his infectious grooves and dynamic production, Subb-an brings his unique style to the forefront once again, with each track offering an immersive blend of driving basslines, hypnotic rhythms, and lush uplifting atmospheric elements that reflect the essence of his creative vision.

The label has gained widespread support from the likes of Peach, Sonja Moonear, Saoirse, Enzo Siragusa, Raresh, Sedef Adasi, Shanti Celeste, Priku, Midland Anotr and Chris Stussy.

Available on both vinyl and digital formats, Amnesia EP is a testament to Subb-an’s enduring influence in the world of electronic music More

After a long hiatus from the imprint over the past six years, white label Italian imprint Outlaw delivers welcomes the return of its label boss, Matthew Oh. Comprised of four originals with the labels dub-tinged aesthetic.

300 copies vinyl only! hand made stamped. More

Filipovich is one of a kind. The Belarus-born, Paris-based artist works in a multitude of media - found footage films, painting, silkscreening and performance to name a few. It's her musical output that has caught the attention of late, though, with Filipovich dropping a run of releases in recent years which began with 2021's Magnificat on Time Released Sound. Filipovich takes as much of a novel approach to her music-making as she does with her other artistic endeavours - Magnificat was centred around treated samples of Sergei Rachmaninov's All-Night Vigil, and she's also combined classical composition with contemporary electronic techniques on her subsequent drops.For Idealized, Filipovich's debut on Sheffield's Central Processing Unit, she maintains the gothic air which characterised her previous releases and applies it to a record of widescreen contemporary techno joints. These tracks represent something of a gear shift for CPU, a label which has long made its name by delivering top-quality electro and machine-funk jams, but such is the quality of Idealized that these superbly-executed techno productions are sure to win over label fans both old and new.Idealized is very much schooled in the German tradition of minimal/dub techno. Tracks like 'Physical', 'Wave' and 'Dance Minor' all anchor themselves on single, steady drum pulses and delay-drenched single-chord loops. Filipovich generally lets the central idea of these tracks play out across several minutes while introducing increasingly disorientating elements into the rest of the mix - wiccan atmospherics, clashing chords, spiralling delays and so forth. It's an approach at once respectful of Filipovich's predecessors - Basic Channel, Deepchord, Ellen Allien and so on - but also full of idiosyncrasies and individuality.Many of the club cuts here hardwire us into the moody, murky environs of the darkest Berlin Basements. 'Ultra Red' rides forward on a crisp drum machine snap, a menacing burble of bassline and an eerie single-note synth whistle in the upper end of the mix; 'Dance Minor' shows off a bit of KiNK in the brain-bending modular loop that waxes and wanes at its centre; the second-half run from 'Wave' to closer 'Small Cave' travels ever-further out into deep space - the kick drums remain insistent, yet the textural elements are delivered with an edge and flair that evidences Filipovich's ability to think outside the box.Filipovich's unusual methods, and the influence of sound art and electroacoustic composition on her music, are drawn out further when Idealized steps away from the dancefloor. 'Hydra' comes off like a more gothic version of Pole - its central pulse draws from dub techno but never quite settles into a danceable groove, and this beat is combined with the kind of unnerving keyboard work that would make John Carpenter proud. Although closer 'Small Cave' eventually locks into another dark-room techno roller, the opening section of the track delivers a weightless soundscape of bright, tinny chords and a scene-setting field recording.Idealized, the first drop on Central Processing Unit from Paris-based Belarusian Lina Filpovich, broadens the label's horizons with a selection of finely crafted minimal/dub techno joints. More

Incredible Techno and dub techno by now legendary Conforce (aka Versalife) that will Take You on a Sonic journey with Commute "Part 1" on Syncrophone. No need to introduce Conforce anymore... The Dutch producer blasts off with "Commuting Part 1," a 4-track EP on Syncrophone Records. Buckle up for a sonic adventure that electrifies your daily routine. " More

"Asset003 is Stojche’s debut release in 2013. He returns back to his solo imprint to present the 3rd EP in the series. Again 4 – tracker 12’’, range of quality techno and house outputs in brilliant symbiosis. More

F-BOMBS RECORDS has landed! A spin-off of the Foundations Series events that have been running across London the past 2+ years. Similarly to the Foundations Series events, the label will be a home of multi-genre artist releases with a nod to all the classic eras of UK dance music brought firmly up-to-date.

SWANKOUT has been moving at paces, riding the charts the last couple of years with releases for the likes of Hardcore Energy, Top Drawer Digital and Pete Cannon’s N4 Records - which saw his Swankout EP sell out of vinyl in just 24 hours! He’s also notably just remixed Shadow Child & Mark Archer’s “I know You” on UTTU’s sub-label Dancetrax and his forthcoming The Criminal Minds collab is gaining much hype.

Here Swankout demonstrates his diversity in taste and production style by lending his hand to UKG with the aptly named “The Speed Garage EP”. A 4-tracker that imbues classic speed garage, with rumbling basslines, weighty breakdowns, gunshots and a hint of jungle. Heads will note the reference of lead track Rude Bwoy Monty to the original jungle don R.B. Monty.


F-BOMBS001 - SWANKOUT - THE SPEED GARAGE EP

A1. RUDEBWOY MONTY - Moody build-up into an unforgettable breakdown of police sirens and rising tension, conjures up memories of early morning raves and raids across London and the greater M25 perimeter.

A2. LOVE COMMANDS - A steppy dancefloor bouncer, pure summer vibes for the love dove generation.

AA1. GUNSHOT - All the elements of a classic speed garage stomper. Warped bassline, pitched/chopped vocals, gunshots and a lot of attitude.

AA2. APPROACH PHASE - Fasten your seatbelts and assume approach positions. A track that invokes a sense of nostalgia for dancefloors long gone. More

Steve O'Sullivan Returns to Phonogramme Records with New EP 'Tribal Dubs’ Following the success of his debut EP on the label, Steve is back with a mesmerizing three-track offering that showcases his signature blend of deep grooves and atmospheric textures.This marks Steve O'Sullivan's second EP on Phonogramme Records, further solidifying his relationship with the label and cementing his reputation as a leading figure in the techno scene. 'Tribal Dubs' is a testament to Steve's continued creativity and innovation, showcasing his ability to push boundaries while staying true to his roots.'Tribal Dubs' is set to release on Phonogramme Records and will be available on all major streaming platforms and vinyl. Don't miss out on this exceptional release from one of techno's most respected artists. More

After a five year hiatus Luke Slater reanimates his L.B. Dub Corp alias for a dynamic, vocal-led ode to the club featuring Robert Owens, Paul St. Hilaire, Miss Kittin and more. The LP is set to release on 10th May 2024

Since his first forays into DJing, Luke Slater has been pursuing different streams of inspiration to wind up with some of the most enduring electronic music of the past 30 years. From the grandiose ambient techno of The 7th Plain to the trailblazing machine funk of Planetary Assault Systems, he’s gifted a lot of music to the world. His L.B. Dub Corp alias first emerged in 2006, and has since been a vessel for a looser approach to club music compared to the steely big room energy of P.A.S. At times it’s housier, elsewhere dubbier, but still logically attached to Slater’s overall arc as an artist and music lover.

On his new album, which marks his first appearance on Dekmantel, Slater wanted to celebrate the unique cultural intake which set him on his path. It starts with his earliest memories marvelling at the beats in his father’s big band and jazz funk records until he was old enough to be drumming himself. The drums have remained a source of fascination despite his years entangled in machine music, and for the first time Slater uses his own live drumming on Saturn to Home.

The subtle imperfections of human rhythm are a big draw - Slater has always shied away from anything too ‘perfect’. From the rough and ready advent of drum machines and synths in early 80s pop, disco and electro to the breakthrough years of house music, Slater started to get a handle on how the sounds were made by identifying with the DIY, anything-goes spirit of the era. These are the touchstones which were on his mind as he started to work on Saturn to Home, not seeking to create carbon copies or overtly retro tracks, but rather to keep the verve and open-ended attitude of that music on his mind as made the album throughout 2022.

Beyond the drums, the vocals are the other vital ingredient which Slater knew he needed for this record. His own voice appears sporadically, but he also very intentionally reached out to artists such as legendary deep house original Robert Owens and dub techno crooner Paul St. Hilaire. Iconic French electro provocateur Miss Kittin also makes an appearance. Alex is the solo alias for Alexandra Grübler of Baal & Mortimer, who lends her freewheeling approach to ‘Golden Star’ in a style Slater compares to Liz Fraser in Cocteau Twins.

Behind ‘Only The Good Times’ lies the story of fabled Eindhoven street character Arnol Kox, who passed away in 2020, whose philosophical proclamations had become local legend. Slater managed to record Kox shouting the Dutch equivalent of the track title, which had become his sole mantra after years preaching to folk in the city centre, creating a heartfelt tribute to someone who embodied the misfit individuality Slater feels most at home around, not least in the club.

It’s this lattice of sounds, stories and feelings which give Saturn to Home its electric, diaristic energy. Whether it’s the feverish passion of ‘Your Love’s infectious chord stabs or the smoky soundsystem tendrils of ‘Golden Star’, the elastic drums and mutant synth funk of ‘Krank’ or the star-scraping breakbeat techno of ‘Only The Good Times’, Slater tells the story of his life in music, which means his life overall, without ever being stuck in the past. More

Third outing by Utrecht's Böhm on M>O>S Recordings! As always, a beautiful collection of warm, jacking, bleep-y, deep house. Reminiscing to good old times, 90's Chicago house, early 00's UK bleep techno, it all feels very much at home here on M>O>S. More

* Track order on pressing (side A) swapped More

Freerange welcomes back dutch producer Yannick Roberts for his follow up to his 2022 I Can’t Hide From Myself EP. That release gained club spins and chart support from the likes of Dave Lee, Jamie 3:26, Luke Solomon and Fred Everything and became a hit with lovers of deep, disco-influenced Detroit house sounds as championed by fellow countrymen such as Dam Swindle, Fouk and Nachtbraker. Opening track Grace sets the tone with a chunky groover guaranteed to set the right mood on the dance floor. Next up Yannick picks up the pace with Anyone (This Late At Night Mix) which uses syncopated synth stabs and a simple two note bassline to create peak time energy levels. Amsterdam Nights keeps things bubbling along nicely with fat 909 beats, piano stabs and intense vocal samples while the EP closes out in fine fashion with All For You. Four tracks which perfectly demonstrate Yannick’s knack for producing quality club tunes. More

Limited edition of 100 copies. There will be no repress in the future. More

Mark Broom, Remco Beekwilder, Clouds and Anne remix Gary Becks big room techno classic Video Siren 200 copies only. More