Label:Kay-Dee Records
Cat-No:KD065-69
Release-Date:29.09.2023
Genre:Dope Beat/Hip Hop
Configuration:5X7"
Label:Kay-Dee Records
Cat-No:KD065-69
Release-Date:29.09.2023
Genre:Dope Beat/Hip Hop
Configuration:5X7"
1
Easy Mo Bee - Dont Touch Me
2
Easy Mo Bee - Slut
3
Easy Mo Bee - On Down
4
Easy Mo Bee - Beat #1
5
Easy Mo Bee - Piano Joint
6
Easy Mo Bee - Daisy
7
Easy Mo Bee - Comin
8
Easy Mo Bee - Mega Dope
9
Easy Mo Bee - Flippin Todd
10
Easy Mo Bee - Beat #2
SP-1200 BANGERS ACROSS FIVE 7" RECORDS, FROM ONE OF THE MOST PROLIFIC PRODUCER OF THE 90s - PREVIOUSLY WORKED WITH NOTORIOUS B.I.G., TUPAC SHAKUR, BIG DADDY KANE, LL COOL J, BUSTA RHYMES, AND MANY MORE!
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More records from Kay-Dee Records
1
Tyrone Washington - Submission (Original)
2
Tyrone Washington - Submission (Kenny Dope Remix)
Now this 45 release is a real treat, featuring both the original and Kenny Dope remix of Tyrone Washington’s timeless gem, ‘Submission’. A mysterious artist who seemingly disappeared from the scene after his last release in the mid 70’s, Washington created forward-thinking Jazz magic which has been loved ever since its original release - and sampled multiple times by the likes of A Tribe Called Quest and Pete Rock. On the Kenny Dope remix, we are served some heavy hip-hop breaks which pump underneath the inimitable brass of the original, chopped up to add some extra spice and groove. A master of beats, Kenny does the business on this remix and the results are truly special.
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1
Dan Greenpeace & Diamond D - Nowhere To Run To
2
Dan Greenpeace & Diamond D - Nowhere To Run To (Instrumental)
Pioneering DJ and radio host, Dan Greenpeace, invited legendary rapper, Bronx native and fellow producer Diamond D to appear on the first in his new series of vinyl and digital releases. As a founding member of the acclaimed production crew, D.I.T.C., Diamond is one of Dan’s biggest inspirations and this record is somewhat of an homage to his Hip-Hop peer heroes that paved the way for him and so many others. Nowhere To Run To sees Diamond spitting his trademark hard-hitting rhymes over Dan’s guitar stab heavy beats culminating in what critics have already hailed as a modern Hip-Hop classic.
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1
Bert Hector - The Phoenix (Original Mix)
2
Bert Hector - The Phoenix (Kenny Dope Fantastic Souls Mix)
3
Bert Hector - Kraken
4
Bert Hector - Kraken (Kenny Dope Fantastic Souls Mix)
Kay-Dee Records is coming at you with a 45 double-hitter, presenting Bert Hector’s ‘The Phoenix’ and ‘The Kraken’ with Kenny Dope on remix duties. On the first record, we’re treated to ‘The Phoenix’: a sure-fire funk gem with a super warm sound. The beat is as cool as it gets, with a laid-back and funky attitude, sitting beneath a joyous intermingling of sitar, flute, brass and guitar - all performed at expert levels. ‘The Kraken’ has a killer groove, struttin’ along at 85 bpm with a real old-school sound on the beat. Joining the breaks is a huge brass section which pumps loud, while flute solos and funky Wah-wah guitar chops take things up a notch. This is a pure, unadulterated groove.
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1
The Fantastic Souls - Soul To The People (Tom Moulton Mix)
2
The Fantastic Souls - After Shower Funk (Tom Moulton Mix)
Tom Moulton mixes of The Fantastic Souls tracks 'After Shower Funk' & 'Soul To The People'
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Label:Kay-Dee Records
Cat-No:KD070-71
Release-Date:29.09.2023
Genre:Dope Beat/Hip Hop
Configuration:2x7"
Label:Kay-Dee Records
Cat-No:KD070-71
Release-Date:29.09.2023
Genre:Dope Beat/Hip Hop
Configuration:2x7"
1
Rude Rydims Experiment - Everybody Bounce
2
Rude Rydims Experiment - Tear It Up
3
Rude Rydims Experiment - Check It out
4
Rude Rydims Experiment - Hypnotic Realism
J Spinna & Nkansa's Rude Rydims Experiment - Everybody Bounce - Classic Sounding NYC Party Anthem!
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1
The Mad Rackett - UFO
2
The Mad Rackett - B-Boy Strut
Kenny Dope brings the breaks with this fresh 7” release on Kay-Dee Records. The A-side ‘UFO’, reinterprets the seminal breakbeat anthem from ESG. Shaking the scenes in NYC and beyond on its ‘81 release, it went on to become one of the most sampled tracks in hip-hop. In this new version, iconic US producer Kenny Dope brings his inimitable grooves and rhythms to the table. The beats are tightened up with force, the bass is given a heavy dosage of ‘beef’ and the synth-lines freshened up, resulting in four minutes and twenty seconds of body-shaking goodness. On the flip-side, we’re treated to ‘B-Boy Strut’: a thumping Kenny Dope original which serves electro-punk flavors over a bed of breakbeats. After a couple rounds of drums, the stage is set for the face-melting bass to enter: a wall of sound so heavy it should carry a warning sign. Sweeping resonances take us into Acid and 303 territory, while wave after wave of funky percussion keep the grooves flowing to perfection. With inspired nods toward classic and future sounds, Kenny Dope has delivered yet another must-have 7”.
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1
DJ Paikan - E.V.A. Pt.1
2
DJ Paikan - E.V.A. Pt.2
As a solo artist and as a member of the duo Perrey and Kingsley, Jean-Jacques Perrey?was one of the leading innovators of early?electronic music, and a trailblazer of the ?Moog synthesizer. Alongside composers like?Wendy Carlos, Bruce Haack, and frequent? collaborator Gershon Kingsley, Perrey was ?among the first to introduce the world to the? synthesizer as a compositional instrument,?via notable tracks such as "Musique de?L'infini", "Gossipo Perpetuo", and?"Baroque Hoedown", famously used as?the theme music to Disneyland's Main Street? Electrical Parade.?Along with many of his contemporaries,?it was inevitable that such an influential? instrumental composer would eventually be?sampled into hip-hop tracks. His 1970 Moog ?composition "E.V.A." was especially popular?among producers, making its way into tracks? by Gang Starr, Dr. Octagon, Lord Finesse,?Pete Rock, and innumerable others. To pay ?tribute to this prominent composition,?Kay-Dee Records is proud to present this? loving tribute to "E.V.A." on a 7" single,?courtesy of French producer DJ Paikan,?who also played sitar, guitar, kobol synth,?and monopoly synth on the track & Mixed by Kenny Dope !
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1
Kenny Dope - Beats Like Me
2
Kenny Dope - Tell Beats
3
Kenny Dope - War Beats
4
Kenny Dope - Man's Break
5
Kenny Dope - Groove Break
6
Kenny Dope - Theme Beat
7
Kenny Dope - Funky Beat
8
Kenny Dope - Text Beat
9
Kenny Dope - Stick Beat
10
Kenny Dope - Waitin' Beat
11
Kenny Dope - No Man Beats
12
Kenny Dope - Sticky Beat
13
Kenny Dope - Pay Me Beats
14
Kenny Dope - Gutta Funk Beats
15
Kenny Dope - Together Beats
16
Kenny Dope - Tight Beats
16 Bangers Produced and Recorded by Kenny Dope at Kay-Dee Studios Perfect for Beat Head’s & Producers Alike.
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1
Vicky "D" - This Beat Is Mine (Kenny Dope Remix)
2
Vicky "D" - This Beat Is Mine (K-Dope O'Gutta Dubba)
This sensational post-Disco, Boogie classic from 1981 gets pulled from deep within the legendary Sam Records company vault, and sees a vinyl-only re-release on 4-time Grammy Award Nominee Kenny Dope's Kay-Dee Records, with his own special re-rubs. What makes the re-issue of this dance floor gem most authentic is Kenny's process that stays true to old school form, both technically and sonically. That is, the song painstakingly taken from the original 24-track multi-track master and mixed down to 1/2" master tape, and then mastered from tape to vinyl. Kenny proves this process needs to be done the way it was back in the day in order to produce a true analog record; not a record that sounds like a cd on vinyl nor mastered from digital files for vinyl. This is unlike what everyone is doing these days and what separates Kay-Dee Records from the rest. Kenny's O'Gutta Dubba, the other remix on the flipside of the vinyl, brings even more of that boogie sound back with all original new live drums, rubber bass and other classic instrumentation. You may very well have heard this single being played by Larry Levan at the Paradise Garage, David Mancuso at The Loft or Tee Scott Better Days. Today, you might hear these remixes at parties like Body & SOUL, 718 Sessions, Bump & Hustle, or many of the specialty radio shows like Kenny Dope's Anything Goes on Rinse FM UK. Originally produced by Gary R. Turnier of Gary's Gang and produced/written by Andre Booth who has also collaborated with Big Daddy Kane, Lords of the Underground and others, a whole new generation of dancefloor devotees will discover this throwback first hand.
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1
Mugo - Organize (Kenny Dope Edit) (Snippet)
2
Mugo - Space Travel (Snippet)
Following the tumultuous riots of the late 60's, youths in Washington, DC were looking for two things: positivity and an outlet to relieve tension. MUGO, aka "Music, Unity, Guidance, & Organization", offered just that. Formed by 8 high school friends during the summer of 71', this high-octane machine was driven by Manager and retired Marine Sgt. Reuben McNair Sr. His son, Reuben McNair Jr., was a leader within the group, and consequently wrote the B-side of their only public release. This cut, entitled "Space Travel", boasts a driving rhythm section as well as synthesizer overdubs likely to captivate even musically ambitious extraterrestrials. The flip, "Organize", became the group's unofficial theme song; submitting to the public a deft vocal response to rampant inner city blues.
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1
Mike Huckaby - The Tresor Track 06:24
2
Mike Huckaby - Basement Trax 05:36
3
Mike Huckaby - The Upstairs Lounge 06:01
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
Special Remarks: LP 180 G Vinyl
Remastered by Göttsching, Long deleted Vinyl Reissue.
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
More
Remastered by Göttsching, Long deleted Vinyl Reissue.
Remastered by Manuel Göttsching and released on his own label MG ART. Inventions for Electric Guitar is Manuel Göttsching´s first solo album, recorded: July-August 1974.
The album was written and performed entirely by Göttsching on electric guitar, hence the title. Manuel played his guitar and used a 4 track TEAC A3340, Revox A77 for echoes, WahWah pedal, volume pedal, Schaller Rotosound and Hawaiian steel bar.
Tracklist:
Echo Waves 17:45, Quasarsphere 06:34, Pluralis 21:36
More
1
Glass Beams - Mirage
2
Glass Beams - Taurus
3
Glass Beams - Kong
4
Glass Beams - Rattlesnake
Research Records indicate their inclination for cosmic instrumentation and kraut pervaded polyrhythms once again with an introduction to newcomer Glass Beams. Recorded at the beginning of 2020, Mirage is the first release from the artist, issuing four compositions that lend from a profusion of sounds and influences. The album's opener and title Mirage arrives with a coiling vocal mantra that conspires with a sliding bassline and transcendent synthwork, reminiscent of early 70's prog jams yet inverted and futuristic. Taurus is a brisk arrangement, steeped with spaghetti-western elements and space-jazz to pave the way for the agile Kong. Rife with psych-fusion guitar phrases and instrumentation, Kong unfolds like a forecast lysergic voyage. The finale Rattlesnake nudges the serpent with intergalactic scales and spellbinding riffs. We may not know much about the enigmatic Glass Beams but Mirage is one epic inauguration, leaving the listener with more questions than answers.
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1
TREN - Opening Loop
2
TREN - Scalar
3
TREN - Sands of Time
4
TREN - Essays in Idleness
5
TREN - In Bloom (Rework)
6
TREN - Tensor
7
TREN - Mono no Aware
8
TREN - The Immensity of the Heavens
9
TREN - Closing Loop
Following the successful release of debut album "The Rising and Setting of the Heavenly Bodies" (sold-out limited vinyl run), here is the second album by TREN on "not meant to happen" label. Sentimental journey through memories, dreams, space and time.
Tracklist:
1. Tren - Opening Loop
2. Tren - Scalar
3. Tren - Sands of Time
4. Tren - Essays in Idleness
5. Tren - In Bloom (Rework)
6. Tren - Tensor
7. Tren - Mono no Aware
8. Tren - The Immensity of the Heavens
9. Tren - Closing Loop
- Tour Dates:
10.12.2023 - ambientorium @ mlodsza siostra - warsaw, poland
16.12.2023 - morevi night @ bassiani/horoom - tbilisi, georgia
23.03.2024 - transition @ ://about blank - berlin, germany
More
Tracklist:
1. Tren - Opening Loop
2. Tren - Scalar
3. Tren - Sands of Time
4. Tren - Essays in Idleness
5. Tren - In Bloom (Rework)
6. Tren - Tensor
7. Tren - Mono no Aware
8. Tren - The Immensity of the Heavens
9. Tren - Closing Loop
- Tour Dates:
10.12.2023 - ambientorium @ mlodsza siostra - warsaw, poland
16.12.2023 - morevi night @ bassiani/horoom - tbilisi, georgia
23.03.2024 - transition @ ://about blank - berlin, germany
More
1
RODRIGUEZ JR. - A1. Haussmann
2
RODRIGUEZ JR. - A2. What Is Real feat. Liset Alea
3
RODRIGUEZ JR. - B1. Polaroïd
4
RODRIGUEZ JR. - B2. Blisss
5
RODRIGUEZ JR. - C1. Santa Cruz
6
RODRIGUEZ JR. - C2. Here To Forget You feat. Liset Alea
7
RODRIGUEZ JR. - D1. Monolith Garden
8
RODRIGUEZ JR. - D2. Nairobi
2LP, Gatefold, Vinyl color: clear marble , 2023 repress
GENRE/S: Melodic House & Techno, Electronica, Organic House
TRACKLISTS:
A
1. Haussmann
2. What Is Real feat. Liset Alea
B
3. Polaroïd
4. Blisss
C
5. Santa Cruz
6. Here To Forget You feat. Liset Alea
D
7. Monolith Garden
8. Nairobi
soundcloud.com/rodriguezjrmusic | facebook.com/rodriguezjrmusic | instagram.com/rodriguezjrmusic
soundcloud.com/mobilee-records| facebook.com/mobilee
4. SHORT INFO:
Electronic music visionary Rodriguez Jr. presents his third album BLISSS on the revered
Berlin-based label Mobilee, set for release on both vinyl and digital this April. The LP sees his
creative imagination run free and results in his most inspired work to date.
Rodriguez Jr. has championed a captivating sound of melodic house and techno that cannot be
pigeonholed, his vast experience of electronica making him the world-renowned producer and live
performer he is today. In 2017 he released the stunning Baobab album, the follow up to his
impressive debut Bittersweet and BLISSS is the next exciting chapter to be unveiled. Inspired by the
deep rooted and wide ranging influences of Olivier Mateu including the literary atmospheres of
Modiano and monochromatic paintings of Pierre Soulages, BLISSS rewards fans both old and new
ARTIST: RODRIGUEZ JR.
TITLE: BLISSS (Limited Re-Press)
LABEL: MOBILEE RECORDSalike. The album also sees a new pop influenced side of Rodriguez Jr. on two tracks, collaborating
with Nouvelle Vague singer Liset Alea, creating beautiful moments of serene disruption.
“Amusing myself and not overthinking is a commitment in itself, especially today when dance music
has become something so extremely formatted; at times even taking itself too seriously. This album is
a decision to enjoy myself in the studio and use the palette of different ingredients and creative
methods of working that I’ve collected over the past 25 years. I was trying to not run after the apex of
an idea, but rather to let it take me somewhere else, this state of free creative consciousness is itself
a moment of Blisss.” Rodriguez Jr.
4. VITAL SALES POINTS:
- original pressing completely sold out
- new album Feathers & Bones arrived in 2023 and almost sold out
- 600.000 monthly listener on Spotify
- What Is Real hit 7 Million plays on Spotify
- Nairobi hit 4.5 Million plays on Spotify More
GENRE/S: Melodic House & Techno, Electronica, Organic House
TRACKLISTS:
A
1. Haussmann
2. What Is Real feat. Liset Alea
B
3. Polaroïd
4. Blisss
C
5. Santa Cruz
6. Here To Forget You feat. Liset Alea
D
7. Monolith Garden
8. Nairobi
soundcloud.com/rodriguezjrmusic | facebook.com/rodriguezjrmusic | instagram.com/rodriguezjrmusic
soundcloud.com/mobilee-records| facebook.com/mobilee
4. SHORT INFO:
Electronic music visionary Rodriguez Jr. presents his third album BLISSS on the revered
Berlin-based label Mobilee, set for release on both vinyl and digital this April. The LP sees his
creative imagination run free and results in his most inspired work to date.
Rodriguez Jr. has championed a captivating sound of melodic house and techno that cannot be
pigeonholed, his vast experience of electronica making him the world-renowned producer and live
performer he is today. In 2017 he released the stunning Baobab album, the follow up to his
impressive debut Bittersweet and BLISSS is the next exciting chapter to be unveiled. Inspired by the
deep rooted and wide ranging influences of Olivier Mateu including the literary atmospheres of
Modiano and monochromatic paintings of Pierre Soulages, BLISSS rewards fans both old and new
ARTIST: RODRIGUEZ JR.
TITLE: BLISSS (Limited Re-Press)
LABEL: MOBILEE RECORDSalike. The album also sees a new pop influenced side of Rodriguez Jr. on two tracks, collaborating
with Nouvelle Vague singer Liset Alea, creating beautiful moments of serene disruption.
“Amusing myself and not overthinking is a commitment in itself, especially today when dance music
has become something so extremely formatted; at times even taking itself too seriously. This album is
a decision to enjoy myself in the studio and use the palette of different ingredients and creative
methods of working that I’ve collected over the past 25 years. I was trying to not run after the apex of
an idea, but rather to let it take me somewhere else, this state of free creative consciousness is itself
a moment of Blisss.” Rodriguez Jr.
4. VITAL SALES POINTS:
- original pressing completely sold out
- new album Feathers & Bones arrived in 2023 and almost sold out
- 600.000 monthly listener on Spotify
- What Is Real hit 7 Million plays on Spotify
- Nairobi hit 4.5 Million plays on Spotify More
1
Red Axes - A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
2
Red Axes - A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
3
Red Axes - B1 Phu Quok (feat. Minh Duong)
4
Red Axes - B2 Hue (feat. Music Acadamy Students)
2020 repress
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
More
Tracklist:
A1 Ho Chi Min (feat. Bèo Dat Mây Trôi & HCMC Students)
A2 Hanoi (feat. Cô Ðôi Thu'o'ng Ngàn & Viet Rice Band)
B1 Phu Quok (feat. Minh Duong)
B2 Hue (feat. Music Acadamy Students)
Release Info:
A year after Red Axes’s musical adventures took them through the sounds and scenes of Africa, they return with a second EP in the Trips series that finds them exploring the rich rhythms of Vietnam.
This project is a multi media venture combining music, film and travel in pursuit of extra ordinary collaborations. It finds the esteemed pair made up of Niv Arzi and Dori Sadovnik explore local cultures and traditions, link up with local musicians and record them playing indigenous instruments as well as presenting workshops for youth music schools. It comes after the Garzen Records bosses have established their unique mix of synths, guitars and genres as diverse as house, acid and leftfield experimentalism on vital labels from Phantasy to Dark Entries.
Opener ‘Ho Chi Minh’ is a brisling track with funky bass loops and the hustle and bustle of a market square infusing the organic house grooves. Local percussion, jazz keys and vocal coos all add to the richness of this most uplifting beat. ‘Hanoi’ is even more exotic thanks to the enchanting lead vocal, jungle bird calls and low slung bass, while ‘Phu Quoc’ gets more rave, with phased bass riding up and down there sale, an intoxicating lead line that sounds something like a didgeridoo and a manic synth that darts about the mix with disorienting effects. Closer ‘Hue’ is a blissful and almost Balearic beat with a shimmering lead melody line and layer upon layer of wind instruments, claps and hits that speak directly to your soul.
The accompanying film captures the essence of the trip, shows some of the recording sessions and local life in Vietnam, from beach parties to incense rituals via communal dances in public spaces, all of which inspired and infuse this record. As such it is a fantastically colourful and immersive EP that takes you to the other side of the world with real authenticity.
More
1
Definition, Night Talk - Definition, Night Talk – Into The Void
2
Definition, Night Talk - Definition, Night Talk - Tempest
Following their last year’s club hit Clockwork (released on Adriatique‘s Siamese imprint), played
by the likes of Dixon, Trikk and Adriatique, Definition and Night Talk went back to the studio
together and cooked up another storm.
Tracklist 12":
1) Definition, Night Talk – Into The Void
2) Definition, Night Talk - Tempest
Into the void hits from second one. Strong beats lead the way into this dreamlike soundscape,
where metallic drum elements and effortless reverb tails take us on a journey. We get lost in a
slow build and an unassuming bass-line drives us home, until the track collapses just to hit twice
as hard coming back in. Dreamy vocals float over dirty synth lines, melodies that feel familiar
guide the way to continuous build ups, where we can’t help but move our bodies to the gritty,
thumping bass-line pushing us forward relentlessly.
Tempest is all about the beat. Simple, yet endearing, it reels us in and guides us on an endless
rise where fragile synth swells and powerful percussion elements tease our ears. High-pitched
glimmers dance across the soundscape with ease. A track that rises again and again, yet never
quite implodes in-between. Instead it builds, in the most natural way, skilfully and exquisitely,
whilst sirens add a well-rounded urgency, that’s hard to resist. More
by the likes of Dixon, Trikk and Adriatique, Definition and Night Talk went back to the studio
together and cooked up another storm.
Tracklist 12":
1) Definition, Night Talk – Into The Void
2) Definition, Night Talk - Tempest
Into the void hits from second one. Strong beats lead the way into this dreamlike soundscape,
where metallic drum elements and effortless reverb tails take us on a journey. We get lost in a
slow build and an unassuming bass-line drives us home, until the track collapses just to hit twice
as hard coming back in. Dreamy vocals float over dirty synth lines, melodies that feel familiar
guide the way to continuous build ups, where we can’t help but move our bodies to the gritty,
thumping bass-line pushing us forward relentlessly.
Tempest is all about the beat. Simple, yet endearing, it reels us in and guides us on an endless
rise where fragile synth swells and powerful percussion elements tease our ears. High-pitched
glimmers dance across the soundscape with ease. A track that rises again and again, yet never
quite implodes in-between. Instead it builds, in the most natural way, skilfully and exquisitely,
whilst sirens add a well-rounded urgency, that’s hard to resist. More
1
Deetron presents Soulmate - Path
2
Deetron presents Soulmate - Zoom
3
Deetron presents Soulmate - Screen
4
Deetron presents Soulmate - Blade
Cheerful Off Screen Path
More
1
Coldreams - A1 - EYES
2
Coldreams - B1 - MORNING RAIN
Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.
Tracklist :
A Eyes
B Morning Rain
Short Info:
Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.
We all have lost memories and dreams, shattered hopes we hide to people and try to live with. Like the feeling of missing someone you've cherished in the past but who doesn't need you anymore.
This obsessive melancholia infuses the two tracks of this now highly sought after record, while haunting lyrics and subtle production definitely set them apart from their contemporaries.
Coldreams was a french female fronted post-punk band hailing from Clermont-Ferrand. Instead of coldwave we prefer to named their music melancholic pop.
Reissue limited to 500 copies.
More
Tracklist :
A Eyes
B Morning Rain
Short Info:
Long time sought after french post-punk/coldwave 7" finally get an official reissue with remastered sound and artwork. Available on 7" on May 17th. Released by Camisole Records.
We all have lost memories and dreams, shattered hopes we hide to people and try to live with. Like the feeling of missing someone you've cherished in the past but who doesn't need you anymore.
This obsessive melancholia infuses the two tracks of this now highly sought after record, while haunting lyrics and subtle production definitely set them apart from their contemporaries.
Coldreams was a french female fronted post-punk band hailing from Clermont-Ferrand. Instead of coldwave we prefer to named their music melancholic pop.
Reissue limited to 500 copies.
More
1
NO MORE - Suicide Commando
2
NO MORE - In A White Room
Format: 7" / 1000 copies, purple vinyl, additional stamp on label
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
More