Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1985.
With 23 years of age Vinicio Adames self-produced and self-financed his 1st Album "Al comienzo del camino". Released in its time in Venezuela only, the album has been unavailable for decades.

This classic recording for the genre, with its complete analog production including the usage of samples, the unique overall sound with its "international " influences, and the modern expression within the songs, has passed the test of time and still delivers its emotional capacity today.

A complete restoration of the masters for this release, makes "Al Comienzo Del Camino" available now for the first time in fine audio quality.

Vinicio Adames continues to produce music until today.
"Al comienzo del camino" and the 1st official release of the 7' inch Single "Amazonia" will be followed by a collection of works from the 1990's and contemporary new production by Adames.

Vital Sales Points:
1st worldwide release. 1st and only vinyl album by artist.
Collectors prices on discogs. Quality Restoration and Re-Mastering by Calyx Mastering.

LP + mp3 DL code

Tracklist LP:

A1. Tuerzo El Movimiento (3:18)
A2. No Hay Ni Dos (2:45)
A3. Heroe Galactico (2:48)
A4. Escape (3:31)
A5. Efecto, Difusor Estelar (4:18)

B1. Al Comienzo Del Camino (1:13)
B2. Hay Frio En La Ciudad (4:07)
B3. Patrick (4:29)
B4. Grem (3:04)
B5. Arlequin (4:38)


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We are in 1987 and 2 years have passed since Vinicio Adames debut album "El Comienzo Del Camino" when Venezuelan painter Ernesto Leon asks Vinicio to compose music for his New York Art Exhibition at Lincoln Centre. The result is an exceptional composition and modern sound interpretation of their national heritage the Amazonas. Both Amazonia I + II, each version in its own way, honor the majesty and mystery of one of worlds greatest nature reservoirs. Both compositions were never intended for commercial release, and were only given out by hand in Flexidisc format during the exhibition. We at TrueClass Record felt, that the time has come to present this gem to all musiclovers worldwide.
Short Info:
Venezuelan Electronic Music Pioneer Vinicio Adames Synth-Pop Masterpiece from 1987.
Vital Sales Points:
1st Official release.
Quality Restoration and Re-Mastering by Calyx Mastering.

Tracklist:

A1. Amazonia I (3:03)
B1. Amazonia II (2:56)


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The Ghia saga unfolds once more, but in this chapter, there's a new and unique twist. "Out of Luck" draws its roots from a previously lost track, originally composed by the group in 1985. This time around, the song has been expertly reworked by Marian Tone, with new vocals by Adriano Prestel. The outcome? Quite possibly one of the smoothest and most refreshing modern funk tunes you'll hear this year.

But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.

Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!


Side A
Out Of Luck feat. Adriano Prestel

Side B
Out Of Luck (Instrumental)


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GENRE/S: House / Techno

TRACKLISTS:

A1. The Yuzer (DJ Plead Remix)
A2. SpaceSamba (Electronic Live Mix)
A3. The Yuzer (Deep Dub Mix)
B1. SpaceSamba (Huerta Mix)
B2. The Yuzer (Aubreys Solid Groove Mix)

SHORT INFO:

PSSSH 003x enlists a diverse range of producers to reimagine the labels third offering. DJ Plead, Huerta and Aubrey all turn in stellar remixes along with 2 new remixes from Dauwd himself. DJ Plead kicks things off with his signature bass heavy sound on his version of The Yuzer, setting a high bar for what’s to come. Accompanying him on the A-side are a couple of cuts from label founder Dauwd. The first, “Electronic Live Mix” of SpaceSamba is inspired by Dauwd’s live performance at Mutek 2022 while his Deep Dub Mix of The Yuzer could be some of his best work to date on the imprint. On the flip Huerta houses up SpaceSamba which an excellent dance floor ready remix and Aubrey rounds things off with a solid groove interpretation of The Yuzer.










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12"/EP - Limited

GENRE/S: Ambient/ Electronic

Tracklisting
---------------------------------------------------------
Medium: 1 // Side: // Track: 1

Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans
Playtime: 00:08:56
Explicit Lyrics: No
ISRC: UK6821719558
(P): 2022 NOTON
Country: Germany

Composer: David Bowie
---------------------------------------------------------
Medium: 1 // Side: // Track: 2

Artist: Alva Noto; Martin L. Gore; Willian Basinski
Title: Subterraneans (Instrumental)
Playtime: 00:08:58
Explicit Lyrics: No
ISRC: UK6821719559
(P): 2022 NOTON
Country: Germany

Composer: David Bowie
---------------------------------------


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Tracklist:
A1) Yo Quiero (04:40 min)
A2) Jackesito (05:08 min)
B1) El Baile Sensual (05:26 min)
B2) Vocalsita (05:27 min)
B3) Te Siento (06:12 min)

Short Text:
John Heaven of "Mainline Magic Orchestra" fame delivers Hot 48° degrees celsius, sweat dripping —>
s**, all in one minimal house record. Mover!



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12"

Tracklist:

A1 SIMONE DE KUNOVICH & PASCAL MOSCHENI - STONE ISLAND (ORIGINAL MIX)
A2 SIMONE DE KUNOVICH - LINGUA DI SOLE
B1 SIMONE DE KUNOVICH & PASCAL MOSCHENI - STONE ISLAND (FANTASTIC MAN REMIX)

Release Info:
#PF006 Late night visions of MTV in the late 90s are the main inspiration for the debut EP of
Polifonic’s mainstay Simone de Kunovich.
“Stone Island”, born from the collab with Pascal Moscheni, is the sun soaked musical manifesto
of the festival - energetic, uplifting, psychedelic.
On the flip side Australian veteran Fantastic Man is shaking things up with a modern Trance
interpretation of the original for guaranteed dance floor pleasure.
“Lingua di Sole” closes the EP on a mellow note, laidback yet acid tinged, closer to the
atmosphere’s of Simone’s precedent works on Mule Musiq.
Close your eyes and it feels like Puglia already.

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Tracklist:
A1) Flow My Tears
B1) Super Mana Drain
B2) Warp World

Short info:

Simone De Kunovich
Mythical Figure
Use variably, whenever you need: D.J. at MainStage, High Profile Fashion Event, Underground
Basement Club, Balearic Terrace Situation.
Gifted selector. Room filling presence. Oversized packaging.
He (here) deals three cards.
“Flow My Tears“ High Roller Euro House
„Super Mana Drain“ OMG Modern High Energy
„Warp Lord“ Early Morning, Playful Dark Eternal Bliss
„He who masters the sound glows“



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2LP, limited edition vinyl + booklet

Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1

B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2

C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics

D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation

Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.

Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx


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LP+ Postcard Insert

Tracklist

A1. A (Time 23:12)
B1. B (Time 23:24)

Shortinfo:
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.

Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's collaborative groups, including Moin, Vanishing Twin and Holy Tongue. First-time vinyl pressing following a short run of cassettes. Full-colour reverse-card sleeve with postcard and new artwork by Dennis Tyfus.


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Format: Mini-LP

Tracklist

A1. Somebody w/ Dena 5:33
A2. Somebody instrumental 6:18
A3. Resonancer 5:57

B1. Exterminate 5:43
B2. Friends 4:08
B3. Cyclone Days 4:25
B4. Neway 5:45


Often duplicated, never imitated: the power of Lauer! Albeit being no stranger himself to musical influences from the outside, the producer from Frankfurt managed to carve out a sound that is very much his own. Indie-dance, Italo, power pop and house music in its traditional sense get mixed up in a blender of happiness.
Lauer’s latest achievement for Running Back and welcome return is a mini-LP called Cyclone Days. Aptly titled and ably executed, it’s everything you would expect or want from him. A world of merry music, where melody is king.

On top of that , you get value for your money: Vocal blockbusters like the upbeat Somebody (instrumental included) and the more restrained Friends (both with frequent collaborator Dena), sit comfortably between instrumental hits. Resonator and Neway take the role of the proverbial keys to happiness, while the title track or Exterminate balance it out with joyful melancholy.
Just imagine Righeira signing to Factory Records or Durutti Column on holidays in Rimini and you are halfway there. The days might be like a cyclone, but as long as there are records like this, the shelter isn’t blown.




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Non Exclsuive LP -Format: Light Green LP

1. I Understand
2. You See
3. Constant Connection
4. Tending to Twenty
5. Folding
6. A Breeze
7. Away From It All
8. Easy To See
Cat No.: LSSN079

On their third album Constant Connection, West Australian-based Erasers create hypnotic compositions of synth,
guitar and voice, evoking the vast expanse of their native landscape and the shrouded emotions behid the senses.
Comprising of vocalist, synth player Rebecca Orchard and Rupert Thomas on guitar and synths, Erasers have
developed their earthly kosmische music into an open language based on drone, variation in repetition and minimal
song stuctures. Based in Perth, regarded one of the most isolated cities in the world, Orchard and Thomas’s music
has brewed in the city’s vibrant DIY/Outsider community and evolved into a meditation on landscape, power, the
shadow-world of human emotions and stream of consciousness. Constant Connection, with its waves of sound and
chant-like vocals evokes a trance that suggests an infinity just beyond the senses.
At the heart of each Erasers composition is the interplay between the instrumentation, played with stoic restraint and
recorded directly with minimal effects and the transcendental states induced in the listener. It’s a magic that is
performed in plain sight and all the more powerful for it. The recognisable vibrato of Fender Rhodes keyboards and
simple drum machine loops, the subtle strands of analog synth melodies that snake in and out of the ear, above all
the towering encantations of Rebecca Orchard’s undeniably Australian-accented hymns; all of this is presented with
minimal ostentation and yet it instantly engenders a dream state, hints at an infinity beyond the material.
Shades of John Cale’s 70s work with Nico, early 70s German synthesists Kluster and even fellow Australians
Fabulous Diamonds can be seen as stylistic touchstones for Constant Connection. Where Nico hinted at the
macabre and gothic, Rebecca Orchard’s similarly gliding vocal is more zoned in to a kind of oceanic openness, with
words becoming chants and spells that suggested themselves to the singer during recording sessions. It’s this
hidden hand of improvisatory, automatic writing that lends a sense of expanse to the music. On opener I
Understand, while the lyrics might hint at discontent the emotional spectrum it opens up is far more rich and
complex, as layered as the waves of droning chords that are the bedrock of each Erasers track. The title track talks
of flow, continuum and balance, the protagonist in the song seemingly weightless, gently pulled through a walking
reality that borders on dream. In Erasers’ world, it seems, the borders between reality and dream, consciousness
and sub-consciousness are blurred and eroded.
On Constant Connection, Erasers’ music might be deeply evocative of landscape but it’s never clear which one. The
vast, open terrain that surrounds Perth is dusty, burned by the sun into desert and Constant Connection feels like
the product of the heat and relative isolation, the altered states these elements can create. But it’s these altered
states of mind that appear to be the real landscape described by Erasers. It’s a landscape that’s hazy, in-and-out of
focus, with emotional undertows pushing and pulling you into a weightlessness. On album closer Easy To See the
band dispense with percussion all together, field recordings of the water at the edge of their native city ushering in
two duetting synths. Orchard’s vocal undulates with the flow, viewing both the geographical and psychological
landscape from the perspective of a consciousness not bound by bodies and from a timescale measured in
millennia. The album ends as it begins, with field recordings of the real world that the music seeps out from,
temporarily, before regressing back into the other realm it feels like it belongs to.
Between these two recorded hints of reality, Erasers manifest a deeply sensual dreamscape that constantly feels
like it’s dissolving at its seams. A desert psychedelia emanating from a real world that might not be that real in the
first place.

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Garçon Voyage is the first single in French from Courrier Sud's upcoming EP on Délicieuse Records. The song paints a fresco of that special and unsettling moment at the beginning of a relationship when one of the two falls in love, but isn't sure if they'll be loved in return. Its rhythm is heady like a beating heart, set to a mix of minimalist synths, somewhere between Metronomy and Flavien Berger.
A1. Out Of Love
A2. Fool Moon
A3. Garçon Voyage


B1. Solita
B2. Tangier Despair
B3. Love Missive












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