Roisin Murphy has finally become a genuine top-tier star - an artist capable of packing-out venues with dynamic live shows, and whose every new musical move is headline news. Hit Parade is not, as the title suggests, a solo retrospective but rather a brand-new album produced not by regular collaborator Crooked Man, but rather another masterful maverick, DJ Koze. The pair has worked together before, so Murphy is in safe hands. Musically, it's a genre-straddling, style-bending affair whose strong songs - rich in sing-along choruses, thoughtful lyrics and musical hooks aplenty - are presented in vivid colour (with plenty of sparkling organic instrumentation). Recent singles 'Cuckoo' and 'The Universe', both instant classics, offer a neat summary of the album's many qualities.
TRACKLIST Std 2LP:
Side A
A1. What Not To Do
A2. CooCool
A3. The Universe
Side B
B1. Hurtz So Bad
B2. The House
B3. Fader
B4. Free Will
Side C
C1. You Knew
C2. Can’t Replicate
Side D
D1. Crazy Ants Reprise
D2. Two Ways
D3. Eureka
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TRACKLIST Std 2LP:
Side A
A1. What Not To Do
A2. CooCool
A3. The Universe
Side B
B1. Hurtz So Bad
B2. The House
B3. Fader
B4. Free Will
Side C
C1. You Knew
C2. Can’t Replicate
Side D
D1. Crazy Ants Reprise
D2. Two Ways
D3. Eureka
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More records from Roisin Murphy
Roisin Murphy has finally become a genuine top-tier star - an artist capable of packing-out venues with dynamic live shows, and whose every new musical move is headline news. Hit Parade is not, as the title suggests, a solo retrospective but rather a brand-new album produced not by regular collaborator Crooked Man, but rather another masterful maverick, DJ Koze. The pair has worked together before, so Murphy is in safe hands. Musically, it's a genre-straddling, style-bending affair whose strong songs - rich in sing-along choruses, thoughtful lyrics and musical hooks aplenty - are presented in vivid colour (with plenty of sparkling organic instrumentation). Recent singles 'Cuckoo' and 'The Universe', both instant classics, offer a neat summary of the album's many qualities.
TRACKLIST Deluxe 2LP + Bonus Track:
Side A
A1. What Not To Do
A2. CooCool
A3. The Universe
A4. Milf Funk (Bonus Track)
Side B
B1. Hurtz So Bad
B2. The House
B3. Fader
B4. Free Will
Side C
C1. You Knew
C2. Can’t Replicate
Side D
D1. Crazy Ants Reprise
D2. Two Ways
D3. Eureka
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TRACKLIST Deluxe 2LP + Bonus Track:
Side A
A1. What Not To Do
A2. CooCool
A3. The Universe
A4. Milf Funk (Bonus Track)
Side B
B1. Hurtz So Bad
B2. The House
B3. Fader
B4. Free Will
Side C
C1. You Knew
C2. Can’t Replicate
Side D
D1. Crazy Ants Reprise
D2. Two Ways
D3. Eureka
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1
roisin murphy - Jealousy (House Mix)
2
roisin murphy - Jealousy (Disco Mix)
Roisin Murphy delivers a solo sonic bomb for Crosstown Rebels. 'Jealousy' is recorded especially for Crosstown Rebels and additional to Roisin's forthcoming album. This is an unashamed slice of dance-floor hedonism from the acclaimed singer, featuring Roisin's compelling vocals in both a house and disco workout. Co-written and produced by the great-unsung modern day house hero, The Crooked Man AKA DJ Parrot, formally ofSweet Exorcist (Warp) and All Seeing I amongst many other aliases, he has been a bastion of the Sheffield sound since the late '80's. The single is also mixed by the legendary Eric Kupper, who was a production partner with Frankie Knucklesand Dave Morales and whose K-Scope releases were a staple of 90's American NY House. "Parrot understands dancing music and he understands me. This is fast and furious; he says it's roller-disco music. The backing track sounded so frantic, the lyric wasn't long coming to me, all I had to do was try to create a vocal as demented as the music!" Roisin Murphy Murphy has become one of the most competent, enduring and influential figures in the pop, disco and electronic music worlds. The Irish singer-songwriter originally broke into the charts as the front woman for Moloko, delivering music that was leftfield electronic and pop-orientated. Her consequent output, two stunning solo albums, and the beautiful EP with The Vinyl Factory alongside guest vocal presence on labels like Hot Creations and Permanent Vacation have ensured Roisin's enduring legacy and constant evolution as an artist.
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1
Roisin Murphy - Overpowered
2
Roisin Murphy - You Know Me Better
3
Roisin Murphy - Checkin' On Me
4
Roisin Murphy - Let Me Know
5
Roisin Murphy - Movie Star
6
Roisin Murphy - Primitive
7
Roisin Murphy - Footprints
8
Roisin Murphy - Dear Miami
9
Roisin Murphy - Cry Baby
10
Roisin Murphy - Tell Everybody
11
Roisin Murphy - Scarlet Ribbons
12
Roisin Murphy - Body Language
13
Roisin Murphy - Parallel Lives
Territory: Europe only 2018 REISSUE - REMASTERED 2LP COLOURED VINYL (1 ORANGE / 1 PINK) W/BONUS TRACK "PARALLEL LIVES" (FIRST TIME VINYL APPEARANCE)
A singular presence in 21st Century pop, Róisín Murphy is a genuine maverick. Her seminal 2007 album Overpowered received widespread acclaim from music critics yet, arriving at a time of waning major label interest in vinyl, it was released only as a hyper-limited double LP. Accordingly, in the decade since, it has been obscenely difficult to find. It is a true honour to finally reissue this thoroughly modern dance-pop classic on Be With. Whilst remaining true to the loud pink and orange wax of the original release, this remastered edition enjoys the bonus inclusion of fan-favourite "Parallel Lives", finally making an appearance on vinyl.
A sumptuous, all-killer electro-disco gem, every song could've been a smash. With its heavy disco influence - deep beats, lush synths and subtle horns and strings - Overpowered was focused solely on the dancefloor. Inspired by the Eighties proto-house of D Train, Mantronix and Gwen Guthrie, but also recalling the intelligent pop of Yazoo and early Eurythmics, Overpowered presented sensual electronic soul for the heads and the hips.
Her collaborators, including Timbaland mentor Jimmy Douglass, Bugz In The Attic and Richard X, constructed a gleaming shrine to the spirit of Bobby O and Giorgio Moroder by stitching together crisp synthesised beats with the slicker tics of early house. The lead single and title track lifted the bassline squelch from the dawn of cosmic disco -- La Bionda's "I Wanna Be Your Lover" -- and the follow-up, "Let Me Know", effortlessly incorporated the chorus of Tracy Weber's 1981 boogie bomb "Sure Shot".
The wonderfully dank, sticky R&B of "Primitive" is Murphy's favourite track from the album: "I mean, who gets to put primordial soup in the first line of a song? That idea of not always being in control of the primitive parts of yourself, the bits that fall in love or the bits that dance or lose the plot or drink too much, and putting that across … that's pop for me. It's playing with all the different colours of the rainbow of life."
Murphy's blistering vocals are versatile enough to elevate the icy textures of "Dear Miami", the sexed up kaleidoscopic funk of "Footprints" and the grace of "You Know Me Better". Sharp, witty and heartbreaking, here Murphy laid claim to being the kind of strident disco singer "Dusty Springfield never quite had the abandon to become", as Pitchfork noted in their original, glowing "8.0" review.
Overpowered was considered an instant classic and, sounding deeply prescient, it has aged gloriously. There has long been an acknowledgement of Murphy's influence on other artists' gonzo fashion, and many musicians have spent the last decade crafting dancefloor tracks that embrace piano house and disco, even if they'd pale when held next to "Let Me Know". Shifting from the glam pop of "Movie Star" to the buzzing acid of "Cry Baby", when the dubby ballad for her dad, "Scarlet Ribbons", wends its way to the sweetest of endings, you realise you've been immersed in the best grown-up dance-pop album since Madonna's Ray of Light.
TRACKLISTING
SIDE A
Overpowered
You Know Me Better
Checkin' On Me
SIDE B
Let Me Know
Movie Star
Primitive
SIDE C
Footprints
Dear Miami
Cry Baby
SIDE D
Tell Everybody
Scarlet Ribbons
Body Language
Parallel Lives
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A singular presence in 21st Century pop, Róisín Murphy is a genuine maverick. Her seminal 2007 album Overpowered received widespread acclaim from music critics yet, arriving at a time of waning major label interest in vinyl, it was released only as a hyper-limited double LP. Accordingly, in the decade since, it has been obscenely difficult to find. It is a true honour to finally reissue this thoroughly modern dance-pop classic on Be With. Whilst remaining true to the loud pink and orange wax of the original release, this remastered edition enjoys the bonus inclusion of fan-favourite "Parallel Lives", finally making an appearance on vinyl.
A sumptuous, all-killer electro-disco gem, every song could've been a smash. With its heavy disco influence - deep beats, lush synths and subtle horns and strings - Overpowered was focused solely on the dancefloor. Inspired by the Eighties proto-house of D Train, Mantronix and Gwen Guthrie, but also recalling the intelligent pop of Yazoo and early Eurythmics, Overpowered presented sensual electronic soul for the heads and the hips.
Her collaborators, including Timbaland mentor Jimmy Douglass, Bugz In The Attic and Richard X, constructed a gleaming shrine to the spirit of Bobby O and Giorgio Moroder by stitching together crisp synthesised beats with the slicker tics of early house. The lead single and title track lifted the bassline squelch from the dawn of cosmic disco -- La Bionda's "I Wanna Be Your Lover" -- and the follow-up, "Let Me Know", effortlessly incorporated the chorus of Tracy Weber's 1981 boogie bomb "Sure Shot".
The wonderfully dank, sticky R&B of "Primitive" is Murphy's favourite track from the album: "I mean, who gets to put primordial soup in the first line of a song? That idea of not always being in control of the primitive parts of yourself, the bits that fall in love or the bits that dance or lose the plot or drink too much, and putting that across … that's pop for me. It's playing with all the different colours of the rainbow of life."
Murphy's blistering vocals are versatile enough to elevate the icy textures of "Dear Miami", the sexed up kaleidoscopic funk of "Footprints" and the grace of "You Know Me Better". Sharp, witty and heartbreaking, here Murphy laid claim to being the kind of strident disco singer "Dusty Springfield never quite had the abandon to become", as Pitchfork noted in their original, glowing "8.0" review.
Overpowered was considered an instant classic and, sounding deeply prescient, it has aged gloriously. There has long been an acknowledgement of Murphy's influence on other artists' gonzo fashion, and many musicians have spent the last decade crafting dancefloor tracks that embrace piano house and disco, even if they'd pale when held next to "Let Me Know". Shifting from the glam pop of "Movie Star" to the buzzing acid of "Cry Baby", when the dubby ballad for her dad, "Scarlet Ribbons", wends its way to the sweetest of endings, you realise you've been immersed in the best grown-up dance-pop album since Madonna's Ray of Light.
TRACKLISTING
SIDE A
Overpowered
You Know Me Better
Checkin' On Me
SIDE B
Let Me Know
Movie Star
Primitive
SIDE C
Footprints
Dear Miami
Cry Baby
SIDE D
Tell Everybody
Scarlet Ribbons
Body Language
Parallel Lives
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1
roisin murphy - Exploitation (President Bongo Remix)
2
roisin murphy - Exploitation (President Bongo Instrumental Remix)
Vinyl only. Limited to 300! I've known Róisín a long time now and it was such a pleasure to find out she was releasing new music. I asked and got the stems for the 2nd single "Exploitation" sent to my Bongomachine Studios in Berlin. The results are here on Radio Bongo for a limited vinyl release only! Welcome back Róisín! Yours; President Bongo
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More records from Ninja Tune
The fifth Flaoting Points album Cascade is a culmination of creative evolution. In late 2022, Shepherd found himself in the California desert, crafting a new sonic journey via his acclaimed Promises, where he ventured into airy dreamscapes with saxophonist Pharoah Sanders and the London Symphony Orchestra, earning a Mercury Prize nomination and a sold-out Hollywood Bowl show in 2023. With Cascade, Shepherd returns to his electronic roots, craving the pulse-racing communion of the dancefloor. This album serves as a sequel to Crush, diving deeper into ravey, experimental realms, unexplored due to lockdown cancellations. Tracks draw inspiration from Manchester's record shops and California's desert landscapes, blending Buchla rhythms and glitching melodies. Shepherd's journey, from orchestral collaborations to laptop productions, underscores his relentless pursuit of innovation.
TRACKLISTING 2LP:
Side A
A1. Vocoder [Club Mix]
A2. Key103
Side B
B1. Birth4000
B2. Del Oro
Side C
C1. Fast Forward
C2. Ocotillo
Side D
D1. Afflecks Palace
D2. Tilt Shift / Ablaze
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TRACKLISTING 2LP:
Side A
A1. Vocoder [Club Mix]
A2. Key103
Side B
B1. Birth4000
B2. Del Oro
Side C
C1. Fast Forward
C2. Ocotillo
Side D
D1. Afflecks Palace
D2. Tilt Shift / Ablaze
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The fifth Flaoting Points album Cascade is a culmination of creative evolution. In late 2022, Shepherd found himself in the California desert, crafting a new sonic journey via his acclaimed Promises, where he ventured into airy dreamscapes with saxophonist Pharoah Sanders and the London Symphony Orchestra, earning a Mercury Prize nomination and a sold-out Hollywood Bowl show in 2023. With Cascade, Shepherd returns to his electronic roots, craving the pulse-racing communion of the dancefloor. This album serves as a sequel to Crush, diving deeper into ravey, experimental realms, unexplored due to lockdown cancellations. Tracks draw inspiration from Manchester's record shops and California's desert landscapes, blending Buchla rhythms and glitching melodies. Shepherd's journey, from orchestral collaborations to laptop productions, underscores his relentless pursuit of innovation.
TRACKLISTING:
1."Vocoder (Club Mix)"
2."Key103"
3."Birth4000"
4."Del Oro"
5."Fast Forward"
6."Ocotillo"
7."Afflecks Palace"
8. "Tilt Shift/Ablaze"
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TRACKLISTING:
1."Vocoder (Club Mix)"
2."Key103"
3."Birth4000"
4."Del Oro"
5."Fast Forward"
6."Ocotillo"
7."Afflecks Palace"
8. "Tilt Shift/Ablaze"
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Scott Hansen aka. Tycho's sixth full-length album is a worthy comeback, a self-proclaimed album about "hope for the future and a requiem for the past". Drawing on the image of Hunter S Thompson as portrayed by Johnny Depp in Fear And Loating In Las Vegas - "sitting at a typewriter looking out a window onto his past, trying to find meaning in the chaos" - so Tycho ventures to explore his own past and to sublate it in album form, with the express purpose of finding a universal sonic panacea for humankind. Tycho's cure-all is a vision in suspenseful electro-funk and thumpingly serene beats, which carry with them a signature womp and pump throughout. Focusing primarily on breaks, drums and rhythmic elements, Hansen nonetheless moves in markedly different direction compared to standout algo-choices like Dive, on which a slower pace was heard preferred.
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TRACKLIST:
Side A:
A1. Nice Town - Metronomy x Pan Amsterdam
A2. With Balance - Metronomy x Naima Bock x Joshua Idehen
A3. Contact High - Metronomy x Miki x Faux Real
Side B:
B1. My Love - Metronomy x Nourished by Time
B2. Typical - Metronomy x Lynks x SPIDER x Master Peace x TaliaBle
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Side A:
A1. Nice Town - Metronomy x Pan Amsterdam
A2. With Balance - Metronomy x Naima Bock x Joshua Idehen
A3. Contact High - Metronomy x Miki x Faux Real
Side B:
B1. My Love - Metronomy x Nourished by Time
B2. Typical - Metronomy x Lynks x SPIDER x Master Peace x TaliaBle
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TRACKLIST:
Side A
A1. Test The Sound (Extended Version)
A2. Music Takes Me Up (with Alice Russell)
A3. Donkey Ride (with Quantic)
Side B
B1. Hairy Bumpercress
B2. Whiplash
B3. Nice Up The Function (with Roots Manuva)
Side C
C1. Bang The Floor (with Danny Breaks)
C2. Get On Down
C3. Hold On (with Andreya Triana)
Side D
D1. Give Up To Get
D2. Kalimba
D3. Zen (with Skuff & Inja)
Side E
E1. This Way (with Pete Simpson)
E2. Stockport Carnival
E3. Fix That Speaker
Side F
F1. Bunch of Keys (LP Edit)
F2. Rocking Chair
F3. Nice Up The Function (Remix Instrumental)
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Side A
A1. Test The Sound (Extended Version)
A2. Music Takes Me Up (with Alice Russell)
A3. Donkey Ride (with Quantic)
Side B
B1. Hairy Bumpercress
B2. Whiplash
B3. Nice Up The Function (with Roots Manuva)
Side C
C1. Bang The Floor (with Danny Breaks)
C2. Get On Down
C3. Hold On (with Andreya Triana)
Side D
D1. Give Up To Get
D2. Kalimba
D3. Zen (with Skuff & Inja)
Side E
E1. This Way (with Pete Simpson)
E2. Stockport Carnival
E3. Fix That Speaker
Side F
F1. Bunch of Keys (LP Edit)
F2. Rocking Chair
F3. Nice Up The Function (Remix Instrumental)
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TRACKLISTING 2LP:
Side A
A1. Push Power ( a 1 )
A2. Hit That Spdiff ( b 8 )
A3. Azd Rain ( g 1 )
Side B
B1. Memory Haze ( c 1 )
B2. Game Over ( e 1 )
B3. Typewriter World ( c 8 )
Side C
C1. Its me ( g 8 )
C2. Chill ( h 2 )
C3. Green Blue Amnesia Magic Haze ( d 7 )
Side D
D1. Oway ( f 7 )
D2. M2 ( f 8 )
D3. Azifiziks ( d 8 )
D4. Pluto ( a 2 )
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Side A
A1. Push Power ( a 1 )
A2. Hit That Spdiff ( b 8 )
A3. Azd Rain ( g 1 )
Side B
B1. Memory Haze ( c 1 )
B2. Game Over ( e 1 )
B3. Typewriter World ( c 8 )
Side C
C1. Its me ( g 8 )
C2. Chill ( h 2 )
C3. Green Blue Amnesia Magic Haze ( d 7 )
Side D
D1. Oway ( f 7 )
D2. M2 ( f 8 )
D3. Azifiziks ( d 8 )
D4. Pluto ( a 2 )
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Peruvian artist in Berlin Sofia Kourtesis has been on an unstoppable rise since she first emerged with a pair of EPs on Studio Barnhus. Brought into the Ninja Tune fold back in 2021, she's developed her debut album in the whirlwind of a rapidly growing profile and the personal struggle of her mother's terminal cancer diagnosis. Through her tenacity, she found a gifted doctor who was able to treat her mother and give her a life expectancy no-one would have thought possible, and so Madres doubles as a tribute to her mother and to the medical professionals who achieved what was thought impossible - as such, it's a powerful, sincere listening experience which fuses deep house with melancholic pop in mesmerising fashion.
TRACKLIST 2LP:
Side A
A1. Si Te Portas Bonito
A2. Madres
Side B
B1. Vajkoczy
B2. Estación Esperanza
Side C
C1. Funkhaus
C2. Cecilia
C3. Habla Con Ella
Side D
D1. How Music Makes You Feel Better
D2. El Carmen
D3. Moving Houses
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TRACKLIST 2LP:
Side A
A1. Si Te Portas Bonito
A2. Madres
Side B
B1. Vajkoczy
B2. Estación Esperanza
Side C
C1. Funkhaus
C2. Cecilia
C3. Habla Con Ella
Side D
D1. How Music Makes You Feel Better
D2. El Carmen
D3. Moving Houses
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1
The Cinematic Orchestra - The Projectionist
2
The Cinematic Orchestra - Melody
3
The Cinematic Orchestra - Dawn
4
The Cinematic Orchestra - The Awakening Of A Woman (Burnout)
5
The Cinematic Orchestra - Reel Life (Evolution II)
6
The Cinematic Orchestra - Postlude
7
The Cinematic Orchestra - Evolution (Versao Portuense)
8
The Cinematic Orchestra - Man With The Movie Camera
9
The Cinematic Orchestra - Voyage
10
The Cinematic Orchestra - Odessa
11
The Cinematic Orchestra - Theme De Yoyo
12
The Cinematic Orchestra - The Magician
13
The Cinematic Orchestra - Theme Reprise
14
The Cinematic Orchestra - Yoyo Waltz
15
The Cinematic Orchestra - Drunken Tune
16
The Cinematic Orchestra - The Animated Tripod
17
The Cinematic Orchestra - All Things
ZEN78XX 2LP limited edition ashen and pewter grey 140g vinyl.
Housed in a rigid tip-on foiled, embossed and debossed gatefold sleeve with new liner notes and updated artwork.
Black paper inners and unseen session photography presented on a 12” double sided art card insert.
Side A
A1. The Projectionist
A2. Melody
A3. Dawn
A4. The Awakening Of A Woman (Burnout)
Side B
B1. Reel Life (Evolution II)
B2. Postlude
B3. Evolution (Versao Portuense)
Side C
C1. Man With The Movie Camera
C2. Voyage
C3. Odessa
C4. Theme De Yoyo
C5. The Magician
Side D
D1. Theme Reprise
D2. Yoyo Waltz
D3. Drunken Tune
D4. The Animated Tripod
D5. All Things
The Cinematic Orchestra have announced a 20th anniversary tour & audio reissue of their seminal 2003 album “Man With A Movie Camera.” The live shows will feature songs from the album with all new visuals, celebrating the release across Europe. The 2LP limited edition comes in ashen and pewter grey coloured vinyl, housed in a rigid tip-on foiled, embossed and debossed detail gatefolded sleeve with updated artwork and new liner notes. This reissue will include 12” double sided art card insert of unseen session photography from the time.
As part of the film festival celebrations of Porto being the European City of Culture in 2001, Jason Swinscoe of The Cinematic Orchestra was commissioned to score a soundtrack to a silent movie as a one-off performance. The film was Dziga Vertov's ‘Man With A Movie Camera,’ a 1929 early documentary cinema film from the Soviet Union, and hailed by many including The British Film Institute to be one of the greatest films of all time, nearly 100 years on from its creation. The performance took place in the historic Coliseu Porto, and ended with a standing ovation of 3,500 people. The Cinematic Orchestra have since toured the show internationally over the years, including performances at The Barbican in London, NYC’s Winter Garden at WTC, and Sydney Opera House.
The band was in the process of writing “Every Day” when the film commission occurred, which had a formative influence on “Man With A Movie Camera”. Certain tracks that made it onto “Every Day” in other forms were written specifically for the score or were already in development, which allowed Swinscoe and the band to remold motifs to the film's unfolding narrative. The title 'Every Day' was based on the narrative in the film, which portrays a day in the life of an idealised Soviet society, beginning with people waking up, moving through various workplace environments, and into leisure time & activities.
“Man With A Movie Camera” was eventually recorded and released in 2003. it was met with much acclaim. The Guardian gave it 4/5 and said “You can perform an autopsy on the jazz instruments, DJ Shadow-like grooves and repeating chord sequences, yet come away scratching your head as to how, in such simple combinations, they make such heartfelt music.” The Independent on Sunday continued, “It stands alone, proud and complete.” And dance magazines also showered it with praise such as DJ Magazine, “The genius, a word not to be used lightly, of The Cinematic Orchestra seemingly knows no bounds.”
Since debuting with “Motion”, in 1999, The Cinematic Orchestra have sold hundreds of thousands of albums, generated over a billion streams and enjoyed critical support from the likes of Pitchfork, The Guardian, New York Times, Le Monde, Resident Advisor, Fader, Crack, Rolling Stone, Gilles Peterson, Benji B, Jason Bentley and Mary Anne Hobbs. In 2007, The “Ma Fleur” album was recognised for its bold departure from the group’s sonic traditions; in the years since, it’s been continuously celebrated, with tracks like ‘To Build A Home’ reaching huge audiences. The band have performed to larger and larger audiences and sold out the likes of London's Royal Albert Hall, Philharmonie de Paris, Rome’s Auditorium Park Della and the Sydney Opera House. Coachella, Glastonbury, Fuji Rock, Montreux and Sonar have all played host to the band’s much loved live performances. They have also appeared at the Directors Guild Lifetime Achievement Awards for Stanley Kubrick and New York’s Summerstage with the legendary Mahavishnu Orchestra with John McLaughlin. Their original score for “The Crimson Wing”, included the track ‘Arrival of the Birds’ which featured in the Oscar Winning Stephen Hawking biopic "The Theory of Everything”. Their last album “To Believe,” charted in the Top 20 of the UK albums chart and #1 in the album vinyl chart.
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Housed in a rigid tip-on foiled, embossed and debossed gatefold sleeve with new liner notes and updated artwork.
Black paper inners and unseen session photography presented on a 12” double sided art card insert.
Side A
A1. The Projectionist
A2. Melody
A3. Dawn
A4. The Awakening Of A Woman (Burnout)
Side B
B1. Reel Life (Evolution II)
B2. Postlude
B3. Evolution (Versao Portuense)
Side C
C1. Man With The Movie Camera
C2. Voyage
C3. Odessa
C4. Theme De Yoyo
C5. The Magician
Side D
D1. Theme Reprise
D2. Yoyo Waltz
D3. Drunken Tune
D4. The Animated Tripod
D5. All Things
The Cinematic Orchestra have announced a 20th anniversary tour & audio reissue of their seminal 2003 album “Man With A Movie Camera.” The live shows will feature songs from the album with all new visuals, celebrating the release across Europe. The 2LP limited edition comes in ashen and pewter grey coloured vinyl, housed in a rigid tip-on foiled, embossed and debossed detail gatefolded sleeve with updated artwork and new liner notes. This reissue will include 12” double sided art card insert of unseen session photography from the time.
As part of the film festival celebrations of Porto being the European City of Culture in 2001, Jason Swinscoe of The Cinematic Orchestra was commissioned to score a soundtrack to a silent movie as a one-off performance. The film was Dziga Vertov's ‘Man With A Movie Camera,’ a 1929 early documentary cinema film from the Soviet Union, and hailed by many including The British Film Institute to be one of the greatest films of all time, nearly 100 years on from its creation. The performance took place in the historic Coliseu Porto, and ended with a standing ovation of 3,500 people. The Cinematic Orchestra have since toured the show internationally over the years, including performances at The Barbican in London, NYC’s Winter Garden at WTC, and Sydney Opera House.
The band was in the process of writing “Every Day” when the film commission occurred, which had a formative influence on “Man With A Movie Camera”. Certain tracks that made it onto “Every Day” in other forms were written specifically for the score or were already in development, which allowed Swinscoe and the band to remold motifs to the film's unfolding narrative. The title 'Every Day' was based on the narrative in the film, which portrays a day in the life of an idealised Soviet society, beginning with people waking up, moving through various workplace environments, and into leisure time & activities.
“Man With A Movie Camera” was eventually recorded and released in 2003. it was met with much acclaim. The Guardian gave it 4/5 and said “You can perform an autopsy on the jazz instruments, DJ Shadow-like grooves and repeating chord sequences, yet come away scratching your head as to how, in such simple combinations, they make such heartfelt music.” The Independent on Sunday continued, “It stands alone, proud and complete.” And dance magazines also showered it with praise such as DJ Magazine, “The genius, a word not to be used lightly, of The Cinematic Orchestra seemingly knows no bounds.”
Since debuting with “Motion”, in 1999, The Cinematic Orchestra have sold hundreds of thousands of albums, generated over a billion streams and enjoyed critical support from the likes of Pitchfork, The Guardian, New York Times, Le Monde, Resident Advisor, Fader, Crack, Rolling Stone, Gilles Peterson, Benji B, Jason Bentley and Mary Anne Hobbs. In 2007, The “Ma Fleur” album was recognised for its bold departure from the group’s sonic traditions; in the years since, it’s been continuously celebrated, with tracks like ‘To Build A Home’ reaching huge audiences. The band have performed to larger and larger audiences and sold out the likes of London's Royal Albert Hall, Philharmonie de Paris, Rome’s Auditorium Park Della and the Sydney Opera House. Coachella, Glastonbury, Fuji Rock, Montreux and Sonar have all played host to the band’s much loved live performances. They have also appeared at the Directors Guild Lifetime Achievement Awards for Stanley Kubrick and New York’s Summerstage with the legendary Mahavishnu Orchestra with John McLaughlin. Their original score for “The Crimson Wing”, included the track ‘Arrival of the Birds’ which featured in the Oscar Winning Stephen Hawking biopic "The Theory of Everything”. Their last album “To Believe,” charted in the Top 20 of the UK albums chart and #1 in the album vinyl chart.
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Roisin Murphy has finally become a genuine top-tier star - an artist capable of packing-out venues with dynamic live shows, and whose every new musical move is headline news. Hit Parade is not, as the title suggests, a solo retrospective but rather a brand-new album produced not by regular collaborator Crooked Man, but rather another masterful maverick, DJ Koze. The pair has worked together before, so Murphy is in safe hands. Musically, it's a genre-straddling, style-bending affair whose strong songs - rich in sing-along choruses, thoughtful lyrics and musical hooks aplenty - are presented in vivid colour (with plenty of sparkling organic instrumentation). Recent singles 'Cuckoo' and 'The Universe', both instant classics, offer a neat summary of the album's many qualities.
TRACKLIST Deluxe 2LP + Bonus Track:
Side A
A1. What Not To Do
A2. CooCool
A3. The Universe
A4. Milf Funk (Bonus Track)
Side B
B1. Hurtz So Bad
B2. The House
B3. Fader
B4. Free Will
Side C
C1. You Knew
C2. Can’t Replicate
Side D
D1. Crazy Ants Reprise
D2. Two Ways
D3. Eureka
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TRACKLIST Deluxe 2LP + Bonus Track:
Side A
A1. What Not To Do
A2. CooCool
A3. The Universe
A4. Milf Funk (Bonus Track)
Side B
B1. Hurtz So Bad
B2. The House
B3. Fader
B4. Free Will
Side C
C1. You Knew
C2. Can’t Replicate
Side D
D1. Crazy Ants Reprise
D2. Two Ways
D3. Eureka
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1
Mr. Scruff - Here We Go
2
Mr. Scruff - Sweetsmoke
3
Mr. Scruff - Come Alive (Feat. Niko)
4
Mr. Scruff - Shrimp
5
Mr. Scruff - Vibrate (Feat. Braintax)
6
Mr. Scruff - Ug
7
Mr. Scruff - Shelf Wobbler
8
Mr. Scruff - Valley Of The Sausages (Feat. Sneaky & Seaming To)
9
Mr. Scruff - Champion Nibble
10
Mr. Scruff - Come On Grandad
11
Mr. Scruff - Beyond (Feat. Seaming To)
12
Mr. Scruff - Giffin
13
Mr. Scruff - Ahoy There!
Deluxe 20th anniversary edition of the classic Mr. Scruff album. 2LP (blue / red vinyl) with iconic artwork by Mr. Scruff & Airside plus infinity peelable trouser sticker on the cover to reveal silver and gold foiled 20th anniversary trousers. Includes MP3 download code.
Originally released in 2002, “Trouser Jazz” was the hotly anticipated follow-up to the Manchester-based DJ, producer, record collector and cartoonist’s barnstorming Ninja Tune debut “Keep it Unreal” (1999). As a DJ, Andy Carthy aka Mr. Scruff plays across the board, moving between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, electro, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, posters, record sleeves, t-shirts and occasionally accompany him at gigs as live animated visuals.
“Trouser Jazz” – recorded largely at Carthy’s home studio with engineer Danny Evans – neatly encapsulated Scruff’s ethos, his joie de vivre and his inimitable combination of tight knit funk, expansive sonics and dancefloor dynamite.
“The album is a real mixture of moods and tempos, just like my DJ sets, twisting my influences and inspirations into different shapes,” explains Andy. “It was also the time when I started to develop my low-end addiction, as tracks such as ‘Ug’ and ‘Shelf Wobbler’ testify. The collaborations were enjoyable too, from Bernard Moss’ one-take flute that Seaming & Sneaky built a track around on ‘Valley of the Sausages’, Braintax’s medieval working-class themed rap on 'Vibrate', Sneaky’s bass and Andy Kingslow’s abrasive synth solo on ’Shrimp’ (which was the first of many tracks we did together), Andy K again on ‘Champion Nibble’, Niko’s glorious & touching vocals on ‘Come Alive’ and Seaming's otherworldly vocals on ‘Beyond’. When I listen back to Trouser Jazz, I can feel the fun and energy from those studio sessions.”
Everyone including Pitchfork delighted in the record’s joyful eclecticism: “Trouser Jazz is quite possibly the answer to all of your sugar-fueled Saturday morning disco prayers, churning out one chocolate-frosted cereal box prize after another and bringing down the house with an inspired mix of rubbery funk, hipster soul and gleefully contorted, krush groovin’ hip-hop.”
It’s tough to pick out highlights in a set of consistently top drawer productions but ‘Shrimp’ is an inspired fusion of Mizell Brothers cool and Roger Troutman’s squelchy funk; ‘Come Alive’ is a triumphant soulful jaunt blessed with Niko’s vocal and rooted by the most hypnotic bassline on the album. Meanwhile the outright dumb ‘Ug’ is “a giant teddy bear of a track… the subcutaneous bellow of the bassline, the Flat Eric keyboard squawks and slithering hi-hat snaps propel it to the top of the heap” (Pitchfork). Undoubtedly it was the aforementioned characteristics that made ‘Ug’ a stone cold backroom classic.
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Originally released in 2002, “Trouser Jazz” was the hotly anticipated follow-up to the Manchester-based DJ, producer, record collector and cartoonist’s barnstorming Ninja Tune debut “Keep it Unreal” (1999). As a DJ, Andy Carthy aka Mr. Scruff plays across the board, moving between soul, funk, hip hop, jazz, reggae, latin, african, ska, disco, house, funk, electro, breaks, soundtracks and loads more. As a producer he makes music that draws on these influences, with a large dose of cheek and good humour. His cartoon drawings illustrate gig flyers, posters, record sleeves, t-shirts and occasionally accompany him at gigs as live animated visuals.
“Trouser Jazz” – recorded largely at Carthy’s home studio with engineer Danny Evans – neatly encapsulated Scruff’s ethos, his joie de vivre and his inimitable combination of tight knit funk, expansive sonics and dancefloor dynamite.
“The album is a real mixture of moods and tempos, just like my DJ sets, twisting my influences and inspirations into different shapes,” explains Andy. “It was also the time when I started to develop my low-end addiction, as tracks such as ‘Ug’ and ‘Shelf Wobbler’ testify. The collaborations were enjoyable too, from Bernard Moss’ one-take flute that Seaming & Sneaky built a track around on ‘Valley of the Sausages’, Braintax’s medieval working-class themed rap on 'Vibrate', Sneaky’s bass and Andy Kingslow’s abrasive synth solo on ’Shrimp’ (which was the first of many tracks we did together), Andy K again on ‘Champion Nibble’, Niko’s glorious & touching vocals on ‘Come Alive’ and Seaming's otherworldly vocals on ‘Beyond’. When I listen back to Trouser Jazz, I can feel the fun and energy from those studio sessions.”
Everyone including Pitchfork delighted in the record’s joyful eclecticism: “Trouser Jazz is quite possibly the answer to all of your sugar-fueled Saturday morning disco prayers, churning out one chocolate-frosted cereal box prize after another and bringing down the house with an inspired mix of rubbery funk, hipster soul and gleefully contorted, krush groovin’ hip-hop.”
It’s tough to pick out highlights in a set of consistently top drawer productions but ‘Shrimp’ is an inspired fusion of Mizell Brothers cool and Roger Troutman’s squelchy funk; ‘Come Alive’ is a triumphant soulful jaunt blessed with Niko’s vocal and rooted by the most hypnotic bassline on the album. Meanwhile the outright dumb ‘Ug’ is “a giant teddy bear of a track… the subcutaneous bellow of the bassline, the Flat Eric keyboard squawks and slithering hi-hat snaps propel it to the top of the heap” (Pitchfork). Undoubtedly it was the aforementioned characteristics that made ‘Ug’ a stone cold backroom classic.
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TRACKLISTING:
Side A
A1. Noctuary
A2. Flutter
A3. D Song
Side B
B1. Change Down
B2. Wayward Bob
B3. Pick Up
Side C
C1. Something (Longer) for Windy
C2. Nothing Owed
C3. Light Pattern
Side D
D1. Pick Up (Four Tet Remix)
D2. Behind The Light
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Side A
A1. Noctuary
A2. Flutter
A3. D Song
Side B
B1. Change Down
B2. Wayward Bob
B3. Pick Up
Side C
C1. Something (Longer) for Windy
C2. Nothing Owed
C3. Light Pattern
Side D
D1. Pick Up (Four Tet Remix)
D2. Behind The Light
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TRACKLIST Ltd LP:
Side A: 1. Amöban 2. Frisco 3. Slugs of Love 4. Disco Dangerous 5. Lily’s Call 6. Stay (feat. JID)
Side B: 1. Gold 2. Kenneth 3. Glow (feat. Damon Albarn) 4. Tumbling Dice 5. Easy Falling
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Side A: 1. Amöban 2. Frisco 3. Slugs of Love 4. Disco Dangerous 5. Lily’s Call 6. Stay (feat. JID)
Side B: 1. Gold 2. Kenneth 3. Glow (feat. Damon Albarn) 4. Tumbling Dice 5. Easy Falling
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TRACKLIST Ltd LP:
Side A: 1. Amöban 2. Frisco 3. Slugs of Love 4. Disco Dangerous 5. Lily’s Call 6. Stay (feat. JID)
Side B: 1. Gold 2. Kenneth 3. Glow (feat. Damon Albarn) 4. Tumbling Dice 5. Easy Falling
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Side A: 1. Amöban 2. Frisco 3. Slugs of Love 4. Disco Dangerous 5. Lily’s Call 6. Stay (feat. JID)
Side B: 1. Gold 2. Kenneth 3. Glow (feat. Damon Albarn) 4. Tumbling Dice 5. Easy Falling
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TRACKLIST:
Side A
A1. Intro
A2. Blue Lights
A3. Heads Or Tails
A4. Scars
A5. Interlude: I Got Tired Of Running
A6. Lonely Back In O
A7. Your Thoughts
Side B
B1. Interlude: It Was Beautiful
B2. Meant To Be
B3. Circle Back Around
B4. When She Dance
B5. Sapphires Of Gold
B6. 15 Foot
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Side A
A1. Intro
A2. Blue Lights
A3. Heads Or Tails
A4. Scars
A5. Interlude: I Got Tired Of Running
A6. Lonely Back In O
A7. Your Thoughts
Side B
B1. Interlude: It Was Beautiful
B2. Meant To Be
B3. Circle Back Around
B4. When She Dance
B5. Sapphires Of Gold
B6. 15 Foot
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TRACKLISTING:
Side A
A1. Atlas
A2. Cazenove
A3. Apricots
Side B
B1. Saku (feat. Clara La San)
B2. Lido
B3. X (feat. Clara La San)
Side C
C1. Rever (feat. Julia Kent)
C2. Sundial
Side D
D1. Fir
D2. Hawk (feat. machìna)
Side E
E1. Siena (feat. Clara La San)
Side F
F1. Meli (I)
F2. Light
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Side A
A1. Atlas
A2. Cazenove
A3. Apricots
Side B
B1. Saku (feat. Clara La San)
B2. Lido
B3. X (feat. Clara La San)
Side C
C1. Rever (feat. Julia Kent)
C2. Sundial
Side D
D1. Fir
D2. Hawk (feat. machìna)
Side E
E1. Siena (feat. Clara La San)
Side F
F1. Meli (I)
F2. Light
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Recorded over the past two years, “Capricorn Sun” delivers 12 tracks that perfectly encapsulate the emotive blend of underground electronic and hook-laden pop sensibilities
Tracklist
A1. Galdem (Intro)
A2. The Light
A3. OnlyL (feat. NIMMO)
B1. Water (feat. Oumou Sangaré)
B2. Dancing in the Shadows (feat. Clementine Douglas)
B3. Giving Up (feat. Mafro) **
C1. Anxious Mind (feat. Clementine Douglas)
C2. Time
C3. Power
D1. Running
D2. Sister
D3. Nala (Outro)
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Tracklist
A1. Galdem (Intro)
A2. The Light
A3. OnlyL (feat. NIMMO)
B1. Water (feat. Oumou Sangaré)
B2. Dancing in the Shadows (feat. Clementine Douglas)
B3. Giving Up (feat. Mafro) **
C1. Anxious Mind (feat. Clementine Douglas)
C2. Time
C3. Power
D1. Running
D2. Sister
D3. Nala (Outro)
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Customers who bought this also bought this
Label:Emotional Rescue
Cat-No:ERC116
Release-Date:09.09.2022
Genre:Alternative/Electronic
Configuration:2x12"
Label:Emotional Rescue
Cat-No:ERC116
Release-Date:09.09.2022
Genre:Alternative/Electronic
Configuration:2x12"
1
Scream + Dance - In Rhythm (12" mix)
2
Talisman - Wicked Dem (12" mix)
3
Animal Magic - Get It Right
4
X-Certs - Untogether
5
Electric Guitairs - Don't Wake The Baby
6
Talisman - Run Come Girl (12" mix)
7
Scream + Dance - Giacometti (Wicked mix)
8
Ivory Coasters - Mungaka Makossa
9
Animal Magic - Trash The Blad
10
Scream + Dance - In Pink & Black
Collecting Orders For Repress!
Emotional Rescue returns to what it does best by unearthing musical gems of the British post punk scene with a double pack compilation of Bristol's short lived Recreational Records.
Teaming up with Bristol Archive Records, 10 songs are remastered, reissued and cut loud for DJs and collectors. What is most striking is, although created in the space of just two years, with a disparate collection of artists, musicians and producers coming together, the music holds a considerable cohesive sound.
Set up in 1981 by Bristol based shop, Revolver Records, Recreational was formed as an independent label with its own distribution, as part of the co-operative, Cartel. The label was a natural progression from the shop's punk's DIY aesthetic, acting as a hang out and inspiration for local artists from Mark Stewart to later staff member, Daddy G.
'Get It Right' starts with a one-off project in Scream + Dance, who similarly, alongside local bands Glaxo Babies, Maximum Joy and Rip Rig & Panic, explored post-punk with funk and jazz all underpinned with heavy tribal and dub influenced rhythms. 'In Rhythm', with its infectious groove, acts as a call to arms for the compilation, coming in two parts, the latter dropping away to explore the links with dub.
Next is possibly the label's biggest band in Talisman, going on to be active up to today, their release 'Run Come Girl / Wicked Dem' are both featured in long 12" mixes that explore the classic 'discomix' of vocal and dub in longform.
Animal Magic lead with the pack's title, 'Get It Right' a short-driven punk funk burst that captures the label's sound to perfection. However, much of the compilation is given over to the more experimental side of the bands, with a high percentage the B sides where they headed to the mixing desk for echo chambered dub inspired versions.
X-Certs' 'Untogether; Electric Guitars' 'Don't Wake The Baby' and Animal Magic's 'Trash The Blad' are culled from the flips of various 7" singles and all are a fusion of percussive rhythms, studio trickery and dub inspired techniques, played out against the "Do it Yourself" aesthetic of the time.
To complete is London based, soukous, kwela and afrobeat inspired collective, Ivory Coasters' 'Mungaka Makossa' and two rhythmic curveballs by Scream + Dance in 'Giocometti (Wicked Mix)' and their riotous (and short) closer, 'In Pink & Black'. "Get it right this time, get it right!".
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Emotional Rescue returns to what it does best by unearthing musical gems of the British post punk scene with a double pack compilation of Bristol's short lived Recreational Records.
Teaming up with Bristol Archive Records, 10 songs are remastered, reissued and cut loud for DJs and collectors. What is most striking is, although created in the space of just two years, with a disparate collection of artists, musicians and producers coming together, the music holds a considerable cohesive sound.
Set up in 1981 by Bristol based shop, Revolver Records, Recreational was formed as an independent label with its own distribution, as part of the co-operative, Cartel. The label was a natural progression from the shop's punk's DIY aesthetic, acting as a hang out and inspiration for local artists from Mark Stewart to later staff member, Daddy G.
'Get It Right' starts with a one-off project in Scream + Dance, who similarly, alongside local bands Glaxo Babies, Maximum Joy and Rip Rig & Panic, explored post-punk with funk and jazz all underpinned with heavy tribal and dub influenced rhythms. 'In Rhythm', with its infectious groove, acts as a call to arms for the compilation, coming in two parts, the latter dropping away to explore the links with dub.
Next is possibly the label's biggest band in Talisman, going on to be active up to today, their release 'Run Come Girl / Wicked Dem' are both featured in long 12" mixes that explore the classic 'discomix' of vocal and dub in longform.
Animal Magic lead with the pack's title, 'Get It Right' a short-driven punk funk burst that captures the label's sound to perfection. However, much of the compilation is given over to the more experimental side of the bands, with a high percentage the B sides where they headed to the mixing desk for echo chambered dub inspired versions.
X-Certs' 'Untogether; Electric Guitars' 'Don't Wake The Baby' and Animal Magic's 'Trash The Blad' are culled from the flips of various 7" singles and all are a fusion of percussive rhythms, studio trickery and dub inspired techniques, played out against the "Do it Yourself" aesthetic of the time.
To complete is London based, soukous, kwela and afrobeat inspired collective, Ivory Coasters' 'Mungaka Makossa' and two rhythmic curveballs by Scream + Dance in 'Giocometti (Wicked Mix)' and their riotous (and short) closer, 'In Pink & Black'. "Get it right this time, get it right!".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Tonio Rubio - Latin Leitmotiv (3:08)
2
Tonio Rubio - Red Medium (6:58)
3
Tonio Rubio - Dead Slow (3:30)
4
Tonio Rubio - Royal Shuffle No 1 (3:08)
5
Tonio Rubio - Royal Shuffle No 2 (3:08)
6
Tonio Rubio - Rock 73 (9:34)
7
Tonio Rubio - Bass In Action No 1 (3:31)
8
Tonio Rubio - Bass In Action No 2 (3:31)
9
Tonio Rubio - Pepper Rock (2:30)
Format Notes:
2023 re-issue, 140g vinyl, reproduction of the classic Tele Music sleeve, full colour insert with liner notes and archive photographs
Territories:
Worldwide no restrictions
Track List:
A1 : Latin Leitmotiv (3:08)
A2 : Red Medium (6:58)
A3 : Dead Slow (3:30)
A4 : Royal Shuffle No 1 (3:08)
A5 : Royal Shuffle No 2 (3:08)
B1 : Rock 73 (9:34)
B2 : Bass In Action No 1 (3:31)
B3 : Bass In Action No 2 (3:31)
B4 : Pepper Rock (2:30)
Release Notes:
Wow! Tonio Rubio's Rhythms is a stone-cold killer, a heavyweight library breaks LP and the inaugural release in Be With's new partnership with legendary French library label Tele Music. Yes, you lucky people, there's lots to come. For this extremely special 50 year anniversary re-issue, we've reproduced the classic Tele Music sleeve with a full colour insert featuring rare photographs, fresh liner notes and personal memories of Tonio from the likes of Jean-Claude Vannier, Jean-Claude Petit and Janko Nilovic.
Sumptuous opener “Latin Leitmotiv” is all funky phasing effects and a killer montuno, with what sounds like piano and bass in tandem, stoking straight up Latin fire. The gritty hard funk of blaxploitation groove "Red Medium" is dripping in wah-wah attitude and head-nod oddness. The atmospheric, exotica-tinged "Dead Slow" emulates the languid, sensual afro groove of Quincy Jones’ wild masterpiece “Gula Matari” whilst the proggy, electric jazz fusion epic "Rock 73" is 9+ minutes of moody, rolling menace.
But the *real* highlight of this cult classic - and why it has long been *so* desirable - is the devastating, deep, hypnotic minimalist groove of "Bass In Action N°1". Very much in conversation with Quincy's rendition of "Hummin'", the loping, rumbling bassline and sweet electric piano over clean, crisp drums making it one of those tracks that sounds like a hip-hop beat 20 years ahead of time. Sensational. “Bass In Action N°2“ features Tonio's own vocal scat performance. Remarkable.
Antonio "Tonio" Rubio Garcia got his start playing the double bass in jazz clubs. In 1962, Tonio joined the Golden Stars, the first backing band of France’s teenage idol Johnny Hallyday. A genius musician with a unique guitar sound, he played on standards of French chanson including Serge Gainsbourg and Brigitte Bardot’s "Bonnie and Clyde", Françoise Hardy’s "Tous les Garçons et les Filles", Gainsbourg and Jane Birkin’s "Je T’aime, Moi Non Plus" and Serge and Charlotte Gainsbourg’s infamous "Lemon Incest". Tonio also lent his brilliance to such legendary figures as Janko Nilovic, Jean-Claude Petit, Hervé Roy, and Jean-Claude Vannier. The latter remembers Tonio as “a secretive, mysterious man, with an endearing personality, albeit difficult to reach out to. His virtuosity as a bass player allowed me to write very innovative basslines, because he was able to play any of my eccentricities!”
The audio for Rhythms has been remastered by Be With regular Simon Francis whilst Christopher Stevenson has brought the original and iconic Tele Music sleeve back to life in all its striking glory as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
2023 re-issue, 140g vinyl, reproduction of the classic Tele Music sleeve, full colour insert with liner notes and archive photographs
Territories:
Worldwide no restrictions
Track List:
A1 : Latin Leitmotiv (3:08)
A2 : Red Medium (6:58)
A3 : Dead Slow (3:30)
A4 : Royal Shuffle No 1 (3:08)
A5 : Royal Shuffle No 2 (3:08)
B1 : Rock 73 (9:34)
B2 : Bass In Action No 1 (3:31)
B3 : Bass In Action No 2 (3:31)
B4 : Pepper Rock (2:30)
Release Notes:
Wow! Tonio Rubio's Rhythms is a stone-cold killer, a heavyweight library breaks LP and the inaugural release in Be With's new partnership with legendary French library label Tele Music. Yes, you lucky people, there's lots to come. For this extremely special 50 year anniversary re-issue, we've reproduced the classic Tele Music sleeve with a full colour insert featuring rare photographs, fresh liner notes and personal memories of Tonio from the likes of Jean-Claude Vannier, Jean-Claude Petit and Janko Nilovic.
Sumptuous opener “Latin Leitmotiv” is all funky phasing effects and a killer montuno, with what sounds like piano and bass in tandem, stoking straight up Latin fire. The gritty hard funk of blaxploitation groove "Red Medium" is dripping in wah-wah attitude and head-nod oddness. The atmospheric, exotica-tinged "Dead Slow" emulates the languid, sensual afro groove of Quincy Jones’ wild masterpiece “Gula Matari” whilst the proggy, electric jazz fusion epic "Rock 73" is 9+ minutes of moody, rolling menace.
But the *real* highlight of this cult classic - and why it has long been *so* desirable - is the devastating, deep, hypnotic minimalist groove of "Bass In Action N°1". Very much in conversation with Quincy's rendition of "Hummin'", the loping, rumbling bassline and sweet electric piano over clean, crisp drums making it one of those tracks that sounds like a hip-hop beat 20 years ahead of time. Sensational. “Bass In Action N°2“ features Tonio's own vocal scat performance. Remarkable.
Antonio "Tonio" Rubio Garcia got his start playing the double bass in jazz clubs. In 1962, Tonio joined the Golden Stars, the first backing band of France’s teenage idol Johnny Hallyday. A genius musician with a unique guitar sound, he played on standards of French chanson including Serge Gainsbourg and Brigitte Bardot’s "Bonnie and Clyde", Françoise Hardy’s "Tous les Garçons et les Filles", Gainsbourg and Jane Birkin’s "Je T’aime, Moi Non Plus" and Serge and Charlotte Gainsbourg’s infamous "Lemon Incest". Tonio also lent his brilliance to such legendary figures as Janko Nilovic, Jean-Claude Petit, Hervé Roy, and Jean-Claude Vannier. The latter remembers Tonio as “a secretive, mysterious man, with an endearing personality, albeit difficult to reach out to. His virtuosity as a bass player allowed me to write very innovative basslines, because he was able to play any of my eccentricities!”
The audio for Rhythms has been remastered by Be With regular Simon Francis whilst Christopher Stevenson has brought the original and iconic Tele Music sleeve back to life in all its striking glory as the finishing touch to this long overdue re-issue.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Roisin Murphy - Overpowered
2
Roisin Murphy - You Know Me Better
3
Roisin Murphy - Checkin' On Me
4
Roisin Murphy - Let Me Know
5
Roisin Murphy - Movie Star
6
Roisin Murphy - Primitive
7
Roisin Murphy - Footprints
8
Roisin Murphy - Dear Miami
9
Roisin Murphy - Cry Baby
10
Roisin Murphy - Tell Everybody
11
Roisin Murphy - Scarlet Ribbons
12
Roisin Murphy - Body Language
13
Roisin Murphy - Parallel Lives
Territory: Europe only 2018 REISSUE - REMASTERED 2LP COLOURED VINYL (1 ORANGE / 1 PINK) W/BONUS TRACK "PARALLEL LIVES" (FIRST TIME VINYL APPEARANCE)
A singular presence in 21st Century pop, Róisín Murphy is a genuine maverick. Her seminal 2007 album Overpowered received widespread acclaim from music critics yet, arriving at a time of waning major label interest in vinyl, it was released only as a hyper-limited double LP. Accordingly, in the decade since, it has been obscenely difficult to find. It is a true honour to finally reissue this thoroughly modern dance-pop classic on Be With. Whilst remaining true to the loud pink and orange wax of the original release, this remastered edition enjoys the bonus inclusion of fan-favourite "Parallel Lives", finally making an appearance on vinyl.
A sumptuous, all-killer electro-disco gem, every song could've been a smash. With its heavy disco influence - deep beats, lush synths and subtle horns and strings - Overpowered was focused solely on the dancefloor. Inspired by the Eighties proto-house of D Train, Mantronix and Gwen Guthrie, but also recalling the intelligent pop of Yazoo and early Eurythmics, Overpowered presented sensual electronic soul for the heads and the hips.
Her collaborators, including Timbaland mentor Jimmy Douglass, Bugz In The Attic and Richard X, constructed a gleaming shrine to the spirit of Bobby O and Giorgio Moroder by stitching together crisp synthesised beats with the slicker tics of early house. The lead single and title track lifted the bassline squelch from the dawn of cosmic disco -- La Bionda's "I Wanna Be Your Lover" -- and the follow-up, "Let Me Know", effortlessly incorporated the chorus of Tracy Weber's 1981 boogie bomb "Sure Shot".
The wonderfully dank, sticky R&B of "Primitive" is Murphy's favourite track from the album: "I mean, who gets to put primordial soup in the first line of a song? That idea of not always being in control of the primitive parts of yourself, the bits that fall in love or the bits that dance or lose the plot or drink too much, and putting that across … that's pop for me. It's playing with all the different colours of the rainbow of life."
Murphy's blistering vocals are versatile enough to elevate the icy textures of "Dear Miami", the sexed up kaleidoscopic funk of "Footprints" and the grace of "You Know Me Better". Sharp, witty and heartbreaking, here Murphy laid claim to being the kind of strident disco singer "Dusty Springfield never quite had the abandon to become", as Pitchfork noted in their original, glowing "8.0" review.
Overpowered was considered an instant classic and, sounding deeply prescient, it has aged gloriously. There has long been an acknowledgement of Murphy's influence on other artists' gonzo fashion, and many musicians have spent the last decade crafting dancefloor tracks that embrace piano house and disco, even if they'd pale when held next to "Let Me Know". Shifting from the glam pop of "Movie Star" to the buzzing acid of "Cry Baby", when the dubby ballad for her dad, "Scarlet Ribbons", wends its way to the sweetest of endings, you realise you've been immersed in the best grown-up dance-pop album since Madonna's Ray of Light.
TRACKLISTING
SIDE A
Overpowered
You Know Me Better
Checkin' On Me
SIDE B
Let Me Know
Movie Star
Primitive
SIDE C
Footprints
Dear Miami
Cry Baby
SIDE D
Tell Everybody
Scarlet Ribbons
Body Language
Parallel Lives
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
A singular presence in 21st Century pop, Róisín Murphy is a genuine maverick. Her seminal 2007 album Overpowered received widespread acclaim from music critics yet, arriving at a time of waning major label interest in vinyl, it was released only as a hyper-limited double LP. Accordingly, in the decade since, it has been obscenely difficult to find. It is a true honour to finally reissue this thoroughly modern dance-pop classic on Be With. Whilst remaining true to the loud pink and orange wax of the original release, this remastered edition enjoys the bonus inclusion of fan-favourite "Parallel Lives", finally making an appearance on vinyl.
A sumptuous, all-killer electro-disco gem, every song could've been a smash. With its heavy disco influence - deep beats, lush synths and subtle horns and strings - Overpowered was focused solely on the dancefloor. Inspired by the Eighties proto-house of D Train, Mantronix and Gwen Guthrie, but also recalling the intelligent pop of Yazoo and early Eurythmics, Overpowered presented sensual electronic soul for the heads and the hips.
Her collaborators, including Timbaland mentor Jimmy Douglass, Bugz In The Attic and Richard X, constructed a gleaming shrine to the spirit of Bobby O and Giorgio Moroder by stitching together crisp synthesised beats with the slicker tics of early house. The lead single and title track lifted the bassline squelch from the dawn of cosmic disco -- La Bionda's "I Wanna Be Your Lover" -- and the follow-up, "Let Me Know", effortlessly incorporated the chorus of Tracy Weber's 1981 boogie bomb "Sure Shot".
The wonderfully dank, sticky R&B of "Primitive" is Murphy's favourite track from the album: "I mean, who gets to put primordial soup in the first line of a song? That idea of not always being in control of the primitive parts of yourself, the bits that fall in love or the bits that dance or lose the plot or drink too much, and putting that across … that's pop for me. It's playing with all the different colours of the rainbow of life."
Murphy's blistering vocals are versatile enough to elevate the icy textures of "Dear Miami", the sexed up kaleidoscopic funk of "Footprints" and the grace of "You Know Me Better". Sharp, witty and heartbreaking, here Murphy laid claim to being the kind of strident disco singer "Dusty Springfield never quite had the abandon to become", as Pitchfork noted in their original, glowing "8.0" review.
Overpowered was considered an instant classic and, sounding deeply prescient, it has aged gloriously. There has long been an acknowledgement of Murphy's influence on other artists' gonzo fashion, and many musicians have spent the last decade crafting dancefloor tracks that embrace piano house and disco, even if they'd pale when held next to "Let Me Know". Shifting from the glam pop of "Movie Star" to the buzzing acid of "Cry Baby", when the dubby ballad for her dad, "Scarlet Ribbons", wends its way to the sweetest of endings, you realise you've been immersed in the best grown-up dance-pop album since Madonna's Ray of Light.
TRACKLISTING
SIDE A
Overpowered
You Know Me Better
Checkin' On Me
SIDE B
Let Me Know
Movie Star
Primitive
SIDE C
Footprints
Dear Miami
Cry Baby
SIDE D
Tell Everybody
Scarlet Ribbons
Body Language
Parallel Lives
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Rights : World excluding Fr & UK
Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Packaging: 2x Solid White Vinyl, Gatefold Sleeve, 2 x heavy weight printed inner, marketing sticker
VINYL TRACKLISTING
A 1. WATERJUMP / A2. FREEFLOATING / A3. NAIVE RESPONSE
B 1. DRONE LOGIC / B2. THESE NIGHTS NEVER END / B3. PLATFORM ZERO
C1. NEED ELECTRIC / C2. ALL I NEED / C3. SPRING 27
D1. SIMULREC / D2. NO ENERGY / D3. KNOWING WE'LL BE THERE
SHORT INFOS
This year marks 10 years of Daniel Avery ' s seminal masterpiece debut "Drone Logic" which was originally released October 7th 2013 and will be reissued by Phantasy & Because Music as first time ever limited Double Colored Vinyl.
QUOTES FROM ORIGINAL ALBUM RELEASE
The Guardian - A superb debut album 4/5 Time Out A great debut
4/5 Mojo Master of the slow build and unexpected twist..a compelling debut
8.5/10 DJ - Potent stuff 4/5 Q A future underground superstar
8/10 Uncut This is a techno album that seldom sags 8/10 NME - In a league of its own
9/10 Mixmag One of the best of 2013 Pitchfork - Avery owns this space
Resident Advisor - Underground dance music with this much ambition hasn't been heard in quite a while
BIOG FROM 2013
The 12 track album was written and produced since the turn of 2013 and mixed with Erol Alkan at 'The Phantasy Sound', the label's own studio in London. A difficult trick to master but like Carl Craig's 'More Songs About Food And Revolutionary Art', Plastikman's 'Consumed' or more recently the work of Four Tet, the album works as a cohesive whole rather than a disparate collection of tracks. Innovative and forward thinking, Drone Logic manages to draw influences from beyond the dancefloor via My Bloody Valentine, NEU! and Chris Carter while still having the techno pulse to scale the walls of any club. The wide array of plaudits and early adopters of Avery's music is proof of this, ranging from acid house legends like The Chemical Brothers, Andrew Weatherall and Richie Hawtin to the best of the new breed in Maya Jane Coles, James Holden and Factory Floor.
Firmly established as one of the UK's most exciting new DJ / producers having cut his teeth in Weatherall's Shoreditch studio bunker, Drone Logic follows up Avery's universally acclaimed mix CD for London clubbing institution Fabric where he remains a resident, recent remixes for Primal Scream, The Horrors & Django Django and last year's Need Electric and Water Jump EPs on Alkan's Phantasy label. This summer sees him play at Bestival, Festival No.6 and the Green Man festival.
"The one thing I knew was that I wanted this record to be a trip. All my favourite artists and DJs, they take the audience with them when they play; people lock into their world for a few hours and can't easily step out again. You're with them for the ride. When I go out, I want to give myself up to music. That was the idea for the album."
If the main motivation whilst making Drone Logic was to take the listener on a hi-fidelity trip for the duration of his debut album, then Daniel Avery has emphatically succeeded. From Water Jump's hypnotic pulse and punch through to the crystalline click of closer Knowing We'll Be Here via the title track's elemental acid swirl and New Energy's take on Neon Lights relocated to a post-midnight cab ride through London, Avery's debut pushes and pulls at the senses and blurs the boundaries between dancefloor and home listening experience. Thoroughly modern, utterly 'now', it's a record that justifies Andrew Weatherall's selection of Avery as 'one to watch' in Time Out - adding that he that made "gimmick-free machine-funk of the highest order". Drone Logic is indeed that: an album confident enough to sit comfortably next to the genre's classics.
"Although I wanted to make something very current, something that could only have been made in 2013 - I found myself going back to records like the Chemical Brothers' Surrender and Dig Your Own Hole as well as albums by Four Tet and Underworld. Records with a real dynamic; records that take you with them. None of those albums sound like 'computer music'. That was definitely something I wanted to avoid. I wanted the album to have a real life to it; it needed to be much more than just a bloke in a bedroom on a laptop making tracks."
Sonically, Drone Logic doesn't really fit expected templates of what a dance record in 2013 should sound like. There are no set piece vocals; when voices emerge on tracks, they are invariably disembodied, odd. And as distortion whips across techno-based backing tracks, it splices modern club music with the kind of sounds that forward thinking guitar bands might conjure up. The result is wholly compelling, gloriously transcendent and, yes, trippy. And much like Avery's lauded FABRICLIVE 66 compilation, Drone Logic follows the path of a precision DJ set.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Oliver Koletzki - A1. Caravana de los Elefantitos
2
Oliver Koletzki - A2. La Veleta
3
Oliver Koletzki - A3. Copal
4
Oliver Koletzki - B1. Dear Mexican Jungle
5
Oliver Koletzki - B2. Serpiente del Ritmo feat. ELIH
6
Oliver Koletzki - B3. Cryptozoology feat. Walter Scalzone
7
Oliver Koletzki - C1. Made of Cashmere
8
Oliver Koletzki - C2. Agitation w/ Niko Schwind
9
Oliver Koletzki - C3. Synesthesia feat. Felix Raphael
10
Oliver Koletzki - D1. Picture w/ Niko Schwind feat. Judith Ahrends
11
Oliver Koletzki - D2. A Starseed’s Journey
12
Oliver Koletzki - 12. Turn feat. Wennink (Digital Download only)
2LP + 12 track MP3 download
Vinyl:
A1. Caravana de los Elefantitos / A2. La Veleta / A3. Copal / B1. Dear Mexican Jungle / B2. Serpiente del Ritmo feat. ELIH / B3. Cryptozoology feat. Walter Scalzone / C1. Made of Cashmere / C2. Agitation w/ Niko Schwind / C3. Synesthesia feat. Felix Raphael / D1. Picture w/ Niko Schwind feat. Judith Ahrends / D2. A Starseed’s Journey
Mp3 Download:
1. Caravana de los Elefantitos / 2. La Veleta / 3. Copal / 4. Picture w/ Niko Schwind feat. Judith Ahrends / 5. Made of Cashmere / 6. Synesthesia feat. Felix Raphael / 7. Dear Mexican Jungle / 8. Serpiente del Ritmo feat. ELIH / 9. Cryptozoology feat. Walter Scalzone / 10. Agitation w/ Niko Schwind / 11. A Starseed’s Journey / 12. Turn feat. Wennink
Short info:
EN
On 'Made of Wood', his ninth full-length album since 2007, Oliver Koletzki embodies the seasoned craftsman, carving out his deeply personal sonic sculptures with a confident, learned hand, while experimenting with a broad range of thrilling ideas and fresh textures. The result is an organically flowing, yet decisively shaped work of art, that naturally concludes a trilogy of albums Koletzki embarked on releasing with 'The Arc of Tension' and followed with 'Fire in the Jungle'.
Initially written in Tulum, Mexico, during the pre-pandemic winter of 2019, 'Made of Wood' is physically entwined with the primeval forests that continue to inspire its maker: In the subsequent year it took to complete the album in Berlin, Oliver, aided by numerous live musicians and vocalists, brought his sketches to life with a focus on wooden instruments like djembes, marimbas, santoors or duduks, sculpting a natural sound that's warm in timbre, rich in groove and literally made of wood.
Thanks to the imperfection of the human hand, the album sings with a bold vibrance that stretches from the LP's slow carnivalesque opener 'Caravana De Los Elefantitos' to the blue horns and Wennink's lamenting coos on the concluding ballad 'Turn'. Intermediately, Koletzki's rhythmic explorations take the shape of mythic odes ('Dear Mexican Jungle'), boisterous tribal dances ('La Veleta'), floor-focussed shakers ('Copal'), handpan-driven epics ('Cryptozoology' feat. Walter Scalzone) or subdued oriental belters ('Serpiente Del Ritmo' feat. ELIH) – emphasising his control over light and dark tonalities, over organic and synthetic sounds alike. Most strikingly, Oliver slowly breaks away from the album's natural feel in the mid-section, in which the disorienting, abstract stunner 'Picture' (with Niko Schwind & Judith Ahrends) rubs shoulders with the synth-crescendos of the bouncy 'Made of Cashmere', while the 14-minute long meditation 'A Starseed's Journey' makes for a powerful penultimate breather later on.
Next to the meticulous attention to instrumentation and his instinctive touch, these twists and turns underline that Koletzki feels entirely at ease on 'Made of Wood' – like the true artisan he is.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Vinyl:
A1. Caravana de los Elefantitos / A2. La Veleta / A3. Copal / B1. Dear Mexican Jungle / B2. Serpiente del Ritmo feat. ELIH / B3. Cryptozoology feat. Walter Scalzone / C1. Made of Cashmere / C2. Agitation w/ Niko Schwind / C3. Synesthesia feat. Felix Raphael / D1. Picture w/ Niko Schwind feat. Judith Ahrends / D2. A Starseed’s Journey
Mp3 Download:
1. Caravana de los Elefantitos / 2. La Veleta / 3. Copal / 4. Picture w/ Niko Schwind feat. Judith Ahrends / 5. Made of Cashmere / 6. Synesthesia feat. Felix Raphael / 7. Dear Mexican Jungle / 8. Serpiente del Ritmo feat. ELIH / 9. Cryptozoology feat. Walter Scalzone / 10. Agitation w/ Niko Schwind / 11. A Starseed’s Journey / 12. Turn feat. Wennink
Short info:
EN
On 'Made of Wood', his ninth full-length album since 2007, Oliver Koletzki embodies the seasoned craftsman, carving out his deeply personal sonic sculptures with a confident, learned hand, while experimenting with a broad range of thrilling ideas and fresh textures. The result is an organically flowing, yet decisively shaped work of art, that naturally concludes a trilogy of albums Koletzki embarked on releasing with 'The Arc of Tension' and followed with 'Fire in the Jungle'.
Initially written in Tulum, Mexico, during the pre-pandemic winter of 2019, 'Made of Wood' is physically entwined with the primeval forests that continue to inspire its maker: In the subsequent year it took to complete the album in Berlin, Oliver, aided by numerous live musicians and vocalists, brought his sketches to life with a focus on wooden instruments like djembes, marimbas, santoors or duduks, sculpting a natural sound that's warm in timbre, rich in groove and literally made of wood.
Thanks to the imperfection of the human hand, the album sings with a bold vibrance that stretches from the LP's slow carnivalesque opener 'Caravana De Los Elefantitos' to the blue horns and Wennink's lamenting coos on the concluding ballad 'Turn'. Intermediately, Koletzki's rhythmic explorations take the shape of mythic odes ('Dear Mexican Jungle'), boisterous tribal dances ('La Veleta'), floor-focussed shakers ('Copal'), handpan-driven epics ('Cryptozoology' feat. Walter Scalzone) or subdued oriental belters ('Serpiente Del Ritmo' feat. ELIH) – emphasising his control over light and dark tonalities, over organic and synthetic sounds alike. Most strikingly, Oliver slowly breaks away from the album's natural feel in the mid-section, in which the disorienting, abstract stunner 'Picture' (with Niko Schwind & Judith Ahrends) rubs shoulders with the synth-crescendos of the bouncy 'Made of Cashmere', while the 14-minute long meditation 'A Starseed's Journey' makes for a powerful penultimate breather later on.
Next to the meticulous attention to instrumentation and his instinctive touch, these twists and turns underline that Koletzki feels entirely at ease on 'Made of Wood' – like the true artisan he is.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Oliver Koletzki - Fire in the Jungle
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Oliver Koletzki - We are All Lost feat. Monolink
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Oliver Koletzki - Tiny Sparks
4
Oliver Koletzki - The Arctic Voice feat. Township Rebellion
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Oliver Koletzki - Endorphins
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Oliver Koletzki - Friendly Reminder feat. Cioz
LP + 16 track Download
Release: 15.11.2019
Tracklist Vinyl:
A1. Fire in the Jungle / A2. We are All Lost feat. Monolink / A3. Tiny Sparks / B1. The Arctic Voice feat. Township Rebellion / B2. Endorphins / B3. Friendly Reminder feat. Cioz
Release info:
Part homage, part prophecy: ‘Fire in the Jungle’ is the 8th studio album from Berlin-based DJ, producer and label owner Oliver Koletzki, released on 15 November 2019 by Stil vor Talent.
With sounds as diverse as the stamps collected in Koletzki’s passport over the past 18 months, ‘Fire in the Jungle’ is a statement in itself: complex, verdant, the product of years of growth.
From the arid desert tundra of Australia, to the lush turquoise beaches and sacred sites of Mexico, to the dusty Playa of Burning Man: these rich and varied landscapes, people, experiences have strongly influenced Koletzki in the production of this multifaceted masterpiece.
Musical maestro and storyteller Koletzki expertly weaves live instruments with a range of electronic music production techniques, with producers Sam Shure, Township Rebellion, Hidden Empire, Niko Schwind and Cioz taking listeners on an extraordinary aural peregrination of genres and styles.
Lyrical and vocal collaborations with Monolink, Aparde, Temple Haze and Lisa Who are layered with Koletzki’s signature sound, adding their unique influence to this distinctive 16-track album.
Running the gamut from full-power, bass-heavy dance floor anthems to slower, more sultry tracks, the dramaturgy of this album is matched only by the eclectic exotica and psychedelia of the jungle.
As the Amazonian jungle burns, this versatile and thought-provoking album raises important questions about what sustains us and asks us to reconsider the egoism and laziness of the human species.
Tracklist Mp3 Download:
1. Melting Into to the Surroundings / 2. Lenny in the Sea with Dolphins / 3. Rainbow Serpent / 4. Fire in the Jungle / 5. Sequel feat. Aparde / 6. We are All Lost feat. Monolink / 7. Friendly Reminder feat. Cioz / 8. Tiny Sparks / 9. The Arctic Voice feat. Township Rebellion / 10. Action Speaks Louder than Words / 11. Zeitgeist / 12. Let Go feat. Temple Haze / 13. Endorphins / 14. Love Song / 15. Boxhagener Platz / 16. Away feat. Lisa Who
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Release: 15.11.2019
Tracklist Vinyl:
A1. Fire in the Jungle / A2. We are All Lost feat. Monolink / A3. Tiny Sparks / B1. The Arctic Voice feat. Township Rebellion / B2. Endorphins / B3. Friendly Reminder feat. Cioz
Release info:
Part homage, part prophecy: ‘Fire in the Jungle’ is the 8th studio album from Berlin-based DJ, producer and label owner Oliver Koletzki, released on 15 November 2019 by Stil vor Talent.
With sounds as diverse as the stamps collected in Koletzki’s passport over the past 18 months, ‘Fire in the Jungle’ is a statement in itself: complex, verdant, the product of years of growth.
From the arid desert tundra of Australia, to the lush turquoise beaches and sacred sites of Mexico, to the dusty Playa of Burning Man: these rich and varied landscapes, people, experiences have strongly influenced Koletzki in the production of this multifaceted masterpiece.
Musical maestro and storyteller Koletzki expertly weaves live instruments with a range of electronic music production techniques, with producers Sam Shure, Township Rebellion, Hidden Empire, Niko Schwind and Cioz taking listeners on an extraordinary aural peregrination of genres and styles.
Lyrical and vocal collaborations with Monolink, Aparde, Temple Haze and Lisa Who are layered with Koletzki’s signature sound, adding their unique influence to this distinctive 16-track album.
Running the gamut from full-power, bass-heavy dance floor anthems to slower, more sultry tracks, the dramaturgy of this album is matched only by the eclectic exotica and psychedelia of the jungle.
As the Amazonian jungle burns, this versatile and thought-provoking album raises important questions about what sustains us and asks us to reconsider the egoism and laziness of the human species.
Tracklist Mp3 Download:
1. Melting Into to the Surroundings / 2. Lenny in the Sea with Dolphins / 3. Rainbow Serpent / 4. Fire in the Jungle / 5. Sequel feat. Aparde / 6. We are All Lost feat. Monolink / 7. Friendly Reminder feat. Cioz / 8. Tiny Sparks / 9. The Arctic Voice feat. Township Rebellion / 10. Action Speaks Louder than Words / 11. Zeitgeist / 12. Let Go feat. Temple Haze / 13. Endorphins / 14. Love Song / 15. Boxhagener Platz / 16. Away feat. Lisa Who
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
FRANK & TONY - We Begin
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FRANK & TONY - Understanding
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FRANK & TONY - We Begin (Frank & Tony and Will Long Wide Open Edit)
GENRE/S:
Deep House, Lo-Fi House
TRACKLISTS:
A1. We Begin
A2. Understanding
B1. We Begin (Frank & Tony and Will Long Wide Open Edit)
SHORT INFO:
Following the success of their EPs released last year on Scissor and Thread, Frank & Tony return with another outing of deeper than deep house with a three track EP including an expansive collaborative exploration with Comatonse recording artist Will Long.
The title track, Understanding takes a nod to 90s Chicago deep house with a slow rolling groove set against plush pads and euphoric stabs sure to send dancefloors swirling in the earliest of nights and mornings alike. We Begin, a dreamy trip of emotive soundscapes, kicks things up a notch with jazzy undertones but a drive meant for peak times as it unfolds in moods and grooves for ages.
The EP then culminates with a vast rework of the same track in collaboration with Comatonse artist and DJ Sprinkles collaborator, Will Long, pushing the EP to psychedelic lengths as the essence of what we call a house groove reaches new idiosyncratic heights. Essential.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Deep House, Lo-Fi House
TRACKLISTS:
A1. We Begin
A2. Understanding
B1. We Begin (Frank & Tony and Will Long Wide Open Edit)
SHORT INFO:
Following the success of their EPs released last year on Scissor and Thread, Frank & Tony return with another outing of deeper than deep house with a three track EP including an expansive collaborative exploration with Comatonse recording artist Will Long.
The title track, Understanding takes a nod to 90s Chicago deep house with a slow rolling groove set against plush pads and euphoric stabs sure to send dancefloors swirling in the earliest of nights and mornings alike. We Begin, a dreamy trip of emotive soundscapes, kicks things up a notch with jazzy undertones but a drive meant for peak times as it unfolds in moods and grooves for ages.
The EP then culminates with a vast rework of the same track in collaboration with Comatonse artist and DJ Sprinkles collaborator, Will Long, pushing the EP to psychedelic lengths as the essence of what we call a house groove reaches new idiosyncratic heights. Essential.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Mathias Kaden feat. Zöe Xenia - Blackbird
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Mathias Kaden feat. Zöe Xenia - Blackbird (Instrumental)
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Mathias Kaden feat. Zöe Xenia - Blackbird (Ian Pooley Pooley's Main Remix)
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Mathias Kaden feat. Zöe Xenia - Blackbird (Ian Pooley Pooley's Basic Dub)
Mathias Kaden returns to Rekids with ‘Blackbird’, featuring a remix from Ian Pooley. Last appearing on Rekids with the ‘Control Your Mind’ EP in 2020, Mathias Kaden now delivers his third release on Radio Slave’s label, teaming up with Zoë Xenia for the mammoth ‘Blackbird’ backed with a pair of remixes from house legend Ian Pooley. Leading the A-side, ‘Blackbird’ sees Mathias Kaden reach for rumbling basslines, fluttering synths, and lush piano chords to craft a tense, building track enhanced by Zoë Xenia’s soaring vocal performance. Additionally, an instrumental version of the track features on the A2, providing a welcome bonus for listeners and DJs alike. On the flip, Ian Pooley twists the track into a rattling house jam, with wriggling keys, bouncing low-end sizzling percussion sitting under slices of Xenia’s effortless vocals. Rounding out the release is the ‘Basic Dub’ mix, which sees Pooley playing with classic dub techniques for a sharp instrumental take on the original.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
Radio Slave - Wake Up (Superpitcher Remix)
2
Radio Slave - Wake Up (Idjut Boys 'Shed' Mix)
Superpitcher and Idjut Boys remix Radio Slave’s ‘Wake Up’. Radio Slave’s spoken word slow-burner ‘Wake Up’ dropped on Rekids March ‘23, winning support from the likes of Roman Fluegel, Louise Chen and Red Axes and continuing a run of singles that explores the house and disco roots of the iconic British UK/Producer. Now, he invites Kompakt a?liate and Hippie Dance co-founder Superpitcher alongside UK duo Idjut Boys to reimagine ‘Wake Up’ on a fresh 12”. The original ‘Wake Up’ saw Matt Edwards, aka Radio Slave, utilise low-slung grooves and an iconic speech-like vocal. Superpitcher remixes the track ?rst, turning it into an acid-infused trip with its vocal samples echoing through cavernous, dubbed-out soundscapes. On the ?ip, we see Idjut Boys turn up the ?ange in their hypnotic version while maintaining the original’s bassline and stripping back the vocal to eerie whispers.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
1
The Sextones - Daydreaming
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The Sextones - Without You
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The Sextones - Better Late Than Never
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The Sextones - Beck & Call
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The Sextones - This Could Last Forever
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The Sextones - Trouble On My Mind
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The Sextones - The Other Side
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The Sextones - Getaway Driver
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The Sextones - Your Love Shines Golden
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The Sextones - Love Can't Be Borrowed
The intrepid soul crusaders from Nevada's high desert have emerged from a years-long writing and recording process guided by virtuoso producer Kelly Finnigan (Monophonics) with their latest offering: Love Can't Be Borrowed, to be released next September 29th via Milan heavy-weight soul label, Record Kicks. Sophisticated, suave, and masterfully composed, the album is a sonic love letter to late 60s and early 70s soul, nodding to the giants of the genre and bowing to its unsung heroes. Drawing from their upbringings steeped in the sound, front man and guitarist Mark Sexton and bassist Alexander Korostinsky knew they wanted an album to highlight their old-school bona fides while leaving room for innovation.With inspiration from artists like The Moments, Baby Huey, The Delfonics, and especially the late Curtis Mayfield, the album is drenched in the era-defining tone that can only come from its origins on analog tape. From the first notes of the opening track "Daydreaming", the songs shimmer and glow from one moment to the next like a summer's drive with the windows down, with steady cruise anthems like "Beck & Call" floating by like a cool breeze. Love Can't Be Borrowed is captained by Sexton's smooth falsetto and bolstered by lush guitar work, crunchy drum breaks, and molten basslines that seep into every crack. Beyond the rhythm section, we find a delicate universe of orchestral strings, punchy horns, vibraphones, and reverb-drenched background vocals—reveling in the hallmarks of the genre as only true acolytes can. "I feel like this record is going to speak to people who understand it, and that's who we're making it for," Sexton said. "I think it's going to touch a lot of people emotionally. And, selfishly, we're making it for ourselves because we just love this kind of music." With an authentic sound and historical appreciation, The Sextones' new album sounds like opening a time capsule from the golden era of American soul, assuring crate-diggers and casual fans alike that the legacy of the genre's past 50 years is in capable hands
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore