1
Harrison BDP - Far Away
2
Harrison BDP - Far Away (Alex Neri Remix)
3
Harrison BDP - Conflict Within
4
Harrison BDP - Hells Bells
Formidable UK artist Harrison BDP is next up for our highly anticipated second release on E&X.
Over the last few years Harrison has released on mostly every notable record label around building a prolific and much sought after discography in the process.
His “Far Away EP” covers a little of everything musically from throbbing modern progressive house tones right through to crisp atmospheric breakbeats and even a touch of the balearic.
Joining Harrison on the record we have invited Italian maestro Alex Neri for remix duties, with over thirty plus years as a DJ & producer Alex is synonymous for his sophisticated classics penning many early 90’s house hits as well recently finding fresh success on reputable imprints such as Slow Life and his own Wildflower records, we are absolutely delighted to welcome such a legendary figure to the label with his unique style & sound.
I’m sure you will agree we have brought together two titans of the electronic music scene on this record and it does not disappoint. More
Over the last few years Harrison has released on mostly every notable record label around building a prolific and much sought after discography in the process.
His “Far Away EP” covers a little of everything musically from throbbing modern progressive house tones right through to crisp atmospheric breakbeats and even a touch of the balearic.
Joining Harrison on the record we have invited Italian maestro Alex Neri for remix duties, with over thirty plus years as a DJ & producer Alex is synonymous for his sophisticated classics penning many early 90’s house hits as well recently finding fresh success on reputable imprints such as Slow Life and his own Wildflower records, we are absolutely delighted to welcome such a legendary figure to the label with his unique style & sound.
I’m sure you will agree we have brought together two titans of the electronic music scene on this record and it does not disappoint. More
More records from Harrison BDP
1
Harrison BDP - Dialled In
2
Harrison BDP - Finished
3
Harrison BDP - Vanishing Act
4
Harrison BDP - Space Invaders
Tracklisting
A1 Harrison BDP - Dialled In
A2 Harrison BDP - Finished
B1 Harrison BDP - Vanishing Act
B2 Harrison BDP - Space Invaders
Sales Note
The king of deep dubbed out dance music Harrison BDP is back on his home label Lost Palms with four dreamy dance cuts! More
A1 Harrison BDP - Dialled In
A2 Harrison BDP - Finished
B1 Harrison BDP - Vanishing Act
B2 Harrison BDP - Space Invaders
Sales Note
The king of deep dubbed out dance music Harrison BDP is back on his home label Lost Palms with four dreamy dance cuts! More
1
Harrison BDP - I’m Here, Where Are You?
2
Harrison BDP - Reconnecting The Dots
3
Harrison BDP - Tulip
4
Harrison BDP - Momma
Tracklisting
A1 Harrison BDP - I’m Here, Where Are You?
A2 Harrison BDP - Reconnecting The Dots
B1 Harrison BDP - Tulip
B2 Harrison BDP - Momma
Sales Note
Harrison BDP returns to Shall Not Fade sister imprint Lost Palms with four luscious dubbed out cuts! More
A1 Harrison BDP - I’m Here, Where Are You?
A2 Harrison BDP - Reconnecting The Dots
B1 Harrison BDP - Tulip
B2 Harrison BDP - Momma
Sales Note
Harrison BDP returns to Shall Not Fade sister imprint Lost Palms with four luscious dubbed out cuts! More
1
Harrison BDP - Aether
2
Harrison BDP - Third Time Lucky
3
Harrison BDP - That wasn't a micro-dose
4
Harrison BDP - Bottled up
Tracklisting
A1 Harrison BDP - Aether
A2 Harrison BDP - Third Time Lucky
B1 Harrison BDP - That wasn't a micro-dose
B2 Harrison BDP - Bottled up
Sales Note
Shall Not Fade welcome the legend Harrison BDP back to their Lost Palms sister label for his NINTH release with the Bristol label!
'Third Time Lucky' EP is four deep, dubby, spaced out, meditative jams perfect for those late night rave moments!
Third Time Lucky EP drops June 7th via Lost Palms. More
A1 Harrison BDP - Aether
A2 Harrison BDP - Third Time Lucky
B1 Harrison BDP - That wasn't a micro-dose
B2 Harrison BDP - Bottled up
Sales Note
Shall Not Fade welcome the legend Harrison BDP back to their Lost Palms sister label for his NINTH release with the Bristol label!
'Third Time Lucky' EP is four deep, dubby, spaced out, meditative jams perfect for those late night rave moments!
Third Time Lucky EP drops June 7th via Lost Palms. More
1
Harrison BDP - Lazy Bones
2
Harrison BDP - Cactus Girl
3
Harrison BDP - Just A Game
4
Harrison BDP & DJOKO - Bad Boy From The Milkyway
Harrison BDP is back on Dansu Discs with his ‘Cactus Girl’ EP. Includes an extra tasty track collaboration with good friend, DJOKO. This one is taking you to space.
More
More
1
Harrison BDP - Right On Time
2
Harrison BDP - Expect Volatility
3
Harrison BDP - Opaque
4
Harrison BDP - Carried Away
Repress!
Yoyaku welcomes Harrison BDP on the main label. The Cardiff-based Producer delivers four beautiful tracks for an inspiring result. More
Yoyaku welcomes Harrison BDP on the main label. The Cardiff-based Producer delivers four beautiful tracks for an inspiring result. More
1
Harrison BDP - Brute
2
Harrison BDP - Be Like Water
3
Harrison BDP - Easy Does It
4
Harrison BDP - Implosion
Tracklisting:
A1 Harrison BDP - Brute
A2 Harrison BDP - Be Like Water
B1 Harrison BDP - Easy Does It
B2 Harrison BDP - Implosion
Release Note
Harrison BDP shares 4 dub techno jams for Shall Not Fade sister imprint Lost Palms.
Originally released in 2018, now being re-issued on limited edition pink vinyl.
Be Like Water drops 22nd July via Lost Palms. More
A1 Harrison BDP - Brute
A2 Harrison BDP - Be Like Water
B1 Harrison BDP - Easy Does It
B2 Harrison BDP - Implosion
Release Note
Harrison BDP shares 4 dub techno jams for Shall Not Fade sister imprint Lost Palms.
Originally released in 2018, now being re-issued on limited edition pink vinyl.
Be Like Water drops 22nd July via Lost Palms. More
1
harrison bdp - Confusion Of Sound
2
harrison bdp - The Flow
Piff Records continues to unravel its catalogue by calling on an artist slightly closer to home. Cardiff-based Harrison BDP adds to his already prolific discography with an EP that spans from mellow dub techno vibrations, all the way up to wide-open, rave-driven acid riffs.
More
More records from E&X Records
1
Cosmic G - Human Spirit
2
Cosmic G - Human Spirit (Clint's Deep Sueno Mix)
3
Cosmic G - Infinite Balance
4
Cosmic G - Infinite Balance (Clint's Mantra Dimension Mix)
Igor Rados?evic´ aka Cosmic G is next to join the E&X roster with his encapsulating “Human Spirit EP” for our first delve into 2024.
The Serbian DJ & Producer has been in high demand over the past 12 months releasing a plethora of well received records on respected labels such as Haws, Goddezz & Neptune Discs, ensuring a rapid rise through the progressive house & trance scene.
Both originals are backed by two stunning remixes from up and coming French talent Clint who has added plenty of raw energy into both his renditions, turning this record into a must have for any discerning DJ or record collector. More
The Serbian DJ & Producer has been in high demand over the past 12 months releasing a plethora of well received records on respected labels such as Haws, Goddezz & Neptune Discs, ensuring a rapid rise through the progressive house & trance scene.
Both originals are backed by two stunning remixes from up and coming French talent Clint who has added plenty of raw energy into both his renditions, turning this record into a must have for any discerning DJ or record collector. More
1
Tom Frankel - Obvious Choice
2
Tom Frankel - Obvious Choice (Revivis Remix)
3
Tom Frankel - Cosmic Arena
4
Tom Frankel - Thunderbird
Berlin imprint E&X Records launches fresh for 2023.
UK based Tom Frankel is first up to take the reigns with a powerful, energetic and entrancing three track EP featuring a catchy and immersive remix of lead cut “Obvious Choice” from Berlin’s Revivis. More
UK based Tom Frankel is first up to take the reigns with a powerful, energetic and entrancing three track EP featuring a catchy and immersive remix of lead cut “Obvious Choice” from Berlin’s Revivis. More
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Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
1
Cybotron - Maintain 04:56
2
Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
1
VILLALOBOS - EASY LEE
2
VILLALOBOS - THEOGENESE
3
VILLALOBOS - BAHAHA HAHI
4
VILLALOBOS - LA RAJA
5
VILLALOBOS - I TRY TO LIVE (CAN I LIVE)
6
VILLALOBOS - QUIZÅS
7
VILLALOBOS - FUSION THE ENEMIES
8
VILLALOBOS - DEXTER
9
VILLALOBOS - BACH TO BACK
10
VILLALOBOS - Y.G.H.
11
VILLALOBOS - WAIWORINAO
Format: 4x12"LP
Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO
Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More
Tracklist
A EASY LEE
B THEOGENESE
C1 BAHAHA HAHI
C2 LA RAJA
D I TRY TO LIVE (CAN I LIVE)
E1 QUIZÅS
E2 FUSION THE ENEMIES
F DEXTER
G BACH TO BACK
H1 Y.G.H.
H2 WAIWORINAO
Ricardo Villalobos first album „Alcachofa“ from 2003.
Originally released by Playhouse as a 3x12“ record set, the re-release adds a fourth 12“, the „Alcachofa Tools“. More
1
Silent Servant - M-87 (04:02)
2
Silent Servant - M-90 (04:32)
3
Silent Servant - M-99 (06:08)
4
Silent Servant - M-00 (04:45)
Territories: World excl. UK + North America
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
1
Transvolta - Disco Computer
2
Transvolta - You Are Disco
Dan Lacksman is a Belgian electronic music pioneer who co-founded the Electro Pop Dance formation Telex and is credited for their classic 'Moskow Diskow.' He also worked under the Transvolta name but put out only one single, 1978's impossibly hard-to-find classic 'Disco Computer.' Dan himself has carefully remastered the original for this special 12" reissue. It's still a retro-future sound all these years later with the signature talk box vocals and sleek drum machines under cosmic synths. On the flip is a long version of 'You Are Disco' which is a similar vibe but with a slightly more lively groove and vocal. Two serene dancefloor gems by any standards.
More
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
More
1
Altinbas - Hunt
2
Altinbas - Good Intentions
3
Altinbas - Reshape
4
Altinbas - Sphaere
2024 Repress
Tracklisting:
A1 Altinbas - Hunt
A2 Altinbas - Good Intentions
B1 Altinbas - Reshape
B2 Altinbas - Sphaere
Sales Note
Introducing Fuse Imprint - The New Record Label from Fuse Club, Brussels
Fuse Club, the beating heart of Brussels' techno scene, is thrilled to announce the launch of its new record label, Fuse Imprint. Known for its cutting-edge music and unforgettable nights, Fuse is extending its influence beyond the dancefloor and into the realm of music production. The label aims to be a platform for both emerging and established artists, showcasing the best in techno and electronic music.
The inaugural release is a dancefloor-focused EP by Altinbas, aptly titled "Reshape". As a resident DJ at Fuse Club, Altinbas has been instrumental in shaping the club's sonic landscape. His new EP encapsulates the essence of a Fuse night - intense, immersive, and irresistibly danceable. More
Tracklisting:
A1 Altinbas - Hunt
A2 Altinbas - Good Intentions
B1 Altinbas - Reshape
B2 Altinbas - Sphaere
Sales Note
Introducing Fuse Imprint - The New Record Label from Fuse Club, Brussels
Fuse Club, the beating heart of Brussels' techno scene, is thrilled to announce the launch of its new record label, Fuse Imprint. Known for its cutting-edge music and unforgettable nights, Fuse is extending its influence beyond the dancefloor and into the realm of music production. The label aims to be a platform for both emerging and established artists, showcasing the best in techno and electronic music.
The inaugural release is a dancefloor-focused EP by Altinbas, aptly titled "Reshape". As a resident DJ at Fuse Club, Altinbas has been instrumental in shaping the club's sonic landscape. His new EP encapsulates the essence of a Fuse night - intense, immersive, and irresistibly danceable. More
1
Liaisons Dangereuses - Mystère Dans Le Brouillard
2
Liaisons Dangereuses - Los Niños Del Parque
3
Liaisons Dangereuses - Etre Assis Ou Danser
4
Liaisons Dangereuses - Aperitif De La Mort
5
Liaisons Dangereuses - Kess Kill Fé Show
6
Liaisons Dangereuses - Peut Être ... Pas
7
Liaisons Dangereuses - Avant-Après Mars
8
Liaisons Dangereuses - El Macho Y La Nena
9
Liaisons Dangereuses - Dupont
10
Liaisons Dangereuses - Liaisons Dangereuses
A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.
More
1
Il Quadro di Troisi - Sfere di Qi (AtomTM Remix)
2
Il Quadro di Troisi - Raggio verde (Dasha Rush Remix)
3
Il Quadro di Troisi - Non ricordi (Front de Cadeaux Remix)
4
Il Quadro di Troisi - Il giudizio (Il Quadro di Troisi Remix)
5
Il Quadro di Troisi - On the site (Chloé Remix)
6
Il Quadro di Troisi - Beata (Baldelli & Dionigi Remix)
7
Il Quadro di Troisi - Se ne va (Toulouse Low Trax Spiaggia Buia Remix)
8
Il Quadro di Troisi - L’ipotesi (Tropicantesimo Remix)
Following up on their highly acclaimed debut release from 2020, raster presents Il Quadro di Troisi’s “Remixes” album, an eclectic collection of reinterpretations of eight of the group’s tracks. By inviting fellow label artists as well as friends and long-term collaborators to contribute to this, “Remixes” shows a broad spectrum of diversity, ranging from colorful, loop-based renditions by Toulouse Low Trax and Tropicantesimo, to (Italo) disco-inspired versions by Daniele Baldelli & Marco Dionigi and Chloé, to more rhythmical and functional tracks by AtomTM, Dasha Rush and Front de Cadeaux. The album also includes a dub-infused reinterpretation of “Il giudizio” by the artists themselves.
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1
Passarani Presents David Woods - A1. Stereotio
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Passarani Presents David Woods - A2. Dovetail Shuffle Theme
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Passarani Presents David Woods - A3. Saturday Romance
4
Passarani Presents David Woods - B1. Starers
5
Passarani Presents David Woods - B2. Videomusic 0300 AM
6
Passarani Presents David Woods - B3. Universale
LP
Tracklist
A1. Stereotio
A2. Dovetail Shuffle Theme
A3. Saturday Romance
B1. Starers
B2. Videomusic 0300 AM
B3. Universale
Ladies, gentlemen, and cosmic disco voyagers, gather 'round as I regale you with tidings of auditory delight! The musical cosmos is set to bestow upon us a celestial gem that shall set dancefloors ablaze and hearts aflutter. It is none other than the enigmatic Marco Passarani aka David Woods of Tiger & Woods, the sonic alchemist who has been tantalizing our senses with his kaleidoscopic grooves.
Imagine, if you will, a voyage through a wormhole that transcends time and space, landing you smack dab in the midst of a euphoric dancefloor utopia. This upcoming opus, Shuffling The Cards Again, promises to be a magnum opus of cosmic proportions. David Woods has summoned their sonic forces to curate a soundscape that defies convention, much like a comet hurtling through the night sky, leaving trails of sonic stardust in its wake.
!
More
Tracklist
A1. Stereotio
A2. Dovetail Shuffle Theme
A3. Saturday Romance
B1. Starers
B2. Videomusic 0300 AM
B3. Universale
Ladies, gentlemen, and cosmic disco voyagers, gather 'round as I regale you with tidings of auditory delight! The musical cosmos is set to bestow upon us a celestial gem that shall set dancefloors ablaze and hearts aflutter. It is none other than the enigmatic Marco Passarani aka David Woods of Tiger & Woods, the sonic alchemist who has been tantalizing our senses with his kaleidoscopic grooves.
Imagine, if you will, a voyage through a wormhole that transcends time and space, landing you smack dab in the midst of a euphoric dancefloor utopia. This upcoming opus, Shuffling The Cards Again, promises to be a magnum opus of cosmic proportions. David Woods has summoned their sonic forces to curate a soundscape that defies convention, much like a comet hurtling through the night sky, leaving trails of sonic stardust in its wake.
!
More
1
Setaoc Mass - The Eyes Don't Lie
2
Setaoc Mass - 24 hours
3
Setaoc Mass - Move In Shadows
4
Setaoc Mass - Hide n' Seek
TRACKLISTING
A1. Setaoc Mass - The Eyes Don't Lie
A2. Setaoc Mass - 24 hours
B1. Setaoc Mass - Move In Shadows
B2. Setaoc Mass - Hide n' Seek
INFO
James Ruskin's Blueprint Records welcomes Setaoc Mass to the label's ever-increasing roster of techno artists.
As a DJ and producer, Setaoc Mass is part of a select cut of young artists who are absorbing techno's legacy and carrying the torch into tomorrow. Whilst overseeing his own imprints, SK¦eleven and SKX, his releases push a galvanising brand of techno steeped in a sense of urgency, ever-propulsive with acute detailing and nods to a futuristic space-age. As a selector, the Mancunian's extended DJ sets pull from an expansive spectrum of material both new and old.
Delivering four new techno cuts that form his 'Working Ways EP', it lands on vinyl and digital for release on 27 October. More
A1. Setaoc Mass - The Eyes Don't Lie
A2. Setaoc Mass - 24 hours
B1. Setaoc Mass - Move In Shadows
B2. Setaoc Mass - Hide n' Seek
INFO
James Ruskin's Blueprint Records welcomes Setaoc Mass to the label's ever-increasing roster of techno artists.
As a DJ and producer, Setaoc Mass is part of a select cut of young artists who are absorbing techno's legacy and carrying the torch into tomorrow. Whilst overseeing his own imprints, SK¦eleven and SKX, his releases push a galvanising brand of techno steeped in a sense of urgency, ever-propulsive with acute detailing and nods to a futuristic space-age. As a selector, the Mancunian's extended DJ sets pull from an expansive spectrum of material both new and old.
Delivering four new techno cuts that form his 'Working Ways EP', it lands on vinyl and digital for release on 27 October. More
(2023 remaster) Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
TRACKLISTING
A1. A3000 - Sonic Stripes
A2. A3000 - Flow
B1. A3000 - Rise
B2. A3000 - Phantome Of House
C1. A3000 - Shelloid
C2. A3000 - P.S.E.
D1. A3000 - Part Of The Planet
D2. A3000 - Destination Underwood
INFO
8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.
Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.
Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
More
TRACKLISTING
A1. A3000 - Sonic Stripes
A2. A3000 - Flow
B1. A3000 - Rise
B2. A3000 - Phantome Of House
C1. A3000 - Shelloid
C2. A3000 - P.S.E.
D1. A3000 - Part Of The Planet
D2. A3000 - Destination Underwood
INFO
8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.
Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.
Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
More
1
Vecchio - Megaton (5:01)
2
Vecchio - Renegade (5:05)
3
Vecchio - Facade (3:18)
4
Vecchio - Chabati (3:11)
5
Vecchio - Green Hell (6:41)
6
Vecchio - Boss (3:55)
7
Vecchio - Nsambei (4:00)
8
Vecchio - Waboco (3:29)
9
Vecchio - Cult (4:37)
10
Vecchio - Ngoma-ku (7:04)
Territories: Worldwide no restrictions
Format Notes:
Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
SIDE ONE
Megaton 5:01
Renegade 5:05
Facade 3:18
Chabati 3:11
Green Hell 6:41
---
SIDE TWO
Boss 3:55
Nsambei 4:00
Waboco 3:29
Cult 4:37
Ngoma-ku 7:04
Release Notes:
Vecchio's Afro-Rock is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts.
Afro-Rock is the debut album by Argentine keyboardist Luis Vecchio. Recorded for the sound library label De Wolfe, the album is frequently mentioned in hushed reverence among the beat digger DJ collecting crowd. It features fiery brass charts, funky bass lines, fluttering flute, choppy organ and additional hand tribal percussion. The band let loose too and jam hard; yet there's a certain thread of solidity that runs throughout, the tracks just belong together, not disparate sound and rhythm experiments like some library records; this is just straight up, no messin', consistent funk-rock FIRE! Hips will sway, heads will nod to the steady vibes. It's insanely good.
The humid, building funk of the appropriately titled "Megaton" is a dramatic explosion of swirling, dazzling organ lines, ferocious beats and heavy horns throughout. It just don't stop. The tempo slows slightly for the deep and deeply addictive "Renegade". It's all heavy jazz horn refrains, always triumphant, coupled with devastating percussive breakdowns and killer guitar riffing. It's an insistent organ-led juggernaut. The frenetic "Facade", up next, is no less driving, horns high up in the mix over rattling percussion and brilliant organs lines. Just sensational. The bright "Chabati" is another glorious extension of the optimistic Vecchio sound, the organs wilder than ever before. The moody "Green Hell" is a real highlight and closes out the A-Side with some outrageously funky refrains - be it horns, organ or guitars - and is complimented by gorgeous flute work that galvanises the piece, elevating it to downright heavenly status.
Knowing full well that he's on to a surefire thing, Vecchio opens the flipside in much the same vein. Indeed, "Boss" is yet another uptempo highlight, a sensual orgy of proud horns, hand percussion and melodic flute playing over driving organ and guitars. It's followed by "Nsambei", which is rightly adored for its briefly open drum break, fantastically propulsive percussion breakdowns throughout and the jazzy, loose organ and guitar shreds. The bright "Waboco" ups the tempo and the pressure, hanging on one hell of a guitar hook and infectious horn refrain. Perhaps foreseeing how this album would come to be viewed, the aptly-titled "Cult" is possibly the finest song on the record. Which is saying something, because this record is insanely good. Riding a steady, confident organ groove straight out the gate, the kinda melancholic flute line over the top serves as a beautiful counterpoint which the horns often come in and imitate/riff off. Goddamn this is so so good, it needs to be played everywhere. The overwhelmingly mighty 7-minute jam "Ngoma-ku" rounds out this quite staggering record brilliantly in its heavy, mid-tempo blues with countless extended solos.
The audio for Afro Rock has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More
Format Notes:
Part of Music De Wolfe Reissue Campaign, 2023 first time reissue, 140g vinyl
Track List:
SIDE ONE
Megaton 5:01
Renegade 5:05
Facade 3:18
Chabati 3:11
Green Hell 6:41
---
SIDE TWO
Boss 3:55
Nsambei 4:00
Waboco 3:29
Cult 4:37
Ngoma-ku 7:04
Release Notes:
Vecchio's Afro-Rock is one big horn-heavy, bass-blasting, Latin groove funk-rock party. Only now, you're all invited because this, ladies and gentleman, is officially...a grail no more. With copies currently starting at 400 Euros for an original, this beautifully presented reissue, part of Be With's fresh campaign with Music De Wolfe, is well overdue. A magnificent and somewhat obscure library set that's just a total, cohesive joy from start to finish, this here is the soundtrack to all your smokin' summer BBQs and communal cookouts.
Afro-Rock is the debut album by Argentine keyboardist Luis Vecchio. Recorded for the sound library label De Wolfe, the album is frequently mentioned in hushed reverence among the beat digger DJ collecting crowd. It features fiery brass charts, funky bass lines, fluttering flute, choppy organ and additional hand tribal percussion. The band let loose too and jam hard; yet there's a certain thread of solidity that runs throughout, the tracks just belong together, not disparate sound and rhythm experiments like some library records; this is just straight up, no messin', consistent funk-rock FIRE! Hips will sway, heads will nod to the steady vibes. It's insanely good.
The humid, building funk of the appropriately titled "Megaton" is a dramatic explosion of swirling, dazzling organ lines, ferocious beats and heavy horns throughout. It just don't stop. The tempo slows slightly for the deep and deeply addictive "Renegade". It's all heavy jazz horn refrains, always triumphant, coupled with devastating percussive breakdowns and killer guitar riffing. It's an insistent organ-led juggernaut. The frenetic "Facade", up next, is no less driving, horns high up in the mix over rattling percussion and brilliant organs lines. Just sensational. The bright "Chabati" is another glorious extension of the optimistic Vecchio sound, the organs wilder than ever before. The moody "Green Hell" is a real highlight and closes out the A-Side with some outrageously funky refrains - be it horns, organ or guitars - and is complimented by gorgeous flute work that galvanises the piece, elevating it to downright heavenly status.
Knowing full well that he's on to a surefire thing, Vecchio opens the flipside in much the same vein. Indeed, "Boss" is yet another uptempo highlight, a sensual orgy of proud horns, hand percussion and melodic flute playing over driving organ and guitars. It's followed by "Nsambei", which is rightly adored for its briefly open drum break, fantastically propulsive percussion breakdowns throughout and the jazzy, loose organ and guitar shreds. The bright "Waboco" ups the tempo and the pressure, hanging on one hell of a guitar hook and infectious horn refrain. Perhaps foreseeing how this album would come to be viewed, the aptly-titled "Cult" is possibly the finest song on the record. Which is saying something, because this record is insanely good. Riding a steady, confident organ groove straight out the gate, the kinda melancholic flute line over the top serves as a beautiful counterpoint which the horns often come in and imitate/riff off. Goddamn this is so so good, it needs to be played everywhere. The overwhelmingly mighty 7-minute jam "Ngoma-ku" rounds out this quite staggering record brilliantly in its heavy, mid-tempo blues with countless extended solos.
The audio for Afro Rock has been meticulously remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. More