Tracklisting
A1 Harrison BDP - Dialled In
A2 Harrison BDP - Finished
B1 Harrison BDP - Vanishing Act
B2 Harrison BDP - Space Invaders

Sales Note
The king of deep dubbed out dance music Harrison BDP is back on his home label Lost Palms with four dreamy dance cuts!

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Tracklisting
A1 Harrison BDP - I’m Here, Where Are You?
A2 Harrison BDP - Reconnecting The Dots
B1 Harrison BDP - Tulip
B2 Harrison BDP - Momma

Sales Note
Harrison BDP returns to Shall Not Fade sister imprint Lost Palms with four luscious dubbed out cuts!

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WAS - Word and Sound Medien GmbH
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Tracklisting
A1 Harrison BDP - Aether
A2 Harrison BDP - Third Time Lucky
B1 Harrison BDP - That wasn't a micro-dose
B2 Harrison BDP - Bottled up

Sales Note
Shall Not Fade welcome the legend Harrison BDP back to their Lost Palms sister label for his NINTH release with the Bristol label!

'Third Time Lucky' EP is four deep, dubby, spaced out, meditative jams perfect for those late night rave moments!

Third Time Lucky EP drops June 7th via Lost Palms.

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Formidable UK artist Harrison BDP is next up for our highly anticipated second release on E&X.

Over the last few years Harrison has released on mostly every notable record label around building a prolific and much sought after discography in the process.

His “Far Away EP” covers a little of everything musically from throbbing modern progressive house tones right through to crisp atmospheric breakbeats and even a touch of the balearic.

Joining Harrison on the record we have invited Italian maestro Alex Neri for remix duties, with over thirty plus years as a DJ & producer Alex is synonymous for his sophisticated classics penning many early 90’s house hits as well recently finding fresh success on reputable imprints such as Slow Life and his own Wildflower records, we are absolutely delighted to welcome such a legendary figure to the label with his unique style & sound.

I’m sure you will agree we have brought together two titans of the electronic music scene on this record and it does not disappoint.

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Repress!

Yoyaku welcomes Harrison BDP on the main label. The Cardiff-based Producer delivers four beautiful tracks for an inspiring result.

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Harrison BDP is back on Dansu Discs with his ‘Cactus Girl’ EP. Includes an extra tasty track collaboration with good friend, DJOKO. This one is taking you to space.


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Tracklisting:
A1 Harrison BDP - Brute
A2 Harrison BDP - Be Like Water
B1 Harrison BDP - Easy Does It
B2 Harrison BDP - Implosion

Release Note
Harrison BDP shares 4 dub techno jams for Shall Not Fade sister imprint Lost Palms.

Originally released in 2018, now being re-issued on limited edition pink vinyl.

Be Like Water drops 22nd July via Lost Palms.

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Piff Records continues to unravel its catalogue by calling on an artist slightly closer to home. Cardiff-based Harrison BDP adds to his already prolific discography with an EP that spans from mellow dub techno vibrations, all the way up to wide-open, rave-driven acid riffs.

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Tracklisting
A1 Bass Junction - BXL Gang
A2 Bass Junction - Body Flow
B1 Bass Junction - Huney
B2 Bass Junction - Model

Sales Note
Mystery duo Bass Junction premiers on Flipsight with 300 hand stamped white labels. No nonsense, belters only.

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Terry Francis makes his debut on Pariter with a rare and essential reissue from one of the UK Tech House's original pioneers. A cornerstone of the London scene, long time Fabric resident and a driving force behind the early Housey Doingz and Wiggle movements, Terry's influence runs deep in the foundations of underground house music as we know it today.

This is the second instalment in a short-series showcasing carefully selected tracks from the legend's archive. Took From Me, on the A side is a raw, old school UK tech house classic, an all time favourite of Andrew Weatherall (rip), Richard Fearless and Craig Richards, who also featured it on his first Fabric mix CD. On the flip, Little 'N' Large and an unreleased version of Furry emerge as two massive, hidden monsters. A vital document from a pivotal era.

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I met Aaron Parr back in 1992 aka the golden era of electronic dance music. Everything was kicking off in the L.A Underground and he was working slap dap in the epi-center at Beatnonstop Records on Melrose Avenue in the heart of Los Angeles. At the time I was living in Santa Barbara still doing my college radio show "The Joy of X" and coming down to L.A on the weekends almost every week since 1989. Aaron had been a mainstay down the street at Streetsounds Records where my then Young friend 19 year old Steve Loria worked alongside warehouse dj & underground legend Barry Weaver.

These were heady times. Clubs, after-hours and renegade break in warehouse jams were the order of the day…every day! The shops fueled the dj's with the dope records and the ravers with the party flyers, the Record Stores were the hub of the whole scene and the key was befriending these upwardly mobile soon to be underground superstars if you wanted fat slabs of wax AND to know where the real deal undergrounds were shaking…literally.

In 1992 I got selected for the U.S Olympic Basketball team and headed back to Europe in an effort to make it to Barcelona and get smashed for the GOLD by the dream team in front of the whole World…no thanks! We got knocked out by Petrovic and the Czechs right b4 Barcelona!
Anywho after 3 months I returned to Cali and there had been a shift, Steve Loria moved up the street from Streetsounds & opened Beatnonstop and it was HUGE! It had quickly become the largest independent record store in the U.S. The scene was massive, everything had exploded. I got in where I fit in and started a weekly Techno club "Happy Planet" on Tuesdays and a House club "NYC" with Doc Martin on a Friday. Both were rammed.

Aaron the industrious Brit from Nottingham & his bredren Dave Fong went to work early too, putting out the Rudiments EP on Worldship Records and then following up with Psycho Ray in 1998.. In 1998 II closed my Culture shop "Soma" down in Santa Barbara, packed up my studio & sound system and moved to L.A official. I had gotten the offer to manage Beatnonstop on Melrose after Steve Loria left and jumped at the chance.

I quickly put together the Beatnonstop Record Label, releasing a double pack "Pacific Coast House EP" feat myself and local producers Aztech Sol, CPen and Kenneth Graham/Steve Loria. I then kicked off PCH Records with "Rhodes Through Space" and after a drunken rendezvous at the Hall of Records Studio one night I signed Aaron & Daves Teflon Dons "My Vice" to the labels.

Vice was right down my alley a dark, grimy acid track with menacing Pacino samples.
After a buying trip for Beatnonstop to NYC. Harry the Bastard from Watts took me down to meet fellow Brit Stefan at Dance Tracks in Manhattan where I found the sample "Our Music" on an accapella in the bins. Super inspired after two weeks trolling round every record distributors warehouse (Watts, Nemesis, Syntax, Downtown etc) and hitting every record store in Manhattan (Vinyl Mania, Discorama, Frankie Bones shop, Satellite and on and on) I came home to L.A and me and Nate loaded up the Emu 64 Ultra sampler and penned "Our Music."

The track is obviously very New York inspired and was received well by Big Apple Dj's David Morales, Junior Vasquez, Roger Sanches & Baby Hec Romero. I would definitely say this track was a slow burner elsewhere and took off later getting the nod from DJ Deep in Paris, + Terry Francis, Eddie Richards and Mr. C in the UK.

It got no love in L.A surprisingly but everywhere else across the country with Miguel Migs and DJ Garth in the Bay, King Britt in Philly and DJ Pope in Baltimore. Now it's back on wax after 25 years remastered by the mighty Martin Iveson and I think the World is finally ready!


Track list:
A – Teflon Dons – Vice
B – The Coastal Commission – Our Music

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Loxodrome is the alias of UK producer Jamie Odell aka Jimpster for his more electronic leanings
into the fault lines between nostalgia and circuitry. Rooted firmly in the underground, his
Loxodrome output filters the spirit of early 90s IDM through contemporary patchwork—equal
parts introspective and rhythm-driven. With a love for crunchy 808 patterns and synth-heavy
emotion, Loxodrome’s sound orbits the traditions of electro and machine soul without ever
settling into one or the other.
From the midst of patch cables and the glow of blue backlit LED screens, he returns to Cyphon
with a 4-track mind-melter that leans hard into the ghostly circuits of Detroit electro and the
dream logic of Warp’s Artificial Intelligence era. The EP finds its pulse in fractured grooves,
modular fuzz and deeply alien melodies.
More Alive kicks off the release incorporating skittering percussion and a shuffled house groove
whilst drifting synth swells add a sense of melancholia. Aurora Devereux delivers an
otherworldly spoken word vocal which helps to anchor the track despite the fractured breaks
and modular squelch’s best attempts to knock things off course.
Next up, Gobbledygook brings a sense of controlled chaos with deconstructed speech fragments
and spiralling synths bending IDM tropes into new forms. It’s a heady, tongue-in-circuit ode to
the glorious nonsense of machine consciousness.
Flip over for Call Me where ghostly whistles sing over a unrelenting four/four kick whilst
tropical samples combine with vintage synths like a love letter left on a dial-up modem.
Nostalgic, yes—but warped through future tense.
The EP closes out with Rubbery Duck, a real fusion of sounds and moods with its pulsing
modular sequence bouncing off an elasticated bassline like a sentient toy in a zero-gravity rave.
A curveball ender with bite!
Hope you enjoy these four tracks for late-night wanderers and system riders: this is outsider
dance music that remembers its past while rewiring its future

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