Following the success of the "Out Of Luck" single, we're wrapping up the Ghia reworks chapter with "The Other Side" - a dynamic 12" vinyl loaded with three contemporary funk tracks and three instrumental cuts.

The release starts off with the title track on which we can hear another collaboration with vocalist Adriano Prestel. The song is built on the foundation of "Message From The Other Side," a synth-funk instrumental from last year's "Don't Stop" LP. Jim Dunloop has skillfully rebuilt the infectious grooves from scratch, and guitarist Lucy Liebe has contributed to the guitar elements. Interestingly, the 1985 original version contained vocals that were preserved on a demo tape. These original lyrics conveyed the idea that everyone should learn to listen to the other side. Adriano picked up this idea and wrote new verses and a new chorus, beautifully transforming the song into a soulful bliss. In today's world, the message remains relevant: without listening, understanding, and compromise, solutions are elusive.
Next up, DJ Friction takes "Out Of Luck" to new heights with a remix infused with electro-funk. The synth bass replaces the original, a punchier kick and a clap snare give it a classic boogie feel. Additional strings on the chorus and an extended build-up complete the transformation, making it a fantastic tune for any DJ set.

Marian Tone returns to remix "The Other Side" in the '85 rework, blending parts of the original song with replayed instruments from the studio sessions. He adds clav sounds and retains the original marimba keys by Ghia's Lutz Boberg. If you are into the 80s vibes, this rework will be your choice.
The flip side features instrumental versions that, even without vocals, are a special treat for all boogie and funk enthusiasts. Last but not least, the release includes the original mixdown of "Out Of Luck" from when the recording was finalized at Ed Longo's Soundrays studio - offering a different take from the instrumental version on the previously issued 45 single.

The 12" is presented in a full-picture sleeve designed by The Raincoatman, also known as label owner DJ Scientist.

Side A
The Other Side feat. Adriano Prestel
Out Of Luck feat. Adriano Prestel (DJ Friction Remix)
The Other Side feat. Adriano Prestel (Marian Tone '85 Rework)

Side B
The Other Side (Instrumental)
Out Of Luck (DJ Friction Remix) (Instrumental)
Out Of Luck (Instrumental) (Soundrays Mix)
More

The Ghia saga unfolds once more, but in this chapter, there's a new and unique twist. "Out of Luck" draws its roots from a previously lost track, originally composed by the group in 1985. This time around, the song has been expertly reworked by Marian Tone, with new vocals by Adriano Prestel. The outcome? Quite possibly one of the smoothest and most refreshing modern funk tunes you'll hear this year.

But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.

Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!


Side A
Out Of Luck feat. Adriano Prestel

Side B
Out Of Luck (Instrumental)
More

Let's get it straight: "This is" is THE album by Ghia. It catches the band at its peak and features 10 songs, including not only their impeccable hit, "What's Your Voodoo?" but a full arsenal of yet unheard, timeless, and soulful music without equal. The songs on the album, which were recorded between 1988 and 1991, could be considered forerunners of the downtempo genre, with one foot in the late 1980s street soul direction but sparkling with touches of synth pop and contemporary jazz-funk. Genre limitations aside, all that Ghia ever wanted to do was create music-good music-and you will hear this in the depth of the compositions.
The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band's catalog since it was featured as the B-side of the "What's Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.

"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band's roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band's first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn't perfect until Lisa laid down the final version and a choir was added. It's difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.

Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."

Eskimo leads to the aforementioned classic, "What's Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"-and we still mean it! Let's face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia's music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s.

"Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won't Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.

The album concludes with a really strong ballad entitled "I Haven't Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.

Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.


VITAL SALES POINTS:

- Features 7 previously unissued songs, + three songs that were previously issued
- Fully licenced, recorded ca. 1988 to 1991
- Features underground Downtempo Synth Pop hit single "What's Your Voodoo?"
- Includes vinyl only bonus track "Sometimes"
- Picture sleeve
- Includes 30x30 cm insert
- Mastered by Frederic Stader

Special remarks:

- Thick 350 g Picture sleeve
- Includes double-sided 30x30 cm insert with lyrics and credits
- Previously unissued full length album, recorded 1988 to 1991
- Fully licenced, recorded 1988-1991
- Hype sticker
- Includes the sought after track "What's Your Voodoo?"


Side A
Keep Your House In Disorder
Crystal Silence
Close To You
Eskimo
Sometimes (Vinyl Only)

Side B
What's Your Voodoo?
Angel On Your Shoulder
You Won't Sleep On My Pillow
L O M E (List Of Missing Elements)
I Haven't Got The Power
More

LP

- Thick 350 g Picture sleeve
- Includes 30x30 cm insert (250 g)
- Previously unissued full length album
- Fully licenced, recorded in 1985-1988

The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.

Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a DX21 keyboard (later updated to the legendary DX7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.

Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?

The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.

We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.

The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.

TRACKLISTS:

Side A
Curaçao Blue (Introlution)
Down At The Hilton
Jump In The Water
Close To You ('85 Interlude)
In The Fast Lane

Side B
Flowerplay
Curaçao Blue
Through The Window
Crystal Silence In Dub
Keep Your House In Disorder (Instrumental)



Genre: Modern Jazz Funk / Balearic Jazz Funk / Synth Funk / Melodic Electro Jazz Funk More

7" from the Label previously named The Artless Cuckoo
- Two previously unissued tracks
- Follow up release to the sought after What's Your Voodoo single
- Limited Edition of 350 copies
- Thick high quality picture sleeve


" GENRE/S: Modern Jazz Funk / Balearic / Fusion

" TRACKLISTS:
A
Down At The Hilton

B
Curaçao Blue

" SHORT INFO:
The Outer Edge (formerly known as The Artless Cuckoo) is proud to present a second vinyl release by Ghia. The first single is sold out for a while and already became a collectible item. Now, we present a piece from Ghia's past - a very limited 7" with two unreleased recordings from 1985: "Down At The Hilton" on side A and the equally fantastic tune "Curacao Blue" on the flip side. This is just the beginning of a series of more unissued songs by the band. Two albums are currently in the works - and there will be more material to follow.

For now, here is what label founder Günter Stöppel a.k.a. John Raincoatman says about the project: "For the past three years I've been asking Ghia about further recordings. Lutz Boberg and Frank Simon, the two original band members who later joined with Lisa Ohm as a singer, always were communicative, friendly and interested in releasing more music. But at the same time nothing really happened. Accept for a bunch of newer demo tracks they offered on their Bandcamp page for a while, I never was able to hear anything more. Anyway, a few month ago, I suprisingly received a picture by email. A photo showing a box of 11 demo tapes by Ghia with basically all tracks they ever recorded. I couldn't believe my eyes! After a few complications the package with the cassettes arrived in Berlin. I didn't really know what to expect. Everything was taped chronologically, the first cassette included early recordings from 1984 and 1985. I put it in my tape deck and I couldn't believe what I heard. It started with a minimal electro funk track, the next song was '80s funk with rap vocals, and then came a track entitled "Down At The Hilton". This was EASILY the best Balearic jazz funk track I had ever heard. The warm sound, the melodies, the drum computer beats, the solos - everything was almost too unreal to believe. I really didn't understand why Boberg and Simon never considered that some of their early works could be of interest to other people. But they simply thought of it as some sort of learning curve remnants or simply forgot that the music existed."

The story goes on - but we are going to end it here for now. The vinyl single "At The Hilton" is now available. Once you hear the songs we are sure that you'll agree that the music by Ghia needs to be heard and shared with the world.

" VITAL SALES POINTS:

- Two previously unissued tracks
- Follow up release to the sought after What's Your Voodoo single
- Limited Edition of 350 copies
- Thick high quality picture sleeve
- Fully Licenced, recorded in 1985
- Mastered by Frederic Stader


" FEEDBACK

The Slow Music Movement
"Sounds like a dope release, the A Side in particular is right up my street."
Bandcamp review:
"More great digging from The (far from) Artless Cuckoo and "Down At the Hilton" is a bit of Balearic gem - it sounded great in the recent radio show."

Martin Joela / Frotee
It's really good, exactly our music. We can play it on our Frotee and balearic radio shows.

DJ Dusty / Jazz & Milk Records
"Very beautiful song!"

Marian Tone / Key Elements / Sonar Kollektiv
Played at Worldwide FM

André Langenfeld / Radio Host
die Ghia würd ich gern spielen

Markus Thon / DJ / Booker
Super release!
More

- Limited Edition of 350 copies
- Thick high quality picture sleeve with hype sticker
- Previously unissued on vinyl, recorded in 1986

The Outer Edge is excited to announce the release of an intense and previously undiscovered funk rap / boogie single, featuring two tracks recorded in 1986.

While researching for his book on 80s funk music in Germany, DJ Scientist explored bands from Bavaria that collaborated with GIs. One of these bands is Grand Slam, a group that remains active to this day. The band’s leader, Toby Mayerl, lived near a US Army base in Amberg, where he fell in love with funk after hearing Roger Troutman and Zapp. He soon became part of two groups: Total Control and Grand Slam.

Originally led by guitarist Harry Zawrel, Grand Slam had a “European” funk sound similar to Talking Heads or Level 42. However, in 1985, Mayerl took over the band and merged it with Total Control, a mixed group that included African-American soldiers. From that point on, they shifted towards a heavier funk and soul sound, continuing to work with musicians from the GI community. By late 1986, they had enough material to record their debut album, Make My Day. Although published by the independent label Kerston, the album was only available on cassette, primarily sold at their concerts in early 1987.

DJ Scientist managed to track down an original copy of this ultra-rare tape in the MUZ archive in Nuremberg. "What I heard blew my mind," he said. "The cassette featured seven raw, well-produced funk and soul jams with fantastic arrangements and vocals." As an old-school funk and disco rap collector, he was immediately captivated by the track "Goin' Out," which features GI rapper Calvin E. Flagg. This song evokes the energy of early recorded rap singles from labels like Enjoy or Sugar Hill Records.

On Side B, the second track from the unheard debut album, ‘Don’t Let You Down,’ offers another glimpse of what we've been missing. This uptempo boogie-funk track features lead vocals by Aletha Mcbryde, Calvin E. Flagg, and Oliver Allwardt, along with thrilling synths and a lively brass section - perfect for turning up the volume.
Both tracks have been remastered from the original master tapes, which Toby Mayerl fortunately still had in his archive. The artwork for the release is inspired by original band posters, with the Grand Slam logo taking cues from Bootsy's Rubber Band’s Body Slam! cover from 1982. This limited vinyl pressing is capped at just 350 copies.

- Intense Funk Rap / Boogie single
- Fully Licenced, recorded in 1986
- Transferred from original master tape
- Mastered by Frederic Stader



TRACKLISTS:

A
Goin’ Out

B
Don't Let You Down (Single Edit) More

Following the success of the "Out Of Luck" single, we're wrapping up the Ghia reworks chapter with "The Other Side" - a dynamic 12" vinyl loaded with three contemporary funk tracks and three instrumental cuts.

The release starts off with the title track on which we can hear another collaboration with vocalist Adriano Prestel. The song is built on the foundation of "Message From The Other Side," a synth-funk instrumental from last year's "Don't Stop" LP. Jim Dunloop has skillfully rebuilt the infectious grooves from scratch, and guitarist Lucy Liebe has contributed to the guitar elements. Interestingly, the 1985 original version contained vocals that were preserved on a demo tape. These original lyrics conveyed the idea that everyone should learn to listen to the other side. Adriano picked up this idea and wrote new verses and a new chorus, beautifully transforming the song into a soulful bliss. In today's world, the message remains relevant: without listening, understanding, and compromise, solutions are elusive.
Next up, DJ Friction takes "Out Of Luck" to new heights with a remix infused with electro-funk. The synth bass replaces the original, a punchier kick and a clap snare give it a classic boogie feel. Additional strings on the chorus and an extended build-up complete the transformation, making it a fantastic tune for any DJ set.

Marian Tone returns to remix "The Other Side" in the '85 rework, blending parts of the original song with replayed instruments from the studio sessions. He adds clav sounds and retains the original marimba keys by Ghia's Lutz Boberg. If you are into the 80s vibes, this rework will be your choice.
The flip side features instrumental versions that, even without vocals, are a special treat for all boogie and funk enthusiasts. Last but not least, the release includes the original mixdown of "Out Of Luck" from when the recording was finalized at Ed Longo's Soundrays studio - offering a different take from the instrumental version on the previously issued 45 single.

The 12" is presented in a full-picture sleeve designed by The Raincoatman, also known as label owner DJ Scientist.

Side A
The Other Side feat. Adriano Prestel
Out Of Luck feat. Adriano Prestel (DJ Friction Remix)
The Other Side feat. Adriano Prestel (Marian Tone '85 Rework)

Side B
The Other Side (Instrumental)
Out Of Luck (DJ Friction Remix) (Instrumental)
Out Of Luck (Instrumental) (Soundrays Mix)
More

Limited and definite repress of this classic German Boogie compilation from 2018 with a selection of 11 rare Disco tracks from Germany & Austria, all originally released between 1980 and 1987. Deluxe pressing on coloured vinyl, re-transferred and remastered by Frederic Stader. Includes additional bonus track.

Part of the 2018 release notes:
German Funk, Rare Groove and 1970s Disco music (e.g. the highly regarded Munich scene around Italian producer Giorgio Moroder) have been widely recognized and featured on numerous reissues and compilations. However, the Boogie-ish post-disco side of German music history until now has remained undiscovered. One of the reasons might be that a broader national scene in Germany (unlike the UK for example) never existed. Even though tracks by US bands such as Dazz or Midnight Star were popular in discotheks in Germany around that time, bigger labels showed little interest in promoting German groups playing this new style of Disco Funk, now primarily known as "Boogie", that brought in electronical instruments and often lacked the iconic "four-on-the-floor" beat. Additionally, the number of bands that continued to play funky and soulful music in the 1980s diminished as other styles like Synth Pop, Punk, New Wave and NDW (New German Wave) ascended in popularity. Still, though German Boogie may have never existed as a national movement, great things were happening rather locally and each group featured on our compilation brings with them a particularly unique style and story.

Now, finally, "Boogie on the Mainline" sheds some light on 11 little-known German Disco gems that were released on small or even private labels. The album contains tunes by Imagination, Squish, Upstairs, Bernie L., The Poptown Syndicate, Peter Patzer, Ca$h, Trust, Publicity as well as classic tracks by Ströer and John Davis. It was compiled by John Raincoatman aka DJ Scientist.


Side A
Peter Patzer: You Are Not The One For Me
Ströer: Don't Stay For Breakfast
Upstairs: You're Just Yourself

Side B
J. D. (Puma) Lewis: Dancing Shoes
Trust: It's Not Over
Imagination: Strawberry Wine

Side C
Squish: Get Up
Publicity: Funky Feeling
Bernie L.: Backstreetboy

Side D
Ca$h: Raff dich auf
The Poptown Syndicate: Keep On Lovin' (Single Version)
Ca$h: Raff dich auf (Edit) (Bonus Track)
More

The Ghia saga unfolds once more, but in this chapter, there's a new and unique twist. "Out of Luck" draws its roots from a previously lost track, originally composed by the group in 1985. This time around, the song has been expertly reworked by Marian Tone, with new vocals by Adriano Prestel. The outcome? Quite possibly one of the smoothest and most refreshing modern funk tunes you'll hear this year.

But let's rewind to the beginning of this adventure: Earlier this year, DJ Scientist stumbled upon another early Ghia composition tucked away in the depths of a master tape. It was a treasure too precious to remain unheard. Sadly, the original track couldn't see the light of day due to sound quality and issues with the original vocals. To make matters more disappointing, no instrumental version survived. Thus, the only way to share this catchy boogie funk track with the world was to recreate it from scratch.

Special remarks:
- Limited Edition of 300 copies, never to be repressed!
- Lost Boogie Funk tune from 1985, reworked by Marian Tone (of Key Elements, Sonar Kollektiv)
- Featuring Adriano Prestel (of Pho Queue, Guvvy)
- Mixed and Co-Produced by Ed Longo (of Cosmic Romance, Stella)
- Contains single mix and exclusive instrumental version
- Original track previously unissued
- Brown sleeve with hype sticker
- Clean 45 RPM cut
- Mastered by Robert Wenzel
- Leadsingle for the upcoming Ghia reworks project!


Side A
Out Of Luck feat. Adriano Prestel

Side B
Out Of Luck (Instrumental)
More

We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.

Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.

The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.

The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.

In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.


- Edition of 300 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!

Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36

Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01

More

Limited Green Transparent !

We are thrilled to kick off our label endeavors with one of the rarest and simultaneously best-recorded independently released German new wave singles in history: "Jede Nacht derselbe Traum" ("The Same Dream Every Night") by Total.

Back in late 1983, Total found themselves in a pivotal rendezvous with CBS Records in a Frankfurt hotel lobby. The entire band was present, along with the esteemed NDW manager Jim Rakete, who had played a role in launching Nena to national and international stardom. Also in attendance were the A&R representatives from CBS. It was on this day that Total was presented with the opportunity to ink an album deal with CBS. However, since they had only recorded the titular song thus far, negotiations hit a snag. CBS insisted on a full album rather than a standalone single.
Ultimately, the band decided to independently issue a limited 7" run of "Jede Nacht derselbe Traum" under Günther Mannschreck's Schreckschuss label in January 1984. These vinyl copies became the band's currency for pursuing record deals and promotional prospects. However, despite the potential to achieve commercial success and garner radio airplay, the song and the "Total" project gradually waned from the music landscape. Regrettably, only a few vinyl copies have managed to endure over time. This NDW "holy grail" may have prompted a fair share of dreams for serious vinyl collectors, as to this day, not a single physical copy has been put up for sale on platforms like eBay or Discogs. Interestingly, Maisenbacher has even fielded an offer of over 400 Euros for an original copy, although he regretfully couldn't fulfill the request due to possessing just a single copy himself.

The song itself is a fusion of diverse musical styles. Crafted using the Oberheim OB8 system, complete with the DMX drum machine and a bassline woven from a Jupiter 8 keyboard, it carried a groove reminiscent of New York's electro hip-hop sound in "The Message," setting it apart from typical German new wave productions. Additionally, a Korg Polysix was integrated, and guitar effects were layered to finalize the infectious synth-pop instrumental. Newcomer to the band, Andrea Ströbel, laid down a flawless vocal layer that steered the song towards a straightforward NDW direction, giving it a resonance that surely resonated with mainstream and radio audiences. To complete a B-side for the original vinyl single, the legendary state-of-the-art L480 Lexicon reverb was used. In the more experimental "Maxi Mix," now known as the "Dub Mix," Mannschreck expertly manipulated the machine. The outcome stands as a historical example of incredible studio craftsmanship and the cutting-edge techniques of the 80s.
For the new 12" release, Mannschreck unearthed an alternative mix of the song on the original tapes, featuring a distinct introduction, break, and exciting edits. In addition, DJ Friction, who contributed to the transfer and mastering for the release, treated us to a superb edit that cleverly melds all versions of the song while incorporating a few extra bassline groove elements.

The captivating reissue cover spotlights vocalist Andrea Ströbel, who gazes with determination. A hand reaches out to grab her shirt, attempting to pull her down. Symbolizing the song's theme, it embodies the unsettling dream conveyed by the lyrics-yet she steadfastly resists.

In summary, we are elated to present a significant gem for vinyl enthusiasts: a splendid mid-tempo tune that dances on the boundary of synth-pop, new wave and electro. The new 12" single underwent meticulous mastering, and the outcome is nothing short of astounding, surpassing the sonic quality of the original pressing.


- Edition of 200 copies
- Exclusive DJ Friction Edit + additional unreleased Mix
- All tracks previously unissued on 12"
- Full picture sleeve with hype sticker
- Loud 45 RPM cut by SST
- Mastered by Martin Welzer aka DJ Friction
- Fully Licenced, recorded in 1983
- Original 7" copies never seen for sale anywhere!

Side A
Jede Nacht derselbe Traum (Single Version) 3:53
Jede Nacht derselbe Traum (Extended Re-Mix) 4:36

Side B
Jede Nacht derselbe Traum (DJ Friction Edit) 4:41
Jede Nacht derselbe Traum (Dub Mix) 5:01

More

Our label is thrilled to share yet another mind-blowing electro/proto-techno track by Art Programming (Art P), following the release of "Genscher Pull N Push". This track was originally the final piece on their self-titled album, released on cassette in 1983 under the P.A.P. label from Bremen.

To this day, the track remains almost completely unknown within collector's circles. However, let's take a moment to imagine what might have happened had the recording been released as a vinyl 12" back in 1983. Could it have been a game changer? We will never know for sure. Nevertheless, one thing is certain: with its punchy Roland 808 rhythms, and catchy synth lines and vocoder, it undoubtedly qualifies as a classic German electro track, and one of the earliest techno/proto-techno recordings.

At almost 8 minutes in length, this track includes one of the most exhilarating breaks in electro music of that era, showcasing extensive drum editing and effects. It strongly resembles the sound that Detroit would become famous for in the years to come, but make no mistake - this record was produced straight out of Bremen, a relatively small city in Northern Germany.

For the flip side of the single, we enlisted Alexander Arpeggio, the owner of Mond Musik und Eine Welt label, to edit the track while preserving its original spirit. As a member of the acid techno project Aufgang B and the synth-pop minimal duo OTTO, he not only has a deep understanding for this kind of music but also possesses the ability to give the song a different feel with greater dancefloor appeal. He has slightly reduced the tempo of the track and emphasized the instrumental and break parts, resulting in an exciting remix that is DJ-friendly and has everything you could ask for.

The 12" release comes with the original Art Programming logo in a vintage style, packaged in a generic black sleeve with hype sticker. It is limited to only 200 copies. This is a serious gem that you won't want to miss out on, so act fast!


Special remarks:
- Limited Edition, only 200 copies!
- Loud 45 cut by SST
- Black generic sleeve with hype sticker, vintage label design
- Fully Licenced, recorded in 1983
- Previously unissued on vinyl
- Alexander Arpeggio Edit (of Mond Musik / Eine Welt)
- Mastered by Robert Wenzel


A
Art Programming (Original Mix) 7:41

B
Art Programming (Alexander Arpeggio Edit) 6:52
More

We're thrilled to release two exciting electro tracks by Art P, as well as the classic minimal synthwave tune 'Der böse Osten' by related band project Die Synthetische Republik on this limited split 12".

The single kicks off with 'Genscher Pull and Push', an incredible and previously unreleased electro/wave/proto-techno tune from the P.A.P. archives, recorded in October 1982 with a political background. The song was only available on a demo cassette for a radio show and had been forgotten since then. Genscher was a long-time Federal Minister for Foreign Affairs and Vice Chancellor of Germany, who played a key role in a coalition change in September/October 1982, leading his party, the FDP, to leave the Helmut Schmidt cabinet with the SPD and continue with the opposition, the CDU/CSU. As a result, the German lyrics of the song shout 'bitte geh nach links / bitte geh nach rechts' ('please go to the left' - meaning the left-leaning SPD, and 'please go to the right' - meaning the right-leaning CDU), and so on.

Unfortunately, this track was never released, as the topic of the coalition change quickly became uninteresting and outdated. If it had been issued on vinyl in late 1982, it would probably be considered one of the first proto-techno tracks ever. With its driving and heavily-punching 808 rhythms, and the bending synth bass leads played on the Jupiter 4 synthesizer, it gives you a groove that owes as much to Kraftwerk's 'Computerwelt' album as it may rhythmically pre-date the sound of Detroit's Juan Atkins. The energetic German vocals are giving the track a unique Neue Deutsche Welle touch. They are heavily left/right panned to fit the political topic.

Next up on the Art P side is a remix of 'Polaroid', originally found on the No Message LP that we re-released last year. The track was recorded in 1985, and at that time, the duo of Frank Grotelüschen and Jens-Markus Wegener had become bored with the sound of the Roland 808 drum machine, so they made the track with a DrumTraks by Sequential Circuits. However, for this remix, DJ Scientist, the curator of this 12", wanted to recreate the typical electro-funk sound of the era and added 808 bass drums and claps. The track was also shortened to a more DJ-friendly arrangement. The result is a dancefloor delight for all lovers of classic electro and SVC-350 vocoder sounds!

Die Synthetische Republik was a project by Wegener of Art P and Olav Neander. The track 'Der böse Osten' can originally be found on the cassette album 'Faktor D', recorded in just two weeks on a Tascam Portastudio 245. The original recording sessions were pure fun but also rushed. Hence, none of the tracks was perfectly mixed. With digital technologies, we remastered 'Der böse Osten' to achieve the best possible result and are pleased to release this serious synth wave gem on a loud 12" for the first time as an exclusive extended mix.

The split 12" is released in a picture sleeve with a unique artwork on each side. It is limited to 500 copies.

Tracklist:
A
Art P - Genscher Pull 'N' Push
Art P - Polaroid (808 Re-Mix)

B
Die Synthetische Republik - Der böse Osten (Extended Mix)


VITAL SALES POINTS:

- Features 3 previously unissued tracks:
-- Genscher Pull 'N' Push is a massive and completely unissued proto-techno / electro wave tune from 1982
-- Polaroid (808 Re-Mix) is a new remix in the classic vocoder electro funk soundof the mid 80s
-- Der böse Osten, an extremely sought after synth wave tune from 1984, is released as an unissued extended version, available on 12" for the first time

More

Let's get it straight: "This is" is THE album by Ghia. It catches the band at its peak and features 10 songs, including not only their impeccable hit, "What's Your Voodoo?" but a full arsenal of yet unheard, timeless, and soulful music without equal. The songs on the album, which were recorded between 1988 and 1991, could be considered forerunners of the downtempo genre, with one foot in the late 1980s street soul direction but sparkling with touches of synth pop and contemporary jazz-funk. Genre limitations aside, all that Ghia ever wanted to do was create music-good music-and you will hear this in the depth of the compositions.
The album starts with "Keep Your House In Disorder," which has yet again become another classic song from the band's catalog since it was featured as the B-side of the "What's Your Voodoo?" reissue. The song is about a relationship in which the woman has trouble adapting to her boyfriend's turn in life. He tells her to "keep your house in disorder," meaning don't take things too seriously, don't stand still, and you will do better to take the sideroads in life.

"This Is" continues with the downtempo numbers "Crystal Silence" and "Close to You." Both are deep, one-of-a-kind, and previously unissued street soul ballads. On these two tracks, you can still hear the band's roots in jazz-funk. Hence, as a follower of the band's output may have yet recognized, instrumentals of these two tracks can be found on their first LP, "Curaçao Blue." In fact, "Close to You" was one of the band's first compositions. Earlier recordings of the song exist with different singers and different vocals, but it wasn't perfect until Lisa laid down the final version and a choir was added. It's difficult for us to recall any late-80s soul tune as beautiful and intriguing as this one. The final section, which begins with "so much baby we can say," sounds ahead of its time, reminiscent of mid-90s contemporary R&B.

Next up is "Eskimo," an equally brilliant and soulful downtempo composition, but with more focus on synth sounds than the previous tracks. Once more, it showcases the creative lyricism of the song writers, Boberg and Simon, imagining a train ride during a rainy and cold night: "feeling like an Eskimo in an igloo in New York."

Eskimo leads to the aforementioned classic, "What's Your Voodoo?" Originally released in 1991 on the small Mikado label, it was reissued on our label in 2019. We already called this "one of the most wonderful and mystic slow motion synth pop tunes ever recorded"-and we still mean it! Let's face it: this was done before British bands like Massive Attack, Tricky, and Portishead laid the foundation of trip-hop. Dare we call Ghia's music "proto trip-hop"? As a special bonus, the digital version of the LP features a previously unreleased mix of the song, which includes added samples; this should clarify how close Ghia actually was to the sound of the mid-'90s.

"Angel On Your Shoulder" and "L O M E" are two more completely unissued and great tracks from the band's shelved works. Being a bit more uptempo than the rest of the album, they fall between contemporary soul/R&B and synthesized pop music. And of course, another downtempo hit needed to be featured on the album: "You Won't Sleep on My Pillow." It was the original A-side of their single release in 1991, and since then it has been featured on various compilations.

The album concludes with a really strong ballad entitled "I Haven't Got The Power." Here we hear only pianist and keyboardist Lutz Boberg with Lisa Ohm, without further instrumentation. Basically recorded in a live session, this showcases once more the talent and ingenuity within the Ghia project.

Whether you agree or not, "This is" may easily be considered one of the best German late 80s/early 90s soul pop and downtempo albums ever recorded. Cautiously, it may even be submitted as the missing link between mid/late 80s soul by bands such as Sade, and later trip-hop groups like Massive Attack. Let us celebrate Ghia and their music, which had been shelved for more than 30 years but has now finally been released on The Outer Edge.


VITAL SALES POINTS:

- Features 7 previously unissued songs, + three songs that were previously issued
- Fully licenced, recorded ca. 1988 to 1991
- Features underground Downtempo Synth Pop hit single "What's Your Voodoo?"
- Includes vinyl only bonus track "Sometimes"
- Picture sleeve
- Includes 30x30 cm insert
- Mastered by Frederic Stader

Special remarks:

- Thick 350 g Picture sleeve
- Includes double-sided 30x30 cm insert with lyrics and credits
- Previously unissued full length album, recorded 1988 to 1991
- Fully licenced, recorded 1988-1991
- Hype sticker
- Includes the sought after track "What's Your Voodoo?"


Side A
Keep Your House In Disorder
Crystal Silence
Close To You
Eskimo
Sometimes (Vinyl Only)

Side B
What's Your Voodoo?
Angel On Your Shoulder
You Won't Sleep On My Pillow
L O M E (List Of Missing Elements)
I Haven't Got The Power
More

Ultra Limited Edition of 200 copies

Here's another goodie from The Outer Edge! This time we're presenting a very limited pressing of the cosmic outsider synth pop tune "Der Tanz ihrer Backen" by Wolffen. With a haunting mid-tempo drum machine pattern, a deep bass, and vocals in German, the track is already absolutely unique. But what will blow you away is when the mysterious Middle Eastern synth theme gets topped with a catchy chorus sung in the Arabic language!

Wolffen (or sometimes called Koppelberg's Wolffen) was a project based around actor and singer Thomas Koppelberg. Born in 1957, Koppelberg unfortunately died at the young age of 41. The track originally appears on the album "Wie zwei schöne Tiere" (translates to "Like two beautiful animals") which was completely produced by composer and keyboardist Peter Schnell and released privately in 1988. The LP remained completely forgotten until it was rediscovered by label owner DJ Scientist and was made public via the label's internet shop a few years ago. It didn't take long until this very special tune spread via social media and became an insider tip in record collecting circles.

"Der Tanz ihrer Backen" (translates to "The dance of her cheeks") is now available for the first time as an extended mix on a loud 12" disc. Side B offers a mostly instrumental edit by Cid Hohner (of OTTO) which leaves out the German verses but keeps the haunting Arabic chorus.

Only 200 copies have been made - all are numbered and come with a handmade picture sleeve plus additional Japanese Katta sleeve and sticker. Don't sleep on this rare gem!

Tracklist:
A Der Tanz ihrer Backen (Extended 12" Version) 6:39
B Der Tanz ihrer Backen (Cid Hohner Edit) 6:10


Special remarks:

- Ultra Limited Edition of 200 copies
- Hand numbered
- Loud 45 cut
- Features Extended Version plus Edit by Cid Hohner (of OTTO) on side B
- Fully Licenced, recorded in 1988
- Special picture sleeve edition with 30x30 cm poster glued on front of generic black sleeve, plus credit info on back. Additionally packed in clear Japanese Katta sleeve with hype sticker
- Mastered by Frederic Stader
More

- Limited edition of 400 copies
- Thick high quality picture sleeve
- Hype sticker
- First dj-friendly version of classic rare groove track


The Outer Edge is very proud to release another quite sensational release. Here are the official reworks of Hans Hass' proto-AOR / cloud rock hymn "Welche Farbe hat der Wind" (which translates to "What color is the wind").

The main producer for this release was Marian Tone (of Key Elements), who reworked the track almost from scratch. He re-recorded the drums, the bassline, and some chords while keeping Hass's original vocal layer. The distinctive guitar playing by co-composer Gabor Kristof sparkles throughout. The result is exactly what we had hoped and asked for: a DJ-friendly version of this überclassic track.

The idea for this rework project came to mind when label owner DJ Scientist got word from Tobias Kirmayer of Tramp Records that "Welche Farbe hat der Wind" would be officially re-released for the first time on his compilation series "Praise Poems" as well as on a single reissue. Scientist immediately asked if he could make an edit with louder drums to make the track more playable in a DJ set. However, as the masters of the Tramp reissues had already been submitted to the pressing plant, he was granted permission to re-license the track and rework it for his own label instead.

Hence, the reworks feature Scientist's "vintage drums" mix, which has the drums mixed louder, plus drums added at the quite psychedelic and experimental last third, with a few other sound adjustments made.

But it was up to Berlin-based DJ and music producer Marian Tone to put the icing on the cake and rework and enhance the song further with his own version. With fellow Key Elements bandmember Steffen Kieslich, he completely re-recorded the drums. Then it was up to Doron Segal to replay the bass and the keys. What we get is the classic sound of "Welche Farbe hat der Wind" - just updated and fresher.

For the first time ever, the track is also available as an instrumental version. Here, the great original guitar playing keeps the song going and going, and makes it perfectly clear that this tune, which originally came out on the schlager album "Reise in eine glückliche Zukunft" in 1974, is pretty damn funky!

It has been difficult to put "Welche Farbe hat der Wind" into a genre box, But it has been described as "rare groove","psychedelic schlager", and even "proto-AOR". For facility, Scientist has coined the new term "cloud rock" to describe this particular style of soft but groovy music. The name cloud rock bears a conspicuous reference to the krautrock genre as well. More tracks in a similar vein will be heard soon in a DJ mix under the same name.

Marian Tone's rework, as well as the corresponding instrumental version, will be released on a limited 7" single with a full-color picture sleeve. The digital release will feature the DJ Scientist re-mix plus an alternative version that puts more focus on the re-recorded bassline. In any case, this is an essential item for any music lover as well as the ideal contribution to your ultimate "cloud rock" DJ set!


GENRE/S: Rare Groove / AOR / Soul / Cloud Rock


TRACKLISTS:

A Welche Farbe hat der Wind (Marian Tone Rework)

B Welche Farbe hat der Wind (Marian Tone Rework) (Instrumental) More

LP

- Thick 350 g Picture sleeve
- Includes 30x30 cm insert (250 g)
- Previously unissued full length album
- Fully licenced, recorded in 1985-1988

The story about the lost recordings of Ghia continues: Following the recently released "At The Hilton" single, our label is extremely proud to present "Curaçao Blue", the band's first full-length album. And it is simply mind-blowing, to say the least! The LP features 10 unreleased tracks in a similar Balearic vein as featured on the single.

Incredibly, it was only just a few months ago that these tracks were rediscovered on some old tapes by band members Lutz Boberg and Frank Simon. Could anyone imagine that two physics students from a small German town could create such beautiful, thrilling music in their home studio? Although the technical aspects in the creation of the band's earliest tracks may have been straightforward, the outcome is high-quality, creative, modern jazz-funk, with one step in the electro-funk genre due to the use of a drum machine and synthesizer basslines. The album features mostly 4-track recordings, based mainly on the musicians' weapons of choice: a DX21 keyboard (later updated to the legendary DX7) and a guitar. Many things had to be done live in just one take, though the artists were unafraid of using overdubbing techniques to weave their instrumental journeys. The DIY aesthetics just add more beauty and uniqueness to the songs and compositions, and the result is an extremely harmonic work of undeniable musicality. Ghia delivers Balearic jazz-funk at its finest.

Though the music was recorded in Germany, Ghia had a true relationship with the Balearic region and effortlessly applied the vibes to their compositions. As a side note, one track on their earliest demo tapes was called "3 AM at Moëf Gaga" and we did not know what it meant. The band explained that Moëf Gaga is a nightclub on the Spanish coast that is actually still active today. Boberg and Simon, the two original band members of Ghia, visited the club in the early 80s and spent their holiday close to the sea. With their music, they intended to create a summery vibe, capturing a relaxed and soulful view of the seashore, likely with a drink in hand... Perhaps a Blue Curaçao?

The album starts with a revised version of the title track. The drums in this take are much punchier, and we thought that it would fit just perfectly as an introduction. We continue with the already classic "Down At The Hilton" that was featured on the single, but like us, we are sure you could happily listen to this track on repeat. Next up, "Jump In The Water" opens with a catchy delayed melody, which develops into another perfect jazz-funk piece with an extended guitar solo. Another remarkable song might be "In The Fast Lane". As the name suggests, an uptempo number, now with an electro-funk beat combined with speedy keyboard solos that almost sounds like a marimba. On side B, the album keeps the relaxed seaside vibes flowing. To round out the album, we are treated to two pieces that originated after the return home, with memories of the Spanish coast fading but still lingering, likely recorded between 1986 and 1988. Both are instrumental versions of songs to be used later for studio sessions with their new band member, singer Lisa Ohm (who you will hear on Ghia's next album!). On "Crystal Silence In Dub" we get a perfect downtempo groove, positively reminding us of the sound of the 1980s UK funk scene. The album ends with "Keep Your House In Disorder", here as an earlier, rougher, and funkier take than on the final vocal version, which could be found on the B-side of the "What's Your Voodoo" single.

We hope you love this album as much as we do! Nothing like this has yet been released out of Germany. We hardly can recall any privately produced, home recorded jazz-funk/fusion from the 1980s as free, creative, and uninhibited as Ghia's Curaçao Blue. The playful and creative approach, coupled with those nostalgic tones should make this LP an essential pick for any record collection, whether you are a DJ, a home listener, a music lover, or a modern jazz-funk/synth-funk aficionado.

The album is out now on The Outer Edge, the new label by record collector DJ Scientist, aka John Raincoatman. We also want to thank Frederic Stader for his awesome work mastering and sound restoration of the material on this LP.

TRACKLISTS:

Side A
Curaçao Blue (Introlution)
Down At The Hilton
Jump In The Water
Close To You ('85 Interlude)
In The Fast Lane

Side B
Flowerplay
Curaçao Blue
Through The Window
Crystal Silence In Dub
Keep Your House In Disorder (Instrumental)



Genre: Modern Jazz Funk / Balearic Jazz Funk / Synth Funk / Melodic Electro Jazz Funk More

The Outer Edge is proud to present the first ever vinyl release of "No Message" by Art P, a still lesser known and lost masterpiece from the P.A.P. archives. Art P (initially Art Programming) was an electronic music duo consisting of Jens-Markus Wegener and Frank Grotelüschen. On "No Message", originally released in 1985, we hear the band's most profound work, a detailed and unique mixture in between of Electro and the synth-laden edge of New Wave.

We initially discovered Art P on the tape compilation "berlincassette 2-85" a couple of years ago. Their contribution, the title track from their second and last album "No Message", blew us right away: punchy drum machines, heavy synths and cool female vocals delivering a serious, yet slightly ironic view on the meaninglessness in pop music having "no message". A couple of months later, when we finally were lucky to get hold of an original full length tape, we couldn't ask for more: powerful apocalyptic Synth Wave on "A Place To Fear", thrilling vocoder Electro Funk on "Polaroid", uptempo New Wave Synth Pop on "Sounds of the City", dreamy and melodic Electro on "Without Jackets", and other well produced tracks. It was an absolute necessity for us to get in touch with Art P and ask for permission to re-release their music on vinyl.

"No Message" was remastered from the absolute best original tape source and sounds incredibly well. The release is limited to 300 copies and will be pressed on blue vinyl. It contains an insert with lyrics and additional art. We think it is save to say, that this should not be missed!

As a side note it should be mentioned that Wegener later became a key figure in the German music market. He was the founder of companies such as Public Propaganda, Europe's largest and most successful promotion agency in the mid '90s, the publishing company AMV, the distributor PP Sales Forces, among others. As a freelance promoter for SPV and the PIAS label he was also responsible for establishing the term Electronic Body Music as a musical genre. Grotelüschen was active as a music journalist (e.g. for Spex magazine) and later became an important and well known journalist for science.

VITAL SALES POINTS:

- Limited Edition of 300 copies
- Blue vinyl
- Picture sleeve
- Includes lyrics insert
- Previously unissued on vinyl
- Fully licenced, recorded in 1985


TRACKLISTS:

Side 1
01 David
02 A Place To Fear
03 Polaroid
04 No Message

Side 2
05 Without Jackets
06 Sound Of The City
07 Five Minutes
08 Beams

More

Warehouse Find!

Herbert Bodzin's "Revival II" is the next exciting vinyl highlight on our young label. It features completely unreleased electronic music which was recorded between 1979 and 1982. On the album we can hear the sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5. The album additionally features Bernd Hollendiek, as well as Bodzin's two sons, Stephan and Oliver Bodzin. Most of the music they performed was completely synthesizer based while Oliver Bodzin played drums on a few tracks. The songs are a mixture of mostly ambient, deep, psychedelic, yet experimental and futuristic sounds as well as more vibrant recordings that featured the complete band. One of these vibrant tracks is "Lifting Blue" which qualifies as a unique version of space rock. On other tracks like "Voices of the Mind" we hear deep melodies topped with dreamy vocoder voices. "Against the Wall" sounds like it could be taken off of an Italian horror movie soundtrack while the mid-tempo "Orbital" pre-dates the sounds of techno and trance. As a side note, the album may also show early musical influences of Stephan Bodzin, who became world famous in the 1990s as one of the leading techno producers. Without any doubt, "Revival II" should be an exciting lost masterpiece of German electronic (rock) music and a must have for synth music lovers - revived and finally alive!

VITAL SALES POINTS:

- The album features completely unreleased electronic music which was recorded between 1979 and 1982.
- Features sounds of legendary analogue machines like the ARP 2600, the Korg PS-3300, the Roland System-700 Modular synthesizer, the PPG Waveterm and the PPG Wave 2.2 as well as classic synths like the Roland Jupiter-8, the Polymoog and the Prophet-5.
- Herbert Bodzin is the father of famous electronic and techno producer Stephan Bodzin, who is also featured on the album as a teenager and may show his early musical influences.

Equipment used: ARP 2600, Moog Polymoog, Roland System-700 Modular Synthesizer, Korg PS-3300, Sequential Circuits Prophet-5, Roland Jupiter-8, Palm Products PPG Waveterm and PPG Wave 2.2, Tama Drums

Originally recorded between 1979 to 1982

Tracklist:

Side A

A1 Against the Wall
A2 Lifting Blue
A3 Voices of the Mind
A4 Orbital
A5 Lookin' Forward (Part 1)

Side B

B1 Red Ocean
B2 Flow Up
B3 Go Ahead
B4 Tender Words
More

With "To the Westcoast / My Fate (Revisited)" by Ara Pacis we are proud to officially release two of the most exciting AOR tracks hailing from Germany.

Ara Pacis, a group from the island Föhr in the North Sea, was originally founded in 1971. Initially influenced by blues and classic rock by The Rolling Stones, The Who, and the like, they were also inspired by bands such as Steely Dan as well as the German/British group Lake. However, Ara Pacis created a style of their own when their privately pressed and self-distributed "To the Westcoast" LP was released in 1979. The songs were mainly characterized by two-part guitar riffs by Töns Brautlecht-Deppe and Wolfgang Schiffner, who also were the core songwriters of the band.

The freshly remastered single starts with the title track "To the Westcoast". Due to its sunny and yacht-y vibe it is easily amongst the best and most authentic tunes out of the "Westcoast rock" genre recorded in Germany. With family connections in California, lead singer Töns Brautlecht-Deppe was able to create and capture the feeling of the Pacific sea shore just perfectly.

The single is backed with a revised studio version of "My Fate". Here, lead singer Töns Brautlecht tells his story about getting into playing guitar as a young boy. The track is also featured on the album but the version we present on the 7" vinyl is an unreleased, even quite funky and more powerful take. It was recorded in 1981 at the Rüssl studio in Hamburg where Brautlecht had just started to work as an engineer.

As the "To the Westcoast" LP was released during a time when styles like New Wave, Synth Pop and Punk became popular in Germany and the interest in organic and soulful rock declined, Ara Pacis' debut remained relatively unnoticed until today and even the Krautrock collector's scene does not seem to be fully aware of this hard to find gem yet of which only 1000 copies were originally pressed. The band is still kept in good memory by their fans as a quite legendary live act and although they officially split in 1982, the group still served their fan base with revival concerts in 1990 and 2002 plus a website with full band story and lots of images from the early days.

We hope this single sheds new light on this great band. It is limited to 350 copies and released in a beautiful picture sleeve which shows the original LP artwork.

Tracklist:

A: To The Westcoast

B: My Fate
More

We are proud to present "I'm Always Right" by Imagination, an unreleased jazz rock LP from 1977. Comprised of five tracks with a playtime of roughly 30 minutes, you will hear one of the finest German late-70s rock-tinged electric jazz albums of the era. The recording is a delightful stand-out with unique compositions, aspiring solo work, and a soulful spirit throughout. Additionally, the album veritably glows with exceptional sound quality, as it has been remastered from original tapes that were cut more than four decades ago at the WDR Funkhaus, Cologne.

Here is the story of how label founder John Raincoatman became aware of these lost tapes:
"I first got in touch with members of Imagination from Düsseldorf (not to be confused with the UK disco band under the same name) in 2017 for licensing the track "Strawberry Wine" from their collectible "Shake It" album from 1980. A couple of months later, when I was speaking with Willi Hövelmann, the guitarist for Imagination, he told me about some recordings the band had made a couple of years before, when they had been invited to to the studio of the WDR, a major German broadcaster. A couple of weeks later, when Hövelmann finally sent me the files that he had requested from the WDR, I could not believe what I heard - not only that the songs were totally different from what I expected, but that they were also very very good! The music wasn't comparable to any other kind of fusion release that I knew of. These five songs were straight forward, tight and soulful electric jazz rock, a combination rarely heard from Germany from that time period."

How come Imagination - at that time a young newcomer band consisting of musicians between 19 and 22 years of age - was able to record at the well-equipped Funkhaus studio of German radio and television? Hövelmann explains: "The WDR got to know us from a newcomer band competition called "Pop am Rhein" (Pop at the Rhine) which was set up to support local bands and was promoted by several bigger newspapers. Imagination was one of the 5 contestants which were picked from 59 bands by a jury of music journalists and our band was invited to play a concert at the Philipshalle in front of about 3500 guests. Although a band called "Accept" won the contest (yes, the heavy metal band that gained international success in the following years!) and Imagination only made 3rd place, we were invited by music host and journalist Wolfgang Neumann to record in a professional studio."

Neumann's broadcasting show at the WDR was called "Rock Studio", and one of his special goals was to help push newcomer bands by giving them airplay. As a side note, Neumann actually compiled a series of three LPs on the Harvest label from 1979-1982, each of them featuring four bands. However, the earlier recordings of Imagination had only been used for broadcasting reasons, they were aired a couple of times but never made it to a vinyl or CD release.
So, on October 10th, 1977, it was time for the band to show up and prove themselves in the studio. The tracks were all recorded in one afternoon, mainly as one takes. In some cases flute, saxophone were overdubbed, as well as the vocals on "Love is Genesis", as Hövelmann remembers.

The first song, "Jazzgang" can probably be seen as Imagination's most characteristic composition out of their early period: heavy bass, saxophone leads and speedy solos by the band members. A genuine, rough, yet funky uptempo jazz rock tune. But it's "I'm Always Right", the second track on the album, that raises the bar as the key track of the release with its 10-minute length. The song starts with a great piano solo by Mario F. Demonte. In fact, "Demonte" was a pseudonym of Ratko Delorko, a classically trained piano virtuoso who is still active today as conductor, composer and performer. At that time, it was simply impossible for him to officially be part in a band like Imagination and hence the alias was invented. Anyway, the speedy intro leads to a very soulful mid-tempo jazz funk groove that offers space and time for the band members to perform a solo. First off is Uwe Ziss with sax and flute combined. The second solo belongs to Willi "Sultan" Hövelmann on electric guitar. For the furious ending the pace is set back to high speed. Delorko serves us with one of the most brilliant uptempo piano solos you may have heard in a while on a jazz record.

The next song stylistically stands out from the rest. "Biting My Time" incorporates a rhythm and blues feel with a 60s soul jazz attitude. The track was composed by Uwe Ziss who leads through the track with aspiring flute solos which feel like an easy summer breeze after the first two rock tinged tunes.

"Himalaya" sees Imagination move away from jazz quite a bit, rather approaching the psychedelic rock genre with a vibe reminiscent of the sound of the early 70s. Again starting with a piano solo by Ratko Delorko the pace is quickly at 150 bpm with the full band laying down an energetic jazz rock sound. Just after a little over one-and-a-half minutes there is a breakdown to a slower tempo with overdubbed mysterious vocals and psyche-y screams which may remind more of the legendary krautrock band Can than what is typically known as "jazz". The mood continues with tense saxophone and guitar solos, just to speed up again towards the end with furious drumming by Andreas Oelschläger.

"Love Is Genesis" concludes the release. It was composed and sung by former bassist Robert Schlickmann. Though most of the band members didn't really like the song at that time it still is a one-of-a-kind soft rock pop ballad which partly reminds of some of the vocal song tracks later to be found on the "Shake It" LP from 1980. The track manifested that Imagination were never really supposed to be solely an instrumental band.

We are now happy to have cleared the exclusive rights for this recording from the WDR and are proud to re-present this amazing collection of songs. It should appeal to fusion, jazz rock and jazz funk aficionados but also to late krautrock collectors. We are also certain that it will also please fans of the "Shake It" album, simply in terms of being such a bright and soulful debut with great music overall.


" VITAL SALES POINTS:

Soulful Jazz Rock album from the WDR Archives. Previously unreleased studios recordings from 1977.

" TRACKLISTS:

Side A
1. Jazzgang
2. I'm Always Right

Side B
1. Biting My Time
2. Himalaya
3. Love Is Genesis


More

We are proud to present the official 40-year anniversary issue of Imagination's debut album Shake It. Remastered from original tapes, this deluxe edition is a double vinyl LP with gatefold sleeve, featuring a newly available lyric insert. Shake It covers a diverse spectrum of styles and sounds, all combining to a unique soulful amalgam that ranges from sunshine AOR funk ("Mornin' Lights") and leftfield disco ("Strawberry Wine") to psychy, epic, downtempo, vocoder grooves ("Can't Stand Without You") and more. Originally released in 1980, it fast became one of Germany's most collectible privately-pressed LPs. This double vinyl issue makes the LP available once again at a far more reasonable price, featuring the original, illustrious, eye-catching, Roy Lichtenstein-influenced banana art, as well as previously unavailable press pictures and more.


" VITAL SALES POINTS:
Remastered 40-Year Anniversary Issue.
Double Vinyl including 3 Bonus Tracks and lyric insert.


" EXTENDED INFO:

We are proud to present the official 40-year anniversary issue of Imagination's debut album Shake It. Remastered from original tapes, this deluxe edition is a double vinyl LP with gatefold sleeve, featuring a newly available lyric insert.

Shake It covers a diverse spectrum of styles and sounds, all combining to a unique soulful amalgam that ranges from sunshine AOR funk ("Mornin' Lights") and leftfield disco ("Strawberry Wine") to psychy, epic, downtempo, vocoder grooves ("Can't Stand Without You") and more. Originally released in 1980, it fast became one of Germany's most collectible privately-pressed LPs.

Shake It was the creation of young thoroughbreds working hard on becoming professional musicians, trying to take their next big step in the music business. Starting out as a pure jazz-rock combo in the mid '70s (as we hear on the recently released lost studio tapes, I'm Always Right (The WDR Tapes 1977)) Imagination left behind their instrumental roots, incorporating new musical trends and styles.

Uwe Ziss, their saxophonist and flutist, became one of two lead singers in Imagination. He would be joined by the younger Roger Mork, a student of original guitarist Willi Hövelmann, around 1979. Roger's voice would best be heard on the aforementioned "Mornin' Lights", one of the various standout tracks on Shake It. However, there is much more that this album offers.

There are brilliant soulful soft rock ballads like "Clouds Flee Before The Wind" and "Waitin for your Call" or the catchy "California" song that switches from a dreamy Westcoast sound (as the title implies) to danceable rhythm & blues with equal ease. Last but not least, we have unearthed three unissued bonus cuts. On one, the demo take of "Clouds Flee Before The Wind", we hear, for the first time ever, the original refrain of this song, which, for some strange reason, was taken out from the final mix on Shake It.

When all eight original songs were recorded and mastered in June, at the well-equipped West Aix-La-Chapelle studio, the stage was set for Imagination's long-desired career push. They'd initially press about 2500 copies of Shake It selling it mainly, locally, directly to their hometown fanbase in Düsseldorf. Meanwhile, their manager would attempt to arrange a record deal with a music label. Unfortunately, this became more difficult than expected. Negotiations with a smaller publishing company were made by Imagination, and Shake It was repressed on Nash Records in 1981 without their consent, under the false promises of a nationwide promotional tour which would never come to fruition. At the same time, the group would face a UK band under the same name achieving mainstream success, making it difficult (not to say entirely impossible) to perform as "Imagination". Though the band would remain active after Shake It, they'd split shortly after Nash's duplicitous reissue hit store shelves.

Luckily, through time, Shake It itself has remained worthwhile, creatively, for those who stumbled upon it and financially, too, becoming quite the sought after gem in record collecting circles. This deluxe anniversary double vinyl issue makes the LP available once again at a far more reasonable price, featuring the original, illustrious, eye-catching, Roy Lichtenstein-influenced banana art, as well as previously unavailable press pictures and more.


" TRACKLISTS:

Side A
A1 Strawberry Wine 6:25
A2 Good Advice 3:09
A3 California 5:48

Side B
B1 Mornin' Lights 5:10
B2 Can't Stand Without You 9:59

Side C
C1 Waitin' For Your Call 2:19
C2 Clouds Flee Before The Wind 4:12
C3 On The Way Out 4:46

Side D (Vinyl Only Bonus Tracks)
D1 Can't Stand Without You (Demo Version) 6:33
D2 Clouds Flee Before The Wind (Demo Version) 4:53
D3 I Want You To Stay (Demo Version) 7:12

More

Around six years ago, a bunch of djs, musicians and music lovers started gathering for weekly five-a-side football matches on a small, run-down pitch in Kreuzberg 61. Because much like music, football brings people together, wherever they are from. This collection has been a long time coming and collects tracks by players from seven different nationalities, all based in Berlin, united by both their love of the beautiful game as well as their passion for electronic club music.

11 tracks are on offer here (what did you expect?), each one dedicated to the composer’s football hero - a tribute to their unique skill and the beautiful moments they've brought us on the pitch. As such, the tracklist forms an all-star fantasy "Mannschaft".

Compiled by player-coach Tristan Jong (aka Gratts) and made possible thanks to Markus Lindner (aka Delfonic), the package lives on the grass pitch between corner flags techno, deep house, disco and broken beats. It features music by established underground artists like Venezualan digger Trujillo, We Play House Recordings stalwart Harry Baldi or Juliano as well as debuts from the likes of Nemorna, James Martin and plenty more indeed. Five of the tracks are pressed loud onto vinyl as a club sampler - including full artwork comprising of some of the team pictures taken throughout the year - to the complete 11 track package.

“Una Vida De Barrio”, then? That’s what the graffiti on the wall of the football cage says. Sometimes you don’t need to look for a title, it finds you

Special remarks :Vinyl sampler comes with free downloadcode Bandcamp

Genre: deephouse, house, disco, broken beat

Tracklist 12":
A1 Harry Baldi - Ik Wist Het, Philippe Albert
A2 Trujillo - O Fenomeno
A3 Nemorna - Tony Yeboah
B1 The Checkup & Project89 - The Flying Dutchman
B2 E-Talking - Tony Vairelles

Tracklist digital compilation:
1. Carlo - Paco Buyo
2. Nemorna - Tony Yeboah
3. E-Talking - Tony Vairelles
4. The Checkup & Project89 - The Flying Dutchman
5. Harry Baldi - Ik Wist Het, Philippe Albert
6. Trujillo - O Fenomeno
7. Juliano - Discorentin Martins
8. Sentient Beings - Roma´rio’s Pants
9. Elayas - Gheorghe Boy
10. James Martin - George Best
11. Ian Blevins - Clayton Blackmore

More

2021 Reoress - finally available on Vinyl for the First time. 2LP in full Original Coverart.
The legendary movie soundstrack based out of Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved.

The sixteenth release on the Moll-Selekta label shares its title with a wonderful film, a heartwarming homage to the golden age of rocksteady. It documents the recordings being made for this very album at the Tuff Gong studios, Kingston, Jamaica in April 2008, telling the story of the original vocalists and musicians involved. Excerpts from an all star reunion concert staged in Kingston and older archive material complete the picture. Never before in the history of Jamaica, which already occupies a unique place on the world map of song, its sound embraced by western popular music, has such an illustrious collection of singers and players been assembled. The album showcases 15 rocksteady classics in sparkling, deeply inspired new versions, recorded in the studio which also played host to album sessions of a certain Bob Marley. Under the musical direction of Ernest Ranglin, a guitarist of considerable renown not only on the reggae circuit, but also on the jazz scene, mixed by legendary engineer Errol Brown - in Duke Reid's employ at the Treasure Isle studio in the sixties - and freshly arranged by Lynn Taitt.

Tracklisting:
SIDE A
You Don't Love Me (No No No) - Dawn Penn 5:13
People Rocksteady - Leroy Sibbles 3:10
Sounds & Pressure - Hopeton Lewis 4:28
Silent River Runs Deep - Judy Mowatt 3:21

SIDE B
Stop That Train - U-Roy 3:49
Freedom Street - Ken Boothe 4:09
Tougher Than Tough - Derrick Morgan 3:02?
Take It Easy - Hopeton Lewis 3:35

SIDE C
Love Me Today feat. Gladstone Anderson - Stranger Cole 5:22
Shanty Town (007) - Ken Boothe 4:36
Tide Is High - Marcia Griffiths 3:13
Equal Rights - Leroy Sibbles 3:11

SIDE D
Rivers Of Babylon - Hopeton Lewis 5:20
Conquering Ruler - Derrick Morgan 3:38
Bog Walk - Lynn Taitt 5:34
More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 I Can Tell You What You Want
A2 A Taste of the 90s
B1 Dirty Jazz
B2 You Know What I Mean?

Release Info:

DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.

Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.

Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.

The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.

If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.

On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.

The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.

On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.

Grab this record while you can and share the love,
Heist Recordings. More

Territory: WW excluding US

Format: 12" EP (Transparent vinyl, limited to 330 units)

Tracklist:
A1. Sentinel
A2. The Grey Goo Scenario
B1. Gong Zahlensender
B2. Compound Eyes

Key Selling Points
Described by his peers as a keystone in ambient-electro, Datassette is a bastion of the
underground and one of alternative electronic music’s most exceptional and enigmatic
talents.

His extensive and diverse discography spans two decades and includes a plethora of
albums, EPs and remixes for independent record labels, including: Ai Records, Apollo/
R&S, Wall Of Sound, CPU and Shipwrec. His work and creative output also extends to
the design of music libraries for TV and radio; producing sound effects for 8-bit video
games; working as a graphic designer and co-running the Misc label.

Datassette has never been shy of creating complex, addictive and emotive music and this
magical music formula is replicated on Sentinel, his new EP for Lapsus Records.

As is emblematic in his long-standing career, Datassette demonstrates a healthy non-
conformist approach to conventional labels and pigeonholing. By using a combination of

powerful vintage hardware and latest generation digital techniques, the British producer
continually manages to redefine his sound. This new four track EP sees him fuse dub,
electro, braindance, ambient, experimental electronica and even abstract hip hop.



More

Tracklist 12":

A1) Strung Out (Extended Version)
A2) That Song (Extended Version)
B1) Nobody Knows (Extended Version)
B2) Everybody

Toy Tonics presents the second EP by Lars Dales from DAM SWINDLE with multi-instrumentalist LORENZ RHODE aka SOUND SUPPORT.
Their first EP "Higher" on Toy Tonic last year reached no. 1 of BEATPORT House music charts and this follow up probably will be similarly successful as it has the same high quality of music and dancefloor catchiness every DJ dreams of.

The new "Everybody Knows" EP consists of four extremely groove infected house music tracks that connect the good things of 1990ies house with the indie disco of the 2000s. Think of Daft Punk in the studio with Kerri Chandler and LCD Soundsystem and you got the sound!

Dutch house wizzard Lars Dales (who also runs HEIST records) and keyboarder and super producer Lorenz Rhode (recently worked also with Purple Disco Machine) connected through their mutual love for dance music. After years of having worked together on several projects, such as the Dam Swindle liveshow, they finally got around to making more and more music together to release their amazing tracks under the name of SOUND SUPPORT: A perfect name because these tracks really support every DJs set ... they fill dancefloors in seconds and make people go mad.













More

Genre: Deep House

Track list:

A1 That Rhythm
A2 Maceo
B Clive by Night

Release Info:

Clive From Accounts is finally back on Dirt Crew Recordings! After some excellent contributions and remixes for the highly acclaimed New York based “Razor-N-Tape” imprint, he graced us again with three new gems that show the great diversity in his productions. Since his first “Cooking the Books EP” in 2021 and the follow up “Pearls EP” in 2022 he has continued to build a strong following of fans, so we know for sure a lot of you have been waiting on new tracks by him.

The uplifting opener “That Rhythm” is a smooth deep house roller with chopped up dusty samples, inspired by the US and French masters but with a heavy UK sub bass added. Following up is the wonderfully crafted “Maceo”, a groovy instrumental jazz funk workout built around the genius of The JBs legends Fred Wesley and Maceo Parker.

Closing out this new EP is the acid laden and also title track “Clive by Night”, deep and lush house music that we love him for since his first release on our label, here he’s finding joy in deep evolving repetition, it’s an ode to the 303 and Xpander. Best played at night.

Get in these 3 new hitters from Clive now, we are looking forward to hear these played out in dark clubs and wide open fields this late summer and golden fall. Enjoy!

All tracks mastered by Salz Mastering in Cologne. Photography & Art by Break 3000.



More

12"

Berlin’s Midnight In A Toyshop aka Mørbeck delivers the ‘Dreams For Sale’ EP this May on
a white and red marbled 12’’, comprised of four dreamy, lo-fi leaning House cuts.


Track List:
1. 100’s & 1000’s
2. 90’s Memento
3. Dreams For Sale
4. Every Night


Since 2011, the Berlin born and raised producer and DJ Mørbeck has been delivering
numerous acclaimed Techno releases via Vault Series and his own Code Is Law imprint as
well as making his mark on the global club scene as a DJ. Fast forward to 2023 and we see
Mørbeck inaugurate his house guise, Midnight In A Toyshop, aimed to showcase his
passion for House productions in a lighter shade, whilst still retaining his signature
rawness.


Setting the tone to open the EP is ‘100’s & 1000’s’, laying down warbling pad sequences and
crunchy saturated drums in combination with a bouncy bass line and hypnotic vocal hooks
throughout. The aptly titled ‘90’s Memento’ follows, encapsulating a classic House sound
with bright, mesmeric chords, rumbling subs, processed vocal lines and a bumpy drum
machine workout.


On the flip-side title-track ‘Dreams For Sale’ shifts focus to Trance tinged staccato
melodies, cinematic atmospherics, acid licks and a heavily swung rhythm before ‘Every
Night’ rounds out the EP on a classic Deep House tip via ethereal pads, robust percussion,
circling synth lines and a vacillating low-end drive.


More

Genre: Deep House / Detroit House

strictly limited to 300 copies

Tracklist 12":

A1. Rick Wade - Hustlers Lament 05:58

B1. Rick Wade - Shinjuku Strut 05:14
B2. Rick Wade – After Dark 05:55


Official re-issue of Rick Wade's Hustler's Lullaby, which was originally released in 2013 on Japanese Label: "Unknown Season". The record goes for 130 - 200 Bucks on Discogs, so we decided to make this available again. Strictly limited to 300 copies and no repress. Best to secure your copy for a regular price now, as they will go real quick due to heavy demand.
More

House, Techno

GENRE/S:
House, Techno

TRACKLISTS:
A1. Donnie
A2. Running
B1. G-Train
B2. Run Towards The Sun

SHORT INFO:
Driving house/techno interpretations.

VITAL SALES POINTS:
Third EP from NAP
More

Format: 12” vinyl, printed labels, printed inner sleeve, dl code

Tracklist:
01 / A Parallel Shift 04:39
02 / B Earth 05:39
03 / DX Earth - Edit (Digital Bonus) 05:08

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr. More