1
Flammer Dance Band - Onyea
2
Flammer Dance Band - Leamus
New material from our favourite exponents of Afro-psychedelic Funk !
All the beloved FDB styles in play here, a majestic 7" of loose-limbed freak-outs for the faithful.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
All the beloved FDB styles in play here, a majestic 7" of loose-limbed freak-outs for the faithful.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Flammer Dance Band
1
Flammer Dance Band - Båndet Går
2
Flammer Dance Band - Trenger Ikke Dra
3
Flammer Dance Band - Nå Nå
4
Flammer Dance Band - Ekko Av Degb Selv
5
Flammer Dance Band - Glad
6
Flammer Dance Band - Gynger
Hot off a crazy year of constant touring from January to December, which included a two-week stint as the backing band for Ghanaian Legend Funky Rob, Flammer Dance Band returned to the studio, buzzing with spontaneous energy and inspiration.
Seven musicians squeezed into a hot and sweaty soul shack, in pursuit of the funk.
Five days later, they emerged with 'Gynger', an album that captures the raw, dynamic spirit of their well-oiled, psychedelic funk machine.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Seven musicians squeezed into a hot and sweaty soul shack, in pursuit of the funk.
Five days later, they emerged with 'Gynger', an album that captures the raw, dynamic spirit of their well-oiled, psychedelic funk machine.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Flammer Dance Band - Lander
2
Flammer Dance Band - Familien
3
Flammer Dance Band - Dansesko
4
Flammer Dance Band - Uansett Underklag
5
Flammer Dance Band - Det Varmer
6
Flammer Dance Band - Ferie
7
Flammer Dance Band - Fri
8
Flammer Dance Band - Ma Ha Det
9
Flammer Dance Band - Kom Forbi
10
Flammer Dance Band - Samosa
11
Flammer Dance Band - Evig Evig
The incredible Flammer Dance Band return with their new long player, and wow...
70's textured, organic percussive rhythms, sweaty psych funk and hypnotic cosmic vibrations.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
70's textured, organic percussive rhythms, sweaty psych funk and hypnotic cosmic vibrations.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from LYSKETREKK
1
LEOPARDEN & REZZI RAZZI - Hele Natta Lang
2
LEOPARDEN & REZZI RAZZI - Drit I Syden
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Customers who bought this also bought this
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Gap Mangione - Boy With Toys
2
Gap Mangione - Diana In The Autumn Wind
3
Gap Mangione - Long Hair Soulful
4
Gap Mangione - Yesterday
5
Gap Mangione - The XIth Commandment
6
Gap Mangione - St. Thomas
7
Gap Mangione - You're Nobody Till Somebody Loves You
8
Gap Mangione - Pond With Swans
9
Gap Mangione - You Are My Sunshine
10
Gap Mangione - Free Again
11
Gap Mangione - Dream On Little Dreamer
12
Gap Mangione - Graduate Medley
Territories:
Worldwide no restrictions
Format Notes:
2026 first time ever vinyl reissue of this undisputed "holy grail", *the* most sought after album for J Dilla / Madlib sample collectors. Produced with the full and extensive participation of Gap, tip-on sleeve, 2 page insert, 140g vinyl.
Track List:
A1 Boy With Toys
A2 Diana In The Autumn Wind
A3 Long Hair Soulful
A4 Yesterday
A5 The XIth Commandment
A6 St. Thomas
B1 You're Nobody Till Somebody Loves You
B2 Pond With Swans
B3 You Are My Sunshine
B4 Free Again
B5 Dream On Little Dreamer
B6 Graduate Medley
Release Notes:
Gap Mangione's monumentally influential Diana In The Autumn Wind. AKA BEWITH200LP. And, without question, Be With's White Whale.
They said it could never be done. And with good reason.
We've spent the past 12 years trying to license this legendary 1968 recording from Gap and, after much work, it's finally here. Remarkably, this is the first ever vinyl reissue of Gap Mangione's Diana In The Autumn Wind, produced with the full and extensive participation of Gap. An exceedingly rare album, it's been coveted by funk, soul, jazz and hip-hop sample fiends for decades.
It's unarguably *the* most sought after album for J Dilla / Madlib sample collectors. It has also been brilliantly sampled by A Tribe Called Quest, Large Professor, Ghostface Killah, Kendrick Lamar and Talib Kweli.
But this record is so much more than a sample-spotters curio. It's solid gold throughout. Bursting with killer funky-jazz grooves and tracks adorned with warm electric piano, the release is notable for featuring some extremely significant players at the very outset of their careers; Tony Levin, at 21, whose superb playing on both acoustic and electric bass was the harmonic mainstay of the trio and Steve Gadd, at 23, one of the greatest drummers of his generation.
With acceptable copies of this holy grail changing hands for $400, to call this reissue "much-needed" underplays just how vital it is. Gap's story is told in his words alongside rare photos across a sumptuously designed 2-page insert and, to augment this deluxe edition further, its all wrapped up in a beautiful, no-expense-spared luxury tip-on sleeve, as per the original hens-teeth release. And, while we're talking packaging, just take a look at that cover - a work of art in and of itself.
The tracks are short but complex, with that extraordinary rhythm section backing the beautiful piano, organ and electric piano work of Gap. It's like the best ever library funk breaks record you never heard - but all your favourite golden age rap producers were all over it, long ago. It's a stunning blend of the vibrant, driving music of the Gap Mangione Trio coupled with the sensitive composition and superb orchestration of Gap's legendary brother, Chuck Mangione, who helmed an amalgam of seemingly disparate elements – rock, big band jazz, solo improvisation and "classical" music - into a spectacularly cohesive whole that has aged wonderfully well. As Gap himself notes in the liners, "with this group I was able to explore and add new and exciting elements from rock, Brazilian and then-current pop music."
Opener "Boy With Toys" triumphantly swaggers out the gate, all big band horns, flutes and dextrous organ work. The synthesis of everything going on is nothing short of stunning. When one wise YouTube commentator called this tune "old school superhero music", Gap agreed. Rap luminaries did, too, amongst them Talib Kweli, who rapped over DJ Scratch's chopped up intro for "Shock Body" on his Quality album back in 2002.
You've barely recovered from that incredibly affecting opener when you get hit over the head with the exquisite title-track. And now you see how two of the greatest beats of all time emerged from one single track produced nearly 50 years earlier. Unforgettably utilised by Dilla for Slum Village's heartbreakingly good "Fall In Love" and then Madlib for his "Official" beat for Dilla to rap over, on the Jaylib record. Regardless of the records it went on to spawn, this is just a staggering tune in its own right. Be beguiled by the flutes and the flutter tonguing, the counter-melody from the trombones, the soprano sax solo. All of it. Simply beautiful.
The questing organ and horn workout "Long Hair Soulful" deserves a lot more attention, overshadowed somewhat by the opening two monsters but no less fantastic. It swings, it grooves and Gadd and Levin truly cook. Up next, Gap's wonderfully percussive, mellifluously piano-heavy cover of "Yesterday" by some fellas called The Beatles. It's a subtly arresting gem. "The XIth Commandment" is damn fine, with thick, gorgeous electric piano and snappy drum work underpinning chaotic soundtracky horns. To close out the side, "St. Thomas" showcases the "fourth" member of the Gap Mangione Trio, conga drummer Dhui Mandingo. Having performed with the Trio since 1965, Dhui‘s African-based and jazz-latin-influenced style amazed listeners and its way to hear why.
Opening the B-Side, standard "You're Nobody Till Somebody Loves You" breezes along in the late-night jazz club fashion before things get super deep with the outstanding and - up to now - un-sampled "Pond With Swans". It's simply heavenly, and how its moody, melancholic intro has yet to be pilfered is anybody's guess. It oscillates between gentle, sombre movements and bombastic grooves, equally hypnotic and joyous. The rendition of "You Are My Sunshine" is yet another showcase for Gap's virtuoso playing and Gadd's mastery of the pocket. Indeed Gadd's drumming on "Free Again" is nothing short of neck-SNAPPING! Ghostface took it for not one but two "Iron's Theme" tracks across his seminal Supreme Clientele. It's got that Galt MacDermot "Coffee Cold" feel. Suuuuuper cool. The frantic "Dream On Little Dreamer" hurtles along and must've surely had the whole room absolutely swinging from the chandeliers back in Rochester in the late 60s. The album closes with the magnificent Graduate Medley, featuring memorable renditions of "Scarborough Fair", "The Sounds of Silence" and "Mrs. Robinson". The warm electric piano lines of the former were sampled by The Ummah (Dilla again!) for Tribe's "Pad & Pen" from their reappraised final album, The Love Movement, as well as by Large Professor on his much-loved "The LP (For My People)".
Under the watchful eye - and extremely attentive ears - of Gap Mangione himself, the audio for Diana In The Autumn Wind has been carefully remastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. At the prestigious Abbey Road Studios, Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland. The artwork restoration has taken place here at Be With HQ and has that drop-dead gorgeous cover artwork popping like new. Buy on sight!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Worldwide no restrictions
Format Notes:
2026 first time ever vinyl reissue of this undisputed "holy grail", *the* most sought after album for J Dilla / Madlib sample collectors. Produced with the full and extensive participation of Gap, tip-on sleeve, 2 page insert, 140g vinyl.
Track List:
A1 Boy With Toys
A2 Diana In The Autumn Wind
A3 Long Hair Soulful
A4 Yesterday
A5 The XIth Commandment
A6 St. Thomas
B1 You're Nobody Till Somebody Loves You
B2 Pond With Swans
B3 You Are My Sunshine
B4 Free Again
B5 Dream On Little Dreamer
B6 Graduate Medley
Release Notes:
Gap Mangione's monumentally influential Diana In The Autumn Wind. AKA BEWITH200LP. And, without question, Be With's White Whale.
They said it could never be done. And with good reason.
We've spent the past 12 years trying to license this legendary 1968 recording from Gap and, after much work, it's finally here. Remarkably, this is the first ever vinyl reissue of Gap Mangione's Diana In The Autumn Wind, produced with the full and extensive participation of Gap. An exceedingly rare album, it's been coveted by funk, soul, jazz and hip-hop sample fiends for decades.
It's unarguably *the* most sought after album for J Dilla / Madlib sample collectors. It has also been brilliantly sampled by A Tribe Called Quest, Large Professor, Ghostface Killah, Kendrick Lamar and Talib Kweli.
But this record is so much more than a sample-spotters curio. It's solid gold throughout. Bursting with killer funky-jazz grooves and tracks adorned with warm electric piano, the release is notable for featuring some extremely significant players at the very outset of their careers; Tony Levin, at 21, whose superb playing on both acoustic and electric bass was the harmonic mainstay of the trio and Steve Gadd, at 23, one of the greatest drummers of his generation.
With acceptable copies of this holy grail changing hands for $400, to call this reissue "much-needed" underplays just how vital it is. Gap's story is told in his words alongside rare photos across a sumptuously designed 2-page insert and, to augment this deluxe edition further, its all wrapped up in a beautiful, no-expense-spared luxury tip-on sleeve, as per the original hens-teeth release. And, while we're talking packaging, just take a look at that cover - a work of art in and of itself.
The tracks are short but complex, with that extraordinary rhythm section backing the beautiful piano, organ and electric piano work of Gap. It's like the best ever library funk breaks record you never heard - but all your favourite golden age rap producers were all over it, long ago. It's a stunning blend of the vibrant, driving music of the Gap Mangione Trio coupled with the sensitive composition and superb orchestration of Gap's legendary brother, Chuck Mangione, who helmed an amalgam of seemingly disparate elements – rock, big band jazz, solo improvisation and "classical" music - into a spectacularly cohesive whole that has aged wonderfully well. As Gap himself notes in the liners, "with this group I was able to explore and add new and exciting elements from rock, Brazilian and then-current pop music."
Opener "Boy With Toys" triumphantly swaggers out the gate, all big band horns, flutes and dextrous organ work. The synthesis of everything going on is nothing short of stunning. When one wise YouTube commentator called this tune "old school superhero music", Gap agreed. Rap luminaries did, too, amongst them Talib Kweli, who rapped over DJ Scratch's chopped up intro for "Shock Body" on his Quality album back in 2002.
You've barely recovered from that incredibly affecting opener when you get hit over the head with the exquisite title-track. And now you see how two of the greatest beats of all time emerged from one single track produced nearly 50 years earlier. Unforgettably utilised by Dilla for Slum Village's heartbreakingly good "Fall In Love" and then Madlib for his "Official" beat for Dilla to rap over, on the Jaylib record. Regardless of the records it went on to spawn, this is just a staggering tune in its own right. Be beguiled by the flutes and the flutter tonguing, the counter-melody from the trombones, the soprano sax solo. All of it. Simply beautiful.
The questing organ and horn workout "Long Hair Soulful" deserves a lot more attention, overshadowed somewhat by the opening two monsters but no less fantastic. It swings, it grooves and Gadd and Levin truly cook. Up next, Gap's wonderfully percussive, mellifluously piano-heavy cover of "Yesterday" by some fellas called The Beatles. It's a subtly arresting gem. "The XIth Commandment" is damn fine, with thick, gorgeous electric piano and snappy drum work underpinning chaotic soundtracky horns. To close out the side, "St. Thomas" showcases the "fourth" member of the Gap Mangione Trio, conga drummer Dhui Mandingo. Having performed with the Trio since 1965, Dhui‘s African-based and jazz-latin-influenced style amazed listeners and its way to hear why.
Opening the B-Side, standard "You're Nobody Till Somebody Loves You" breezes along in the late-night jazz club fashion before things get super deep with the outstanding and - up to now - un-sampled "Pond With Swans". It's simply heavenly, and how its moody, melancholic intro has yet to be pilfered is anybody's guess. It oscillates between gentle, sombre movements and bombastic grooves, equally hypnotic and joyous. The rendition of "You Are My Sunshine" is yet another showcase for Gap's virtuoso playing and Gadd's mastery of the pocket. Indeed Gadd's drumming on "Free Again" is nothing short of neck-SNAPPING! Ghostface took it for not one but two "Iron's Theme" tracks across his seminal Supreme Clientele. It's got that Galt MacDermot "Coffee Cold" feel. Suuuuuper cool. The frantic "Dream On Little Dreamer" hurtles along and must've surely had the whole room absolutely swinging from the chandeliers back in Rochester in the late 60s. The album closes with the magnificent Graduate Medley, featuring memorable renditions of "Scarborough Fair", "The Sounds of Silence" and "Mrs. Robinson". The warm electric piano lines of the former were sampled by The Ummah (Dilla again!) for Tribe's "Pad & Pen" from their reappraised final album, The Love Movement, as well as by Large Professor on his much-loved "The LP (For My People)".
Under the watchful eye - and extremely attentive ears - of Gap Mangione himself, the audio for Diana In The Autumn Wind has been carefully remastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. At the prestigious Abbey Road Studios, Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland. The artwork restoration has taken place here at Be With HQ and has that drop-dead gorgeous cover artwork popping like new. Buy on sight!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
J.B. De Carvalho E Seu Terreiro - Fui À Umbanda
2
Trio Ternura - A Gira
3
Alcione - Figa De Guiné
4
Impacto 5 - Longe Daqui Aqui Mesmo
5
Abaeté - Pisa No Taboado
6
Tobias - Coisa Sentimental
7
Os Flippers - Estrelar
8
SpaceArk - Don’t Stop (Unreleased Long Version)
9
Pure Release - I'll Know It's Love For Sure
10
Luther Davis Group - You Can Be A Star
11
Marumo - Khomo Tsaka Deile Kae?
12
Splash - Peacock
13
Gyedu Blay Ambolley - Highlife
14
Harari - Senyamo
15
Kaleidoscope - Let Me Try
16
Elias Rahbani - I Want To Be
17
Tokyo Academy Philharmonic Chorus Group - Taharazaka
18
Cesar Roldão Vieira - Zé Do Trem
19
Elias Rahbani - Dance of Maria
20
Galt MacDermot - Coffee Cold
Volume Three in the Mr Bongo Record club series. Another showcase of recent vinyl finds and favourites from our DJ sets and radio shows. This is an extra special one however, as it lands in 2019, the year that we celebrate 30 years since it all began way back in 1989.
Compiled by David Buttle and Gareth Stephens, assisted by Graham Luckhurst and Gary Johnson.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Compiled by David Buttle and Gareth Stephens, assisted by Graham Luckhurst and Gary Johnson.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ghia - Tender Rain
2
Ghia - Auf unserm grünen Sofa
3
Ghia - Teardrops In Your Eyes
4
Ghia - Reise bei Nacht
5
Ghia - Change Your Sex
6
Ghia - Und recken ihre schlanken Glieder
7
Ghia - New Love
8
Ghia - Was ich Dir noch sagen wollte
9
Ghia - What's Your Voodoo (Dark Spirits Mix)
10
Ghia - Letzter Tanz
Call it soulful dream pop, proto-trip hop or downtempo jazz - "Tender Rain" is the follow-up LP to the successful "This Is" album and continues to deliver Ghia's unmistakable sonic magic. On this release, the band shares a selection of previously unreleased vocal songs alongside instrumental pieces, all carried by their trademark chilled and almost meditative atmosphere. Most of the recordings date from the early 1990s, while early demo versions of "New Love" and "Teardrops in Your Eyes" may reach back as far as the late 1980s.
The album opens with the title track "Tender Rain," where smooth vocal jazz harmonies merge effortlessly with soulful pop elements. The track originally appeared only on CD in 1993 on the small Mikado label run by renowned German guitarist Ulli Bögershausen. The band recalls that the piece was first pre-recorded using MIDI equipment and a Tascam 16-track recorder before being completed in the studio with drums by legendary drummer Mickie Stickdorn (Carsten Bohn's Bandstand, Cyklus, Elephant, Lake), percussion by Corinna Ludzuweit, and the final touch-Lisa Ohm's remarkable vocals.
At the time, Mikado was also looking for instrumental material for radio and synchronization use. They selected the track "Tropfstein" for a sampler CD and requested more pieces. In response, "und recken ihre schlanken Glieder" (roughly translated as "and stretching their slender limbs") was composed especially for the project, as Frank Simon remembers. Both tracks appeared on the now rare Mikado sampler CD under the alias z. Zt., short for "zur Zeit" ("at present" or "these days").
Several further pieces in a similar vein were created during this period, including the previously unissued "Auf unserm grünen Sofa," "Reise bei Nacht," and "Was ich Dir noch sagen wollte." These tracks are beautifully crafted downtempo pieces featuring smooth, jazzy piano lines combined with touches of ambient and New Age aesthetics. "Auf unserm grünen Sofa" stands out in particular and will likely resonate with all downtempo enthusiasts. Lutz Boberg recalls that many of these recordings were captured during a single afternoon in the studio, fueled by spontaneous ideas and creative momentum.
On tracks such as "Teardrops in Your Eyes," "New Love," and the haunting Dark Spirits Mix of Ghia's song "What's Your Voodoo?", singer Lisa Ohm delivers soulful pop performances with her clear and captivating voice. "Change Your Sex," the third track previously featured on the Mikado sampler, leans more toward late-1980s funk and was aimed at radio and DJs at the time. Its subject matter was relatively daring for the period, telling the story of someone contemplating a change of sex "to get rid of the troubles."
Together with "This Is" and "Curacao Blue", "Tender Rain" forms another essential chapter in the rediscovery of the band's work. More than thirty years after their creation, these recordings still sound strikingly fresh, reflecting a unique style that in many ways anticipated the rise of trip-hop in the early to mid-1990s.
" VITAL SALES POINTS:
- Follow up to the successful albums "This Is" and "Curacao Blue"
- All tracks unissued on vinyl
- includes the Dark Spirits Mix of What's Your Voodoo?
Tracklist:
Side A
Tender Rain
Auf unserm grünen Sofa
Teardrops In Your Eyes
Reise bei Nacht
Change Your Sex
Side B
Und recken ihre schlanken Glieder
New Love
Was ich Dir noch sagen wollte
What's Your Voodoo (Dark Spirits Mix)
Letzter Tanz
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The album opens with the title track "Tender Rain," where smooth vocal jazz harmonies merge effortlessly with soulful pop elements. The track originally appeared only on CD in 1993 on the small Mikado label run by renowned German guitarist Ulli Bögershausen. The band recalls that the piece was first pre-recorded using MIDI equipment and a Tascam 16-track recorder before being completed in the studio with drums by legendary drummer Mickie Stickdorn (Carsten Bohn's Bandstand, Cyklus, Elephant, Lake), percussion by Corinna Ludzuweit, and the final touch-Lisa Ohm's remarkable vocals.
At the time, Mikado was also looking for instrumental material for radio and synchronization use. They selected the track "Tropfstein" for a sampler CD and requested more pieces. In response, "und recken ihre schlanken Glieder" (roughly translated as "and stretching their slender limbs") was composed especially for the project, as Frank Simon remembers. Both tracks appeared on the now rare Mikado sampler CD under the alias z. Zt., short for "zur Zeit" ("at present" or "these days").
Several further pieces in a similar vein were created during this period, including the previously unissued "Auf unserm grünen Sofa," "Reise bei Nacht," and "Was ich Dir noch sagen wollte." These tracks are beautifully crafted downtempo pieces featuring smooth, jazzy piano lines combined with touches of ambient and New Age aesthetics. "Auf unserm grünen Sofa" stands out in particular and will likely resonate with all downtempo enthusiasts. Lutz Boberg recalls that many of these recordings were captured during a single afternoon in the studio, fueled by spontaneous ideas and creative momentum.
On tracks such as "Teardrops in Your Eyes," "New Love," and the haunting Dark Spirits Mix of Ghia's song "What's Your Voodoo?", singer Lisa Ohm delivers soulful pop performances with her clear and captivating voice. "Change Your Sex," the third track previously featured on the Mikado sampler, leans more toward late-1980s funk and was aimed at radio and DJs at the time. Its subject matter was relatively daring for the period, telling the story of someone contemplating a change of sex "to get rid of the troubles."
Together with "This Is" and "Curacao Blue", "Tender Rain" forms another essential chapter in the rediscovery of the band's work. More than thirty years after their creation, these recordings still sound strikingly fresh, reflecting a unique style that in many ways anticipated the rise of trip-hop in the early to mid-1990s.
" VITAL SALES POINTS:
- Follow up to the successful albums "This Is" and "Curacao Blue"
- All tracks unissued on vinyl
- includes the Dark Spirits Mix of What's Your Voodoo?
Tracklist:
Side A
Tender Rain
Auf unserm grünen Sofa
Teardrops In Your Eyes
Reise bei Nacht
Change Your Sex
Side B
Und recken ihre schlanken Glieder
New Love
Was ich Dir noch sagen wollte
What's Your Voodoo (Dark Spirits Mix)
Letzter Tanz
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Unknown Artists - A1. Track One (LDJ Edit)
2
Unknown Artists - A2. Rossana's Voice (LDJ Edit)
3
Unknown Artists - B1. EWF Vibes (LDJ Edit)
4
Unknown Artists - B2. Xpansions (LDJ Edit)
Lecca is back with a new collection of edits, four classic disco cuts for diggers only!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Slxm Sol - Lead The Way
2
Max Sinal & King Crowney - A Bit Mad
3
Misto Kay - Bruklynn
4
Berkeley Hunt - Speed Jazz
5
Real Love Seeker - Mood Swings
6
Streeton - Ride (ft. Faro)
Soul Quest Records returns with Maintain Altitude 2, a fearless, floor-focused statement that
captures the pulse of London’s underground while stretching its sound across borders. This
second instalment doesn’t just build on the energy of the first; it elevates it, locking into a groove
that feels both timeless and future-facing. Deep house, broken beat, jazz-infused electronics it’s
all here, and it hits hard.
Opening the release, Slxm Sol - Lead The Way sets the tone with lush Rhodes chords, rich
low-end warmth, and unmistakable soul. Featuring the hypnotic vocals of Legzdina, the track is
a late-night guide through deep, emotive house, refined, immersive, and quietly powerful. It’s a
statement from an artist who continues to define the label’s sonic identity.
Next up, Max Sinàl & KingCrowney - A Bit Mad deliver exactly what the title promises, a loose,
live-feeling cut that fuses UK jazz sensibilities with broken beat energy. KingCrowney’s trumpet
work dances over Max’s signature production, creating something raw, musical, and undeniably
London.
Amsterdam’s rising talent steps in with Misto Kay - Bruklynn, a playful yet intricate debut on the
label. Jazz-rooted keys meet unexpected rhythmic turns, keeping dancers guessing while
maintaining a deep, rolling groove. It’s fresh, musical, and full of personality.
Lisbon-based producer Berkeley Hunt - Speed Jazz follows with a dusty, high-tech jazz heater,
swung drums, chopped samples, and synth lines that blur the line between experimentation and
dancefloor pressure. It’s gritty, it’s clever, and it absolutely slaps.
Returning to the fold, Real Love Seeker - Mood Swings taps into that golden-era 90s house
feeling, think Mood II Swing energy with a modern edge. Soulful, driving, and built for
heads-down moments, it’s a reminder that simplicity, when done right, still reigns supreme.
Closing out the release, Streeton - Ride (Feat. Faro) brings broken beat back into focus. Faro’s
lush, heartfelt vocals glide over organic grooves and textured instrumentation, creating a track
that feels both intimate and expansive, the perfect final lift-off.
Behind the release stands Soul Quest’s core ethos pushing soulful, forward-thinking club music
without compromise. With a roster that spans emerging innovators and established voices,
Maintain Altitude 2 isn’t just a compilation, it’s a snapshot of a movement.
A1 - Slxm Sol - Lead The Way
A2 - Max Sinal & King Crowney - A Bit Mad
A3 - Misto Kay - Bruklynn
B1 - Berkeley Hunt - Speed Jazz
B2 - Real Love Seeker - Mood Swings
B3 - Streeton - Ride (ft. Faro)
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captures the pulse of London’s underground while stretching its sound across borders. This
second instalment doesn’t just build on the energy of the first; it elevates it, locking into a groove
that feels both timeless and future-facing. Deep house, broken beat, jazz-infused electronics it’s
all here, and it hits hard.
Opening the release, Slxm Sol - Lead The Way sets the tone with lush Rhodes chords, rich
low-end warmth, and unmistakable soul. Featuring the hypnotic vocals of Legzdina, the track is
a late-night guide through deep, emotive house, refined, immersive, and quietly powerful. It’s a
statement from an artist who continues to define the label’s sonic identity.
Next up, Max Sinàl & KingCrowney - A Bit Mad deliver exactly what the title promises, a loose,
live-feeling cut that fuses UK jazz sensibilities with broken beat energy. KingCrowney’s trumpet
work dances over Max’s signature production, creating something raw, musical, and undeniably
London.
Amsterdam’s rising talent steps in with Misto Kay - Bruklynn, a playful yet intricate debut on the
label. Jazz-rooted keys meet unexpected rhythmic turns, keeping dancers guessing while
maintaining a deep, rolling groove. It’s fresh, musical, and full of personality.
Lisbon-based producer Berkeley Hunt - Speed Jazz follows with a dusty, high-tech jazz heater,
swung drums, chopped samples, and synth lines that blur the line between experimentation and
dancefloor pressure. It’s gritty, it’s clever, and it absolutely slaps.
Returning to the fold, Real Love Seeker - Mood Swings taps into that golden-era 90s house
feeling, think Mood II Swing energy with a modern edge. Soulful, driving, and built for
heads-down moments, it’s a reminder that simplicity, when done right, still reigns supreme.
Closing out the release, Streeton - Ride (Feat. Faro) brings broken beat back into focus. Faro’s
lush, heartfelt vocals glide over organic grooves and textured instrumentation, creating a track
that feels both intimate and expansive, the perfect final lift-off.
Behind the release stands Soul Quest’s core ethos pushing soulful, forward-thinking club music
without compromise. With a roster that spans emerging innovators and established voices,
Maintain Altitude 2 isn’t just a compilation, it’s a snapshot of a movement.
A1 - Slxm Sol - Lead The Way
A2 - Max Sinal & King Crowney - A Bit Mad
A3 - Misto Kay - Bruklynn
B1 - Berkeley Hunt - Speed Jazz
B2 - Real Love Seeker - Mood Swings
B3 - Streeton - Ride (ft. Faro)
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1
Disco Combine - Lovin' You (Was My Mistake) (Philly World mix)
2
Disco Combine - Lovin' You (Was My Mistake) (Joanna's Groove)
3
Disco Combine - How I Love New York (Lower East Side mix)
4
Disco Combine - How I Love New York (Midtown dub)
Coming in extra bloody hot is the 6th release on Disco Combine, harvested from the fields of musical gold by Mr. Dave Lee. First up the epic 'Lovin' You (Was My Mistake)' a throaty Philly-soul favourite , which has been lovingly re-worked into a beefy peak time floor filler. For those who prefer a more dubwise approach, the 'Joanna's Groove' version starts instrumentally with rippling piano, building into a big string finale. On the flip 'How I Love New York' swaggers into your ears with all the class, style & panache you would expect from a jazz-fusion connoisseur living in the big Apple. Don't miss heading to the 'Midtown Dub' if you like things more squelchy and funktified.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Study With Midnight Noise / Tomer Baruch - Rolling Space Hills
2
Study With Midnight Noise / Tomer Baruch - Saturn's Rings Hotel & Spa
3
Study With Midnight Noise / Tomer Baruch - Uranium Jungle
4
Study With Midnight Noise / Tomer Baruch - Jello Pudding
5
Study With Midnight Noise / Tomer Baruch - Goodbye Supernova
6
Study With Midnight Noise / Tomer Baruch - The Last Resort
7
Study With Midnight Noise / Tomer Baruch - Wired Like A Child
8
Study With Midnight Noise / Tomer Baruch - Martian Sunset
9
Study With Midnight Noise / Tomer Baruch - Binary Dreams (Feat. GXT509-TR Protocol Droid)
10
Study With Midnight Noise / Tomer Baruch - Song For Venus
This album plays like an invitation rather than a record - a slow boarding pass to an imagined retreat somewhere beyond gravity. Analogue synths shimmer like gold, bubbling rhythms drift in gentle orbits, and playful melodies sketch out distant galaxies with an easy, unforced charm. There's a strong lineage here, with the music echoing classic library and soundtrack recordings cherished by deep diggers, yet it never feels nostalgic for its own sake. The grooves are light but nourishing - 'Uranium Jungle' has a touch of Luke Vibert's frisky funk about it, while 'Martian Sunset' is interstellar bossa nova with a light dusting of 70s analogue magic to boot - designed as much for sofa-bound drifting as for attentive listening. Musicianship is front and centre throughout, with smart, accessible compositions that reward repeat visits. A fully realised concept - sign us up for a stay.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bernardo Pinheiro & Zaidan - Reggae Love
2
Dicky Trisco & Joutro Mundo - Italo Carnaval
Barefoot Beats drop two highly infectious Brazilian power jams for all the vinyl collectors and lovers of International sounds out there.
Regular contributor to the imprint Bernardo Pinheiro teams up with Zaidan to expertly craft a timeless Reggae classic into a pure Brazilian good times anthem.
Over on the flip, Rio based producer Joutro Mundo combines superbly with Dicky Trisco to produce a more late night inspired number which is ready to fuel your Carnarave and set that dance floor on fire.
All delivered on a beautiful, LTD edition 10inch vinyl pressing.
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DE - 22113 Hamburg
Germany
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Regular contributor to the imprint Bernardo Pinheiro teams up with Zaidan to expertly craft a timeless Reggae classic into a pure Brazilian good times anthem.
Over on the flip, Rio based producer Joutro Mundo combines superbly with Dicky Trisco to produce a more late night inspired number which is ready to fuel your Carnarave and set that dance floor on fire.
All delivered on a beautiful, LTD edition 10inch vinyl pressing.
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Germany
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1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2026 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Unknown Artists - A. Track 01 (Lecca Edit)
2
Unknown Artists - B. Track 02 (Lecca Edit)
Disco-funk edits by the mysterious Lecca, lethal weapons for dj's and diggers!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
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1
Fango - Primavera
2
Fango - Primavera (Dritto Mix)
“Primavera” is a rare flower by Fango that is blossoming during the right season. On vinyl only, pluck it before it withers!"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More