Strut continue their essential work with the "Godfather Of Ethio Jazz", Mulatu Astatke, with the first official reissues of his early classics 'Afro Latin Soul' Volumes 1 and 2 from 1966, recorded as The Ethiopian Quintet. Arriving after Astatke's life-changing years studying at Berklee College in Boston, the albums were the first experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. "I have always felt a deep connection between Latin and African music," he explains. "I travelled to Cuba and listened to their musicians; the tempo, rhythm and feeling was very similar to different African forms. In the mid-'60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-American musicians - the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena." Supported by Worthy Records' Gil Snapper who offered to record the quintet, Astatke began to experiment during two separate sessions: "We created a different feel and different arrangements. On the first recording, I played an adaptation of an ancient Ethiopian warrior song, 'I Faram Gami I Faram' - the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: 'Mascaram Setaba' ('Summer Is Coming') 'Shagu' and 'Almaz'. With the second album, a personal favourite is 'Girl From Addis Ababa' which worked very nicely as a fusion of Ethiopian modes and R&B rhythms." Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, 'Mulatu Of Ethiopia' (STRUT129) but the two volumes of 'Afro Latin Soul' stand as important recordings documenting his early career. "It was a very interesting time to be in New York during the mid-'60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz." 'Afro Latin Soul' Volumes 1 and 2 come in their full original artwork and are painstakingly remastered by The Carvery. All formats feature personal liner notes by Mulatu Astatke.
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Germany
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More records from mulatu astatke
Strut presents Mulatu Plays Mulatu, the first major studio album in over 10 years from the father of Ethio-jazz, Mulatu Astatke.
Tracklist
Vinyl:
A1. Zelesenga Dewel
A2. Kulun
A3. Netsanet
B1. Yekermo Sew
B2. Chik Chikka
B3. Motherland
B4. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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Tracklist
Vinyl:
A1. Zelesenga Dewel
A2. Kulun
A3. Netsanet
B1. Yekermo Sew
B2. Chik Chikka
B3. Motherland
B4. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Strut presents Mulatu Plays Mulatu, the first major studio album in over 10 years from the father of Ethio-jazz, Mulatu Astatke.
Tracklist
CD / Digital:
1. Zelesenga Dewel
2. Kulun
3. Netsanet
4.Yekermo Sew
5. Azmari
6.Chik Chikka
7. The Way To Nice
8.Motherland Intro
9. Motherland
10. Mulatu
11. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
CD / Digital:
1. Zelesenga Dewel
2. Kulun
3. Netsanet
4.Yekermo Sew
5. Azmari
6.Chik Chikka
7. The Way To Nice
8.Motherland Intro
9. Motherland
10. Mulatu
11. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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DE - 22113 Hamburg
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White Vinyl 2LP (Contains original album and mono-mix retrieved from original tapes)
In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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Germany
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Strut are proud to present a new repress 0f the definitive Mulatu Astatke career retrospective covering his landmark ‘60s and ‘70s´recordings.
2LP TRACKLISTING
A1 Yèkèrmo Sèw
A2 I Faram Gami I Faram
A3 Shagu
A4 Emnete
A5 Mulatu
B1 Yègelé Tezeta
B2 Asiyo Bellema
B3 Ebo Lala
B4 Fikratchin
B5 Yefikir Tizita
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2LP TRACKLISTING
A1 Yèkèrmo Sèw
A2 I Faram Gami I Faram
A3 Shagu
A4 Emnete
A5 Mulatu
B1 Yègelé Tezeta
B2 Asiyo Bellema
B3 Ebo Lala
B4 Fikratchin
B5 Yefikir Tizita
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1
Mulatu Astatke - Dèwol
2
Mulatu Astatke - Yèkèrmo Saw
3
Mulatu Astatke - Gubèlyé
4
Mulatu Astatke - Asmarina
5
Mulatu Astatke - Yèkatit
6
Mulatu Astatke - Nètsanèt
7
Mulatu Astatke - Nètsanèt
8
Mulatu Astatke - Sabyé
9
Mulatu Astatke - Ené Alantchi Alnorem
*2023 REPRESS **
180gram vinyl. The Ethio Jazz album by Mulatu Astatatke is a jewel of the modern Ethiopian music. Essential.
An incredibly groovy Ethiopian record, originally from 1969-1972. Amazing orchestral 'Ethio-groove' filled with US soul, jazz, sometimes Latin and the deepest Eastern rhythms, even including some great nasty and dirty fuzz guitars. A true gem of Ethiopian modern instrumental music, which illustrates perfectly this symbiosis of strong rhythms and quality arrangements of subtle yet deep Ethiopian melodies. A must for all '60s/'70s collectors! In the Ethiopian musical landscape, Mulatu Astatke is a unique musician, composer, arranger. His real contribution consists in his action for instrumental music, in a country where orchestral traditions doesn't exist. For the last 30 years, he is the leading head of the Ethiopian musical scene. First vinyl reissue and definitely one of the most important Ethiopian music albums."
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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180gram vinyl. The Ethio Jazz album by Mulatu Astatatke is a jewel of the modern Ethiopian music. Essential.
An incredibly groovy Ethiopian record, originally from 1969-1972. Amazing orchestral 'Ethio-groove' filled with US soul, jazz, sometimes Latin and the deepest Eastern rhythms, even including some great nasty and dirty fuzz guitars. A true gem of Ethiopian modern instrumental music, which illustrates perfectly this symbiosis of strong rhythms and quality arrangements of subtle yet deep Ethiopian melodies. A must for all '60s/'70s collectors! In the Ethiopian musical landscape, Mulatu Astatke is a unique musician, composer, arranger. His real contribution consists in his action for instrumental music, in a country where orchestral traditions doesn't exist. For the last 30 years, he is the leading head of the Ethiopian musical scene. First vinyl reissue and definitely one of the most important Ethiopian music albums."
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Germany
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Strut presents the official reissue of a landmark album in the field of African music, Mulatu Astatke’s ‘Mulatu Of Ethiopia’ from 1972.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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DE - 22113 Hamburg
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1
Mulatu Astatke - Yègellé Tezeta
2
Mulatu Astatke - Yèkatit
Repress!
Africa 45, number 3; a Mulatu Astatke double A side.
Mulatu is an Ethiopian born instrumentalist, composer and arranger extraordinaire. Schooled in the UK and then the USA, Mulatu fuses jazz, latin and traditional Ethiopian styles to create a unique sound, most commonly referred to as Ethio-jazz.
Over the past decade years he has gained much exposure via the Ethiopiques series, a collaboration project with the Heliocentrics, and through the inclusion of ‘Yegelle Tezeta’ - featured here - in the soundtrack of Jim Jarmusch's film, ‘Broken Flowers’, starring Bill Murray.
A: Yègellé Tezeta
Low slung, mysterious organ led groover, with building, layered horns a sampled by Nas & Damian Marley on ‘As We Enter’ released in 2010.
Originally appeared on the legendary ‘Ethiopian Modern Instrumentals Hits’ compilation album from Ethiopia in 1974, of which six out of ten tracks were by Mulatu. It was also released on an Amha 7”, that is very tough to find.
AA: Yèkatit
Originally appeared on the also legendary ‘Ethio Jazz’ album by Mulatu that changes hands for $1000's, released in Ethiopia. Typically Ethiopian horn line, about as classic as it gets.
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Africa 45, number 3; a Mulatu Astatke double A side.
Mulatu is an Ethiopian born instrumentalist, composer and arranger extraordinaire. Schooled in the UK and then the USA, Mulatu fuses jazz, latin and traditional Ethiopian styles to create a unique sound, most commonly referred to as Ethio-jazz.
Over the past decade years he has gained much exposure via the Ethiopiques series, a collaboration project with the Heliocentrics, and through the inclusion of ‘Yegelle Tezeta’ - featured here - in the soundtrack of Jim Jarmusch's film, ‘Broken Flowers’, starring Bill Murray.
A: Yègellé Tezeta
Low slung, mysterious organ led groover, with building, layered horns a sampled by Nas & Damian Marley on ‘As We Enter’ released in 2010.
Originally appeared on the legendary ‘Ethiopian Modern Instrumentals Hits’ compilation album from Ethiopia in 1974, of which six out of ten tracks were by Mulatu. It was also released on an Amha 7”, that is very tough to find.
AA: Yèkatit
Originally appeared on the also legendary ‘Ethio Jazz’ album by Mulatu that changes hands for $1000's, released in Ethiopia. Typically Ethiopian horn line, about as classic as it gets.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Strut continue their essential work with the "Godfather Of Ethio Jazz", Mulatu Astatke, with the first official reissues of his early classics 'Afro Latin Soul' Volumes 1 and 2 from 1966, recorded as The Ethiopian Quintet. Arriving after Astatke's life-changing years studying at Berklee College in Boston, the albums were the first experiments in his pioneering sound, fusing Ethiopian cultural music with Afro Latin and jazz forms. "I have always felt a deep connection between Latin and African music," he explains. "I travelled to Cuba and listened to their musicians; the tempo, rhythm and feeling was very similar to different African forms. In the mid-'60s, I formed a band called The Ethiopian Quintet in New York comprising Ethiopian, Latin and Afro-American musicians - the band included trumpeter and pianist Rudy Houston who later played with Yambu and Felix Torres who played with La Sonora Poncena." Supported by Worthy Records' Gil Snapper who offered to record the quintet, Astatke began to experiment during two separate sessions: "We created a different feel and different arrangements. On the first recording, I played an adaptation of an ancient Ethiopian warrior song, 'I Faram Gami I Faram' - the lyrics were translated so that the singer could sing it in Spanish. Some compositions were important steps for me: 'Mascaram Setaba' ('Summer Is Coming') 'Shagu' and 'Almaz'. With the second album, a personal favourite is 'Girl From Addis Ababa' which worked very nicely as a fusion of Ethiopian modes and R&B rhythms." Astatke would start to perfect his Ethio jazz sound on his later album for Worthy in 1972, 'Mulatu Of Ethiopia' (STRUT129) but the two volumes of 'Afro Latin Soul' stand as important recordings documenting his early career. "It was a very interesting time to be in New York during the mid-'60s. I was there at the same time as Hugh Masekela, Miriam Makeba and Fela Kuti and we each tried to play our part in putting Africa on the map of contemporary jazz." 'Afro Latin Soul' Volumes 1 and 2 come in their full original artwork and are painstakingly remastered by The Carvery. All formats feature personal liner notes by Mulatu Astatke.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Strut Records
Strut Records proudly presents the first definitive expanded reissue of Somewhere Over The Rainbow, Sun Ra’s 1977 session recorded at the Bluebird in Bloomington, Indiana, presented across three Vinyl LPs or as a two-CD set. Please note the differing tracklist between the CD & LP.
Vinyl
Side A
Shadows Of Infinity 7.58
Pleiades 4.52
Discipline 27 5.42
Bluebird Set #2 Piano Solo 2.40
Side B
Equation Of The Myth 8.53
Neptune 5.32
Yesterdays 6.03
Side C
St. Louis Blues 6.28
The Mystery of Two 7.36
We Live To Be 4.47
Side D
Amen Meni Many Amens 7.38
Saturn Speaks 2.56
Images In A Mirror 10.15
Side E
Take The ‘A’ Train 11.14
Make Another Mistake 3.43
Bluebird Shuffle 5.55
Side F
Outer Reach Intensity Energy / Cosmos Rendezvous 8.15
Next Stop Mars 0.23
Over The Rainbow 7.08
I’ll Wait For You 3.33
Listen LP: listen.k7.com/ea9c6103-8784-4d82-822d-3edab26a28e9
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Vinyl
Side A
Shadows Of Infinity 7.58
Pleiades 4.52
Discipline 27 5.42
Bluebird Set #2 Piano Solo 2.40
Side B
Equation Of The Myth 8.53
Neptune 5.32
Yesterdays 6.03
Side C
St. Louis Blues 6.28
The Mystery of Two 7.36
We Live To Be 4.47
Side D
Amen Meni Many Amens 7.38
Saturn Speaks 2.56
Images In A Mirror 10.15
Side E
Take The ‘A’ Train 11.14
Make Another Mistake 3.43
Bluebird Shuffle 5.55
Side F
Outer Reach Intensity Energy / Cosmos Rendezvous 8.15
Next Stop Mars 0.23
Over The Rainbow 7.08
I’ll Wait For You 3.33
Listen LP: listen.k7.com/ea9c6103-8784-4d82-822d-3edab26a28e9
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Strut Records proudly presents the first definitive expanded reissue of Somewhere Over The Rainbow, Sun Ra’s 1977 session recorded at the Bluebird in Bloomington, Indiana, presented across three Vinyl LPs or as a two-CD set. Please note the differing tracklist between the CD & LP.
Tracklist:
CD1
Shadows Of Infinity
Pleiades
Discipline 27
Equation Of The Myth
Keep Your Sunny Side Up
Saturn Speaks
Neptune / The Voice Of Ebah
Yesterdays
Yeah Man!
King Porter Stomp
Lightnin’
St. Louis Blues
The Mystery Of Two
CD2
Bluebird Set #2 Piano Solo
We Live To Be
Bye Bye Blackbird
Gone With The Wind
Amen Meni Many Amens
Take The ‘A’ Train
Images In A Mirror
Outer Reach Intensity Energy /Cosmos Rendezvous
Bluebird Shuffle
Next Stop Mars
Over The Rainbow
I’ll Wait For You
Make Another Mistake
Listen CD: listen.k7.com/b01ccfd6-efdd-4956-94ac-49afda30a934
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Germany
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Tracklist:
CD1
Shadows Of Infinity
Pleiades
Discipline 27
Equation Of The Myth
Keep Your Sunny Side Up
Saturn Speaks
Neptune / The Voice Of Ebah
Yesterdays
Yeah Man!
King Porter Stomp
Lightnin’
St. Louis Blues
The Mystery Of Two
CD2
Bluebird Set #2 Piano Solo
We Live To Be
Bye Bye Blackbird
Gone With The Wind
Amen Meni Many Amens
Take The ‘A’ Train
Images In A Mirror
Outer Reach Intensity Energy /Cosmos Rendezvous
Bluebird Shuffle
Next Stop Mars
Over The Rainbow
I’ll Wait For You
Make Another Mistake
Listen CD: listen.k7.com/b01ccfd6-efdd-4956-94ac-49afda30a934
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Strut Records proudly presents a new reissue of the original Afrobeat classic Low Profile (Not For The Blacks), recorded and composed by Afrika 70 saxophonist and bandleader Lekan Animashaun and produced by Fela Kut
Listen: listen.k7.com/32398358-5ea9-49db-9ba3-cc2b59487d4e
Tracklist
A Side:
1. Low Profile
B Side:
1. Se Rere
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Listen: listen.k7.com/32398358-5ea9-49db-9ba3-cc2b59487d4e
Tracklist
A Side:
1. Low Profile
B Side:
1. Se Rere
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Strut proudly presents the first-ever reissue of a landmark 1974 Ghanaian highlife classic Sikyi Highlife by Dr K. Gyasi & His Noble Kings, originally released on Essiebons.
Listen: listen.k7.com/d96e1a42-2881-485d-b4ee-a4d152bb4907
Tracklist
Side 1
Medley:
YEDE ABA
MENE MENUA MIENU
SABARIMA
EBIA NIE
AMINTIMINIM
SIAKWAA
NANA AGYEI
Side 2:
Medley:
EFIE NE FIE
NYANKONTON NKO NYAA
KWANKWAASEM NTI
EGYA ANANSE YI WONAN BAAKO
KWAADEDE MEYARE MEREWU
EDA A MEWU
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Listen: listen.k7.com/d96e1a42-2881-485d-b4ee-a4d152bb4907
Tracklist
Side 1
Medley:
YEDE ABA
MENE MENUA MIENU
SABARIMA
EBIA NIE
AMINTIMINIM
SIAKWAA
NANA AGYEI
Side 2:
Medley:
EFIE NE FIE
NYANKONTON NKO NYAA
KWANKWAASEM NTI
EGYA ANANSE YI WONAN BAAKO
KWAADEDE MEYARE MEREWU
EDA A MEWU
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lim. Yellow & Orange Vinyl LP
Strut proudly presents Nuclear War, a powerful collaboration between UK collective The Heliocentrics, Sun Ra Arkestra legends Marshall Allen and Knoel Scott, and vocalist Bilal - issued on limited-edition “hazardous” orange and yellow vinyl exclusively for Record Store Day 2026.
Tracklist
Side A
Nuclear War
Where Pathways Meet
Side B
Angels & Demons At Play
Astro Black Ft. Bilal
https://soundcloud.com/strut/sets/the-heliocentrics-marshalll-allen-knoel-scott-ft-bilal-nuclear-war/s-58Rc2hElR1I?
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Strut proudly presents Nuclear War, a powerful collaboration between UK collective The Heliocentrics, Sun Ra Arkestra legends Marshall Allen and Knoel Scott, and vocalist Bilal - issued on limited-edition “hazardous” orange and yellow vinyl exclusively for Record Store Day 2026.
Tracklist
Side A
Nuclear War
Where Pathways Meet
Side B
Angels & Demons At Play
Astro Black Ft. Bilal
https://soundcloud.com/strut/sets/the-heliocentrics-marshalll-allen-knoel-scott-ft-bilal-nuclear-war/s-58Rc2hElR1I?
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As the world sinks deeper into screens and algorithms blur the line between creation and imitation, Nubiyan Twist return with "Chasing Shadows", a record that reclaims the pulse, warmth and spontaneity of human connection. The band"s fifth studio album is a rich and restless blend of jazz, afrobeat, hip hop and electronic textures, exploring the space between the organic and the digital. It"s music that moves, sweats, and breathes, made by real people in real rooms with heavyweight features bringing together varied voices from the music community which they inhabit. Following 2024"s acclaimed "Find Your Flame", "Chasing Shadows" pushes the band"s sound further into new soulful territory under Excell"s expert guidance, featuring bright new vocalist Eniola and a glowing cast of icons and innovators. On "Chasing Shadows", Nubiyan Twist continue to look outwards with their music but keep the focus firmly on humanity and positivity. It is an album which crosses continents and which shamelessly celebrates our collective strength.
Tracklist
1.1Azimuth
1.2Red Herring (Ft. Booty Brown)
1.3Chasing Shadows (Ft. Fatoumata Diawara)
1.4How Far (Ft. M.Anifest)
1.5Body Flows
1.6Mlonje: Voices Joined (Ft. The Zawose Queens)
1.7Echoes
1.8Message (Ft. Mr.Williamz)
1.9Sunlight
1.10Rhythm of You (Ft. Joe Armon-Jones)
Listen: https://listen.k7.com/8e73a364-4743-4287-b882-89f4618fdd3b
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Tracklist
1.1Azimuth
1.2Red Herring (Ft. Booty Brown)
1.3Chasing Shadows (Ft. Fatoumata Diawara)
1.4How Far (Ft. M.Anifest)
1.5Body Flows
1.6Mlonje: Voices Joined (Ft. The Zawose Queens)
1.7Echoes
1.8Message (Ft. Mr.Williamz)
1.9Sunlight
1.10Rhythm of You (Ft. Joe Armon-Jones)
Listen: https://listen.k7.com/8e73a364-4743-4287-b882-89f4618fdd3b
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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As the world sinks deeper into screens and algorithms blur the line between creation and imitation, Nubiyan Twist return with "Chasing Shadows", a record that reclaims the pulse, warmth and spontaneity of human connection. The band"s fifth studio album is a rich and restless blend of jazz, afrobeat, hip hop and electronic textures, exploring the space between the organic and the digital. It"s music that moves, sweats, and breathes, made by real people in real rooms with heavyweight features bringing together varied voices from the music community which they inhabit. Following 2024"s acclaimed "Find Your Flame", "Chasing Shadows" pushes the band"s sound further into new soulful territory under Excell"s expert guidance, featuring bright new vocalist Eniola and a glowing cast of icons and innovators. On "Chasing Shadows", Nubiyan Twist continue to look outwards with their music but keep the focus firmly on humanity and positivity. It is an album which crosses continents and which shamelessly celebrates our collective strength.
Tracklist
1.1Azimuth
1.2Red Herring (Ft. Booty Brown)
1.3Chasing Shadows (Ft. Fatoumata Diawara)
1.4How Far (Ft. M.Anifest)
1.5Body Flows
1.6Mlonje: Voices Joined (Ft. The Zawose Queens)
1.7Echoes
1.8Message (Ft. Mr.Williamz)
1.9Sunlight
1.10Rhythm of You (Ft. Joe Armon-Jones)
Listen: https://listen.k7.com/8e73a364-4743-4287-b882-89f4618fdd3b
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Germany
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Tracklist
1.1Azimuth
1.2Red Herring (Ft. Booty Brown)
1.3Chasing Shadows (Ft. Fatoumata Diawara)
1.4How Far (Ft. M.Anifest)
1.5Body Flows
1.6Mlonje: Voices Joined (Ft. The Zawose Queens)
1.7Echoes
1.8Message (Ft. Mr.Williamz)
1.9Sunlight
1.10Rhythm of You (Ft. Joe Armon-Jones)
Listen: https://listen.k7.com/8e73a364-4743-4287-b882-89f4618fdd3b
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Strut proudly presents the debut album from producer, songwriter and multi-instrumentalist, Momoko Gill. Fresh from her critically acclaimed collaboration Clay recorded with cult electronic artist Matthew Herbert, Momoko steps forward in her own right for the first time with her remarkable debut solo album.
Listen: listen.k7.com/a3aef2bd-1ccc-4c12-b4c1-227a8e216711
TRACKLISTING
LP:
A1. SATELLITE
A2. NO OTHERS
A3. HEAVY
A4. REWIND/REMIND
A5. SHADOWBOXING
A6. TEST A SMALL AREA
B1. 2CLOSE2FARR
B2. ANYWAY, I’M DROWNING
B3. WHEN PALESTINE IS FREE
B4. RIVER
B5. INEFFABLY
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DE - 22113 Hamburg
Germany
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Listen: listen.k7.com/a3aef2bd-1ccc-4c12-b4c1-227a8e216711
TRACKLISTING
LP:
A1. SATELLITE
A2. NO OTHERS
A3. HEAVY
A4. REWIND/REMIND
A5. SHADOWBOXING
A6. TEST A SMALL AREA
B1. 2CLOSE2FARR
B2. ANYWAY, I’M DROWNING
B3. WHEN PALESTINE IS FREE
B4. RIVER
B5. INEFFABLY
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Strut proudly presents the debut album from producer, songwriter and multi-instrumentalist, Momoko Gill. Fresh from her critically acclaimed collaboration Clay recorded with cult electronic artist Matthew Herbert, Momoko steps forward in her own right for the first time with her remarkable debut solo album.
Listen: listen.k7.com/a3aef2bd-1ccc-4c12-b4c1-227a8e216711
TRACKLISTING
LP:
A1. SATELLITE
A2. NO OTHERS
A3. HEAVY
A4. REWIND/REMIND
A5. SHADOWBOXING
A6. TEST A SMALL AREA
B1. 2CLOSE2FARR
B2. ANYWAY, I’M DROWNING
B3. WHEN PALESTINE IS FREE
B4. RIVER
B5. INEFFABLY
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: listen.k7.com/a3aef2bd-1ccc-4c12-b4c1-227a8e216711
TRACKLISTING
LP:
A1. SATELLITE
A2. NO OTHERS
A3. HEAVY
A4. REWIND/REMIND
A5. SHADOWBOXING
A6. TEST A SMALL AREA
B1. 2CLOSE2FARR
B2. ANYWAY, I’M DROWNING
B3. WHEN PALESTINE IS FREE
B4. RIVER
B5. INEFFABLY
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Ajomasé is the groundbreaking debut album by legendary Nigerian percussionist Gasper Lawal. Originally released in 1980 on his own label CAP, Strut are proud to now bring this unique album back to the racks.
Listen: listen.k7.com/63a1f322-4080-4795-8995-5acdf8777083
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Listen: listen.k7.com/63a1f322-4080-4795-8995-5acdf8777083
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DE - 22113 Hamburg
Germany
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From the crypts of Parisian funk obscurity comes the long-lost Halloween holy grail, Disco Frankenstein from Ice AKA Lafayette Afro Rock Band. A teasing album of horror-disco oddities, pressed on blood-stained black-red vinyl LP. Our special edition release for Halloween 2025
Listen: listen.k7.com/32fce7b1-89fd-4e25-8964-d3f42aea14dc
Tracklist:
A1. City Beast - Ice
A2. Disco Vampire - Ice
A3. Godzilla
A4. Creature From The Freak Lagoon
A5. Disco Frankenstein
B1. Dr Beezar "Soul Frankenstein"
B2. Zeke The Zombie
B3. Vampire Blob
B4. Igor's Reggae
B5. She Devil
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Germany
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Listen: listen.k7.com/32fce7b1-89fd-4e25-8964-d3f42aea14dc
Tracklist:
A1. City Beast - Ice
A2. Disco Vampire - Ice
A3. Godzilla
A4. Creature From The Freak Lagoon
A5. Disco Frankenstein
B1. Dr Beezar "Soul Frankenstein"
B2. Zeke The Zombie
B3. Vampire Blob
B4. Igor's Reggae
B5. She Devil
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DE - 22113 Hamburg
Germany
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A landmark recording from one of Ghana’s great musical architects, Ebo Taylor’s 1977 self-title release marked the first solo LP by the legendary guitarist, arranger, and composer after years behind the scenes shaping the sound of modern highlife.
Listen: https://listen.k7.com/43913d58-98b2-4916-b06e-9dfbd6105dad
Tracklist
A1. Saana
A2. Ntsir A
A3. BRA
B1. OHYE ATAR GYAN
B2. heaven
B3. AMPONSAH
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DE - 22113 Hamburg
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Listen: https://listen.k7.com/43913d58-98b2-4916-b06e-9dfbd6105dad
Tracklist
A1. Saana
A2. Ntsir A
A3. BRA
B1. OHYE ATAR GYAN
B2. heaven
B3. AMPONSAH
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DE - 22113 Hamburg
Germany
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Strut presents Mulatu Plays Mulatu, the first major studio album in over 10 years from the father of Ethio-jazz, Mulatu Astatke.
Tracklist
Vinyl:
A1. Zelesenga Dewel
A2. Kulun
A3. Netsanet
B1. Yekermo Sew
B2. Chik Chikka
B3. Motherland
B4. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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Germany
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Tracklist
Vinyl:
A1. Zelesenga Dewel
A2. Kulun
A3. Netsanet
B1. Yekermo Sew
B2. Chik Chikka
B3. Motherland
B4. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Strut presents Mulatu Plays Mulatu, the first major studio album in over 10 years from the father of Ethio-jazz, Mulatu Astatke.
Tracklist
CD / Digital:
1. Zelesenga Dewel
2. Kulun
3. Netsanet
4.Yekermo Sew
5. Azmari
6.Chik Chikka
7. The Way To Nice
8.Motherland Intro
9. Motherland
10. Mulatu
11. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist
CD / Digital:
1. Zelesenga Dewel
2. Kulun
3. Netsanet
4.Yekermo Sew
5. Azmari
6.Chik Chikka
7. The Way To Nice
8.Motherland Intro
9. Motherland
10. Mulatu
11. Yekatit
Listen: listen.k7.com/ae404432-cbfc-45cf-8ee4-958f2945bef9
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Strut Records proudly presents the official reissue of Hidden Fire Volumes 1 & 2, the final album released by Sun Ra on his El Saturn label in 1988.
Listen: listen.k7.com/1c1cafdc-38a4-416b-bd99-1070d9c14e3d
Tracklist:
A1. Retrospect - This World Is Not My Home
A2. Hidden Fire Improvisation
B1/B2. Hidden Fire Blues
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DE - 22113 Hamburg
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Listen: listen.k7.com/1c1cafdc-38a4-416b-bd99-1070d9c14e3d
Tracklist:
A1. Retrospect - This World Is Not My Home
A2. Hidden Fire Improvisation
B1/B2. Hidden Fire Blues
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Vinyl LP + insert
An electrified meeting of minds, Candy Girl is a lost 1975 session by jazz pianist Mal
Waldron, recorded in Paris with core members of the mighty Lafayette Afro Rock Band, the
American funk unit who had made France their home and whose deep grooves would later
be mined by generations of hip-hop producers.
TRACKLIST
A1. Home Again 05:20
A2. Red Match Box 09:35
B1. Bits And Things 09:05
B2. Dedication To Brahms 06:20
B3. Candy Girl 03:30
Listen: listen.k7.com/98feffb8-7b4b-432b-a986-4de530e35d2d
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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An electrified meeting of minds, Candy Girl is a lost 1975 session by jazz pianist Mal
Waldron, recorded in Paris with core members of the mighty Lafayette Afro Rock Band, the
American funk unit who had made France their home and whose deep grooves would later
be mined by generations of hip-hop producers.
TRACKLIST
A1. Home Again 05:20
A2. Red Match Box 09:35
B1. Bits And Things 09:05
B2. Dedication To Brahms 06:20
B3. Candy Girl 03:30
Listen: listen.k7.com/98feffb8-7b4b-432b-a986-4de530e35d2d
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Strut present a new single vinyl reissue of Vambe"s sought-after privately pressed album from 1982, Drumland Dreamland. A self-taught drummer, inventor, and sonic experimentalist, Vambe holds a unique place in British music. The creator of his own instrument, the drumgita (pronounced "drumguitar") or string-drum, he aimed to create music that had never been previously made to pursue access to the fourth dimension and forge a radical new musical language - intuitive, polyrhythmic and metaphysical. Drumland Dreamland is deep and haunting; a dense tapestry of layered percussion, time-warped tape loops, and spiralling drumgita figures, all underpinned by hypnotic improvisations from Brazilian pianist Rafael Dos Santos. It is both ecstatic and unsettling, a landmark recording in black British experimental music.
Tracklist
1.1Drumsong (One)
1.2Drumsong (Two)
1.3Drumsong (Three)
1.4Strumelody
1.5Drumelody (One)
1.6Drumelody (Two)
1.7Ydolemurd
1.8Hum Drum Dring (One)
1.9Hum Drum Dring (Two) The Freedrum Song
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DE - 22113 Hamburg
Germany
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Tracklist
1.1Drumsong (One)
1.2Drumsong (Two)
1.3Drumsong (Three)
1.4Strumelody
1.5Drumelody (One)
1.6Drumelody (Two)
1.7Ydolemurd
1.8Hum Drum Dring (One)
1.9Hum Drum Dring (Two) The Freedrum Song
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DE - 22113 Hamburg
Germany
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Strut now present a new single vinyl reissue of Vambe"s privately pressed original album from 1982, Drumgita Solo. A self-taught drummer, inventor, and sonic experimentalist, Vambe is a unique figure in British music. The creator of his own instrument, the drumgita (pronounced "drum-guitar") or string-drum, Vambe intended to create a kind of music that had never been made in order to pursue access to the fourth dimension. The album plays with time, mixing hypnotic, trance-like drumgita pieces with the same segments played backwards. You can hear echoes of African drumming traditions, minimalist repetition, and tape-manipulated musique concrète - but ultimately, the album defies genre. It is a solitary voyage, spiritual and futuristic.
Tracklist
1.1Intro
1.2Drumgita
1.3Ancient Boogie (Mantra)
1.4Artnam
1.5Mantra
1.6(One) Boogie Home Going
1.7Going Home Boogie (One)
1.8Un Minuto (One)
1.9Un Minuto (Two)
1.10Going Home Boogie (Two)
1.11Going Home Boogie (Three)
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Germany
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Tracklist
1.1Intro
1.2Drumgita
1.3Ancient Boogie (Mantra)
1.4Artnam
1.5Mantra
1.6(One) Boogie Home Going
1.7Going Home Boogie (One)
1.8Un Minuto (One)
1.9Un Minuto (Two)
1.10Going Home Boogie (Two)
1.11Going Home Boogie (Three)
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DE - 22113 Hamburg
Germany
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Customers who bought this also bought this
Black Vinyl 2LP Gatefold
2LP TRACKLIST:
A1. Introit
A2. Prophecy At 1420 MHz
A3. Hydrogen Helium Lithium Leviathan
A4. Age Of Capricorn
A5. Father And Son
B1. Somewhere Right Now In The Future
B2. Naraka
B3. Acts Of Magic
B4. Memory Death
B5. The Word Becomes Flesh
C1. Into The Magic Land
C2. Blood In The Labyrinth
C3. Deep Time
C4. All Reason Departs
D1. Arena Americanada
D2. The Process
D3. You Retreat In Time And Space
D4. I Saw Through Platonia
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DE - 22113 Hamburg
Germany
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2LP TRACKLIST:
A1. Introit
A2. Prophecy At 1420 MHz
A3. Hydrogen Helium Lithium Leviathan
A4. Age Of Capricorn
A5. Father And Son
B1. Somewhere Right Now In The Future
B2. Naraka
B3. Acts Of Magic
B4. Memory Death
B5. The Word Becomes Flesh
C1. Into The Magic Land
C2. Blood In The Labyrinth
C3. Deep Time
C4. All Reason Departs
D1. Arena Americanada
D2. The Process
D3. You Retreat In Time And Space
D4. I Saw Through Platonia
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
White Vinyl 2LP (Contains original album and mono-mix retrieved from original tapes)
In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
In celebration of the 25th anniversary of the Strut label, we are delighted to unveil a special edition of a landmark album within the realm of African music - Mulatu Astatke"s "Mulatu Of Ethiopia". Recorded in New York in 1972, this pivotal album marks a juncture in Astatke"s musical journey when he adeptly fused various styles to craft the distinctive genre known as Ethio-jazz. For this special edition, the release features the original stereo mix of the full album, as well as a special "mono-mix" of each track retrieved from the original 2" tapes, pressed on opaque white vinyl 2LP.
A1 MULATU 5:00
A2 MASCARAM SETABA 2:40
A3 DEWEL 4:00
B1 KULUNMANQUELESHI 2:05
B2 KASALEFKUT-HULU 2:25
B3 MUNAYE 3:15
B4 CHIFARA
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pharoah Sanders & Bill Laswell - A1. Across Time
2
Pharoah Sanders & Bill Laswell - A2. Morning Tala
3
Pharoah Sanders & Bill Laswell - B1. Alankara (Beats Of The Heart)
4
Pharoah Sanders & Bill Laswell - B2. Gamaka
LP
- First official vinyl edition of With A Heartbeat (2003) by Pharoah Sanders, Bill Laswell & Graham Haynes
- A unique blend of spiritual jazz, future jazz and dub production techniques
- Remastered for vinyl, available in classic black vinyl
- Licensed courtesy of Douglas Daughters
2. GENRE/S: Jazz, Future Jazz, Dub
3. TRACKLIST:
Side A:
Across Time
Morning Tala
Side B:
Alankara (Beats Of The Heart)
Gamaka
4. INFO:
Originally released in 2003, With A Heartbeat brings together Pharoah Sanders, Bill Laswell and Graham Haynes in a collaboration that remains as elusive as it is forward-thinking. Now reissued by Glossy Mistakes, the album receives its first official vinyl edition, remastered and available both in standard black and a limited burgundy pressing.
At the core of the record lies an unusual but striking element: the steady pulse of a human heartbeat. Rather than a conceptual gesture, it becomes the foundation of the music itself-treated as a deep, bass-like rhythm that anchors the entire album. Around it, Laswell builds his unmistakable sonic world, drawing from dub techniques where basslines expand, dissolve, and re-emerge, and where space becomes as important as sound.
Across its extended compositions, the album unfolds slowly and deliberately. Layers of electric sitar, guitar, keyboards and subtle percussion drift in and out, creating a fluid, almost tidal movement. The heartbeat remains present throughout, grounding even the most abstract passages in something physical and immediate.
At the center stands Sanders' saxophone-searching, expansive, and deeply spiritual. His playing moves freely across the structures, at times echoing the lineage of John Coltrane, while also reaching beyond it. Alongside him, Haynes adds a complementary voice, weaving through the shifting textures.
The result is a work that resists easy definition: part spiritual jazz, part future-facing experiment, shaped by dub's sense of space and transformation. Meditative, immersive, and deeply rhythmic, With A Heartbeat unfolds like a living organism-guided not by fixed tempo, but by the pulse of life itself.
With this release, Glossy Mistakes continues its work of bringing essential and forward-thinking recordings into new formats, preserving their depth while opening them to new listeners.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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- First official vinyl edition of With A Heartbeat (2003) by Pharoah Sanders, Bill Laswell & Graham Haynes
- A unique blend of spiritual jazz, future jazz and dub production techniques
- Remastered for vinyl, available in classic black vinyl
- Licensed courtesy of Douglas Daughters
2. GENRE/S: Jazz, Future Jazz, Dub
3. TRACKLIST:
Side A:
Across Time
Morning Tala
Side B:
Alankara (Beats Of The Heart)
Gamaka
4. INFO:
Originally released in 2003, With A Heartbeat brings together Pharoah Sanders, Bill Laswell and Graham Haynes in a collaboration that remains as elusive as it is forward-thinking. Now reissued by Glossy Mistakes, the album receives its first official vinyl edition, remastered and available both in standard black and a limited burgundy pressing.
At the core of the record lies an unusual but striking element: the steady pulse of a human heartbeat. Rather than a conceptual gesture, it becomes the foundation of the music itself-treated as a deep, bass-like rhythm that anchors the entire album. Around it, Laswell builds his unmistakable sonic world, drawing from dub techniques where basslines expand, dissolve, and re-emerge, and where space becomes as important as sound.
Across its extended compositions, the album unfolds slowly and deliberately. Layers of electric sitar, guitar, keyboards and subtle percussion drift in and out, creating a fluid, almost tidal movement. The heartbeat remains present throughout, grounding even the most abstract passages in something physical and immediate.
At the center stands Sanders' saxophone-searching, expansive, and deeply spiritual. His playing moves freely across the structures, at times echoing the lineage of John Coltrane, while also reaching beyond it. Alongside him, Haynes adds a complementary voice, weaving through the shifting textures.
The result is a work that resists easy definition: part spiritual jazz, part future-facing experiment, shaped by dub's sense of space and transformation. Meditative, immersive, and deeply rhythmic, With A Heartbeat unfolds like a living organism-guided not by fixed tempo, but by the pulse of life itself.
With this release, Glossy Mistakes continues its work of bringing essential and forward-thinking recordings into new formats, preserving their depth while opening them to new listeners.
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1
Peven Everett - Stuck (Danny Krivit Re-Edit)
2
Peven Everett - Stuck (Phil Asher's Soul Heaven Remix)
Danny Krivit and Phil Asher mixes.
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1
Coke - Na Na
2
Coke - You Turn Me On
3
Coke - Got To Touch Your Face
4
Coke - Que Seria De Mi
5
Coke - Bun Bun Bun
6
Coke - Bang Bang
7
Coke - Sabor A Mi
8
Coke - Te Amo Mas
9
Coke - Nuestro Amor
10
Coke - Quiero Decirte
Presenting an official reissue of Coke’s audacious, engrossing self-titled album from 1972, originally released on Manuel J. Mato’s collectible Sound Triangle Records imprint. It’s a heavy hit of Miami Latin-funk, dosed up with psychedelic garage rock and gritty soul excellence, making for an intoxicating blend of styles and genres on this highly sought-after LP.
Predominately sung in English, Coke’s only album under this moniker is a sumptuous melting pot of influences, tied together with bright funk drumming, flavourful organs and zesty horns. With a garage band attitude and sensibility, the lineup consisted of Paul Garcia on guitar, Ariel Hernandez on bass, Ruben Perez on drums, Jose Rubio on the keys, a host of guest horn players and Peter Fernandez on vocals, whose tone and delivery was often mistaken for that of a woman.
Produced by Mato, the record and band were well-received in Miami and Southern Florida at the time. Due to a lack of promotion outside of Florida and the threat of a lawsuit from the Coca-Cola corporation for usage of their name, the band fell into relative obscurity, becoming Opus following the dispute.
They say the cream always rises to the top though, with Coke being rediscovered by diggers and collectors searching for a rare groove. One of the standout cuts on the album 'Na Na' was recently featured on the soundtrack to the Netflix drama 'Griselda' (a biopic of Miami/Cuban crime boss Griselda Blanco). Other highlights include the crooner-jazz-rock ‘Got to Touch Your Face’, the psych ballad 'You Turn Me On' with a guitar line reminiscent of The Doors, and the Latin-rock groover, 'Te Amo Mas'.
Coke is a sensational crossover record, that draws from a sea of different influences. Fans of early Santana, garage-pysch, Nu Yorican and Latin-funk productions should all investigate this cherished album - it will have something for you.
Housed in a tip-on sleeve.
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Predominately sung in English, Coke’s only album under this moniker is a sumptuous melting pot of influences, tied together with bright funk drumming, flavourful organs and zesty horns. With a garage band attitude and sensibility, the lineup consisted of Paul Garcia on guitar, Ariel Hernandez on bass, Ruben Perez on drums, Jose Rubio on the keys, a host of guest horn players and Peter Fernandez on vocals, whose tone and delivery was often mistaken for that of a woman.
Produced by Mato, the record and band were well-received in Miami and Southern Florida at the time. Due to a lack of promotion outside of Florida and the threat of a lawsuit from the Coca-Cola corporation for usage of their name, the band fell into relative obscurity, becoming Opus following the dispute.
They say the cream always rises to the top though, with Coke being rediscovered by diggers and collectors searching for a rare groove. One of the standout cuts on the album 'Na Na' was recently featured on the soundtrack to the Netflix drama 'Griselda' (a biopic of Miami/Cuban crime boss Griselda Blanco). Other highlights include the crooner-jazz-rock ‘Got to Touch Your Face’, the psych ballad 'You Turn Me On' with a guitar line reminiscent of The Doors, and the Latin-rock groover, 'Te Amo Mas'.
Coke is a sensational crossover record, that draws from a sea of different influences. Fans of early Santana, garage-pysch, Nu Yorican and Latin-funk productions should all investigate this cherished album - it will have something for you.
Housed in a tip-on sleeve.
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Smokey colour vinyl 3LP with obi-strip
TRACKLIST:
Holiday Roberta Jean Machine I Need You So Much Runaway I'm Doing Fine Shades Of Jae Riley's Song Back At Bakers (On Livernois) Mahogani 9000 Black Mahogani
LP FORMAT DETAILS: Smokey colour vinyl 3LP with obi-strip
LISTEN LINK: https://open.spotify.com/album/224OuhZ1LThmaYGhD8ikq6?si=HPDOersESUmohYgJABHYnA
OVERVIEW:
It’s been over 20 years since Kenny Dixon Jr., better known as Moodymann, released Black Mahogani—an album rich in atmosphere and emotion, offering a quintessential journey through deep house, soul, and jazz. Timeless yet modern, it’s an immersive and emotionally resonant experience that reflects the singular character of Detroit’s deep musical heritage. Originally released in 2004, Black Mahogani is arguably one of Moodymann’s most revered and sought-after works. It completes the puzzle laid out by his rare and elusive KDJ 12” releases from the mid to late '90s. With the help of Detroit legends like the late Amp Fiddler, Roberta Sweed, and Norma Jean Bell, Dixon infused his analog soundscapes and samples with a new organic warmth—expanding the deep house genre while simultaneously paying homage to 1970s soul and cinematic soundtracks. Dixon’s masterful control of tension—knowing exactly when to hold back and when to let go—makes Black Mahogani an enduring masterpiece. It's not just a landmark in electronic music, but a definitive statement in 21st-century Black American music.
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TRACKLIST:
Holiday Roberta Jean Machine I Need You So Much Runaway I'm Doing Fine Shades Of Jae Riley's Song Back At Bakers (On Livernois) Mahogani 9000 Black Mahogani
LP FORMAT DETAILS: Smokey colour vinyl 3LP with obi-strip
LISTEN LINK: https://open.spotify.com/album/224OuhZ1LThmaYGhD8ikq6?si=HPDOersESUmohYgJABHYnA
OVERVIEW:
It’s been over 20 years since Kenny Dixon Jr., better known as Moodymann, released Black Mahogani—an album rich in atmosphere and emotion, offering a quintessential journey through deep house, soul, and jazz. Timeless yet modern, it’s an immersive and emotionally resonant experience that reflects the singular character of Detroit’s deep musical heritage. Originally released in 2004, Black Mahogani is arguably one of Moodymann’s most revered and sought-after works. It completes the puzzle laid out by his rare and elusive KDJ 12” releases from the mid to late '90s. With the help of Detroit legends like the late Amp Fiddler, Roberta Sweed, and Norma Jean Bell, Dixon infused his analog soundscapes and samples with a new organic warmth—expanding the deep house genre while simultaneously paying homage to 1970s soul and cinematic soundtracks. Dixon’s masterful control of tension—knowing exactly when to hold back and when to let go—makes Black Mahogani an enduring masterpiece. It's not just a landmark in electronic music, but a definitive statement in 21st-century Black American music.
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1
Reality - Reality
2
Reality - Road
3
Reality - Disco Party (Let's Have A)
4
Reality - Welcome
5
Reality - Movin' & Groovin'
6
Reality - Let's Party People
7
Reality - You Keep Me Holdin' On
8
Reality - Clap & Hustle
Mr Bongo presents a reissue of one of the rarest releases on the illustrious and now ultra-rare tax scam label TSG Records. A label with a checkered past, operated by Lloyd Price and with alleged ties to boxing promoter Don King. The album in question, Disco Party by Reality, is a stunning journey through ‘70s dancefloor-focussed funk into early proto-disco grooves.
Back in mid-‘70s Manhattan, Dr. Otto Gomez and a group of fellow New York musicians including Tony Dixon, Norman Drayton, Tony Dupree, Al Jones and Fred Nanton were brought in for a recording session by songwriter and producer, Billy Nichols. Laying down one of Nichols' songs and a selection of the group's own, they were paid as session musicians and thought little of it. The tapes came to the attention of Lloyd Price who struck a deal with Nichols unbeknownst to Gomez and the rest of the band.
Price then pressed the album and put it out in 1976 on a newly formed subsidiary label, TSG Records, that would later be documented as one of the US tax scam labels of the ‘70s. Such labels were created to exploit a loophole in the US tax system, running up inflated production costs / losses that investors or the parent label could write off against their tax bills. Releases on these labels were never intended to have commercial success. They would usually be produced in incredibly limited pressing numbers and have little to no promotion or distribution.
As such many of these records instantly fell into obscurity, becoming mythical amongst DJs and record collectors. Sadly, this meant that artists like Dr. Otto Gomez and friends never had the chance for their record and their talents to shine at the time. In fact, it was only when Jazzman reached out for their 2022 reissue that Dr. Otto Gomez became aware that the album had ever been released and heard the story behind it.
Disco Party is a time capsule where ‘70s instrumental funk edges and intertwines into an early disco sound. The sessions are for the dancefloor, minimalist and groove-based. The bass and drums are at the forefront, providing the pulse of the album. Driving funky guitar licks, and a brilliant horn section weave their way in and out of the productions. Highlights include the uplifting feel-good ‘Let's Party People’, the early disco swagger of ‘Reality’, and ‘Disco Party (Let's Have A)’ with its wah-wah groove and percussion break, which could easily have found its home on a Blaxploitation film soundtrack of the period.
It’s not just rarity that makes this record so sought after, but rather the fact that it is a superb example of dancefloor-focussed mid ‘70s funk and disco.
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Back in mid-‘70s Manhattan, Dr. Otto Gomez and a group of fellow New York musicians including Tony Dixon, Norman Drayton, Tony Dupree, Al Jones and Fred Nanton were brought in for a recording session by songwriter and producer, Billy Nichols. Laying down one of Nichols' songs and a selection of the group's own, they were paid as session musicians and thought little of it. The tapes came to the attention of Lloyd Price who struck a deal with Nichols unbeknownst to Gomez and the rest of the band.
Price then pressed the album and put it out in 1976 on a newly formed subsidiary label, TSG Records, that would later be documented as one of the US tax scam labels of the ‘70s. Such labels were created to exploit a loophole in the US tax system, running up inflated production costs / losses that investors or the parent label could write off against their tax bills. Releases on these labels were never intended to have commercial success. They would usually be produced in incredibly limited pressing numbers and have little to no promotion or distribution.
As such many of these records instantly fell into obscurity, becoming mythical amongst DJs and record collectors. Sadly, this meant that artists like Dr. Otto Gomez and friends never had the chance for their record and their talents to shine at the time. In fact, it was only when Jazzman reached out for their 2022 reissue that Dr. Otto Gomez became aware that the album had ever been released and heard the story behind it.
Disco Party is a time capsule where ‘70s instrumental funk edges and intertwines into an early disco sound. The sessions are for the dancefloor, minimalist and groove-based. The bass and drums are at the forefront, providing the pulse of the album. Driving funky guitar licks, and a brilliant horn section weave their way in and out of the productions. Highlights include the uplifting feel-good ‘Let's Party People’, the early disco swagger of ‘Reality’, and ‘Disco Party (Let's Have A)’ with its wah-wah groove and percussion break, which could easily have found its home on a Blaxploitation film soundtrack of the period.
It’s not just rarity that makes this record so sought after, but rather the fact that it is a superb example of dancefloor-focussed mid ‘70s funk and disco.
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he late, great J Dilla is one of the greatest hip-hop producers of all time, in part because his ear for music
was so diverse and expansive. As Dilla's mother Ma Dukes explains, "He didn't come with a limited capacity, and real producers produce, produce, and produce. There are no formats for genius workers…just non-stop creations."
Now, a fresh batch of those creations is available to the world, in the form of the official J Dilla release Dillatronic. This 2LP edition from Ma Dukes and Vintage Vibez Music Group includes the full Dillatronic collection – over 40 rare instrumentals that showcase Dilla's undeniable electronic influences.
TRACKLISTING
Dillatronic 1 through Dillatronic 41
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was so diverse and expansive. As Dilla's mother Ma Dukes explains, "He didn't come with a limited capacity, and real producers produce, produce, and produce. There are no formats for genius workers…just non-stop creations."
Now, a fresh batch of those creations is available to the world, in the form of the official J Dilla release Dillatronic. This 2LP edition from Ma Dukes and Vintage Vibez Music Group includes the full Dillatronic collection – over 40 rare instrumentals that showcase Dilla's undeniable electronic influences.
TRACKLISTING
Dillatronic 1 through Dillatronic 41
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1
Günther Fischer Quintett - Eselsfutter
2
Günther Fischer Quintett - Für Yvonne
3
Günther Fischer Quintett - Japanische Näge
4
Günther Fischer Quintett - Reise durch die Alpen
Here comes an incredible Fusion Jazz-Funk discovery on vinyl for the first time.
From the vaults of mastermind Günther Fischer came this unreleased outstanding Rare Groove material with breathtaking international high class Jazz from 1974. It bears no comparison with absolute international most wanted sounds from Marc Moulin's Placebo,
Masaru Imada´s Green Caterpillar, the german ensemble Catch up, UK´s Nucleus or the US jazz milesstones from Catalyst. It is unbelievable that an East German band played and recorded such fresh modern electrified Jazz at this time.
In a perfect modern jazz line-up, Günther Fischer not only plays the Saxophone but also the Synthesizer! Despite the fact that this highly sought-after and therefore mostly fully booked studio and stage band worked with greats such as Manfred Krug, Uschi Brüning and Armin Müller Stahl in the 1970s, these deep and funky inspired "underground jazz" recordings were made and presented to select jazz concertgoers.
Günther Fischer and his formation show here that, in addition to the popular Soul Jazz field, they are
also in top form in the groovy, electric Avantgarde-Jazz Rock niche and are playing in the absolute top league. These four tracks are a unique discovery that already belong to the holy grail of Jazz and make Günther Fischer immortal in East German and international Jazz Funk of the 1970s.
Tracklist:
Side 1
Eselsfutter 14´43 min
Für Yvonne 8´57 min
Side 2
Japanische Nägel 13´55 min
Reise durch die Alpen 10´35 min
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From the vaults of mastermind Günther Fischer came this unreleased outstanding Rare Groove material with breathtaking international high class Jazz from 1974. It bears no comparison with absolute international most wanted sounds from Marc Moulin's Placebo,
Masaru Imada´s Green Caterpillar, the german ensemble Catch up, UK´s Nucleus or the US jazz milesstones from Catalyst. It is unbelievable that an East German band played and recorded such fresh modern electrified Jazz at this time.
In a perfect modern jazz line-up, Günther Fischer not only plays the Saxophone but also the Synthesizer! Despite the fact that this highly sought-after and therefore mostly fully booked studio and stage band worked with greats such as Manfred Krug, Uschi Brüning and Armin Müller Stahl in the 1970s, these deep and funky inspired "underground jazz" recordings were made and presented to select jazz concertgoers.
Günther Fischer and his formation show here that, in addition to the popular Soul Jazz field, they are
also in top form in the groovy, electric Avantgarde-Jazz Rock niche and are playing in the absolute top league. These four tracks are a unique discovery that already belong to the holy grail of Jazz and make Günther Fischer immortal in East German and international Jazz Funk of the 1970s.
Tracklist:
Side 1
Eselsfutter 14´43 min
Für Yvonne 8´57 min
Side 2
Japanische Nägel 13´55 min
Reise durch die Alpen 10´35 min
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1
Eduardo Araújo & Silvinha - Sou Filho Desse Chão
2
Eduardo Araújo & Silvinha - Círculo Vicioso
3
Eduardo Araújo & Silvinha - Girassol
4
Eduardo Araújo & Silvinha - Capoeira
5
Eduardo Araújo & Silvinha - O Tempo Que Esse Tempo Tem
6
Eduardo Araújo & Silvinha - Manda Embora A Tristeza
7
Eduardo Araújo & Silvinha - Misturando Rock Com Baião
8
Eduardo Araújo & Silvinha - Ter O Que Eu Tenho Sem Você
9
Eduardo Araújo & Silvinha - Capoeira
10
Eduardo Araújo & Silvinha - Opanigê
Brazil is a treasure trove of inspirational music from the past, present, and future. Here we head back to 1976 for a one-of-a-kind kaleidoscopic journey, melding Brazilian regional rhythms with funk, rock, soul, and psychedelia by the married couple Eduardo Araújo and Silvinha. A cult classic and beloved record for some of the scene’s biggest DJs including Floating Points, it was further immortalised when Madlib sampled ‘Opanigê’ for his track ‘São Paulo’.
Singers Eduardo Araújo and Silvinha Araújo had successful careers in Brazil beginning in the 1960s. Eduardo broke through with the rock-infused Jovem Guarda hit ‘O Bom’. Stepping into more soulful territory, Eduardo released ‘A Onda É Boogaloo’ in 1969, produced by a young Tim Maia and followed it up with a number of other notable releases. Also part of the Jovem Guarda movement, Silvinha recorded a string of excellent albums and numerous 7” compactos for Odeon and RCA.
In 1976, the duo set forth the landmark underground album Sou Filho Dêsse Chão, complete with its eye-catching psychedelic cover art by Gustavo Matula and Jan Matula. The album featured a heavyweight line up of musicians, including accordionist supreme Dominguinhos, the drummer Dirceu Medeiros, who played on the first Os Mutantes album, and members of the esteemed bands Banda Black Rio and Som Nosso.
Sou Filho Dêsse Chão was inspired by the pair's travels to Salvador, Bahia. Eduardo was influenced by the Brazilian culture of the region and wanted to incorporate and capture the sounds of capoeira, Forró, and candomblé into the album. Here we have the traditional African-Brazilian culture of Northern Brazil fusing with the contemporary commercial music of Rio and São Paulo’s Tropicalia, MPB, psych-rock, and Black Rio movements. Uniting the cultures, Eduardo and Silvinha managed to combine these genres seamlessly.
It's an album full of highlights, with the Tim Maia-esque funk of ‘O Tempo Que Esse Tempo Tem’ laced with its rock tones, sitting side by side with the accordion-driven ‘Sou Filho Desse Chão’ and rolling groove of ‘Manda Embora A Tristeza’. Elsewhere the elegant trippy psych-funk of ‘Capoeira’ sees Eduardo and Silvinha effortlessly trading vocal duties. The record would also reach a new audience outside of Brazil when one of the standout tracks, the highly original spacey ‘Opanigê’, was sampled by Madlib for his track ‘São Paulo’.
Even though on release it was not a commercial success, Sou Filho Dêsse Chão has since found its place as an iconic and treasured LP.
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Singers Eduardo Araújo and Silvinha Araújo had successful careers in Brazil beginning in the 1960s. Eduardo broke through with the rock-infused Jovem Guarda hit ‘O Bom’. Stepping into more soulful territory, Eduardo released ‘A Onda É Boogaloo’ in 1969, produced by a young Tim Maia and followed it up with a number of other notable releases. Also part of the Jovem Guarda movement, Silvinha recorded a string of excellent albums and numerous 7” compactos for Odeon and RCA.
In 1976, the duo set forth the landmark underground album Sou Filho Dêsse Chão, complete with its eye-catching psychedelic cover art by Gustavo Matula and Jan Matula. The album featured a heavyweight line up of musicians, including accordionist supreme Dominguinhos, the drummer Dirceu Medeiros, who played on the first Os Mutantes album, and members of the esteemed bands Banda Black Rio and Som Nosso.
Sou Filho Dêsse Chão was inspired by the pair's travels to Salvador, Bahia. Eduardo was influenced by the Brazilian culture of the region and wanted to incorporate and capture the sounds of capoeira, Forró, and candomblé into the album. Here we have the traditional African-Brazilian culture of Northern Brazil fusing with the contemporary commercial music of Rio and São Paulo’s Tropicalia, MPB, psych-rock, and Black Rio movements. Uniting the cultures, Eduardo and Silvinha managed to combine these genres seamlessly.
It's an album full of highlights, with the Tim Maia-esque funk of ‘O Tempo Que Esse Tempo Tem’ laced with its rock tones, sitting side by side with the accordion-driven ‘Sou Filho Desse Chão’ and rolling groove of ‘Manda Embora A Tristeza’. Elsewhere the elegant trippy psych-funk of ‘Capoeira’ sees Eduardo and Silvinha effortlessly trading vocal duties. The record would also reach a new audience outside of Brazil when one of the standout tracks, the highly original spacey ‘Opanigê’, was sampled by Madlib for his track ‘São Paulo’.
Even though on release it was not a commercial success, Sou Filho Dêsse Chão has since found its place as an iconic and treasured LP.
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1
Harmony Cats - Harmony Cats' Theme
2
Luiza Maura - Sorriso Vermelho
3
Gretchen - Ela Tem Raça, Charme, Talento E Gostosura
4
Coisa Quente - Edmundo (In the Mood)
5
Zé Carlos - Venha (Remix)
6
Robson Jorge & Lincoln Olivetti - Suspira
7
Os Carbonos - Pássaro Selvagem
8
San Rodrigues - Fofa
9
Marcos Valle - Parabéns (Dança Do Daniel)
10
Lafayette - Sol De Verão
11
Roberto Cesar - Fevereiro (O Bamba)
12
Arlete - Quero Ser Sua Mulher
13
Waldirene - Queima Como Fogo
14
Luiza Maura - Deixa Girar
15
Jorge Ben - Rio Babilônia
16
Carlos Bivar - Elo
13 years in the making, Mr Bongo proudly presents a new compilation of beloved Brazilian disco and boogie finds from the legendary London disco connoisseurs, Horse Meat Disco. A labour of love, it showcases a tantalising cross-section of disco, funk, boogie, samba and MPB, from past to present. Unearthing tracks from the seemingly endless gold mine of Brazilian gems, the compilation features legends such as Jorge Ben, Gretchen, Marcos Valle and Robson Jorge & Lincoln Olivetti, alongside unsung heroes including Zé Carlos and Carlos Bivar.
Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
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Over 20 years ago, the Horse Meat Disco crew (James Hillard, Severino Panzetta, Jim Stanton and Luke Howard) began their weekly residency at Eagle London back in 2003. That same year, Luke made his first visit to Brazil, beginning a musical love affair that is still going strong.
“I had always wanted to go to Brazil since I was a kid, and when I finally had the opportunity to go with Princess Julia, I was just blown away. I’ve visited Rio every year since 2003, and in that time, I’ve learned Portuguese and tried to discover as much as I can about Brazilian music and popular culture. I learned to dance samba with the Paraiso School of Samba in London and paraded three times at Rio Carnival. Brazilian music was a brand-new world for me to explore and get excited about—a whole universe of genius musicians, singers, and styles.”
9 years later, Mr Bongo invited Luke down to their Brighton HQ for a listening session of some of his favourite Brazilian boogie and disco 7" finds. A compilation was green-lit, but multiple licensing delays and the release of other HMD compilations meant that it lay dormant for years.
Fast forward to 2024, and with the help of esteemed, Rio-based record collector Tee Cardaci, along with suggestions from HMD’s James Hillard, the dream of an HMD Brazilian compilation finally materialised. It’s a carefully curated collection that includes the electronic-boogie/italo-disco-esque 1984 groover 'Venha (Remix)' by the singer Ze Carlos, two cuts by Luiza Maura taken from her sought-after Deixa Girar 7", and Gretchen's sultry 'Ela Tem Raça, Charme, Talento E Gostosura' written by Jorge Ben.
At its core, this compilation captures the excitement and sense of discovery that won over Horse Meat Disco’s heart more than 20 years ago. A vibrant mix of feel-good flavours, it homes in on a sun-soaked strand of disco and boogie that has been enriched with the spirit of a nation where music serves as a central pillar of life.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More