Tracklist 12”:
A1. Don’t Hide It
A2. Xtra Sauce
B1. Vista

Short info:
As owner and curator of the Exotic Dance Records label , J. Albert has released a steady handful of projects on his Brooklyn based imprint , as well as showcasing new music from Deejay Xanax and
Person Of Interest . Add to that, recent releases on the 1080p label and Black Opal , and J. Albert is fast making a mark on the scene for his raw and undiluted deep fusion of house, techno and jazzy vibes.
His debut EP for Hypercolour opens up with “Don’t Hide It” ; a bumpin’ and jazzy flavoured house cut, resplendent with rolling snare drums and warm stabs, a sampled double bass riff and choppy vocal refrains
“Xtra Sauce” is another stellar house track, fans of the Ron Trent/Prescription Chicago sound will instantly find an affection here with the rolling drums and soft keys, all pushed along at an energetic pace, whilst “Vista” finds J. Albert in more playful mode, carving out a 10 minute jackin’ underground house vibe that cuts raw and hypnotising.

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GENRE/S: Electro, Breaks, Rave, House, Experimental, Pop

TRACKLISTS:

A1: Sack Voll Drogen (A JD Twitch Version) (05:40 min)
A2: 31 24 42 (Tentenko Mixdown 1) (02:31 min)

B1: Can't Resist (Popmusiker sind auch Künstler-Version) (Mense Reents Remix) (05:45 min)
B2: 31 24 42 (Tentenko Mixdown 2) (01:51 min)
B3: Kind Und Kegel (03:39 min)

SHORT INFO:

We Smile were part of the Hamburger Schule back in the early Nineties: expressive vocals, associative lyrics in German and English, brittle guitars and overall a quite broad interpretation of the general idea of Pop. Now, 30 years later, Hamburg label Couldn’t Care More releases these spectacular remixes of songs from We Smiles album “Für Die Anderen”: Glasgows JD Twitchs (Optimo) turns “Sack Voll Drogen” into one twisted colossus of a track, made from electro, breaks and rave , Tokyos Tentenko fires up the Casio for her two versions of "31 24 42" and Hamburgs Mense Reents (Egoexpress, Die Vögel, Die Goldenen Zitronen) builds the most extraordinary elegant Pop song from the sparse "Can't Resist (Popmusiker Sind Auch Künstler-Version)". Also included is the formidable (and remastered) original of "Kind Und Kegel".









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GENRE/S: House, Deep House

TRACKLIST:

A. Superpitcher – Monks In The Sky (10:03 min)
B. Repeat Orchestra – Monks In A Club (04:48 min)

SHORT INFO:

"Monks In A Club" from the Repeat Orchestras album "Infamous Lost Tracks" is a perfect example of elegant dancefloor understatement, smooth, minimalistic and groovy as hell; no wonder that Superpitcher got thrilled and created not a remix but his own track inspired by Repeat Orchestra, reworking the essence of "Monks In A Club". And Superpitcher did what only Superpitcher can: "Monks In The Sky" is an epic ride, expanding, stretching, ebbing and flowing, ten minutes of levitating groove hypnosis that goes in depth. Fascinating.








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ARTIST: Stareaway
TITLE: No Life In This Ghost Town - The Remixes II

GENRE/S: Electronica, Pop Ambient

TRACKLISTS:

A1 O Suomi (Irisarri Remix)
A2 Appointments (David Westlake Remix)
B1 All Over You (Thomas Fehlmann Remix)
B2 Dreams May Never (Simon Scott Remix)

SHORT INFO:

Back in 2011 Markus Guentner and Heiko Badje formed Stareaway to follow their vision of creating both enchanting and haunting music from melodies and drones. Combining Guentners complex Wall of Electronic Sound and Badjes ethereal androgyn voice and multifaceted guitar play, they indeed produced some epic works between Ambient, Pop and Shoegaze, strangely shimmering and profoundly mysterious.
Now Stareaways fantastic (and back then maybe a little overlooked) album No Life In This Ghost Town sees its rerelease and is, for celebrational purposes, accompanied by this EP of four stunning remixes by stunning artists Rafael Anton Irisarri (who also did the mastering), Simon Scott (Slowdive), Thomas Fehlmann and David Westlake (ex Sneaker Pimps). Rafael Anton Irisarris magical take on O Suomi sparkles bright, still with melancholia always present. David Westlake emphasizes the Pop-aspect of Appointments, adding lush synth melodies and light-filled grooves while Thomas Fehlmann lets All Over You spiral into Popambients most majestic heights. Finally Simon Scott builds a Kathedrale aus Klang on Dreams May Never. Amazing remixes of amazing originals.








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2022 Re Edition

UPC A Barcode: 827170 494664 Format: 2LP

Tracklisting: A1: No Life In This Ghost Town B1: To Get Further B2: O Suomi C1: The Loss Of Breath C2: Appointments D1: Dreams May Never D2: All Over You

Release Info:
Stareaway is Markus Guentner (Kompakt, A Strangely Isolated Place) and Heiko Badje (La Grande Illusion) carefully combining ambient soundscapes, shoegazy guitars, melancholic Pop melodies and these amazing bodiless vocals to form a deep, subtle and somehow hard to define kind of enchanted music. Their 2013 album No Life In This Ghost Town (mastered by Rafael Anton Irisarri) is now re-released (via Couldn’t Care More); seven wonderful tracks, caressing and thoughtful, yet touched by a certain darkness that makes you shiver. Brilliant works that need to be rediscovered.
The album-rerelease is accompanied by a spectacular EP with remixes by Rafael Anton Irisarri, Simon Scott (Slowdive), Thomas Fehlmann und David Westlake (ex-Sneaker Pimps).





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GENRE: Electronic, House, Minimal

TRACKLIST:

Seite A
A1 Call and Response 05:21 min
A2 Monks In A Club 04:48 min
A3 Stereotype 05:28 min

Seite B
B1 A Means To An End 04:59 min
B2 Nightdubbing 05:45 min
B3 Less Sensational 05:47 min

SHORT INFO:

Stefan Schwanders Repeat Orchestra presents “Infamous Lost Tracks”, an album appearing out of the blue, coming from spheres where time, space and Zeitgeist are nothing more than words.
With the Repeat Orchestra Schwander (who of course also is Harmonious Thelonious, A Rocket In Dub, Antonelli and a lot more) found a unique way of channeling deep House Music, a minimalistic setup and an idea of creating enjoyable music into amazing tracks that sound so effortless and natural. From first track "Call And Response" on it’s obvious that the main thing that this album is about is the groove, sometimes euphoric, sometimes quite unobtrusive but always irresistible, build from massive basslines, complex rhythms and the masterfully performed interplay of repetition and modulation. Warm harmonies, multilayered (at times quite unusual ("Nightdubbing")) melodies and subtle arrangements complete these Infamous Lost Tracks and their very own formular between Düsseldorf, Chicago and Lagos. There’s nothing harsh in this music, no aggression, still it’s far from being tame or tranquil: The pumping energy of "A Means To An End" or the sublime liquid shuffle of "Less Sensational" show the swing and kick inside these works that are made for delight but not to please.

And “Monks In A Club” is the most brilliant example of dancefloor understatement that you’ll ever hear in your life. Reduction, elegance and the right kind of mania concentrated into some minutes of pure club heaven. Handclaps, nonchalance & madness. An essential singularity and the swan song to the Repeat Orchestra, there will be no more of it. Get It And Smile.

João Geck, Hamburg, 12.04.2022








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GENRE/S: Electronic, Techno, Noise

TRACKLIST:

A1.Limestones
A2.The Wave

B1.Stalactite
B2.The Fish Stone

SHORT INFO:

Following her highly praised "An Antworten EP" on TAL, Tentenko releases “The Soft Cave” on Couldn’t Care More. The Tokyo Wonder Girl further expands her unique universe of electronic music with four stunning tracks between oddly beguiling iridescence ("The Wave") and deliberately raw technoid clanging ("Stalactite"), developing a twisted yet very playful version of Experimental Techno, Breakbeats or whatever it is ("The Fish Stone"). Exciting stuff for Warp / Modern Love / Sähkö aficionados and everyone who dares.

Artwork Layout by Alex Solman








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Genre: Electronic, House, Ambient


Tracklist 12":
A. Clicks in Pink House (06:59 min)

B1. Blue Signals in Space (06:27 min)
B2. Purple Dreams in March (06:05 min)


Short Info:
On his new EP Three Colours for Couldn’t Care More the ever-searching RVDS (Golden Pudel Club, Bureau B, It's) keeps his senses wide open and comes up with three amazing tracks as diverse as coherent:

While Clicks in Pink House is enthusiastic warm House Music with a big bassline, Blue Signals in Space' flow of hypnotic meditation has a strange tension underneath that effortlessly connects with the delicate elegance of Purple Dreams in March’s playful piano chords. Three quite different colours that make a beautiful whole.







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Genre: Electronic, Minimalism, House


Tracklist 12":
A. Aventure (7:43 min)

B1. Some Blue Beats (5:18 min)
B2. Ta Ta Ta (6:14 min)


Short Info:
With the indeed adventurous Aventure EP on Couldn’t Care More Harmonious Thelonious further explores the depths of his unique vision, merging African rhythms, European harmonies and American minimalism: The title track keeps the same yet ever-changing lighthearted melody effortlessly meandering back and forth over electrified beats while Some Blue Beats is more on the minimalist side, as controlled as eccentric. Ta Ta Ta keeps it darker, with hypnotic percussions, organ chords noir and a big bass. Advanced music. Play loud.






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Tracklist 12":

A: Stay Close (Gonzo's Way Remix by Losoul) / 10.54 min
B: One Four Tee (Benjamin Brunn Remix) / 04:51 min

Short Info:
John Dalys amazing It's All Around You EP gets remixed by German virtuosos Losoul and Benjamin Brunn and the results are as diverse as stunning: while Benjamin Brunn morphs One Four Tee into subtly swinging Electronica, Losoul expands Stay Close into an unbelievable 11-minute groove ride between House and Techno, as tight as epic.





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Tracklist 12":

A1: It's All Around You
A2: Stay Close

B1: One Four Tee
B2: Rescue

Short Info:

The very talented Mr. John Daly delivers four master class House tracks for Couldn’t Care More.
“It’s All Around You” and “One Four Tee” let deepness and passion rule in full swing while “Rescue” rides smoothly on a huge bass line. And “Stay Close” is nothing but a fascinating groove. Inspired and timeless vibes by John Daly, if you have a floor to fill this record comes handy for sure.




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Tracklist:
A : Heights (Jus' Rushin Mix) B1: Oxidize (Original Mix) B2: Oxidize (RVDS Remix)

Infotext:
After his exciting album "Elasticity" on his own imprint Elastic Dreams, A Sagittariun delivers the equally fascinating three track "Oxidize EP" for german label Couldn't Care More. While "Heights" is a stripped-down basic-channelish techno ride, rough, edgy and with a hint of hypnotic melodies, the title track heads in a quite different direction: still it's raw expressionistic techno, but the flow is ever-changing, mesmerizingly shifting and twisting between hissing beats and enlightened synths. For the remix of "Oxidize" Golden Pudel Club resident and odd-house virtuoso RVDS fires up the acid machine and does it Detroit style, warm and cold, uplifting and melancholic.



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UPC A Barcode: 8271 705 316 6 6 Releasedate: 5.5.2014
A1: Dance Around Yourself A2: Machine B: Dance Around Yourself (Aera Remix)
Monaco à Go-Go is singer/songwriter Jobst Miksche from Hamburg/Germany and "Persimmon Lane EP" is his debut release (for Couldn.t Care More). With "Dance Around Yourself" and "Machines" it offers two slow intimate folk songs full of beauty and melancholia but also a certain easiness. On the b-side AERA (who runs the Aleph label) translates .Dance Around Yourself. into an exotica infused Cumbia Acid Mix that makes you feel quite the same than DJ Kozes adventures on .Amygdala. do: Dizzy, weird and sublime.

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UPC A Barcode: 8271 705 270 6 5Releasedate: 18.11.2013
Paris' house legends CHÂTEAU FLIGHT and up-and-coming swedish producer
LIBRAH deliver beautiful dancefloor-focused remixes of STAREAWAYs (aka Markus
Guentner and Heiko Badje) epic pop/ambient sketches "No Life In This Ghost Town"
and "Appointments", both taken from STAREAWAYs album "No Life In This Ghost
Town", also released on Couldn't Care More.
CHÂTEAU FLIGHT, accompanied by COSMIC NEMAN playing the bongos,
transform the widescreen wall-of sound arrangement of "No Life In This Ghost Town"
into a lush, magically enchanted roller-coaster-ride from deep warm bass to
breathtaking heights of pop.
LIBRAH, who recently made a deep impact with his "2BWU" release on Parkwest,
translates "Appointments" into a smooth and transparent, yet banging groove that
reminds of the Italian deep house sound from DFC! A beatless Reprise-version
completes this lovely remix EP.

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UPC A Barcode: 827170481169 Releasedate: 18.3.2013
The Oliverwho Factory come up with a brand new release on Couldn‘t Care More.With „You Just Don‘t Know“, originally sung by soul diva Phyllis Hyman, the duo delivers energetic Detroit sounds between techno and house, massive beats and soulful vocals.
Vibrant stuff with a unique twist!

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After releases on Gigolo, Rush Hour, Planet E and We Play House, french producer Sebastien San comes up with more great stuff: The "Asylum E.P." on Hamburg based label Couldn't Care More (who only just made a deep impression with The Oliverwho Factorys I Can See) is made to be played on every dancefloor there is. With the hypnotic techno-soundscapes of title track Asylum Sebastien San created one of his best tracks ever and the other two tracks are of same quality. Uptempo track Does Compute is driven by inescapable hooks while Alpha Centauri slows it down a little with warm but inclined strings, chicago house claps and a subtly pulsating bassline.


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"I Can See" by The Oliverwho Factory is the second release of german label Couldn't Care More (following Stareaways "Learn How To Love Me") and it's just marvellous: The duo from Detroit, who by the way runs the stunning label Madd Chaise Inc. and recently released "Galactic Transit" on Rush Hour and "Night Lights" on Planet E, delivers finest Detroit tech deep house with a twist, that will make you wave your arms and scream on the dancefloor. While the basic track is voluminously wafting and rawly pushing forward vocalist Shone tops it with her power- and soulful singing. Both tracks are mastered straight to the point by A.O.S.. Classic.


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Debut release for Stareaway, a new project of german “inventor of pop ambient” Markus Guentner
with singer Heiko Badje, the man behind saudade-driven pop band La Grande Illusion.

Following several releases and highly successful and critically acclaimed albums Guentner solely
released since 2001 for Kompakt and Ware, Guentner and Badje contributed their first co-operation
“Baghira” on Kompakt’s Pop Ambient 2006 compilation. Markus Guentners track “Regensburg”, considered
to be one of the best tracks Kompakt ever released, was selected by Sven Väth to finish his Mix Of The
Second Season and remixed by Wolfgang Voigt.

For the start of the new Hamburg based label Couldn’t Care More they release two melancholic
pop ambient tracks, the title track additionally remixed into an epic, floating journey
of house music by Osunlade, the acclaimed producer, DJ and label owner of Yoruba Records.

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2022 Repress

UPC: 827170486263

Tracklist EP: A1: Stash A2: Courtside Drama B1:Rise B2: The Game

Release Info:
Aus Music non-stop. Not quite content with already chalking up two of the biggest EPs of 2013 so far from Midland and Dusky, Aus return once again with yet another release you’ve been waiting for - the return of Belfast’s biggest sons, Bicep. The London-based duo of Andrew Ferguson and Matthew McBriar had a breakthrough year in 2012, four years after the pair's Feel My Bicep blog first began. The past year has seen them play in more than a dozen countries, including major gigs across the US, China and, more recently, Australia, with particular highlights including a peak time set at Berlin’s haloed Panorama Bar and capacity crowds at both Sub Club and Trouw. In addition to the release of “You/ Don’t” on Aus, the boys also inaugurated their own imprint With the Visions Of Love EP, whilst "$tripper", which was released through Love Fever, came in at number 35 on RA's top 50 tracks of 2012 poll. Further to that they scooped the award for DJ Mag’s Best Breakthrough DJ, supplied Tim Sweeney’s Beats In Space show with an exclusive mix of unreleased material, remixed Ripperton’s “Let’s Hope,” and all the while maintaining the DJ treasure trove that is their blog. Across the EP they take things a little deeper, delving into a different area of their own personal taste. What's presented is an overall more lo-fi style and broader approach, drawing from a wide range of influences including King Street Sounds, HBO's The Wire and Aphex Twin.

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Territories: Worldwide no restrictions

Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl


Track List:

A1 Indian Pop Bass 2:35
A2 Prélude À Une Angoisse 2:20
A3 Patio Bass 2:30
A4 Tension Nerveuse 2:10
A5 Amour, Délices Et Contrebasse 2:30
A6 Percussion Bass 2:50
A7 Obsession Diabolique 2:02

B1 Les Copains De La Basse 2:32
B2 Doucement La Basse 2:22
B3 Bass Session 2:25
B4 Bass After Love 2:06
B5 Ballade Pour Une Basse 2:02
B6 Cosmic Bass 2:55

Release Notes:

Guy Pedersen, French jazz-soul-funk double-bass player extraordinaire, recorded Contrebasses in 1970 for Tele Music. It's one of the most outstanding - yet puzzlingly slept-on - releases in the library's catalogue. Forget library, this is basically a sublime, straight-up moody jazz record with monster breaks. It's brimming with sensational psychedelic/jazzy bass-heavy moments throughout; it's absolute gold.

"Indian Pop Bass" contains a deep, abstract breakbeat that intersects with a bassline that loops as if it sinks into the swaying, heavy, slow drums. The mysterious, deliberate "Prélude À Une Angoisse" is an eerie, magical number with ace effects whilst "Patio Bass" is a breezy deep jazz knockout with fantastic drums and a sashaying melody. "Tension Nerveuse" creates an atmosphere that's exactly as the title suggests, full of genuine suspense, rumbling percussion and deep drama jazz. "Amour, Délices Et Contrebasse" is a touch lightweight so you're advised to head to the much darker, peculiar funk of "Percussion Bass", bursting with imaginative sounds and effects. "Obsession Diabolique" closes out the A Side, with a funky walking bassline and sparkling percussion battling against droning strings to create a uniquely unsettling, beatless track.

Enlivening the B-Side immediately is the fantastic, propulsive funky-jazz of "Les Copains De La Basse". "Doucement La Basse" is largely forgettable but "Bass Session" is a blazing psych-jazz-rock burner. Absolutely thrilling. Equally, "Bass After Love" is devastatingly psychy, funky and unique. "Ballade Pour Une Basse" is a classic funky French jazz piece with an infectious bass melody that seems to anticipate "Before The Night Is Over", the Joe Simon track that Outkast sampled for "So Fresh, So Clean".

The audio for Contrebasses has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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LP

tracklist:
A1. FMsquared [royal wavetable mellodies A] B1. good endgar
A2. copperfeel B2. FMsquared [epiloggy] [beauvine bonus perc version]
A3. WSsquared [royal wavetable mellodies B] B3. LANsqape4 [short_oneTake]



short info:
Brainwaltzera returns to FILM with a brace of archive recordings in the artist's characteristically idiosyncratic style.

The collection opens with FMsquared [royal wavetable mellodies A], a mesmerizing beatless composition split across two contrasting movements. Synth-focused, the first explores a more introspective tone whilst the second is decidedly more elevated and playful. Follow up good endgar showcases the artist's enviable talent for crafting rolling, wide-open IDM, marrying crisp drum machine hits with washed out pads and a resonant bassline. WSsquared [royal wavetable mellodies B] follows the same pattern as mellodies A, split once again into two movements. This time each movement is markedly more distinct: the first, an atmospheric, half-time dirge and the second a more uplifting and esoteric workout, with crystalline FX breaking up the composition. On LANsqape4 [short_oneTake] Brainwaltzera lets the drums roll out, underpinning more lush synth work with a hint of a break closing in as the piece subsides near its close. Copperfeel, the penultimate offering, is the most reduced work in the collection with a single main melody doing the bulk of the legwork, and buoyed by vocal-sounding synths. FMsquared [epiloggy] [beauvine bonus perc version] closes the collection, a pleasing bookend that sees the riff from the opening track's latter movement return - now underpinned with rolling drums.




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WORLDWIDE

LP: Biovinyl, Limited Edition of 500, Heavy 350gsm Sleeve, Sticker

Tracklisting LP
A1. Three Is Company
A2. A Shower At Six
A3. Share
A4. Must Have
A5. Star Thing
B1. Spy On Me
B2. Shower Dance
B3. 11PM
B4. Smells Like Flowers
B5. Showering Sad


Info

WRWTFWW Records is so happy to announce Shower, the brand-new album by New York born, Los Angeles based ambient / jazz / downtempo musician Danny Scott Lane, following the recently released and very well-received cozy soundscape, Home Decor. The limited edition LP (500 copies worldwide) is available on biovinyl housed in a heavy 350gsm sleeve featuring an illustration by Gabrielle Rul and design by Jazlyn Fung. The album is also available digitally.
Continuing to gently push (caress?) the boundaries of chill out music, smooth jazz, and comfy electronica, Shower draws inspiration from “the feeling of a steamy shower shared with a stranger after a night on the dance floor”, a warm immersive affair for the mind and the body. This latest funky auditory experience once again invites Matt Elliot Gooden’s soothing saxophone, and this time also welcomes the vibrant beats of drummer David Ruiz. Organic, discreet in the most relaxing and elegant ways, and just the right amount of sexy – Lane’s new creation offers the finest in audio cocooning.
As you tilt your head back and close your eyes, let the hot and dripping sounds of Shower transport you to a world of sonic serenity. Feel the rich textures and appeasing harmonies wash over you, enveloping your senses in pure musical bliss.
Shower is the first new release by WRWTFWW Records made with biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

Points of interests

- For fans of ambient, smooth jazz, minimalism, saxophone, solo showers, duo showers, shower à trois, and the fresh side of the pillow.

- Limited edition biovinyl of Danny Scott Lane’s new album featuring saxophone by Matt Elliot Gooden and drums by David Ruiz.








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Territories: Worldwide no restrictions

Format Notes: Part of Tele Music Reissue Campaign, 2023 first time reissue, 140g vinyl


Track List:

A1 Soul Car 5:30
A2 Happy Penalty 3:20
A3 Kuzi-Kuza 3:55
A4 Merci Boa 3:05
A5 Slim Bertha 4:55

B1 Country + Country 4:50
B2 Super Airship 2:50
B3 Electronic Mutation 2:00
B4 Africa Semper 1:40
B5 Neo Rythmiques 1 4:35
B6 Neo Rythmiques 2 2:35

Release Notes:

Pierre-Alain Dahan & Slim Pezin's Neo Rythmiques is an absolute KILLER Tele Music library classic from 1976. It's absolutely sensational throughout, all scorching, uptempo jazzy soul funk that Mr James Brown himself would've been envious of. This is serious business with breaks for days. French drummer, percussionist and composer Pierre-Alain Dahan was a key member of the legendary Arpadys, Disco & Co, Voyage, Tumblack (with Wally Badarou, Mallia et al!) and Jef Gilson Septet. With Neo Rhythmiques, he's joined by his eternal guitar colleague Slim Pezin (Voyage, Manu Dibango, Nino Ferrer), so you know this Be With reissue is fundamentally vital.

Opener "Soul Car" is a swaggering, horn-drenched jazz-funk beast whilst the slick JBs funk of "Happy Penalty" is just plain irresistible. Definitely influenced by American funk flavours, it stands alone on its own right as a brilliant piece of music, no question about that. The blazing "Kuzi-Kuza" is again horn-fuelled but has a more exotic, Latino feel, all loose grooves and bastard blues with funky organ and shredding guitars. The stomping, proto-disco of "Mercy Boa" is a guitar-sizzled Bohannon-esque hypno-groove for adventurous dance floors the world over. Outstanding. And if all that wasn't enough from one half of a 70s French library LP, the A side ends with the monumental, stratospheric "Slim Bertha"! I mean, what can you even say about this absolute monster?! Slo-motion, deep drama funk breaks with jazzy guitar and gleaming percussion. Just sensational.

Side B opens with "Country + Country", a rather forgettable slice of piano driven bluegrass funk (?!) Aaaaannyway, "Super Airship" follows and is a driving fuzz-guitar psych-rock workout of the highest order. We're back on track now. The brilliantly titled "Electronic Mutation" is a total highlight, the funk most definitely returning and, indeed, strong in this one with its deep clean breaks (with some particularly ace hi-hats), echoey effects and funky clavs. "Africa Semper" follows, all funky percussion, trippy echo and distorted, psychy guitar licks. To close out the set, "Neo Rythmiques 1 and 2" form a great salvo of top-tier, percussion-heavy synthy-funk-fusion. For our money, the bugged-out echoey space-soul of "N° 2" just about edges it.

One of the very best French drummers ever, Pierre-Alain Dahan began his career at the Blue Note in Paris with Sonny Stitt, Dexter Gordon and Daniel Humair. Some start, eh?! He also participated in the recording of Serge Gainsbourg's cult album 'La Ballade de Melody Nelson' before going on to make countless KILLER library funk records and be a key member - alongside his partner here, Slim Pezin - in the legendary Arpadys, Disco & Co and Voyage. Dahan also featured in Tumblack (with Wally Badarou, Sauveur Mallia et al) and Jef Gilson Septet (alongside Henri Texier), whilst the CCCP Pezin backed, among others, Manu Dibango and Nino Ferrer. Some pedigree.

The audio for Neo Rythmiques has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic Tele Music house sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.




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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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