GENRE/S: Techno, House, Experimental, IDM, Ambient, Breaks, Electro

TRACKLIST:

Side A
A1. Armor 07:34 min
B1. config4 05:54 min

Side B
B1: config5 05:06 min
B2. config2 04:44 min
B3. Court 04:45 min

SHORT INFO:

J. Alberts “config” EP for Couldn’t Care More is one more step into his very own microcosm of electronic music wizadry: There is the flickering groove of “Armor”, myriads of cut-up sonic pieces morphed into a glorious track somewhere next to Techno and House and there’s the distorted quiet beauty of slowly breathing “config4”, ambientesque but filled with tension like Huerco S does it. There are the holographic breakbeats of “config5”, with voice samples and synth stabs melted in New Yorks fiercest heat and there’s the sped-up ambient groove of ghostly “config2”. The last track “Court” sums it up, a breathless groove mutation topped by spheric keyboard sounds. J. Albert gets it all together and he does it with a quite uncanny certainty. A different level.







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GENRE/S: Electro, Breaks, Rave, House, Experimental, Pop

TRACKLISTS:

A1: Sack Voll Drogen (A JD Twitch Version) (05:40 min)
A2: 31 24 42 (Tentenko Mixdown 1) (02:31 min)

B1: Can't Resist (Popmusiker sind auch Künstler-Version) (Mense Reents Remix) (05:45 min)
B2: 31 24 42 (Tentenko Mixdown 2) (01:51 min)
B3: Kind Und Kegel (03:39 min)

SHORT INFO:

We Smile were part of the Hamburger Schule back in the early Nineties: expressive vocals, associative lyrics in German and English, brittle guitars and overall a quite broad interpretation of the general idea of Pop. Now, 30 years later, Hamburg label Couldn’t Care More releases these spectacular remixes of songs from We Smiles album “Für Die Anderen”: Glasgows JD Twitchs (Optimo) turns “Sack Voll Drogen” into one twisted colossus of a track, made from electro, breaks and rave , Tokyos Tentenko fires up the Casio for her two versions of "31 24 42" and Hamburgs Mense Reents (Egoexpress, Die Vögel, Die Goldenen Zitronen) builds the most extraordinary elegant Pop song from the sparse "Can't Resist (Popmusiker Sind Auch Künstler-Version)". Also included is the formidable (and remastered) original of "Kind Und Kegel".







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GENRE/S: House, Deep House

TRACKLIST:

A. Superpitcher – Monks In The Sky (10:03 min)
B. Repeat Orchestra – Monks In A Club (04:48 min)

SHORT INFO:

"Monks In A Club" from the Repeat Orchestras album "Infamous Lost Tracks" is a perfect example of elegant dancefloor understatement, smooth, minimalistic and groovy as hell; no wonder that Superpitcher got thrilled and created not a remix but his own track inspired by Repeat Orchestra, reworking the essence of "Monks In A Club". And Superpitcher did what only Superpitcher can: "Monks In The Sky" is an epic ride, expanding, stretching, ebbing and flowing, ten minutes of levitating groove hypnosis that goes in depth. Fascinating.






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ARTIST: Stareaway
TITLE: No Life In This Ghost Town - The Remixes II

GENRE/S: Electronica, Pop Ambient

TRACKLISTS:

A1 O Suomi (Irisarri Remix)
A2 Appointments (David Westlake Remix)
B1 All Over You (Thomas Fehlmann Remix)
B2 Dreams May Never (Simon Scott Remix)

SHORT INFO:

Back in 2011 Markus Guentner and Heiko Badje formed Stareaway to follow their vision of creating both enchanting and haunting music from melodies and drones. Combining Guentners complex Wall of Electronic Sound and Badjes ethereal androgyn voice and multifaceted guitar play, they indeed produced some epic works between Ambient, Pop and Shoegaze, strangely shimmering and profoundly mysterious.
Now Stareaways fantastic (and back then maybe a little overlooked) album No Life In This Ghost Town sees its rerelease and is, for celebrational purposes, accompanied by this EP of four stunning remixes by stunning artists Rafael Anton Irisarri (who also did the mastering), Simon Scott (Slowdive), Thomas Fehlmann and David Westlake (ex Sneaker Pimps). Rafael Anton Irisarris magical take on O Suomi sparkles bright, still with melancholia always present. David Westlake emphasizes the Pop-aspect of Appointments, adding lush synth melodies and light-filled grooves while Thomas Fehlmann lets All Over You spiral into Popambients most majestic heights. Finally Simon Scott builds a Kathedrale aus Klang on Dreams May Never. Amazing remixes of amazing originals.






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2022 Re Edition

UPC A Barcode: 827170 494664 Format: 2LP

Tracklisting: A1: No Life In This Ghost Town B1: To Get Further B2: O Suomi C1: The Loss Of Breath C2: Appointments D1: Dreams May Never D2: All Over You

Release Info:
Stareaway is Markus Guentner (Kompakt, A Strangely Isolated Place) and Heiko Badje (La Grande Illusion) carefully combining ambient soundscapes, shoegazy guitars, melancholic Pop melodies and these amazing bodiless vocals to form a deep, subtle and somehow hard to define kind of enchanted music. Their 2013 album No Life In This Ghost Town (mastered by Rafael Anton Irisarri) is now re-released (via Couldn’t Care More); seven wonderful tracks, caressing and thoughtful, yet touched by a certain darkness that makes you shiver. Brilliant works that need to be rediscovered.
The album-rerelease is accompanied by a spectacular EP with remixes by Rafael Anton Irisarri, Simon Scott (Slowdive), Thomas Fehlmann und David Westlake (ex-Sneaker Pimps).



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GENRE: Electronic, House, Minimal

TRACKLIST:

Seite A
A1 Call and Response 05:21 min
A2 Monks In A Club 04:48 min
A3 Stereotype 05:28 min

Seite B
B1 A Means To An End 04:59 min
B2 Nightdubbing 05:45 min
B3 Less Sensational 05:47 min

SHORT INFO:

Stefan Schwanders Repeat Orchestra presents “Infamous Lost Tracks”, an album appearing out of the blue, coming from spheres where time, space and Zeitgeist are nothing more than words.
With the Repeat Orchestra Schwander (who of course also is Harmonious Thelonious, A Rocket In Dub, Antonelli and a lot more) found a unique way of channeling deep House Music, a minimalistic setup and an idea of creating enjoyable music into amazing tracks that sound so effortless and natural. From first track "Call And Response" on it’s obvious that the main thing that this album is about is the groove, sometimes euphoric, sometimes quite unobtrusive but always irresistible, build from massive basslines, complex rhythms and the masterfully performed interplay of repetition and modulation. Warm harmonies, multilayered (at times quite unusual ("Nightdubbing")) melodies and subtle arrangements complete these Infamous Lost Tracks and their very own formular between Düsseldorf, Chicago and Lagos. There’s nothing harsh in this music, no aggression, still it’s far from being tame or tranquil: The pumping energy of "A Means To An End" or the sublime liquid shuffle of "Less Sensational" show the swing and kick inside these works that are made for delight but not to please.

And “Monks In A Club” is the most brilliant example of dancefloor understatement that you’ll ever hear in your life. Reduction, elegance and the right kind of mania concentrated into some minutes of pure club heaven. Handclaps, nonchalance & madness. An essential singularity and the swan song to the Repeat Orchestra, there will be no more of it. Get It And Smile.

João Geck, Hamburg, 12.04.2022






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Genre: Electronic, House, Ambient


Tracklist 12":
A. Clicks in Pink House (06:59 min)

B1. Blue Signals in Space (06:27 min)
B2. Purple Dreams in March (06:05 min)


Short Info:
On his new EP Three Colours for Couldn’t Care More the ever-searching RVDS (Golden Pudel Club, Bureau B, It's) keeps his senses wide open and comes up with three amazing tracks as diverse as coherent:

While Clicks in Pink House is enthusiastic warm House Music with a big bassline, Blue Signals in Space' flow of hypnotic meditation has a strange tension underneath that effortlessly connects with the delicate elegance of Purple Dreams in March’s playful piano chords. Three quite different colours that make a beautiful whole.





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Genre: Electronic, Minimalism, House


Tracklist 12":
A. Aventure (7:43 min)

B1. Some Blue Beats (5:18 min)
B2. Ta Ta Ta (6:14 min)


Short Info:
With the indeed adventurous Aventure EP on Couldn’t Care More Harmonious Thelonious further explores the depths of his unique vision, merging African rhythms, European harmonies and American minimalism: The title track keeps the same yet ever-changing lighthearted melody effortlessly meandering back and forth over electrified beats while Some Blue Beats is more on the minimalist side, as controlled as eccentric. Ta Ta Ta keeps it darker, with hypnotic percussions, organ chords noir and a big bass. Advanced music. Play loud.




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Tracklist 12":

A: Stay Close (Gonzo's Way Remix by Losoul) / 10.54 min
B: One Four Tee (Benjamin Brunn Remix) / 04:51 min

Short Info:
John Dalys amazing It's All Around You EP gets remixed by German virtuosos Losoul and Benjamin Brunn and the results are as diverse as stunning: while Benjamin Brunn morphs One Four Tee into subtly swinging Electronica, Losoul expands Stay Close into an unbelievable 11-minute groove ride between House and Techno, as tight as epic.



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Tracklist 12":

A1: It's All Around You
A2: Stay Close

B1: One Four Tee
B2: Rescue

Short Info:

The very talented Mr. John Daly delivers four master class House tracks for Couldn’t Care More.
“It’s All Around You” and “One Four Tee” let deepness and passion rule in full swing while “Rescue” rides smoothly on a huge bass line. And “Stay Close” is nothing but a fascinating groove. Inspired and timeless vibes by John Daly, if you have a floor to fill this record comes handy for sure.


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Tracklist:
A : Heights (Jus' Rushin Mix) B1: Oxidize (Original Mix) B2: Oxidize (RVDS Remix)

Infotext:
After his exciting album "Elasticity" on his own imprint Elastic Dreams, A Sagittariun delivers the equally fascinating three track "Oxidize EP" for german label Couldn't Care More. While "Heights" is a stripped-down basic-channelish techno ride, rough, edgy and with a hint of hypnotic melodies, the title track heads in a quite different direction: still it's raw expressionistic techno, but the flow is ever-changing, mesmerizingly shifting and twisting between hissing beats and enlightened synths. For the remix of "Oxidize" Golden Pudel Club resident and odd-house virtuoso RVDS fires up the acid machine and does it Detroit style, warm and cold, uplifting and melancholic.

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UPC A Barcode: 8271 705 316 6 6 Releasedate: 5.5.2014
A1: Dance Around Yourself A2: Machine B: Dance Around Yourself (Aera Remix)
Monaco à Go-Go is singer/songwriter Jobst Miksche from Hamburg/Germany and "Persimmon Lane EP" is his debut release (for Couldn.t Care More). With "Dance Around Yourself" and "Machines" it offers two slow intimate folk songs full of beauty and melancholia but also a certain easiness. On the b-side AERA (who runs the Aleph label) translates .Dance Around Yourself. into an exotica infused Cumbia Acid Mix that makes you feel quite the same than DJ Kozes adventures on .Amygdala. do: Dizzy, weird and sublime. More

UPC A Barcode: 8271 705 270 6 5Releasedate: 18.11.2013
Paris' house legends CHÂTEAU FLIGHT and up-and-coming swedish producer
LIBRAH deliver beautiful dancefloor-focused remixes of STAREAWAYs (aka Markus
Guentner and Heiko Badje) epic pop/ambient sketches "No Life In This Ghost Town"
and "Appointments", both taken from STAREAWAYs album "No Life In This Ghost
Town", also released on Couldn't Care More.
CHÂTEAU FLIGHT, accompanied by COSMIC NEMAN playing the bongos,
transform the widescreen wall-of sound arrangement of "No Life In This Ghost Town"
into a lush, magically enchanted roller-coaster-ride from deep warm bass to
breathtaking heights of pop.
LIBRAH, who recently made a deep impact with his "2BWU" release on Parkwest,
translates "Appointments" into a smooth and transparent, yet banging groove that
reminds of the Italian deep house sound from DFC! A beatless Reprise-version
completes this lovely remix EP. More

UPC A Barcode: 827170481169 Releasedate: 18.3.2013
The Oliverwho Factory come up with a brand new release on Couldn‘t Care More.With „You Just Don‘t Know“, originally sung by soul diva Phyllis Hyman, the duo delivers energetic Detroit sounds between techno and house, massive beats and soulful vocals.
Vibrant stuff with a unique twist! More

After releases on Gigolo, Rush Hour, Planet E and We Play House, french producer Sebastien San comes up with more great stuff: The "Asylum E.P." on Hamburg based label Couldn't Care More (who only just made a deep impression with The Oliverwho Factorys I Can See) is made to be played on every dancefloor there is. With the hypnotic techno-soundscapes of title track Asylum Sebastien San created one of his best tracks ever and the other two tracks are of same quality. Uptempo track Does Compute is driven by inescapable hooks while Alpha Centauri slows it down a little with warm but inclined strings, chicago house claps and a subtly pulsating bassline.
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"I Can See" by The Oliverwho Factory is the second release of german label Couldn't Care More (following Stareaways "Learn How To Love Me") and it's just marvellous: The duo from Detroit, who by the way runs the stunning label Madd Chaise Inc. and recently released "Galactic Transit" on Rush Hour and "Night Lights" on Planet E, delivers finest Detroit tech deep house with a twist, that will make you wave your arms and scream on the dancefloor. While the basic track is voluminously wafting and rawly pushing forward vocalist Shone tops it with her power- and soulful singing. Both tracks are mastered straight to the point by A.O.S.. Classic.
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Debut release for Stareaway, a new project of german “inventor of pop ambient” Markus Guentner
with singer Heiko Badje, the man behind saudade-driven pop band La Grande Illusion.

Following several releases and highly successful and critically acclaimed albums Guentner solely
released since 2001 for Kompakt and Ware, Guentner and Badje contributed their first co-operation
“Baghira” on Kompakt’s Pop Ambient 2006 compilation. Markus Guentners track “Regensburg”, considered
to be one of the best tracks Kompakt ever released, was selected by Sven Väth to finish his Mix Of The
Second Season and remixed by Wolfgang Voigt.

For the start of the new Hamburg based label Couldn’t Care More they release two melancholic
pop ambient tracks, the title track additionally remixed into an epic, floating journey
of house music by Osunlade, the acclaimed producer, DJ and label owner of Yoruba Records. More

LP: 45rpm Cut, Inside Out Printed Sleeve, Sticker
WORLDWIDE

Genre: Soundtrack, Classical, Smooth Jazz, Modern Western


Tracklisting LP
A1. Azuma's Theme (Gnossienne No. 1 - Erik Satie)
A2. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (End Title)
A3. Kiyohiro's Theme
A4. Kiyohiro's Theme II
B1. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title)
B2. Fear (Gnossienne No. 1 - Erik Satie)
B3. Intorno all'idol mio (Antonio Cesti)
B4. Sono Otoko Kyobo Ni Tsuki (Violent Cop) (Main Title - Saxophone Version)


Info

WRWTFWW Records is thrilled to announce the official reissue of Daisaku Kume's original soundtrack for the highly acclaimed 1989 Japanese crime/drama movie Violent Cop. Available for the first time outside of Japan, the album comes in a limited edition of 500 copies worldwide with a 45 rpm cut providing full audio pleasure and an iconic record sleeve featuring the movie director and star: the one and only "Beat" Takeshi Kitano!

Violent Cop marks Kitano's directorial debut - a gritty neo-noir in which he stars as a rogue detective fighting a sadistic crime syndicate, only to discover widespread internal corruption in the police force. Poetic, minimalistic, with a superb balance between small soothing moments of beauty and vertiginous sudden violence, the film spearheaded a superb international career for the multi-talented filmmaker, actor, and comedian, which includes works such as Sonatine, Hana-Bi, and Battle Royale. The release of the soundtrack on vinyl presents an excellent opportunity for fans to explore the musical underpinnings of one of Kitano's earliest creations.
Daisaku Kume, known for his work as the keyboardist for late 70s fusion bands T-Square and Prism, showcases versatile musical prowess on the soundtrack, taking listeners on a sonic journey through a blend of genres including magnificent Erik Satie re-interpretations, melancholic smooth jazz sometimes reminiscent of Taxi Driver, ambient-classical, and modern Western atmospherics. It's the perfect setting for Kitano's stoic but tormented lonesome urban cowboy character. Raw power mixed with timeless elegance.

Violent Cop (Original Soundtrack) by Daisaku Kume follows the recent release of the soundtrack from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995), with music by industrial visionaries Chu Ishikawa & Der Eisenrost, also currently available on WRWTFWW Records.


Points of interests

- For fans of good movies, good soundtracks, Takeshi Kitano and Erik Satie, furniture music in a modern Western setting, ambient, minimalism, classical, Japanese crime movies of the 90s, Daisaku Kume, Taxi Driver, nice looking record sleeves.

- First official reissue of the soundtrack for classic Japanese crime/drama movie Violent Cop (1989) directed by and starring the legend (Beat) Takeshi Kitano.






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LP
GENRE/S: Synth Pop, Experimental, Minimal, New Wave

- Highly sought after compilation originally released in Japan in 1983
- Remastered from Master Tapes, first ever vinyl reissue
- One of a kind experimental and DIY artist from the influential Nippon era


TRACKLISTS:

Side A
A1. clä-sick - Morning in China
A2. La Sellrose Can Can - Aerobicise
A3. Linolium - Unit 25
A4. Sume ba Miyako
A5. Pink Label - Good Luck
A6. NAME - N.H.K.
A7. Picky Picnic - Kibo no Asu
A8. ReveR - Performan

Side B
B1. NAME - Do We All Need Love
B2. Classic Pearl - Pearl
B3. La Sellrose Can Can - Happy Morning
B4. clä-sick - Every Night
B5. clä-sick - Black Nile

SHORT INFO:
Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.
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WORLDWIDE

DLP: 350gsm Sleeve, Sticker

Tracklisting DLP:
A1. Aranjuez
A2. Galaxy Deca
A3. Kiso Bushi
A4. Iyano Kobiki
A5. Kusatsu Bushi
B1. Nanbu Ushioi Uta
B2. Chakkiri Bushi
B3. Ryotsu Jinku
B4. Hyamikao
C1. Cantata no.147
C2. Kokiriko Bushi
C3. Fortunate 1mark
C4. Otemoyan
D1. Yosawya San
D2. Hietsuki Bushi
D3. Monkey Turn
D4. Kyoteidaiski
D5. Plum Song

Info

WRWTFWW Records is ecstatic to announce the first ever best-of compilation of Soichi Terada’s amazing project OMODAKA. including 14 songs never released on vinyl before. The 18-track ZENTSUU: Collected Works 2001-2019 album is available on double LP in heavy 350gsm sleeve with printed inner sleeves, as well as in CD and digital formats.

Initiated in 2001 while trying to create a "boat racing song", the OMODAKA project features sublime music by veteran electronic/house/jungle/video game music producer/DJ Soichi Terada and the vocals of Japanese folk min'yo & enka singer Akiko Kanazawa for a never-heard-before colorful blend of retro game 8bit/chiptune sounds and traditional Japanese music with wet electro rhythms, joyful 90s house grooves, and slick downtempo vibes. Feel-good, sexy, and fun, Terada’s project brings forth one of the most unique sounds in recent memory. The smile-inducing sonic adventure is packed with irresistible hits and a good dose of dancefloor-ready gems: a well deserved delivery of good times for 2022 and beyond!

Tokyo born genius Soichi Terada has built an impressive career in different music genres. He co-founded respected label Far East Recording with Shinchiro Yokata, composed the soundtrack for cult video game series Ape Escape, released tons of amazing house music records (some included in the beautiful compilation Sounds from the Far East released by Rush Hour in 2015), and has been a celebrated world-touring DJ.


Points of interests

- For fans of folktonica, house, dance, Japanese traditional music meets video game music, chiptune, Soichi Terada, Far East Recording, good times, good times, and more good times.

- First ever vinyl release of collected works from Soichi Terada’s project OMODAKA!



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Worldwide, DLP: 350gsm Heavyweight Sleeve, Liner Notes, Sticker


Genre: Classical, Minimalism, Ambient, Environmental, Piano, Furniture Music

Tracklisting DLP

Tracklisting DLP
A1. La Balançoire (Sports et Divertissements) 1914
A2. Berceuse (Enfantillages pittoresques) 1913
A3. Caresse 1897
A4. Ce que dit la petite princesse des tulipes (Menus propos enfantins) 1913
A5. 5ème Gnossienne 1889
A6. Colin-Maillard (Sports et Divertissements) 1914
B1. Danses de travers (Pièces froides) 1897
B2. 2ème Gnossienne 1890
B3. 2ème Gymnopédie 1888
B4. Harmonie 1895?
B5. Idylle (Avant-dernières pensées) 1915
B6. Idylle cynique (Préludes flasques) 1912
B7. Lui manger sa tartine (Peccadilles importunes) 1913
C1. La pêche (Sports et Divertissements) 1914
C2. Petite ouverture à danser 1900
C3. Petit prélude à la journée (Enfantillages pittoresques) 1913
C4. Prière 1895
C5. 4ème Gnossienne 1891
C6. 4ème Nocturne 1919
D1. Rêverie du pauvre 1900
D2. Son binocle (Les trois valses distinguées du précieux dégoûté) 1914
D3. Songe creux 1906-08?
D4. Sur un vaisseau (Descriptions automatiques) 1913
D5. Tyrolienne turque (Croquis et agaceries d’un gros bonhomme en bois) 1913
D6. Vexation 1895
D7. Voix d’intérieur (Préludes flasques) 1912



Info

WRWTFWW Records is delighted to announce the first official worldwide reissue of Satsuki Shibano’s Wave Notation 3: Erik Satie 1984, the final album from the sound-defining Wave Notation environmental music series curated by Satoshi Ashikawa. Originally released in 1984 on the Sound Process label, Wave Notation 3 followed Ashikawa’s own Still Way (1982) and Hiroshi Yoshimura's Music For Nine Postcards (1982).

The highly sought-after album, sourced from the original master tape, is available as a double LP (housed in a luxurious heavyweight sleeve) for the first time ever. Digipack CD and digital formats are also available. This exclusive reissue, including English and Japanese liner notes by the artist, was supervised by Japanese ambient legend Yoshio Ojima.

Wave Notation 3 is a splendid tribute to seminal French composer and pianist Erik Satie, himself one of the main influences behind kankyo ongaku / environmental music (alongside Brian Eno, John Cage to name a few). The alphabetically-sequenced album features 26 pieces showcasing Shibano's unique piano interpretation of Satie’s works.

The artist explains: « For this album, I sequenced the compositions in alphabetical order of each title, irrespective of the period of each composition or style. By doing this, I attempted to effectively create ‘Music as an environment’ and at the same time, allow the listener to genuinely experience Satie’s music. »

Satsuko Shibano’s minimalistic approach to ambient classical is simply perfect and offers a beautiful and tranquil listening experience, furniture music with extra comfort and soothing simplicity, relaxing to the mind and to the soul. This Wave Notation deserves a spot among the pillars of Japanese environmental music, next to Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, and Satoshi Ashikawa’s Still Way.


Points of interests

For fans of furniture music, environmental music, music as an environment for furniture, ambient, Midori Takada, Satoshi Ashikawa, Hiroshi Yoshimura, of course Erik Satie, Brian Eno, minimalism, piano, classical, complete record collections classified by genre, soothing sounds, waves and notations.

First official reissue of Satsuki Shibano’s Wave Notation 3: Erik Satie 1984, sourced from the original master tape, remastered and available in the double LP format for the first time.



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Territories: WORLDWIDE

DLP: 350gsm Sleeve, Liner Notes, Sticker

Tracklisting DLP
A1. Anecdote 8:47
A2. Aborigine 4:36
A3. Lung 6:34
B1. Intermezzo 5:33
B2. Symptom 4:56
B3. Circlet 5:35
C1. Reminiscence 5:35
C2. Élan Vital 6:05
C3. Pascal variant 6:35
D1. Intaglio 7:31
D2. Duplicated Scene 4:52
D3. Plateau 4:49


Info

WRWTFWW Records is proud to announce the official reissue of Motohiko Hamase’s extremely rare live album Anecdote (recorded in 1987). The album is sourced from original masters and available on vinyl (double LP) for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the sixth release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano.

Anecdote was recorded live June 12th 1987 at Spiral Garden (Wacoal Art Center) in Aoyama (Tokyo) as part of the Eat Newsic Concert No.3. Motohiko Hamase on electric fretless bass, synthesizers and computer programming, is accompanied by frequent collaborators Toshio Kaji on acoustic piano and synthesizers, and Yasunori Yamaguchi (of #Notes of Forestry fame) on acoustic percussions. The three-man band improvises around Hamase’s unique repertoire of ambient and electronic music, reinterpreting pieces from his albums Reminiscence, Intaglio, and #Notes of Forestry.

It’s environmental and minimalist experiments with a jazz soul, three brilliant musicians flowing to blissful heights, and a beautiful testament to the 80s Japanese ambient scene that gave birth to seminal releases by Midori Takada, Satoshi Ashikawa, Yutaka Hirose and many more. Essential.

The live album came out on CD only in 1993 on Motohiko Hamase’s Lung Records. It is now reissued in conjunction with his #Notes of Forestry and Anecdote albums, all coming out May 29th 2020.


Points of interests

- For fans of ambient, house, experimental, environmental, industrial, minimalism, avant-garde, synth, Midori Takada, Hiroshi Yoshimura, Satoshi Ashikawa, Yoshio Ojima, Vanity Records, improvisations, jazzmen turned ambient experimentalists, very rare stuffm anecdotes and sweet nothings.

- Official reissue of Motohiko Hamase’s very rare Anecdote, originally released in 1993 via Spiral/Wacoal Art Center/Newsic. Ambient techno house experiments from Japan in the 1990s!

- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Grauzone’s Eisbär…), label founded by Olivier Ducret of Mental Groove (Miss Kittin, Orbe, Donato Dozzy...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher, John Armleder, Sylvie Fleury…)
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Genre: Ambient, Environmental, Shomyo, Minimal, Percussion, Traditional, Experimental

LP: 350gsm Sleeve, Obi, Liner Notes

Tracklisting LP
A1. Teisan
A2. Gyatei gyatei (drumming)
A3. Unga-bai
A4. Sange
B1. Taiyo
B2. Hannya-Singyo
B3. Kannon-Daiji

Info

WRWTFWW Records and MEG Museum (Geneva) are ecstatic to announce a new full length album by celebrated Japanese percussionist Midori Takada (Through The Looking Glass), in collaboration with Buddhist monks belonging to the Samgha group of the Shingon school of Koya-san, led by Reverend Syuukoh Ikawa. You Who Are Leaving To Nirvana is available on half speed mastered vinyl LP, housed in a 350gsm sleeve, with OBI, and liner notes, as well as on digipack CD.

Recorded at The Premises Studio (London) and in Tokyo in 2019,You Who are Leaving to Nirvana is a majestic work combining a suite of six Buddhist liturgical chants and a musical creation by Midori Takada. The Buddhist chants come from three types of repertoires: shomyo ("Teisan", "Unga-Bai", "Sange", "Taiyo"), but also goeika ("Kannon-Daiji") and mantra ("Hannya-Singyo").

After supervising the recording of the Buddhist chants, Midori Takada added her own compositions, with subtle layers of percussion and the melodies of her beloved marimba, giving full life to the sacred texts.

Reverend Syuukoh Ikawa explains: "Shomyo is a form of declamation of sacred esoteric texts, inherited over many generations. The power of words goes far beyond their mere pronunciation. I think there is something that words alone cannot really convey. If I recite prayers in a musical way, the feeling transmitted will be even stronger than if I say it normally, in everyday language. I think that the musicality of a work carries a hidden power that cannot be expressed in words alone. The setting of the music has an additional power for you and for those around you who listen to it. The words of a song are not just words set to music. They carry an additional hidden power that cannot be expressed in any other way. Listening to Midori Takada's musical performance, the words truly seem to come alive."

Original recordings of the Buddhist chants are held in the International Archives of Folk Music (IAFM) at the MEG Museum in Geneva.

The album sleeve features an artwork by famed Japanese sculptor Katsura Funakoshi selected by Midori Takada.

You Who Are Leaving To Nirvana is released in conjunction with Midori Takada's Cutting Branches For A Temporary Shelter, also available on LP and CD on WRWTFWW Records.



Points of interests

- For fans of ambient, experimental, environmental, minimalism, traditional, Japanese music, Buddhist chants, marimba, Through The Looking Glass, the hidden power of words, sacred texts, and life.

- New album by Midori Takada in collaboration with the Samgha group of the Shingon school of Koya-san, led by Reverend Syuukoh Ikawa, Buddhist chants meet ambient/environmental, sacred texts, sacred music. Half Speed Mastered at Emil Berliner Studios. Artwork Katsura Funakoshi.
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Territories: WORLDWIDE

LP: 350gsm Sleeve, Liner Notes, Sticker

Tracklisting LP
A1. Invisible city 6:09
A2. Technodrome 8:37
A3. Imagery 7:18
A4. Opaque 5:48
B1. End of legal fiction 8:48
B2. Chirico 3:44
B3. Moriana 8:22
B4. Lattice (for saxophone quartet) 6:10

Info

WRWTFWW Records is very happy to announce the official reissue of Motohiko Hamase’s astounding ambient house album Technodrome (1993). The album is sourced from original masters and available on vinyl for the first time ever as well as on CD. It comes with liner notes from the artist. This marks the fourth release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano.

Inspired by John Cage, Jon Hassel, Brian Eno, and the emergence of house and techno music, Technodrome is jazz bassist turned electronic experimentalist Motohiko Hamase’s foray into what he calls ambient house or, as he explains, "using the gritty sensation inherent to the core of house music" to create an ambient record "aiming to express inverted images, optical illusions, and the sense of déjà vu that modern people can get in the city".

Technodrome is constructed around innovative minimalism, a robotic funk orchestrated by bass lines and percussions, and monochrome moods. It’s the most intriguing project in Hamase’s discography, a ghostly ride set in 90s urban landscape, where repetition sets the groove and brings things to life, echoing Hamase’s deeper subtext for his compositions: "and attempt to recreate (as metaphor) the time in our mother's womb".

The album was initially released in 1993 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. It is now reissued in conjunction with Motohiko Hamase’s #Notes of Forestry and Anecdote albums, all coming out May 29th 2020.


Points of interests

- For fans of ambient, house, experimental, environmental, industrial, minimalism, avant-garde, synth, Midori Takada, Hiroshi Yoshimura, Satoshi Ashikawa, Yoshio Ojima, Vanity Records, city cities, fax machines, buildings, and Olivier Mosset paintings.

- Official reissue of Motohiko Hamase’s intriguing Technodrome, originally released in 1993 via Spiral/Wacoal Art Center/Newsic. Ambient techno house experiments from Japan in the 1990s!

- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Grauzone’s Eisbär…), label founded by Olivier Ducret of Mental Groove (Miss Kittin, Orbe, Donato Dozzy...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher, John Armleder, Sylvie Fleury…)
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Special remarks : Remastered LP with insert & new liner notes (full size art insert+notes)
Follow up to the labels previous release -NZ 80s compilation 'Kiwi Animals' Syguiria Lady is the first full reissue album for Strangelove. For fans of current Japanese music revival

Tracklist:
A1 Amitoung Ashyljoung
A2 Vimana Beam
A3 Faros Faras Island
B1 Soma Yana
B2 Maya Candra
B3 Samsara
B4 Polaris Line
B5 Chariot Of Palace


Short info:
Strangelove is proud to present the first ever reissue of 'Syguira Lady', an eerie and absorbing ride through the rich imagination of enigmatic Osaka group Viola Renea. While riding the current interest in Japanese music, the album remains an anomaly to much of the local music of the time. Juxtaposing ancient/modern sources of sonic inspiration, North England's new musical movements collide with Eastern European folk rhythms, while oriental scales slide amongst wavey-electronic instrumentation. The resultant musical dreamscapes sought to conjure themes of noir & seduction, recurrent in the period's techno-pop. Kuki Imamura described the album as the sound of unknown memories with aural visions & strange musical loves coalescing around a femme fatale; 'Syguirian Lady' More

Territories: WORLDWIDE

LP: 350gsm Sleeve, Liner Notes, Sticker

Tracklisting LP
A1. #Notes Of Forestry 6:13
A2. Pascal 7:44
B1. Spiral For Multipul Instruments 8:04
B2. Nude 17:14


Info

WRWTFWW Records is excited to announce the official reissue of Motohiko Hamase’s remarkable ambient/environmental/minimalism project #Notes of Forestry, available for the first time since 1988. The album is sourced from original masters and available on vinyl and CD with liner notes from the artist. This marks the third release from the ESPLANADE SERIES which focuses on the works of Yoshio Ojima, Motohiko Hamase and Satsuki Shibano.

One of the most fascinating and peculiar works from the golden era of Japanese ambient, #Notes of Forestry was initially released in 1988 by Newsic, the cult label started by Tokyo’s Wacoal Art Center (also known as Spiral), home, notably, of Yoshio Ojima who co-produced the album. Conceived by Jazz bassist turned experimentalist Motohiko Hamase, the magnum opus offers an enchanting mix of free-form pastoral electronics, otherworldly percussions by Yasunori Yamaguchi, and delightfully allusive piano played by none other than Satsuki Shibano (Sound Process’ Wave Notation 3).

Vibrant, sometimes eerie, and absolutely captivating, #Forestry captures Hamase’s quest for musical freedom, he explains:

"Inside the body of a musician, music is always transcendentally resonating. More than
language, music reigns. When creating music overlaps with the moment my body performs, I
strive to be as close as possible to the feeling of musical freedom. I feel that this notion lies at
the foundation of this album".

Musical freedom, here, provides an essential escape, extending the path uncovered by pivotal releases such as Midori Takada’s Through The Looking Glass, Satoshi Ashikawa’s Still Way, and Yutaka Hiros’s Nova.

#Notes of Forestry is reissued in conjunction with Motohiko Hamase’s Technodrome and Anecdote albums, all coming out May 29th 2020.


Points of interests

- For fans of ambient, experimental, environmental, minimalism, avant-garde, synth, Midori Takada, Hiroshi Yoshimura, Satoshi Ashikawa, Yoshio Ojima, Vanity Records, forests, musical freedom, and finding inner peace.

- Official reissue of Motohiko Hamase’s magnum opus #Notes of Forestry, originally released in 1988 via Spiral/Wacoal Art Center/Newsic. A monument of Japanese ambient/environmental in the same category as Midori Takada’s Through The Looking Glass or Satoshi Ashikawa’s Still Way.

- New release from WRWTFWW Records (Midori Takada’s Through The Looking Glass, Kenji Kawai’s Ghost in the Shell Original Soundtrack, Yasuaki Shimizu’s Kakashi, John Carpenter’s Dark Star Soundtrack, Grauzone’s Eisbär…), label founded by Olivier Ducret of Mental Groove (Miss Kittin, Orbe, Donato Dozzy...) and Stephan Armleder of Villa Magica Records (Genesis Breyer P-Orridge, Christian Marclay, Stephan Eicher, John Armleder, Sylvie Fleury…)
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Tracklist
A. SoulPhiction - Sky So High
B. Mike Dehnert - Zumwald

Shortinfo:
So kam die Postmoderne über uns und machte aus vormals ehrbaren Kulturschaffenden Werksarbeiter, denen alle Schrauben abhanden gekommen schienen, im besten Fall.
Mit minimaler Eigenleistung (nimmt man die unbeabsichtigten Fehler in der Produktion mal aus), aber bei maximaler Entgleisung entstand ein gänzlich neuer Berufszweig. Der grundsolide Werksarbeiter, mit Gema Anmeldung im Griff und guten Draht zu seinem Steuerberater. Um die quietschfidelen Arpeggio Terroristen soll es heute mal nicht gehen.
Unsere Protagonisten dieser Geschichte sind andere. Wahnwitzige, Soziophobiker, Menschen mit gebrochenen Lebensläufen statt Joghurt im Rucksack, emsig agierende Mitstreiter mit Tupperdose in der Tasche für die Frühstückspause, willens den Kampf der letzten Kulturoffensive zu Ende zu bringen, samplen, pitchen, alles zerhacken und zu undefinierbaren Fetzen von Funk wieder zusammensetzen.
Ausgeglichen vom Duft der Natur ankommend den Fortschritt definieren wollen und den Strom in die Maschinen juckeln. Ästheten der Fehler waren geboren. Losgelöst vom Fließband.
Hart & tief wird geackert geschwitzt, gebimmelt, der Filter aufgedreht, der Schmutz schaufelweise rangekarrt, bis die Stufe der Erlösung erreicht wird oder eben halt auch nicht. Das Leben ist nun mal kein einziger Orgasmus und der Funk entsteht in den Pausen wie die Befriedigung der Gier und der Besitz des Moments, weil das Leben ist doch nur ein Wimpernschlag und wir immer nur einen Abgrund entfernt von Weltekel oder Erlösung.
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Special remarks: 12" with exclusive full colour artwork printed on sleeve, limited to 300 copies
Tracklist:
A1. Psycho Hub (Original Mix)
B1. Shroud (Original Mix)
B2. Get in the Fridge (Original Mix)
Short info:
Kevin Arnemann and Daan Kemp's Taped Artifact label clocks up its fourth release with a three track offering from Outlaw Rec boss and key part of the Italian Serendipity club, namely Matthew Oh. Matthew has previously released on his own label and others like Side Off, and eloquently marries dub, techno and house into smooth and sensuous sonic landscapes.

The opening track 'Psycho Hub' is an atmospheric and spacious roller with dubbed out drums and pads, coupled with incendiary hi hats urging you along. 'Shroud' is seven minutes of slick and spaced out deep techno with liquid synths and clacking hits all racing along and making for a frictionless groove that sucks you right in. Finally, 'Get in the Fridge' slows the tempo down and becomes an even more widescreen and roomy roller with suspensory pads, smeared synths and aqueous sonic details that make you feel like you are floating in sound.
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