12" Excl
in stock
Label:Couldn't Care More
Cat-No:nt014
Release-Date:21.10.2022
Genre:House
Configuration:12" Excl
Barcode:4251804136884
in stock
Last in:13.07.2022
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Last in:13.07.2022
Label:Couldn't Care More
Cat-No:nt014
Release-Date:21.10.2022
Genre:House
Configuration:12" Excl
Barcode:4251804136884
1
Superpitcher - Monks In The Sky (10:03 min)
2
Repeat Orchestra - Monks In A Club (04:48 min)
GENRE/S: House, Deep House
TRACKLIST:
A. Superpitcher – Monks In The Sky (10:03 min)
B. Repeat Orchestra – Monks In A Club (04:48 min)
SHORT INFO:
"Monks In A Club" from the Repeat Orchestras album "Infamous Lost Tracks" is a perfect example of elegant dancefloor understatement, smooth, minimalistic and groovy as hell; no wonder that Superpitcher got thrilled and created not a remix but his own track inspired by Repeat Orchestra, reworking the essence of "Monks In A Club". And Superpitcher did what only Superpitcher can: "Monks In The Sky" is an epic ride, expanding, stretching, ebbing and flowing, ten minutes of levitating groove hypnosis that goes in depth. Fascinating.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
A. Superpitcher – Monks In The Sky (10:03 min)
B. Repeat Orchestra – Monks In A Club (04:48 min)
SHORT INFO:
"Monks In A Club" from the Repeat Orchestras album "Infamous Lost Tracks" is a perfect example of elegant dancefloor understatement, smooth, minimalistic and groovy as hell; no wonder that Superpitcher got thrilled and created not a remix but his own track inspired by Repeat Orchestra, reworking the essence of "Monks In A Club". And Superpitcher did what only Superpitcher can: "Monks In The Sky" is an epic ride, expanding, stretching, ebbing and flowing, ten minutes of levitating groove hypnosis that goes in depth. Fascinating.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Couldn't Care More
Label:Couldn't Care More
Cat-No:nt015
Release-Date:24.03.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804137577
in stock
Last in:26.01.2023
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in stock
Last in:26.01.2023
Label:Couldn't Care More
Cat-No:nt015
Release-Date:24.03.2023
Genre:House / Techno
Configuration:12" Excl
Barcode:4251804137577
1
J. Albert - Armor 07:34 min
2
J. Albert - config4 05:54 min
3
J. Albert - config5 05:06 min
4
J. Albert - config2 04:44 min
5
J. Albert - Court 04:45 min
GENRE/S: Techno, House, Experimental, IDM, Ambient, Breaks, Electro
TRACKLIST:
Side A
A1. Armor 07:34 min
B1. config4 05:54 min
Side B
B1: config5 05:06 min
B2. config2 04:44 min
B3. Court 04:45 min
SHORT INFO:
J. Alberts “config” EP for Couldn’t Care More is one more step into his very own microcosm of electronic music wizadry: There is the flickering groove of “Armor”, myriads of cut-up sonic pieces morphed into a glorious track somewhere next to Techno and House and there’s the distorted quiet beauty of slowly breathing “config4”, ambientesque but filled with tension like Huerco S does it. There are the holographic breakbeats of “config5”, with voice samples and synth stabs melted in New Yorks fiercest heat and there’s the sped-up ambient groove of ghostly “config2”. The last track “Court” sums it up, a breathless groove mutation topped by spheric keyboard sounds. J. Albert gets it all together and he does it with a quite uncanny certainty. A different level.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
Side A
A1. Armor 07:34 min
B1. config4 05:54 min
Side B
B1: config5 05:06 min
B2. config2 04:44 min
B3. Court 04:45 min
SHORT INFO:
J. Alberts “config” EP for Couldn’t Care More is one more step into his very own microcosm of electronic music wizadry: There is the flickering groove of “Armor”, myriads of cut-up sonic pieces morphed into a glorious track somewhere next to Techno and House and there’s the distorted quiet beauty of slowly breathing “config4”, ambientesque but filled with tension like Huerco S does it. There are the holographic breakbeats of “config5”, with voice samples and synth stabs melted in New Yorks fiercest heat and there’s the sped-up ambient groove of ghostly “config2”. The last track “Court” sums it up, a breathless groove mutation topped by spheric keyboard sounds. J. Albert gets it all together and he does it with a quite uncanny certainty. A different level.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Couldn't Care More
Cat-No:ntunsure01
Release-Date:09.12.2022
Configuration:12" Excl
Barcode:4251804138185
in stock
Last in:02.11.2022
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in stock
Last in:02.11.2022
Label:Couldn't Care More
Cat-No:ntunsure01
Release-Date:09.12.2022
Configuration:12" Excl
Barcode:4251804138185
1
We Smile - Sack Voll Drogen (A JD Twitch Version) (05:40 min)
2
We Smile - 31 24 42 (Tentenko Mixdown 1) (02:31 min)
3
We Smile - Can't Resist (Popmusiker sind auch Künstler-Version) (Mense Reents Remix) (05:45
4
We Smile - 31 24 42 (Tentenko Mixdown 2) (01:51 min)
5
We Smile - Kind Und Kegel (03:39 min)
GENRE/S: Electro, Breaks, Rave, House, Experimental, Pop
TRACKLISTS:
A1: Sack Voll Drogen (A JD Twitch Version) (05:40 min)
A2: 31 24 42 (Tentenko Mixdown 1) (02:31 min)
B1: Can't Resist (Popmusiker sind auch Künstler-Version) (Mense Reents Remix) (05:45 min)
B2: 31 24 42 (Tentenko Mixdown 2) (01:51 min)
B3: Kind Und Kegel (03:39 min)
SHORT INFO:
We Smile were part of the Hamburger Schule back in the early Nineties: expressive vocals, associative lyrics in German and English, brittle guitars and overall a quite broad interpretation of the general idea of Pop. Now, 30 years later, Hamburg label Couldn’t Care More releases these spectacular remixes of songs from We Smiles album “Für Die Anderen”: Glasgows JD Twitchs (Optimo) turns “Sack Voll Drogen” into one twisted colossus of a track, made from electro, breaks and rave , Tokyos Tentenko fires up the Casio for her two versions of "31 24 42" and Hamburgs Mense Reents (Egoexpress, Die Vögel, Die Goldenen Zitronen) builds the most extraordinary elegant Pop song from the sparse "Can't Resist (Popmusiker Sind Auch Künstler-Version)". Also included is the formidable (and remastered) original of "Kind Und Kegel".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTS:
A1: Sack Voll Drogen (A JD Twitch Version) (05:40 min)
A2: 31 24 42 (Tentenko Mixdown 1) (02:31 min)
B1: Can't Resist (Popmusiker sind auch Künstler-Version) (Mense Reents Remix) (05:45 min)
B2: 31 24 42 (Tentenko Mixdown 2) (01:51 min)
B3: Kind Und Kegel (03:39 min)
SHORT INFO:
We Smile were part of the Hamburger Schule back in the early Nineties: expressive vocals, associative lyrics in German and English, brittle guitars and overall a quite broad interpretation of the general idea of Pop. Now, 30 years later, Hamburg label Couldn’t Care More releases these spectacular remixes of songs from We Smiles album “Für Die Anderen”: Glasgows JD Twitchs (Optimo) turns “Sack Voll Drogen” into one twisted colossus of a track, made from electro, breaks and rave , Tokyos Tentenko fires up the Casio for her two versions of "31 24 42" and Hamburgs Mense Reents (Egoexpress, Die Vögel, Die Goldenen Zitronen) builds the most extraordinary elegant Pop song from the sparse "Can't Resist (Popmusiker Sind Auch Künstler-Version)". Also included is the formidable (and remastered) original of "Kind Und Kegel".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Couldn't Care More
Cat-No:nt013
Release-Date:26.08.2022
Configuration:12" Excl
Barcode:4251804128438
in stock
Last in:03.06.2022
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in stock
Last in:03.06.2022
Label:Couldn't Care More
Cat-No:nt013
Release-Date:26.08.2022
Configuration:12" Excl
Barcode:4251804128438
1
Stareaway - O Suomi (Irisarri Remix)
2
Stareaway - Appointments (David Westlake Remix)
3
Stareaway - All Over You (Thomas Fehlmann Remix)
4
Stareaway - Dreams May Never (Simon Scott Remix)
ARTIST: Stareaway
TITLE: No Life In This Ghost Town - The Remixes II
GENRE/S: Electronica, Pop Ambient
TRACKLISTS:
A1 O Suomi (Irisarri Remix)
A2 Appointments (David Westlake Remix)
B1 All Over You (Thomas Fehlmann Remix)
B2 Dreams May Never (Simon Scott Remix)
SHORT INFO:
Back in 2011 Markus Guentner and Heiko Badje formed Stareaway to follow their vision of creating both enchanting and haunting music from melodies and drones. Combining Guentners complex Wall of Electronic Sound and Badjes ethereal androgyn voice and multifaceted guitar play, they indeed produced some epic works between Ambient, Pop and Shoegaze, strangely shimmering and profoundly mysterious.
Now Stareaways fantastic (and back then maybe a little overlooked) album No Life In This Ghost Town sees its rerelease and is, for celebrational purposes, accompanied by this EP of four stunning remixes by stunning artists Rafael Anton Irisarri (who also did the mastering), Simon Scott (Slowdive), Thomas Fehlmann and David Westlake (ex Sneaker Pimps). Rafael Anton Irisarris magical take on O Suomi sparkles bright, still with melancholia always present. David Westlake emphasizes the Pop-aspect of Appointments, adding lush synth melodies and light-filled grooves while Thomas Fehlmann lets All Over You spiral into Popambients most majestic heights. Finally Simon Scott builds a Kathedrale aus Klang on Dreams May Never. Amazing remixes of amazing originals.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TITLE: No Life In This Ghost Town - The Remixes II
GENRE/S: Electronica, Pop Ambient
TRACKLISTS:
A1 O Suomi (Irisarri Remix)
A2 Appointments (David Westlake Remix)
B1 All Over You (Thomas Fehlmann Remix)
B2 Dreams May Never (Simon Scott Remix)
SHORT INFO:
Back in 2011 Markus Guentner and Heiko Badje formed Stareaway to follow their vision of creating both enchanting and haunting music from melodies and drones. Combining Guentners complex Wall of Electronic Sound and Badjes ethereal androgyn voice and multifaceted guitar play, they indeed produced some epic works between Ambient, Pop and Shoegaze, strangely shimmering and profoundly mysterious.
Now Stareaways fantastic (and back then maybe a little overlooked) album No Life In This Ghost Town sees its rerelease and is, for celebrational purposes, accompanied by this EP of four stunning remixes by stunning artists Rafael Anton Irisarri (who also did the mastering), Simon Scott (Slowdive), Thomas Fehlmann and David Westlake (ex Sneaker Pimps). Rafael Anton Irisarris magical take on O Suomi sparkles bright, still with melancholia always present. David Westlake emphasizes the Pop-aspect of Appointments, adding lush synth melodies and light-filled grooves while Thomas Fehlmann lets All Over You spiral into Popambients most majestic heights. Finally Simon Scott builds a Kathedrale aus Klang on Dreams May Never. Amazing remixes of amazing originals.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP Excl
in stock
Label:Couldn't Care More
Cat-No:ntlp001
Release-Date:26.08.2022
Configuration:2LP Excl
Barcode:827170494664
in stock
Last in:21.09.2022
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in stock
Last in:21.09.2022
Label:Couldn't Care More
Cat-No:ntlp001
Release-Date:26.08.2022
Configuration:2LP Excl
Barcode:827170494664
1
Stareaway - No Life In This Ghost Town
2
Stareaway - To Get Further
3
Stareaway - O Suomi
4
Stareaway - The Loss Of Breath
5
Stareaway - Appointments
6
Stareaway - Dreams May Never
7
Stareaway - All Over You
2022 Re Edition
UPC A Barcode: 827170 494664 Format: 2LP
Tracklisting: A1: No Life In This Ghost Town B1: To Get Further B2: O Suomi C1: The Loss Of Breath C2: Appointments D1: Dreams May Never D2: All Over You
Release Info:
Stareaway is Markus Guentner (Kompakt, A Strangely Isolated Place) and Heiko Badje (La Grande Illusion) carefully combining ambient soundscapes, shoegazy guitars, melancholic Pop melodies and these amazing bodiless vocals to form a deep, subtle and somehow hard to define kind of enchanted music. Their 2013 album No Life In This Ghost Town (mastered by Rafael Anton Irisarri) is now re-released (via Couldn’t Care More); seven wonderful tracks, caressing and thoughtful, yet touched by a certain darkness that makes you shiver. Brilliant works that need to be rediscovered.
The album-rerelease is accompanied by a spectacular EP with remixes by Rafael Anton Irisarri, Simon Scott (Slowdive), Thomas Fehlmann und David Westlake (ex-Sneaker Pimps).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
UPC A Barcode: 827170 494664 Format: 2LP
Tracklisting: A1: No Life In This Ghost Town B1: To Get Further B2: O Suomi C1: The Loss Of Breath C2: Appointments D1: Dreams May Never D2: All Over You
Release Info:
Stareaway is Markus Guentner (Kompakt, A Strangely Isolated Place) and Heiko Badje (La Grande Illusion) carefully combining ambient soundscapes, shoegazy guitars, melancholic Pop melodies and these amazing bodiless vocals to form a deep, subtle and somehow hard to define kind of enchanted music. Their 2013 album No Life In This Ghost Town (mastered by Rafael Anton Irisarri) is now re-released (via Couldn’t Care More); seven wonderful tracks, caressing and thoughtful, yet touched by a certain darkness that makes you shiver. Brilliant works that need to be rediscovered.
The album-rerelease is accompanied by a spectacular EP with remixes by Rafael Anton Irisarri, Simon Scott (Slowdive), Thomas Fehlmann und David Westlake (ex-Sneaker Pimps).
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
in stock
Label:Couldn't Care More
Cat-No:ntlp002
Release-Date:17.06.2022
Genre:House
Configuration:LP Excl
Barcode:4251804128445
in stock
Last in:28.04.2022
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in stock
Last in:28.04.2022
Label:Couldn't Care More
Cat-No:ntlp002
Release-Date:17.06.2022
Genre:House
Configuration:LP Excl
Barcode:4251804128445
1
Repeat Orchestra - Call and Response 05:21 min
2
Repeat Orchestra - Monks In A Club 04:48 min
3
Repeat Orchestra - Stereotype 05:28 min
4
Repeat Orchestra - A Means To An End 04:59 min
5
Repeat Orchestra - Nightdubbing 05:45 min
6
Repeat Orchestra - Less Sensational 05:47 min
GENRE: Electronic, House, Minimal
TRACKLIST:
Seite A
A1 Call and Response 05:21 min
A2 Monks In A Club 04:48 min
A3 Stereotype 05:28 min
Seite B
B1 A Means To An End 04:59 min
B2 Nightdubbing 05:45 min
B3 Less Sensational 05:47 min
SHORT INFO:
Stefan Schwanders Repeat Orchestra presents “Infamous Lost Tracks”, an album appearing out of the blue, coming from spheres where time, space and Zeitgeist are nothing more than words.
With the Repeat Orchestra Schwander (who of course also is Harmonious Thelonious, A Rocket In Dub, Antonelli and a lot more) found a unique way of channeling deep House Music, a minimalistic setup and an idea of creating enjoyable music into amazing tracks that sound so effortless and natural. From first track "Call And Response" on it’s obvious that the main thing that this album is about is the groove, sometimes euphoric, sometimes quite unobtrusive but always irresistible, build from massive basslines, complex rhythms and the masterfully performed interplay of repetition and modulation. Warm harmonies, multilayered (at times quite unusual ("Nightdubbing")) melodies and subtle arrangements complete these Infamous Lost Tracks and their very own formular between Düsseldorf, Chicago and Lagos. There’s nothing harsh in this music, no aggression, still it’s far from being tame or tranquil: The pumping energy of "A Means To An End" or the sublime liquid shuffle of "Less Sensational" show the swing and kick inside these works that are made for delight but not to please.
And “Monks In A Club” is the most brilliant example of dancefloor understatement that you’ll ever hear in your life. Reduction, elegance and the right kind of mania concentrated into some minutes of pure club heaven. Handclaps, nonchalance & madness. An essential singularity and the swan song to the Repeat Orchestra, there will be no more of it. Get It And Smile.
João Geck, Hamburg, 12.04.2022
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
Seite A
A1 Call and Response 05:21 min
A2 Monks In A Club 04:48 min
A3 Stereotype 05:28 min
Seite B
B1 A Means To An End 04:59 min
B2 Nightdubbing 05:45 min
B3 Less Sensational 05:47 min
SHORT INFO:
Stefan Schwanders Repeat Orchestra presents “Infamous Lost Tracks”, an album appearing out of the blue, coming from spheres where time, space and Zeitgeist are nothing more than words.
With the Repeat Orchestra Schwander (who of course also is Harmonious Thelonious, A Rocket In Dub, Antonelli and a lot more) found a unique way of channeling deep House Music, a minimalistic setup and an idea of creating enjoyable music into amazing tracks that sound so effortless and natural. From first track "Call And Response" on it’s obvious that the main thing that this album is about is the groove, sometimes euphoric, sometimes quite unobtrusive but always irresistible, build from massive basslines, complex rhythms and the masterfully performed interplay of repetition and modulation. Warm harmonies, multilayered (at times quite unusual ("Nightdubbing")) melodies and subtle arrangements complete these Infamous Lost Tracks and their very own formular between Düsseldorf, Chicago and Lagos. There’s nothing harsh in this music, no aggression, still it’s far from being tame or tranquil: The pumping energy of "A Means To An End" or the sublime liquid shuffle of "Less Sensational" show the swing and kick inside these works that are made for delight but not to please.
And “Monks In A Club” is the most brilliant example of dancefloor understatement that you’ll ever hear in your life. Reduction, elegance and the right kind of mania concentrated into some minutes of pure club heaven. Handclaps, nonchalance & madness. An essential singularity and the swan song to the Repeat Orchestra, there will be no more of it. Get It And Smile.
João Geck, Hamburg, 12.04.2022
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Couldn't Care More
Cat-No:nt012
Release-Date:22.04.2022
Genre:Techno
Configuration:12" Excl
Barcode:4251804128230
in stock
Last in:28.03.2022
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Last in:28.03.2022
Label:Couldn't Care More
Cat-No:nt012
Release-Date:22.04.2022
Genre:Techno
Configuration:12" Excl
Barcode:4251804128230
1
TENTENKO - Limestones
2
TENTENKO - The Wave
3
TENTENKO - Stalactite
4
TENTENKO - The Fish Stone
GENRE/S: Electronic, Techno, Noise
TRACKLIST:
A1.Limestones
A2.The Wave
B1.Stalactite
B2.The Fish Stone
SHORT INFO:
Following her highly praised "An Antworten EP" on TAL, Tentenko releases “The Soft Cave” on Couldn’t Care More. The Tokyo Wonder Girl further expands her unique universe of electronic music with four stunning tracks between oddly beguiling iridescence ("The Wave") and deliberately raw technoid clanging ("Stalactite"), developing a twisted yet very playful version of Experimental Techno, Breakbeats or whatever it is ("The Fish Stone"). Exciting stuff for Warp / Modern Love / Sähkö aficionados and everyone who dares.
Artwork Layout by Alex Solman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLIST:
A1.Limestones
A2.The Wave
B1.Stalactite
B2.The Fish Stone
SHORT INFO:
Following her highly praised "An Antworten EP" on TAL, Tentenko releases “The Soft Cave” on Couldn’t Care More. The Tokyo Wonder Girl further expands her unique universe of electronic music with four stunning tracks between oddly beguiling iridescence ("The Wave") and deliberately raw technoid clanging ("Stalactite"), developing a twisted yet very playful version of Experimental Techno, Breakbeats or whatever it is ("The Fish Stone"). Exciting stuff for Warp / Modern Love / Sähkö aficionados and everyone who dares.
Artwork Layout by Alex Solman
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Couldn't Care More
Cat-No:nt011
Release-Date:10.12.2021
Genre:House
Configuration:12" Excl
Barcode:4251804127400
in stock
Last in:19.11.2021
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in stock
Last in:19.11.2021
Label:Couldn't Care More
Cat-No:nt011
Release-Date:10.12.2021
Genre:House
Configuration:12" Excl
Barcode:4251804127400
1
RVDS - A. Clicks in Pink House (06:59 min)
2
RVDS - B1. Blue Signals in Space (06:27 min)
3
RVDS - B2. Purple Dreams in March (06:05 min)
Genre: Electronic, House, Ambient
Tracklist 12":
A. Clicks in Pink House (06:59 min)
B1. Blue Signals in Space (06:27 min)
B2. Purple Dreams in March (06:05 min)
Short Info:
On his new EP Three Colours for Couldn’t Care More the ever-searching RVDS (Golden Pudel Club, Bureau B, It's) keeps his senses wide open and comes up with three amazing tracks as diverse as coherent:
While Clicks in Pink House is enthusiastic warm House Music with a big bassline, Blue Signals in Space' flow of hypnotic meditation has a strange tension underneath that effortlessly connects with the delicate elegance of Purple Dreams in March’s playful piano chords. Three quite different colours that make a beautiful whole.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A. Clicks in Pink House (06:59 min)
B1. Blue Signals in Space (06:27 min)
B2. Purple Dreams in March (06:05 min)
Short Info:
On his new EP Three Colours for Couldn’t Care More the ever-searching RVDS (Golden Pudel Club, Bureau B, It's) keeps his senses wide open and comes up with three amazing tracks as diverse as coherent:
While Clicks in Pink House is enthusiastic warm House Music with a big bassline, Blue Signals in Space' flow of hypnotic meditation has a strange tension underneath that effortlessly connects with the delicate elegance of Purple Dreams in March’s playful piano chords. Three quite different colours that make a beautiful whole.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Couldn't Care More
Cat-No:nt010
Release-Date:30.10.2020
Genre:House
Configuration:12" Excl
Barcode:4251804121989
in stock
Last in:02.10.2020
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Last in:02.10.2020
Label:Couldn't Care More
Cat-No:nt010
Release-Date:30.10.2020
Genre:House
Configuration:12" Excl
Barcode:4251804121989
1
Harmonious Thelonious - A. Aventure (7:43 min)
2
Harmonious Thelonious - B1. Some Blue Beats (5:18 min)
3
Harmonious Thelonious - B2. Ta Ta Ta (6:14 min)
Genre: Electronic, Minimalism, House
Tracklist 12":
A. Aventure (7:43 min)
B1. Some Blue Beats (5:18 min)
B2. Ta Ta Ta (6:14 min)
Short Info:
With the indeed adventurous Aventure EP on Couldn’t Care More Harmonious Thelonious further explores the depths of his unique vision, merging African rhythms, European harmonies and American minimalism: The title track keeps the same yet ever-changing lighthearted melody effortlessly meandering back and forth over electrified beats while Some Blue Beats is more on the minimalist side, as controlled as eccentric. Ta Ta Ta keeps it darker, with hypnotic percussions, organ chords noir and a big bass. Advanced music. Play loud.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A. Aventure (7:43 min)
B1. Some Blue Beats (5:18 min)
B2. Ta Ta Ta (6:14 min)
Short Info:
With the indeed adventurous Aventure EP on Couldn’t Care More Harmonious Thelonious further explores the depths of his unique vision, merging African rhythms, European harmonies and American minimalism: The title track keeps the same yet ever-changing lighthearted melody effortlessly meandering back and forth over electrified beats while Some Blue Beats is more on the minimalist side, as controlled as eccentric. Ta Ta Ta keeps it darker, with hypnotic percussions, organ chords noir and a big bass. Advanced music. Play loud.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Couldn't Care More
Cat-No:nt009
Release-Date:13.09.2019
Genre:House
Configuration:12" Excl
Barcode:4251648412670
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Last in:05.09.2019
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Label:Couldn't Care More
Cat-No:nt009
Release-Date:13.09.2019
Genre:House
Configuration:12" Excl
Barcode:4251648412670
1
John Daly - Stay Close (Gonzo's Way Remix by Losoul) / 10.54 min
2
John Daly - One Four Tee (Benjamin Brunn Remix) / 04:51 min
Tracklist 12":
A: Stay Close (Gonzo's Way Remix by Losoul) / 10.54 min
B: One Four Tee (Benjamin Brunn Remix) / 04:51 min
Short Info:
John Dalys amazing It's All Around You EP gets remixed by German virtuosos Losoul and Benjamin Brunn and the results are as diverse as stunning: while Benjamin Brunn morphs One Four Tee into subtly swinging Electronica, Losoul expands Stay Close into an unbelievable 11-minute groove ride between House and Techno, as tight as epic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A: Stay Close (Gonzo's Way Remix by Losoul) / 10.54 min
B: One Four Tee (Benjamin Brunn Remix) / 04:51 min
Short Info:
John Dalys amazing It's All Around You EP gets remixed by German virtuosos Losoul and Benjamin Brunn and the results are as diverse as stunning: while Benjamin Brunn morphs One Four Tee into subtly swinging Electronica, Losoul expands Stay Close into an unbelievable 11-minute groove ride between House and Techno, as tight as epic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Couldn't Care More
Cat-No:nt008
Release-Date:16.11.2018
Genre:House
Configuration:12" Excl
Barcode:4260544826542
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Last in:12.11.2018
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Label:Couldn't Care More
Cat-No:nt008
Release-Date:16.11.2018
Genre:House
Configuration:12" Excl
Barcode:4260544826542
1
John Daly - It's All Around You
2
John Daly - Stay Close
3
John Daly - One Four Tee
4
John Daly - Rescue
Tracklist 12":
A1: It's All Around You
A2: Stay Close
B1: One Four Tee
B2: Rescue
Short Info:
The very talented Mr. John Daly delivers four master class House tracks for Couldn’t Care More.
“It’s All Around You” and “One Four Tee” let deepness and passion rule in full swing while “Rescue” rides smoothly on a huge bass line. And “Stay Close” is nothing but a fascinating groove. Inspired and timeless vibes by John Daly, if you have a floor to fill this record comes handy for sure.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1: It's All Around You
A2: Stay Close
B1: One Four Tee
B2: Rescue
Short Info:
The very talented Mr. John Daly delivers four master class House tracks for Couldn’t Care More.
“It’s All Around You” and “One Four Tee” let deepness and passion rule in full swing while “Rescue” rides smoothly on a huge bass line. And “Stay Close” is nothing but a fascinating groove. Inspired and timeless vibes by John Daly, if you have a floor to fill this record comes handy for sure.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Couldn't Care More
Cat-No:nt007
Release-Date:13.05.2016
Genre:House
Configuration:12" Excl
Barcode:4260038311752
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Label:Couldn't Care More
Cat-No:nt007
Release-Date:13.05.2016
Genre:House
Configuration:12" Excl
Barcode:4260038311752
1
a sagittariun - heights, jus' rushin mix
2
a sagittariun - oxidize
3
a sagittariun - oxidize, rvds rmx
Tracklist:
A : Heights (Jus' Rushin Mix) B1: Oxidize (Original Mix) B2: Oxidize (RVDS Remix)
Infotext:
After his exciting album "Elasticity" on his own imprint Elastic Dreams, A Sagittariun delivers the equally fascinating three track "Oxidize EP" for german label Couldn't Care More. While "Heights" is a stripped-down basic-channelish techno ride, rough, edgy and with a hint of hypnotic melodies, the title track heads in a quite different direction: still it's raw expressionistic techno, but the flow is ever-changing, mesmerizingly shifting and twisting between hissing beats and enlightened synths. For the remix of "Oxidize" Golden Pudel Club resident and odd-house virtuoso RVDS fires up the acid machine and does it Detroit style, warm and cold, uplifting and melancholic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A : Heights (Jus' Rushin Mix) B1: Oxidize (Original Mix) B2: Oxidize (RVDS Remix)
Infotext:
After his exciting album "Elasticity" on his own imprint Elastic Dreams, A Sagittariun delivers the equally fascinating three track "Oxidize EP" for german label Couldn't Care More. While "Heights" is a stripped-down basic-channelish techno ride, rough, edgy and with a hint of hypnotic melodies, the title track heads in a quite different direction: still it's raw expressionistic techno, but the flow is ever-changing, mesmerizingly shifting and twisting between hissing beats and enlightened synths. For the remix of "Oxidize" Golden Pudel Club resident and odd-house virtuoso RVDS fires up the acid machine and does it Detroit style, warm and cold, uplifting and melancholic.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Couldn't Care More
Cat-No:nt006
Release-Date:28.03.2014
Genre:House
Configuration:12" Excl
Barcode:827170531666
in stock
Last in:01.04.2014
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Label:Couldn't Care More
Cat-No:nt006
Release-Date:28.03.2014
Genre:House
Configuration:12" Excl
Barcode:827170531666
UPC A Barcode: 8271 705 316 6 6 Releasedate: 5.5.2014
A1: Dance Around Yourself A2: Machine B: Dance Around Yourself (Aera Remix)
Monaco à Go-Go is singer/songwriter Jobst Miksche from Hamburg/Germany and "Persimmon Lane EP" is his debut release (for Couldn.t Care More). With "Dance Around Yourself" and "Machines" it offers two slow intimate folk songs full of beauty and melancholia but also a certain easiness. On the b-side AERA (who runs the Aleph label) translates .Dance Around Yourself. into an exotica infused Cumbia Acid Mix that makes you feel quite the same than DJ Kozes adventures on .Amygdala. do: Dizzy, weird and sublime.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1: Dance Around Yourself A2: Machine B: Dance Around Yourself (Aera Remix)
Monaco à Go-Go is singer/songwriter Jobst Miksche from Hamburg/Germany and "Persimmon Lane EP" is his debut release (for Couldn.t Care More). With "Dance Around Yourself" and "Machines" it offers two slow intimate folk songs full of beauty and melancholia but also a certain easiness. On the b-side AERA (who runs the Aleph label) translates .Dance Around Yourself. into an exotica infused Cumbia Acid Mix that makes you feel quite the same than DJ Kozes adventures on .Amygdala. do: Dizzy, weird and sublime.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Couldn't Care More
Cat-No:nt005
Release-Date:18.10.2013
Genre:House
Configuration:12" Excl
Barcode:827170527065
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Last in:08.11.2013
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Label:Couldn't Care More
Cat-No:nt005
Release-Date:18.10.2013
Genre:House
Configuration:12" Excl
Barcode:827170527065
UPC A Barcode: 8271 705 270 6 5Releasedate: 18.11.2013
Paris' house legends CHÂTEAU FLIGHT and up-and-coming swedish producer
LIBRAH deliver beautiful dancefloor-focused remixes of STAREAWAYs (aka Markus
Guentner and Heiko Badje) epic pop/ambient sketches "No Life In This Ghost Town"
and "Appointments", both taken from STAREAWAYs album "No Life In This Ghost
Town", also released on Couldn't Care More.
CHÂTEAU FLIGHT, accompanied by COSMIC NEMAN playing the bongos,
transform the widescreen wall-of sound arrangement of "No Life In This Ghost Town"
into a lush, magically enchanted roller-coaster-ride from deep warm bass to
breathtaking heights of pop.
LIBRAH, who recently made a deep impact with his "2BWU" release on Parkwest,
translates "Appointments" into a smooth and transparent, yet banging groove that
reminds of the Italian deep house sound from DFC! A beatless Reprise-version
completes this lovely remix EP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Paris' house legends CHÂTEAU FLIGHT and up-and-coming swedish producer
LIBRAH deliver beautiful dancefloor-focused remixes of STAREAWAYs (aka Markus
Guentner and Heiko Badje) epic pop/ambient sketches "No Life In This Ghost Town"
and "Appointments", both taken from STAREAWAYs album "No Life In This Ghost
Town", also released on Couldn't Care More.
CHÂTEAU FLIGHT, accompanied by COSMIC NEMAN playing the bongos,
transform the widescreen wall-of sound arrangement of "No Life In This Ghost Town"
into a lush, magically enchanted roller-coaster-ride from deep warm bass to
breathtaking heights of pop.
LIBRAH, who recently made a deep impact with his "2BWU" release on Parkwest,
translates "Appointments" into a smooth and transparent, yet banging groove that
reminds of the Italian deep house sound from DFC! A beatless Reprise-version
completes this lovely remix EP.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Couldn't Care More
Cat-No:nt004
Release-Date:24.01.2013
Genre:House
Configuration:12" Excl
Barcode:827170481169
in stock
Last in:12.03.2013
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Label:Couldn't Care More
Cat-No:nt004
Release-Date:24.01.2013
Genre:House
Configuration:12" Excl
Barcode:827170481169
1
The Oliverwho Factory, - You Just Don't Know
2
The Oliverwho Factory, - You Just Don't Know
UPC A Barcode: 827170481169 Releasedate: 18.3.2013
The Oliverwho Factory come up with a brand new release on Couldn‘t Care More.With „You Just Don‘t Know“, originally sung by soul diva Phyllis Hyman, the duo delivers energetic Detroit sounds between techno and house, massive beats and soulful vocals.
Vibrant stuff with a unique twist!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The Oliverwho Factory come up with a brand new release on Couldn‘t Care More.With „You Just Don‘t Know“, originally sung by soul diva Phyllis Hyman, the duo delivers energetic Detroit sounds between techno and house, massive beats and soulful vocals.
Vibrant stuff with a unique twist!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Couldn't Care More
Cat-No:nt003
Release-Date:20.01.2012
Genre:House
Configuration:12" Excl
Barcode:827170433762
in stock
Last in:23.01.2012
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Last in:23.01.2012
Label:Couldn't Care More
Cat-No:nt003
Release-Date:20.01.2012
Genre:House
Configuration:12" Excl
Barcode:827170433762
1
Sebastien San, - Asylum
2
Sebastien San, - Does Compute
3
Sebastien San, - Alpha Centauri
After releases on Gigolo, Rush Hour, Planet E and We Play House, french producer Sebastien San comes up with more great stuff: The "Asylum E.P." on Hamburg based label Couldn't Care More (who only just made a deep impression with The Oliverwho Factorys I Can See) is made to be played on every dancefloor there is. With the hypnotic techno-soundscapes of title track Asylum Sebastien San created one of his best tracks ever and the other two tracks are of same quality. Uptempo track Does Compute is driven by inescapable hooks while Alpha Centauri slows it down a little with warm but inclined strings, chicago house claps and a subtly pulsating bassline.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Couldn't Care More
Cat-No:nt002
Release-Date:18.05.2011
Genre:House
Configuration:12" Excl
Barcode:827170400061
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Last in:15.06.2011
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Last in:15.06.2011
Label:Couldn't Care More
Cat-No:nt002
Release-Date:18.05.2011
Genre:House
Configuration:12" Excl
Barcode:827170400061
1
The Oliverwho Factory, - I Can See
2
The Oliverwho Factory, - I Can See
"I Can See" by The Oliverwho Factory is the second release of german label Couldn't Care More (following Stareaways "Learn How To Love Me") and it's just marvellous: The duo from Detroit, who by the way runs the stunning label Madd Chaise Inc. and recently released "Galactic Transit" on Rush Hour and "Night Lights" on Planet E, delivers finest Detroit tech deep house with a twist, that will make you wave your arms and scream on the dancefloor. While the basic track is voluminously wafting and rawly pushing forward vocalist Shone tops it with her power- and soulful singing. Both tracks are mastered straight to the point by A.O.S.. Classic.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Couldn't Care More
Cat-No:nt001
Release-Date:04.02.2011
Genre:House
Configuration:12" Excl
Barcode:827170383463
in stock
Last in:24.07.2017
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Label:Couldn't Care More
Cat-No:nt001
Release-Date:04.02.2011
Genre:House
Configuration:12" Excl
Barcode:827170383463
1
Stareaway, - Learn How To Love Me
2
Stareaway, - Unwise
3
Stareaway, - Learn How To Love Me
4
Stareaway, - Someone Like You
Debut release for Stareaway, a new project of german “inventor of pop ambient” Markus Guentner
with singer Heiko Badje, the man behind saudade-driven pop band La Grande Illusion.
Following several releases and highly successful and critically acclaimed albums Guentner solely
released since 2001 for Kompakt and Ware, Guentner and Badje contributed their first co-operation
“Baghira” on Kompakt’s Pop Ambient 2006 compilation. Markus Guentners track “Regensburg”, considered
to be one of the best tracks Kompakt ever released, was selected by Sven Väth to finish his Mix Of The
Second Season and remixed by Wolfgang Voigt.
For the start of the new Hamburg based label Couldn’t Care More they release two melancholic
pop ambient tracks, the title track additionally remixed into an epic, floating journey
of house music by Osunlade, the acclaimed producer, DJ and label owner of Yoruba Records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
with singer Heiko Badje, the man behind saudade-driven pop band La Grande Illusion.
Following several releases and highly successful and critically acclaimed albums Guentner solely
released since 2001 for Kompakt and Ware, Guentner and Badje contributed their first co-operation
“Baghira” on Kompakt’s Pop Ambient 2006 compilation. Markus Guentners track “Regensburg”, considered
to be one of the best tracks Kompakt ever released, was selected by Sven Väth to finish his Mix Of The
Second Season and remixed by Wolfgang Voigt.
For the start of the new Hamburg based label Couldn’t Care More they release two melancholic
pop ambient tracks, the title track additionally remixed into an epic, floating journey
of house music by Osunlade, the acclaimed producer, DJ and label owner of Yoruba Records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Label:WRWTFWW
Cat-No:wrwtfww019/pf06
Release-Date:17.03.2017
Configuration:LP Excl
Barcode:7640153367198
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Cat-No:wrwtfww019/pf06
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1
Midori Takada - Mr. Henri Rousseau's Dream
2
Midori Takada - Crossing
3
Midori Takada - Trompe-l'œil
4
Midori Takada - Catastrophe ?
- Beautiful 1 LP 33rpm Cut Re-Edition
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- 33 rpm LP mastercut by Emil Berliner
*** TERRITORY RESTRICTION - NO SALES TO JAPAN ***
Tracklisting:
1. Mr. Henri Rousseau's Dream
2. Crossing
3. Trompe-l'œil
4. Catastrophe E
Info
WRWTFWW & Palto Flats Records are ecstatic to announce the highly-anticipated reissue of Japanese percussionist Midori Takada's sought after and timeless ambient / minimal album "Through The Looking Glass", originally released in 1983 by RCA Japan.
Considered a Holy Grail of Japanese music by many, "Through The Looking Glass" is Midori Takada's first solo endeavor, a captivating four-song suite capturing her deep quests into traditional African and Asian percussive language and exploring contemplative ambient sounds with an admirably precise use of marimba. The result is alternatively ethereal and vibrant, always precise and mesmerizing, and makes for an atmospheric masterpiece and an unparalleled sonic and spiritual experience.
The fully licensed reissue is available as a single 33rpm LP and a limited 45rpm DLP, both cut directly from the original studio reels (AAA), at Emil Berliner (formerly the in-house recording department of renowned classical record label Deutsche Grammophon) for the 45rpm DLP, and at the equally famous Frankfurter SST Studio for the LP. It is also available in CD format for the first time. All versions come with extensive liner notes.
Bio
Midori Takada is a composer, multi percussionist, and theater artist renowned in Japanese vanguard circles. She will tour Europe this year.
Midori released two solo albums: "Through The Looking Glass" and "Tree Of Life" and wrote music for Tadashi Suzuki's theater plays. Her hypnotic, minimalist music is based in the concept of coherence between sound and the human body. She performs solo on marimba and other percussion instruments.
She debuted on the scene of Berlin Philharmonic, performing with the RIAS Symphonie-Orchester Berlin just after graduating from Tokyo University of the Arts in 1974. She continued her career with solo concerts in Japan and abroad.
In the 1980s Midori began to explore the traditional music of Asia and Africa. Her fascination resulted in joint projects with Kakraba Lobi from Ghana, Lamine Konte from Senegal, Farafina Band from Burkina Faso, and Korean musicians: zither player Chi Seong-Ja, flute player Won-Il, and saxophone player Kang Tae-Hwan. She also led Mkwaju Ensemble's innovative percussion project and still performs with free-jazz band Ton-Klami with Kang Tae-Hwan and jazz pianist Masahiko Satoh.
In the past 20 years, Midori Takada spent more time in theaters than in concert halls - composing and performing live music for theater. She regularly works with Tadashi Suzuki and his Suzuki Company of Toga on their adaptations of "Electra" and "King Lear".
Takada's compositions have a remarkable way of affecting the imagination. Her minimalist, contemplative music is filled with the concept of infinity and reminds us of a moon voyage, falling stars, a journey into the ocean, or a walk in the garden. The trans melodies, initially simple, begin to loop and splinter, their rhythm breaking and thickening, slowly drawing the listener into another reality.
Every live performance Midori Takada gives is unique and prepared especially for that occasion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP Excl
in stock
Label:WRWTFWW
Cat-No:wrwtfww024
Release-Date:21.09.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Barcode:4260544823763
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Label:WRWTFWW
Cat-No:wrwtfww024
Release-Date:21.09.2018
Genre:Electronic, Electronica
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Barcode:4260544823763
1
Colored Music - Colored Music
2
Colored Music - Anticipation
3
Colored Music - Ei Sei Raku
4
Colored Music - Sanctuary
5
Colored Music - Too Much Money
6
Colored Music - Love Hallucination
7
Colored Music - Third Eye - Clear Light
8
Colored Music - Heartbeat
NO SALES TO JAPAN!- Beautiful 1 LP Edition with 140g Vinyl, Stoughton Tip-On Sleeve, Liner Notes (English & Japanese) by Chee Shimizu, Sticker
Official reissue of diggers' favorite Colored Music available on vinyl and CD or the first time since 1981.
Genre: Electronic, New Wave, Pop, Synth, Experimental
WRWTFWW Records is deliriously happy to announce the reissue of the 1981 self-titled album from cult Japanese duo Colored Music, available on vinyl (housed in a Stoughton tip-on sleeve) and digipack CD, with liner notes by digger, curator, connoisseur, writer and legend Chee Shimizu.
An incredible mix of cosmic new wave, unconventional disco, avant-garde synth pop, and hybrid electronic funk, Colored Music is enchantingly unique, a sort of experimental and magnetizing take on David Bowie's Berlin Trilogy with a psychedelic Haruomi Hosono touch. From the groovy post-punk glam title track to the proto-house dance floor killer "Heartbeat", Ichiko Hashimoto and Atsuo Fujimoto hit all the right (and sometimes not-exactly-right-but-truly-genius) notes to create the odd and beautiful, an unparalleled audio escape to the best elsewhere you can think of.
Also playing on the album are celebrated musicians Mansaku Kimura, Shuichi "Ponta" Murakami (Pacific, KI-Motion by MKWAJU ensemble, collaborations with Jun Fukamachi, Yasuaki Shimizu, Haruomi Hosono…) Kiyohiko Semba, Tamio "Doyo" Kawabata, and Tatsuhiko Hizawa.
Tracklisting LP
A1. Colored Music
A2. Anticipation
A3. Ei Sei Raku
A4. Sanctuary
B1. Too Much Money
B2. Love Hallucination
B3. Third Eye - Clear Light
B4. Heartbeat
- For fans of electronic, new wave, experimental pop, weird disco, hybrid funk, proto-house, Haruomi Hosono, Dip in the Pool, David Bowie, Chee Shimizu, Grauzone, Brian Eno, Jun Fukamachi, Pacific, rare albums, things that are beautiful but hard to describe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Official reissue of diggers' favorite Colored Music available on vinyl and CD or the first time since 1981.
Genre: Electronic, New Wave, Pop, Synth, Experimental
WRWTFWW Records is deliriously happy to announce the reissue of the 1981 self-titled album from cult Japanese duo Colored Music, available on vinyl (housed in a Stoughton tip-on sleeve) and digipack CD, with liner notes by digger, curator, connoisseur, writer and legend Chee Shimizu.
An incredible mix of cosmic new wave, unconventional disco, avant-garde synth pop, and hybrid electronic funk, Colored Music is enchantingly unique, a sort of experimental and magnetizing take on David Bowie's Berlin Trilogy with a psychedelic Haruomi Hosono touch. From the groovy post-punk glam title track to the proto-house dance floor killer "Heartbeat", Ichiko Hashimoto and Atsuo Fujimoto hit all the right (and sometimes not-exactly-right-but-truly-genius) notes to create the odd and beautiful, an unparalleled audio escape to the best elsewhere you can think of.
Also playing on the album are celebrated musicians Mansaku Kimura, Shuichi "Ponta" Murakami (Pacific, KI-Motion by MKWAJU ensemble, collaborations with Jun Fukamachi, Yasuaki Shimizu, Haruomi Hosono…) Kiyohiko Semba, Tamio "Doyo" Kawabata, and Tatsuhiko Hizawa.
Tracklisting LP
A1. Colored Music
A2. Anticipation
A3. Ei Sei Raku
A4. Sanctuary
B1. Too Much Money
B2. Love Hallucination
B3. Third Eye - Clear Light
B4. Heartbeat
- For fans of electronic, new wave, experimental pop, weird disco, hybrid funk, proto-house, Haruomi Hosono, Dip in the Pool, David Bowie, Chee Shimizu, Grauzone, Brian Eno, Jun Fukamachi, Pacific, rare albums, things that are beautiful but hard to describe.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Label:Vicious Charm
Cat-No:CHARM2LP
Release-Date:17.07.2024
Genre:Minimal
Configuration:2LP
Barcode:5053760109846
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Cat-No:CHARM2LP
Release-Date:17.07.2024
Genre:Minimal
Configuration:2LP
Barcode:5053760109846
1
A Mountain Of One - Star (Ricardo Villalobos Master)
2
A Mountain Of One - Custard Last Stand / AMO1 Ambient Version (Ricardo Villalobos Master)
3
A Mountain Of One - Make My Love Grow (Ricardo Villalobos Mix Down)
4
A Mountain Of One - Black Apple Pink Apple (Ricardo Villalobos Remix)
5
A Mountain Of One - Make My Love Grow (Ricardo Villalobos Make My Love Groove Remix)
6
A Mountain Of One - Softlanding (Ricardo Villalobos Remix)
7
A Mountain Of One - Dealer (Ricardo Villalobos Remix)
B-STOCK WITH LIGHT CORNERBUMPS: PLS SEE PICS
Reduced Price
A Mountain of One have been on an ever-evolving creative mission since they originally formed back in 2006.
Spearheaded by Mo Morris and Zeben Jameson, the collaboration has taken them around the world with
different band members, releasing multiple albums and EP’s, and crucially given them a platform to play,
explore and hone a definable sound that deftly pairs acoustics with electronics through dream-like songs.
Following their 2008 LP ‘Collected Works’ and 2010 LP ‘Institute of Joy’, the pair reunited in the studio to
release their much-admired ‘Stars Planets Dust Me’ LP in 2022, that was championed by Lauren Laverne and
Tracklisting
1. Star (Ricardo Villalobos Master)
2. Custard Last Stand / AMO1 Ambient Version (Ricardo Villalobos Master)
3. Make My Love Grow (Ricardo Villalobos Mix Down)
4. Black Apple Pink Apple (Ricardo Villalobos Remix)
5. Make My Love Grow (Ricardo Villalobos Make My Love Groove Remix)
6. Softlanding (Ricardo Villalobos Remix)
7. Dealer (Ricardo Villalobos Remix)
Tom Ravenscroft at 6music amongst others. And now, in true AMO1 creative fashion they are presenting an
off-shoot release of that album, one completely reimagined by the man, the myth: Ricardo Villalobos.
Much has been written and talked about when it comes to producer/DJ Ricardo Villalobos over the years.
The mercurial Chilean-German artist has consistently redefined the boundaries of techno and electronica
over the past 30-years as a producer, whilst also traversing the world and expanding minds as a DJ who can
equally delight as he does challenge.Like a great jazz drummer (he was a percussionist before discovering mixing records), Villalobos has not so
much as broken “the rules” of structure as just created his own unique approach. One that is often surprising,
ever open-minded, and clearly lead by whatever happens to be inspiring him at any given moment. Watching
him work or hearing him play music always feels live and free. He’s an artist. And that is exactly how this
(perhaps unlikely) collaborative album has come to light – but then this is Ricardo, so maybe we should all
know by now that anything is possible.
Villalobos explains, “In my scientific search for some electroacoustic musical landscapes, the offer of
remixing ‘Black Apple Pink Apple’ was just perfect for me… In general, the song writing is so very good and
particular, with all the instruments played into a sequencer, so it was very inspiring to strip down these pop
songs into my dubby extensions, taking only the drums, bass, and vocals of the song.” Expanding further,
“After delivering the first remix, Mo and myself came up with the idea of reimagining the whole album in a new
way, mixed simple with other ears and my inspirations, with a new and different point of view of what
instruments are important to hold the song to bare itself.”
It says a lot, and somehow captures the essence of Ricardo’s approach to music (and life), that one remix
soon evolved into a whole plethora of reimagined works, driven by a creative slipstream and a clear
connection to the songs created by A Mountain of One.
Mo Morris provides more insight into his own connection with Villalobos, “I lived in Berlin back in 2002-04 and
used to religiously go to dance to Rici at the after (after) hours parties: little, tiny events. And he just used to
blow my mind, I hadn’t heard anything like it before (or since). Ultra-modern and forward thinking.”
Mo continues, “A good friend connected to Ibiza happenings introduced me to Ricardo as it transpired that he
was a fan of our early material, so I sent him some demo’s when we were in the studio creating ‘Stars Planets
Dust Me’ and he loved ‘Black Apple Pink Apple’. The relationship and collaboration grew from there really, and
I hope that this release is still at the start of what we can all create together.”
Focussing in on the album at hand – ‘Ricardo Villalobos reimagines: Stars Planets Dust Me’ – we are treated to
a concept listen that guides us from dreamy daytime Balearic pop – staying very true to the original songs – all
the way through to completely original deep dubby techno excursions. And to Villalobos fans, it will perhaps
surprise (and hopefully delight) how light a touch he has provided to the opening tracks, focussing more on
enhancing the sonics, and allowing the originals to shine brighter through remastering and mixing down. It’s in
these moments that we see Ricardo as a pure music fan, needing not overly change or alter what’s already
been created, but simply doing what he can to maximise what’s already there.
What will certainly delight Ricardo fans are the four full ‘klub’ remixes provided of ‘Black Apple Pink Apple’,
‘Make My Love Grow’, ‘Softlanding’ and ‘Dealer’ that each boldly explore the outer regions of the dancefloor in
a way that only Villalobos can.
Mo rounds off, “From an electronic and sonics standpoint he’s kind of out there on his own. It’s such a unique
sound. Weatherall also had this, and Harvey has that unique flavour, and also people like Nils Frahm and Max
Richter have this gift. It’s not an easy thing to produce. Ricardo has his own personal cosmic trademark.”
Indeed he does. Take a trip with him around the stars and planets and see for yourself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Reduced Price
A Mountain of One have been on an ever-evolving creative mission since they originally formed back in 2006.
Spearheaded by Mo Morris and Zeben Jameson, the collaboration has taken them around the world with
different band members, releasing multiple albums and EP’s, and crucially given them a platform to play,
explore and hone a definable sound that deftly pairs acoustics with electronics through dream-like songs.
Following their 2008 LP ‘Collected Works’ and 2010 LP ‘Institute of Joy’, the pair reunited in the studio to
release their much-admired ‘Stars Planets Dust Me’ LP in 2022, that was championed by Lauren Laverne and
Tracklisting
1. Star (Ricardo Villalobos Master)
2. Custard Last Stand / AMO1 Ambient Version (Ricardo Villalobos Master)
3. Make My Love Grow (Ricardo Villalobos Mix Down)
4. Black Apple Pink Apple (Ricardo Villalobos Remix)
5. Make My Love Grow (Ricardo Villalobos Make My Love Groove Remix)
6. Softlanding (Ricardo Villalobos Remix)
7. Dealer (Ricardo Villalobos Remix)
Tom Ravenscroft at 6music amongst others. And now, in true AMO1 creative fashion they are presenting an
off-shoot release of that album, one completely reimagined by the man, the myth: Ricardo Villalobos.
Much has been written and talked about when it comes to producer/DJ Ricardo Villalobos over the years.
The mercurial Chilean-German artist has consistently redefined the boundaries of techno and electronica
over the past 30-years as a producer, whilst also traversing the world and expanding minds as a DJ who can
equally delight as he does challenge.Like a great jazz drummer (he was a percussionist before discovering mixing records), Villalobos has not so
much as broken “the rules” of structure as just created his own unique approach. One that is often surprising,
ever open-minded, and clearly lead by whatever happens to be inspiring him at any given moment. Watching
him work or hearing him play music always feels live and free. He’s an artist. And that is exactly how this
(perhaps unlikely) collaborative album has come to light – but then this is Ricardo, so maybe we should all
know by now that anything is possible.
Villalobos explains, “In my scientific search for some electroacoustic musical landscapes, the offer of
remixing ‘Black Apple Pink Apple’ was just perfect for me… In general, the song writing is so very good and
particular, with all the instruments played into a sequencer, so it was very inspiring to strip down these pop
songs into my dubby extensions, taking only the drums, bass, and vocals of the song.” Expanding further,
“After delivering the first remix, Mo and myself came up with the idea of reimagining the whole album in a new
way, mixed simple with other ears and my inspirations, with a new and different point of view of what
instruments are important to hold the song to bare itself.”
It says a lot, and somehow captures the essence of Ricardo’s approach to music (and life), that one remix
soon evolved into a whole plethora of reimagined works, driven by a creative slipstream and a clear
connection to the songs created by A Mountain of One.
Mo Morris provides more insight into his own connection with Villalobos, “I lived in Berlin back in 2002-04 and
used to religiously go to dance to Rici at the after (after) hours parties: little, tiny events. And he just used to
blow my mind, I hadn’t heard anything like it before (or since). Ultra-modern and forward thinking.”
Mo continues, “A good friend connected to Ibiza happenings introduced me to Ricardo as it transpired that he
was a fan of our early material, so I sent him some demo’s when we were in the studio creating ‘Stars Planets
Dust Me’ and he loved ‘Black Apple Pink Apple’. The relationship and collaboration grew from there really, and
I hope that this release is still at the start of what we can all create together.”
Focussing in on the album at hand – ‘Ricardo Villalobos reimagines: Stars Planets Dust Me’ – we are treated to
a concept listen that guides us from dreamy daytime Balearic pop – staying very true to the original songs – all
the way through to completely original deep dubby techno excursions. And to Villalobos fans, it will perhaps
surprise (and hopefully delight) how light a touch he has provided to the opening tracks, focussing more on
enhancing the sonics, and allowing the originals to shine brighter through remastering and mixing down. It’s in
these moments that we see Ricardo as a pure music fan, needing not overly change or alter what’s already
been created, but simply doing what he can to maximise what’s already there.
What will certainly delight Ricardo fans are the four full ‘klub’ remixes provided of ‘Black Apple Pink Apple’,
‘Make My Love Grow’, ‘Softlanding’ and ‘Dealer’ that each boldly explore the outer regions of the dancefloor in
a way that only Villalobos can.
Mo rounds off, “From an electronic and sonics standpoint he’s kind of out there on his own. It’s such a unique
sound. Weatherall also had this, and Harvey has that unique flavour, and also people like Nils Frahm and Max
Richter have this gift. It’s not an easy thing to produce. Ricardo has his own personal cosmic trademark.”
Indeed he does. Take a trip with him around the stars and planets and see for yourself.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
+ Show full info- Close
in stock
Last in:28.03.2025
Label:Pampa
Cat-No:pampa031
Release-Date:25.04.2025
Genre:House
Configuration:12" Excl
Barcode:4260544823534
1
DJ Koze - Pick Up (12" Extended Disco Version)
2
DJ Koze - The Love Truck
2025 repress
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP Excl
backorder
Label:WRWTFWW
Cat-No:wrwtfww066
Release-Date:16.09.2022
Configuration:2LP Excl
Barcode:4251804137270
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Last in:04.07.2022
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Last in:04.07.2022
Label:WRWTFWW
Cat-No:wrwtfww066
Release-Date:16.09.2022
Configuration:2LP Excl
Barcode:4251804137270
1
Yutaka Hirose - Reflection
2
Yutaka Hirose - Fluctuation
3
Yutaka Hirose - Light From Clouds
4
Yutaka Hirose - Air To Feel Outside
5
Yutaka Hirose - Inner Voice
6
Yutaka Hirose - Looking Back
7
Yutaka Hirose - The Breath Of Cyberspace
8
Yutaka Hirose - Babel’s Library
9
Yutaka Hirose - Cross Section Of The Underground
10
Yutaka Hirose - Voice From Past Technology
11
Yutaka Hirose - Study For Scientists
DLP: 350gsm Sleeve, Sticker, Liner Notes
Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting DLP
A1. Reflection
A2. Fluctuation
B1. Light From Clouds
B2. Air To Feel Outside
B3. Inner Voice
C1. Looking Back
C2. The Breath Of Cyberspace
C3. Babel’s Library
D1. Cross Section Of The Underground
D2. Voice From Past Technology
D3. Study For Scientists
Release Info:
Info
WRWTFWW Records couldn't be happier to announce the release of Yutaka Hirose’s never-heard before 11-track collection TRACE: Sound Design Works 1986-1989, available on double LP and double CD, with liner notes from the artist.
TRACE is a collection of 11 unreleased tracks produced by Yutaka Hirose between 1986 and 1989, during the Sound Process Design sessions, right after the release of his classic Soundscape series album Nova. Sound Process Design was Satoshi Ashikawa's label, home of the Wave Notation trilogy (Hiroshi Yoshimura’s Music For Nine Postcards, Satsuki Shibano's Erik Satie 1866-1925 and Satoshi Ashikawa's Still Way). Following Wave Notation, Sound Process Design worked with museums, cafes and bars to create site-specific soundscapes, starting with the sound design of the Kushiro Museum. Yutaka Hirose was called to work on these projects.
Rather than simply providing pre-recorded compositions, Hirose sought to create a "sound scenery". To achieve this, he participated in the conception of the space and paid particular attention to the accidental combination of sounds by placing the speakers, using a multi-sound source, and following the concept of "sculpturing time through sound".
The composer explains: "sculpturing time through sound means that time, the space itself, the sound played in it, and the audience all become one sculpture. It is close to the idea of a Japanese tea ceremony where you use all of your 5 (or 6) senses to taste the tea."
TRACE: Sound Design Works 1986-1989 is divided into two parts. The Reflection segment is based on an ambient soundscape. It narrates "a sleep that starts with the sound of water droplets at dawn and slowly disappears into darkness" and feels like a natural and soothing progression of Nova. It was played in entrance halls, at events, in cafes and bars. The Voice from Past Technology segment expresses the dream world born out of that sleep and is based on what Yukata Hirose calls hardcore ambient, environmental music with a noise approach. It was played in museums and science centers.
All in all, TRACE is a crucial addition to every Japanese environmental music fan’s collection, alongside Midori Takada’s Through The Looking Glass, Hiroshi Yoshimura’s Green, Satoshi Ashikawa’s Still Way, Motohiko Hamase’s Notes of Forestry, Inoyamaland’s Danzindan-Pojidon, and Yutaka Hirose’s very own Nova.
Points of interests
- For fans of environmental, minimalism, ambient, furniture music, Satoshi Ashikawa, Midori Takada, Hiroshi Yoshimura, entrance halls, museums, and time sculptures.
- 11 never-heard tracks from Yutaka Hirose (Nova) recorded between 1986 and 1989, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
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Label:A.r.t.less
Cat-No:A.R.T.LESS2168R
Release-Date:28.11.2025
Genre:Techno
Configuration:12" Excl
Barcode:
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Cat-No:A.R.T.LESS2168R
Release-Date:28.11.2025
Genre:Techno
Configuration:12" Excl
Barcode:
1
Volpe & Elias. - A1 - Process
2
Volpe & Elias. - A2 - Exploration
3
Volpe & Elias. - B1 - Knowledge
4
Volpe & Elias. - B2 - Discernment
12" non retournable! Repress Edition
Genre: Techno, Dub Techno, Deep Techno
Tracklist 12":
A1 - Process
A2 - Exploration
B1 - Knowledge
B2 - Discernment
Short Info:
Strength in numbers ... after the well received collaboration release of Session Restore and Bernhard Hudalla, we welcome another joined musical adventure by up and coming talents Volpe and Elias. On Mojuba sublabel a.r.t.less. This release speaks stripped back basement-dance-floor Dub Techno through and through! Deep diving reverberating Techno at its best. Turn the music on, float and let go. As usual let the tunes do the talking, enjoy!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Techno, Dub Techno, Deep Techno
Tracklist 12":
A1 - Process
A2 - Exploration
B1 - Knowledge
B2 - Discernment
Short Info:
Strength in numbers ... after the well received collaboration release of Session Restore and Bernhard Hudalla, we welcome another joined musical adventure by up and coming talents Volpe and Elias. On Mojuba sublabel a.r.t.less. This release speaks stripped back basement-dance-floor Dub Techno through and through! Deep diving reverberating Techno at its best. Turn the music on, float and let go. As usual let the tunes do the talking, enjoy!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
+ Show full info- Close
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Last in:10.02.2025
Label:Pampa
Cat-No:PAMPA043
Release-Date:07.03.2025
Genre:House
Configuration:12" Excl
Barcode:4251804183994
1
DJ Koze - Buschtaxi (Extended Version) (08:37 )
2
DJ Koze feat. Marley Waters - Brushcutter (05:19)
TRACKLIST 12” Vinyl
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19
Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.
With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.
Buschtaxi hits differently.
AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.
A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.
Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.
--
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.
Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A - DJ Koze - Buschtaxi (Extended Version) 08:37
AA - DJ Koze feat. Marley Waters - Brushcutter 05:19
Info:
A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.
With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.
Buschtaxi hits differently.
AA-Side: Brushcutter – DJ Koze feat. Marley Waters
A track like a displacement activity.
A deranged DJ Koze with a spinning brush cutter, alone in the desert – nothing to cut, just pure, unleashed power. The fight against nothingness.
Brushcutter isn’t music; it’s a trail burned straight through your consciousness.
It cuts deeper. Harder. Until the bigger picture comes into view again.
--
Original Tracks written and produced by Stefan Kozalla / Published by Kosikos Publishing
“Brushcutter” contains elements from “Onto You” written and composed by Brendon Allyn Waters. Published by Marley Waters Publishing/Sony Sonata. Used by permission. All rights reserved.
Mastering by Hans Frage @ Deinklang
Cover Paintings: Gepa Hinrichsen
Artwork by Lilli Scheuerlein & Jonas Vogt
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:A.r.t.less
Cat-No:A.R.T.LESS2169R
Release-Date:28.11.2025
Genre:Techno
Configuration:12" Excl
Barcode:
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Last in:19.11.2025
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Last in:19.11.2025
Label:A.r.t.less
Cat-No:A.R.T.LESS2169R
Release-Date:28.11.2025
Genre:Techno
Configuration:12" Excl
Barcode:
1
Paul Mac - A1 - Retro Melody Lines
2
Paul Mac - A2 - Different Beats For Now
3
Paul Mac - B1 - Strings For Effect
4
Paul Mac - B2 - Standart Plot
12" non retournable! REPRESS EDITION
Tracklist 12":
A1 - Retro Melody Lines
A2 - Different Beats For Now
B1 - Strings For Effect
B2 - Standart Plot
Short Info:
One for the heads as they say ... this deep Detroit Techno inspired 12" by UK Techno veteran Paul Mac was supposed to be released on Ben Sims' infamous Theory sub label Navite in 2003, but apart from 5 test pressings with the catalogue number NTV 04 it never made it to a proper release. When asking Paul about this 12" we were very happy that he agreed to release it on Mojuba sub label a.r.t.less. Some of his most soulful and deeper organic Techno EPs finally available and remastered by Redshape to current standards.
For illustration duties we are super grateful to have the one and only Kilian Eng on board for the next releases, showcasing some of his sketch work in a new context, some of you might remember his stunning artwork from the Sam McQueen album "Dreams In Sepia" for a.r.t.less. Enjoy! Limited edition in hand-pulled screen-printed cover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1 - Retro Melody Lines
A2 - Different Beats For Now
B1 - Strings For Effect
B2 - Standart Plot
Short Info:
One for the heads as they say ... this deep Detroit Techno inspired 12" by UK Techno veteran Paul Mac was supposed to be released on Ben Sims' infamous Theory sub label Navite in 2003, but apart from 5 test pressings with the catalogue number NTV 04 it never made it to a proper release. When asking Paul about this 12" we were very happy that he agreed to release it on Mojuba sub label a.r.t.less. Some of his most soulful and deeper organic Techno EPs finally available and remastered by Redshape to current standards.
For illustration duties we are super grateful to have the one and only Kilian Eng on board for the next releases, showcasing some of his sketch work in a new context, some of you might remember his stunning artwork from the Sam McQueen album "Dreams In Sepia" for a.r.t.less. Enjoy! Limited edition in hand-pulled screen-printed cover.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
backorder
Label:Public Possession
Cat-No:PP048
Release-Date:02.05.2025
Genre:House
Configuration:12" Excl
Barcode:4251804124096
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Last in:24.04.2025
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Last in:24.04.2025
Label:Public Possession
Cat-No:PP048
Release-Date:02.05.2025
Genre:House
Configuration:12" Excl
Barcode:4251804124096
1
Eden Burns - A1) Invercargirl (06:10 min)
2
Eden Burns - A2) Intro Manus (03:48 min)
3
Eden Burns - B1) 22 Dance Demo (07:48 min)
4
Eden Burns - B2) Yes You Sexy (05:21 min)
2025 Repress
Includes Sticker
Tracklist:
A1) Invercargirl 06:10 min
A2) Intro Manus 03:48 min
B1) 22 Dance Demo 07:48 min
B2) Yes You Sexy 05:21 min
23:07 min
Short info:
Big Beat Manifesto is echoing across the globe, gaining followers by the minute.
Join the tribe & to help spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.”
Transmission activated!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Includes Sticker
Tracklist:
A1) Invercargirl 06:10 min
A2) Intro Manus 03:48 min
B1) 22 Dance Demo 07:48 min
B2) Yes You Sexy 05:21 min
23:07 min
Short info:
Big Beat Manifesto is echoing across the globe, gaining followers by the minute.
Join the tribe & to help spread the message of the Big Beat!
„Beat moves feet. Feet do dance. Dance brings joy. Joy is life. Life is special.”
Transmission activated!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Running Back
Cat-No:rb004.1
Release-Date:30.08.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804182003
in stock
Last in:12.08.2024
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in stock
Last in:12.08.2024
Label:Running Back
Cat-No:rb004.1
Release-Date:30.08.2024
Genre:Deephouse
Configuration:12" Excl
Barcode:4251804182003
1
Mute - Basics (Gerd Janson Re-Edit)
2
Mute - Drivers License (Gerd Janson Re-Edit)
3
Mute - Vibes (Gerd Janson Re-Edit)*
4
Mute - Lost (Gerd Janson Re-Edit)*
Tracklist
A1. Basics (Gerd Janson Re-Edit)
A2. Drivers License (Gerd Janson Re-Edit)
B1. Vibes (Gerd Janson Re-Edit)*
B2. Lost (Gerd Janson Re-Edit)*
The onus of proof regarding deepness is a rather peculiar one. Even if one presses all the right buttons, quotes the correct sources and applies the textbook techniques, often something seems to be amiss. The elusive producer Mute never had that problem. Blessed with a a sound of his own, that seems to stem from within and can be called deep house without the genre’s strait-laced demeanor, his aesthetic includes a distinct feel for boogie and disco tropes. Case in point: Lost. Placed as a B2 it is the secret start of Direct Cuts II and more
prominent on this new edition of a classic Running Back record. Molded into an extended disco version by Gerd Janson with unused parts of the original recording session, it something like a curveball deep house disco song, according to the motto: you and me, we can be like a whole universe! Hard to resist and even harder not to like if you have the slightest interest in Prelude records, Diana Ross songs or Tee Scott mix techniques. Basics, Vibes and Driver’s License push further into the world and musical mindset of Mute.
Originally released in 2006 as the the fourth outing of the label and the second (and his last one to date) of the elusive artist, it is still as remarkable as on its first release. Carefully rescued from the original DAT tapes, all re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. Early adopters like Danny Krivit and the Idjut Boys can’t be wrong.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Basics (Gerd Janson Re-Edit)
A2. Drivers License (Gerd Janson Re-Edit)
B1. Vibes (Gerd Janson Re-Edit)*
B2. Lost (Gerd Janson Re-Edit)*
The onus of proof regarding deepness is a rather peculiar one. Even if one presses all the right buttons, quotes the correct sources and applies the textbook techniques, often something seems to be amiss. The elusive producer Mute never had that problem. Blessed with a a sound of his own, that seems to stem from within and can be called deep house without the genre’s strait-laced demeanor, his aesthetic includes a distinct feel for boogie and disco tropes. Case in point: Lost. Placed as a B2 it is the secret start of Direct Cuts II and more
prominent on this new edition of a classic Running Back record. Molded into an extended disco version by Gerd Janson with unused parts of the original recording session, it something like a curveball deep house disco song, according to the motto: you and me, we can be like a whole universe! Hard to resist and even harder not to like if you have the slightest interest in Prelude records, Diana Ross songs or Tee Scott mix techniques. Basics, Vibes and Driver’s License push further into the world and musical mindset of Mute.
Originally released in 2006 as the the fourth outing of the label and the second (and his last one to date) of the elusive artist, it is still as remarkable as on its first release. Carefully rescued from the original DAT tapes, all re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. Early adopters like Danny Krivit and the Idjut Boys can’t be wrong.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Toy Tonics
Cat-No:toyt064
Release-Date:12.05.2017
Configuration:12" Excl
Barcode:0880655506412
in stock
Last in:26.09.2025
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in stock
Last in:26.09.2025
Label:Toy Tonics
Cat-No:toyt064
Release-Date:12.05.2017
Configuration:12" Excl
Barcode:0880655506412
Tracklist 12":
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good
The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.
This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Get Physical
Cat-No:GPM760
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:844216059991
in stock
Last in:17.05.2024
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in stock
Last in:17.05.2024
Label:Get Physical
Cat-No:GPM760
Release-Date:17.05.2024
Genre:House / Techno
Configuration:12" Excl
Barcode:844216059991
1
Roland Leesker - A Roland Leesker - Respect
2
Roland Leesker - B Roland Leesker - Respect (Robert Hood Remix)
12"
GENRE/S:
Techno, House
TRACKLIST:
A Roland Leesker - Respect
B Roland Leesker - Respect (Robert Hood Remix)
SHORT INFO:
Roland Leesker has kept the legendary Get Physical label right at the forefront of the scene in his years at the helm. His music has been a small but vital part of that: he doesn't release often, but when he does it is timeless house music that always makes its mark. As well as a steady stream of singles, he also curated and mixed the crucial 20 x Get Physical compilation back in 2022. He has collaborated with greats of the scene like DJ Pierre, Roland Clark and Terrence Parker and will soon serve up his latest sonic statement with new full-length 'Searching For Peace' which will arrive in August following two more singles after this one.
The brilliant 'Respect' is a spritely and serene deep techno journey. The shimmering chords echo early Detroit techno and the supple drums are packed with warmth and bounce. Together they make for a cut that subtly uplifts as it unfolds in an engaging fashion over seven fantastic minutes.
Remixer Robert Hood is one of the foundational figures of techno. The Motor City innovator works under his own name and as Floorplan and has mastered the art of seductive loops, whether making stripped-back minimal or gospel-laced house. Here, he flips 'Respect' into a thumping and emotionally intense cut with faster drums than the original but just as much machine soul and a little extra texture in the percussion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
GENRE/S:
Techno, House
TRACKLIST:
A Roland Leesker - Respect
B Roland Leesker - Respect (Robert Hood Remix)
SHORT INFO:
Roland Leesker has kept the legendary Get Physical label right at the forefront of the scene in his years at the helm. His music has been a small but vital part of that: he doesn't release often, but when he does it is timeless house music that always makes its mark. As well as a steady stream of singles, he also curated and mixed the crucial 20 x Get Physical compilation back in 2022. He has collaborated with greats of the scene like DJ Pierre, Roland Clark and Terrence Parker and will soon serve up his latest sonic statement with new full-length 'Searching For Peace' which will arrive in August following two more singles after this one.
The brilliant 'Respect' is a spritely and serene deep techno journey. The shimmering chords echo early Detroit techno and the supple drums are packed with warmth and bounce. Together they make for a cut that subtly uplifts as it unfolds in an engaging fashion over seven fantastic minutes.
Remixer Robert Hood is one of the foundational figures of techno. The Motor City innovator works under his own name and as Floorplan and has mastered the art of seductive loops, whether making stripped-back minimal or gospel-laced house. Here, he flips 'Respect' into a thumping and emotionally intense cut with faster drums than the original but just as much machine soul and a little extra texture in the percussion.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
