Repress soon!

As mood changers go, this track is up there with the best. Last year whilst DJing with miche at Shapes festival in the snow-capped mountains of Switzerland, a breathtaking yet ominous Alpine sky suddenly became a picture postcard moment. The clouds parted and a double rainbow formed, as miche dropped Studio Rio's bossa nova remake of Bill Withers’ all-time classic 'Lovely Day'. From there, the dancefloor shifted gears and morphed into full-swing feel-good vibes, in a beautiful, spontaneous moment nobody could have planned for.

Mr Bongo now proudly presents a reissue of this brilliant, bossa-channelling Bill Withers reinterpretation from Studio Rio’s 2014 release ‘The Brazil Connection’. Masterminded by the German, Grammy award-winning Berman Brothers, the project was born out of their deep love of Brazilian music. “Our goal was to bring the Brazilian joie de vivre to iconic performances by well-known artists. What would these classic songs sound like had they been recorded in the studios of Rio de Janeiro in the first place, with the best Brazilian musicians and arrangers?” the brothers reflect.

Capturing the life force of Brazil, the beating heart that is its music, they set out to find the musicians who would fit best with their concept. Landing in Rio in 2013 a series of coincidences led to them being introduced to their idols Marcos Valle and Roberto Menescal, who both agreed to come on board. The Berman Brothers also wanted to find some of the musicians who recorded with one of Brazil’s most influential composers Tom Jobim. “Fifty years after Jobim made the music that really defines bossa nova, we found that many of his sidemen were still active, including Paulo Braga of Jobim’s famed rhythm section. It was magic; everything just fell into place.”

There's no question that the original of ‘Lovely Day’ is up there as one of the most feel-good, spirit-lifting anthems of all time. Here the brothers, with the help of a whole host of Brazil’s finest musicians, rework Bill’s soul-fuelled groove into a bossa nova slice of sunshine. With the blessing of Bill and Sony, they were given access to the original multitracks so they could incorporate Bill’s vocals perfectly into the new arrangement.

Joy-injected horns and bouncing double bass blend with the smile-inducing samba flavour of Pretinho da Serrinha’s cavaquinho playing. Tying it all together Torcuato Marinao who worked with the likes of Gal Costa, Gilberto Gil and Caetano Veloso, completes the line-up as arranger of the songs.

The perfect end-of-the-night track, mood lifter or soul warmer, remakes don’t get much better than this.

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Astrophonica welcomes Austin, TX-based finger-drumming beatmaker Flobama to the label for the first time with Orion Sound—a raw, undiluted, and psychedelic take on Jungle, infused with shades of classic Hip-Hop, Jungle, and that indefinable celestial fusion underpinning Astrophonica.

With a background in instrumental Hip-Hop, Flobama has performed live alongside Blue Lab Beats, Shigeto, and The Alkaholiks using a Roland SP-404 sampling workstation. He has also built a dedicated online community on Patreon and Instagram, creating official live video content for Red Bull Music Academy and Roland.

Orion Sound takes this U.S. instrumental Hip-Hop foundation and blends it with modern UK Jungle through a cosmic lo-fi lens. The entire EP was crafted using PotenzaDSP’s recently developed Amigo Sampler, which emulates the signature gritty sound of the 1980s Commodore Amiga—the machine that helped define early UK Hardcore and Jungle music.

Despite Andy Warhol and Debbie Harry being part of the world premiere of the Amiga 500 in 1985, the affordable home computer never penetrated the studios of underground producers in the U.S. as it did in the UK. While the U.S. is known for lo-fi beat machines like Akai’s MPC range and the E-Mu SP1200—pushed to the limits by greats like Dilla, Pete Rock, and Madlib—the original Amiga alumni were dominated by a crew of UK junglists such as Bizzy B, Equinox, Urban Shakedown, Dlux, TDK, Zinc, and Paradox. It’s suggested that megastars like Aphex Twin, Calvin Harris, Mike Oldfield, and Kanye West have used Amigas running various pieces of tracker software, but that distinctive sound will forever be linked with raw, DIY bedroom Jungle.

Orion Sound takes all of this and mixes it into a well-seasoned sauce that is as tear-out as it is cook-out—combining the laid-back, loud-pack sunshine of Texas with the wall-slapping intensity of an East London rewind. Low-riding at higher tempos, it’s not Footwork Jungle, but it occupies a similar furtive U.S./UK mash-up space once held by Machinedrum, Om Unit, Rashad, and DJ Spinn.

To celebrate the EP’s crunchy, cosmic origins, Fracture and Flobama have collaborated on the Orion Sound Sample Pack, created with the Amigo Sampler and available separately from the EP on the Astrophonica page. The pack features 255 scratch-built, handcrafted sounds using hardware such as Korg SV2 keys, a Mackie 1604 desk, and more—all sampled and processed in Amigo. It includes breaks, pads, and bass samples drenched in glorious 8-bit, low-sample-rate sonics—go wild.

Orion Sound is available as a four-track 12” vinyl and digital release, featuring a collaboration with label boss Fracture and artwork by Utile Creative.

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Originally released in 2014, Strut re-introduces Hardcore Traxx: Dance Mania Records 1986-1997, the highly sought-after definitive retrospective of one of Chicago’s most important and innovative house music labels.



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Following the success of ‘The Original Sound of Mali’ compilation, we return with another explorative delve into the wonders of Malian music compiled by French writer, journalist and Grammy-nominated compiler Florent Mazzoleni and Mr Bongo’s very own David Buttle. Restoring, reissuing and contextualising iconic tracks from Ousmane Kouyaté & Ambassadeurs Internationaux, Rail Band, Les Messagers du Mali, Mystère Jazz de Tombouctou and many more, the second compilation in this series dives ever further into the richness of post-independence music emanating out of Mali. One in which traditional foundations and instrumentation, blended with modern musical advances and influence.

Following Mali’s independence, after ten years of maturation, the 1970s saw modern Malian culture revealed to the world through musical anthologies and overviews of national and regional productions. It was a remarkably fertile period of the country’s musical history, with state-sponsored bands and orchestras now able to be documented and recorded by sound engineers.

Mali has always had a diverse storytelling tradition through music, with each province and ethnic group having its own unique character and nuances. As influences and sounds from the West drifted over the Atlantic, Malian musicians began hearing artists like John Lee Hooker, Wilson Pickett, Johnny Pacheco, Celia Cruz and James Brown. Elements and ideas from blues, soul, rock and funk led to bands covering artists they’d heard from these genres. The Tjiwara Band de Kati’s raw cover version of Pickett’s soul / R&B classic ‘In The Midnight Hour’ and the James Brown funk-channelling cut ‘Get Up James’ from Les Ambassadeurs du Motel de Bamako, are two such examples featured on this compilation.

Most bands also relied on playing in hotels in Mali’s capital, Bamako, which naturally became where they honed their sound. With guests wanting to hear the influence of foreign styles and modern instrumentation becoming more available, this fusion of Western ideas with traditional Malian rhythms and organic instruments led to a one-of-a-kind musical excellence.

The second volume in this series, captures the raw energy of Mali in this period, with a spread of sounds that radiated from Mali’s newly recorded musicians. The afrobeat rhythms of Ousmane Kouyaté and mesmerising Malian classic from Bouba and Sokona Sacko, sitting side by side with the swirling hypnotism of Tentemba Jazz du Mali and a ngoni-infused, percussive dancer from Allata Broulaye. Elsewhere, the deep African desert music of Mystère Jazz de Tombouctou rubs shoulders with the grandeur of the Rail Band, powered by Salif Keita’s iconic vocals.

Those are just a handful of the recordings highlighted on this compilation, which includes an extensive booklet looking at the history and relevance of the tracks written by Florent Mazzoleni. With so much enchanting, deep and mind-expanding music coming out of Mali in this period, ‘The Original Sound of Mali 2’ is a perfect aid to discovering the richness of music this country has to offer.

Vinyl LP housed in a gatefold sleeve with A5 booklet liner notes.

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Collectors Edition! Only a handful of copies.

Founded by Matt Hodgson in the mid 90s, 7th Voyage quickly became a cult imprint. Despite a modest catalogue, the label earned a devoted following among vinyl collectors. Revered for its raw energy and timeless quality, these records have become treasured, often commanding hundreds of euros on the second hand market - some of the rarest electro tracks out there for those who know…

London based Hodgson, a passionate music lover and vinyl purist, poured his heart and soul into every release, crafting records that resonated deeply within London’s underground scene of the 90s. Following the recent reissue on Sushitech, Matt and Yossi have joined forces to present a retrospective 7th Voyage release on Pariter, a label sharing a natural synergy with the ethos of 7th Voyage, this release honours the legacy of Matt’s work while breathing new life into these rare and sought-after tracks.

‘The Return Voyage’ is a carefully curated compilation of seven standout tracks from the label’s back catalogue, encapsulating its signature sound and unique musical journey.

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In anticipation of “For Today” the title of Agosta's second album due in 2025, the Etnean artist offers us two unreleased goodies (available only on 7” and digital), in which Giulia La Rosa's singing and poetic lyrics blend with chill out electronics create a perfect Balearic sound.

‘Serenade’ is a piece of music that dives gracefully and with sophistication into the waters of chill out and elegant dance, combining the influences of artists such as Felipe Gordon and Nutty Nys. The result is a sound experience that, while remaining rooted in club music, knows how to play with intimate and relaxed atmospheres, giving the listener the perfect balance of movement and serenity.
The groove is fluid, essential but pulsating, with a rhythm that invites you to move without haste, while percussion and synthesisers gently fade in, creating a cool and dreamy atmosphere, in which the voice floats naturally.
‘Serenade’ is a sonic journey that knows how to be remembered without ever losing its sophistication. Its ability to combine a relaxed groove with elegant dance is a clear tribute to modern trends, but also a clear rediscovery of the warmer, more intimate roots of electronic music. A perfect track for those seeking to immerse themselves in a musical dimension that is as sophisticated as it is engaging, with one foot in the past and one in the future.

“Living On My Memories” as well as ‘Serenade’ are sweet melodies that capture the essence of a sunset, perfect to listen to and dance to as the sun slowly dips into the horizon. Ethereal sounds, warm and deep vocals, delicate synthesizers and assertive groove create a vibrant atmosphere of serenity, peace and relaxation.

A1 - Living On My Memories
B1 - Serenade

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ANAN is a project born from the musical inspiration of DJs Roberto Agosta and Massimo Napoli (Galathea). The name ANAN comes simply from the repetition of the initials of their surnames.

Their new single ‘Naif’ blends African musical roots with a European groove and celebrates the cultural fusion of modern times and explores sounds that transcend borders. Imagine listening to Fatoumata Diawara or Ali Farka Touré meeting St. Germain or Bonobo

This track opens with a pulsating rhythm, featuring traditional instruments, percussion, and the vocal performance of Kadi Koulibaly from Burkina Faso.

Koulibaly manages to convey a sense of joy and vitality, evoking soundscapes rich with texture and dynamic motion. The melody is skilfully combined with electronic and jazz elements, creating an aural experience that invites you to dance. In short ‘Naif’ is a celebration of cultural fusion, an invitation to indulge in rhythm and explore sounds that transcend boundaries.


A1 Naif ft. Kady Koulibaly

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Icelandic dub techno legend Yagya returns to his own Small Plastic Animals label with Vor, an album of dreamy dub techno indebted to seasonal differences. After exploring vocal-led composition on Faded Photographs, this new album finds Aalsteinn Gumundsson returning to the purely electronic sound he first forged in the early 2000s. It's an album split between the distinct moods of Spring ('Vor') and Autumn ('Haust'), four tracks apiece. Steeped in the pristine dub techno pulses and broad synthstrokes which made his early albums like Rigning and Sleepygirls instant classics, Gumundsson delivers a widescreen masterpiece true to his long-standing legacy in Iceland's lauded dub techno scene.

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DISCO EDITS

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