At daybreak, as sunlight travels through the atmosphere and begins to reach Earth’s surface, daylight gradually emerges. This marks the transition from night to the beginning of a brand-new day. As the temperature rises—especially after clear, calm nights—relative humidity decreases, and mist, formed of tiny suspended droplets, begins to evaporate. Warm air rises and cool air sinks, creating an interplay of temperature, humidity and sunlight that gives way to a soft, diffuse glow. The sea breeze slowly clears the morning mist, setting life in motion once again as the world wakes up.

‘Daybreak’ is Sven Wunder’s fifth full-length album, seamlessly continuing the progression of his musical oeuvre. It takes the listener on a vivid maritime expedition, beginning the moment the first rays of light break the darkness of the night and embarking on a lush journey through the early hours of the day and far beyond, until the light slowly fades and night falls once again. True to Wunder’s now-distinctive artistry, ‘Daybreak’ is marked by elaborately crafted compositions and elegant pop-jazz arrangements for flute, percussion, brass and strings—supported by a decisive rhythm section, all of which add depth and build on his body of work, continuing to unfold his creative path.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

By welcoming the beauty of imperfection and simplicity, Sven Wunder applies the timeless wisdom of wabi sabi on this
musical journey. What you can hear is filtered through Ukiyo-e (which translates as “pictures of the floating world”), which
illustrates everyday life, as well as through Japonism, the study of Japanese art, and more specifically its influence on
European works. The result is a surface that creates an illusion by sound. The infusion of Min’yo with jazz rock, this hazy
scene evokes the landscape of Monet’s ”The Water Lily Pond”, which depicts the painter’s Giverny garden, with a
Japanese bridge, bamboo, ginkgo trees and the reflection of the sky in the pond. This illusion constructs both time and
space.
The surface of the music, like the canvas of the painting, invents a journey between now and then by interpreting the idiom
of folkloric and western art instruments. In this composition, the sound of the Western concert flute, which stretches back
to the Renaissance and Baroque periods, evokes the sound of the bamboo-flute (”shakuchachi”), which reached its peak
during the Edo period. The guzheng, also known as the Chinese zither, with a more than 2,500 year history, joins traditional
Japanese folk melodies with modern pop percussion and 20th century electronic instruments such as the Moog synthesizer,
Wurlitzer electric piano and electric bass.
This is the illusion that celebrates the fleeting nature of all things. A journey. A deep inhale and a slow exhale. It has a mix
of jazz (both funky and progressive), East Asian and South Asian sounds. The idea of fusing these styles and reframing them
with the aesthetic of wabi sabi is to reconnect with nature and concentrate on asymmetries and emphasize ornamentation
to generate new ways of looking at the world, here and now.

A1. Yugen
A2. Shinrinyoku
A3. Hot Winds Arrive
A4. Hanami
A5. Komorebi
A6. Blanket Fog Descends
B1. Wabi Sabi
B2. Bamboo And Rocks
B3. Kachofugetsu
B4. Onsen
B5. North Wind Rattles the Leaves

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

This is the first stop on Sven Wunder’s musical journey. Wunder takes the listener somewhere around the easternmost part
of the Mediterranean Sea, around the Levantine Sea, where he paints a colourful portrait and illustrates the regions flora
through sound.
The fruitage is a vivid bouquet where Wunder fuses colours and pigments by using traditional and modern instruments
merged with arrangements and melodies that stretches from popular to folk music by portraying tulips, red roses, hibiscus,
hyacinths, chamomile, magnolia, daisies etcetera. With both fine and thick brushes are these flowers being pictured in a
both modern and classic idiom.
The outcome is prismatic. It stands between Anatolian rock and European jazz-funk with ponderous drum patterns, groovy
organs, far-out synthesizers, enchanting Saz and impetuous bass lines. Eastern Flowers sweeps through time and space
and points towards the future. It could appeal both psych and prog listeners, folk or jazz aficionados and as well the gourmet
hip hop connoisseurs.

A1. Black Iris
A2. Tulip
A3. Magnolia
A4. Lotus
A5. Lily
A6. Red Rose
B1. Hibiscus
B2. Magnolia (reprise)
B3. Morning Glory
B4. Chamomile
B5. Hyacinth
B6. Daisy
B7. Gilboa Iris

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Germany
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When the sun hovers near the horizon, the rays of white sunlight are scattered out of the beam by small particles and molecules in the atmosphere that sprinkle the sky with brilliant hues indicating that the day starts to fade. As night begins to fall, tree-tops redden and begin to glow. Darkness closes in and falls like a blanket covering the sky. It is late again and all is in shadow below. It is when stars align and dreams come true.

Sven Wunder thrives at nightfall and welcomes the horizon of beginnings on Late Again, a collection of nocturnal jazz pieces that depict shooting stars and scattered beams from the setting sun, with an emphasis on gentle compositions for piano and orchestral pop-jazz arrangements for flute, brass, and strings.

A1 - Sundown
A2 - Pop-Jazz Structures
A3 - Take A Break
A4 - Stars Align
A5 - Lunar Distance
B1 - Jazz At Night
B2 - Snowdrops
B3 - Stellar Plates
B4 - Asterism Waltz
B5 - Late Again

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Tracklist:
A. Impasto
B. Prussian Blue

In collaboration with Piano Piano Records, Mr Bongo is thrilled to present a taster 7” single, ‘Impasto’ / 'Prussian Blue’. The single showcases the colourful palette of Sven Wunder's fabulous forthcoming third album 'Natura Morta’. The album is set to be released on Piano Piano Records later in 2021 with this 7” acting as the perfect prelude.

Sven's 2019 album 'Eastern Flowers' took us into the world of Anatolian rock, European jazz, library, funk, psychedelia, and traditional folk melodies. The 2020 follow up, 'Wabi Sabi’, mixed jazz and Eastern and Southern Asian sounds to present an aural aesthetic of the Japanese ancient wisdom. 'Natura Morta’, "still life" in Italian, owes its inspiration to art. Sven Wunder explores it as a bridge between nature and the human ability to judge and observe through eleven unique musical compositions, each one brightly coloured and textured with an emphasis on vibrant melodies.

As with previous Sven Wunder material the tracks here on this 7" are covered in lush orchestration, evoking the rich musical soundscapes of a previous era (think library music or the film scores of Morricone). First up is the beautiful ‘Impasto’ which refers to the technique used in painting where the paint is laid in very thick layers on a surface. With its lavish sweeping strings and melodies there are echoes of the arrangements of Arthur Verocai, but it then takes a turn into 60s detective movie territory. You can imagine it being the score to a scene in a Harry Palmer film which breaks for a romantic interlude in between the action and suspense.

'Prussian Blue’, is built on Sven’s ‘Shinrinyoku' from the 'Wabi Sabi’ album, sharing the same melody but here with an uptempo beat and another arrangement. It begins with a moment of calm with its soothing piano intro before it bursts into a percussive breakbeat workout. It skates and glides with the influences of Italian library music and Eastern melodies, yet at the same time it retains a unique element that can only be Sven Wunder. 'Prussian Blue' refers to the pigment that was imported to Japan.

Once again, we are indebted to Sven Wunder and John Henriksson at Piano Piano Records for letting us share this melodious vision from one of our favourite contemporary musicians. The compositions on this 7" were produced with financial support from the Swedish Arts Council.

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At daybreak, as sunlight travels through the atmosphere and begins to reach Earth’s surface, daylight gradually emerges. This marks the transition from night to the beginning of a brand-new day. As the temperature rises—especially after clear, calm nights—relative humidity decreases, and mist, formed of tiny suspended droplets, begins to evaporate. Warm air rises and cool air sinks, creating an interplay of temperature, humidity and sunlight that gives way to a soft, diffuse glow. The sea breeze slowly clears the morning mist, setting life in motion once again as the world wakes up.

‘Daybreak’ is Sven Wunder’s fifth full-length album, seamlessly continuing the progression of his musical oeuvre. It takes the listener on a vivid maritime expedition, beginning the moment the first rays of light break the darkness of the night and embarking on a lush journey through the early hours of the day and far beyond, until the light slowly fades and night falls once again. True to Wunder’s now-distinctive artistry, ‘Daybreak’ is marked by elaborately crafted compositions and elegant pop-jazz arrangements for flute, percussion, brass and strings—supported by a decisive rhythm section, all of which add depth and build on his body of work, continuing to unfold his creative path.

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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

When the sun hovers near the horizon, the rays of white sunlight are scattered out of the beam by small particles and molecules in the atmosphere that sprinkle the sky with brilliant hues indicating that the day starts to fade. As night begins to fall, tree-tops redden and begin to glow. Darkness closes in and falls like a blanket covering the sky. It is late again and all is in shadow below. It is when stars align and dreams come true.

Sven Wunder thrives at nightfall and welcomes the horizon of beginnings on Late Again, a collection of nocturnal jazz pieces that depict shooting stars and scattered beams from the setting sun, with an emphasis on gentle compositions for piano and orchestral pop-jazz arrangements for flute, brass, and strings.

A1 - Sundown
A2 - Pop-Jazz Structures
A3 - Take A Break
A4 - Stars Align
A5 - Lunar Distance
B1 - Jazz At Night
B2 - Snowdrops
B3 - Stellar Plates
B4 - Asterism Waltz
B5 - Late Again

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

By welcoming the beauty of imperfection and simplicity, Sven Wunder applies the timeless wisdom of wabi sabi on this
musical journey. What you can hear is filtered through Ukiyo-e (which translates as “pictures of the floating world”), which
illustrates everyday life, as well as through Japonism, the study of Japanese art, and more specifically its influence on
European works. The result is a surface that creates an illusion by sound. The infusion of Min’yo with jazz rock, this hazy
scene evokes the landscape of Monet’s ”The Water Lily Pond”, which depicts the painter’s Giverny garden, with a
Japanese bridge, bamboo, ginkgo trees and the reflection of the sky in the pond. This illusion constructs both time and
space.
The surface of the music, like the canvas of the painting, invents a journey between now and then by interpreting the idiom
of folkloric and western art instruments. In this composition, the sound of the Western concert flute, which stretches back
to the Renaissance and Baroque periods, evokes the sound of the bamboo-flute (”shakuchachi”), which reached its peak
during the Edo period. The guzheng, also known as the Chinese zither, with a more than 2,500 year history, joins traditional
Japanese folk melodies with modern pop percussion and 20th century electronic instruments such as the Moog synthesizer,
Wurlitzer electric piano and electric bass.
This is the illusion that celebrates the fleeting nature of all things. A journey. A deep inhale and a slow exhale. It has a mix
of jazz (both funky and progressive), East Asian and South Asian sounds. The idea of fusing these styles and reframing them
with the aesthetic of wabi sabi is to reconnect with nature and concentrate on asymmetries and emphasize ornamentation
to generate new ways of looking at the world, here and now.

A1. Yugen
A2. Shinrinyoku
A3. Hot Winds Arrive
A4. Hanami
A5. Komorebi
A6. Blanket Fog Descends
B1. Wabi Sabi
B2. Bamboo And Rocks
B3. Kachofugetsu
B4. Onsen
B5. North Wind Rattles the Leaves

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

This is the first stop on Sven Wunder’s musical journey. Wunder takes the listener somewhere around the easternmost part
of the Mediterranean Sea, around the Levantine Sea, where he paints a colourful portrait and illustrates the regions flora
through sound.
The fruitage is a vivid bouquet where Wunder fuses colours and pigments by using traditional and modern instruments
merged with arrangements and melodies that stretches from popular to folk music by portraying tulips, red roses, hibiscus,
hyacinths, chamomile, magnolia, daisies etcetera. With both fine and thick brushes are these flowers being pictured in a
both modern and classic idiom.
The outcome is prismatic. It stands between Anatolian rock and European jazz-funk with ponderous drum patterns, groovy
organs, far-out synthesizers, enchanting Saz and impetuous bass lines. Eastern Flowers sweeps through time and space
and points towards the future. It could appeal both psych and prog listeners, folk or jazz aficionados and as well the gourmet
hip hop connoisseurs.

A1. Black Iris
A2. Tulip
A3. Magnolia
A4. Lotus
A5. Lily
A6. Red Rose
B1. Hibiscus
B2. Magnolia (reprise)
B3. Morning Glory
B4. Chamomile
B5. Hyacinth
B6. Daisy
B7. Gilboa Iris

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

This is the first stop on Sven Wunder’s musical journey. Wunder takes the listener somewhere around the easternmost part
of the Mediterranean Sea, around the Levantine Sea, where he paints a colourful portrait and illustrates the regions flora
through sound.
The fruitage is a vivid bouquet where Wunder fuses colours and pigments by using traditional and modern instruments
merged with arrangements and melodies that stretches from popular to folk music by portraying tulips, red roses, hibiscus,
hyacinths, chamomile, magnolia, daisies etcetera. With both fine and thick brushes are these flowers being pictured in a
both modern and classic idiom.
The outcome is prismatic. It stands between Anatolian rock and European jazz-funk with ponderous drum patterns, groovy
organs, far-out synthesizers, enchanting Saz and impetuous bass lines. Eastern Flowers sweeps through time and space
and points towards the future. It could appeal both psych and prog listeners, folk or jazz aficionados and as well the gourmet
hip hop connoisseurs.

A1. Black Iris
A2. Tulip
A3. Magnolia
A4. Lotus
A5. Lily
A6. Red Rose
B1. Hibiscus
B2. Magnolia (reprise)
B3. Morning Glory
B4. Chamomile
B5. Hyacinth
B6. Daisy
B7. Gilboa Iris

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

When the sun hovers near the horizon, the rays of white sunlight are scattered out of the beam by small particles and molecules in the atmosphere that sprinkle the sky with brilliant hues indicating that the day starts to fade. As night begins to fall, tree-tops redden and begin to glow. Darkness closes in and falls like a blanket covering the sky. It is late again and all is in shadow below. It is when stars align and dreams come true.

Sven Wunder thrives at nightfall and welcomes the horizon of beginnings on Late Again, a collection of nocturnal jazz pieces that depict shooting stars and scattered beams from the setting sun, with an emphasis on gentle compositions for piano and orchestral pop-jazz arrangements for flute, brass, and strings.

A1 - Sundown
A2 - Pop-Jazz Structures
A3 - Take A Break
A4 - Stars Align
A5 - Lunar Distance
B1 - Jazz At Night
B2 - Snowdrops
B3 - Stellar Plates
B4 - Asterism Waltz
B5 - Late Again

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

By welcoming the beauty of imperfection and simplicity, Sven Wunder applies the timeless wisdom of wabi sabi on this
musical journey. What you can hear is filtered through Ukiyo-e (which translates as “pictures of the floating world”), which
illustrates everyday life, as well as through Japonism, the study of Japanese art, and more specifically its influence on
European works. The result is a surface that creates an illusion by sound. The infusion of Min’yo with jazz rock, this hazy
scene evokes the landscape of Monet’s ”The Water Lily Pond”, which depicts the painter’s Giverny garden, with a
Japanese bridge, bamboo, ginkgo trees and the reflection of the sky in the pond. This illusion constructs both time and
space.
The surface of the music, like the canvas of the painting, invents a journey between now and then by interpreting the idiom
of folkloric and western art instruments. In this composition, the sound of the Western concert flute, which stretches back
to the Renaissance and Baroque periods, evokes the sound of the bamboo-flute (”shakuchachi”), which reached its peak
during the Edo period. The guzheng, also known as the Chinese zither, with a more than 2,500 year history, joins traditional
Japanese folk melodies with modern pop percussion and 20th century electronic instruments such as the Moog synthesizer,
Wurlitzer electric piano and electric bass.
This is the illusion that celebrates the fleeting nature of all things. A journey. A deep inhale and a slow exhale. It has a mix
of jazz (both funky and progressive), East Asian and South Asian sounds. The idea of fusing these styles and reframing them
with the aesthetic of wabi sabi is to reconnect with nature and concentrate on asymmetries and emphasize ornamentation
to generate new ways of looking at the world, here and now.

A1. Yugen
A2. Shinrinyoku
A3. Hot Winds Arrive
A4. Hanami
A5. Komorebi
A6. Blanket Fog Descends
B1. Wabi Sabi
B2. Bamboo And Rocks
B3. Kachofugetsu
B4. Onsen
B5. North Wind Rattles the Leaves

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DE - 22113 Hamburg
Germany
Contact: [email protected]More

2026 repress, incl. full-tone printed outer & inner sleeve, incl. download

Deaf Center member Otto A Totland’s 2014 debut LP, an intricate work for solo piano.

Otto A Totland's modern compositional elements are most widely recognized as half of the Norwegian duo Deaf Center, where his melancholic, intricate piano work provides haunting relief to the beds of noise and deep strings from Erik K Skodvin. Pinô is the first full-length release by Totland, though his solo work has been released once, as the 5-minute A-side of Sonic Pieces 7inch Harmony From the Past. Otto's previously brief vignettes are now expanded into a fully personal realization of his own style.

Initial track Open fills itself with heavy, knowing pauses that quickly become overwhelmed with the desire to understand what's to come. Each silence leads into quick flutters of keys, preparing the listener for a vast terrain of giddy beauty, bleak depths, and true contentedness. Pinô quickly recalls deep winter; in front of a fireplace for days on end, you lose how far along you've ventured into the 18 tracks without any idea how far is left to go. The experience feels inevitable, with no other option but to curl up somewhere cozy and appreciate the sense of timelessness that Totland has created. His album is a haunting modern compositional treasure, expressed through instrumentals completely unique to Totland and captured masterfully by Nils Frahm at Durton Studios.

With Pinô, Otto A Totland appears out of the Norwegian landscape, sharing an achievement that will provide a relief during the brooding winter darkness. Though a highly personal endeavor, the recognizable continuation of Totland’s compositions will attract fans of Deaf Center, and the cinematic and classical components of his solo work will hold sway for those familiar with Harold Budd or Dustin O’Halloran.

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A delirious cult concept album disguised as pop, first released in 1971, where psychedelic grooves, funk and global rhythms meet phonetic pseudo-Japanese chants, judo-master ritual cries and a children's choir. Sampled by Erykah Badu, Madlib and DopeLemon, and the unlikely spark behind Bananarama's debut. This can only be the fabulous world of Yamasuki.
In the spring of 1971, somewhere between Brussels, Paris and a collective pop fever dream, Le Monde Fabuleux Des Yamasuki landed on vinyl. It sounded like nothing else then and it still does not today. More than half a century later, Sdban Records proudly presents a reissue of this singular cult album, available from April 3, 2026 on vinyl.
The album was produced by Jean Kluger and written both by Jean and Daniel Vangarde (aka Bangalter, later the father of Thomas Bangalter of Daft Punk), who were already well ahead of their time, long before electronic music rewrote the rules of pop culture.
This new reissue of Le Monde Fabuleux Des Yamasuki proves the renewed interest and respect for this cult album, faithful to the original spirit while finally giving it back the physical presence it deserves. In an era obsessed with genres and algorithmic neatness, Yamasuki still laughs, dances and karate-kicks its way past definitions. It reminds us that pop music can be playful without being disposable, strange without being cynical and joyful without explanation. The world of Yamasuki was always fabulous, we are just lucky it found its way back to us!

Tracklist

A1. Yamasuki - Yamasuki
A2. Yamasuki - Aisere I Love You
A3. Yamasuki - Kono Samourai
A4. Yamasuki - Yamamoto Kakapote
A5. Yamasuki - Okawa
A6. Yamasuki - Aieaoa
B1. Yamasuki - Abana Bakana
B2. Yamasuki - Seyu Sayonara
B3. Yamasuki - Yama Yama
B4. Yamasuki - Fudji Yama
B5. Yamasuki - Yokomo
B6. Yamasuki - Kashi Kofima



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FUTURE SOUNDS OF JAZZ VOL. 14 - Compiled by Permanent Vacation Benjamin Fröhlich & Tom Bioly!
28 Tracks by Move D, Roman Flügel, Slowdive, Isolée, Cobblestone Jazz, Luke Abbott, remixes by Avalon Emerson, Russ Gabriel, Kassem Mosse, I:Cube a.m.o. including 3 EXCLUSIVE AND PREVIOUSLY UNRELEASED
Wow, a new chapter of this legendary series. This and the very first time it’s not compiled by Michael Reinboth, rather by Benjamin Fröhlich and Tom Bioly, the founders and masterminds behind Permanent Vacation.
Why? Simply because they both are very close friends of the Compost famlee, with an amazing musical and DJ-like tastefulness, with the knowledge-based trust of music in the vein of vibrant, jazzy electronica hybrids. And they are from Compost Records’ hometown Munich, too.
Maybe Volume 14 differs slightly to what the previous 13 brought up music-wise, but that’s the score, idea and open mindedness of this series, as it was by the compilers, and last but not least a great time for a change, too. So we welcome this, we very much appreciate and like their selection. We are sure, this will convince you.
28 tracks, 3 exclusive tracks. Enjoy!

LP 1 & 2 (compiled by Benjamin Fröhlich)

A1: Basil Hardhaus – Breezin’
A2: JTC – Gallup
A3: The Abstract Eye - I Feel It In My Forehead
A4: Jex Opolis - Mt. Belzoni

B1: Tee Mango - Into The Wild
B2: Claude Rodap – Hiwa
B3: Jose Padilla - Lollipop (I:Cube Casiotone Reprise Mix)

C1: Herzel – Devoid
C2: David Goldberg - Part Bells (Benjamin Fröhlich Remix)
C3: Marvin Horsch – Pace

D1: Matt O'Brien – Flourish
D2: Aubrey – Dot 3 (Russ Gabriel Remix)
D3: Marcellus Pittman - A Mix

LP 3 & 4 (compiled by Tom Bioly)

E1: Move D – Beyond The Machine
E2: Pierre Bastien – Snide Dins
E3: Vanishing Twin – Under The Water
E4: Yussef Kamaal – Ayla
E5: Roman Flügel – Song With Blue
E6: Luke Abbott – Dumb

F1: Machine Woman – I Can Mend Your Broken Heart (Kassem Mosse Remix)
F2: New Jackson – Let The Freak Come Out At Night
F3: Albinos – Palazzo

G1: The Stowaway – A Suspicious Passenger
G2: Isolée – In Our Country
G3: TB – Unskinny Dub

H1: Slowdive – Sugar For The Pill (Avalon Emerson’s Gilded Escalation)
H2: Cobblestone Jazz – Midnight Sun
H3: Sirconical – Jambon Mama

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Following some exciting releases from Humble B Flat in 2025, ‘Indigo Blues’ is the premier release on his new imprint Zinnia Records launching this May. Indigo Blues - an 8 track double disk journey through various depths of deep, cosy, warm and blue. Launching the release at the BBE store on the 19th May. Alongside a forthcoming launch of a bespoke sound system - Love Ensemble Soundsystem, birthing this summer. Love to all riding out the journey together.

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Tricky"s first album on his brand new False Idols imprint, launched almost a decade ago in 2013. "I was lost for ages" he says, after a 3 year hiatus since his previous album.
Tracklist
1.1Somebody's Sins
1.2Nothing Matters
1.3Valentine
1.4Bonnie & Clyde
1.5Parenthesis
1.6Nothing's Changed
1.7If Only I Knew
1.8Is That Your Life
2.1Tribal Drums
2.2We Don't Die
2.3Chinese Interlude
2.4Does It
2.5I'm Ready
2.6Hey Love
2.7Passion Of The Christ

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Black BioVinyl Limited LP, in reverse board sleeve, with fold-out 8-page poster 60x90cm booklet, packed in a resealable protective bag
Recorded between the iconic Abbey Road and Polish Radio studios, Hania Rani’s original music for Joachim Trier’s Cannes and Golden Globe winning, Oscar and Bafta nominated ‘Sentimental Value’ is a deeply intuitive collaboration, composed before a single frame was edited.

Track Listing:
Tracklist
A1. Sentimental Value
A2. The House
A3. Childlike
A4. Lighter and Lighter
A5. Riksarkivet
A6. Agnes

B1. Rachel
B2. Speaking to the Past
B3. Gustav
B4. Nora


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Mildlife's 2018 critically renowened album 'Phase' back in supply. Nominated for best album at Worldwide FM Awards Dj from DJ Harvey, Artwork, Gilles Peterson, Bradley Zero & many more. Only limited copies avail.

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