Childhood Intelligence Nineteen by Dan Piu “The Mystic Mind” 2x12 LP

As the vortex of time evolves, Swiss Underground Legacy “Dan Piu” returns to his home planet “Childhood intelligence”. A rare specimen and artifact known for his timeless & intelligent soul-infused music, arises with his 3rd solo album on Childhood. “The Mystic Mind” 2x12 Lp as the trilogy, the sequel of “Tru Time And Ages” and “Inside Universe”.

This Full-Length player is a voyage through yet another unexplored realm of Dan's creativity, where listeners are invited to explore a vast network of emotions. As the album organically unfolds, tales of spooky synth worlds emerge, where hypnotic atmospheres collide with analog technoid elements, guided by classic JUNO chord progressions. Witness the alchemy of vintage ARP, Jupiter, Mono/Poly, and 80s Yamaha sounds as they morph into an elusive journey of electronic mysticism crafted by the otherworldly mind, the “Mystic Mind” of Dan Piu.

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Collage of Memories is a thorough selection of hidden archived material from recovered DAT tapes from the legend Dan Piu. We take a trip to the mid 90s to revisit tracks to bring to the present in a collection of experiences A1. Collage of Memories is an introduction to a deep colorful voyage through the warm mediterranean coasts. A2. Late Night Beef is a trippy banger that gives intensity to the dance floor. B1. Ganas de Verte brings a sexy deep tech-house banger with charming vocals by Natalia and finally B2. Kammgarn is a studio version recorded in 1994 based on a live track performed by Dan Piu during his live sets from that era. This track culminates his memories going through a deep trip to a powerful dub techno influenced track.

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It’s the new millennia. We find ourselves outside the Packard Plant in Detroit. Inside dancers coalesce on the work floor of another decaying American metropolis. Part two of Terrestrial Funk’s six part series with Dan Piu brings us to the year 2000. Four more tracks from the three decade compendium with nods to contemporaries like the late great James Stinson. Astral ancestors on celestial highways.

comes with a foldout 17" x 24" poster of Dan Piu's oil painting of the Detroit skyline in the year 2000

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TRUE CONFESSION TWO: ZEIT DES ERWACHENS BY DAN PIU.

TALES OF SELF-PROPHECY. CIVILISATIONS BORN FROM ANCIENT TECHNOLOGY. THE ARCHITECTS OF THE FUTURE. VERWANDLUNG DER WELT…

A CHILDHOOD INTELLIGENCE PROJECT
BY DAN PIU & VENUS NEWS NETWORK.

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The light is at the end of the tunnel. The light is shining bright because of love. The love is the answer to the darkness + the remedy for the experience which might bring unclearness and letting drown in the metaphorical swamp which every single human has felt during the journey they are on. The EP by the Switzerland based mastermind Dan Piu is dedicated to the love and to the love only. The tracks that were produced from the artist’s creative inflow are from the year 1995 to our present days and are telling the story of hope and compassion. Starting from A side we have a demonstrative rollercoaster which is ‘Selfish War Machine’ gracing before the ‘Made in Japan’ which is inspired by the early arcade machines and the ethos they were bringing with them. Side B starts with seductive house number straight up from the year 1995, followed by Robotic tool ‘Robota’ and finishing off on the perfect and soul caressing track going by the name ‘Equinox of Ceres’. This precise body of work which has found its home with Sakskøbing is pure and direct message of love, in a way when things are seem bleak the light can be sparked again. The answer how this spark gets obtained is the four-letter word which is mentioned frequently in this text.

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Hypnophobia is the bleep fueled beginning to a six release series from Dan Piu on Terrestrial Funk. Recorded from 1993 to 2021, the 27 tracks pose a reflection on the relativity of time. Exploring our connection between then and now, all that came before, and what is still to come. Each release will be accompanied by a foldout poster featuring oil paintings of city skylines at different points in time, all painted by Dan Piu himself. We start in present day London.

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Tracklisting:
A1 Dan Piu - Imagined Automata
A2 Dan Piu - Delightful Juxtapositions In Time
B1 Dan Piu - TranseLogix 95
B2 Dan Piu - A Mystic Walk With Gary Rich

Release Note:
Undefined #12 comes from the hand of Dan Piu. Since 1992, Dan has been keeping it versatile by blending different styles of music throughout his career. We are very happy to welcome him to the Undefined family.

His 'Fantasy Juxtaposition' EP resembles exactly what Undefined stands for; versatile and timeless.

On the A side we have a straight up DJ track with a certain techno and bleep flava combined with deep luscious vocals. Aa. gives us an old nu groove kinda beat with naughty 80ies jazz and old school bleepy acid house.

The B side starts with a real old recorded 90ies track, one of Dan's first tracks ever made. A dull love romance evolves from a harmony of batteling synthesizers layered on a break beat groove and fueled with a portion of soul. A mindbending trip. The Bb rounds it off! A track that Dan created back in 1998 together with his friend Gary Rich, Take a walk to a mysterious forest with this uplifting vibe. Gary Rich was a mysterious producer himself - people may know him from his Nightstalker moniker which he was in together with Dan.

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Black Key return from a four year hiatus in style, with 4 sublime tracks from Australian ultra deep house don, Planisphere, aka David Swatten. Following an incredibly well received LP on reissue label, For Those That Knoe, Swatten returns here with more expansive, smokey and utterly consuming deep house cuts, stamped with his unique sound but offering a different flavour from his Definitive Transmission LP, one which immediately stands out from the crowd. Being only his third release in 20 years, there's an understandable sense of anticipation around Swatten's output. This release undoubtedly puts Black Key firmly back on the map, picking up their deserved reputation for releasing only the very best deep house, aimed well and truly at the heads.

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Brighton's boutique house label Black Key Recordskicks off 2017 with a fantastic EP from label newcomer Cinthie. Cinthie is a well established force in Berlin: as well as being a resident at key spots [IPSE] and Humboldthain Club-where she spins heady vinyl only sets-she runs three much loved labels and collectives in Beste Modus, Unison Wax and Beste Freunde. As such, she is a true leader of the underground house scene who also runs a studio complex in Berlin, and so is very much at the heart of the house conversation. Kicking things off is the excellent 'House Rhythms', a rugged, bass driven, deep house cut with flabby drums and snares and icy hi hats all sounding informed by classic deep house greats like Ron Trent. Warm, soul infused pads emanate from the core and the whole unhurried affair really sucks you in with its cosy and romantic atmosphere. The second splendid offering is 'Liberty,' a much rawerand direct cut designed for peak time sets. Again it is riddled with jazzy chords that have real soul, but the drums are exposed and banging and the whole thing barrels along at a sweat inducing pace. This is a typically classy offering from both artist and label that kicks off 2017 in real style.


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The Black Key team return for their third various artist release, compiling tracks from an array of talent. The lead track comes from the SMPL pairing of Iron Curtis & Leaves, who deliver a wonderfully subtle journey through murky pads, shuffling percussion and a sparsely used vocal sample, fitting perfectly into the overall feel of this classy number. Proof once again that these two are at the very top of their game. Sharing the A-side Laak delve into late night territory with haunting layered leads & pads rubbing shoulders seamlessly with understated sub-bass and wonderfully panned hit hats - this really is a thing a beauty. On the flip, Terrence Pearce steps up with a track which changes the mood nicely, increasing the tempo with perfectly worked strings, driving bass and lusciously simple keys, delivering a track of real quality for the floor. Finally, Leftback's own Dudley Strangeways rounds off the EP is his usual style, which cannot be described as anything less than true quality. As ever, Black Key have excelled in delivering a package which ticks all the right boxes - this is a release which will undoubtedly appeal to a diverse range of house music fans who appreciate a rather large nod to the underground. Vinyl Only.


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Brighton's Black Key Records has won many underground house fans thanks to superb releases from Iron Curtis, Tom Ellis, Ethyl & Flori and others, and is now back with another tasteful offering from Cecil. The EP is supported by a remix from Berlin's Matthew Burton and Kate Rathod. Artfuldivision's head honcho, Cecil, hails from the midlands city of Leicester, that has in recent years become less known for it's hosiery and more for it's deep house. Born Thomas Fallon, he has released on 124 Black, Slow Town Records and Moonlight and comes correct here once more. The title track 'Depths' is a liquid deep house cut that saunters along at an inviting tempo as blurred chords roll next to the groove. Lazy claps add human warmth, a fat bassline makes you want to shake your limbs and overall it's a cuddly, feel good house offering. His next cut 'Trip' is deeper, more driven by its rubbery kicks, and rawer. The keys here are pleasingly unhinged, a rasping bassline brings plenty of bite to the table and once again the result is an acid-flecked deep house number that puts most to shame. The remix comes by taste making duo Matthew Burton and Kate Rathod, who have released on Fear of Flying and Visionquest amongst others, and have recently played room 1 at the infamous Fabric nightclub. Their stripped back techno sound is showcased once again here, with elastic drums, molten chords and tripped out sound design all making for a slick, synthetic back room cut for the heads. Finally, 'Right Now' from Cecil is crunchy and expertly reduced, where a shuffling drum clap combo is embellished with jazz motifs, swirling pads and a drunken bass riff that is full of feeling. Black Key never fails to impress, and the unearthing of this latest talent and his superb deep house offering sets them off in fine stead for 2015


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Brighton's ever-cultured Black Key label pushes on with another house connoisseur for its next release, namely the venerated Scotland-based deep house producer Brad Peterson. Before now, Peterson has cropped up on seminal Detroit labels like Moods & Grooves as well as boutique vinyl only outlet Contrast Wax. His sound is deep, moody and atmospheric and comes littered with gorgeous melody and soulful synth work. Opening up the EP is 'Monsoon', a nice and propulsive house jam that journeys through deep space with infectious drum hits and radiant synths fleshing out the rubbery groove. Squelchy, subtle textures also appear in the synthy trails and the whole thing is a feel good, optimistic bit of music that will get dancefloors moving and feeling at the same time. 'Sit Back' is a more reflective and sombre cut, with wallowing, liquid chords draped over a ponderous, snaking bassline. The percussion here rattles gently, like branches in the wind, and the mood is contemplative and cerebral, which is not something your average producer can achieve from their machines. The classy, cultured work continues on closer 'Cloud Remedy' with its reverb coated hits, decisive drums and carefully spraying, ever shifting synth patterns. Classic but not overly reverential of the past, it's a beautifully musical bit of deep house with gently tumbling, starry night sky melodies to die for. As ever with this label and artist, this is a magical EP that puts most modern deep house releases to shame.


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The Black Key team step up once again, this time with the third in their limited, vinyl-only series, with Freerotation resident and established producer, Tom Ellis, delivering 4 sublime tracks of subtle and hypnotic house music, in the form of the simply titled "Limited Volume 3". Now undoubtedly an established and respected label, Brighton (UK) based Black Key Records are approaching their third year in the business, having released records from the likes of BLM, Iron Curtis, Pawas, Flori and Ugly Drums, all of which have gained attention for all the right reasons. Here, Tom Ellis delivers an excellent and intelligent EP, with all 4 tracks displaying the talent this man posses for creating a unique and instantly likeable take on deep house music... the right kind. There is no question that this limited release will appeal to the real heads among us - quality stuff. This EP is yet another statement from the Black Key camp, proving their worth in true style. Limited hand-stamped.


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The Black Key team return with the second in their limited, vinyl-only series, with Cologne based producer, Pawas, delivering a truly excellent and diverse 4 track EP, which oozes quality from start to finish. "Dubba" commences the EP in an understated but crisp fashion which uses delayed rim shots, subtle synth stabs and perfectly executed sub bass to build a flittering, shuffling groove, which has unmistakable dance floor appeal. "DA" builds from nothing into a pulsating and hypnotic houser, moulding loose hi hats, layered claps and an acid-infused bass line to supreme effect. Add in expertly-placed rising synths, plus a haunting vocal sample, subtly used, and you have a serious track on your hands. The production versatility of Pawas is demonstrated on the flip with "2047" - such a contrast from the opening 2 tracks, but delightfully so. This is guaranteed to make heads nod and feet tap, mixing together jazzy keys, fluid tom rolls and perfectly panned percussion. Then the vocal drops. Last, but certainly not least, we have "Mello" which sees Pawas partner up with Matthias Keul to great effect. A more down-tempo and musical affair, rounding off the EP is true style. Vinyl only.


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Boutique beat outlet Black Key Records return with an eighth release, welcoming the SMPL pairing of German deep house don Iron Curtis, and Leaves into the fold for the Hello Ada! EP which comes brandishing a remix from AUS and Secretsundaze talent Youandewan. "Hello Ada!" is a nicely driven jam with louche hi hats racing atop nimble beats and bass which duck and dive as they bobble along deep below the surface. Fleshing out the nicely roughed up framework are synth hooks, more smeared pads and the occasion vocal yelp as well as some cute trumpet motifs that are oh so subtly stitched into the overall arrangement. It's archetypal deep house with a kick and is sure to be one the label's biggest to date. The remix from insular soundsmith, Youandewan, is just as good but for different reasons. His version has more emphasis on the big rubbery kick drum blobs, uses the vocal more frequently, and abstractly, but glows in the same way thanks to the aqueous, shiny and reflective synths that rise up and up through the mix. It's as elastic as it is fantastic and contains possibly his finest breakdown to date.


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A1. CRY WALL B1. LOVE ME B2. LOVE ME (MOODTRAP REMIX

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BRIGHTON'S BLACK KEY SIGN UP MILTON JACKSON FOR THEIR NEXT RELEASE ALONG WITH A REMIX FROM THE MIGHTY ANDY ASH.

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The excellent Black Key Records returns with its first multi artist release, the eponymously titled ‘Black Key EP’ featuring BLM, Flori & James Johnston. Brighton based Black Key Records has built a strong following for its individual take on deep, underground house music. Releases from Jonny Cade, Andy Ash & Chamboche, backed with remixes from Ethyl, Ugly Drums and BLM have given Black Key an instant kudos. Now the Black Key team look to the release of their first multi artist EP featuring three superb cuts, from three outstanding producers.

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We return with our second release, this time featuring the hotly tipped Andy Ash with two brand new tracks and a sterling remix from Ugly Drums?
Ash has been making a name for himself over the last few years releasing for the likes of Chicago?s Stillove4music imprint and the Brooklyn based On the Prowl label. Still in his early twenties Ash has a passion for electronic music derived from his misspent youth, frequenting Dj booths and running club nights in his native Liverpool and it?s that passion that comes out in his own unique take on 21st century house & disco. The ?Broken Nights EP? kicks off with the original version of ?Broken?, a wonderfully languorous slice of laid back slo mo house that fuses together loose limbed percussion, an old school riff and haunting, pitch shifted vocals. The tracks builds in intensity as the arrangement progresses, bringing the piano to the fore and shifting up a gear with hypnotic vocals that give the record a truly balaeric feel, quality stuff. Next up ?Broken? gets the remix treatment from Germany?s Steffen Baldo aka Ugly Drums whose recent release on Quintessentials was a stand out release of 2011. For this remix, Baldo takes things into super deep territory with a version that strips out the pianos and vocals and draws on drums and sparsely used stabs and riffs to build a brilliantly understated groove. Finally we have the excellent ?Distro Yet?, a deep house workout that melds hypnotic hits and pads with a rolling, bass heavy rhythm section to create a mesmerizing work. Added Roland percussion and some frenetic keys join the mix and lift the track towards a superb climax and conclusion of the release.

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4 new Club Paradiso’s re-works of rare cult Italo Disco tracks. Another must for Italo maniacs.

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2023 Starts with a doubler sided disco action from East Coast Love Affair - Taking the vocal from obscure Minneapolis lo-fi band 'Quiet Storm' master tape (Big up Numero Group) and building a whole new deep disco 45. 'Get Down' is deep dance floor chugger using the O.G studio gear that would have been used at the time, strictly analog business. On the flip, 'Can You Deal' is a more uptempo boogie joint. Both killers as always. Lots more from ECLA this year!!

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Manuel Darquart joins the Planet Trip massive with a healthy slab of signature jam hot, house and boogie. With lashings of dream-like sonics throughout and energetic drum work forged together to create pure balearic pleasure.

The A side welcomes three smoothed out, windows down slappers, set steady for a long drive along the coastline. On the flip they dial up the tempo and whip out the 707 cowbell in the heaving title track “In The Post.” Euphoric vocal and swelling synth send your mind into the ether. The closer; “Full Pints, Full Hearts” comes as close to capturing the essence of 90’s dream-house without getting in a time machine. Piano stabs from heaven and a chant calling us to enjoy the good times. Tip!

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Richard Lamb’s second and (presumably) final release under this moniker is a bit of a special one. Lamb starts off with ‘Salt Lick’. A track with beautiful, lush, sunny sounds that lure you into an unexpected world of electro, heavy bass and more dance orientated tracks like ‘A Life In Harmony’.

Following up his first EP ‘Automatic Tango’ on his own Montreal based Temple imprint, there’s still hints of early Moog greasiness but overall it’s a more decisive production compared to the previous one. Intricately layered percussion mixed together with dreamy pads take you on a journey to a hidden Utopia where tight arrangements and tribal-esque rhythms dictate the pace. Once more we are shown how versatile Lamb’s productions are and how he juggles genres freely, ranging from dub to electronica, experimental, idm and techno.

The second side of this EP features two remixes by non other than Norwegian DJ and producer DJ Sotofett. A heavyweight in the electronic music scene who needs little introduction takes on the EP’s title track ‘A Life In Harmony’ and turns it into two electro-acid pieces ready to tear up any dance floor, or anything else for that matter. Surrender to the acid and indulge in these masterful tracks.

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The motor hasn’t had time to cool down and the belt drive is feeling the fatigue. But Charles Maurice is the kind of DJ who just can’t let a turntable rest. After steaming up the slipmat with three sexy compilations of French Boogie, Charles Maurice is back with Volume 4.
TRACKLIST:
A1. Dwight Druick - Georgy Porgy (Disco Version)
A2. Marco Attali - J'ai Pris Une Claque (Unreleased)
A3. Serge Delisle – Germaine (Remix)
B1. Wai Kop – Lola
B2. Chris O'hara - Sur les Coussins de la Discothe`que
B3. Acayouman - Funk Around
C1. Djeneba - Better Day (Hard Soul Mix)
C2. David Simon – Transistor (Instrumental)
C3. Marco Attali - La Relève Du Matin (Instrumental)
D1. Shen & Les Shendys – Je Ne Suis Que Musique
D2. Eric Chotteau - Affirmatif-Négatif
D3. Cyrill - Night Ghetto
D4. Aries – Braziliana


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In 1974 Mazzotti recorded her first album Ninguem Vai Me Segurar (1974), enlisting the in-demand arrangement talents of Azymuth’s original keyboard maestro Jose Roberto Bertrami who co-wrote several of the tracks and plays organ, piano and synthesizers on the album. It also features Azymuth’s bassist Alex Malheiros and percussionist Ariovaldo Contestini, with Romildo Santos who produced the album on drums. Recorded in Estudio Haway around the same time Azymuth recorded their debut album there, it’s no wonder the samba jazz-funk pioneer’s distinctive aesthetic is present throughout, and Mazzotti’s sensational compositions are made even more beautiful for it. An artist as imaginative and unique as Ana Mazzotti doesn’t come around often. Dubbed a “super-musician” by fellow Brazilian virtuoso Hermeto Pascoal, Mazzotti’s short but rich musical career culminated in just two studio albums: Ninguem Vai Me Segurar (1974), and Ana Mazzotti (1977). Outside circles of Brazilian funk aficionados, these two gems of spellbinding samba-jazz, lysergic funk and trippy bossa have remained relatively obscure. This was partly as a result of Mazzotti’s premature death (she lost her battle with cancer in her mid-thirties), but also due to financial restraints and the prejudice she faced as a female songwriter in a fundamentally sexist society.

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Jon Sable returns to In Dust We Trust with three new tracks which bring his love of dub influenced house to the forefront. Starting off the record with the title track, ‘Endorphin Loops’ centres around evolving synths and a heavy low end layered with tripped out synths resulting in an energetic sound for late night dance floors.

On the B side ‘Sleep Suit’, is a rolling chunk of dub influenced house with layers of pad textures and percussive elements that form a heavy yet meditative listen.

‘Soft Focus’ closes out the record featuring atmospheric pads layers over an energetic garage influenced beat forming unique sound with nods to his previous home town of London.

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Repress! Black Vinyl!
Sudi Wachspress returns to Tartelet Records with Dance Planet, a third LP of emotionally-charged house music to welcome us back to the dancefloor. The spirit of true house runs deep in the sound of Space Ghost. Oakland native Sudi Wachspress is intuitively plugged into the romantic, mystical energy of 4/4 club music as a unifying force of empowerment and liberation, carrying the torch from vital forebears like Larry Heard, Alton Miller, and Blaze.

His new album, Dance Planet, carries a greater responsibility to spread spiritual affirmations. As the global dancefloor community emerges from a mentally-taxing recess and confronts their social self like it’s the first day of school, Space Ghost’s message couldn’t be more supportive.

“Don’t be afraid to be yourself, don’t be afraid to let go,” he intones on “Be Yourself.” More than just a beat and a hook, his music is pointedly created to heal and energize. “I’m a big fan of old-school house vocals that have a positive message,” says Space Ghost, “tracks that can perhaps enhance your mood or strengthen your confidence in yourself.”

Wachspress has always represented a beacon of musical uplift, both on his previous Endless Light and Aquarium Nightclub LPs for Tartelet and on his swathes of self-released music and last year’s Free 2 B on Apron. Compared to most house-oriented artists, he places emphasis on the long-player format to create an encircling experience for the listener, smoothing out psychic wrinkles and massaging areas of tension for a fully holistic hit.

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Volume 2! MUNIR aka MIDNIGHT RUNNERS on his 5th drop with STAR CREATURE, hits us again with some diggin' deep dug ups from his corner of the world. This one picks up where his TUGBOAT EDITS VOL 14, HAUNTING ECHOES and NUSANTARA VOL 1 left off. Tidal waves of jazz funk, space disco & boogie.

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Alleviated Records is proud to present the second of hopefully a succession of releases sharing selections from our own Archive of recordings that either have never been issued or that have never been issued on the Alleviated imprint. After many years of being "on-the-shelf" we are extremely pleased to share these with the public.

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140g Vinyl and Limited to 300 copies
Limited one sided 12” featuring an extended edit by IOJ label boss Jura Soundsystem that teases out the vocal and pulls back on the Sax with judicious amounts of delay and reverb to create a 11’25 mins dubby disco excursion.

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Emotional Rescue is at it again with another fully licensed and remastered offering, this time bringing to wax Mataya's Golddigger with a previously digital-only 'tape Mix.' Zimbabwe-born and later London-based Mataya "Clifford" Chewaluza was a core part of the vibrant West London music scene, using his songwriting, production and multi-instrumentalist skills on albums for RCA and Virgin. He also dropped a few 12"s and this one was released in 1988. It's a cult curio with crashing 80s production, disco-tinged grooves and plenty of subtle African rhythm which includes a standout dub mix from Jura Soundsystem.

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