Double Vinyl LP (incl. printed inner sleeve)

Tracklist 2LP:
A1. The Pull of Time - A2. Parallax - B1. The Color of Static - B2. Begin Again - C1. I Need You -
C2. Beacon - D1. Are We Not Above It? (Feat. NiQ E & L_cio) - D2. The Mycorrhizal Network -
D3. Augmented Dreams

Short Info:
Alan Abrahams aka Portable returns to the label in fine form with his latest full-length LP, Augmented
Dreams. The title refers to the use of everyday technological advancements to achieve what were once
only dreams or visions of past generations, making this an explorative concept album that is equal parts
not-too-distant science fiction, and about as topical as it gets.
From the gorgeous opening string layers of “The Pull of Time” to the classy 4/4 grooves of “Begin Again”
or lead single “Guiding Me”, into the apropos and angular sci-fi broken beat feels of “Parallax” and “The
Color of Static”, fitting Detroit-influenced love taps like “Beacon” and “The Mycorrhizal Network”, the
politically-inspired “Are We Not Above It?” referencing the lingering effects of colonization featuring NiQ
E from South Africa on vocals and L_cio from Brazil on flute, through to the futurist pop elegance of the
dreamy duet recorded with Alexey Kochetkov “I Need You” and the conclusive titular track, it is clear
that both the in-depth concept and immaculately-crafted musical content in Portable’s inimitable style
are balanced in significance and expressive effect. This also functions as a timely statement in itself, as
today’s iceberg-tip evolution of AI technology is currently impending over the arts and many of our
existing realities.
This ten-song album serves as an imaginative yet hyperrealist narrative on how humanity’s fascination
with and reliance on ever-advancing technology defines the times we find ourselves in, while the skillful
sonic displays and present-era production techniques along with Abraham’s knack for timeless emotive
songwriting offer up this solid soundtrack for the ages. More

Genre: House, Minimal

Tracklist:

A1. Guiding Me (Original Mix) FR2T02300025
B1. Guiding Me (Lawrence remix) FR2T02300026
B2. Vigor FR2T02300027

Short Info:

The ever-prolific and established artist Alan Abrahams aka Portable makes a swift and very welcome return to Circus Company with the impressive lead single "Guiding Me", giving us an early taste of his forthcoming album Augmented Dreams to be released in the fall.

Conceptually the direction of this new project refers to the use of technology to alter our dreams, inadvertently or not, as so much tech advancement becomes available and ingrained in our daily lives. The timely lead single here inspired by Abraham's South African ancestors the Khoi San people and the guidance they provide, appropriately exuding both futurist formed sonics and dream-like tenderness in content, led by his dulcet-toned vocals and delivered with the super solid production we've come to expect. Wonderful multi-purpose electronic music which will find itself right at home on late-night discerning dance floors, or indeed guiding the listener through their respective travels, solo meditations or get-downs in headphones.

Along with the excellent "Guiding Me" original mix, we are graced with a masterful remix by Hamburg's Lawrence of Smallville and Dial fame, who takes the track into an even more floor-focussed realm with his patented rolling sub-bass lines which will guarantee plenty of summertime sound system finessing, as well as the EP-exclusive B2 track "Vigor" in which Portable goes even deeper in tone with classic styled vocal cut-ups and repurposed shards of tasty sound design added to keep the dancers endlessly entranced when and wherever they may be.

More

2021 Repress

Alan Abrahams, that's the man behind Portable, born and raised in South Africa, where he started to produce music in the 90's. 1997 he moved to London. After several releases on Labels like Context or Background, he started his own imprint "Süd Electronic" around 2002. Another Project named "Bodycode" was born and found a home at USA based "Spectral", the sisterlabel of Ghostly.His first "Portable" album was released at the end of 2007 through "Süd Electronic". Now Perlon is more than happy to welcome mister Abrahans on board with this incredible deep 12" entitled "Knowone Can Take Away". Two songs for eternity!
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Special remarks : Double LP incl. download code

Genre: House, Minimal, Electronica

Tracklist :
A1. The Simulacrum - A2. The Spacetime Curvature - A3. Foreign to You (feat. NiQ E) - B1. The
Self Assembling - B2. Analogue World - B3. Cages - C1. I Feel Stronger Now - C2. We Exist
(feat. Mandy Alexander) - D1. Ripple Effect - D2. Fractal Distortion

Short Info:
Following hot on the heels of lead single and recent mind-body tantalizer “I Feel Stronger Now,” we are now truly proud to present you with Portable’s latest full-length My Sentient Shadow. Filled to the brim with all of the
inventiveness the sonic auteur has commanded we expect from his sizable and consistent body of work on worldrenown labels such as Perlon, ~scape, !K7, and his own Süd Electronic and Khoikhoi imprints, and dare we say
offering us perhaps the most cohesive, emotive, and balanced of his highly-admirable catalog here to date. By using the analogy of a shadow that possesses its own consciousness, the theme of light and its distortion vs
balance with the inherent and necessary darkness that surrounds it is in clear vision.
Immediately from the warmly bizarre vibes of opening cut “The Simulacrum”, it’s clear Portable is requesting clearance to other worlds of funk and ingenuity. The delightfully trippy, smoky, back-room of the Tattooine Cantina
feel sets the stage just right to curb expectations and let the carefully constructed noise movements wash over us.
Elsewhere amongst the generous set we find tracks like “Cages” and “Ripple Effect” continue in the direction of horizontally-maximized aural tapestries oozing with texture, while at the other end of the energy spectrum pieces
such as “The Self-Assembling” and “We Exist..” roll and bounce with all the sci-fi gyrations and slick synth layers hinting at a hypnotic halfway rendezvous point to his Bodycode moniker. And of course, no proper Portable outing
would be complete without his own robust tenor vocal tone, which feels right at home front-and-center on the space travel anthem “The Spacetime Curvature” and used in more calculated micro-doses on “Analogue World”,
as well as the gorgeous “Foreign to You” whose meta-title features a rare guest starring vocalist NiQ.E, and brings to hearts some of Herbert’s finer moments with dear friend Dani Siciliano, albeit done-up entirely in some
distant yet alluring parallel dimension. The LP journey finishes with the frenetically-charged closer “Fractal Distortion” which will no doubt please many-a cosmic techno purist while making percussion masters from the
afterlife such as Jaki Liebezeit and Tony Allen proud, and is quite possibly the closest thing to a danceable musical take on the current state of cognitive dissonance in the world that surrounds us, offering us a one-way
ticket out from the not-too-distant future. Please join us in welcoming and celebrating this wonderful album from Portable on Circus Company.
More

Genre: Minimal House

Tracklist :

A1. I Feel Stronger Now (Vinyl Edit) A2. My Art Sets Me Free B1. I Feel Stronger Now (Bodycode Remix)

Short Info:
We are elated to invite the multi-talented and multi-national musical mastermind Portable in to the Circus family finally. After many years of traveling in similar scenes and orbits, and thoroughly enjoying his vast output on some of our favorite and best friends’ labels, the time has come to join forces with our now-fellow Parisian dweller.

The My Event Horizon EP is a truly creative treat, chock full of the charm and studio ingenuity that permeates all of his work, and a first look at what’s to come on his full length LP we have in store for you in the coming months as well. Two versions of the lead track “I Feel Stronger Now” are accompanied by an exclusive club cut, just in time for the world’s hopeful dance floor reopenings.

“I Feel Stronger Now” is one of those perfectly balanced tracks that is equal parts soft and edgy, mellow and exciting, and features a rich mix of sharp percussion, warm jazz-inflected piano motifs and Portable’s own inimitable dulcet-toned vocals, making it a sure-shot fit with the label’s modus operandi. The A2 track “My Art Sets Me Free” as the title may suggest, is a more abstract and artistic take on full-scale DSP dance floor equipment - we can already imagine hearing this on some of our most cherished club systems, head-down, fully immersed. Next up “I Feel Stronger Now” gets a fresh facelift treatment from Portable’s own and equally-notorious alter ego Bodycode, which follows suit to the pseudonym’s production quality, giving the avant-garde bounce of the original version a more syncopated and stripped-back feel, imparting a stronger physical sound bed with tasteful synth layering for the vocal Iines to ride over. And as a digital bonus addition to the package we have the Radio Edit of “I Feel Stronger Now” which is nicely tightened in all the right places to drive the point home for broadcast listeners, and further proof that this man’s music can be fully enjoyed in many settings - a big loving welcome to Mr. Portable!



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Exclusive ! Release - Territory : Worldwide !

Tracklist
A1 This Frozen Lake (Original Mix)
A2 This Frozen Lake (Bodycode Remix)
B1 This Frozen Lake (Shackleton Mix)

"Absorbingly melancholic, it is heartbreakingly honest throughout"
(UK) DJ Mag 9/10

"Odd bedfellows as they might seem, minimal's clinical precision and the trembling passion of vintage soul have been entwined throughout Alan Abrahams' career. As Portable, the South African producer has made intriguing connections between the two genres, with ballads sung in a drowsy, soulful baritone over repetitive electronic grooves."
(UK) Resident Advisor

"Although a long-time Berlin redident, the music of his homeland echoes through this elegant debut"
(UK) Mixmag 8/10

"One of the most enigmatic men in House"
(DE) Spex

"His sounds are crystalline and his beats nicely sprung, his deep voice carries a slightly operatic pathos but without the often associated severity. Gentle melancholy in euphoric environments, that is Abraham's specialty."
(DE) Suddeutsche

"Perhaps his most personal work yet...11 tracks that see Portable's vocals at the forefront, as well as his own piano playing - forming a dynamic collection of songs built for myriad listening contexts."
(UK) Hyponik

"All in all, it's a release carved from a piece of Abrahams, like a sonic snapshot of this period of his life. Although painful, it's one that has resulted in a body of work full of melancholic beauty." XLR8R

"…the album documents a period of disruptions, transitions and exploration, both emotional and sonic, through a fascinating group of songs." NPR

"Alan Abrahams marks the symbolic debut of a new singer-songwriter, one who has lived in his own soundscapes long enough to know what kind of voice will anchor their oddities and compliment their effusions." Popmatters

"Abrahams continues to push on, as singer, songwriter, performer, and citizen of the world. That more people may encounter his music is for the better." Igloo

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Exclusive ! Release - Territory : Worldwide !

Tracklist
A1 Say It's Going To Change (Original Mix)
A2 Say It's Going To Change (Bodycode Remix feat. Ursula Rucker)
B1 Say It's Going To Change (Deetron 'Space Station' Remix)
B2 Balanese Nights

Portable is Alan Abrahams, a South African born artist and producer who is also a celebrated live act. Emerging more than fifteen years ago with a sound that marries real electronic soul with deep moods and abstract grooves, he is someone who has released his minimal wares on cult labels like Perlon and Live At Robert Johnson, as well as his own Süd Electronic. Always experimenting with rhythm and imbuing his music with a wide world of influences, this latest work that proves that once more.
Portable's music reached a new level of exposure when the 2014 track "Surrender" received a "Best New Track" designation from Pitchfork, and appeared in re-edited form on DJ Koze's critically acclaimed DJ-Kicks mix (named the #1 mix of 2015 by Resident Advisor). Portable signed to !K7, and is to release his sixth full length artist album through the label in August 2016. The 11 track affair is his most personal yet, and as such is a self-titled work that features plenty of his own vocal work, as well as some choice collaborations.
The first 12" single sees Deetron and Bodycode deliver remixes alongside exclusive track 'Balanese Nights' that doesn't feature on the full length album.

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Genre: Alternative, Electronic, Piano Solo

Tracklist LP:
A1. Unless - A2. Piccolo - A3. Sway - A4. Almost There (Piano Version) - A5. Ventas Rumba - A6.
Pianovado - A7. La ligne (Modular Version) - B1. Opus 53 - B2. Eclair - B3. Flat Feet - B4. La valse
des singes - B5. Louanges - B6. Fly Finger - B7. Ferveur

Short Info:
With his new instrumental album Ventas Rumba, the French composer (and singer) returns to his signature instrument, the piano, blending it with warm synth tones. This album represents a "return to his roots ", allowing Ezéchiel Pailhès to reinvent himself in a seamless way while still exploring ballads and ritornellos, halfway between light-heartedness and melancholy. Ezéchiel Pailhès has been meaning to write a solo piano album for as long as he can remember. Hardly surprising, of course, for this academically-trained pianist, brought up on classical music and then studied jazz. Yet, since his 2001 debut with the electro-pop duo Nôze, and his subsequent four albums, the artist had constantly postponed this project that was so close to his heart. Then in 2022, just as he was getting ready to start producing an album of new songs, this long-standing aim finally materialized.
The melodies he wrote seemed to stand on their own naturally, spurring him on to compose this series of fourteen tracks, recorded in sessions split between France and Latvia.
A new piano: the Una Corda
Ezéchiel wanted this project dedicated to the piano to begin a new narrative, to explore new instrumental terrain and new tones, something far removed from the familiar piano he has been playing all his life. He opted for the Una Corda piano, designed by David Klavins, a groundbreaking instrument builder renowned for his distinctive pianos with vertical shapes and frames.

The Una Corda, created in 2014, is an upright piano with a single string per note (unlike three strings on traditional pianos). Enticed by the "crystalline and unique" tones of this instrument, which is hard to find in France, Ezéchiel travelled to Kuldiga, Latvia (where David Klavins set up his workshops and studios), to record the first part of the album. Although the title of the album may initially conjure up images of a distant, sensual dance, the reality is quite different. Ventas Rumba indeed refers to the waterfall and rapids (in Latvian: rumba) of the river Ventas, which runs near this small village in the western part of the country. Ezéchiel chose to blur the lines, as the sound and musicality of the title likely evoke both his short stay in the Baltic country, and also a form of distant exotic imagery perfectly in tune with his own mischievous wit. Tracks as short stories

Back in France, Ezéchiel enhanced the first tracks recorded in Kuldiga with subtle synth tone layers, and added other tracks composed and recorded at his Montreuil studio. The album reflects a deliberate and sensitive orchestration of piano, synth keyboards and digital effects, as he puts it: "playing to erase the differences between the tones of the various instruments", as if each instrument's texture echoed the others. According to Ezéchiel, you can listen to Ventas Rumba as you would leaf through "a collection of short stories", through compositions that rarely exceed three minutes and evoke figures of movement, lightness, curves or modulation, such as "La ligne", "La valse des singes" or "Fly Finger". Others more seriously relate to a kind of spirituality, which quietly infuses such different tracks as "Ferveur", "Éclair" and "Louanges". Ezéchiel adds: “I’m by no means religious, but I like what God has managed to get musicians to achieve (laughs)". "Louanges", for instance, despite its electronic edge, "refers to Olivier Messiaen, a very devout composer who I greatly admire". Other tracks are directly inspired by the classical music he listens to on a daily basis. For example, Chopin's “8th Nocturne” formed the backdrop of “Pianovado”. Likewise, the harmonic structure of Beethoven's “Waldstein Sonata No. 21” inspired “Opus 53”. Aside from these multiple references and inspirations, which quickly recede behind a style that is uniquely his, Ezéchiel Pailhès keeps exploring ideas already found on his first solo albums, this time in an instrumental format, undoubtedly purer, fostering an imaginary world that evokes the shapes and themes of ballads, ritornellos, light-heartedness, passing time, reverie or a universal subdued melancholy. More

Genre: Alternative, Electronic, Piano Solo

Tracklist CD:
01. Unless - 02. Piccolo - 03. Sway - 04. Almost There (Piano Version) - 05. Ventas Rumba - 06.
Pianovado - 07. La ligne (Modular Version) - 08. Opus 53 - 09. Eclair - 10. Flat Feet - 11. La valse
des singes - 12. Louanges - 13. Fly Finger - 14. Ferveur

Short Info:
With his new instrumental album Ventas Rumba, the French composer (and singer) returns to his signature instrument, the piano, blending it with warm synth tones. This album represents a "return to his roots ", allowing Ezéchiel Pailhès to reinvent himself in a seamless way while still exploring ballads and ritornellos, halfway between light-heartedness and melancholy. Ezéchiel Pailhès has been meaning to write a solo piano album for as long as he can remember. Hardly surprising, of course, for this academically-trained pianist, brought up on classical music and then studied jazz. Yet, since his 2001 debut with the electro-pop duo Nôze, and his subsequent four albums, the artist had constantly postponed this project that was so close to his heart. Then in 2022, just as he was getting ready to start producing an album of new songs, this long-standing aim finally materialized.
The melodies he wrote seemed to stand on their own naturally, spurring him on to compose this series of fourteen tracks, recorded in sessions split between France and Latvia.
A new piano: the Una Corda
Ezéchiel wanted this project dedicated to the piano to begin a new narrative, to explore new instrumental terrain and new tones, something far removed from the familiar piano he has been playing all his life. He opted for the Una Corda piano, designed by David Klavins, a groundbreaking instrument builder renowned for his distinctive pianos with vertical shapes and frames.

The Una Corda, created in 2014, is an upright piano with a single string per note (unlike three strings on traditional pianos). Enticed by the "crystalline and unique" tones of this instrument, which is hard to find in France, Ezéchiel travelled to Kuldiga, Latvia (where David Klavins set up his workshops and studios), to record the first part of the album. Although the title of the album may initially conjure up images of a distant, sensual dance, the reality is quite different. Ventas Rumba indeed refers to the waterfall and rapids (in Latvian: rumba) of the river Ventas, which runs near this small village in the western part of the country. Ezéchiel chose to blur the lines, as the sound and musicality of the title likely evoke both his short stay in the Baltic country, and also a form of distant exotic imagery perfectly in tune with his own mischievous wit. Tracks as short stories

Back in France, Ezéchiel enhanced the first tracks recorded in Kuldiga with subtle synth tone layers, and added other tracks composed and recorded at his Montreuil studio. The album reflects a deliberate and sensitive orchestration of piano, synth keyboards and digital effects, as he puts it: "playing to erase the differences between the tones of the various instruments", as if each instrument's texture echoed the others. According to Ezéchiel, you can listen to Ventas Rumba as you would leaf through "a collection of short stories", through compositions that rarely exceed three minutes and evoke figures of movement, lightness, curves or modulation, such as "La ligne", "La valse des singes" or "Fly Finger". Others more seriously relate to a kind of spirituality, which quietly infuses such different tracks as "Ferveur", "Éclair" and "Louanges". Ezéchiel adds: “I’m by no means religious, but I like what God has managed to get musicians to achieve (laughs)". "Louanges", for instance, despite its electronic edge, "refers to Olivier Messiaen, a very devout composer who I greatly admire". Other tracks are directly inspired by the classical music he listens to on a daily basis. For example, Chopin's “8th Nocturne” formed the backdrop of “Pianovado”. Likewise, the harmonic structure of Beethoven's “Waldstein Sonata No. 21” inspired “Opus 53”. Aside from these multiple references and inspirations, which quickly recede behind a style that is uniquely his, Ezéchiel Pailhès keeps exploring ideas already found on his first solo albums, this time in an instrumental format, undoubtedly purer, fostering an imaginary world that evokes the shapes and themes of ballads, ritornellos, light-heartedness, passing time, reverie or a universal subdued melancholy. More

Genre : Electronic - Downtempo

Tracklist :

A1. Jail Time with Mr. Murd (Feat. Yonatan Albalak) - A2. Graveyard Party - A3. Your Tissue SVP - A4. SNG PLSTN - A5. - I Think This Is Reasonable - A6. HRTSPC - B1. NOZPLZ - B2. Dada’s Bone - B3. OCNC XTR - B4. EZ PPL 4 TRTH - B5. Don’t Forget to Not Remember Who

Yuval Havkin, also known as Rejoicer, is one of the foremost exponents of downtempo music, inspired by the fusion of jazz and hip-hop. His new album thus draws on his early influences while exploring the world of calm, melodic electronic music that borders on ambient.

This Is Reasonable has a chill-out feel to it, a record filled with melodies and atmospheres that, throughout its eleven tracks, conveys a sense of calm and floating, akin to ambient music. Stripped of the clichés of the genre, the album is built around subtle melodies and rich harmonies from keyboards and synths, which borrow as much from the spirit of jazz as from the inventions of electronica, whilst being supported by a gentle groove. This equilibrium is perfectly captured by Rejoicer's moniker, a term that evokes both the idleness of artificial paradises and a soft, caring form of spirituality.

Musical path
Yuval Havkin was born in Israel in 1985, and grew up in England before returning to his homeland. He began studying classical piano as a child, but was put off by such conservative teaching and turned to hip-hop and beatmaking in his teens. Throughout the 2000s, he learned his skills "on the job", working with musicians he met in Tel Aviv, a local scene that nurtured a sense of community and emulation. Back then, he was particularly impressed by the grooves and electronic inventions of Detroit producer Dabrye, who had a revelatory effect on him, before he discovered legendary musicians Madlib and Jay Dee aka J Dilla, who led him down the path of beatmaking.

Yuval Havkin's music career got off to a more serious start in the late 2000s with the creation of his own label, Raw Tapes, both based in Tel Aviv. Blending jazz, funk and hip hop, whilst still embracing pop influences, the label's productions showcased the richness of the new Israeli scene combining cool, elegance, playfulness, and a degree of research and inventiveness, thanks to the talent of artists and bands such as Duo Brothers, Maya Dunietz, iogi, Nitai Hershkovits, the Buttering Trio and Rejoicer, the artist's most personal project.

In 2018, Rejoicer's warm and engaging sounds caught the attention of the prestigious Los Angeles label Stones Throw, renowned for having signed his idols Madlib and J Dilla, not to mention Aloe Blacc and Peanut Butter Wolf (its founder). Two albums followed, Energy Dreams (2018) and Spiritual Sleaze (2020), both of which demonstrate his instrumental mastery, jazz culture and lush orchestrations. Both albums are on a par with more renown sampling prodigies of the beat scene, and gave him his first international recognition.

Now based between Los Angeles and Savyon, near Tel Aviv, this hyperactive and instinctive artist simultaneously pursues a career as a composer, musician and label owner, member of numerous bands and collective projects (Apifera, PlayDead, collaborations with Jimi Prasad and Avishai Cohen) while also offering his studios and production skills to other artists. “Fela Kuti meets Aphex Twin”

This new Rejoicer album, which follows three earlier jazz-tinged records, marks a new and more personal musical direction for an artist who previously favored group work and collaborations. Yuval chose here to delve into a more electronic and sequenced style of music, playing Prophet 6 and 8 synths, a Juno 60, a Minimoog and his Fender Rhodes keyboard, in contrast with the more organic sounds of his previous albums. While a few tracks on this new album may sound like a laid-back version of some of the Warp label's early electronic classics by Aphex Twin or Boards of Canada, Yuval Havkin claims to have also been inspired by the great Fela Kuti, particularly in his search for harmonies between bass, keyboards and
percussion, and by his elder trumpet-playing friend Avishai Cohen, a musician he particularly admires.

Beyond these various influences, This Is Reasonable is an album of compelling and bewitching melodies. The moods, peacefulness and sheer beauty of This Is Reasonable are, indeed, quite paradoxical, in stark contrast to the country's tragedies (the title explicitly refers to recent political disputes in Israel) and the war currently raging less than a hundred miles from his studio. A paradox fully embraced by the artist, who views his music as a response to the violence of our times.
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Double Vinyl LP (incl. printed inner sleeve)

Tracklist 2LP:
A1. The Pull of Time - A2. Parallax - B1. The Color of Static - B2. Begin Again - C1. I Need You -
C2. Beacon - D1. Are We Not Above It? (Feat. NiQ E & L_cio) - D2. The Mycorrhizal Network -
D3. Augmented Dreams

Short Info:
Alan Abrahams aka Portable returns to the label in fine form with his latest full-length LP, Augmented
Dreams. The title refers to the use of everyday technological advancements to achieve what were once
only dreams or visions of past generations, making this an explorative concept album that is equal parts
not-too-distant science fiction, and about as topical as it gets.
From the gorgeous opening string layers of “The Pull of Time” to the classy 4/4 grooves of “Begin Again”
or lead single “Guiding Me”, into the apropos and angular sci-fi broken beat feels of “Parallax” and “The
Color of Static”, fitting Detroit-influenced love taps like “Beacon” and “The Mycorrhizal Network”, the
politically-inspired “Are We Not Above It?” referencing the lingering effects of colonization featuring NiQ
E from South Africa on vocals and L_cio from Brazil on flute, through to the futurist pop elegance of the
dreamy duet recorded with Alexey Kochetkov “I Need You” and the conclusive titular track, it is clear
that both the in-depth concept and immaculately-crafted musical content in Portable’s inimitable style
are balanced in significance and expressive effect. This also functions as a timely statement in itself, as
today’s iceberg-tip evolution of AI technology is currently impending over the arts and many of our
existing realities.
This ten-song album serves as an imaginative yet hyperrealist narrative on how humanity’s fascination
with and reliance on ever-advancing technology defines the times we find ourselves in, while the skillful
sonic displays and present-era production techniques along with Abraham’s knack for timeless emotive
songwriting offer up this solid soundtrack for the ages. More

Genre: House, Minimal

Tracklist:

A1. Guiding Me (Original Mix) FR2T02300025
B1. Guiding Me (Lawrence remix) FR2T02300026
B2. Vigor FR2T02300027

Short Info:

The ever-prolific and established artist Alan Abrahams aka Portable makes a swift and very welcome return to Circus Company with the impressive lead single "Guiding Me", giving us an early taste of his forthcoming album Augmented Dreams to be released in the fall.

Conceptually the direction of this new project refers to the use of technology to alter our dreams, inadvertently or not, as so much tech advancement becomes available and ingrained in our daily lives. The timely lead single here inspired by Abraham's South African ancestors the Khoi San people and the guidance they provide, appropriately exuding both futurist formed sonics and dream-like tenderness in content, led by his dulcet-toned vocals and delivered with the super solid production we've come to expect. Wonderful multi-purpose electronic music which will find itself right at home on late-night discerning dance floors, or indeed guiding the listener through their respective travels, solo meditations or get-downs in headphones.

Along with the excellent "Guiding Me" original mix, we are graced with a masterful remix by Hamburg's Lawrence of Smallville and Dial fame, who takes the track into an even more floor-focussed realm with his patented rolling sub-bass lines which will guarantee plenty of summertime sound system finessing, as well as the EP-exclusive B2 track "Vigor" in which Portable goes even deeper in tone with classic styled vocal cut-ups and repurposed shards of tasty sound design added to keep the dancers endlessly entranced when and wherever they may be.

More

Genre: Ambient, Electronica, Experimental

Tracklist CD:
01. Venus - 02. Marché - 03. Foule - 04. Saloperie - 05. So Dad… - 06. Fluids - 07. Bonnes nouvelles des étoiles -
08. Flirty - 09. Audio Sexual Part 1 - 10. Science imbécile - 11. Maternaliste - 12. Gravos - 13. Wesh Finn Zerb -
14. Comput - 15. Aliens - 16. Fruit Cakes - 17. Vol plané


Short Info:
Deepening the comic tones using cosmic relief, and lively vibes, La Science des Imbéciles
(Ludicrous System), Brigitte Barbu’s sophomore sonic adventure, manifest a blurry creation
intersecting orbital audio paths and damaged smoking instruments. Could have easily been
called Birdless Science but it wouldn’t be funny…
Reverberating estranged arrangements, bizarre sounds, electronic fantasies, « hallucinationalism »,
and crypto poppy stratums all party together in Barbu's second explicit sensual album. Recorded and
digested during a gastro-reclusive residency in an Un-Orthodox Union Spacy Workstation, under the
benign diffraction of "Californian psychedelia» and medieval Cyrillic capharnaüm. Due to historic
geographical confusions and incorrect spellings, any specific detail will stay confidential. Using a
powerful branded calculator, digital converters, boutique preamps and various synthetic substitutions,
this extra album is blooming for spring cleaning. The guitar was accidentally ravaged, propelling
supervision into a strange but dope alt verse, still somewhere between an impromtu voyage through
scattered chronology and a poetic analytical research.
A cheerful memento escaping from pressure and weight like one of those fancy diets.
"I wanted to compose an intangible Pop LP" says Brigitte, « with guitar as an alibi, blending arrogant
synthesizers and humble plug-ins.… ». With a genuine thoughtful dimension, this record freaks as out
audiences with its neat mischievous mood. Jazzing the Mushing Rooms while testing the Acid Tweaks,
initially, the Artist had ambiguously vague rules for composing: but slowly, offending beardless
academics became the motto.
Ingrédients: orgasmic pads, sublime beaches, distorted nostalgia, frustrated markets, perfect
crowds, shady brews, body fluids, magnificent news, fried stars, hairy spouses, loud flirts, cosmicNew Release Information
crumbs, healed sons, dumb technology, rare games,underground motherships, Turkish tarot, fat bits
and heavy cream, fresh herbs, exotic invectives, a stuttering abacus, lamb’s bread, silent farts,
croissants chauds, extended outsiders, incongruous «patisseries», condescending muffs, violent
eardrums, hijacked bytes, macho bakers, epic fails, viennese bass, very large ears, hilarious gliding,
what else ?? More

Genre: Ambient, Electronica, Experimental

Tracklist LP:
A1. Venus - A2. Marché - A3. - Foule - A4. - Saloperie - A5. So Dad… - A6. Fluids - A7. Bonnes
nouvelles des étoiles - A8. - Flirty - A9. Audio Sexual Part 1 - A10. Science imbécile - B1.
Maternaliste - B2. Gravos - B3. Wesh Finn Zerb - B4. Comput - B5. Aliens - B6. Fruit Cakes - B7.
Vol plané

Short Info:
Deepening the comic tones using cosmic relief, and lively vibes, La Science des Imbéciles
(Ludicrous System), Brigitte Barbu’s sophomore sonic adventure, manifest a blurry creation
intersecting orbital audio paths and damaged smoking instruments. Could have easily been
called Birdless Science but it wouldn’t be funny…
Reverberating estranged arrangements, bizarre sounds, electronic fantasies, « hallucinationalism »,
and crypto poppy stratums all party together in Barbu's second explicit sensual album. Recorded and
digested during a gastro-reclusive residency in an Un-Orthodox Union Spacy Workstation, under the
benign diffraction of "Californian psychedelia» and medieval Cyrillic capharnaüm. Due to historic
geographical confusions and incorrect spellings, any specific detail will stay confidential. Using a
powerful branded calculator, digital converters, boutique preamps and various synthetic substitutions,
this extra album is blooming for spring cleaning. The guitar was accidentally ravaged, propelling
supervision into a strange but dope alt verse, still somewhere between an impromtu voyage through
scattered chronology and a poetic analytical research.
A cheerful memento escaping from pressure and weight like one of those fancy diets.
"I wanted to compose an intangible Pop LP" says Brigitte, « with guitar as an alibi, blending arrogant
synthesizers and humble plug-ins.… ». With a genuine thoughtful dimension, this record freaks as out
audiences with its neat mischievous mood. Jazzing the Mushing Rooms while testing the Acid Tweaks,
initially, the Artist had ambiguously vague rules for composing: but slowly, offending beardless
academics became the motto.
Ingrédients: orgasmic pads, sublime beaches, distorted nostalgia, frustrated markets, perfect
crowds, shady brews, body fluids, magnificent news, fried stars, hairy spouses, loud flirts, cosmicNew Release Information
crumbs, healed sons, dumb technology, rare games,underground motherships, Turkish tarot, fat bits
and heavy cream, fresh herbs, exotic invectives, a stuttering abacus, lamb’s bread, silent farts,
croissants chauds, extended outsiders, incongruous «patisseries», condescending muffs, violent
eardrums, hijacked bytes, macho bakers, epic fails, viennese bass, very large ears, hilarious gliding,
what else ?? More

Genre: Electro, House

Tracklist:
A1. Firesound - B1. Lost Sonar - B2. Light Blooming

Short Info:
Following well-received collaborative outings for us as 1/2 of the SF dynamo duo Moniker whose classic
“Billy D” anthem and respective Patrice Scott remix graced the early catalog, followed by the galactic
flex Straylight EP with Cali brethren Dave Aju on velvet vocoder vox b/w a stellar Kai Alcé remix on the
Another offshoot imprint, and of course his indelible contributions to the arrangements/derangement of
the wondrous KAMM LP Cookie Policies, Kenneth Scott is essentially an extended family household
name for our camp and so we’re beyond proud to present his initial solo release for the Circus Company
label proper. Schooled as always in the deepest of electronic music roots and classiest of track
traditions, the three pieces that form the Light Blooming EP puzzle display all the prized synth wizardry
and production ingenuity we’ve come to expect from the Berlin-based veteran.
“Firesound” kicks us off in fine form, with a glistening array of pads and tight arpeggios that give way to
a soulful funk strut that any fan of Detroit-style electro flavors will enjoy to the fullest. We then move to
the stylized 4/4 pulse of the aptly-titled “Lost Sonar”, an extended live set for Lost Sonar Collective
skillfully condensed and finessed into a smooth-as-silk true deep house cut, where warm synth tones
set the sound bed while shards of sharper percussion and angular textures flash and fizz throughout,
creating an ultra-fresh contrasting feel while a rock-solid groove grinds us along faithfully. Scott then
finally closes out the set with the powerful and titular “Light Blooming” which begins with a similar rising
pad intro before unleashing fierce and raw overdriven drum programming, teasing us out to the two
minute mark when the mighty sub bass line and multi-layered arps drop in to devastating effect, bubbling
and building to a bold harmonic apex, before eventually bringing us down softly and somehow with ease
after such a glorious rise.
Filled with early-Warp feels and futurist sci-fi hopes in equal measure, the Light Blooming EP is three
tracks of pure funk precision and expressive musical class from the man Kenneth Scott More

Double LP (incl. download code)

Genre: Beats, Ambient, Electronica

Tracklist LP:
A1. X-pert Profat - A2. Break for Ma - A3. Drums 2002 - A4. Ducklings 2 - A5. #ew_horseplay -
A6. Jo Barker - A7. AR Day - B1. New Family - B2. Repepepater (feat. Joli B) - B3. Clean Father -
B4. Ambient Jams 3 - C1. July 11 Creepy (feat. Ted Pilsner) - C2. Brain Bed - C3. Roxy Dancer -
C4. Summer Storm - C5. They Work for Mr. O - C6. Tricky Dees Dumm Dumm -
C7. Ufos Over Egypt (feat. Cristobal) - D1. Weak Stranger - D2. XMods in the Living Room - D3. Being a Total Warm Up

Short Info:
One of our all-time favourite artists and extended Circus Company member The Mole returns to the
label for a proper presentation of his album The River Widens. Originally a limited, cassette-only
release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory
for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works
checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting
tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love
The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking
the charm of his Little Sunshine release for us in 2017.

X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle,
midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels
inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled
Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the
brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated
to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild
shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets,
from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable
of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with
another limited edition cassette run - we hope you enjoy the ride as much as we do! More

cassette

Genre: Beats, Ambient, Electronica

Tracklist Cassette:
A1. X-pert Profat - A2. Break for Ma - A3. Drums 2002 - A4. Ducklings 2 - A5. #ew_horseplay -
A6. Jo Barker - A7. AR Day - A8. New Family - A9. Repepepater (feat. Joli B) - A10. Clean Father -
A11. Ambient Jams 3 - B1. July 11 Creepy (feat. Ted Pilsner) - B2. Brain Bed - B3. Roxy Dancer -
B4. Summer Storm - B5. They Work for Mr. O - B6. Tricky Dees Dumm Dumm -
B7. Ufos Over Egypt (feat. Cristobal) - B8. Weak Stranger - B9. XMods in the Living Room - B10. Being a Total Warm Up

Short Info:
One of our all-time favourite artists and extended Circus Company member The Mole returns to the
label for a proper presentation of his album The River Widens. Originally a limited, cassette-only
release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory
for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works
checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting
tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love
The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking
the charm of his Little Sunshine release for us in 2017.

X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle,
midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels
inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled
Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the
brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated
to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild
shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets,
from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable
of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with
another limited edition cassette run - we hope you enjoy the ride as much as we do! More

Special remarks : LP Vinyl incl. printed inner sleeve

Tracklist LP:
A1. Dors-tu ? - A2. Regard en arrière - A3. Mélopée - A4. L’attente - A5. Elégie - B1. Prélude -
B2. La fille de la nuit - B3. Ni toi, ni moi - B4. Le beau jour - B5. Opaline - B6. Tant que mes yeux

Short Info:
On his fourth solo album, much as in Oh! (2020), the French composer, pianist and vocalist follows his
ongoing exploration of the crossroads between poetry and songs, piano and synth, old-time verses
and contemporary sounds. Inspired by the rhythms, effects and speech patterns of urban music, he
also delivers, with a warm and moving voice, the texts of three poetesses from the past.
Since 2013, Ezéchiel Pailhès has been crafting a unique French synth pop. On his first three albums,
he switched between songs inspired by poetry, instrumental ballads and electronica with hummed
choruses. This latest record is a collection of eleven new songs, two of which he wrote: "Opaline" and
"Ni toi, ni moi" (neither you nor me). The others are adaptations of poems written in the 16th, 18th and
19th centuries by French poetesses Louise Labé (1524-1566), Marceline Desbordes-Valmore (1786-
1859) and Renée Vivien (1877-1909).
Poetesses from the past...
From classical music to songs, poetry adaptation is an old French tradition. "My universe has always
embraced the musicality of this literary genre," the artist recalls. He actually started this project in 2017
with poems and sonnets by William Shakespeare, Pablo Neruda, Victor Hugo and above all Marceline
Desbordes-Valmore, who can be heard again on songs such as "Dors-tu?" (Are you sleeping?),
"Élégie" or "L'attente" (The wait). A figure of romanticism, the author left her mark on the early 19th
century through the quality of her texts and her formal inventions, particularly praised by Balzac, and
apparently a decisive influence on Verlaine and Baudelaire. "Marceline's poetry is very musical," says
Ezéchiel admiringly. "Her use of rhythm and repetition sounds great and takes on a new perspective
when set to music. In fact, she wrote some of her texts with singing in mind.”
“Ces longs secrets dont l'amour nous accuse,
Viens-tu les rompre en songe à mes genoux ?
Dors-tu, ma vie ! ou rêves-tu de moi ?”
“These long secrets for which love accuses us,
Do you come to my knees to break them in a dream?
Are you sleeping, my life! or do you dream of me”
(“Dors-tu ?”, after “Les pleurs” (the tears), 1833)
Besides her, we find the more famous, and rebellious, Renée Vivien, whose texts inspired three
songs, "Regard en arrière" (Looking backwards), "Mélopée" (Melopoeia) and "La fille de la nuit" (The
night girl). Sometimes nicknamed "Sapho 1900", this figure of lesbian culture and, more broadly, of
female genius, combined in her work the themes of desire, dreams, melancholy and the relationship
with nature.
“Ta forme est un éclair
Ton sourire est l’instant
Tu fuis, lorsque l’appel
T’implore, ô mon Désir !”
"Your shape is a spark of lightning
Your smile, the very moment
You flee, when the calling
Begs you, O my Desire!"
(After “Parle-moi, de ta voix pareille à l’eau courante” (Speak to me, with a voice like flowing waters)
and “Ta forme est un éclair” (Your shape is a spark of lightning), Renée Vivien, 1901)
Lastly, with "Tant que mes yeux" (As long as my eyes), Ezéchiel was inspired by a 1555 poem by
Renaissance poet Louise Labé, whose main topic explored female love, physical and spiritual desire,
and the torments and pains they generate.
" At the start of the project ", Ezéchiel continues, " I was interested in many poets, men and women,
past and present, before my selection was narrowed down to these three female authors. Their works,
often written in difficult or secret conditions, express a raging romanticism, a passionate soul, fuelled
by desperate and tormented love. I found it interesting, as a man coming from another world and time,
to face this otherness, to trade viewpoints. Obviously, I could loudly claim that the album was the
result of a concept, that it reflects today's world, and that it allows me to explore the notion of gender,
giving visibility to the work of a few women, while at the same time pairing these ancient texts with a
more modern and rhythmic music, and obviously, there is some truth in that. But more than anything, I
wanted to serve the text itself, to express the emotion and connection I felt with these works.”
Today's rhythms and prosody...
Ezéchiel Pailhès combines texts from French literature with electronic music, its effects and rhythms,
as well as a form of scansion that echoes rap, R&B or the current fusion between hip hop and pop,
which is part of our musical background and that of younger generations. "I wanted to cross-reference
texts from the beginning of the century with this type of music. I wanted to use today’s techniques to
tell the tale of different daily lives and experiences.
The album is thus marked by contemporary electronic orchestrations, in which he drops his favourite
instrument, the piano, and his digital collage technique to use more extensive synth melodies,
enhanced by drum machines, bringing a gentle and bright vibe to the romantic texts. Lastly, we can
hear slight digital tones of Auto-Tune, which Ezéchiel uses sparingly and inventively.

Beyond its sophistication, the term "melopoeia" means a "sung declamation", a "recitative song",
sometimes interpreted in a monotonous way. On this album, it could also refer to a sense of phrasing,
which does not come from rap, but rather from jazz, Ezéchiel's first love. " In the past, I tried to hide
my jazz culture, but it naturally came back on this new album, as can be heard, for instance, in Regard
en arrière.” With its verses anchored in our literary memory, the following track "Mélopée", perfectly
illustrates the album's vision. It manages to transcend eras, mixing past romanticism with a modern
prosody, fuelled by the nonchalance of hip hop and the warm chords of jazz.
“Qu’un hasard guide enfin mon désespoir tranquille
Vers l’eau d’une oasis ou les berges d’une île,
Où je puisse dormir, mon voyage accompli,
Dans la sécurité profonde de l’oubli”
"May chance guide my quiet sorrow, at last
To the water of an oasis, the shores of an island,
Where I may sleep, having traveled my way,
In the safe depths of oblivion".
(After “Sillages” (Trails), René Vivien, 1908) More

Special remarks : CD Digipack

Tracklist CD:
01. Dors-tu ? - 02. Regard en arrière - 03. Mélopée - 04. L’attente - 05. Elégie - 06. Prélude - 07.
La fille de la nuit - 08. Ni toi, ni moi - 09. Le beau jour - 10. Opaline - 11. Tant que mes yeux

Short Info:
On his fourth solo album, much as in Oh! (2020), the French composer, pianist and vocalist follows his
ongoing exploration of the crossroads between poetry and songs, piano and synth, old-time verses
and contemporary sounds. Inspired by the rhythms, effects and speech patterns of urban music, he
also delivers, with a warm and moving voice, the texts of three poetesses from the past.
Since 2013, Ezéchiel Pailhès has been crafting a unique French synth pop. On his first three albums,
he switched between songs inspired by poetry, instrumental ballads and electronica with hummed
choruses. This latest record is a collection of eleven new songs, two of which he wrote: "Opaline" and
"Ni toi, ni moi" (neither you nor me). The others are adaptations of poems written in the 16th, 18th and
19th centuries by French poetesses Louise Labé (1524-1566), Marceline Desbordes-Valmore (1786-
1859) and Renée Vivien (1877-1909).
Poetesses from the past...
From classical music to songs, poetry adaptation is an old French tradition. "My universe has always
embraced the musicality of this literary genre," the artist recalls. He actually started this project in 2017
with poems and sonnets by William Shakespeare, Pablo Neruda, Victor Hugo and above all Marceline
Desbordes-Valmore, who can be heard again on songs such as "Dors-tu?" (Are you sleeping?),
"Élégie" or "L'attente" (The wait). A figure of romanticism, the author left her mark on the early 19th
century through the quality of her texts and her formal inventions, particularly praised by Balzac, and
apparently a decisive influence on Verlaine and Baudelaire. "Marceline's poetry is very musical," says
Ezéchiel admiringly. "Her use of rhythm and repetition sounds great and takes on a new perspective
when set to music. In fact, she wrote some of her texts with singing in mind.”
“Ces longs secrets dont l'amour nous accuse,
Viens-tu les rompre en songe à mes genoux ?
Dors-tu, ma vie ! ou rêves-tu de moi ?”
“These long secrets for which love accuses us,
Do you come to my knees to break them in a dream?
Are you sleeping, my life! or do you dream of me”
(“Dors-tu ?”, after “Les pleurs” (the tears), 1833)
Besides her, we find the more famous, and rebellious, Renée Vivien, whose texts inspired three
songs, "Regard en arrière" (Looking backwards), "Mélopée" (Melopoeia) and "La fille de la nuit" (The
night girl). Sometimes nicknamed "Sapho 1900", this figure of lesbian culture and, more broadly, of
female genius, combined in her work the themes of desire, dreams, melancholy and the relationship
with nature.
“Ta forme est un éclair
Ton sourire est l’instant
Tu fuis, lorsque l’appel
T’implore, ô mon Désir !”
"Your shape is a spark of lightning
Your smile, the very moment
You flee, when the calling
Begs you, O my Desire!"
(After “Parle-moi, de ta voix pareille à l’eau courante” (Speak to me, with a voice like flowing waters)
and “Ta forme est un éclair” (Your shape is a spark of lightning), Renée Vivien, 1901)
Lastly, with "Tant que mes yeux" (As long as my eyes), Ezéchiel was inspired by a 1555 poem by
Renaissance poet Louise Labé, whose main topic explored female love, physical and spiritual desire,
and the torments and pains they generate.
" At the start of the project ", Ezéchiel continues, " I was interested in many poets, men and women,
past and present, before my selection was narrowed down to these three female authors. Their works,
often written in difficult or secret conditions, express a raging romanticism, a passionate soul, fuelled
by desperate and tormented love. I found it interesting, as a man coming from another world and time,
to face this otherness, to trade viewpoints. Obviously, I could loudly claim that the album was the
result of a concept, that it reflects today's world, and that it allows me to explore the notion of gender,
giving visibility to the work of a few women, while at the same time pairing these ancient texts with a
more modern and rhythmic music, and obviously, there is some truth in that. But more than anything, I
wanted to serve the text itself, to express the emotion and connection I felt with these works.”
Today's rhythms and prosody...
Ezéchiel Pailhès combines texts from French literature with electronic music, its effects and rhythms,
as well as a form of scansion that echoes rap, R&B or the current fusion between hip hop and pop,
which is part of our musical background and that of younger generations. "I wanted to cross-reference
texts from the beginning of the century with this type of music. I wanted to use today’s techniques to
tell the tale of different daily lives and experiences.
The album is thus marked by contemporary electronic orchestrations, in which he drops his favourite
instrument, the piano, and his digital collage technique to use more extensive synth melodies,
enhanced by drum machines, bringing a gentle and bright vibe to the romantic texts. Lastly, we can
hear slight digital tones of Auto-Tune, which Ezéchiel uses sparingly and inventively.

Beyond its sophistication, the term "melopoeia" means a "sung declamation", a "recitative song",
sometimes interpreted in a monotonous way. On this album, it could also refer to a sense of phrasing,
which does not come from rap, but rather from jazz, Ezéchiel's first love. " In the past, I tried to hide
my jazz culture, but it naturally came back on this new album, as can be heard, for instance, in Regard
en arrière.” With its verses anchored in our literary memory, the following track "Mélopée", perfectly
illustrates the album's vision. It manages to transcend eras, mixing past romanticism with a modern
prosody, fuelled by the nonchalance of hip hop and the warm chords of jazz.
“Qu’un hasard guide enfin mon désespoir tranquille
Vers l’eau d’une oasis ou les berges d’une île,
Où je puisse dormir, mon voyage accompli,
Dans la sécurité profonde de l’oubli”
"May chance guide my quiet sorrow, at last
To the water of an oasis, the shores of an island,
Where I may sleep, having traveled my way,
In the safe depths of oblivion".
(After “Sillages” (Trails), René Vivien, 1908) More

Genre: House
Tracklist :
A.1 Lean on Something - A.2 Wooer at the Well - B.1 Paramol - B.2 Risotto
Short Info:
North London-by-way-of-Suffolk soundsmith Gerry Read delivers his first release for Circus
Company with the Lean on Something EP. After countless examples of his bold production moves
on many of our brother and sister labels including Herbert’s Accidental Jr to more recently on Koze’s
Pampa Records, Read has always displayed a kindred spirit mindset to ours in his adventurous
musical angles, and we are very happy to present this particular set of rock-solid and uniquely
diverse pieces.
The title track “Lean on Something” starts things off in fine and classic Read form, with knocking
found-sound percussion, fizzing textures and slick use of chopped and disorienting vocal sample
bits, as the track layers unfold into a whimsical and wondrous melodic stargazing anthem. “Wooer
at the Well” then follows and picks up the tempo with those fly live acoustic drum lines that gives
Gerry’s tracks that special beyond-electronic feeling, while once again the deft layering of such a
rich sound palette builds and builds giving other mavericks like Four Tet a sincere run for their
money. The mood then brilliantly shifts on the next track “Paramol”, where Read treats us to an
almost Robotnik-era Italo sprinkling amidst his otherwise forward-thinking club floor-filling
tendencies, with an amazing array of synth sections and an arrangement that should satisfy even
the neo-purists out there amongst us. Finally, “Risotto” wraps up the proceedings with a warm,
jazzy bouncer reminiscent of both Read’s as well as our own catalog’s charming early offerings,
and a kind of landing-at-home-base sensation with smoky cubist funk feelings and an equal parts
rough-yet-undeniably cool effervescent groove. More

Genre: House

Tracklist :
A1. Boa - B1. Red Alert - B2. Organico

Short Info:
AOW is a new collaborative project from Dan Ghenacia and Tolga Fidan emerging from a new period of creativity and inspiration for the Lisbon-based artists.
Long time friends and fellow lynchpins of the European house and techno scene, Ghenacia and Fidan started working closely together through 2020 and 2021 while sharing studio space at Boa Lab. They
found themselves at the heart of an artistic community of musicians, designers and engineers, which took shape around Ghenacia’s experiments with alpha wave generation, inspired by Bryon Gysin’s
Dream Machine.
Ghenacia and engineer Anine Kirsten developed a modern update on Gysin’s 1950s design, which has been installed at exhibitions in London, Lisbon and Paris. At its heart, the project explores the
natural hallucinatory effects of alpha wave projections on the eyelids, and the therapeutic benefits of the experience. Out of this spirit of psychedelically-charged experimentation, Ghenacia and Fidan
have been working beyond the confines of their typical club-oriented material, creating ambient soundtracks to artist exhibitions in Boa and auditory backdrops to Alpha Wave Experience
installations.
AOW bridges the gap between this new period of creativity and Ghenacia and Fidan’s life-long passion for electronic dance music. Compared to the strictures of house and techno they’re best
known for, the three tracks on Hear the Light explore a more open, inquisitive sound with roots in UK electronica and West Coast psychedelic breaks (a seminal scene when Ghenacia was in the Bay Area
in the 90s). Crucially though, it’s not a pointedly retro sound, but rather a result of rich streams of inspiration meeting and passing through crisp, modernist production techniques to offer something
genuinely fresh on the ears.

Working outside of their comfort zones and guided by creative philosophies springing from research, shared experience and community, Hear the Light marks a new step forward for Ghenacia and Fidan,
with many more developments promised for the future.


More

Special remarks : Double LP incl. download code

Genre: House, Minimal, Electronica

Tracklist :
A1. The Simulacrum - A2. The Spacetime Curvature - A3. Foreign to You (feat. NiQ E) - B1. The
Self Assembling - B2. Analogue World - B3. Cages - C1. I Feel Stronger Now - C2. We Exist
(feat. Mandy Alexander) - D1. Ripple Effect - D2. Fractal Distortion

Short Info:
Following hot on the heels of lead single and recent mind-body tantalizer “I Feel Stronger Now,” we are now truly proud to present you with Portable’s latest full-length My Sentient Shadow. Filled to the brim with all of the
inventiveness the sonic auteur has commanded we expect from his sizable and consistent body of work on worldrenown labels such as Perlon, ~scape, !K7, and his own Süd Electronic and Khoikhoi imprints, and dare we say
offering us perhaps the most cohesive, emotive, and balanced of his highly-admirable catalog here to date. By using the analogy of a shadow that possesses its own consciousness, the theme of light and its distortion vs
balance with the inherent and necessary darkness that surrounds it is in clear vision.
Immediately from the warmly bizarre vibes of opening cut “The Simulacrum”, it’s clear Portable is requesting clearance to other worlds of funk and ingenuity. The delightfully trippy, smoky, back-room of the Tattooine Cantina
feel sets the stage just right to curb expectations and let the carefully constructed noise movements wash over us.
Elsewhere amongst the generous set we find tracks like “Cages” and “Ripple Effect” continue in the direction of horizontally-maximized aural tapestries oozing with texture, while at the other end of the energy spectrum pieces
such as “The Self-Assembling” and “We Exist..” roll and bounce with all the sci-fi gyrations and slick synth layers hinting at a hypnotic halfway rendezvous point to his Bodycode moniker. And of course, no proper Portable outing
would be complete without his own robust tenor vocal tone, which feels right at home front-and-center on the space travel anthem “The Spacetime Curvature” and used in more calculated micro-doses on “Analogue World”,
as well as the gorgeous “Foreign to You” whose meta-title features a rare guest starring vocalist NiQ.E, and brings to hearts some of Herbert’s finer moments with dear friend Dani Siciliano, albeit done-up entirely in some
distant yet alluring parallel dimension. The LP journey finishes with the frenetically-charged closer “Fractal Distortion” which will no doubt please many-a cosmic techno purist while making percussion masters from the
afterlife such as Jaki Liebezeit and Tony Allen proud, and is quite possibly the closest thing to a danceable musical take on the current state of cognitive dissonance in the world that surrounds us, offering us a one-way
ticket out from the not-too-distant future. Please join us in welcoming and celebrating this wonderful album from Portable on Circus Company.
More

Genre: Minimal House

Tracklist :

A1. I Feel Stronger Now (Vinyl Edit) A2. My Art Sets Me Free B1. I Feel Stronger Now (Bodycode Remix)

Short Info:
We are elated to invite the multi-talented and multi-national musical mastermind Portable in to the Circus family finally. After many years of traveling in similar scenes and orbits, and thoroughly enjoying his vast output on some of our favorite and best friends’ labels, the time has come to join forces with our now-fellow Parisian dweller.

The My Event Horizon EP is a truly creative treat, chock full of the charm and studio ingenuity that permeates all of his work, and a first look at what’s to come on his full length LP we have in store for you in the coming months as well. Two versions of the lead track “I Feel Stronger Now” are accompanied by an exclusive club cut, just in time for the world’s hopeful dance floor reopenings.

“I Feel Stronger Now” is one of those perfectly balanced tracks that is equal parts soft and edgy, mellow and exciting, and features a rich mix of sharp percussion, warm jazz-inflected piano motifs and Portable’s own inimitable dulcet-toned vocals, making it a sure-shot fit with the label’s modus operandi. The A2 track “My Art Sets Me Free” as the title may suggest, is a more abstract and artistic take on full-scale DSP dance floor equipment - we can already imagine hearing this on some of our most cherished club systems, head-down, fully immersed. Next up “I Feel Stronger Now” gets a fresh facelift treatment from Portable’s own and equally-notorious alter ego Bodycode, which follows suit to the pseudonym’s production quality, giving the avant-garde bounce of the original version a more syncopated and stripped-back feel, imparting a stronger physical sound bed with tasteful synth layering for the vocal Iines to ride over. And as a digital bonus addition to the package we have the Radio Edit of “I Feel Stronger Now” which is nicely tightened in all the right places to drive the point home for broadcast listeners, and further proof that this man’s music can be fully enjoyed in many settings - a big loving welcome to Mr. Portable!



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Genre: House, Deep House, Techno

Tracklist :

A1. Shleem (I:Cube Remix) - A2. CCBPGC (Dave Aju Remix) - B1. The Soft Glow of Electric Sex (Kenneth Scott Remix) - B2. Bird Call (Alland Byallo Remix)

Short Info:

While the world continues to be in a bizarre mixture of feelings and circumstances, we can thankfully still hark back to last fall when the sophomore LP from the elusive and innovative KAMM band, Cookie Policies gave us an opportunity to reflect on the past while fully looking toward the future.
The album presented a beautifully unique blend of listening-oriented music styles, combining the early roots of the four producers and their pre-DJ formative musical travels. It is now our great pleasure to introduce an EP set of specifically dance floor-focussed remixes that take the diverse textural arrangements and expansive sonic bliss of the LP and stretch it around some solid percussive membranes, sure to excite many DJs and dancers out there in the wild as things begin to reopen.

KAMM band members Dave Aju, Alland Byallo, Kenneth Scott, each chose one original album track to rework with a more propulsive feel and from Aju's psychedelic West Coast breaks rendition of the noir-esque "CCBPGC", to Byallo's high vibe leveled-up flight of "Bird Call", or Scott's bold section-by-section recreation of the sprawling "The Soft Glow Of Electric Sex" laser-designed for heads-down late night club sessions, the boys came through to say the least. The real A1 treat of this reinterpretation package however comes from unanimous artist choice and label favorite I:Cube, whose majestic take on "Shleem" sees the veteran producer and master remixer move the bubbling ambient piece into bumping and rich space-age deep house territory, equal parts angelically uplifting and pure 5am club-belter/mind-melter.


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Special remarks :

- Limited Ten Year Edition
- Crystal Clear Vinyl
- Gatefold Sleeve
- Double Vinyl 45rpm recut
- Download Code

- RA's Album Of The Year in 2011
- Pitchfork's Top 20 in 2011
- Pitchfork's Best 200 Best Albums of the 2010's


It has been 10 years since Nicolas Jaar released his celebrated debut album, Space Is Only Noise here on Circus Company. With countless accolades, forays, and dips into other waters both preceding its arrival one decade ago and since with many musical ventures this LP still stands as not only a unique and verified-classic release in the artist's own expansive catalog as well as ours, but also amongst the general pantheon of electronic music of the 21st Century on the whole.

What better way to celebrate this milestone than with an immaculate must-have re-release package, with the music now spread out over double discs and cut at 45rpm on crystal clear vinyl to let the glacial top-end soar as originally intended, and the air of the general proceedings expand, once again, into the ears and consciousness of electronic music lovers the world over. Along with this technical upgrade recut, the distinct artwork has also received a facelift fit for the occasion, and will now be found adorning a full gatefold cover, inked lovingly in reverse on inside-out heavyweight paper including printed inner sleeves for a total collector's gem front-to-back.

While Nicolas Jaar's own recent online musings of the origin of the album title and lead track has us imagining playful plexiglass-letterings and a fresh sense of abstract calm before soon-to-be career storms, the music itself feels to have not aged a day past its prime of creation. From the unanimous crowdpleaser "Colomb" to "Keep Me There" indeed doing just that, with Jaar keeping us right where he left us last go-round, to the luminous titular track "Space Is Only Noise If You Can See" and omni-prophesy of "Specters Of The Future" - please join us in a warm welcoming return to this universally acclaimed classic LP, which garnered coveted spots in both RA's Album Of The Year and Pitchfork's Top 20 in 2011, now in its unmissable pristine new vinyl form, sounding as fresh as ever, a solid 10 years later.


Tracklist LP:

A1. Être
A2. Colomb
A3. Sunflower
B1. Too Many Kids Finding Rain In The Dust
B2. Keep Me There
B3. Problem With The Sun

C1. Space Is Only Noise If You Can See
C2. Almost Fell
C3. Balance Her In Between Your Eyes
D1. Specters Of The Future
D2. Trace
D3. Variations
D4. ^tre


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Genre: House, Minimal

Tracklist:

A1. Guiding Me (Original Mix) FR2T02300025
B1. Guiding Me (Lawrence remix) FR2T02300026
B2. Vigor FR2T02300027

Short Info:

The ever-prolific and established artist Alan Abrahams aka Portable makes a swift and very welcome return to Circus Company with the impressive lead single "Guiding Me", giving us an early taste of his forthcoming album Augmented Dreams to be released in the fall.

Conceptually the direction of this new project refers to the use of technology to alter our dreams, inadvertently or not, as so much tech advancement becomes available and ingrained in our daily lives. The timely lead single here inspired by Abraham's South African ancestors the Khoi San people and the guidance they provide, appropriately exuding both futurist formed sonics and dream-like tenderness in content, led by his dulcet-toned vocals and delivered with the super solid production we've come to expect. Wonderful multi-purpose electronic music which will find itself right at home on late-night discerning dance floors, or indeed guiding the listener through their respective travels, solo meditations or get-downs in headphones.

Along with the excellent "Guiding Me" original mix, we are graced with a masterful remix by Hamburg's Lawrence of Smallville and Dial fame, who takes the track into an even more floor-focussed realm with his patented rolling sub-bass lines which will guarantee plenty of summertime sound system finessing, as well as the EP-exclusive B2 track "Vigor" in which Portable goes even deeper in tone with classic styled vocal cut-ups and repurposed shards of tasty sound design added to keep the dancers endlessly entranced when and wherever they may be.

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Vinyl Only 2x12"

Shortinfo:

Florin Gojnea aka G76 with his new EP on Nervmusic. Artwork by Igor Skaletsky

Tracklist

A1. Too Much
A2. Elliot Waves
B1. The Divergence
C1. Dress To Impress
D1. Bucket Model


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Genre: Electronic / House / Disco

Tracklist 12":
A1 – Speckman – Desperate Housevibez - 00:02:50
A2 – Speckman – Something Still - 00:05:30
A3 - Speckman - Big City Days - 00:06:12
B1 – Speckman – Run - 00:06:37
B2 – Speckman – Meow - 00:02:34


Short Info:

After this endless seeming period of release abstinence your favorite imprint is back with a special ep by our friend and musical mastermind Speckman!

With his debut EP „Big City Days“ the producer and Golden Pudel resident Speckman shares his vision of the dancefloor, where he creates outbreaking sound textures on a soulful base and unfolds his unique and modern approach on dance music.
Dive right in with „Desperate Housevibez“, a dreamy & breaky intro to get you right in the mood. Next stop is „Something Still“ - heavy on the bottom, quirky at the top.
We finish the A side with „Big City Days“, the melancholic yet upbeat centerpiece of the EP.
Flip the record and you’ll hear the bubbly „Run“, a checked out synthie banger. With the outro „Meow“ Speckman goes back to his roots and let’s you of the hook easy.


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Genre: Electro, House

Tracklist:
A1. Firesound - B1. Lost Sonar - B2. Light Blooming

Short Info:
Following well-received collaborative outings for us as 1/2 of the SF dynamo duo Moniker whose classic
“Billy D” anthem and respective Patrice Scott remix graced the early catalog, followed by the galactic
flex Straylight EP with Cali brethren Dave Aju on velvet vocoder vox b/w a stellar Kai Alcé remix on the
Another offshoot imprint, and of course his indelible contributions to the arrangements/derangement of
the wondrous KAMM LP Cookie Policies, Kenneth Scott is essentially an extended family household
name for our camp and so we’re beyond proud to present his initial solo release for the Circus Company
label proper. Schooled as always in the deepest of electronic music roots and classiest of track
traditions, the three pieces that form the Light Blooming EP puzzle display all the prized synth wizardry
and production ingenuity we’ve come to expect from the Berlin-based veteran.
“Firesound” kicks us off in fine form, with a glistening array of pads and tight arpeggios that give way to
a soulful funk strut that any fan of Detroit-style electro flavors will enjoy to the fullest. We then move to
the stylized 4/4 pulse of the aptly-titled “Lost Sonar”, an extended live set for Lost Sonar Collective
skillfully condensed and finessed into a smooth-as-silk true deep house cut, where warm synth tones
set the sound bed while shards of sharper percussion and angular textures flash and fizz throughout,
creating an ultra-fresh contrasting feel while a rock-solid groove grinds us along faithfully. Scott then
finally closes out the set with the powerful and titular “Light Blooming” which begins with a similar rising
pad intro before unleashing fierce and raw overdriven drum programming, teasing us out to the two
minute mark when the mighty sub bass line and multi-layered arps drop in to devastating effect, bubbling
and building to a bold harmonic apex, before eventually bringing us down softly and somehow with ease
after such a glorious rise.
Filled with early-Warp feels and futurist sci-fi hopes in equal measure, the Light Blooming EP is three
tracks of pure funk precision and expressive musical class from the man Kenneth Scott More

2LP

Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man

Short info:

Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.


Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.


Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.


Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.

2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.





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Special remarks : Double LP incl. download code

Genre: House, Minimal, Electronica

Tracklist :
A1. The Simulacrum - A2. The Spacetime Curvature - A3. Foreign to You (feat. NiQ E) - B1. The
Self Assembling - B2. Analogue World - B3. Cages - C1. I Feel Stronger Now - C2. We Exist
(feat. Mandy Alexander) - D1. Ripple Effect - D2. Fractal Distortion

Short Info:
Following hot on the heels of lead single and recent mind-body tantalizer “I Feel Stronger Now,” we are now truly proud to present you with Portable’s latest full-length My Sentient Shadow. Filled to the brim with all of the
inventiveness the sonic auteur has commanded we expect from his sizable and consistent body of work on worldrenown labels such as Perlon, ~scape, !K7, and his own Süd Electronic and Khoikhoi imprints, and dare we say
offering us perhaps the most cohesive, emotive, and balanced of his highly-admirable catalog here to date. By using the analogy of a shadow that possesses its own consciousness, the theme of light and its distortion vs
balance with the inherent and necessary darkness that surrounds it is in clear vision.
Immediately from the warmly bizarre vibes of opening cut “The Simulacrum”, it’s clear Portable is requesting clearance to other worlds of funk and ingenuity. The delightfully trippy, smoky, back-room of the Tattooine Cantina
feel sets the stage just right to curb expectations and let the carefully constructed noise movements wash over us.
Elsewhere amongst the generous set we find tracks like “Cages” and “Ripple Effect” continue in the direction of horizontally-maximized aural tapestries oozing with texture, while at the other end of the energy spectrum pieces
such as “The Self-Assembling” and “We Exist..” roll and bounce with all the sci-fi gyrations and slick synth layers hinting at a hypnotic halfway rendezvous point to his Bodycode moniker. And of course, no proper Portable outing
would be complete without his own robust tenor vocal tone, which feels right at home front-and-center on the space travel anthem “The Spacetime Curvature” and used in more calculated micro-doses on “Analogue World”,
as well as the gorgeous “Foreign to You” whose meta-title features a rare guest starring vocalist NiQ.E, and brings to hearts some of Herbert’s finer moments with dear friend Dani Siciliano, albeit done-up entirely in some
distant yet alluring parallel dimension. The LP journey finishes with the frenetically-charged closer “Fractal Distortion” which will no doubt please many-a cosmic techno purist while making percussion masters from the
afterlife such as Jaki Liebezeit and Tony Allen proud, and is quite possibly the closest thing to a danceable musical take on the current state of cognitive dissonance in the world that surrounds us, offering us a one-way
ticket out from the not-too-distant future. Please join us in welcoming and celebrating this wonderful album from Portable on Circus Company.
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2020 Re Edition, Recut from Original Tapes + Master

Tracklist
1 Panna Cotta 9:13
2 Passage To The Other Side 11:29

Original Info from 2012:

2012 marks the 10th anniversary of the labels first release "New Identity" with two new tracks pressed especially for you.  Lost in vaults until now "Panna Cotta" resurfaced in Marco Carola's recent sets off of a CD Mathew made for friends in 2003.  After multiple mails and YouTube links sent from Marco's fans it spurred Mathew to look into the old collections and find the masters.  The track was untitled so chances of finding it were at first thought to be slim.  As fate would have it though it would be the first out of hundreds of CD's only labeled "2003" that Mathew picked from the box in his search.  Here at IIWII we believe heavily in synchronicity.  These tracks have found there place in time to be released. To add to the occasion "New Identity" will also be released for the first time digitally for those that didn't get the vinyl years ago. More

Tracklist
1. Ride The Night (Red Axes Remix)
2. Ride The Night (Alex Neri Remix)
3. Ride The Night (Jennifer Loveless Remix)
4. Ride The Night (Original Version)

Short Info
Baldo's electrifying track "Ride The Night" has been making waves across the global dance music scene, captivating audiences and dominating dancefloors with its infectious energy. Now, the hit single receives a fresh spin from acclaimed artists Red Axes, Alex Neri, and Jennifer Loveless in a highly anticipated vinyl release, marking a new chapter in the evolution of this standout track.
Originally unleashed as a dancefloor anthem, "Ride The Night" has solidified Barcelona's Baldo's reputation as a maestro of electronic beats. Its pulsating rhythms, captivating melodies, and euphoric atmosphere have earned it widespread acclaim, garnering support from DJs and fans alike. In this special vinyl edition, the magic of "Ride The Night" is reinvented through the unique perspectives of three distinguished remixers:

1. Red Axes: Renowned for their eclectic blend of genres and signature psychedelic soundscapes, Red Axes inject their remix with an otherworldly groove that pushes the boundaries of sonic exploration.
2. Alex Neri: A stalwart of the electronic music scene, Italian's Alex Neri brings his decades of experience to the table, delivering a remix that seamlessly blends classic house vibes with a contemporary edge, ensuring dancefloor domination.
3. Jennifer Loveless: With her innovative approach to DJing and production, Jennifer Loveless infuses her remix with a pulsating energy that captivates from start to finish, offering a fresh perspective on "Ride The Night" that is bound to ignite dancefloors worldwide.

This vinyl release marks the first time these remixes are available in physical format, offering fans and collectors alike the opportunity to own a piece of electronic music history. Each remix brings a distinct flavor to the table, showcasing the versatility and timelessness of Baldo's original composition.
"Ride The Night" on vinyl is a must-have for any discerning DJ or electronic music aficionado, serving as a testament to the enduring power of Baldo's music and the boundless creativity of the remixers involved.

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Special remarks: VINYL ONLY // 180G VINYL // PRINTED KRAFTPACK SLEEVE


Tracklist 12":

A1 Dub Chronicles #6
A2 International Sun-Earth Explorer
B1 Deep Inside (feat. Robert Owens)
B2 Promise Street

Next up is “Deep Inside”, Sascha Dive returns to Bondage Music once again for another deep frequency encounter, as usual as vinyl only release















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12” vinyl with full cover print

TRACKLIST:

A1 Endless Love feat. Theo Nasa
A2 Endless Love feat. Theo Nasa (Hardspace Mix)

B1 Gunz Blazin
B2 Stabbed In The Heart

all tracks figured out by Vinicius Honorio.
vocals on Endless Love by Theo Nasa.
2024 copyright figure

INFO:

Adding his first EP to the label’s catalogue, Figure warmly welcomes Vinicius Honorio onto the roster.
Having first made his mark in the DnB-world as BTK, the vetted Brazilian producer now has been conquering the global techno scene for some years as well. His darkly foreboding sound is on full display across this 12“, featuring three clean-cut, impactful original productions and a remix by Len Faki’s Hardspace moniker.

Endless Love comes punching strong, carried by colleague Theo Nasa’s ominous spoken words and evolving stab synths textures. The remix strips back the vocals in favor of reduced frequencies, keeping the heat condensed and always ready to boil over.
On the flip, Honorio introduces his rolling high-energy machine funk, stacking elements around a hypnotic vocal loop and expertly playing the game of build and release. Closer B2 showcases a different style, using subdued dubby chords to craft a dreamy ride that is at once powerful and deep.


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Territories: WORLD minus UK and US


2023 Repress

FORMAT 12", dl card

TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01


Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More

2024 Repress

Special remarks:
180G VINYL // VINYL ONLY // PRINTED SLEEVE

Tracklist 12":

A1 Mihai Popoviciu - Elevation Zero
A2 Pornbugs & Cristina Lazic - November Haze
B1 NTFO - That's The Drill
B2 Rhadow - Seven Motions

Release Info:
German label Bondage Music delivers the ninth instalment of its ‘Bondage Games’ series. Another vinyl only release, this time with four fresh tracks from Mihai Popoviciu, Pornbugs & Cristina Lazic, NTFO and Rhadow.


Vinyl pressed on 180g, vinyl only release.













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