Tracklist:
A1: Heating Up The Voyetra (feat. Clarian)
A2: Charcoals
B1: Heating Up The Voyetra (feat. Clarian) (Statue Reconstuction)
B2: Charcoals (The Finger Prince 'Webber' Version)


Short info:
The second offering on Le Temps Perdu is all about the time spent on intercontinental travel, food, drinks and careless banter. You are kindly invited to a Multi Cultural BBQ in Australia hosted by the musical master of disguise Dreems. Featuring remix work from Finger Prince, Statue and Niagara this one is coming off the grill hot.

There isn't much more iconic than a BBQ when it comes to Australian culture. The age-old term of 'throwing another one on the barbie' may sometimes get misconceived when conversing with a foreigner but the end result is usually interesting. Dreems invites a few friends over for a backyard session and the sounds are the result of a few too many cold ones and definitely too many hot ones.

The title track 'Charcoals' would in a sense be the best way to have a BBQ or the preferably desired way to cook your goods. Nothing quite brings out the taste and the sound of a grill under the heat of some searing 'coals' prepared for a couple of hours. With drums by his homie Ccolo the whole thing takes on the essence of what a good BBQ is - friends and food.

'Heating up the Voyetra', an alternative method to cooking up some music, started off as a small impromptu jam in another backyard on another continent with Montrealer Clarian during one of those formidable cold Canadian evenings and took shape over the course of winter when venturing outside for a meal seemed impossible - most of the studio snacks were kept room temperature by setting themselves up atop the synths.

'Cooking Bananas Under A Blue Moon At Mike's' is one way to get your little fellas tasting cosmic. If you have ever been inside Mickey Moonlight's secret cavern, then you'd know where these sounds emanated from. And if you'd ever tried his BBQ'd banana, you would understand this love song dedication.

Dreems throws on his Finger Prince apron alongside chef Francis Xavier for a deeper, heavier version of the title track. And Australian percussion enthusiast Statue reconstructs the 'Voyetra' from a slo-mo acid cooker to a peak-time griller. Finally Portuguese curve-ballers Niagara step into the smoke-house for a taste test of 'Charcoals'.

Rare yet well cooked is what they say round these parts.


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Germany
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Tracklist:
A1: Voranto Bros
A2: Hope They Won't Come Back
B1: Voranto Bros (Discodromo Remix)
B2: Hope They Won't Come Back (Lion's Drums Remix)
Digital Exclusive: Voranto Bros (Drum Mix)

Short info:
Alexander Pletnev started an entirely new journey under his own name two years ago. Release after release on forward thinking and respected labels like Media Fury, KUMP, Fleeting Wax, SZE and Hard Fist, he has built a solid discography of incredible diversity - from percussive DJ tools to viscous synthetic EBM to dreamy weirdness.

His latest EP titled Voranto Bros is a long awaited return to Le Temps Perdu and the prime example of refined musical storytelling. Title track is a cinematic tale, a sound novel about two migrant brothers hitting the shores of USA in the dawn of XXth century to became vicious gangsters, broken souls ruling the night of NYC. Dusty tape hiss, off kilter percussions and melodies all alternate to later sink under the weight of heavy drums. While Hope They Wont Come Back is a severe instrumental ballad with low drums, talking bass lines and noisy guitar riffs - five minutes inside confused man's mind.

On a remix front, Cocktail D'Amore's head honchos Discodromo strip Voranto Bros down to bear bones to deliver EBM style dance floor burner. And Harold Boué aka Abstraxion aka Lion's Drums of Biologic Records fame delivers menacing remix for Hope They Won't Come Back, a dark & mystic journey, which unwinds slowly and builds up to unexpected climax.

Vital Sales Points:
" Follow up to highly acclaimed EP's on Meda Fury, Fleeting Wax and Hard Fist
" Remix work by Discodromo and Lion's Drums
" Yet another awe-inspiring record from Le Temps Perdu



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Tracklist:
A1: Solidify
A2: Scratching the Surface (feat. Edward Francis)
B1: Solidify (Zombies in Miami Remix)
B2: Scratching the Surface (feat. Edward Francis - Christian S Remix)
Digital Exclusive: Solidify (Concrete Mix)

Short info:
STATUE is a mysterious percussion-based structure erected by Tom Gould. With origins behind a drum kit laying down the foundations in cult Melbourne bands NO ZU and World’s End Press, STATUE has become an evolving stand-alone project. With three previous EP’s released on Fort Romeau’s ‘Cin Cin’ and Cut Copy’s ‘Cutters Records’ STATUE has become a peculiar shadow on the dance floor.

Commissioned by Le Temps Perdu, ‘Solidify’ delves further into the hypnotic percussive groove of STATUE. With its feet firmly fixed on the dance floor Solidify manages to cover a lot of ground. With left of center remixes by Zombies in Miami and Christian S, this EP redefines the space, which STATUE occupies.

Vital Sales Points:
• Follow up to three previous EP’s released on Fort Romeau’s ‘Cin Cin’ and Cut Copy’s ‘Cutters Records’
• Remix work by Zombies in Miami and Christian S
• Yet another marvelous release from Le Temps Perdu

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2LP

Tracklist:
A1 Siaubas - Briusly
A2 Kris Baha - Fuels a Liar
B1 Von Party - Pretty Vape Machine
B2 Capablanca VS La Mverte - Distortion (New Beat Mix)
B3 Autarkic - Patterns Of An Idiot
C1 Manfredas - Pink Industry (V Mix)
C2 Sebastian Voigt & Theus Mago - Endless Encounters
D1 Sharif Laffrey - Villainous
D2 Plungerbird x Beard in Dust - Stop Talking! (Start Thinking)

Short info:
It wouldn't be an overstatement to say that Opium is currently the most talked about club North of Berlin. Vilnius based spot has built its reputation slowly but surely to become one of the brightest lights in the night sky of Europe. The club has earned the admiration of local crowd, loyalty of visiting artists and respect of industry insiders by nurturing unique local talent, bringing cutting edge House & Techno acts on a weekly bases, building a devoted community and rocking the parties of the highest intensity and unprecedented intimacy. Its no wonder Boiler Room and Resident Advisor both came knocking on the door in 2017 for special features and events.

2018 marks another milestone in club's incredible journey: the first ever music compilation entitled "Opium of the People", a rock solid collection of 13 unreleased tracks by core residents and the members of extended Opium family from all around the world featuring Tel Aviv's producer and song writer Autarkic, Australia-born-Europe-bound New Age travellers Dreems and Kris Baha, Canadian smooth operator Thomas Von Party, Frankfurt's Musikmaschine Lauer, German-Mexican studio encounter of Sebastian Voigt & Theus Mago, Berlin based Spanish fashionista Hugo Capablanca, Detroit legend Sharif Laffrey and Russian crate digging trio of Leonid Lipelis, Sergey Krylow and Ilya Simonov under the name of Plungerbird x Beard in Dust. Most of them are coming to Lithuanian capital's hot spot so often, they could easily start their own fan clubs in town. The local talent also gets a well-deserved attention. Manfredas, Siaubas, Pletnev, and V find their place on the compilation and bring the modern sound of Vilnius nights to the vanguard.

"Opium of the People" has been conceived and compiled by Vidmantas "V" Cepkauskas, the head of programming and resident DJ of Opium, a well-known contributor to the electronic music scene for nearly two decades. He has reinvented a friends-to-friends after-hours place into an international music institution in a matter of six seasons and is the best candidate to curate and present "Opium of the People".




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Tracklist:
A1: 0300 Mix
A2: Autarkic Remix
B1: Jamie Paton Remix
B2: Fred Und Luna Remix

Short info:
The 'industry' of dance music can be as soul-crushing as any other. Those thrills and spills of late, loud nights come with a best-before expiry date, after which even the most seasoned selector-producer-scenemaker begins to wrinkle their nose. To have experienced it all over 15+ years and seek to see it unfold again through fresh eyes, what sort of lunatic would willingly put themselves through that?
V would.
So it's a new character, but who was the mysterious V in a past life? Make your own conclusions. A little digging will lead you toward the origin story, but sometimes the pleasure comes from the unknowing. Opt to enjoy the Silence.
Silence, however, is not the focal point for V. In fact, this new form is a way to discard baggage and revitalise the process of music making. Tremors had become to show up in recent years on record labels in Glasgow and London, flickers of subterranean volcanic activity. Yet what proved to be rising was no big bang, nor even a phoenix from the ashes - but closer perhaps to a Nautilus. A relic by some standards but a pretty point of curiosity to others, slowly bobbing to the surface. Something ever-present and familiar to thousands, yet with mysteries left to be revealed.
But hey - what does V stand for anyhow?
For Vilnius? By origin and by where the heart lies, yes, although V for Vedett is also an acceptable answer given the artist's transposed second home of Belgium; so too is V for Volkswagen, given the production work put in around Frankfurt as of late.
For Vendetta? Too strong, although V does bear a grudge match against hobbyists and dilettantes. If you're going to be a new name in town, you may as well be a new name in town with years of hidden history, right?
For Vishnu? Perhaps this is the one. V's tangle of arms extend forward in many directions: some clutching 303s and LinnDrums; others pushing fingers into various pies of parties, production, deejaying and record label imprints. The full-bodied yet slow-burning chug of V's material let out the vault so far sparkle, pumping dance floor sound systems and home listening apparatus alike with vivacity.
Or perhaps for nothing Vhatsoever? It's electronic music, there to be enjoyed and not overthought. Very sorry for the minutes of your life vanquished having read this. Thankfully an option does exist, a Faustian pact of sorts, to revive the lost time and feel young again: give yourselves over to the sonic waves of V, and experience your own rebirth too.



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Tracklist:
A1: St. Bones
A2: Devil's Logic
B1: St. Bones (RYOTA OPP Remix)
B2: St. Bones (Inga Mauer Remix)

Short info:
Never underestimate a quiet guy.
Soft spoken and well-mannered Alexander Pletnev moved 3 years ago from the Russian city of St. Petersburg to the Lithuanian capital of Vilnius. That has been more than enough time for him to make the city his own. A co-founder of a hip barber's shop that also hosts an improvised Vinyl second hand corner, not to mention a cozy little bar where he can be found serving a quirky selection of beers, Alex soon embraced influences filtered through the local nightlife institution 'Opium Club'. His production powerhouse Pletnev explores darker territories and far-out music lands untouched by his bright and melodic creative alter ego - Ponty Mython.

The St. Bones EP follows his well received and strongly selling offerings on Meda Fury and Bahnsteig23. The EP's two tracks, of contrasting mood and tempo, are accompanied by two top drawer remixes from the Japanese tailor of sound and taste RYOTA OPP and on-the-rise fellow St. Petersburg producer and selector, Inga Mauer.


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WAS - Word and Sound Medien GmbH
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Germany
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Tracklist:
A1: Heating Up The Voyetra (feat. Clarian)
A2: Charcoals
B1: Heating Up The Voyetra (feat. Clarian) (Statue Reconstuction)
B2: Charcoals (The Finger Prince 'Webber' Version)


Short info:
The second offering on Le Temps Perdu is all about the time spent on intercontinental travel, food, drinks and careless banter. You are kindly invited to a Multi Cultural BBQ in Australia hosted by the musical master of disguise Dreems. Featuring remix work from Finger Prince, Statue and Niagara this one is coming off the grill hot.

There isn't much more iconic than a BBQ when it comes to Australian culture. The age-old term of 'throwing another one on the barbie' may sometimes get misconceived when conversing with a foreigner but the end result is usually interesting. Dreems invites a few friends over for a backyard session and the sounds are the result of a few too many cold ones and definitely too many hot ones.

The title track 'Charcoals' would in a sense be the best way to have a BBQ or the preferably desired way to cook your goods. Nothing quite brings out the taste and the sound of a grill under the heat of some searing 'coals' prepared for a couple of hours. With drums by his homie Ccolo the whole thing takes on the essence of what a good BBQ is - friends and food.

'Heating up the Voyetra', an alternative method to cooking up some music, started off as a small impromptu jam in another backyard on another continent with Montrealer Clarian during one of those formidable cold Canadian evenings and took shape over the course of winter when venturing outside for a meal seemed impossible - most of the studio snacks were kept room temperature by setting themselves up atop the synths.

'Cooking Bananas Under A Blue Moon At Mike's' is one way to get your little fellas tasting cosmic. If you have ever been inside Mickey Moonlight's secret cavern, then you'd know where these sounds emanated from. And if you'd ever tried his BBQ'd banana, you would understand this love song dedication.

Dreems throws on his Finger Prince apron alongside chef Francis Xavier for a deeper, heavier version of the title track. And Australian percussion enthusiast Statue reconstructs the 'Voyetra' from a slo-mo acid cooker to a peak-time griller. Finally Portuguese curve-ballers Niagara step into the smoke-house for a taste test of 'Charcoals'.

Rare yet well cooked is what they say round these parts.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Tracklist:
A1: Hyper Martino A2: Aspera B1: Hyper Martino (Red Axes Mix) B2: Aspera (Dreems Remix)
Short info:
Michele Mininni's Hyper Martino EP is a strange adventure in sound, the finest example of music noir and engaging story of audio science fiction.
Michele hails from South Italy and counts everything from post-punk, krautrock to new wave, house and disco amongst his influences. He's been a DJ for years but only in 2014 has released his debut Tupolev Love EP on Glasgow's Optimo Trax. He immediately found himself in the spotlight of discerning DJs and music collectors alike. After a few months he released another highly acclaimed EP entitled Endless Ceremony on Belgian label Curle. And now, after a short hiatus he returns with his latest Hyper Martino EP radiating oblique and unpredictable sounds. Remixes come courtesy of Tel Aviv's hit-assembly-line Red Axes who yet again deliver a bloody good remix, and of a reckless New Age traveller, industrial-yoga-trance guru and Australian multi culturist Dreems.Le Temps Perdu is a new label founded by Lemmy Caution, a man of mistery, a fan of steal mustangs, robot poetry and otherworldly sounds, well know across The Outlands and operating from Alphaville.


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WAS - Word and Sound Medien GmbH
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Germany
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Tracklist:
A1: Voranto Bros
A2: Hope They Won't Come Back
B1: Voranto Bros (Discodromo Remix)
B2: Hope They Won't Come Back (Lion's Drums Remix)
Digital Exclusive: Voranto Bros (Drum Mix)

Short info:
Alexander Pletnev started an entirely new journey under his own name two years ago. Release after release on forward thinking and respected labels like Media Fury, KUMP, Fleeting Wax, SZE and Hard Fist, he has built a solid discography of incredible diversity - from percussive DJ tools to viscous synthetic EBM to dreamy weirdness.

His latest EP titled Voranto Bros is a long awaited return to Le Temps Perdu and the prime example of refined musical storytelling. Title track is a cinematic tale, a sound novel about two migrant brothers hitting the shores of USA in the dawn of XXth century to became vicious gangsters, broken souls ruling the night of NYC. Dusty tape hiss, off kilter percussions and melodies all alternate to later sink under the weight of heavy drums. While Hope They Wont Come Back is a severe instrumental ballad with low drums, talking bass lines and noisy guitar riffs - five minutes inside confused man's mind.

On a remix front, Cocktail D'Amore's head honchos Discodromo strip Voranto Bros down to bear bones to deliver EBM style dance floor burner. And Harold Boué aka Abstraxion aka Lion's Drums of Biologic Records fame delivers menacing remix for Hope They Won't Come Back, a dark & mystic journey, which unwinds slowly and builds up to unexpected climax.

Vital Sales Points:
" Follow up to highly acclaimed EP's on Meda Fury, Fleeting Wax and Hard Fist
" Remix work by Discodromo and Lion's Drums
" Yet another awe-inspiring record from Le Temps Perdu



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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Tracklist:
A1: Solidify
A2: Scratching the Surface (feat. Edward Francis)
B1: Solidify (Zombies in Miami Remix)
B2: Scratching the Surface (feat. Edward Francis - Christian S Remix)
Digital Exclusive: Solidify (Concrete Mix)

Short info:
STATUE is a mysterious percussion-based structure erected by Tom Gould. With origins behind a drum kit laying down the foundations in cult Melbourne bands NO ZU and World’s End Press, STATUE has become an evolving stand-alone project. With three previous EP’s released on Fort Romeau’s ‘Cin Cin’ and Cut Copy’s ‘Cutters Records’ STATUE has become a peculiar shadow on the dance floor.

Commissioned by Le Temps Perdu, ‘Solidify’ delves further into the hypnotic percussive groove of STATUE. With its feet firmly fixed on the dance floor Solidify manages to cover a lot of ground. With left of center remixes by Zombies in Miami and Christian S, this EP redefines the space, which STATUE occupies.

Vital Sales Points:
• Follow up to three previous EP’s released on Fort Romeau’s ‘Cin Cin’ and Cut Copy’s ‘Cutters Records’
• Remix work by Zombies in Miami and Christian S
• Yet another marvelous release from Le Temps Perdu

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Tracklist:
A1) Flow My Tears
B1) Super Mana Drain
B2) Warp World

Short info:

Simone De Kunovich
Mythical Figure
Use variably, whenever you need: D.J. at MainStage, High Profile Fashion Event, Underground
Basement Club, Balearic Terrace Situation.
Gifted selector. Room filling presence. Oversized packaging.
He (here) deals three cards.
“Flow My Tears“ High Roller Euro House
„Super Mana Drain“ OMG Modern High Energy
„Warp Lord“ Early Morning, Playful Dark Eternal Bliss
„He who masters the sound glows“



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2023 repress

Tracklist:
A. 1979 B. Nokturn (Grand Finale)
Shortinfo:
Pampa's favourite Barnhus boy returns to the label fold, and his previous episode is no easy act to follow: 2010 was the year, Holy Love was the name, and "Purple Drank" the undeniable track of the year; it captured the dancefloor zeitgeist with its sultry tempo, and created an classic with its instantly recognizable vocal. While he last left us falling down the rabbit hole, Axel Boman's newest concern is upward, forward, accelerated motion. "1979" cool-toned and pensive take on classic downtempo deep house. It holds on to the necessary bare banes of percussion, but surrounds it with light touches and a soothing pastoral feel. Time is taken and moments have room to breathe, in this meditative exploration of gently shifting moods. "Nokturn (Grand Finale)" is carnivalesque in the grandest sense, with endless movement via its dominant percussion pattern. Its looping background is perpetually primed for take off, building in intensity as the Latin rhythms preoccupy the shoulders and hips. A double bass phrase minimalist bass loop takes care of the low end groove, and together with glimpses of vintage disco sounds, creates another surefire hit.



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This year Jacek Sienkiewicz seems unstoppable. Right after his massive single "Beacon" and most recent collaboration with Pier Bucci on his own label Recognition, it's time to renew the Frankfurt connection. It's six years already since "Téchnè", the first artist album on Cocoon ever, and Jacek's third album for Sven Väth's imprint is on the way - now we've got a roundup of both artists' experiments to date, and a teaser of things to come. "All Yours" starts immediately, and after the very first kick it's absolutely clear that we are dealing with some serious modern techno business here. The track is rolling on the wheels of steel, like an almost impossible steampunk machinery, and by the time the strings move in one will recognize an instant classic. The complexity of shuffling beats, flowing hi hats and percussion sounds is simply breathtaking - but the track never loses its club appeal. Vibrant strings sound simply timeless, and suddenly strange and a bit disturbing metallic shrieks give way to a glockenspiel-led fairytale... One can imagine the imminent destruction this track can bring to a dancefloor, but listening to it at home could also be rewarding - complex, vital and soulful, this is just MUSIC of highest quality available today. Flip the record for "Connections", somehow deepest excursion into the utmost unknown. Jacek's trademark bells, bongos and cymbals are still present, but the buzzing synths, solid bass stabs and a maelstrom of unidentified voices create somehow different experience. The tracks builds mercilessly, and when the halfway through the synth riff glides in there is no escape - muffled shouts give commands we do not understand, but feel obliged to follow. Once again the artist presents us with a touch of his magic. "All Yours" is a splendid accomplishment and a refreshing break from anonymous, artificial and formulaic music of today. Jacek clearly is an individual, modestly paving his way through muddy puddles of today's electronic club music.


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Territories: World excl. UK + North America

FORMAT 12" 180g vinyl

TRACKLIST
A1. Digital Tsunami 06:19
A2. Aquatic Cataclysm 05:17
B1. The Plankton Organization 06:06
B2. Birth Of New Life 06:17

RELEASE INFO:
Tresor Records is proud to announce forthcoming special editions of its entire catalogue of Drexciya and related
projects. 2022 marks the 20th anniversary of the passing of James Stinson and the releases of the Transllusion
and Shifted Phases albums. In recognition, the rightsholders, their families, and the label have commissioned
Detroit-based contemporary artist Matthew Angelo Harrison to re-conceptualize the covers of Tresor's
Drexciya-related catalogue. These editions will be released sequentially, bimonthly, starting early-September 2022.
Three months after the album release of 'Neptune's Lair' in September and its companion 12" 'Hydro Doorways'
being released in October, 'Harnessed The Storm' and 'Digital Tsunami' are coming on November 11. They are
followed by the release of Transllusion in February 2023. The series is completed by the long-awaited re-release of
'Shifted Phases – The Cosmic Memoirs Of The Late Great Rupert J. Rosinthrope' - at the end of March.
These records, individually and as a catalogue, represent some of the most crucial moments in the Tresor label
history, with the sound and mythic world of Drexciya undoubtedly inspiring generations.

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- Releases on NDATL, Worldship Music, Innermoods, People of Earth

GENRE/S: Deep House/House

TRACKLISTS:
A1: "Your Touch" 06:39 118 BPM B1: "All The Things" 05:10 118 BPM

SHORT INFO:
Roberta returns to her own Night Moves label with her most accomplished work to date on NMR012. After a string of recent underground hits on prominent labels like NDATL, Worldship Music, and Innermoods, it is easy to wonder where she would go next. With all that cachet built up, a return to her roots with increased confidence has paid off in this exquisite and refined record.

"Your Touch" kicks off with Roberta's signature dusty drum sound before sultry vocals and electric piano drop in, setting a proper atmosphere for dancefloor action. Moody strings along with instrumental solos including one from James Duncan on mute trumpet elevate this track to an even higher level, certain to be big with the best deep and soulful house DJs across the globe.

On the flipside, "All The Things" works with a similar sound palette, but focuses more on harmony. Jazzy Rhodes chords slide over each other into an extremely infectious and memorable pattern, playing off the bumping and melodic bassline. The vibraphone solos are the cherry on top of what would be an A1 killer on any other record. Here it has to settle for being an unreasonably hot B side jam for the heads.







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