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Last in:10.08.2020
Label:Avenue 66
Cat-No:AVE66-09LP
Release-Date:05.06.2020
Genre:House
Configuration:LP Excl
Barcode:4251648416548
1
Trickfinger - A1. Amb
2
Trickfinger - A2. Brise
3
Trickfinger - A3. Noice
4
Trickfinger - B1. Plane
5
Trickfinger - B2. Rhyme Four
6
Trickfinger - B3. Sea YX6
LP
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
A1. Amb
A2. Brise
A3. Noice
B1. Plane
B2. Rhyme Four
B3. Sea YX6
More
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
A1. Amb
A2. Brise
A3. Noice
B1. Plane
B2. Rhyme Four
B3. Sea YX6
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in stock
Last in:07.07.2020
Label:Avenue 66
Cat-No:AVE66-09CD
Release-Date:05.06.2020
Genre:House
Configuration:CD Excl
Barcode:4251648416531
1
Trickfinger - 01. Amb
2
Trickfinger - 02. Brise
3
Trickfinger - 03. Noice
4
Trickfinger - 04. Plane
5
Trickfinger - 05. Rhyme Four
6
Trickfinger - 06. Sea YX6
CD
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
01. Amb
02. Brise
03. Noice
04. Plane
05. Rhyme Four
06. Sea YX6
More
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
01. Amb
02. Brise
03. Noice
04. Plane
05. Rhyme Four
06. Sea YX6
More
More records from Avenue 66
12" Excl
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Last in:23.11.2023
Label:Avenue 66
Cat-No:AVE66-01
Release-Date:17.02.2023
Genre:House
Configuration:12" Excl
Barcode:
1
Joey Anderson - Above The Cherry Moon
2
Joey Anderson - Above The Cherry Moon – Vakula Remix
3
Joey Anderson - Auset
Tracklist:
A1. Above The Cherry Moon
B1. Above The Cherry Moon – Vakula Remix
B2. Auset
2022 Re-editon of the inaugural Avenue 66 release. Dark acid laced house cut with vocals by Ebony Ugo backed with a remix by Ukrainian producer Vakula, who provides a dreamy lush remix and "Auset", a monster head trip made for dancefloors and headphones alike.
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A1. Above The Cherry Moon
B1. Above The Cherry Moon – Vakula Remix
B2. Auset
2022 Re-editon of the inaugural Avenue 66 release. Dark acid laced house cut with vocals by Ebony Ugo backed with a remix by Ukrainian producer Vakula, who provides a dreamy lush remix and "Auset", a monster head trip made for dancefloors and headphones alike.
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Label:Avenue 66
Cat-No:AVE66-15
Release-Date:03.02.2023
Configuration:2LP Excl
Barcode:4251804129510
in stock
Last in:05.07.2023
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in stock
Last in:05.07.2023
Label:Avenue 66
Cat-No:AVE66-15
Release-Date:03.02.2023
Configuration:2LP Excl
Barcode:4251804129510
Electronic / Ambient / Experimental
Format: 2LP
Tracklist:
A1. Clank
A2. Sluice
B1. Firpln
C1. Unitiled
C2. OFD (vinyl only)
D1. Pyn
D2. MK 2.1
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
More
Format: 2LP
Tracklist:
A1. Clank
A2. Sluice
B1. Firpln
C1. Unitiled
C2. OFD (vinyl only)
D1. Pyn
D2. MK 2.1
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
More
Label:Avenue 66
Cat-No:AVE66-16
Release-Date:03.02.2023
Configuration:2CD Excl
Barcode:4251804129527
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Last in:22.03.2023
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Last in:22.03.2023
Label:Avenue 66
Cat-No:AVE66-16
Release-Date:03.02.2023
Configuration:2CD Excl
Barcode:4251804129527
Electronic / Ambient / Experimental
Format: 2CD
Tracklist:
1-1 Golpin
1-2 MK 2.1
1-3 Pyn
1-4 Blesdub Dot
1-5 Unitiled
2-1 Clank
2-2 Frantay
2-3 Galvation
2-4 Sluice
2-5 Firpln
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
More
Format: 2CD
Tracklist:
1-1 Golpin
1-2 MK 2.1
1-3 Pyn
1-4 Blesdub Dot
1-5 Unitiled
2-1 Clank
2-2 Frantay
2-3 Galvation
2-4 Sluice
2-5 Firpln
Release Info:
After a year and a half writing and recording rock music, I needed to clear my head. I listened to and made music where things generally happen gradually rather than suddenly. I would set up patches on a Monomachine or Analog Four and listen to them, hearing one sound morph into others, making changes to a patch only after having listened for quite a while, gradually adding elements, and finally manipulating the sounds on the fly. All tracks were recorded live to CD burner, with no overdubs, and executed on one or two machines.
While I was almost exclusively listening to artists such as Chris Watson, Peter Rehberg, Bernard Parmegiani, CM Von Hausswolff, Jana Winderen, Oren Ambarchi, Hazard, Bruce Gilbert, Klara Lewis, Ryoji Ikeda, and so on, I was also inspired by my mental image of John Lennon's tape and mellotron experiments he made at home during his time in the Beatles, as well as events like the first minute of Bowie's Station To Station, ...And The Gods Made Love by Jimi Hendrix, the synths in the song Mass Production by Iggy Pop, and the general idea of Eno's initial concept of Ambient music.
Music being a solitary sculpture in sonic space was the main motivating thought. I was looking at pictures of sculptures and trying to make music that simultaneously conveyed both movement and stillness. I refrained from sudden musical changes, especially avoiding sequences of notes and rhythms. In fact, this music was made from sequences which never exceed a single note, many of these pieces being made on a single pattern. The movement which a good sculptor conveys when the shape of his medium meets the eyes of the viewer who walks around the piece, or the sun changes its position, are the kinds of movement which it was the role of the synth patches to communicate.
I've been listening to music like this since I was 13 or so, but I felt that making it was out of my reach because of the amount of restraint I imagined it required. Once I found myself making this music, it did not feel like a matter of restraint at all. I wanted to build a certain type of building, and hear certain types of movement, and I knew when it was complete. There was no place for sequences of notes and rhythms in my plans.
I also cannot overstate the role that being in my band played. I had previously spent 12 years programming and engineering my own music, and then spent a year and a half making music where my role was basically to write songs and play guitar. When the band's recording phase was completed, I needed to go back to my adopted language. I had done enough with chords, rhythms, notes, defined sections, sharp transitions, etc.. What I needed was to create music from the ground up with nothing but sound, and have that music reflect "being" rather than "doing". It was a therapeutic way of re-balancing myself, before and during my band's mixing process.
This music seeks to just exist, and is not attempting to manipulate or grab the listener in any way. I believe it works well if one listens loud and focuses on it, but also works well at soft volumes and in the background. It can compete with silence on silence's own terms, and it can also happily wipe silence out.
There are two versions of this album. The CD version is pronounced "two" and called : I I . This is the longer version. The vinyl version is pronounced "one", and called . I : This version is shorter, but contains one vinyl-only track. The reason the vinyl is shorter is that some of the tracks have sounds that can not be pressed on vinyl.
John Frusciante
More
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in stock
Last in:04.11.2022
Label:Avenue 66
Cat-No:AVE66-18
Release-Date:25.11.2022
Genre:House
Configuration:2LP Excl
Barcode:4251804138482
1
SW. - A1. WHAtADAYray
2
SW. - A2. moTORjungleCITY
3
SW. - B1. stepCLASSixMOtor
4
SW. - B2. apolloTHING
5
SW. - C1. TROPyCALLhytsrIA
6
SW. - C2. geminiMINIMA
7
SW. - C3. nubJA
8
SW. - D1. ROCKetPOCK@
9
SW. - D2. kngs&QUNS
10
SW. - D3. What endingENDs
2LP
Tracklist:
A1. WHAtADAYray
A2. moTORjungleCITY
B1. stepCLASSixMOtor
B2. apolloTHING
C1. TROPyCALLhytsrIA
C2. geminiMINIMA
C3. nubJA
D1. ROCKetPOCK@
D2. kngs&QUNS
D3. What endingENDs
The elusive SW. returns to Avenue 66 with okALGORYTHM. His third LP for the label is a semi-opaque wandering through the shadowy byways of memory, driven by tough-yet-supple production and his unmistakable, unerringly original voice. Inspired by all night electronic radio shows of the '90s, okALGORYTHM pulses with rich imagination and a sense of purposeful meandering. Speaking in cryptic fragments, the artist hints at elusive reminiscences "back then on the autobahn, to Berlin, with friends" while also noting that some recollections are "of things that didn't happen that way."
To this end, the album drifts from the knotty synth spirals of opener "WHAtADAY" through the tense, technoid tropics of "stepCLASSixMOtor," the brightly melancholic Larry Heard-isms of "TROPyCALLhytsrIA" to the stately skronk of closer "What endingENDs." The rhythmic undergirding never lets up, suggesting a limitless night drive tinted in deep greens and refracted reds. Each of the album's ten tracks comes alive with warm, analog finesse and a palpable atmosphere, though they play out by turns urgent or unhurried, coaxing or inscrutable. Yet throughout, there's a consistently hypnotic quality which draws the listener deeper into the album's unique balancing act.
If listeners are trained to expect throwback anthems every time the '90s are referenced, here they might find a more apt touchstone in the wilder, left-of-center corners of Chicago's foundational epoch. Throughout the album, the spirit of jacking house is absorbed, metabolized and transmuted. Drawing on lineages of taut, nervy synth-and-drum machine workouts, SW. manipulates his hardware with the delicate, considered touch of a painter. Perhaps the memory that lingers longest from that bygone era is the sense of profound possibility that dawns before forms become rigidly calificed and commodified. Either way, adventurous listeners will find that okALGORYTHM blooms with a uniquely affecting grace and SW.'s inimitably obscure loveliness, infused with a somber glow and marked by shimmering, untraceable contours.
More
Tracklist:
A1. WHAtADAYray
A2. moTORjungleCITY
B1. stepCLASSixMOtor
B2. apolloTHING
C1. TROPyCALLhytsrIA
C2. geminiMINIMA
C3. nubJA
D1. ROCKetPOCK@
D2. kngs&QUNS
D3. What endingENDs
The elusive SW. returns to Avenue 66 with okALGORYTHM. His third LP for the label is a semi-opaque wandering through the shadowy byways of memory, driven by tough-yet-supple production and his unmistakable, unerringly original voice. Inspired by all night electronic radio shows of the '90s, okALGORYTHM pulses with rich imagination and a sense of purposeful meandering. Speaking in cryptic fragments, the artist hints at elusive reminiscences "back then on the autobahn, to Berlin, with friends" while also noting that some recollections are "of things that didn't happen that way."
To this end, the album drifts from the knotty synth spirals of opener "WHAtADAY" through the tense, technoid tropics of "stepCLASSixMOtor," the brightly melancholic Larry Heard-isms of "TROPyCALLhytsrIA" to the stately skronk of closer "What endingENDs." The rhythmic undergirding never lets up, suggesting a limitless night drive tinted in deep greens and refracted reds. Each of the album's ten tracks comes alive with warm, analog finesse and a palpable atmosphere, though they play out by turns urgent or unhurried, coaxing or inscrutable. Yet throughout, there's a consistently hypnotic quality which draws the listener deeper into the album's unique balancing act.
If listeners are trained to expect throwback anthems every time the '90s are referenced, here they might find a more apt touchstone in the wilder, left-of-center corners of Chicago's foundational epoch. Throughout the album, the spirit of jacking house is absorbed, metabolized and transmuted. Drawing on lineages of taut, nervy synth-and-drum machine workouts, SW. manipulates his hardware with the delicate, considered touch of a painter. Perhaps the memory that lingers longest from that bygone era is the sense of profound possibility that dawns before forms become rigidly calificed and commodified. Either way, adventurous listeners will find that okALGORYTHM blooms with a uniquely affecting grace and SW.'s inimitably obscure loveliness, infused with a somber glow and marked by shimmering, untraceable contours.
More
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in stock
Last in:12.08.2022
Label:Avenue 66
Cat-No:AVE66-17
Release-Date:28.10.2022
Genre:House
Configuration:12" Excl
Barcode:4251804129275
1
Moiré - Circuit 15 – Herbert’s ‘Kyiv Dub’
2
Moiré - Circuit 07 – Tolouse Low Trax Remix
3
Moiré - Circuit 04 – Lowtec’s ‘Objects, People, Visions’ Remix
4
Moiré - Circuit 18 – Lawrence Remix
Tracklist
A1 Circuit 15 – Herbert’s ‘Kyiv Dub’
A2 Circuit 07 – Tolouse Low Trax Remix
B1 Circuit 04 – Lowtec’s ‘Objects, People, Visions’ Remix
B2 Circuit 18 – Lawrence Remix
Release Info:
Moiré's rain-streaked and masterful Circuits album dropped this past September. RA's Andrew Ryce stated the eight-track album cast the shadowy producer into "a rarefied air occupied by the only the finest and most influential of ambient techno artists."
Now, in short order, the label returns with a remix EP charting out multiple hubs of oblique dance floor innovation. If there's a sonic motif on the A-side, it's vastly reactive interpretations of the "factory floor" element that inspired techno's pioneers. Matthew Herbert, a pioneering force in his own right, mixes steam engine percussion with the dreamy atmospherics of "Circuit 15" and comes up with eight minutes of cerebral machine funk. Tolouse Low Trax, meanwhile, continues his masterclass in modern motorik on his remix of "Circuit 7," integrating a chiming piano into a fascinating, perfectly-timed 110 BPM rhythm.
The B-side, meanwhile, doubles down on the oneiric nature of the original material. Workshop head and Avenue 66 alumnus Lowtec builds allows "Circuit 04"'s synths to billow into Gas-like immersive layering, sheets of melody are anchored by a restrained beat for an ambient techno track that doesn't tip the scales too far in one direction or the other. Rather, it achieves a perfect balance. Hamburg/Dial mainstay Lawrence closes things out with his version of "Circuit 18," which also concludes the original album. While the original has a wistful, Deckard's dream quality, Lawrence's version is deeply-rooted in the late-night German style; a low-slung bassline will keep dancers deeply rooted while those wistful chords sweep in like the violet before dawn.
More
A1 Circuit 15 – Herbert’s ‘Kyiv Dub’
A2 Circuit 07 – Tolouse Low Trax Remix
B1 Circuit 04 – Lowtec’s ‘Objects, People, Visions’ Remix
B2 Circuit 18 – Lawrence Remix
Release Info:
Moiré's rain-streaked and masterful Circuits album dropped this past September. RA's Andrew Ryce stated the eight-track album cast the shadowy producer into "a rarefied air occupied by the only the finest and most influential of ambient techno artists."
Now, in short order, the label returns with a remix EP charting out multiple hubs of oblique dance floor innovation. If there's a sonic motif on the A-side, it's vastly reactive interpretations of the "factory floor" element that inspired techno's pioneers. Matthew Herbert, a pioneering force in his own right, mixes steam engine percussion with the dreamy atmospherics of "Circuit 15" and comes up with eight minutes of cerebral machine funk. Tolouse Low Trax, meanwhile, continues his masterclass in modern motorik on his remix of "Circuit 7," integrating a chiming piano into a fascinating, perfectly-timed 110 BPM rhythm.
The B-side, meanwhile, doubles down on the oneiric nature of the original material. Workshop head and Avenue 66 alumnus Lowtec builds allows "Circuit 04"'s synths to billow into Gas-like immersive layering, sheets of melody are anchored by a restrained beat for an ambient techno track that doesn't tip the scales too far in one direction or the other. Rather, it achieves a perfect balance. Hamburg/Dial mainstay Lawrence closes things out with his version of "Circuit 18," which also concludes the original album. While the original has a wistful, Deckard's dream quality, Lawrence's version is deeply-rooted in the late-night German style; a low-slung bassline will keep dancers deeply rooted while those wistful chords sweep in like the violet before dawn.
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in stock
Last in:14.06.2022
Label:Avenue 66
Cat-No:AVE66-13
Release-Date:02.09.2022
Genre:House
Configuration:LP Excl
Barcode:4251804129268
Tracklist
A1 Circuit 1
A2 Circuit 2
A3 Circuit 15
A4 Circuit 16
B1 Circuit 4
B2 Circuit 8
B3 Circuit 7
B4 Circuit 18
Over the past decade, the mysterious, London-based artist Moiré has perfected a syrupy, addictive brand of dance music via labels like Actress's Werk Discs and illustrious imprints like Ghostly and Rush Hour. For most of this period, Moiré seemed pramarily concerned in creating alternative universe club tracks. The beats were hypnotic, if wonky. The pads were deep before they were refracted through an oblique filter. In a discography bearing a surfeit of leftfield high points, Circuits, Moiré's latest album for the Berlin-based Avenue 66 (Lowtec, John Frusciante, Joey Anderson) is a massive creative leap that fully breaks with the strictures of a "conventional" dance music.
While there are still nods to the low-slung, slow house style Moiré's perfected in the past ("Circuit 1"), as well as the looming shadow of hardcore ("Circuit 8), Moiré's style now billows into a liminal, cinematic zone that recalls the canonical SAW albums, BOC or even Seefeel's enduring, genre-free experiments. Rhythms come and go at all tempos, from Hauntological four-on-the-floor to flickering downtempo and ambient house approximations. But the emphasis lies with the melodies. From the queasy orchestral style of "Circuits 1" to the glacial, "end credits"-style synths that close out the album, these motifs bear an uncanny familiarity, as though they always existed. You recognize them, not from a previous listen, but rather, some half-remembered dream, or, perhaps, a previous lifetime.
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A1 Circuit 1
A2 Circuit 2
A3 Circuit 15
A4 Circuit 16
B1 Circuit 4
B2 Circuit 8
B3 Circuit 7
B4 Circuit 18
Over the past decade, the mysterious, London-based artist Moiré has perfected a syrupy, addictive brand of dance music via labels like Actress's Werk Discs and illustrious imprints like Ghostly and Rush Hour. For most of this period, Moiré seemed pramarily concerned in creating alternative universe club tracks. The beats were hypnotic, if wonky. The pads were deep before they were refracted through an oblique filter. In a discography bearing a surfeit of leftfield high points, Circuits, Moiré's latest album for the Berlin-based Avenue 66 (Lowtec, John Frusciante, Joey Anderson) is a massive creative leap that fully breaks with the strictures of a "conventional" dance music.
While there are still nods to the low-slung, slow house style Moiré's perfected in the past ("Circuit 1"), as well as the looming shadow of hardcore ("Circuit 8), Moiré's style now billows into a liminal, cinematic zone that recalls the canonical SAW albums, BOC or even Seefeel's enduring, genre-free experiments. Rhythms come and go at all tempos, from Hauntological four-on-the-floor to flickering downtempo and ambient house approximations. But the emphasis lies with the melodies. From the queasy orchestral style of "Circuits 1" to the glacial, "end credits"-style synths that close out the album, these motifs bear an uncanny familiarity, as though they always existed. You recognize them, not from a previous listen, but rather, some half-remembered dream, or, perhaps, a previous lifetime.
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in stock
Last in:18.08.2021
Label:Avenue 66
Cat-No:AVE66-11
Release-Date:17.09.2021
Genre:House
Configuration:LP Excl
Barcode:4251804126052
Mini LP
Tracklist
A1 Flat Dog
A2 Going Nowhere
A3 Red Sparrow
B1 Easy To Heal Cuts
B2 Nature Thinks For You
B3 From Moment To Moment
Info: Rare and unreleased cuts from the Lowtec vaults.
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Tracklist
A1 Flat Dog
A2 Going Nowhere
A3 Red Sparrow
B1 Easy To Heal Cuts
B2 Nature Thinks For You
B3 From Moment To Moment
Info: Rare and unreleased cuts from the Lowtec vaults.
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in stock
Last in:28.04.2021
Label:Avenue 66
Cat-No:AVE66-12
Release-Date:28.05.2021
Genre:House
Configuration:LP Excl
Barcode:4251804121439
1
SW. - A1. elypsiaDANCEsentence
2
SW. - A2. rotherDAMM
3
SW. - A3. drumDUMMrace
4
SW. - A4. escapePAPE
5
SW. - B1. PSYcomaTIC
6
SW. - B2. tranceCANs
7
SW. - B3. RAMframe
Mini LP
Following up from his TRUElipS album from last year SW. returns to Avenue 66 with a 7 track LP titled blewLIPs.
A1 elypsiaDANCEsentence
A2 rotherDAMM
A3 drumDUMMrace
A4 escapePAPE
B1 PSYcomaTIC
B2 tranceCANs
B3 RAMframe
Limited to 300 copies
Distributed by Wordandsound
Photos by SW.
Design by Dicey Studios
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Following up from his TRUElipS album from last year SW. returns to Avenue 66 with a 7 track LP titled blewLIPs.
A1 elypsiaDANCEsentence
A2 rotherDAMM
A3 drumDUMMrace
A4 escapePAPE
B1 PSYcomaTIC
B2 tranceCANs
B3 RAMframe
Limited to 300 copies
Distributed by Wordandsound
Photos by SW.
Design by Dicey Studios
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in stock
Last in:29.09.2020
Label:Avenue 66
Cat-No:AVE66-10
Release-Date:02.10.2020
Genre:House
Configuration:2LP Excl
Barcode:4251804121422
1
SW. - A1 ELEctreC
2
SW. - A2 STEPrapGAP
3
SW. - A3 meanDreaMbeam
4
SW. - B1 theMARTIANswing
5
SW. - B2 radeDARKpaid
6
SW. - B3 daCRUISEgangSTAR
7
SW. - C1 JAZZmassLESS
8
SW. - C2 DREAMdanceVANs
9
SW. - C3 deepFLYhigh
10
SW. - D1 esCAPEdeepCREEp
11
SW. - D2 spookyWOOKYchill
12
SW. - D3 ambientRAND
2LP
Over the past decade, SUED co-founder SW. has arranged the building blocks of dreamy rave and techno music-billowing pads, undulating sub-bass and adroit, nuanced drum programming-into and novel dance floor structures. TRUElipS, SW.'s first full album since 2016 and his first for Avenue 66, is a beguiling, fully-realised statement.
The 12-track LP is rooted in the storied '90s era when the spirit of orbital raves and free parties was channeled into massive leaps forward in the studio. A combination of house and drum & bass looms large, as does the much-referenced intelligent techno era, but if you've listened to an SW. record, you already know TRUElipS is the work of a singular auteur.
Breakbeats, rave stabs and major chords permeate the album, motoring along on a chassis of sine-wave bass lines and SW's widescreen percussive vision. Forays into downtempo and sweeping ambience keep the listener's head in the clouds, while the superb melodic techno constructions that comprise the album's core are at once contemplative and liable to bring on a giddy head rush. TRUElipS brims with the optimistic, escapist spirit that fueled dance music's original triumph, a throwback to bright, imagined futures.
A1 ELEctreC
A2 STEPrapGAP
A3 meanDreaMbeam
B1 theMARTIANswing
B2 radeDARKpaid
B3 daCRUISEgangSTAR
C1 JAZZmassLESS
C2 DREAMdanceVANs
C3 deepFLYhigh
D1 esCAPEdeepCREEp
D2 spookyWOOKYchill
D3 ambientRAND
More
Over the past decade, SUED co-founder SW. has arranged the building blocks of dreamy rave and techno music-billowing pads, undulating sub-bass and adroit, nuanced drum programming-into and novel dance floor structures. TRUElipS, SW.'s first full album since 2016 and his first for Avenue 66, is a beguiling, fully-realised statement.
The 12-track LP is rooted in the storied '90s era when the spirit of orbital raves and free parties was channeled into massive leaps forward in the studio. A combination of house and drum & bass looms large, as does the much-referenced intelligent techno era, but if you've listened to an SW. record, you already know TRUElipS is the work of a singular auteur.
Breakbeats, rave stabs and major chords permeate the album, motoring along on a chassis of sine-wave bass lines and SW's widescreen percussive vision. Forays into downtempo and sweeping ambience keep the listener's head in the clouds, while the superb melodic techno constructions that comprise the album's core are at once contemplative and liable to bring on a giddy head rush. TRUElipS brims with the optimistic, escapist spirit that fueled dance music's original triumph, a throwback to bright, imagined futures.
A1 ELEctreC
A2 STEPrapGAP
A3 meanDreaMbeam
B1 theMARTIANswing
B2 radeDARKpaid
B3 daCRUISEgangSTAR
C1 JAZZmassLESS
C2 DREAMdanceVANs
C3 deepFLYhigh
D1 esCAPEdeepCREEp
D2 spookyWOOKYchill
D3 ambientRAND
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in stock
Last in:07.07.2020
Label:Avenue 66
Cat-No:AVE66-09CD
Release-Date:05.06.2020
Genre:House
Configuration:CD Excl
Barcode:4251648416531
1
Trickfinger - 01. Amb
2
Trickfinger - 02. Brise
3
Trickfinger - 03. Noice
4
Trickfinger - 04. Plane
5
Trickfinger - 05. Rhyme Four
6
Trickfinger - 06. Sea YX6
CD
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
01. Amb
02. Brise
03. Noice
04. Plane
05. Rhyme Four
06. Sea YX6
More
On his third album as Trickfinger, John Frusciante makes the jump from Acid Test to its leftfield sub-label, Avenue 66, to unleash the full scope of his vision. On She Smiles Because She Presses The Button, the legendary, LA-based cult figure, presents his most diverse yet cohesive album to date.
Frusciante has the melodic and programming chops to jump from style to style while sounding only like himself. "Amb" is the welcome middle-ground between Balearic and IDM while "Brise" with its quick syncopations and rhythmic groove provide a contrasting fabric. Elsewhere, JF caroms through electro and pastoral, "intelligent" ambient. The common thread through this quixotic journey are his trademark, timeless melodies.
For years now, Frusciante has immersed himself in machines, learning tracker programs, synths and drum machines inside and out, applying the same, tireless approach he's exhibited through-out his career. On She Smiles Because She Presses The Button, this period of intense study leads intense creative liberation.
Track List
01. Amb
02. Brise
03. Noice
04. Plane
05. Rhyme Four
06. Sea YX6
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in stock
Last in:30.01.2020
Label:Avenue 66
Cat-No:AVE66-08
Release-Date:06.03.2020
Genre:House
Configuration:2LP Excl
Barcode:4251648416159
1
Joey Anderson - A1. My Dream
2
Joey Anderson - A2. Heaven Help Us
3
Joey Anderson - B1. Beside Me
4
Joey Anderson - B2. Ocean
5
Joey Anderson - C1. Live It
6
Joey Anderson - C2. Bounce With It
7
Joey Anderson - D1. Cindy
8
Joey Anderson - D2. Can Not
2LP
On his third and album, Rainbow Doll, the New Jersey house mystic Joey Anderson speaks to us. Of course, like everything Anderson does, the message is encoded. On tracks like "Beside Me" and "Cindy," his voice rings out in dream incantations-on the latter, he repeats a Mark Hollis-like mantra over a perfect, minimalist house loop while the former sounds like the late, great Ron Hardy taking the razor-and-tape to Ike Yard.
It's his third record for the Berlin-based label Avenue 66, and graciously illuminates the dream logic introduced on his debut for the imprint, the 2013 leftfield classic "Above The Cherry Moon." While Rainbow Doll satisfies those outre impulses, the album's core comprises what are perhaps Anderson's most indelible dance tracks to date, like "Bounce With It," a jacking anthem which sees him at mission control, sending widescreen synth lines soaring through the atmosphere.
With the aforementioned vocals punctuating five of the eight tracks, Rainbow Doll is Anderson's most personal work to date. It's his first album in four years, but also his shortest, most concise full-length. Even with a more direct approach, the elusive, dreamlike quality which has made his work so intriguing remains intact. He speaks of dreams throughout the record, even as his uncanny methodology comes into focus. More than ever before, we understand the materials Anderson uses to construct his Escher-like tracks. We hear his fingers on the keys, the sturdy east coast house beats he learned to dance to. The dreams have become lucid. As he puts it deep in the album, they "seem so real."
A1. My Dream
A2. Heaven Help Us
B1. Beside Me
B2. Ocean
C1. Live It
C2. Bounce With It
D1. Cindy
D2. Can Not More
On his third and album, Rainbow Doll, the New Jersey house mystic Joey Anderson speaks to us. Of course, like everything Anderson does, the message is encoded. On tracks like "Beside Me" and "Cindy," his voice rings out in dream incantations-on the latter, he repeats a Mark Hollis-like mantra over a perfect, minimalist house loop while the former sounds like the late, great Ron Hardy taking the razor-and-tape to Ike Yard.
It's his third record for the Berlin-based label Avenue 66, and graciously illuminates the dream logic introduced on his debut for the imprint, the 2013 leftfield classic "Above The Cherry Moon." While Rainbow Doll satisfies those outre impulses, the album's core comprises what are perhaps Anderson's most indelible dance tracks to date, like "Bounce With It," a jacking anthem which sees him at mission control, sending widescreen synth lines soaring through the atmosphere.
With the aforementioned vocals punctuating five of the eight tracks, Rainbow Doll is Anderson's most personal work to date. It's his first album in four years, but also his shortest, most concise full-length. Even with a more direct approach, the elusive, dreamlike quality which has made his work so intriguing remains intact. He speaks of dreams throughout the record, even as his uncanny methodology comes into focus. More than ever before, we understand the materials Anderson uses to construct his Escher-like tracks. We hear his fingers on the keys, the sturdy east coast house beats he learned to dance to. The dreams have become lucid. As he puts it deep in the album, they "seem so real."
A1. My Dream
A2. Heaven Help Us
B1. Beside Me
B2. Ocean
C1. Live It
C2. Bounce With It
D1. Cindy
D2. Can Not More
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in stock
Last in:19.09.2019
Label:Avenue 66
Cat-No:AVE66-07
Release-Date:18.10.2019
Genre:House
Configuration:2LP Excl
Barcode:4251648413684
1
Relaxer - Serpent In The Garden
2
Relaxer - Fluorescence
3
Relaxer - Cold Green
4
Relaxer - Born From The Beyond
5
Relaxer - Steeplechase
6
Relaxer - Um
7
Relaxer - Breaking The Waves
8
Relaxer - Agony
9
Relaxer - Finally Forgetting
2LP
"Coconut Grove started as a secret. I wrote & recorded it in deliberate solitude over the course of a year, in long sessions when I was alone at home or after everyone else had gone to sleep. I had the uncanny sense of discovering something quite old rather than of making something new.
Every album I've made revealed itself over time - Coconut Grove snaked its way through my psyche, going back to my beginnings. While working on it, I found some notes I had jotted down back in 2006, when I was 22 & first inching away from punk towards electronic music. I wrote that I had been dreaming of something humid and menacing, melting but also alluring. I heard some of that in the haunting, dubby minimal techno of the time, and imagined it crossed with the slashing urgency of my favorite no wave & post punk bands. I imagined the catharsis I experienced as a performer rerouted through techno's mercurial endlessness. Those visions never left me, and I've been dreaming of them in one way or another ever since. Coconut Grove folded that time back onto the present, letting me start again from the beginning.
A lot can happen in a year, and, at the risk of sounding coy, a lot happened to me in 2018. Coconut Grove was an exorcism, or maybe a rebirth, but whatever it was it moved with a little extra fluidity. You can hear it for yourself, but I will say the album's softer touch is no accident. Living in that secret space, it felt good to let some air in."
-Daniel Martin-McCormick aka Relaxer
Track List
A1. Serpent In The Garden
A2. Fluorescence
B1. Cold Green
B2. Born From The Beyond
C1. Steeplechase
C2. Um
C3. Breaking The Waves
D1. Agony
D2. Finally Forgetting
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"Coconut Grove started as a secret. I wrote & recorded it in deliberate solitude over the course of a year, in long sessions when I was alone at home or after everyone else had gone to sleep. I had the uncanny sense of discovering something quite old rather than of making something new.
Every album I've made revealed itself over time - Coconut Grove snaked its way through my psyche, going back to my beginnings. While working on it, I found some notes I had jotted down back in 2006, when I was 22 & first inching away from punk towards electronic music. I wrote that I had been dreaming of something humid and menacing, melting but also alluring. I heard some of that in the haunting, dubby minimal techno of the time, and imagined it crossed with the slashing urgency of my favorite no wave & post punk bands. I imagined the catharsis I experienced as a performer rerouted through techno's mercurial endlessness. Those visions never left me, and I've been dreaming of them in one way or another ever since. Coconut Grove folded that time back onto the present, letting me start again from the beginning.
A lot can happen in a year, and, at the risk of sounding coy, a lot happened to me in 2018. Coconut Grove was an exorcism, or maybe a rebirth, but whatever it was it moved with a little extra fluidity. You can hear it for yourself, but I will say the album's softer touch is no accident. Living in that secret space, it felt good to let some air in."
-Daniel Martin-McCormick aka Relaxer
Track List
A1. Serpent In The Garden
A2. Fluorescence
B1. Cold Green
B2. Born From The Beyond
C1. Steeplechase
C2. Um
C3. Breaking The Waves
D1. Agony
D2. Finally Forgetting
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in stock
Last in:07.01.2019
Label:Avenue 66
Cat-No:AVE66-06
Release-Date:25.01.2019
Genre:House
Configuration:2LP Excl
Barcode:4260544827129
1
Lowtec - Hotel D Europe
2
Lowtec - Boy With The Broken Glasses
3
Lowtec - Light Surfing (Part A)
4
Lowtec - Light Surfing (Part B)
5
Lowtec - Vintage Internet
6
Lowtec - Mythenquai
7
Lowtec - Interna
8
Lowtec - Burnt Toast
2LP
The man behind Workshop and Out To Lunch famously takes his time to make electronic productions that are, in turn, out of time. Over the course of his career he's released tracks that could have been made yesterday, years ago, or a decade into the future. with Avenue 66 he's found a leftfield home that celebrates pure creativity, that embraces the liminal, the weird and the sublime. Light Surfing fits all of these descriptors.
The double-LP rewards deep, repeated listening. There's plenty to unpack, but those who cherish the murky bangers that have been Lowtec's stock and trade will find plenty to love. "Boy With The Broken Glasses" weaves a subtle, dancehall-inflected riddim into hazy ambient house, while the closer, "Burnt Toast," is the latest example of Kuhn's uncanny ability to perfectly fit a soulful vocal sample into an alien dance floor soundscape.
Unexpected moments of sideways beauty also unfurl across the four sides. The two-part "Light Surfing" is one of Lowtec's most evocative suites to a date-its mournful string soundtrack is the album's recurring, longing motif. Elsewhere, as on "Mynthenquai," Kuhn applies avant-garde strategies to his synth leads, taking us on head-spinning melodic journeys.
Light Surfing is a masterful balancing act between dream states and machine-like efficiency, the experimental and functional, precision and spontanaeity. Lowtec could have only gotten here by taking his time.
A1 Hotel D Europe
A2 Boy With The Broken Glasses
B1 Light Surfing (Part A)
B2 Light Surfing (Part B)
B3 Vintage Internet
C1 Mythenquai
C2 Interna
D1 Burnt Toast
More
The man behind Workshop and Out To Lunch famously takes his time to make electronic productions that are, in turn, out of time. Over the course of his career he's released tracks that could have been made yesterday, years ago, or a decade into the future. with Avenue 66 he's found a leftfield home that celebrates pure creativity, that embraces the liminal, the weird and the sublime. Light Surfing fits all of these descriptors.
The double-LP rewards deep, repeated listening. There's plenty to unpack, but those who cherish the murky bangers that have been Lowtec's stock and trade will find plenty to love. "Boy With The Broken Glasses" weaves a subtle, dancehall-inflected riddim into hazy ambient house, while the closer, "Burnt Toast," is the latest example of Kuhn's uncanny ability to perfectly fit a soulful vocal sample into an alien dance floor soundscape.
Unexpected moments of sideways beauty also unfurl across the four sides. The two-part "Light Surfing" is one of Lowtec's most evocative suites to a date-its mournful string soundtrack is the album's recurring, longing motif. Elsewhere, as on "Mynthenquai," Kuhn applies avant-garde strategies to his synth leads, taking us on head-spinning melodic journeys.
Light Surfing is a masterful balancing act between dream states and machine-like efficiency, the experimental and functional, precision and spontanaeity. Lowtec could have only gotten here by taking his time.
A1 Hotel D Europe
A2 Boy With The Broken Glasses
B1 Light Surfing (Part A)
B2 Light Surfing (Part B)
B3 Vintage Internet
C1 Mythenquai
C2 Interna
D1 Burnt Toast
More
Label:Avenue 66
Cat-No:AVE66-04
Release-Date:23.02.2018
Configuration:LP Excl
Barcode:4260544822452
in stock
Last in:09.02.2018
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in stock
Last in:09.02.2018
Label:Avenue 66
Cat-No:AVE66-04
Release-Date:23.02.2018
Configuration:LP Excl
Barcode:4260544822452
1
Trux - With It
2
Trux - Orbiter
3
Trux - Blinko
4
Trux - Roy's Garage
5
Trux - Third Glow
6
Trux - In My World
7
Trux - My Row
8
Trux - EeEsTee
9
Trux - Odd U
10
Trux - Agoma
LP
There's been an air of hypnagogic mystery surrounding Acid Test's sublabel Avenue 66 from the start. Joey Anderson's oblique, Prince-inspired incantation "Above The Cherry Moon" set the tone for a label that's sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs.
Fitting then, that the first album on the imprint comes from Trux, an artist who has chosen to reveal nearly nothing about themselves. Following a cult classic mini-LP for Office Recordings, "Orbiter" bears out the anonymous producer as a master of liminal, conceptual dance music.
"Orbiter's" ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. Opener, "With It," moves from heady ambient rush to skeletal piano, while "Blinko" and "Roy's Garage" spell out a hazy memoriam for the UK continuum.
Forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. "Orbiter" positions Trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings.
Track List
With It
Orbiter
Blinko
Roy's Garage
Third Glow
In My World
My Row
EeEsTee
Odd U
Agoma
More
There's been an air of hypnagogic mystery surrounding Acid Test's sublabel Avenue 66 from the start. Joey Anderson's oblique, Prince-inspired incantation "Above The Cherry Moon" set the tone for a label that's sound that has found beauty in the furthest recesses of the dance floor, in the murkiest decay of kick drums and rave stabs.
Fitting then, that the first album on the imprint comes from Trux, an artist who has chosen to reveal nearly nothing about themselves. Following a cult classic mini-LP for Office Recordings, "Orbiter" bears out the anonymous producer as a master of liminal, conceptual dance music.
"Orbiter's" ten tracks have a vaporous, shape-shifting quality, threatening to topple over into full-on kick drum bliss or vanish into ambience. Opener, "With It," moves from heady ambient rush to skeletal piano, while "Blinko" and "Roy's Garage" spell out a hazy memoriam for the UK continuum.
Forlorn pianos ring out amongst the field recordings, excitable toms and jungle bass all softened in the enveloping gauze. "Orbiter" positions Trux as an unknown auteur who puts evocative world of tone and echo into dizzying motion, content to watch from the wings.
Track List
With It
Orbiter
Blinko
Roy's Garage
Third Glow
In My World
My Row
EeEsTee
Odd U
Agoma
More
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in stock
Last in:19.08.2016
Label:Avenue 66
Cat-No:ave6603
Release-Date:16.09.2016
Genre:techhouse
Configuration:12" Excl
Barcode:4260038315224
1
Joey Anderson - If Someone Cares, They Act Different
2
Joey Anderson - Peace There
3
Joey Anderson - The Vase
When LA label Acid Test decided to start the leftfield imprint, Avenue 66, they looked to New Jersey house mystic Joey Anderson for an opening salvo. He delivered the modern psych-dance masterpiece "Above The Cherry Moon." Now Anderson's back again with more of his beguiling dreamlogic. On "If One Cares, They Act Different" Anderson works with a lead that could score an unsettling '80s horror flick, eventually introducing his signature quicksilver synths and abstract, jacking drum patterns. "Peace There" starts with the square-wave basslines and raspy hats Taking us to a psychedelic far away place. On "The Vase", Anderson reins things in, but even his bittersweet, relatively straight-head deep house tracks present an odd paradox. His music so alien and human all at once.
Tracklist:
A1 If One Cares, They Act Different
A2 Peace There
B1 The Vase
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Tracklist:
A1 If One Cares, They Act Different
A2 Peace There
B1 The Vase
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Label:All Day I Dream
Cat-No:ADID101
Release-Date:22.09.2023
Genre:techhouse
Configuration:3LP
Barcode:197189558054
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Label:All Day I Dream
Cat-No:ADID101
Release-Date:22.09.2023
Genre:techhouse
Configuration:3LP
Barcode:197189558054
1
Double Touch - - Should've Known
2
Draso - - Les Saisons ft. Julie Meunier
3
Luciano - - The Amazing Lilou (Lee Burridge's Ligthning Edit)
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Valdovinos ft. Lucio Consolo - - Look Around
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Shai T - - Summer O'Clock
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Armen Miran - - Lovely Mistake
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Fluida - - Lantana
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Mass Digital - - Preciosa
11
Awka - - O Mar
12
Cameron Jack - - My Love For You
The latest edition in the Summer Sampler series offers yet again 12 tracks from an assortment of global artists who are all connected by their chilled-out styles.
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Label:Noblesquare
Cat-No:NSRVINYL016
Release-Date:28.07.2023
Genre:House
Configuration:12"
Barcode:
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Label:Noblesquare
Cat-No:NSRVINYL016
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Genre:House
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1
Boo Williams - Living Waters
2
Boo Williams - End Of Days
3
Boo Williams - My God
4
Boo Williams - Fruits Of The Spirit DUB
BOO WILLIAMS returns to Chicago's NOBLE SQUARE with 4 deeply spiritual bangers. Includes a special remix of the highly sought after 90s classic FRUITS OF THE SPIRIT that should not be missed. Act quickly, this future classic EP captures why BOO is a Chitown legend and will sell out fast.
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Last in:20.03.2024
Label:Pampa
Cat-No:pampa031
Release-Date:21.04.2023
Genre:House
Configuration:12" Excl
Barcode:4260544823534
1
DJ Koze - Pick Up (12" Extended Disco Version)
2
DJ Koze - The Love Truck
2023 repress
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
More
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
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Label:Watergate Records
Cat-No:wgvinyl63R
Release-Date:10.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251648415589
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Last in:07.05.2024
Label:Watergate Records
Cat-No:wgvinyl63R
Release-Date:10.05.2024
Genre:House
Configuration:12" Excl
Barcode:4251648415589
1
Josh Wink-Higher State Of Consciousness - Higher State Of Consciousness (Adana Twins Remix One)
2
Josh Wink-Higher State Of Consciousness - Higher State Of Consciousness (Adana Twins Remix Two)
2024 Repress in black vinyl. Vinyl only! WG Standard Sleeve
Tracklist:
A) Higher State Of Consciousness (Adana Twins Remix One)
B) Higher State Of Consciousness (Adana Twins Remix Two)
Release Info:
Josh Wink’s ‘Higher State of Consciousness’ gets a respectful touch-up 25 years on courtesy of
the Adana Twins.
The German duo come strong with a pair of remixes, fit for two very different dancefloor scenarios. The
first a smart, stripped back breakbeat version that switches from a sparse percussive soundscape to the
famous acid warbles, before introducing undulating retro trance synths to the composition for a headmelting finish. Remix Two is a driving, four-to-the-floor, rave-focused affair that builds up the 303s with
exhilarating intensity, only letting up in the final moments of the track.
The fresh interpretation follows on from Adana Twins’ super re-work of Patrice Baumel’s ‘Roar’ that
dropped on Watergate last November and reinforces the duo’s golden touch on the remix front More
Tracklist:
A) Higher State Of Consciousness (Adana Twins Remix One)
B) Higher State Of Consciousness (Adana Twins Remix Two)
Release Info:
Josh Wink’s ‘Higher State of Consciousness’ gets a respectful touch-up 25 years on courtesy of
the Adana Twins.
The German duo come strong with a pair of remixes, fit for two very different dancefloor scenarios. The
first a smart, stripped back breakbeat version that switches from a sparse percussive soundscape to the
famous acid warbles, before introducing undulating retro trance synths to the composition for a headmelting finish. Remix Two is a driving, four-to-the-floor, rave-focused affair that builds up the 303s with
exhilarating intensity, only letting up in the final moments of the track.
The fresh interpretation follows on from Adana Twins’ super re-work of Patrice Baumel’s ‘Roar’ that
dropped on Watergate last November and reinforces the duo’s golden touch on the remix front More
12" Excl
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Label:SUPERSTITION RECORDS
Cat-No:2855
Release-Date:31.03.2023
Configuration:12" Excl
Barcode:4250382447818
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Label:SUPERSTITION RECORDS
Cat-No:2855
Release-Date:31.03.2023
Configuration:12" Excl
Barcode:4250382447818
1
ENERGY 52 - Café Del Mar (Tale Of Us Renaissance Remix)
2
ENERGY 52 - Café Del Mar (Paul van Dyk’s XOXO Remix)
Vinyl only
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Tale Of Us Renaissance Remix)
B1. Café Del Mar (Paul van Dyk’s XOXO Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records issues a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The third part in the series features remixes by Tale Of Us and Paul van Dyk, some of the most prolific electronic producers and DJs. First up are Tale Of Us, one of the biggest names on the dance circuit of the moment. Their “Renaissance Remix” was first released in 2018 and has already become one of the most popular remixes of Café Del Mar.
DJ Kid Paul and Paul van Dyk were close DJ buddies in the early Berlin Techno scene, and played around a hundred DJ gigs together, all around Germany and Europe, before they moved on in different directions. Now nearly 30 years later Paul van Dyk finally got the chance to remix the iconic Café del Mar. His XOXO remix slows the tempo slightly and employs crisp percussion and deep, pulsing bass while still maintaining the out-and-out exhilaration of that epic breakdown. Originally released in 2021, the Paul van Dyk remix appears here on vinyl for the first time.
More
GENRE/S:
Progressive House, Techno, Trance
TRACKLISTS:
A1. Café Del Mar (Tale Of Us Renaissance Remix)
B1. Café Del Mar (Paul van Dyk’s XOXO Remix)
SHORT INFO:
Energy 52’s Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in electronic music. Known for its infectious melody and its strong impact on dancefloors around the globe it charted multiple times around the world and won countless awards. Now, 30 years after its first original release, Superstition Records issues a new series of releases, with brand new remixes as well as some of the many remixes from across the last three decades.
The third part in the series features remixes by Tale Of Us and Paul van Dyk, some of the most prolific electronic producers and DJs. First up are Tale Of Us, one of the biggest names on the dance circuit of the moment. Their “Renaissance Remix” was first released in 2018 and has already become one of the most popular remixes of Café Del Mar.
DJ Kid Paul and Paul van Dyk were close DJ buddies in the early Berlin Techno scene, and played around a hundred DJ gigs together, all around Germany and Europe, before they moved on in different directions. Now nearly 30 years later Paul van Dyk finally got the chance to remix the iconic Café del Mar. His XOXO remix slows the tempo slightly and employs crisp percussion and deep, pulsing bass while still maintaining the out-and-out exhilaration of that epic breakdown. Originally released in 2021, the Paul van Dyk remix appears here on vinyl for the first time.
More
+ Show full info- Close
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Last in:15.08.2023
Label:Pampa
Cat-No:PAMPA038
Release-Date:21.04.2023
Genre:House
Configuration:12" Excl
Barcode:4251804128346
1
DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) (9:07)
2
DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) (5:38)
3
DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix)(6:12
2023 repress
12”
TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12
PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.
Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
More
12”
TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12
PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.
Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
More
Label:Running Back
Cat-No:rb121
Release-Date:14.07.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142229
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Label:Running Back
Cat-No:rb121
Release-Date:14.07.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142229
1
Roman Flügel - A1. Lucky Charm - Main Mix
2
Roman Flügel - A2. Lucky Charm - Dub Mix
3
Roman Flügel - A3. Lucky Charm - Perc Mix
4
Roman Flügel - B1. Luv Armour
5
Roman Flügel - B2. Whatever This Is
6
Roman Flügel - B3. Film 4
Tracklist
A1. Lucky Charm - Main Mix
A2. Lucky Charm - Dub Mix
A3. Lucky Charm - Perc Mix
B1. Luv Armour
B2. Whatever This Is
B3. Film 4
Magically delicious: Lucky Charm completes Roman Flügel's personal -feel-good-tetralogy on Running Back. Joining Garden Party, D.I.S.C.O. and Mega for a quadrophony of fun, it is piano house at the core of the matter. Of course, Roman Flügel wouldn't be himself, if he would work carelessly. Imagine it prepared through the disciplines of molecular gastronomy. In a dystopian world on the edge of information overkill, this is exactly what one needs to relish temporary relaxation and the joys of life again. Simply put: arps, bass lines, tribal drums, brief melodies and pizzicato illuminate the topic from different sides and in different versions.
Its correspondent Luv Armour is a piece of jewelry that's doing the splits: house, new wave, synth pop and some melancholy for the finishing touches.
If you are looking for less action Whatever That Is offers you a slow dance. Looking for unheard and unconscionable connections, it twists and turns between Can-like sequences, what Underground Resistance dubbed Afrogermanic and some unexpected tunnel, before it ends where it started out
Finally, Film 4 is the final dish of this lush meal. Referring to the other Film tracks on the Mega 12" and created during the hard and dark times of closed amusement party parks, it is full of yearning. Music for your inner cinema.
More
A1. Lucky Charm - Main Mix
A2. Lucky Charm - Dub Mix
A3. Lucky Charm - Perc Mix
B1. Luv Armour
B2. Whatever This Is
B3. Film 4
Magically delicious: Lucky Charm completes Roman Flügel's personal -feel-good-tetralogy on Running Back. Joining Garden Party, D.I.S.C.O. and Mega for a quadrophony of fun, it is piano house at the core of the matter. Of course, Roman Flügel wouldn't be himself, if he would work carelessly. Imagine it prepared through the disciplines of molecular gastronomy. In a dystopian world on the edge of information overkill, this is exactly what one needs to relish temporary relaxation and the joys of life again. Simply put: arps, bass lines, tribal drums, brief melodies and pizzicato illuminate the topic from different sides and in different versions.
Its correspondent Luv Armour is a piece of jewelry that's doing the splits: house, new wave, synth pop and some melancholy for the finishing touches.
If you are looking for less action Whatever That Is offers you a slow dance. Looking for unheard and unconscionable connections, it twists and turns between Can-like sequences, what Underground Resistance dubbed Afrogermanic and some unexpected tunnel, before it ends where it started out
Finally, Film 4 is the final dish of this lush meal. Referring to the other Film tracks on the Mega 12" and created during the hard and dark times of closed amusement party parks, it is full of yearning. Music for your inner cinema.
More
Label:D&E Records
Cat-No:DE009
Release-Date:04.08.2023
Configuration:12"
Barcode:
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Label:D&E Records
Cat-No:DE009
Release-Date:04.08.2023
Configuration:12"
Barcode:
1
Dave Maze - No Title
2
Dave Maze - No Title
3
Dave Maze - No Title
4
Dave Maze - No Title
Serious rare disco boogie from Chicago's D&E RECORDINGS main man DAVE MAZE. Vol 2 of the series containing more sought after exclusive remixes, finally getting a proper release via limited edition colored vinyl.
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12" Excl
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Label:Toy Tonics
Cat-No:TOYT137
Release-Date:28.07.2023
Genre:House
Configuration:12" Excl
Barcode:0880655513717
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Last in:23.01.2023
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Label:Toy Tonics
Cat-No:TOYT137
Release-Date:28.07.2023
Genre:House
Configuration:12" Excl
Barcode:0880655513717
1
Gome - Elevator Man
2
Gome & David Bay - Television
3
Gome - Elevator Man (Mike Dunn BlackBall Remix)
4
Gome - Elevator Man (Telephones Remix)
Tracklist 12":
A1 Gome - Elevator Man
A2 Gome & David Bay – Television
B1 Gome - Elevator Man (Mike Dunn BlackBall Remix)
B2 Gome - Elevator Man (Telephones Remix)
New record by Gome with fat remixes by Mike Dunn and Telephones.
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A1 Gome - Elevator Man
A2 Gome & David Bay – Television
B1 Gome - Elevator Man (Mike Dunn BlackBall Remix)
B2 Gome - Elevator Man (Telephones Remix)
New record by Gome with fat remixes by Mike Dunn and Telephones.
More
Label:Groovement Records
Cat-No:GR037
Release-Date:30.06.2023
Genre:House
Configuration:12" Excl
Barcode:
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Last in:31.05.2023
Label:Groovement Records
Cat-No:GR037
Release-Date:30.06.2023
Genre:House
Configuration:12" Excl
Barcode:
Molly is a very creative player in the electronic music field today. She's always moving us forward in a very surprising way.
Composing her new EP for Groovement was a long, slow but self-empowering process, as she went through a lot of different vibrations these past years.
"Introspections" is a deep, beautiful and soulful journey about being tremendously human and sensitive.
5 new tracks in which we can enjoy the power to dance and the power to rest spiritually sane.
Tracklist:
A1. I'm Not Your…
A2. Cover 3
B1. Seeigel
B2. Late At Night
B3. No Excuse
More
Composing her new EP for Groovement was a long, slow but self-empowering process, as she went through a lot of different vibrations these past years.
"Introspections" is a deep, beautiful and soulful journey about being tremendously human and sensitive.
5 new tracks in which we can enjoy the power to dance and the power to rest spiritually sane.
Tracklist:
A1. I'm Not Your…
A2. Cover 3
B1. Seeigel
B2. Late At Night
B3. No Excuse
More
Label:sound of new york
Cat-No:sny5102
Release-Date:04.10.2010
Configuration:12"
Barcode:
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Label:sound of new york
Cat-No:sny5102
Release-Date:04.10.2010
Configuration:12"
Barcode:
12"
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Label:Toucan Sounds
Cat-No:YTCWVYL06
Release-Date:28.07.2023
Genre:House
Configuration:12"
Barcode:
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Label:Toucan Sounds
Cat-No:YTCWVYL06
Release-Date:28.07.2023
Genre:House
Configuration:12"
Barcode:
1
Felipe Gordon - No Title
2
Felipe Gordon - No Title
3
Felipe Gordon - No Title
FELIPE GORDON has been on a pretty epic roll lately with releases on SHALL NOT FADE, TOY TONICS, and RAZOR-N-TAPE among others. His 3 track debut on Brooklyn's TOUCAN SOUNDS featuring a spacey & chilled remix from GLENN UNDERGROUND that keeps with that pattern of superb output. Don't sleep.
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