B2 Recordings founder Bengoa returns to the label this July with his ‘Sun Dub’ EP,
comprised of three originals from the Greek producer and DJ.
The past year has been Bengoa unveil an array of material on his B2 Recordings imprint,
ranging through a variety of style under the umbrella of House, from deep and intricate
sounds by Peter Grummich, twitchy acid from fellow Greek artist Zak, Disco tinged
material from Lex and of course dubbed out sounds from Bengoa himself.
Here, the head honcho returns again with a fresh three-tracker, opening with title-track
‘Sun Dub’, a high octane house workout fuelled by swinging drums, choppy bass stabs,
airy dub chords and a classic Hammond organ hook line.
‘Negligence’ then opens the b-side, stripping things back to cavernous low-end pulsations
and swirling stabs atop a robust drum machine jam. ‘Physique’ then wraps up the
release on a deeper tip, bringing shimmering bell tones, a stab-led bass sequences and
murky vocal chants into the forefront, while skippy drum hits and modulating hats
carry the subtly nuanced, hypnotic groove.

Track List:

1. Sun Dub
2. Negligence
3. Physique

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The B2 Recordings imprint was launched in late 2019 by Athens based producer and
DJ Bengoa, the project revisited two tracks from his 2014 release debut album ‘What
You Give’. ‘Eye Talk’, which features vocals from Brothers Vibe was treated to two
remixes from House music pioneer Larry Heard, while ‘The Touch’ was remixed by
Deep Explorer founder, Dubbyman. This classy, deep leaning aesthetic perfectly set
the tone for B2 Recordings and what will follow.
Here we see Bengoa move things forward with a three-track EP of all original material
following a five-year hiatus. Title-cut ‘Forest Law’ takes the lead with robust, organic
percussion at its core while wandering subs, airy, circling synth lines and vocal chants
ebb and flow throughout the groove to create a rolling, hypnotic groove.
‘A Little More’ opens the flip-side next, embracing a dub leaning feel with choppy stab
echoes, crunchy drums and bumpy bass hits before ‘Corponation’ rounds out the
release, laying focus on expansive voice murmurs, airy atmospherics and an acid
tinged bass hook alongside loosely shuffling, jazz tinged drums.


Track List:
1. Forest Law
2. A Little More
3. Corponation

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Long time dj and musician Bengoa, is getting things started by launching his brand new platform, B2 Recordings, as a mean to manage his own multifaceted creations, as well as focusing on favorite outputs around the globe. After his Blind Stitch Records imprint, that only put out two EPs and one album, the Greek artist decided to put everything under one roof, thus B2 Recordings was born, kicking things off quite in style, with this GRANDE remix EP.. "What You Give" is the title of Bengoa's first album from the not too distant 2014, which is now remixed by two legends of the house / deep house scene. On the draw side, one of the most important heads in dance music around the world, mr Larry Heard, has picked "Eye Talk" and delivered two amazing versions of the original track, featuring vocals by Brothers' Vibe! The American producer, remixer, vocalist and dj, has been successfully around now for 35 years, creating his own musical world, and that's where he is taking us with his remixes on this ep, floating between acid baselines and deep underground chords.. On the flip, Spanish deep house maestro and owner of Deep Explorer Music, Dubbyman, delivers a superb, straight-for-the-floor version of Bengoa's "The Touch". His unique style of mixing electronic music with jazzy chords and spherical grooves, works flawlessly with the spoken vocals on this track, perfectly showcasing Dubbyman's raw talent as a musician. A mature and complete record that shouldn't be missing from your deep house collection..

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12"


Special remarks : Second release on A Colourful Storm new sublabel. Stamped 12"

Tracklist
A1. Trance Navigator
A2. Square Shaped
B1. Tribal Martian
B2. Tantra Dub

Shortinfo:
Matthias, head of Superluminal Recordings and parties in Berlin, offers the second Delicate Bloom. Four versatile, forward-thinking acidic analogue mutations to soundtrack to late-night drives.

Follows cult EPs for CABARET, Faciendo, Craigie Knowes and Art Of Dark and plays from selectors including Jane Fitz, DJ Masda and Desyn.





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2022 repress

A: Mir a nero ISRC: DEMM11200019
B: Amaranthus ISRC: DEMM11200020


It's been three years since Swiss producer Michel Cleis conjured a storm with "La Mezcla", a Cadenza hit cemented into house canon as it was swiftly reissued by Strictly Rhythm, bringing the sabor latino into clubs worldwide. Some more 12"s and a number of high-profile remixes (going from tracey thorn to skunk anansie,for labels like rekids , bronswood or Aus) later, he's now teaming up with DJ Koze's crew for his next move: a colorful, crescendoing 12-minute tune that's ready to make a splash in your summer soundtrack. "Mir a Nero" begins with a steady, upbeat kick underlying a simple piano arpeggio - like if Philip Glass make dance music - but then some accents of vibrant hand percussion loosen up the vibe, soon progressing into rhythmic layers that cause the energy to swell. By the 4-minute mark, a subtle, buzzing synth permeates the background, contrasting the track's overall organic feel, leading into the playful piano chords and colombian vocal hook. Simply put, this is Latin House with that anomalous Pampa Records swagger, drenched with flavor like Sangria-soaked mango. Flip that baby over and you get "Amaranthus", named after the famed flower that represents immortality. This piece stands as a color-negative of "Mir a Nero", an unwavering stomp with just shadows of the piano sample heard earlier. Freeze-dried rather than sun-ripened, "Amaranthus" is a dubby, more technofied counterpart to the A-Side, crafted for deeper and darker moments on the dancefloor.



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12“ Vinyl EP
Tracklist:
A1 Drums Are Dangerous (Original Mix)
A2 Drums Are Dangerous (Heads Down Dub)
B1 Drums Are Dangerous (Todd Modes Full Moon Mix)
B2 Where Were U In 92? (Colter Carson Mix)

Short info:
We welcome back Tubbs & Burns on Public Possession offering yet another highly danceable selection of tunes.
The main title on this EP features Paula Tape and has it all: seductive vocals, a mesmerizing acid baseline and the classic hypnotic Tubbs & Burns touch.
It comes in three versions incl. an epic Todd Modes remix. Cheeky Bonus and potentially a secret Deejays favorite is Colter Carsons remix of the previously released „Where were you in 92“ turning it up a few gears, ready for some festival MainStage plays

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Format: LP

Format Notes: 2025 repress, Remastered, 180g vinyl, first time on vinyl

EAN: 4251648413387

Track List:
A1 : Hello Again
A2 : The Under Dog
A3 : Badder Than Bullets
A4 : Tomorrow’s Goodbye
A5 : No Guns More Glory
A6 : War No More
A7 : Salve
A8 : Mission Flats

B1 : 1966
B2 : Don’t Fake It
B3 : Just Ain’t Me
B4 : Create And Destroy
B5 : Let Me In Let Me Out
B6 : Molotov Telegram

Release Notes:
Yes! Tommy Guerrero’s much-loved 4th LP – the smooth West Coast classic From The Soil To The Soul - gets its first ever vinyl release. As the follow up to his revered Soul Food Taqueria, this album was originally released by Quannum Records 2006 but only on CD. Working with Tommy directly, the LP has been fully remastered, cut on to heavyweight wax, and comes with artwork freshly reworked by the man himself.
From The Soil To The Soul represents a continuation of Tommy’s blissful guitar-soul whilst demonstrating increasingly complex chops and a slightly darker side to his distinctive sound. His spare, effortless funk is blended here with elements of Americana, heavy psych, lo-fi fuzz and intoxicating Latin rhythms. Combined with his typically breezy, laid-back San Franciscan style, it’s a vibe from start to finish.
Recorded primarily in his home studio, Tommy wrote, arranged and played nearly all the instruments, including bass, guitar, keyboards, percussion and kalimba. Renowned street artist Barry McGee, aka Twist, designed the cover art which Tommy has now recast in a deep, deep red for the vinyl version.
As ever with Tommy, the highlights are many and memorable. From twinkling, sun-drenched opener “Hello Again” to the penultimate, punk-rocking track “Let Me In Let Me Out” (featuring the melodic yet fearsome rapping of Lyrics Born), the variety across the LP is relentless, but satisfying, and without once losing focus.
We’re treated to the gorgeous hip-hop blues of “The Under Dog”, Meters-style Hammond B-3 jams like “War No More” and “No Guns More Glory” and Balearic bangers like Bing Ji Ling’s star-turn on the sleazy “Don’t Fake It.”
Curumin’s soulful guest vocal elevates the already-great Brazilian lounge feels of “Salve” to hitherto unscaled heights and the heavy, driving basslines - funky and warm on “Badder Than Bullets”, sombre and intense in “Tomorrow’s Goodbye” and “Molotov Telegram” – never fail to move both body and soul.
But our favourite track is the beautiful breezy pop of “Just Ain’t Me”. A bittersweet, skipping ballad which boasts an incredibly rare instance of Tommy singing. “What you want from me, I can never give” he repeats throughout, lending the already-melancholic atmosphere greater poignancy. It would’ve been number 1 across the planet in a parallel universe.










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