1
Cabaret Du Ciel - Great Plains (Benedek Remix)
2
Cabaret Du Ciel - Climatic Variations (L.U.C.A. Quirky Version)
3
Cabaret Du Ciel - Lakota (Lorenzo Fortino Suspacid Revisitation)
4
Cabaret Du Ciel - The Breath Of Infinity (Sentena Touches Sky Remix)
After an initial link up last summer, Altrimenti Records present four more remixes of cult Italian synth maestros Cabaret Du Ciel. Once again the focus is on experimentation, testing unusual crossovers between artists, eras and styles in pursuit of compelling new sounds.
The results across all four of these versions are distinct from each other, and distinct from wider trends in dance music.
First up, Benedek approaches 'Great Plains' as a low-tempo space-boogie excursion. Following in the wake of his releases on Leaving Records, L.I.E.S. and People's Potential Unlimited, the LA-based artist lays down thick slabs of Moog while retaining the ethereal swirl of the source material.
Rome's L.U.C.A. (aka Francesco De Bellis) has established his new wave-inspired sound on his own Edizioni Mondo label, not to mention working in other projects such as MAT101 and Jollymusic, and he brings a sprightly, motorik energy to 'Climatic Variation'.
Lorenzo Fortino's 'Suspacid Revisitation' version of 'Lakota' is aqueous and psychedelic, but remains elegant and understated in its execution. The emergent producer has already released on Wo-Land and most recently Miniera, and this remix ably embodies the entrancing qualities inherent in his sound.
The remix package concludes with a playful, leftfield electro diversion from elusive Montreal-based producers Sentena. Hailing from an emergent scene orbiting the Doo label and projects like SnP 500 and Fashion, their crooked take on machine music perfectly meets the adventurous aims of Altrimenti in testing out crossovers of styles and creative processes.
Tracklist 12":
CABARET DU CIEL - Great Plains (Benedek Remix) 4:08
CABARET DU CIEL - Climatic Variations (L.U.C.A. Quirky Version) 5:56
CABARET DU CIEL - Lakota (Lorenzo Fortino Suspacid Revisitation) 7:30
CABARET DU CIEL - The Breath Of Infinity (Sentena Touches Sky Remix) 4:41
credits
Thanks to Andrea Desiderà, Gian Luigi Morosin, Giorgio Ricci, Niccolò Daniel Rufo aka Rufus & Quindi Records
Artwork by Graziano Mannu Loew
Mastered by MA Spaventi
Manufactured by Mother Tongue
More
The results across all four of these versions are distinct from each other, and distinct from wider trends in dance music.
First up, Benedek approaches 'Great Plains' as a low-tempo space-boogie excursion. Following in the wake of his releases on Leaving Records, L.I.E.S. and People's Potential Unlimited, the LA-based artist lays down thick slabs of Moog while retaining the ethereal swirl of the source material.
Rome's L.U.C.A. (aka Francesco De Bellis) has established his new wave-inspired sound on his own Edizioni Mondo label, not to mention working in other projects such as MAT101 and Jollymusic, and he brings a sprightly, motorik energy to 'Climatic Variation'.
Lorenzo Fortino's 'Suspacid Revisitation' version of 'Lakota' is aqueous and psychedelic, but remains elegant and understated in its execution. The emergent producer has already released on Wo-Land and most recently Miniera, and this remix ably embodies the entrancing qualities inherent in his sound.
The remix package concludes with a playful, leftfield electro diversion from elusive Montreal-based producers Sentena. Hailing from an emergent scene orbiting the Doo label and projects like SnP 500 and Fashion, their crooked take on machine music perfectly meets the adventurous aims of Altrimenti in testing out crossovers of styles and creative processes.
Tracklist 12":
CABARET DU CIEL - Great Plains (Benedek Remix) 4:08
CABARET DU CIEL - Climatic Variations (L.U.C.A. Quirky Version) 5:56
CABARET DU CIEL - Lakota (Lorenzo Fortino Suspacid Revisitation) 7:30
CABARET DU CIEL - The Breath Of Infinity (Sentena Touches Sky Remix) 4:41
credits
Thanks to Andrea Desiderà, Gian Luigi Morosin, Giorgio Ricci, Niccolò Daniel Rufo aka Rufus & Quindi Records
Artwork by Graziano Mannu Loew
Mastered by MA Spaventi
Manufactured by Mother Tongue
More
More records from Cabaret Du Ciel
1
Cabaret du Ciel - Raintears (Piano Version)
2
Cabaret du Ciel - A New Day
3
Cabaret du Ciel - Time Of The Twins Pt I
4
Cabaret du Ciel - Time Of The Twins Pt II
5
Cabaret du Ciel - A Delvaux Postcard
6
Cabaret du Ciel - Raintears II
Limited edition of 90 copies with cyan blue vinyl & handmade cover!
Tracklist 10":
A1 Raintears (Piano Version)
A2 A New Day
A3 Time Of The Twins Pt I
B1 Time Of The Twins Pt II
B2 A Delvaux Postcard
B3 Raintears II
Info:
Quindi Records returns once more to the swooning romanticism of Cabaret du Ciel, the long-running project from Andrea Desidera and Gian Luigi Morosin. After the contemporary material which made up long-player The Breath Of Infinity, Raintears heads back into the group's archives and focuses on a limited cassette release from 1991.
Originally released on Morosin's own Ionisation Tapes, Raintears is described as heralding a new phase for Cabaret du Ciel following their earlier Solarisation and Weather Colours cassettes. This revised, expanded version of the release opens with 'Raintears (Piano Version)', which originally came out on an Ionisation compilation entitled Imago Sonora 1. Truly evoking the spirit of the track and its meaning, it was recorded on a rainy Sunday afternoon when Desidera's friend and trained pianist Francesco Martignon heard the original melody for 'Raintears' and proceeded to improvise on the theme, with Desidera and Morosin embellishinbg Martignon's exquisite playing with subtle touches of synth and sampling. In its fragile, tape-worn repose, the piece is loaded with the delicate ambience a rainy Sunday afternoon implies - calm, melancholic and wistful.
'A New Day' is a piece cast in light and shade, contrasting two core melodic phrases expressed through synth and guitar, with a light touch of speech sampling adding to the cinematic poise of the track. 'Time Of The Twins' originally appeared as a single track on the cassette release, but here it's framed as two distinct parts which meet in the middle. The first half is patient, gliding ambience rich in the harmonic interplay and winding narratives which typifies Cabaret du Ciel overall. The second half opens up like a flower looking for the sun, all pronounced keys pirouetting across the fundamental chord progression established in the first chapter.
'A Delvaux Postcard', previously titled 'East Roads', takes on a spectral, spacious form as it passes by slow, rhythmic pulses and freewheeling synths, momentarily joined by scattered shards of sampled voice layered and filtered in a manner which reminded Morosin of Belgian surrealist painter Paul Delvaux. The EP closes with the original version of 'Raintears' (billed here as 'Raintears II'), a plaintive and disarmingly beautiful ambient piece centered on Desidera's light and poignant playing. As Morosin himself describes, "Andrea is in a full state of grace, touching the listener through his fingers with the notes into [their] deepest emotions. The first time I listened to the basic version, I was just speechless."
More
Tracklist 10":
A1 Raintears (Piano Version)
A2 A New Day
A3 Time Of The Twins Pt I
B1 Time Of The Twins Pt II
B2 A Delvaux Postcard
B3 Raintears II
Info:
Quindi Records returns once more to the swooning romanticism of Cabaret du Ciel, the long-running project from Andrea Desidera and Gian Luigi Morosin. After the contemporary material which made up long-player The Breath Of Infinity, Raintears heads back into the group's archives and focuses on a limited cassette release from 1991.
Originally released on Morosin's own Ionisation Tapes, Raintears is described as heralding a new phase for Cabaret du Ciel following their earlier Solarisation and Weather Colours cassettes. This revised, expanded version of the release opens with 'Raintears (Piano Version)', which originally came out on an Ionisation compilation entitled Imago Sonora 1. Truly evoking the spirit of the track and its meaning, it was recorded on a rainy Sunday afternoon when Desidera's friend and trained pianist Francesco Martignon heard the original melody for 'Raintears' and proceeded to improvise on the theme, with Desidera and Morosin embellishinbg Martignon's exquisite playing with subtle touches of synth and sampling. In its fragile, tape-worn repose, the piece is loaded with the delicate ambience a rainy Sunday afternoon implies - calm, melancholic and wistful.
'A New Day' is a piece cast in light and shade, contrasting two core melodic phrases expressed through synth and guitar, with a light touch of speech sampling adding to the cinematic poise of the track. 'Time Of The Twins' originally appeared as a single track on the cassette release, but here it's framed as two distinct parts which meet in the middle. The first half is patient, gliding ambience rich in the harmonic interplay and winding narratives which typifies Cabaret du Ciel overall. The second half opens up like a flower looking for the sun, all pronounced keys pirouetting across the fundamental chord progression established in the first chapter.
'A Delvaux Postcard', previously titled 'East Roads', takes on a spectral, spacious form as it passes by slow, rhythmic pulses and freewheeling synths, momentarily joined by scattered shards of sampled voice layered and filtered in a manner which reminded Morosin of Belgian surrealist painter Paul Delvaux. The EP closes with the original version of 'Raintears' (billed here as 'Raintears II'), a plaintive and disarmingly beautiful ambient piece centered on Desidera's light and poignant playing. As Morosin himself describes, "Andrea is in a full state of grace, touching the listener through his fingers with the notes into [their] deepest emotions. The first time I listened to the basic version, I was just speechless."
More
1
Cabaret du Ciel - Climatic Variations (Donato Dozzy Rework)
2
Cabaret du Ciel - Great Plains (Ssiege Aero Remix)
3
Cabaret du Ciel - Sunset Parade March (Dukwa Ciononostante Mix)
The Bologna-based LEDX crew are building on their established activities in underground electronic music with the launch of Altrimenti, a new label focused on the 'possible alternative' - a different way of approaching the art of remixing. Founded by Tommaso Meletti and Guendalina Balzani, the label begins its practice with Florence-based Quindi Records, revisiting the illustrious musicality of Cabaret Du Ciel's The Breath Of Infinity LP with a thoughtfully balanced trio of remixers.
Italian techno figurehead Donato Dozzy weaves a seductive, undulating web of pattering drums and chimes, delivering on his standing as one of the masters of deep, hypnotic techno. By way of contrast, Dukwa delivers a transcendent strain of electro, all braindance blips and new age pads. SSIEGE Aero complete the set with a wistful strain of playful, ambient electronica. Three distinct takes on a varied pool of source material, and yet feeling more like an intentional release in its own right.
What binds these tracks together is the rich, melodious quality of the source material. Cabaret Du Ciel's bold, iridescent synth lines inform a common embrace of harmonious tones and warm, emotionally open moods amongst the assembled artists, creating a balanced and yet highly varied EP. In that sense, it makes for the perfect opening move for Altrimenti - a true celebration of the possibilities when creative energies collide.
Tracklist 12":
CABARET DU CIEL - Climatic Variations (Donato Dozzy Rework) 8:40
CABARET DU CIEL - Great Plains (Ssiege Aero Remix) 5:00
CABARET DU CIEL - Sunset Parade March (Dukwa Ciononostante Mix) 4:49
credits
Infinite Thanks to Andrea Desiderà, Gian Luigi Morosin, Giorgio Ricci, Niccolò Daniel Rufo aka Rufus & Quindi Records for their essential contribution to the realization of this project
Artwork by Graziano Mannu Loew
More
Italian techno figurehead Donato Dozzy weaves a seductive, undulating web of pattering drums and chimes, delivering on his standing as one of the masters of deep, hypnotic techno. By way of contrast, Dukwa delivers a transcendent strain of electro, all braindance blips and new age pads. SSIEGE Aero complete the set with a wistful strain of playful, ambient electronica. Three distinct takes on a varied pool of source material, and yet feeling more like an intentional release in its own right.
What binds these tracks together is the rich, melodious quality of the source material. Cabaret Du Ciel's bold, iridescent synth lines inform a common embrace of harmonious tones and warm, emotionally open moods amongst the assembled artists, creating a balanced and yet highly varied EP. In that sense, it makes for the perfect opening move for Altrimenti - a true celebration of the possibilities when creative energies collide.
Tracklist 12":
CABARET DU CIEL - Climatic Variations (Donato Dozzy Rework) 8:40
CABARET DU CIEL - Great Plains (Ssiege Aero Remix) 5:00
CABARET DU CIEL - Sunset Parade March (Dukwa Ciononostante Mix) 4:49
credits
Infinite Thanks to Andrea Desiderà, Gian Luigi Morosin, Giorgio Ricci, Niccolò Daniel Rufo aka Rufus & Quindi Records for their essential contribution to the realization of this project
Artwork by Graziano Mannu Loew
More
1
Cabaret du Ciel - Skydiver
2
Cabaret du Ciel - Different_Suns
3
Cabaret du Ciel - Lakota
4
Cabaret du Ciel - Theatre Azure
5
Cabaret du Ciel - Climatic_Variations
6
Cabaret du Ciel - Horses
7
Cabaret du Ciel - Meredith
8
Cabaret du Ciel - Sunset_Parade_March
9
Cabaret du Ciel - Highlands
10
Cabaret du Ciel - Sentimental_Dub
11
Cabaret du Ciel - Great_Plains
12
Cabaret du Ciel - The_Breath_Of_Infinity
Following the stellar trip through Woo’s Arcturian Corridor , Quindi Records continues to explore intimate, inviting
sounds with an experimental bent by facilitating the return of overlooked Italian duo Cabaret du Ciel.
Initially formed in 1986, Cabaret du Ciel’s debut album Skies In The Mirror was a low-key and extremely rare cassette
release of spellbinding electro-acoustic ambient music created by Gian Luigi Morosin and Andrea Desiderà. A reissue
on Hybride Sentimento in 2018 brought renewed attention to the startling music contained within this unique project.
The Breath Of Infinity is an album comprised of new works recorded over the past year, either as new pieces or
reworked from old ideas with the assistance of Giorgio Ricci. Morosin and Desiderà’s natural instincts as
multi-instrumentalists shine through across the record as they did on Skies in the Mirror , although these tracks were
in fact composed as raw live takes using electronic workstations (with a little additional fretless bass provided by a
close friend Giampaolo Diacci on “Different Suns” and “Climatic Variations”).
There is a crisp, digital timbre to the worlds Cabaret du Ciel shape out on The Breath Of Infinity – utopian pastures
with an air of optimism similarly expressed in the first waves of ambient electronica. Folk traditions exert a guiding
influence on the sparkling, ethereal melodies and full-frequency harmonisation, but this is music enamoured with
timeless plateaus rather than hackneyed interpretations of the past, present or future.
It’s also an album of variety. “Different Suns” tumbles with a pastoral, elemental earthiness thanks to the interwoven
rhythmic murmuring of percussion and live bass, while “Lakota” pivots in sharply rendered bio-mechanical formations.
There’s a widescreen bombast to “Theatre Azure” which calls to mind mid-90s US electronica, while “Meredith”
reclines in a blissful bath of plush 80s FM synthesis. “Sunset Parade March” has a distinct sense of propulsion thanks
to its overdriven, broken techno rhythm and “Highlands” skips with an infectious energy despite not using any formal
kind of percussion, but even in these more kinetic moments a preference for mellow musicality maintains the
dreamlike mood.
Consider The Breath of Infinity like an archipelago, where each track functions as its own distinct island of ideas while
being intrinsically interconnected to the others. In a similar fashion to acts such as Ultramarine (who appeared as
remixers on Quindi 001), Cabaret du Ciel emphasise the musicality in their electronic music, shaping out an
evocative, imaginative environment to idly glide through or attentively explore.
A1. Skydiver
A2. Different Suns
A3. Lakota
A4. Theatre Azure
A5. Climatic Variations
A6. Horses
B1. Meredith
B2. Sunset Parade March
B3. Highlands
B4. Sentimental Dub
B5. Great Plains
B6. The Breath Of Infinity More
sounds with an experimental bent by facilitating the return of overlooked Italian duo Cabaret du Ciel.
Initially formed in 1986, Cabaret du Ciel’s debut album Skies In The Mirror was a low-key and extremely rare cassette
release of spellbinding electro-acoustic ambient music created by Gian Luigi Morosin and Andrea Desiderà. A reissue
on Hybride Sentimento in 2018 brought renewed attention to the startling music contained within this unique project.
The Breath Of Infinity is an album comprised of new works recorded over the past year, either as new pieces or
reworked from old ideas with the assistance of Giorgio Ricci. Morosin and Desiderà’s natural instincts as
multi-instrumentalists shine through across the record as they did on Skies in the Mirror , although these tracks were
in fact composed as raw live takes using electronic workstations (with a little additional fretless bass provided by a
close friend Giampaolo Diacci on “Different Suns” and “Climatic Variations”).
There is a crisp, digital timbre to the worlds Cabaret du Ciel shape out on The Breath Of Infinity – utopian pastures
with an air of optimism similarly expressed in the first waves of ambient electronica. Folk traditions exert a guiding
influence on the sparkling, ethereal melodies and full-frequency harmonisation, but this is music enamoured with
timeless plateaus rather than hackneyed interpretations of the past, present or future.
It’s also an album of variety. “Different Suns” tumbles with a pastoral, elemental earthiness thanks to the interwoven
rhythmic murmuring of percussion and live bass, while “Lakota” pivots in sharply rendered bio-mechanical formations.
There’s a widescreen bombast to “Theatre Azure” which calls to mind mid-90s US electronica, while “Meredith”
reclines in a blissful bath of plush 80s FM synthesis. “Sunset Parade March” has a distinct sense of propulsion thanks
to its overdriven, broken techno rhythm and “Highlands” skips with an infectious energy despite not using any formal
kind of percussion, but even in these more kinetic moments a preference for mellow musicality maintains the
dreamlike mood.
Consider The Breath of Infinity like an archipelago, where each track functions as its own distinct island of ideas while
being intrinsically interconnected to the others. In a similar fashion to acts such as Ultramarine (who appeared as
remixers on Quindi 001), Cabaret du Ciel emphasise the musicality in their electronic music, shaping out an
evocative, imaginative environment to idly glide through or attentively explore.
A1. Skydiver
A2. Different Suns
A3. Lakota
A4. Theatre Azure
A5. Climatic Variations
A6. Horses
B1. Meredith
B2. Sunset Parade March
B3. Highlands
B4. Sentimental Dub
B5. Great Plains
B6. The Breath Of Infinity More
More records from Altrimenti
1
Woo - Cadenza d'Innocenza (Tagliabue Evasione Totale Remix)
2
Woo - Even More Notes (Leeway Remix)
3
Woo - Gold Star (Other Lands & Linkwood Remix)
Following the partnership between Altrimenti and Quindi for a suite of remixes of Cabaret du Ciel, the two Italian labels collaborate once again to explore three vivid versions of tracks from Woo's exquisite album Paradise In Pimlico. The verdant, delicate musicality of Woo's original material offers an abundance of riches for remixers, and the results are true to Altrimenti's stated purpose to explore and experiment in the fusion of different approaches to electronic music.
On the A side, Joseph Tagliabue offers up a snaking, psychedelically charged dancefloor vision of 'Cadenza d'Innocenza'. Milan-based Tagliabue has developed a potent sonic signature across releases for labels like Invisible Inc. and Sound Metaphors before starting his own Blue Sea Studio as an outlet for his expanding work into the field of contemporary soundtracks. That cinematic sensibility comes through in waves on this subtly trance-licked epic - a soaring set piece for the most dramatic of party situations.
On the B side, Leeway opens proceedings with his remix of 'Even More Notes'. As the founder of Wain Records and the Scram club night, the London-based producer is fostering a culture of leftfield dance music with an organic sensibility. On his interpretation of Woo, he offers up a more experimental, dub-informed strain of 4/4 club rhythms.
Completing the set, Other Lands & Linkwood join forces for their approach to 'Gold Star'. Other Lands is also known as Fudge Fingas, and alongside Linkwood he helped shape the warm, deeply rooted house sound of seminal label Firecracker Recordings. The duo's affinity for soulful musicianship and the disco roots of house music comes through in this spiralling, hazy rendition perfectly pitched at moments when a softer, more spiritual approach is needed without losing the guidance of an insistent groove.
Once again the overarching theme on this collection of remixes remains quality - a pursuit of meaningful expression, originality and open-hearted musicality. From the source material to the resulting remixes, the pursuit was a successful one.
A1 Cadenza d'Innocenza (Tagliabue Evasione Totale Remix)
B1 Even More Notes (Leeway Remix)
B2 Gold Star (Other Lands & Linkwood Remix)
More
On the A side, Joseph Tagliabue offers up a snaking, psychedelically charged dancefloor vision of 'Cadenza d'Innocenza'. Milan-based Tagliabue has developed a potent sonic signature across releases for labels like Invisible Inc. and Sound Metaphors before starting his own Blue Sea Studio as an outlet for his expanding work into the field of contemporary soundtracks. That cinematic sensibility comes through in waves on this subtly trance-licked epic - a soaring set piece for the most dramatic of party situations.
On the B side, Leeway opens proceedings with his remix of 'Even More Notes'. As the founder of Wain Records and the Scram club night, the London-based producer is fostering a culture of leftfield dance music with an organic sensibility. On his interpretation of Woo, he offers up a more experimental, dub-informed strain of 4/4 club rhythms.
Completing the set, Other Lands & Linkwood join forces for their approach to 'Gold Star'. Other Lands is also known as Fudge Fingas, and alongside Linkwood he helped shape the warm, deeply rooted house sound of seminal label Firecracker Recordings. The duo's affinity for soulful musicianship and the disco roots of house music comes through in this spiralling, hazy rendition perfectly pitched at moments when a softer, more spiritual approach is needed without losing the guidance of an insistent groove.
Once again the overarching theme on this collection of remixes remains quality - a pursuit of meaningful expression, originality and open-hearted musicality. From the source material to the resulting remixes, the pursuit was a successful one.
A1 Cadenza d'Innocenza (Tagliabue Evasione Totale Remix)
B1 Even More Notes (Leeway Remix)
B2 Gold Star (Other Lands & Linkwood Remix)
More
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3
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Cristina Lazic - Plan B (Sepp Remix)
After a successful career in the corporate world, marketing guru and full-time mom Cristina has taken a bold step into the music scene, inspired by the minimal grooves emanating from Romania.
Her Satya debut EP, titled "Plan B," showcases a unique and tasteful fusion of drum-based dance floor beats and hypnotic melodies.
Growing up composing on the piano and studying harmony, Cristina's musical roots strongly influence her creative process, resulting in tracks that offer a perfect balance between rhythm and musicality. With a focus on key themes such as family, music, and life philosophy, "Plan B" is a strong musical package filled with intention.
Her collaboration with friend and fellow artist Francesco Mami - "Les Filles” - a peak-time jam dedicated to their respective daughters - adds spice to the already flavorsome solo concoctions.
Sepp’s remix of the title track, infused with his Romanian and Macedonian folk roots, rounds the EP in a wonderfully playful manner.
Scheduled for release on May 17, 2024, "Plan B" is poised to make waves and gain attention from house music connoisseurs! Cristina's transition from the corporate world to the dance floor promises a refreshing and dynamic addition to the ever-evolving music landscape. More
Her Satya debut EP, titled "Plan B," showcases a unique and tasteful fusion of drum-based dance floor beats and hypnotic melodies.
Growing up composing on the piano and studying harmony, Cristina's musical roots strongly influence her creative process, resulting in tracks that offer a perfect balance between rhythm and musicality. With a focus on key themes such as family, music, and life philosophy, "Plan B" is a strong musical package filled with intention.
Her collaboration with friend and fellow artist Francesco Mami - "Les Filles” - a peak-time jam dedicated to their respective daughters - adds spice to the already flavorsome solo concoctions.
Sepp’s remix of the title track, infused with his Romanian and Macedonian folk roots, rounds the EP in a wonderfully playful manner.
Scheduled for release on May 17, 2024, "Plan B" is poised to make waves and gain attention from house music connoisseurs! Cristina's transition from the corporate world to the dance floor promises a refreshing and dynamic addition to the ever-evolving music landscape. More
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Unknown Artist - The Messiah
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3
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4
Unknown Artist - Changes
The debut release on brand new label Shadow Pressings hits the ground running with 4 heavyweight club tracks that doff the cap to the halcyon days of Chicago house music. Opening track The Messiah takes the maestro Lil Louis blueprint with sampled sax licks and punchy synth stabs accompanying the raw, minimal house groove. It Started In Chicago heads in a more jacking direction with a snaking bassline, muscular drum groove, cut up vocal and sax hits.
Flipping over we have How Does It Feel which brings a touch of late night deepness with a rolling FM bassline and familiar vocal hook. Classic string stabs join the party in the breakdown adding the icing on the cake and making for a track guaranteed to create a special moment on the dance floor. Closing out this killer 4 tracker we have Changes which keeps things stripped back to the meat and potatoes placing all the emphasis on the punchy 909 drums and simple bassline.
A1 - The Messiah
A2 - It Started In Chicago
B1 - How Does It Feel
B2 - Changes More
Flipping over we have How Does It Feel which brings a touch of late night deepness with a rolling FM bassline and familiar vocal hook. Classic string stabs join the party in the breakdown adding the icing on the cake and making for a track guaranteed to create a special moment on the dance floor. Closing out this killer 4 tracker we have Changes which keeps things stripped back to the meat and potatoes placing all the emphasis on the punchy 909 drums and simple bassline.
A1 - The Messiah
A2 - It Started In Chicago
B1 - How Does It Feel
B2 - Changes More
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Noir & Haze - - Around (Solomun Vox)
2
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3
Chicken Lips - - He Not In
4 To The Floor is committed to delivering seminal house music to wax, making sought after heritage tracks readily available on vinyl for crate diggers to add to their collections. Classics Volume 2 kicks off with a slice of Defected 2012 goodness; ‘Around (Solomun Vox)’ by Noir & Haze. When Solomun took his turn at remixing this Ibiza anthem, it was heard everywhere from Hackney warehouses to Pacha Ibiza, and showed a different side to the heavier original. On the B-Side is the Moodymann Edit, where he makes subtle changes to Solomun’s mix by interweaving tribal drums and stripping back some of the techier elements, followed by Chicken Lips’ electro banger ‘He Not In’ which thunders through. An instantly recognisable record, even if they’re not aware of its name or who wrote it, with an unmistakable bassline that has truly stood the test of time.
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Alton Miller - Crush ft. Kayczwe (Hitman on set remix)
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Tracklist 12” :
A : Crush ft. Kayczwe (Hitman on set remix)
B1: Haibo ft. Sololo
B2: Just saying
Short info:
Detroit’s finest Alton Miller third release on Quintessentials is a more straight club affair. Keeping a deep soulful edge, Alton introduces guest producers Kayczwe and Sololo for some grooves and vibes alive! Timeless tracks to dance and listen to - nuff said!
More
A : Crush ft. Kayczwe (Hitman on set remix)
B1: Haibo ft. Sololo
B2: Just saying
Short info:
Detroit’s finest Alton Miller third release on Quintessentials is a more straight club affair. Keeping a deep soulful edge, Alton introduces guest producers Kayczwe and Sololo for some grooves and vibes alive! Timeless tracks to dance and listen to - nuff said!
More
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Lost Desert - In A Pagode
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Lost Desert - Driving Up North
3
Lost Desert - Wantya Needya
4
Lost Desert - Rolling Stoned ft. Tasha
A true chameleon when it comes to music production, Patrick Bruyndonx aka Lost Desert has been making waves in the global house and techno music scene for over 30 years under various aliases. Inspired by 90’s deep house, “Pagode” is a classy sounding EP steering away from the more “organic” music Patrick has been getting known for in recent years. It combines delicate, yet uplifting synth lines with warm pads, straight house drums, funky vocals and disco infused bass grooves. All in all, it is a well rounded EP that should find its way to all house heads’ crates out there.
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Phuture - Your Only Friend - (Hardspace Mix)
2
UK Gold - Agent Wood (Hardspace Mix)
3
A-STS - Base (Hardspace Mix)
4
Justin Berkovi - Drum Crazy (Hardspace Mix)
5
Test - Overdub (Hardspace Mix)
6
Wax - Her Majesty 909 (Hardspace Mix)
2x 12” colored vinyl with full cover print, transparent turquoise
TRACKLIST:
A1 Phuture - Your Only Friend - (Hardspace Mix)
B1 UK Gold - Agent Wood (Hardspace Mix)
B2 A-STS - Base (Hardspace Mix)
C1 Justin Berkovi - Drum Crazy (Hardspace Mix)
D1 Test - Overdub (Hardspace Mix)
D2 Wax - Her Majesty 909 (Hardspace Mix)
INFO:
On the second installment for Len Faki’s newly founded platform Hardspace, the veteran producer goes back to vaults of his collection in order to unearth more hidden gems, turning them into tracks that can not only keep up with modern dancefloor standards, but even bring new life and audience to these personal favorite classics.
Phuture’s Your Only Friend with its iconic lyrics was an absolute anthem back in the day and had a big impact on the young Len Faki. Being able to remix it himself was a very special experience, resulting in an equally strong and emotional Hardspace Mix.
A standout of the early 2000s, Agent Wood by UK Gold still stands as a prime example of tribal techno. This remix builds on the original’s wild drumming sequence and gripping vocals, but manages to pack even more drive and the necessary extra oomph for today’s sound systems.
The only more recent outing on Hardspace Vol. 2 is Base by young German producer A-STS. An extremely simple techno tool that had enough room for Hardspace to add many additional elements like more drums, a new breakdown and even a dubby synthline to completely transform the track towards the end.
Drum Crazy holds up to its name — a DJAX-UP classic that got remixed into a distinctly more „techno“ version with booming low end and more emphasis on the synth lines, while still keeping the crazy onslaught of all things drums going.
A certified banger in 1992 already, Overdub by Belgium outfit Test stood out with its insane main synth motif, which gets dialed back here into something more simple yet even more powerful with some added layers of groove.
Stemming from the same group of early 90’s producers, Her Majesty 909 is a time-honored example of expert use of this seminal drum machine. The Hardspace mix brings the rework up to latest production levels but also keeps the stripped-back charme of the original intact, while making the already reverb-laden track feel even bigger.
Hardspace Vol. 2 is a compilation varied enough to come out in many different sets and settings and at the same time gives us a deeper understanding of the path the DJ and producer Len Faki aka Hardspace is on.
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TRACKLIST:
A1 Phuture - Your Only Friend - (Hardspace Mix)
B1 UK Gold - Agent Wood (Hardspace Mix)
B2 A-STS - Base (Hardspace Mix)
C1 Justin Berkovi - Drum Crazy (Hardspace Mix)
D1 Test - Overdub (Hardspace Mix)
D2 Wax - Her Majesty 909 (Hardspace Mix)
INFO:
On the second installment for Len Faki’s newly founded platform Hardspace, the veteran producer goes back to vaults of his collection in order to unearth more hidden gems, turning them into tracks that can not only keep up with modern dancefloor standards, but even bring new life and audience to these personal favorite classics.
Phuture’s Your Only Friend with its iconic lyrics was an absolute anthem back in the day and had a big impact on the young Len Faki. Being able to remix it himself was a very special experience, resulting in an equally strong and emotional Hardspace Mix.
A standout of the early 2000s, Agent Wood by UK Gold still stands as a prime example of tribal techno. This remix builds on the original’s wild drumming sequence and gripping vocals, but manages to pack even more drive and the necessary extra oomph for today’s sound systems.
The only more recent outing on Hardspace Vol. 2 is Base by young German producer A-STS. An extremely simple techno tool that had enough room for Hardspace to add many additional elements like more drums, a new breakdown and even a dubby synthline to completely transform the track towards the end.
Drum Crazy holds up to its name — a DJAX-UP classic that got remixed into a distinctly more „techno“ version with booming low end and more emphasis on the synth lines, while still keeping the crazy onslaught of all things drums going.
A certified banger in 1992 already, Overdub by Belgium outfit Test stood out with its insane main synth motif, which gets dialed back here into something more simple yet even more powerful with some added layers of groove.
Stemming from the same group of early 90’s producers, Her Majesty 909 is a time-honored example of expert use of this seminal drum machine. The Hardspace mix brings the rework up to latest production levels but also keeps the stripped-back charme of the original intact, while making the already reverb-laden track feel even bigger.
Hardspace Vol. 2 is a compilation varied enough to come out in many different sets and settings and at the same time gives us a deeper understanding of the path the DJ and producer Len Faki aka Hardspace is on.
More
1
DJ Koze - Blume Der Nacht
2
DJ Koze - Rue Burnout
2023 repress
Tracklist:
A: Blume Der Nacht
B: Rue Burnout
DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.
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Tracklist:
A: Blume Der Nacht
B: Rue Burnout
DJ Koze doesn't aim for technical perfection for its own sake, but rather to serve the purpose of giving birth to great music. On his debut 'Rue Burnout EP' from his own Pampa label, he plays with finesse and sophistication, and implicitly understands the importance of subtlety, leading from dreamy and restrained parts to a noisy frenzy at the end. 'Blume der Nacht' starts with a looped piano solo from Arabian dodecaphony, interwoven with bangs of violine bows, piercing high-pitched strings, almost shrieking glissandi, deep angel chants and obsessive sharp rhythms. The 37 year old constantly horny wunderkind producer has made a habit of creatively foiling expectations, and works also under the pseudonyms Adolf Noise, Swahimi and recently Madima Lokkah to redefine the boundaries of electronic music. This daring concept works perfectly in the title track 'Rue Burnout' - it is very rare that you find house music this excitingly light-fooded and precisely transparent. The musician cuts the pigtail off the term 'Kackmusik' for good, and demonstrates how sounds are capable of creating the most delicate musical interplay.
Amen.
DJ Koze, Germany, April 2010.
More
1
john davis & the monster orchestra - Bourgie Bourgie (Louie Vega Mix)
2
john davis & the monster orchestra - Bourgie Bourgie (Dance Ritual Dub)
Repress!
Louie Vega remixes the seminal Sam Records Disco hit “Bourgie’, Bourgie’” by John Davis & The Monster Orchestra.
12” vinyl release on Nurvous Records on Sept 9, 2016
House Music legend Louie Vega continues to light fire to select tracks from the Sam Records 1970’s Disco Catalogue. He previously remixed Vicky D’s “This Beat Is Mine” and Convertion’s “Let’s Do It.” Now he has added his unique and legendary production skills to a remix of the Ashford & Simpon penned “Bourgie’, Bourgie’” by John Davis & The Monster Orchestra.
Originally released on Sam Records in 1979, “Bourgie’, Bourgie’” also features background vocals by Ashford & Simpson.
Louie Vega continues to be one of the most dynamic and respected dance music producers in the world. With a body of work that combines his timeless and trend-settings production with Kenny Dope as Masters At Work, and his own distinctive and equally impactful Louie Vega productions, he has always had a great knowledge and respect for the R&B and Disco music that laid the foundation of the current soundtrack of nightlife. The Sam Records catalogue is owned and administered by Nervous Records, with which Louie has a long history, dating to his creation with Kenny Dope of the label’s signature tune, The Nervous Track by Nuyorican Soul. The distinctive string sections of “Bourgie’, Bourgie’” along with the Ashford & Simpson lyrics caught Louie’s ear, and he has created a remix that has been destroying dancefloors and festival summer. More
Louie Vega remixes the seminal Sam Records Disco hit “Bourgie’, Bourgie’” by John Davis & The Monster Orchestra.
12” vinyl release on Nurvous Records on Sept 9, 2016
House Music legend Louie Vega continues to light fire to select tracks from the Sam Records 1970’s Disco Catalogue. He previously remixed Vicky D’s “This Beat Is Mine” and Convertion’s “Let’s Do It.” Now he has added his unique and legendary production skills to a remix of the Ashford & Simpon penned “Bourgie’, Bourgie’” by John Davis & The Monster Orchestra.
Originally released on Sam Records in 1979, “Bourgie’, Bourgie’” also features background vocals by Ashford & Simpson.
Louie Vega continues to be one of the most dynamic and respected dance music producers in the world. With a body of work that combines his timeless and trend-settings production with Kenny Dope as Masters At Work, and his own distinctive and equally impactful Louie Vega productions, he has always had a great knowledge and respect for the R&B and Disco music that laid the foundation of the current soundtrack of nightlife. The Sam Records catalogue is owned and administered by Nervous Records, with which Louie has a long history, dating to his creation with Kenny Dope of the label’s signature tune, The Nervous Track by Nuyorican Soul. The distinctive string sections of “Bourgie’, Bourgie’” along with the Ashford & Simpson lyrics caught Louie’s ear, and he has created a remix that has been destroying dancefloors and festival summer. More
1
Dubfire - Descent (Carl Craig Remix)
2
Dubfire - Dark Matter (L.B. Dub Corp Remix)
Single 5
Tracklist
A Dubfire - Descent (Carl Craig Remix)
B Dubfire - Dark Matter (L.B. Dub Corp Remix)
DUBFIRE INVITES CHRIS LIEBING, TRUNCATE, CARL CRAIG, DRUMCELL, NADIA STRUIWIGH & MORE TO HIS REMIX ALBUM
EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.
The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, DEAS, Carl Craig, Truncate, Drumcell, Chris Liebing, and Luke Slater as L.B. Dub Corp who have all given the original music in their own unique style.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.
More
Tracklist
A Dubfire - Descent (Carl Craig Remix)
B Dubfire - Dark Matter (L.B. Dub Corp Remix)
DUBFIRE INVITES CHRIS LIEBING, TRUNCATE, CARL CRAIG, DRUMCELL, NADIA STRUIWIGH & MORE TO HIS REMIX ALBUM
EVOLV is a visionary window into the mind of Dubfire, the journey of the ‘hybrid’ being and its evolution. Last year in October, an 11-track debut album was released on his long-standing SCI+TEC imprint. And now, just over a year later, Grammy award winning producer Dubfire returns to that sonic discourse, drafting in an impressive array of names to re-interpret the material, and accompanied by Dubfire's new audio-visual EVOLV show which picked up where the critically acclaimed electronic performance experience HYBRID had left off.
The eclectic package will include such notables as Glaskin, Arjun Vagale, Nadia Struiwigh, Mathimidori (dub alias of Mathias Kaden), Maral, Decka, DEAS, Carl Craig, Truncate, Drumcell, Chris Liebing, and Luke Slater as L.B. Dub Corp who have all given the original music in their own unique style.
With a career spanning over 3 decades, Dubfire has achieved global success as an artist with relentless drive, talent, and intuition. Pioneering commercial notoriety came initially as one half of the Grammy Award-winning (2001) duo Deep Dish, before embarking on a truly groundbreaking solo career in 2007. A career filled with timeless tracks include his early works, ‘RibCage’ (2007), ‘Emissions' (2007), ‘Roadkill’ (2007) and the highly acclaimed ‘Grindhouse’ (2009) remix from Radio Slave which led to a host of other notable projects over the years.
Collaborative work highlights include projects with Miss Kitten, Luke Slater, Flug, and Oliver Huntemann, as well as co-producing two songs on Underworld’s Barking album. A true artist, he has always been heavily invested in exploring performance technology, unveiled to wide praise with his HYBRID live show. A two-year world tour commenced in 2015 and was followed by his retrospective album, A Decade Of Dubfire (2017), a celebration of his immense output during the first 10 years of solo artist stardom. EVOLV is Dubfire’s debut solo artist album.
More
1
YokoO - When I Wake Next To You
2
YokoO - Promise I'll Slap Ya
3
YokoO - I Want More Of You
4
YokoO - I Want More Of You (Superlounge Remix)
Fresh off the press, YokoO's latest release "You" sets the perfect mood for winter nights and summer days. With three solid deep groovers, "whether it's the afternoon, evening, early night, or early morning the day after, there should be something for everyone to dig into on this record," says YokoO, speaking about the diverse appeal of the EP. Adding to the allure of the package is the liquid smooth remix by the talented Düsseldorf duo Superlounge. Their unique touch infuses the release with an extra layer of sophistication, making it an essential addition to any Satya music lover's collection.
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1
Louie Vega - Music Is My Life ft. Unlimited Touch
2
Louie Vega - You Got Me Dancing ft. Audrey Wheeler & Cindy Mizelle
3
Louie Vega - Come Away ft. Kerri Chandler
4
Louie Vega - Seven Mile ft. Moodymann
5
Louie Vega - The Star Of A Story ft. Lisa Fischer
6
Louie Vega - Change Your Mind ft. Bernard Fowler
7
Louie Vega - All My Love ft. Robyn
8
Louie Vega - Free To Love ft. Karen Harding
9
Louie Vega - Feel So Right ft. Honey Dijon
10
Louie Vega - How He Works ft. Nico Vega
11
Louie Vega - Joy Universal ft. Two Soul Fusion
12
Louie Vega - Igobolo ft. Joaquin Joe Clausell
13
Louie Vega - It's All Good ft. Bebe Winans, Debbie Winans Lowe & Korean Soul
14
Louie Vega - Touch The Sky ft. Tony Momrelle
15
Louie Vega - Love Has No Time Or Place
16
Louie Vega - Dreamin ft. Cindy Mizelle
Repress!
What is it about New York City, that concrete jungle that continually inspires the creative spirit? From Warhol’s Factory to Larry Levan’s Paradise Garage to David Mancuso’s Loft, collectives that celebrate and nurture unfettered, organic artistry have been absolutely intrinsic to the story of this sprawling metropolis. Its latest chapter is being written at the hands of ‘The Maestro’, Grammy Award winner Louie Vega and his Expansions NYC parties, the sound documented in his latest album Expansions In The NYC (Nervous Records).
Starting in February 2019 in Manhattan and Brooklyn venues, Vega’s Expansions NYC parties have their origin not in his revered prowess as a DJ but rather his whole-hearted appreciation of the different elements of the dance floor surrounding him: the dancers, the musicians who bring their instruments to join him ad-hoc on the night, the small, dedicated crowd of clubbers whose ears to the ground keep them informed on the underground party information. The events included 6-hour DJ Sets with Louie under his select curation, and would usually end with 3 AM jam sessions involving keyboardists, guitar players and poets all performing in front of a jam packed crowd. In just a few short years the Expansions NYC events have evolved into an NYC-clubland institution, an intimate celebration of house, funk, disco, afro, R&B and more.
As with his parties, so goes his album. The collective vibe that forms the beating heart of Expansions NYC parties is absolutely front and centre in Expansions In The NYC, Vega drawing in one of the most comprehensive lists of collaborators in recent memory. House heavyweights Honey Dijon, Joe Claussell, Moodymann, Kerri Chandler and Anané rub up against legendary vocalists Bernard Fowler, Cindy Mizelle, Lisa Fischer, Audrey Wheeler and Tony Momrelle. Gospel royalty BeBe Winans and Debbie Winans, pop icon Robyn and rising star Karen Harding sit alongside disco-era champions Unlimited Touch, Cuban jazz pianist Axel Tosca, Nico Vega, Two Soul Fusion with Josh Milan and Vega and underground legend DJ Spinna. At the centre of it all, fingerprint on every beat, touch on every groove, sits a master at work, weaving the individual threads into a rich dance music tapestry.
"In the past few years I’ve found new inspiration both from the musicians I’m working with and the audiences coming to see me at my DJ shows,” Vega says. “So for me this album represents new beginnings, bringing together a beautiful mosaic of artistic perspectives to express musically what we call Expansions In The NYC."
At its heart, Expansions In The NYC is a love letter to New York, as much as melting pot as the city it represents, the scope of its line-up possible only because of the influence and reverence of Vega the artist, the DJ, the producer, the curator. In creating this album, Louie Vega has once again utterly enriched the lives and libraries of music lovers the world over, far beyond the hustling streets of NYC that have so indelibly left their mark on his work. More
What is it about New York City, that concrete jungle that continually inspires the creative spirit? From Warhol’s Factory to Larry Levan’s Paradise Garage to David Mancuso’s Loft, collectives that celebrate and nurture unfettered, organic artistry have been absolutely intrinsic to the story of this sprawling metropolis. Its latest chapter is being written at the hands of ‘The Maestro’, Grammy Award winner Louie Vega and his Expansions NYC parties, the sound documented in his latest album Expansions In The NYC (Nervous Records).
Starting in February 2019 in Manhattan and Brooklyn venues, Vega’s Expansions NYC parties have their origin not in his revered prowess as a DJ but rather his whole-hearted appreciation of the different elements of the dance floor surrounding him: the dancers, the musicians who bring their instruments to join him ad-hoc on the night, the small, dedicated crowd of clubbers whose ears to the ground keep them informed on the underground party information. The events included 6-hour DJ Sets with Louie under his select curation, and would usually end with 3 AM jam sessions involving keyboardists, guitar players and poets all performing in front of a jam packed crowd. In just a few short years the Expansions NYC events have evolved into an NYC-clubland institution, an intimate celebration of house, funk, disco, afro, R&B and more.
As with his parties, so goes his album. The collective vibe that forms the beating heart of Expansions NYC parties is absolutely front and centre in Expansions In The NYC, Vega drawing in one of the most comprehensive lists of collaborators in recent memory. House heavyweights Honey Dijon, Joe Claussell, Moodymann, Kerri Chandler and Anané rub up against legendary vocalists Bernard Fowler, Cindy Mizelle, Lisa Fischer, Audrey Wheeler and Tony Momrelle. Gospel royalty BeBe Winans and Debbie Winans, pop icon Robyn and rising star Karen Harding sit alongside disco-era champions Unlimited Touch, Cuban jazz pianist Axel Tosca, Nico Vega, Two Soul Fusion with Josh Milan and Vega and underground legend DJ Spinna. At the centre of it all, fingerprint on every beat, touch on every groove, sits a master at work, weaving the individual threads into a rich dance music tapestry.
"In the past few years I’ve found new inspiration both from the musicians I’m working with and the audiences coming to see me at my DJ shows,” Vega says. “So for me this album represents new beginnings, bringing together a beautiful mosaic of artistic perspectives to express musically what we call Expansions In The NYC."
At its heart, Expansions In The NYC is a love letter to New York, as much as melting pot as the city it represents, the scope of its line-up possible only because of the influence and reverence of Vega the artist, the DJ, the producer, the curator. In creating this album, Louie Vega has once again utterly enriched the lives and libraries of music lovers the world over, far beyond the hustling streets of NYC that have so indelibly left their mark on his work. More
1
Dam Swindle - That’s Right
2
Dam Swindle - Minor Fools
3
Dam Swindle - Soul’s Lament
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A That’s Right
B1 Minor Fools
B2 Soul’s Lament
Release Info:
“Pumping, vibrant, and packed with energy”: Iconic duo Dam Swindle deliver once again with their ‘Minor fools’ EP.
Last year, Dam Swindle celebrated their 10 year anniversary with the ‘Keep on Swindling’ series. The hard-hitters ‘All I want’, ‘Good woman’, and ‘You’ showed various sides of that much loved Swindle sound as well as some steps into a more leftfield electronic area. Now, they’re back on Heist with a 3-track club EP full of that recognizable upbeat energy.
‘That’s Right’ has Dam Swindle in full live mode, not unlike their timeless classic “Call of the Wild feat. Jungle by Night”. Live keys, bass, percussion, and horns (the latter by the Jungle by Night’s trumpet guru Bo Floor) give you the feeling like you’re on stage with a full band, hearing them give their all to record this heartwarming piece of music. Over the course of its 7 minutes, the duo takes you on an electrifying feel-good trip through the Swindle sonic universe.
On The EP title track ‘Minor fools’, Dam Swindle go into classic US house mode. Shuffling hats, a bouncy bass and male vocal chops lay the foundation for some crunchy jazz chords (think Underground Resistance with a Swindle touch). The track builds tension with haunting organs, looped vocals and smart modulation in the keys. Add to that the bouncy synth section at the heart of the track and you’ve got a jam that slaps hard in the best way imaginable.
The EP ends with the dreamy & contemplative ‘Soul’s lament’; A slow burner that builds and builds on a relentless rhythm of bells and skipping hi-hats. Slowly, a massive string section takes control of the track, after which, an acid line takes over that gives the track its driving electronic touch. It’s a welcome deep note to an EP that shows you exactly why Dam Swindle are such well respected and versatile producers.
Grab this record while you can and dance, dance, dance!
Heist Recordings.
More
Track list:
A That’s Right
B1 Minor Fools
B2 Soul’s Lament
Release Info:
“Pumping, vibrant, and packed with energy”: Iconic duo Dam Swindle deliver once again with their ‘Minor fools’ EP.
Last year, Dam Swindle celebrated their 10 year anniversary with the ‘Keep on Swindling’ series. The hard-hitters ‘All I want’, ‘Good woman’, and ‘You’ showed various sides of that much loved Swindle sound as well as some steps into a more leftfield electronic area. Now, they’re back on Heist with a 3-track club EP full of that recognizable upbeat energy.
‘That’s Right’ has Dam Swindle in full live mode, not unlike their timeless classic “Call of the Wild feat. Jungle by Night”. Live keys, bass, percussion, and horns (the latter by the Jungle by Night’s trumpet guru Bo Floor) give you the feeling like you’re on stage with a full band, hearing them give their all to record this heartwarming piece of music. Over the course of its 7 minutes, the duo takes you on an electrifying feel-good trip through the Swindle sonic universe.
On The EP title track ‘Minor fools’, Dam Swindle go into classic US house mode. Shuffling hats, a bouncy bass and male vocal chops lay the foundation for some crunchy jazz chords (think Underground Resistance with a Swindle touch). The track builds tension with haunting organs, looped vocals and smart modulation in the keys. Add to that the bouncy synth section at the heart of the track and you’ve got a jam that slaps hard in the best way imaginable.
The EP ends with the dreamy & contemplative ‘Soul’s lament’; A slow burner that builds and builds on a relentless rhythm of bells and skipping hi-hats. Slowly, a massive string section takes control of the track, after which, an acid line takes over that gives the track its driving electronic touch. It’s a welcome deep note to an EP that shows you exactly why Dam Swindle are such well respected and versatile producers.
Grab this record while you can and dance, dance, dance!
Heist Recordings.
More