[2x12”]

GENRE/S: Minimal, Electronic, Ambient, Downtempo

TRACKLISTS:
1_Body Of Lies 2_Scapegoat Principle 3_Forth Density 4_The Banality Of Evil
5_Talking to Nature Spirits 6_Resurrection — Total playing time: 50:04

SHORT INFO:
Samuel Rohrer - drums, percussion, electronics, keys, modular synths
Music produced, recorded and mixed by Samuel Rohrer
Samuel Rohrer’s newest solo album, Codes of Nature, shows the artist making yet more refinements and
additions to an already rich catalog of musical ideas. Though he has excelled in collaborative projects with Ambiq,
Ricardo Villalobos, Max Loderbauer, Tobias Freund, Dark Star Safari, Nils Petter Molvaer, Oren Ambarchi and
many others, it is fascinating to experience him also working in a field completely his own, yet managing to still give
the impression of being fully integrated or connected with a larger musical universe.
A strange, intriguing ambiguity between the specific and the universal is indeed what makes Rohrer’s music
worth playing on a loop – the cool, downtempo, yet energized constructions on Codes are powered by subtle
atmospheric and tonal changes, and work like a camouflage adaptable to any environment.
This is a record whose strength derives from its versatility. It’s clear that this versatility of sounds has been
inspired by a commitment to positive differentiation that is not just a musical one, and that’s where this work will
inspire others in turn.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

LP includes DL Card

GENRE/S: Electronica/Ambient/broken beat

TRACKLISTS:
Side A: 1_Oxygen Beats 2_Bodylanguage 3_Serotonin 4_Ctenophora 5_Window Pain 6_Slow Fox
Side B: 1_Treehouse 2_Human Regression 3_Ctenophora Var. 4_Radar Reflector 5_Ceremonism
Total playing time: 36:04

SHORT INFO:

With his Arjunamusic label and a growing catalog of category-defying releases, Samuel Rohrer
continues to quietly, yet confidently, make a name for himself as a genuinely unique figure within
the European electronic music realm. Over the past decade he has assembled a repertoire of
music that fills a sadly neglected gap in the modern musical landscape. That is to say, he has
made a number of “electronically”-aided works that never seem to make “electronic-ism” the main
selling point or raison d'être. Rohrer understands that we inhabit a networked media landscape
that no longer sees a novelty value in every synthetic or technological sound, and by realizing
this, he makes a music that fully engages with the present without completely disregarding the
exciting speculative sensibility that has allowed electronic music to solidify into a tradition. His
latest solo album, Hungry Ghosts, again shows the high quality of sonic design that can be
achieved by conceptualizing musical passages as living, breathing entities rather than as
signposts to some still distant reality.
Maybe more so than any of Rohrer’s solo records to date, Hungry Ghosts is the one that
most unambiguously displays the artist as a kind of inspired sound “cultivator” or landscaper
rather than just a straightforward “producer”. The emphasis here seems to be biological growth
processes rendered in musical form, and in fact some track titles namechecking the biodiversity
of the external world (“Slow Fox”, “Ctenophora”) and neurochemistry (“Serotonin”) lend some
additional credence to this interpretation.
As with previous outings, Rohrer starts with his skills as a genre-resistant percussionist
and builds from there, with dense clusters of drum hits and icy cymbal exclamations leading the
way into a wide-open atmosphere full of fragmented phrases, marked with strange reversals or
compressions of time. The percussive portions and other ambiences merge together in such a
way that the latter seems like a kind of shifting, holographic camouflage for the former; an effect
which makes for a greater than usual number of shifts in mood. Rohrer’s already established
ambiguity and mystery are the moods that permeate throughout, to be sure, but there are also
surprising moments of humorous whimsy (the flourishes of cartoon mischief and teasing silences
on the tracks “Human Regression” and “Bodylanguage”), reverence (the optimistic organ swells
and steady sequencer guiding “Ceremonism”), and meditative focus (the slow-motion spectral
waltz of “Treehouse”). Also notable here are very brief etudes, such as “Window Pain,” whose
dark, lush ebb and flow actually seem tailored to repeated or looped listening.
It’s particularly remarkable that almost all of this material is recorded solo and in a “live /
no overdubs” mode, given how much it feels like well-rehearsed ensemble playing, and given the
impeccable timing involved in continually exchanging the sounds at the very forefront of the mix.
And here we come full circle to the idea of “electronic music” mentioned at the beginning here:
instead of making us feel that we are in the presence of some fully-realized form brought back
from “the future,” Rohrer invites us instead to witness fascinating processes of transition and
mutation, and to value them for what they are now as much as for where they are headed.

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DE - 22113 Hamburg
Germany
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CD
2. GENRE/S: Electronica, Ambient

3. TRACKLISTS:
1. Opening 12:32, 2. Waitati Post 10:04,
4. Cristal Bolloré 08:30, 5. Kallisto 11:43, 6. Bagatto 09:58, 7. Aaah! 12:13

4. SHORT INFO:
Sun Electric, the Berlin-based electronic music duo of Tom Thiel and Max Loderbauer, were
among the pioneers of “live” electronica presentation in the early 1990s, when options for realtime reproduction of one’s sound were a fraction of what we enjoy today. Perhaps a spiritual
successor to earlier forms of “kosmische” music, which saw the exploration of outer and inner
space as being equally worthwhile undertakings, Sun Electric’s music was expansive, epic, and
involving in a way that prioritized the communion between sounds and listeners over the public
exposition of the musicians’ personalities. Space was, of course, utilized as an instrument unto
itself: a fact that is evident in this new release of a notable 1996 set in which Sun Electric
performed at the neo-Gothic Votivkirche in Vienna. Over 75 minutes of performance time, the
duo took full advantage of the 20-second reverb decay time offered by the space.
The real star here remains the way in which the interdependent musical objects move through
open space and mutually evolve with it, and the percussive impacts are part of a “sonic
democracy”, standing on an equal footing with the glistening effects and the lapping waves of
sequenced melody. It’s the consistent application of these strengths which allows the music of
Sun Electric not to be a “nostalgic trip” to a simpler time, but very much a part of the musical
dialogue of the present.
ARTIST: SUN ELECTRIC Max Loderbauer & Tom Thiel
TITLE: Live at Votivkirche Wien
LABEL: Arjunamusic Records!
Produced by Sun Electric aka Max Loderbauer & Tom Thiel
Recorded by Teo Schulte @ Votivkirche Vienna on October 5, 1996
Mixed by Ingo Kraus @ Candybomber Studio Berlin 2023
Mastered by Mike Grinser @ Manmade Mastering Berlin 2023

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GENRE/S: Electronic, Ambient

TRACKLISTS:
A- 01. Emag Ballad 5:46, 02. Bursts 3:50, 03. Lakeside 5:19, 04. Fields 4:59, 05. Sharif 4:44
B- 06. Bubbles 3:42, 07. Spider 3:47, 08. Hydro 4:59, 09. Timeout 3:33

SHORT INFO:
Producer Tom Thiel has worked in the medium of electronic music since the 1980s, been active in the musical epicenter of Berlin since 1987 and with the Sun Electric duo, he was already at the forefront of live / “real time” electronica since the 1990s.
Incidentally, Sun Electric are set to release an archival live set from this period on Arjunamusic later this year.

Though not everyone becomes exceptional on the basis of “veteran” status alone, Thiel’s latest work shows that he has made good on one of the main promises held out by electronic music and sound synthesis: namely, that it would also provide unexpected, novel, highly individualized syntheses of different attitudes, atmospheres, and affects. This is happily the case with Thiel’s new Arjunamusic release (his first full solo outing since his eponymous 2011 album): it’s a series of colorful, self-contained vignettes that are perceptibly drawn from an eclectic pool of personal experiences and insights.

Like similarly successful musical projects, Thiel’s “Album” utilizes all of the above strengths to craft a rewarding listen in its own right, but also to spark curiosity about what other as-of-yet unrealized fusions may be waiting ahead.

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CD

2. GENRE/S: Jazz, Experimental

3. TRACKLISTS:
1_The House Behind 2_Loosing Memory 3_City People
4_Concerning the Ice 5_Passing Wind 6_Head/Heart 7_From Below 8_Lost Small Things
9_Smoke Signals

4. SHORT INFO:
Joao Paulo Esteves da Silva piano?
Mário Franco double bass?
Samuel Rohrer percussion
Arjunamusic Records presents the new album The River, from the trio of João Paulo Esteves da
Silva, Mário Franco and Samuel Rohrer, following on the aesthetic developed on their previous release
Brightbird from 2017: it is characterized by meaningful pauses and clever subtractions, but it is also a
strong and mature demonstration of the fruitful partnership that exists between them and more
undeniably perceptible musical features. The group’s willingness to consider the value of the spaces
between the notes (and their understanding that reflection and contemplation upon those spaces is an act
of engagement rather than detachment) is one immediately recognizable feature of their sonic terrain.
However, it’s far from the only one.
In the final estimation, the dialogue between the perceptible and the imperceptible works as well as it
does here because an aesthetic of mutual exchange is central to these musicians’ playing styles. It is rare to
ARTIST: João Paulo Esteves da Silva Trio
w/ Mário Franco & Samuel Rohrer
TITLE: The River
LABEL: Arjunamusic Records!
hear albums in which the gestalt can be comprehended rather than voluntarily or involuntarily zooming in
on a single player or aspect of the presentation; the trio here has created something that can be
appreciated in its totality and which challenges listeners to apply its qualities to other areas of lived
experience.

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LP

GENRE/S: Jazz, Experimental

TRACKLISTS:
A1 Garden Of Silence A2 Dare To Dance A3 On Second Thought A4 Ways Of Paradox
A5 Now That We Finally Met - B6 Refraction of Glass B7 Concentric B8 Nostalgia
B9 Gravity Inn B10 Where We Go From Here — Total playing time: 47:55

SHORT INFO:
Klaus Gesing bass clarinet, soprano sax, effects?
Björn Meyer electric bass, effects ?
Samuel Rohrer drums, electronics, mod.synths

The trio Amiira of Klaus Gesing, Björn Meyer and Samuel Rohrer has returned after a layoff of
six years since their debut LP. It would be unwise to expect for them to pick up exactly where they left
off, given all the turbulent change that the world has encountered since this time, and indeed the new
Album Curious Objects reflects a clear expansion of the players’ abilities. The fundamentals that guided the
debut album – spatiality, refined coolness, the non-verbal “narrative” quality - are still very much present,
but are this time reinforced with an even more pronounced feeling of communicating across wide
physical and conceptual spaces.
Altogether, Curious Objects is a potent antidote for spiritual and musical fatigue; especially
recommended for those who have already left behind the limitations posed by genres. It is more than the
sum of its parts, and its crossing of numerous different boundaries never feels like the goal in and of
itself: instead, all this activity feels like a tool for unlocking and decoding even more supposedly
irreconcilable qualities and ideas.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

CD

GENRE/S: Jazz, Experimental

TRACKLISTS:
1 Garden Of Silence 2 Dare To Dance 3 On Second Thought 4 Ways Of Paradox
5 Now That We Finally Met - 6 Refraction of Glass 7 Concentric 8 Nostalgia
9 Gravity Inn 10 Where We Go From Here — Total playing time: 47:55

SHORT INFO:
Klaus Gesing bass clarinet, soprano sax, effects?
Björn Meyer electric bass, effects ?
Samuel Rohrer drums, electronics, mod.synths

The trio Amiira of Klaus Gesing, Björn Meyer and Samuel Rohrer has returned after a layoff of
six years since their debut LP. It would be unwise to expect for them to pick up exactly where they left
off, given all the turbulent change that the world has encountered since this time, and indeed the new
Album Curious Objects reflects a clear expansion of the players’ abilities. The fundamentals that guided the
debut album – spatiality, refined coolness, the non-verbal “narrative” quality - are still very much present,
but are this time reinforced with an even more pronounced feeling of communicating across wide
physical and conceptual spaces.
Altogether, Curious Objects is a potent antidote for spiritual and musical fatigue; especially
recommended for those who have already left behind the limitations posed by genres. It is more than the
sum of its parts, and its crossing of numerous different boundaries never feels like the goal in and of
itself: instead, all this activity feels like a tool for unlocking and decoding even more supposedly
irreconcilable qualities and ideas.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

[2x12”]

GENRE/S: Minimal, Electronic, Ambient, Downtempo

TRACKLISTS:
1_Body Of Lies 2_Scapegoat Principle 3_Forth Density 4_The Banality Of Evil
5_Talking to Nature Spirits 6_Resurrection — Total playing time: 50:04

SHORT INFO:
Samuel Rohrer - drums, percussion, electronics, keys, modular synths
Music produced, recorded and mixed by Samuel Rohrer
Samuel Rohrer’s newest solo album, Codes of Nature, shows the artist making yet more refinements and
additions to an already rich catalog of musical ideas. Though he has excelled in collaborative projects with Ambiq,
Ricardo Villalobos, Max Loderbauer, Tobias Freund, Dark Star Safari, Nils Petter Molvaer, Oren Ambarchi and
many others, it is fascinating to experience him also working in a field completely his own, yet managing to still give
the impression of being fully integrated or connected with a larger musical universe.
A strange, intriguing ambiguity between the specific and the universal is indeed what makes Rohrer’s music
worth playing on a loop – the cool, downtempo, yet energized constructions on Codes are powered by subtle
atmospheric and tonal changes, and work like a camouflage adaptable to any environment.
This is a record whose strength derives from its versatility. It’s clear that this versatility of sounds has been
inspired by a commitment to positive differentiation that is not just a musical one, and that’s where this work will
inspire others in turn.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

LP includes DL Card

GENRE/S: Electronica/Ambient/broken beat

TRACKLISTS:
Side A: 1_Oxygen Beats 2_Bodylanguage 3_Serotonin 4_Ctenophora 5_Window Pain 6_Slow Fox
Side B: 1_Treehouse 2_Human Regression 3_Ctenophora Var. 4_Radar Reflector 5_Ceremonism
Total playing time: 36:04

SHORT INFO:

With his Arjunamusic label and a growing catalog of category-defying releases, Samuel Rohrer
continues to quietly, yet confidently, make a name for himself as a genuinely unique figure within
the European electronic music realm. Over the past decade he has assembled a repertoire of
music that fills a sadly neglected gap in the modern musical landscape. That is to say, he has
made a number of “electronically”-aided works that never seem to make “electronic-ism” the main
selling point or raison d'être. Rohrer understands that we inhabit a networked media landscape
that no longer sees a novelty value in every synthetic or technological sound, and by realizing
this, he makes a music that fully engages with the present without completely disregarding the
exciting speculative sensibility that has allowed electronic music to solidify into a tradition. His
latest solo album, Hungry Ghosts, again shows the high quality of sonic design that can be
achieved by conceptualizing musical passages as living, breathing entities rather than as
signposts to some still distant reality.
Maybe more so than any of Rohrer’s solo records to date, Hungry Ghosts is the one that
most unambiguously displays the artist as a kind of inspired sound “cultivator” or landscaper
rather than just a straightforward “producer”. The emphasis here seems to be biological growth
processes rendered in musical form, and in fact some track titles namechecking the biodiversity
of the external world (“Slow Fox”, “Ctenophora”) and neurochemistry (“Serotonin”) lend some
additional credence to this interpretation.
As with previous outings, Rohrer starts with his skills as a genre-resistant percussionist
and builds from there, with dense clusters of drum hits and icy cymbal exclamations leading the
way into a wide-open atmosphere full of fragmented phrases, marked with strange reversals or
compressions of time. The percussive portions and other ambiences merge together in such a
way that the latter seems like a kind of shifting, holographic camouflage for the former; an effect
which makes for a greater than usual number of shifts in mood. Rohrer’s already established
ambiguity and mystery are the moods that permeate throughout, to be sure, but there are also
surprising moments of humorous whimsy (the flourishes of cartoon mischief and teasing silences
on the tracks “Human Regression” and “Bodylanguage”), reverence (the optimistic organ swells
and steady sequencer guiding “Ceremonism”), and meditative focus (the slow-motion spectral
waltz of “Treehouse”). Also notable here are very brief etudes, such as “Window Pain,” whose
dark, lush ebb and flow actually seem tailored to repeated or looped listening.
It’s particularly remarkable that almost all of this material is recorded solo and in a “live /
no overdubs” mode, given how much it feels like well-rehearsed ensemble playing, and given the
impeccable timing involved in continually exchanging the sounds at the very forefront of the mix.
And here we come full circle to the idea of “electronic music” mentioned at the beginning here:
instead of making us feel that we are in the presence of some fully-realized form brought back
from “the future,” Rohrer invites us instead to witness fascinating processes of transition and
mutation, and to value them for what they are now as much as for where they are headed.

Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: gpsr@wordandsound.netMore

Special remarks : 2x12"
Genre: Electronic
Tracklisting:
A: Helix 7:23
B: Incus 10:47
C: Lobule 11:03
D: Cochlea 8:28

Short Info:

Press release by Thomas Bey William Bailey
The Ricardo Villalobos / Samuel Rohrer partnership has yielded increasingly interesting results over the past few
years, with the former’s remixes of the latter’s trio Ambiq being supplemented by further reinterpretations of
Rohrer’s solo work and live meetings at select events like Berlin’s Funkhaus and Radialsystem V. As should be the
case with any strong collaboration, this partnership has been based on mutual challenge rather than compromise,
seeing each participant shuttle key technical and emotive aspects of the other’s work to previously unexpected
places.
Those who have been closely following this relationship will notice a definite sense of continuity between
previous outings and the new collaborative release entitled MICROGESTURES. As with those earlier Villalobos
/ Rohrer pairings, these four new pieces are defined by a special quality of being many things that once: that is to
say, depending on the listener’s own level of focus, these can feel very tightly constructed and disciplined, or
playful and freely wandering. That the tracks are equally engaging regardless of one’s chosen listening “mode” is
a testament to the level of thought put into them; you could almost imagining the creators poring over some
elaborate sketched set of architectural blueprints rather than coolly monitoring the usual multi-track editing
software.
Altogether the music here is firmly a-melodic and percussive, but within these deliberate limitations there is still a
greater variety of individual sounds than most would bother with. Each track is its own observatory of microgestures clustering together into a dense communicative fog or a sort of robotic sound swarm. Yet while all
these tracks are variations on that theme, each one has its own character and, consequently, its own rewards in
terms of the exact sectors of the imagination that it activates.
Take for example “Cochlea” and its twin “Helix,” on which the magnetizing, busy layers of percussion are
tempered with mischievously disruptive blossomings of digital noise, as well as sampled radio communications
(which again bring us back to the idea of listeners’ attentiveness changing the meaning of this music - these
curious transmissions can either be taken as a purely aesthetic element or as something to be actively decoded).
Club-oriented elements are also not absent from this suite, particularly on “Incus” with its traditional sequenced
baseline, crisp synthetic trap and hats, and dizzily sliding set of bell-like tones laid on top.?
Yet this track, too, is powered as much by its restless desire to deviate as by its rhythmic consistency: throughout
the eleven-minute running time, a mass of ambiguous and restless machine sounds build a parallel narrative, and
will maybe
prompt the occasional glance over the shoulder as they seem to be taking on their own life. “Lobule” rounds out
the program with the most rhythmically eventful sound set off the five.
What this all adds up to is a confident music which builds that quality from its faith in possibilities rather than
firm conclusions: it’s an inspiring addition to both the musical landscape and reality in general

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Special remarks : Vinyl + Downloadcode
Genre: Alternative - Ambient

Tracklist LP:
1 Patria 3.53 - 2 Life Stand Still 4.18 - 3 Portraits of You 3.35 - 4 Measured
Response 4.26 - 5 Father’s Day 4.21 - 6 Invocation 3.54 - 7 Murmuration 4.04
8 Passover 4.25 - 9 Disembodied 3.43 10 Walk Through Lightly 3.40
Total time: 40.24

Short Info:
Press release by Thomas Bey William Bailey
Dark Star Safari is a musical entity comprised of Jan Bang, Erik Honoré, Eivind Aarset, Samuel Rohrer and John Derek Bishop. Their second fulllength offering Walk Through Lightly is the first to feature all five musicians together in the studio from the outset, making for a more organic refinement upon their already established methodology: gradually sculpting distinct songs out of collective improvisations, or using the raw material from initial recordings as the basis for more carefully articulated compositions. The final mix is one that invites few stylistic comparisons to other musical peers, and in fact few comparisons to existing genres. Though this second offering from the project is frosted over with a Scandinavian sense of spatiality and
melancholy, it’s best listened to without considering any origin points, geographic or otherwise: from the opening moments of “Walk Through Lightly,” listeners will feel as if teleported directly into the middle of an enigmatic film-in-progress.
The album opener immediately and successfully sets the table for what is to follow. The electronic and acoustic instrumentation is pensive, but not passive, with restrained scrapes and stridulations in the background combining with backwards-looped passages and perlescent or granulated sound effects to better emphasize the carefully arranged latticework of guitar, percussion, strings, and bass. In some places, such as on “Father’s Day” and “Measured Response,” the silences or breaths between passages are pronounced enough to be an instrument in their own right (and an elegant confirmation of the fact that silence is also a conveyor of information). This nuanced production, which wisely opts for intimacy instead of relying on overdone "instant atmosphere generators" like lengthy reverb, provides just enough tension to contrast with the sense of elevation provided by Bang’s vocal contributions: smoky, evanescent, and impressionistic recitations offering not snapshots of specific events, but rather complete emotional environments for the listener to hover through and explore.
Within these environments, the lyrical imagery focuses upon coming to grips with sudden transformations on both micro and macro levels (the opening “this was a perfect place / till we lost our way” from “Patria” or the foreboding “Poems that explore / Their silence / Crush their violence / Now their time ends” from “Measured Response.”) It focuses as well upon coming to thresholds or crossings, be they physical crossroads or internal states of mind, or both (see especially the striking turns of phrase from “Murmuration.”) With such things in mind, it’s only natural that there would be consideration of dreaming as well, and indeed four different titles on the LP make different reference to a dream or dream state, seemingly valuing dreams as part of the continuum of consciousness rather than something totally cut off from waking experience.
Given the sense of foreboding, anticipation, and even unease that these kinds of subjects often bring with them, the spare and un-hurried music is all the more intriguing, especially when the eponymous finale arrives and the percolating sound bed seems to hint at a coming resolution, but then leaves the listener with more questions than answers. By competently fusing a mature, economical approach to sincerely romantic lyrical themes, Walk Through Lightly is a rare accomplishment.

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12"

GENRE/S: Electronic, Breaks, Dance, Rave, Techno, Acid, Deep Techno, Experimental

TRACKLIST
A1: Reverie
A2: Stress
B1: Reverie (Polygonia’s Fantasme Mix)
B2: Wanderer’s Path

SHORT INFO:

Nesa Azadikhah is a DJ, producer, and cultural force from Tehran, Iran, at the forefront of the country’s electronic music scene. As the founder of Deep House Tehran, she has played a vital role in shining a light on Iran’s vibrant underground culture. Nesa’s musical journey began with traditional Iranian instruments at the age of six, setting the stage for her evolution into a DJ and producer whose sound effortlessly spans techno, house, ambient, and experimental realms.
Her latest release on Paryìa showcases her talent for deep, immersive techno. Characterized by hypnotic grooves, acid-tinged textures, and a driving, rhythmic energy, the tracks invite listeners into a captivating sonic experience. Rich, rolling basslines and intricate rhythms define her signature style, blending raw intensity with ethereal elements. The release is enhanced by a remix from Polygonia, who brings a fresh perspective with layered, atmospheric depth, creating a cohesive yet dynamic collection suited for late-night sets and immersive
dance floors.


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Double-LP

GENRE/S:
House, Deep House

TRACKLIST:
A1. The Nature Of Reality
A2. Wander Being
B1. Turn To The Music
B2. At The Feeling Level
C1. Jazz Intent
C2. Thematicism
C3. Wade Away
D1. Natural Causality
D2. In The Meadow
D3. See Urchin

SHORT INFO:
DaRand Land, who hails from the post industrial confines of Buffalo, NY was one of the leading figures of Deep4Life, a cult label known for submersible oriented, yet dancefloor-friendly productions. With ambient synth-driven tones and heavy funk basslines being at the center of his sound, DaRand Land’s music often evokes an introspective quality, without losing its groove fundamental. DaRand’s works, which span decades on deep house labels such as Downbeat, Confluence and Pulp have been described as “uncompromising” and has afforded him a passionate following of listeners who seek a more emotive, thought-provoking brand of underground music.
Teaming up once again with Scissors and Thread - the perfect fit for his sound - DaRand Land drops an album full of crafty, trippy house for the heads. Wander Being contains 10 tracks on the double vinyl release with a pair of additional tracks for the digital release. The vibe is deep and sleek, with a rough, bumping edge. The title track sets the tone, a smattering of percussion accompanying a thick, round kick drum and Rhodes chords, giving off a classic Detroit feel. Tracks like Turn to The Music ramp up the energy somewhat, but overall the tracks sit in the sweet spot between dancefloor burners and soulful, jazzy, deep cuts. Noticeable is the space given to each element across the tracks - the hi-hats sparkle, the snare snaps, and the basslines roll and rumble. Add to this the magic melodic flourishes provided by the pads and synths, reminiscent of the late Mike Huckaby in places, made this whole album a thoughtful, joyful experience.
„The genesis for the Wander Being LP”, says DaRand “was a desire to return to the essence of some of my original Deep4Life productions. How was this accomplished? Principally, through the exclusive use of hardware components, minimalist arrangement, and a minds-eye approach to source the musical elements. In particular, the single, The Nature of Reality was written to convey a sense of what it feels like to be in a state of suspended animation. There is a natural tension introduced via the organic, swirling pad progression juxtaposed against endless vocal echoes and the low-end groove of the bassline. Thematically, I wanted to carry this forward through the entirety of the album.
balancing subdued keys and strings with ethereal tones and atmospheres













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Format: 180g 12” + download code

Tracklist:
A1. Swamps (05:10)
A2. Tommy (05:03)
B1. Utrecht (02:35)
B2. Escape (06:04)
B3. Demonstration (05:31)

‘Fosph’ proves an EP of real mastery that exudes techno, its drive, phasing patterns and melodic minimalism. ‘Swamps’ opens the record with a jungle cacophony, its rhythms dipping and diving on a ritualistic sequence - judiciously lean, biting and expressive. ‘Tommy’ is an exercise in solo TR-909, the less-is-more machine repetitions that journey unceasingly - sure to be a crucial drum tool. ‘Utrecht’ hints at an expansive 90s ambient sound, imbuing analogue static with synthetic cries and meanderings. 'Escape' takes these sonic outposts, and goes even further. Its resonant drums propelling into action a pendulum of organic expressionism, rising into flight from its dusty origins. EP closer
’Demonstration’ is a clear example of DJ Deep's love for machine funk. An old-school banger doing just enough, its playful off-beat excursions and effective one-word sample recall a certain Midwestern directness.


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Tracklist 12":

A1) Disco Music (Young Pulse Remix)
A2) Disco Music (Elado Remix)
B1) Disco Music (Original)
B2) Drums From The Motherland

Disco Music is probably one of Toy Tonics’s catchiest tracks. Played by DJs like Palms Trax, A-Trak, Louie Vega, Folamour and tons of other big names, this track could become a anthem for the new wave of disco that is invading the clubs 2024. After techno and trance revivals of the last year not just the italo disco movement has become massive among the younger generation but all kinds of afro, latin, new wave and indie disco are invading the dancefloors.

Fimiani who made this track, inspired by a rare old song from the 1970ies played all instruments himeself with a group of friends (no samples).

Now its time to bring on variations of the track, Remixes by Young Pulse, the house maestro from paris, Elado, crazy edit king fro Tel Aviv, Berlin's Delfonic, who one more time proves that he knows how to tune a soul song into a dancfloor anthem and last but not east Paul Older, the guy who just released his debut EP on Toy Tonics with massive support himself by DJs like Folamour, Master at Work and many others..

These remixes are all dancefloor gold. Fimiani is on the roll.


















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House, Techno

GENRE/S:
House, Techno

TRACKLIST:
A1. Must Protect
A2. Blue Superman
A3. -
B1. Laurent
B2. Body, Body

SHORT INFO:
Versatile, floor-focused house bangers.




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Legendary producer Sweet Abraham, head of Diaspora Recordings, is making his long-awaited
return to vinyl with a release on the swiss label imprint Léman Records. For the first time in a

while, he feels the same sense of responsibility and excitement as in his early days with
Defender and deep4life. While remaining true to his signature sound, Abraham ventures into
a more relaxed, slower house tempo, creating a deep, atmospheric, and dub-infused vibe. The
tracks "Givin U" and "Walk of Melech," though distinct from one another, offer a fresh take on
his style, while maintaining the richness and depth his fans have come to expect!

3rd release on Léman Records with a special collaboration with the diaspora recordings boss Jeffrey Peacock aka Sweet Abraham.

A1 Walk of Melech
A2 Givin’u (Low Slow Bump)
B1 Givin’u (S.A’s Lucid Dream)

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Genres: Dub Techno, Techno, House


ZentaSkai and Laura Merino Allue return to Mask Records as Cuddling Monsters with volume two of their vinyl-only house and techno series


Tracklist:
A1 Dark REM
A2 Monster Talk
B1 Event Horizon
B2 Temporal Aura

Arriving on a limited 200-copy translucent orange vinyl, 'Dark REM' on Cuddling Monsters’ second release on Mask Records is a hunched-over and direct dub techno cut with forceful drums and deft percussion, adding texture next to warm, sustained pads.
There's a real sense of urgency in this most frictionless groove, which means it cannot fail to cast a spell on the dance floor. The fantastic 'Event Horizon' is then infused with the aura of deep space - sustained chords with a cosmic edge add vast scale to the well-programmed deep techno drums. 'Monster Talk' is a mid-tempo dub track with underlapping drums and rattling, rusted chords that disappear to infinity. It's cavernous and evocative, with myriad little details occupying the mind. 'Temporal Aura' is another standout sound that blends deep techno, dub, and minimal into a serene soundtrack that encourages inward reflection while driving onwards through the cosmos.
Mask Records founder ZentaSkai and his creative partner Laura Merino Allue are Berlin mainstays helping shape the underground. Cuddling Monsters is a new project that debuted on the label in March. It is all about crafting music with analogue instruments, which they believe "offer distinctive sonic qualities, creative constraints, and genuine sound reproduction”. They explore Detroit-infused house, dub techno and minimal soundscapes with raw edges and a great sense of atmosphere. Cuddling Monsters' 'Cuddling Monsters_CM Vol. 02' releases via Mask Records on 6th December 2024.








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GENRE/S: House, Electronic

TRACKLIST:

A1. Cosmic Rising
A2. Kool Stop
A3. Fatties
B1. Mountain Pads
B1. Appex

SHORT INFO:
Tokyo-based, globally-destined DJ and producer Mayurashka comes thru on Studio Barnhus with five awe-inspiring examples of fearless sonic exploration on the dancefloor.
A rare record that strikes with immediacy while still revealing new details on the 1000th listen, this EP shares a cosmic connection with the new wave and disco records Mayu fuses into her infamous late night sets in the Japanese house underground.
Loaded with unstoppable vibrations that have left us at Studio Barnhus HQ shaking all autumn, Cosmic Rising is out on 12'' vinyl and all digital formats on November 29.

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Territory: WORLD minus UK

FORMAT 2LP vinyl, full printed sleeve, download code

TRACKLIST
1. / A1 Planet Energy 05:56
2. / A2 Black Highway 06:18
3. / B1 Dark Universe 06:00
4. / B2 Unusual Channel 06:41
5. / C1 Beyond Sound 06:29
6. / C2 Dark Corridor 07:05
7. / D1 VII 07:47
8. / D2 Dark Territory 07:24

Patience is a virtue well-rewarded in techno; finding the right groove to build on then holding your nerve long enough to pay off the wait at the optimum moment is a much more skillful endeavour than it would seem for such a minimalistic style. And few display this talent better than Detroit originals Scan 7. Part of the hallowed Underground Resistance family, Scan 7 first broke out in the mid-90s with a series of jacking machine funk 12”s that showcased their savvy for self-control - a faculty they have demonstrated in releases year-on-year since.
Highlighting this continuous font of vitality, Tresor Records has returned to the source and is proud to announce the reissue of Scan 7’s debut LP, Dark Territory. First unleashed on the label in 1996, the album has been remastered from the original DATs by Mike Grinser, augmenting already powerful tracks such as the snake-like, teasing Unusual Channel (mixed by the master Blake Baxter), and the harder-edged VII resulting in music that will, without doubt, provoke an enhanced response when the pressure is finally released.
Repressed on vinyl with updated artwork, these tracks still sound like a blueprint for the future, testament to the prescience and assurance Scan 7’s leader, Trackmaster Lou, clearly had when writing “I hope you enjoy my records in the phuture to come” in the sleeve notes nearly 30 years ago.

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Tracklist 12” :
A1: Dub theory I
A2: Dub theory II
B1: Dub theory III
B2: Dub theory IV


Short info:
13 years after his first release on Quintessentials, Italian master of Chicago House Simoncino is back on the label! With his impressive release catalogue and his love for vintage sounds, Simoncino is always welcome back. The EP title hints at what his new release is all about: Dub Techno! All of us are still fond of those BC and CR releases, so there’s a strong need to check out Simoncino’s 4 “dub theories”! Classic tunes!









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Special remarks: 3x12” / 4 VINYL ONLY TRACKS // 180G VINYL // CELLOPHANE WRAPPED

Tracklist:

A1 They All Say
A2 Video
B1 Frankfurt
B2 Routine Check
C1 Batiscaf (vinyl only)
C2 Storm Rider (vinyl only)
D1 Far Gone (vinyl only)
D2 Where You Are (vinyl only)
E1 Puzzle Box
E2 Kinetic
F1 By My Side
F2 Skye



Mihai Popoviciu, one of the most esteemed names in the deep house and minimal scene, is set to unveil his anticipated new album, ‘Puzzle Box’, on Bondage Music. As one of the label’s core artists, Popoviciu returns for his second full-length album release on the imprint following his successful 2016 album, ‘Home’ - available on vinyl from 15th November 2024.

With a career spanning over a decade and with releases on numerous influential labels such as 8Bit to Berg Audio, Popoviciu has firmly established himself as a go-to within the minimal-leaning realms of house music. Known for intricate soundscapes and deep, hypnotic grooves, his work continues to captivate audiences globally. On ‘Puzzle Box’, he delves deeper into his signature stripped-back yet soulful aesthetic, offering a diverse collection of tracks that traverse through various sonic textures.

“With Puzzle Box, each track unlocks something deeper with every listen” - Mihai Popoviciu.

Consisting of thirteen tracks in total, ‘Puzzle Box’ showcases the Romanian’s sound to its fullest. On the vinyl edition, fans are treated to standout tracks like ‘Batiscaf’, ‘Storm Rider’, and ‘Far Gone’ — vinyl-only gems that capture Popoviciu’s talent for layering subtle, dubby tones with groovy rhythms. The opening track, ‘They All Say’, sets the mood with smooth, atmospheric beats with a skippy groove, followed by the dynamic “Video” and the driving, pulsating energy of “Frankfurt.”

Popoviciu’s skill in crafting versatile productions is showcased throughout the album, with each track offering something unique.
From the sleek, melodic strains of ‘Puzzle Box’ to the hypnotic, rolling basslines of ‘Kinetic’, this LP is a journey into his meticulously constructed sound. The digital version also features the bonus track ‘Body Count 2’, offering a final, rhythmic flourish to round off the release.
‘Puzzle Box’ further cements Mihai Popoviciu’s role as a mainstay on Bondage Music, a label which continues to champion forward-thinking, minimal-leaning house music. With this latest LP, Popoviciu once again proves why he remains a favourite, building on his storied career with another masterclass in refined, deep electronic music.



















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2023 repress

Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck

DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.

Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.

The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.



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