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Label:A Colourful Storm
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1
Peter Elflein / Schneider & Radecki - A. Peter Elflein - S V1
2
Peter Elflein / Schneider & Radecki - B. Schneider & Radecki - Chic
Tracklist
A. Peter Elflein - S V1
B. Schneider & Radecki - Chic
Shortinfo:
A Colourful Storm blasts two touchstones from a golden era of German electro-minimalism. Peter Elflein - last seen in the mid-noughties as part of Liebe Ist Cool after legendary solo releases on Bruchstuecke, Zehnkampf and Hal 9000 - resurfaces with a devastating after-hours cut from Schneider & Radecki, the one-off alter ego of mnml legends Sammy Dee (Perlon) and Guido Schneider revive 'Chic', an electro monster played by Tyrant (Craig Richards, Lee Burridge, Fabric) in their prime. Timeless cuts. More
A. Peter Elflein - S V1
B. Schneider & Radecki - Chic
Shortinfo:
A Colourful Storm blasts two touchstones from a golden era of German electro-minimalism. Peter Elflein - last seen in the mid-noughties as part of Liebe Ist Cool after legendary solo releases on Bruchstuecke, Zehnkampf and Hal 9000 - resurfaces with a devastating after-hours cut from Schneider & Radecki, the one-off alter ego of mnml legends Sammy Dee (Perlon) and Guido Schneider revive 'Chic', an electro monster played by Tyrant (Craig Richards, Lee Burridge, Fabric) in their prime. Timeless cuts. More
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Cat-No:ACOLOUR040
Release-Date:13.09.2024
Genre:Soundtracks
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1
Zbigniew Preisner - A1. Effroyables Jardins (Générique)
2
Zbigniew Preisner - A2. Sabotage
3
Zbigniew Preisner - A3. Arrestation
4
Zbigniew Preisner - A4. Le Trou
5
Zbigniew Preisner - A5. Effroyables Jardins par Leszek Mozdzer (1ère Version Piano)
6
Zbigniew Preisner - A6. Métamorphose à l'Hôpital
7
Zbigniew Preisner - A7. Une Vie pour une Vie
8
Zbigniew Preisner - B1. Effroyables Jardins (Ge?ne?rique 2e?me Variation)
9
Zbigniew Preisner - B2 Reminiscence
10
Zbigniew Preisner - B3 Mariage
11
Zbigniew Preisner - B4 Clown
12
Zbigniew Preisner - B5 Effroyables Jardins (Ge?ne?rique de Fin)
13
Zbigniew Preisner - B6 Effroyables Jardins par Leszek Mozdzer (2e?me Version Piano)
14
Zbigniew Preisner - B7 Effroyables Jardins par Leszek Mozdzer (3e?me Version Piano)
LP, Special remarks : Full-colour sleeve with new artwork, insert and postcard
Tracklist
A1. Effroyables Jardins (Générique)
A2. Sabotage
A3. Arrestation
A4. Le Trou
A5. Effroyables Jardins par Leszek Mozdzer (1ère Version Piano)
A6. Métamorphose à l'Hôpital
A7. Une Vie pour une Vie
B1. Effroyables Jardins (Ge?ne?rique 2e?me Variation)
B2 Reminiscence
B3 Mariage
B4 Clown
B5 Effroyables Jardins (Ge?ne?rique de Fin)
B6 Effroyables Jardins par Leszek Mozdzer (2e?me Version Piano)
B7 Effroyables Jardins par Leszek Mozdzer (3e?me Version Piano)
Shortinfo:
A Colourful Storm presents Effroyables Jardins, a soundtrack composed by Zbigniew Preisner for Jean Becker's eponymous film. Given limited distribution during its initial release, the soundtrack's lustre has only strengthened and it is now considered a lost gem of contemporary chamber composition. An understated triumph of the oeuvre of Preisner, who closely collaborated with Polish director Krzysztof Kie?lowski and was responsible for the film scores of Dekalog, The Double Life of Véronique and the Three Colours trilogy.
"Krzysztof and Zbigniew really found each other, as they were deeply complementary in their need of emotional expression," reflects actor Juliette Binoche upon her work in Three Colours: Blue. A Colourful Storm cites no other film leaving a greater impact on them than Three Colours: Red. These would be the last films the duo worked on together, before Kieslowski's retirement and untimely death.
Effroyable Jardins marks Preisner's post-Kieslowski era of solo composition, shifting from devotional harmonies into a beautifully restrained style of neo-Romanticism. It is his second soundtrack for Jean Becker, following Francis Ford Coppola's commission for The Secret Garden, the César-winning Élisa, and Edoardo Ponte's Between Strangers. Its leitmotif - a delicate, sparse melody for piano and organ, appears only during the opening sequence and, like Preisner's most powerful soundtracks, takes on a life of its own. Compositions for violin, harp and percussion are interspersed with haunting variations on a theme and a masterful use of silence. His music haunts the grieving Julie in Blue, soundtracks Valentine's epiphany in Red, and evokes the sublimity of moments in everyday life.
More
Tracklist
A1. Effroyables Jardins (Générique)
A2. Sabotage
A3. Arrestation
A4. Le Trou
A5. Effroyables Jardins par Leszek Mozdzer (1ère Version Piano)
A6. Métamorphose à l'Hôpital
A7. Une Vie pour une Vie
B1. Effroyables Jardins (Ge?ne?rique 2e?me Variation)
B2 Reminiscence
B3 Mariage
B4 Clown
B5 Effroyables Jardins (Ge?ne?rique de Fin)
B6 Effroyables Jardins par Leszek Mozdzer (2e?me Version Piano)
B7 Effroyables Jardins par Leszek Mozdzer (3e?me Version Piano)
Shortinfo:
A Colourful Storm presents Effroyables Jardins, a soundtrack composed by Zbigniew Preisner for Jean Becker's eponymous film. Given limited distribution during its initial release, the soundtrack's lustre has only strengthened and it is now considered a lost gem of contemporary chamber composition. An understated triumph of the oeuvre of Preisner, who closely collaborated with Polish director Krzysztof Kie?lowski and was responsible for the film scores of Dekalog, The Double Life of Véronique and the Three Colours trilogy.
"Krzysztof and Zbigniew really found each other, as they were deeply complementary in their need of emotional expression," reflects actor Juliette Binoche upon her work in Three Colours: Blue. A Colourful Storm cites no other film leaving a greater impact on them than Three Colours: Red. These would be the last films the duo worked on together, before Kieslowski's retirement and untimely death.
Effroyable Jardins marks Preisner's post-Kieslowski era of solo composition, shifting from devotional harmonies into a beautifully restrained style of neo-Romanticism. It is his second soundtrack for Jean Becker, following Francis Ford Coppola's commission for The Secret Garden, the César-winning Élisa, and Edoardo Ponte's Between Strangers. Its leitmotif - a delicate, sparse melody for piano and organ, appears only during the opening sequence and, like Preisner's most powerful soundtracks, takes on a life of its own. Compositions for violin, harp and percussion are interspersed with haunting variations on a theme and a masterful use of silence. His music haunts the grieving Julie in Blue, soundtracks Valentine's epiphany in Red, and evokes the sublimity of moments in everyday life.
More
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Label:A Colourful Storm
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1
Eddie Marcon - A1. Doily
2
Eddie Marcon - A2. Horizon
3
Eddie Marcon - A3. Crystals of Rabbit
4
Eddie Marcon - A4. Toratolion
5
Eddie Marcon - B1. Dead Plant
6
Eddie Marcon - B2. Gaikotsu
7
Eddie Marcon - B3. New Season
8
Eddie Marcon - B4. Amuinbow
LP - Full-colour sleeve, Japanese lyric sheet insert, postcard
Tracklist
A1. Doily
A2. Horizon
A3. Crystals of Rabbit
A4. Toratolion
B1. Dead Plant
B2. Gaikotsu
B3. New Season
B4. Amuinbow
Shortinfo:
A Colourful Storm presents the first vinyl edition of Yahho no Potori, a treasured recording by one of the most cherished contemporary Japanese folk outfits, Eddie Marcon.
Comprised of the core duo of Eddie Corman and Jules Marcon, Eddie Marcon was formed in Himeji in 2001, following Corman's involvement in noise-rock duo Coa and Shinsuke Michishita's fabled psychedelic outfit, LSD March. Marking a stylistic shift into delicate, acoustic territories, the duo would release dozens of albums and singles, mostly self-released through their Pong-Kong imprint, that have seen little distribution outside of Japan.
Recorded over a particularly humid summer and autumn, Yahho no Potori sees Eddie Marcon drifting from the delicate psychedelia of their debut EP into traditional song-based structures. A touching document of joy, tenderness and wistfulness, Marcon's deft yet effortless strum sets a stylish backdrop for Corman's voice to ascend. Desirous yet self-assured, Corman breathes life into an intimate space adorned by the elegant instrumentation of Yashuhisa Mizatani, Yoriro Tatekawa, Ran Mizutani and Saya Ueno, whose ingenuous collaborative instinct has been gifted to listeners through collectives such as Tenniscoats, Maher Shalal Hash Baz and Spirit Fest. Here, she also lends her engineering prowess, having produced the album.
Devotees of ambitious yet beautifully understated songwriting, as well as followers of Reiko and Tori Kudo, Nagisa Ni Te and Ai Aso, will find much to adore in the songs of Eddie Marcon. An intense and devastating recording, A Colourful Storm is proud to give new life to a shimmering, underappreciated gem.
More
Tracklist
A1. Doily
A2. Horizon
A3. Crystals of Rabbit
A4. Toratolion
B1. Dead Plant
B2. Gaikotsu
B3. New Season
B4. Amuinbow
Shortinfo:
A Colourful Storm presents the first vinyl edition of Yahho no Potori, a treasured recording by one of the most cherished contemporary Japanese folk outfits, Eddie Marcon.
Comprised of the core duo of Eddie Corman and Jules Marcon, Eddie Marcon was formed in Himeji in 2001, following Corman's involvement in noise-rock duo Coa and Shinsuke Michishita's fabled psychedelic outfit, LSD March. Marking a stylistic shift into delicate, acoustic territories, the duo would release dozens of albums and singles, mostly self-released through their Pong-Kong imprint, that have seen little distribution outside of Japan.
Recorded over a particularly humid summer and autumn, Yahho no Potori sees Eddie Marcon drifting from the delicate psychedelia of their debut EP into traditional song-based structures. A touching document of joy, tenderness and wistfulness, Marcon's deft yet effortless strum sets a stylish backdrop for Corman's voice to ascend. Desirous yet self-assured, Corman breathes life into an intimate space adorned by the elegant instrumentation of Yashuhisa Mizatani, Yoriro Tatekawa, Ran Mizutani and Saya Ueno, whose ingenuous collaborative instinct has been gifted to listeners through collectives such as Tenniscoats, Maher Shalal Hash Baz and Spirit Fest. Here, she also lends her engineering prowess, having produced the album.
Devotees of ambitious yet beautifully understated songwriting, as well as followers of Reiko and Tori Kudo, Nagisa Ni Te and Ai Aso, will find much to adore in the songs of Eddie Marcon. An intense and devastating recording, A Colourful Storm is proud to give new life to a shimmering, underappreciated gem.
More
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1
Unchained - A1. Largo
2
Unchained - A2. Dru
3
Unchained - A3. Rond-Point
4
Unchained - B1. Gabbeh
5
Unchained - B2. Rambler
6
Unchained - B3. Drac
LP + Double-Sided Insert, Postcard
A1. Largo
A2. Dru
A3. Rond-Point
B1. Gabbeh
B2. Rambler
B3. Drac
Shortinfo:
A Colourful Storm begins 2024 with a luxurious suite of daydreaming introspection courtesy of Unchained, the longstanding solo project of Nathaniel Davis who was last seen on vinyl in the final Blackest Ever Black release. Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davis's guitar-based instrumental musings and represents a stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby. The psychogeography of Grenoble, Davis' home since 2018, played a conscious role in the weaving of Gabbeh's fabric: "I think certain songs reflect, in ways, Grenoble's natural surroundings. 'Drac' is named after the river that flows from the mountains down to the city… 'Dru' is the name of a well-known peak near Chamonix". Opener 'Largo' sets the mood, its primitive samba rhythm concealed by a cloud of saudade. The bebop sensibility follows suit, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of 'Rambler' is perhaps the most poignant expression of longing and loss we've heard in recent years. Highly recommended for fans of Durutti Column, Maurice Feebank, Toninho Horta.
More
A1. Largo
A2. Dru
A3. Rond-Point
B1. Gabbeh
B2. Rambler
B3. Drac
Shortinfo:
A Colourful Storm begins 2024 with a luxurious suite of daydreaming introspection courtesy of Unchained, the longstanding solo project of Nathaniel Davis who was last seen on vinyl in the final Blackest Ever Black release. Recorded at home between 2020 and 2023, Gabbeh is the latest expression of Davis's guitar-based instrumental musings and represents a stylistic evolution of his self-released noise tapes and CD-Rs into romantic, bossa nova-influenced melody-making. He wrote the tracks sporadically, with minimal instrumentation and intervention. Electric guitar, bass improvisations and rhythms from an old drum machine are layered and given new life, the space between them softly breathing with minutiae of the everyday: the buzz of cicadas, the passing of cars, the whistling of passersby. The psychogeography of Grenoble, Davis' home since 2018, played a conscious role in the weaving of Gabbeh's fabric: "I think certain songs reflect, in ways, Grenoble's natural surroundings. 'Drac' is named after the river that flows from the mountains down to the city… 'Dru' is the name of a well-known peak near Chamonix". Opener 'Largo' sets the mood, its primitive samba rhythm concealed by a cloud of saudade. The bebop sensibility follows suit, the tension between its angular picks and percussive shuffle a wondrous balancing act, while the intoxicating sway of 'Rambler' is perhaps the most poignant expression of longing and loss we've heard in recent years. Highly recommended for fans of Durutti Column, Maurice Feebank, Toninho Horta.
More
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1
Unchained - A1. Tennessee
2
Unchained - A2. Genevieve
3
Unchained - A3. Dawngarden
4
Unchained - A4. Superwillow
5
Unchained - A5. Embryo
6
Unchained - B1. Head X'Change
7
Unchained - B2. Mark, Ring Me
8
Unchained - B3. Cyclone
9
Unchained - B4. For Iris
LP + Double-Sided Insert, Postcard
Tracklist
A1. Tennessee
A2. Genevieve
A3. Dawngarden
A4. Superwillow
A5. Embryo
B1. Head X'Change
B2. Mark, Ring Me
B3. Cyclone
B4. For Iris
Shortinfo:
Head X'Change is the new album by Scythe, a long-distance collaborative project of David West and R.A. Jones. First appearing on two cloak-and-dagger cassettes distributed by Low Company in 2019 and 20, Scythe's "expertly modulated space blues and isolationist architectures" betrayed a uniquely sleep-deprived, DIY take on kosmische atmospheres, where brittle, decaying synthesiser loops found solace in endless trails of feedback and reverb. X'Change was recorded with modest instrumentation but grand ambition, recounting a journey, a memory... of leaving earth, a loved one, a body. Lifting off from tense, unnerving Tennessee, an ode is made to Genevieve, for perhaps the last time. Landing in eerily familiar valleys and amongst the lunar debris of Dawngarden and Superwillow, marvelling back at Earth inflicts a feeling of tininess and innocence, captured in the stargazing blues of Embryo. The titular track then marks a sudden inward trajectory and shift in mood: cool winds and amorphous bursts of black and deep blue emanate from fissures, ominously foreshadowing tunnelling paranoia. "Mark, Ring Me" is a distant plea for human contact... but it may all be too late, for the aching psychedelia For Iris grieves alone into the abyss. For fans of Cluster, Craig Leon, Pete Namlook, space travel...
More
Tracklist
A1. Tennessee
A2. Genevieve
A3. Dawngarden
A4. Superwillow
A5. Embryo
B1. Head X'Change
B2. Mark, Ring Me
B3. Cyclone
B4. For Iris
Shortinfo:
Head X'Change is the new album by Scythe, a long-distance collaborative project of David West and R.A. Jones. First appearing on two cloak-and-dagger cassettes distributed by Low Company in 2019 and 20, Scythe's "expertly modulated space blues and isolationist architectures" betrayed a uniquely sleep-deprived, DIY take on kosmische atmospheres, where brittle, decaying synthesiser loops found solace in endless trails of feedback and reverb. X'Change was recorded with modest instrumentation but grand ambition, recounting a journey, a memory... of leaving earth, a loved one, a body. Lifting off from tense, unnerving Tennessee, an ode is made to Genevieve, for perhaps the last time. Landing in eerily familiar valleys and amongst the lunar debris of Dawngarden and Superwillow, marvelling back at Earth inflicts a feeling of tininess and innocence, captured in the stargazing blues of Embryo. The titular track then marks a sudden inward trajectory and shift in mood: cool winds and amorphous bursts of black and deep blue emanate from fissures, ominously foreshadowing tunnelling paranoia. "Mark, Ring Me" is a distant plea for human contact... but it may all be too late, for the aching psychedelia For Iris grieves alone into the abyss. For fans of Cluster, Craig Leon, Pete Namlook, space travel...
More
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Label:A Colourful Storm
Cat-No:ACOLOUR042LP
Release-Date:29.09.2023
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1
Valentina Magaletti - A1. A
2
Valentina Magaletti - B1. B
LP+ Postcard Insert
Tracklist
A1. A (Time 23:12)
B1. B (Time 23:24)
Shortinfo:
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.
Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's collaborative groups, including Moin, Vanishing Twin and Holy Tongue. First-time vinyl pressing following a short run of cassettes. Full-colour reverse-card sleeve with postcard and new artwork by Dennis Tyfus.
More
Tracklist
A1. A (Time 23:12)
B1. B (Time 23:24)
Shortinfo:
Percussionist extraordinaire Valentina Magaletti recorded live at Colourful Storm's showcase at Cafe Oto in 2021. Intricate, textural longform percussion pieces comprised of traditional drums, found objects, voice and electroacoustics conjured to hypnotic effect. A rare solo recording, following collaborations with Laila Sakini, Yves Chaudouët, Marlene Ribeiro and outings for Blume and Takuroku.
Extremely curious listening for fans of African Head Charge, The Necks, and followers of Magaletti's collaborative groups, including Moin, Vanishing Twin and Holy Tongue. First-time vinyl pressing following a short run of cassettes. Full-colour reverse-card sleeve with postcard and new artwork by Dennis Tyfus.
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Release-Date:01.09.2023
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1
Blueboy - A1. Clearer
2
Blueboy - A2. Alison
3
Blueboy - A3. Popkiss
4
Blueboy - A4. Chelsea Guitar
5
Blueboy - A5. Fearon
6
Blueboy - B1. Meet Johnny Rave
7
Blueboy - B2. Elle/Air France
8
Blueboy - B3. Try Happiness
9
Blueboy - B4. A Gentle Sigh
10
Blueboy - B5. Stephanie
11
Blueboy - C1. River
12
Blueboy - C2. Nimbus
13
Blueboy - C3. Hit
14
Blueboy - C4. Dirty Mags
15
Blueboy - C5. Loony Tunes
16
Blueboy - D1. Toulouse
17
Blueboy - D2. Love Yourself
18
Blueboy - D3. Melancholia
19
Blueboy - D4. Marco Polo
20
Blueboy - D5. What Do People Do All Day?
2LP Gatefold sleeve, Artwork Insert, Postcard
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
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A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
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CD Digipac
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
1.Clearer 03:51
2.Alison 04:15
3.Popkiss 04:18
4.Chelsea Guitar 02:50
5.Fearon 04:23
6.Meet Johnny Rave 02:47
7.Elle 01:39
8.Air France 02:29
9.Try Happiness 03:51
10.A Gentle Sigh 03:24
11.Stephanie 03:09
12.River 05:09
13.Nimbus 04:24
14.Hit 05:08
15.Dirty Mags 04:38
16.Loony Tunes 03:15
17.Toulouse 02:27
18.Love Yourself 04:16
19.Melancholia 03:38
20.Marco Polo 03:40
21. What Do People Do All Day? 03:41
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release.
More
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
1.Clearer 03:51
2.Alison 04:15
3.Popkiss 04:18
4.Chelsea Guitar 02:50
5.Fearon 04:23
6.Meet Johnny Rave 02:47
7.Elle 01:39
8.Air France 02:29
9.Try Happiness 03:51
10.A Gentle Sigh 03:24
11.Stephanie 03:09
12.River 05:09
13.Nimbus 04:24
14.Hit 05:08
15.Dirty Mags 04:38
16.Loony Tunes 03:15
17.Toulouse 02:27
18.Love Yourself 04:16
19.Melancholia 03:38
20.Marco Polo 03:40
21. What Do People Do All Day? 03:41
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release.
More
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1
Maxine Funke - Fairy Baby
2
Maxine Funke - Quiet Shore
3
Maxine Funke - Lucky Penny
4
Maxine Funke - Moody Relish
5
Maxine Funke - Anzac Day
6
Maxine Funke - Homage
7
Maxine Funke - Goodbye
LP+insert, 2023 repress, Red Transparent Vinyl
Tracklist:
A1. Fairy Baby
A2. Quiet Shore
A3. Lucky Penny
B1 Moody Relish
B2 Anzac Day
B3 Homage
B4 Goodbye
Description:
A Colourful Storm presents Seance, a new set of songs by Maxine Funke.
Following a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.
The voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy / There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.
Opener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.
An assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment. More
Tracklist:
A1. Fairy Baby
A2. Quiet Shore
A3. Lucky Penny
B1 Moody Relish
B2 Anzac Day
B3 Homage
B4 Goodbye
Description:
A Colourful Storm presents Seance, a new set of songs by Maxine Funke.
Following a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.
The voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy / There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.
Opener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.
An assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment. More
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1
Mark - A. So You Betrayed The Creative Arts
2
Mark - B. For Your Own Personal Ends
LP+ Postcard Insert
A. So You Betrayed The Creative Arts
B. For Your Own Personal Ends
Shortinfo:
Over the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.
Mark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work.
Within these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages inspired by post-Second Viennese School disciples like Luigi Dallapiccola and composers such as Radulescu, Zemlinsky and Monteverdi.
Mark's ambition to bridge the sonic qualities of post-tonal composition and soundsystem frequencies is fulfilldd through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perceptio: what on the surface seems hostile reveals a catacomb of connections between elements that stake their claim, disappear, merge and finally reappear.
The album is deeply personal. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling. More
A. So You Betrayed The Creative Arts
B. For Your Own Personal Ends
Shortinfo:
Over the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.
Mark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work.
Within these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages inspired by post-Second Viennese School disciples like Luigi Dallapiccola and composers such as Radulescu, Zemlinsky and Monteverdi.
Mark's ambition to bridge the sonic qualities of post-tonal composition and soundsystem frequencies is fulfilldd through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perceptio: what on the surface seems hostile reveals a catacomb of connections between elements that stake their claim, disappear, merge and finally reappear.
The album is deeply personal. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling. More
2LP Excl
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Label:A Colourful Storm
Cat-No:ACOLOUR041
Release-Date:18.11.2022
Configuration:2LP Excl
Barcode:4251804138130
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Cat-No:ACOLOUR041
Release-Date:18.11.2022
Configuration:2LP Excl
Barcode:4251804138130
2LP+Postcard+Insert
Tracklist
A1. Horvitz Morris Previte Trio - Todos Santos
A2. Christina Petrie - Ballads
A3. Christmas Decorations - Broken Leg Hours
A4. Gilles Chabenat and Frederic Paris - De l'eau et des amandes
B1. Antonietta Borgoli - Dindindino Dindindalo
B2. Tanto Pressanto - I mues immer a di tanke
B3. Yuko Kono - Triangle
B4. The Unthanks - Waiting
C1. David Lang - Just (After Song of Songs)
C2. Rachel Bonch-Bruevich - Untitled (DDR 1972)
D1. Merula - Dags att sova
D2 Stella Vander - Ondes
D3 Hydroplane - The Love You Bring
Shortinfo:
Over the better half of a decade, Time is Away, the London-based duo of Jack Rollo and Elaine Tierney, have made tender and heartfelt transmissions through countless mixes, sound works and radio. Exploring deeply human themes of memory, persistence and resistance using an assemblage of source material, the duo's unique mode of storytelling culminates in Ballads, a new suite of songs and, significantly, their first officially licensed compilation.
From the opening notes of Horvitz Morris Previte Trio's jazz romanticism to Gilles Chabenat and Frédéric Paris's lively reimagined standard, the haunting vocal seance of Tanto Pressanto and the mesmerising swirls of The Unthanks, Yuko Kono and Rachel Bonch-Bruevich, the spirit of Ballads roams through generations of affectionate songwriting and conjures images both candid and surreal. The voice of poet and longtime collaborator Christina Petrie appears briefly and contemplates the "sighs and replies… the space between verses" of the Ballad, its beauty, its place in our lives. What is the Ballad but a reflection of our soul? "Perhaps I'll wander in search of it", she bittersweetly concedes.
At the suite's cusp is an alternate version of David Lang's 'Just (After Song of Songs)', a thirteen-minute meditation on devotion which featured in Paolo Sorrentino's Youth (2015). The track's universal themes of faith and desire radiate throughout and elucidate Time is Away's peerlessly precise yet gossamer touch.
More
Tracklist
A1. Horvitz Morris Previte Trio - Todos Santos
A2. Christina Petrie - Ballads
A3. Christmas Decorations - Broken Leg Hours
A4. Gilles Chabenat and Frederic Paris - De l'eau et des amandes
B1. Antonietta Borgoli - Dindindino Dindindalo
B2. Tanto Pressanto - I mues immer a di tanke
B3. Yuko Kono - Triangle
B4. The Unthanks - Waiting
C1. David Lang - Just (After Song of Songs)
C2. Rachel Bonch-Bruevich - Untitled (DDR 1972)
D1. Merula - Dags att sova
D2 Stella Vander - Ondes
D3 Hydroplane - The Love You Bring
Shortinfo:
Over the better half of a decade, Time is Away, the London-based duo of Jack Rollo and Elaine Tierney, have made tender and heartfelt transmissions through countless mixes, sound works and radio. Exploring deeply human themes of memory, persistence and resistance using an assemblage of source material, the duo's unique mode of storytelling culminates in Ballads, a new suite of songs and, significantly, their first officially licensed compilation.
From the opening notes of Horvitz Morris Previte Trio's jazz romanticism to Gilles Chabenat and Frédéric Paris's lively reimagined standard, the haunting vocal seance of Tanto Pressanto and the mesmerising swirls of The Unthanks, Yuko Kono and Rachel Bonch-Bruevich, the spirit of Ballads roams through generations of affectionate songwriting and conjures images both candid and surreal. The voice of poet and longtime collaborator Christina Petrie appears briefly and contemplates the "sighs and replies… the space between verses" of the Ballad, its beauty, its place in our lives. What is the Ballad but a reflection of our soul? "Perhaps I'll wander in search of it", she bittersweetly concedes.
At the suite's cusp is an alternate version of David Lang's 'Just (After Song of Songs)', a thirteen-minute meditation on devotion which featured in Paolo Sorrentino's Youth (2015). The track's universal themes of faith and desire radiate throughout and elucidate Time is Away's peerlessly precise yet gossamer touch.
More
Label:A Colourful Storm
Cat-No:ACOLOUR039
Release-Date:29.07.2022
Configuration:LP Excl
Barcode:4251804138086
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Cat-No:ACOLOUR039
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Barcode:4251804138086
LP+Insert
Tracklist
A1. I
B1. II
Shortinfo:
A Colourful Storm presents Enteha, the latest piece by Elodie, the duo of Andrew Chalk and Timo van Luijk.
Chalk and van Luijk embody a free-spirited approach to music making whose improvisational process can be traced to a distinct period of Europe's post-industrial landscape. More than two decades of ambitious solo and collaborative work would solidify both Chalk and van Luijk as masterful craftsmen exploring the tension between composition and free improvisation: their individual lists of collaborators boasts Christoph Heemann, Giancarlo Toniutti, David Jackman and Colin Potter, to name but a few.
A figment of two imaginations, Elodie appeared in 2011 almost fully formed with each record patiently revealing glimpses into a world concerned with time dilation, the phantasmagoric and spirits of the everyday. Enteha is one of the duo's more melancholic pieces and can be seen as a human response to seasonal transition. It's one of their uniquely longform explorations of mood and atmosphere as an air of romance drifts deftly into mystery and despair. The delicate hues of autumnal haze. The deceptive optimism of morning light. A work of supremely understated beauty that will appeal to anyone who finds solace in Harmonia, Gas, Joanna
More
Tracklist
A1. I
B1. II
Shortinfo:
A Colourful Storm presents Enteha, the latest piece by Elodie, the duo of Andrew Chalk and Timo van Luijk.
Chalk and van Luijk embody a free-spirited approach to music making whose improvisational process can be traced to a distinct period of Europe's post-industrial landscape. More than two decades of ambitious solo and collaborative work would solidify both Chalk and van Luijk as masterful craftsmen exploring the tension between composition and free improvisation: their individual lists of collaborators boasts Christoph Heemann, Giancarlo Toniutti, David Jackman and Colin Potter, to name but a few.
A figment of two imaginations, Elodie appeared in 2011 almost fully formed with each record patiently revealing glimpses into a world concerned with time dilation, the phantasmagoric and spirits of the everyday. Enteha is one of the duo's more melancholic pieces and can be seen as a human response to seasonal transition. It's one of their uniquely longform explorations of mood and atmosphere as an air of romance drifts deftly into mystery and despair. The delicate hues of autumnal haze. The deceptive optimism of morning light. A work of supremely understated beauty that will appeal to anyone who finds solace in Harmonia, Gas, Joanna
More
Label:A Colourful Storm
Cat-No:ACOLOUR037
Release-Date:08.07.2022
Genre:Electronic
Configuration:12" Excl
Barcode:4251804129565
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Label:A Colourful Storm
Cat-No:ACOLOUR037
Release-Date:08.07.2022
Genre:Electronic
Configuration:12" Excl
Barcode:4251804129565
Tracklist
A1. Godsonix
A2. Arium
A3. Spacing Out
B1. Duty
B2. Familiarity
Shortinfo:
D'Arcangelo is the duo of Marco and Fabrizio D'Arcangelo and Arium is their first release of sublime introspective electronics for A Colourful Storm. Throughout EPs and seminal albums for Rephlex, Nature and Suction Records, D'Arcangelo forged a sleek and sensuous sound alongside their label mates Bochum Welt, Leo Anibaldi and Lory D. Arium is their latest EP, containing new studio productions and a lost gem produced during the Shipwreck era, hinting at the seminal Broken Toys' Corner and Eksel albums. Full-colour sleeve with insert and liner notes by Marco D'Arcangelo.
More
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Release-Date:08.07.2022
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LP + Insert
Tracklist
A1. Sleet
A2. Still Beach
A3. Swing
A4. Closer
B1. Exhaust
B2. Fragments of Blue
B3. Evaporate
B4. Choir Chant
Shortinfo:
Princess Diana of Wales, by London-based Australian Laila Sakini, is A Colourful Storm's latest and most curious project. Someone, no one, a notion, a feeling... Sakini offers clues but no simple answers. Vocal-led pieces 'Still Beach' and 'Fragments of Blue' are brittle and intoxicating, contemplating recklessness and unfulfillment of a past life: "Watching the future wash away / Giving it up to have this day". She studies closeness and, incredulous of the feelings that emerge, wonders if detachment is impermanent. She catalogues these emotions as a series of memories, colours and images. 'Evaporate', sedated and hushed, is a secret confession and ode to resolution, albeit, fatally, only a temporary one: "Take some form / Later on when I can do this / When we can do this / Together".
Behind the album is a stage of dubwise disorientations evoking in-between states of the everyday. 'Swing' and 'Closer' are woozy and dreamlike, their voices summoning ghosts of fortunes past while 'Exhaust' finds an aperture in our protagonist's daydream. A perilous foreshadowing of the incantatory 'Choir Chant', whose spell pacifies her inquisition, submerging both self and feeling into the deep blue sea. RIYL: Grouper, Kali Malone, Drew McDowall. Full-colour sleeve with insert.
More
Tracklist
A1. Sleet
A2. Still Beach
A3. Swing
A4. Closer
B1. Exhaust
B2. Fragments of Blue
B3. Evaporate
B4. Choir Chant
Shortinfo:
Princess Diana of Wales, by London-based Australian Laila Sakini, is A Colourful Storm's latest and most curious project. Someone, no one, a notion, a feeling... Sakini offers clues but no simple answers. Vocal-led pieces 'Still Beach' and 'Fragments of Blue' are brittle and intoxicating, contemplating recklessness and unfulfillment of a past life: "Watching the future wash away / Giving it up to have this day". She studies closeness and, incredulous of the feelings that emerge, wonders if detachment is impermanent. She catalogues these emotions as a series of memories, colours and images. 'Evaporate', sedated and hushed, is a secret confession and ode to resolution, albeit, fatally, only a temporary one: "Take some form / Later on when I can do this / When we can do this / Together".
Behind the album is a stage of dubwise disorientations evoking in-between states of the everyday. 'Swing' and 'Closer' are woozy and dreamlike, their voices summoning ghosts of fortunes past while 'Exhaust' finds an aperture in our protagonist's daydream. A perilous foreshadowing of the incantatory 'Choir Chant', whose spell pacifies her inquisition, submerging both self and feeling into the deep blue sea. RIYL: Grouper, Kali Malone, Drew McDowall. Full-colour sleeve with insert.
More
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1
Reiko Kudo and Tori Kudo - A1. Deep Sea Fish
2
Reiko Kudo and Tori Kudo - A2. The Deep Valley of Shadow
3
Reiko Kudo and Tori Kudo - A3. We May Be
4
Reiko Kudo and Tori Kudo - A4. Kanakana
5
Reiko Kudo and Tori Kudo - B1. Homeless
6
Reiko Kudo and Tori Kudo - B2. Tangerine
7
Reiko Kudo and Tori Kudo - B3. The Swallow II
8
Reiko Kudo and Tori Kudo - B4. When Seeing the Setting Sun Alone
LP+Insert+Postcard
Insert contains Japanese and English lyricssheet, postcard contains artwork by the artists.
Tracklist
A1. Deep Sea Fish
A2. The Deep Valley of Shadow
A3. We May Be
A4. Kanakana
B1. Homeless
B2. Tangerine
B3. The Swallow II
B4. When Seeing the Setting Sun Alone
Shortinfo:
A Colourful Storm presents Tangerine, a collection of songs by Reiko and Tori Kudo. Recorded at Village Hototoguiss, Japan, in 2011 and 2012 and Cafe Oto, London, in 2009, Tangerine is the result of over thirty years of improvisation and intimacy between Reiko Kudo and Tori Kudo (Maher Shalal Hash Baz, Fushitsusha, Noise, Ché-SHIZU). Their live performances would welcome local musicians, neighbourhood children, friends and passersby on stage while in the studio, they have been joined by Ikuro Takahashi (LSD March) and Takashi Ueno (Tenniscoats), releasing on indie labels such as Geographic and K. A touchstone of contemporary Japanese folk minimalism and significantly the last recorded appearance of the duo. Originally released on CD by Hyotan in 2013 and presented for the first time on vinyl by A Colourful Storm. Full-colour sleeve with insert, postcard and lyrics in Japanese and English.
More
Insert contains Japanese and English lyricssheet, postcard contains artwork by the artists.
Tracklist
A1. Deep Sea Fish
A2. The Deep Valley of Shadow
A3. We May Be
A4. Kanakana
B1. Homeless
B2. Tangerine
B3. The Swallow II
B4. When Seeing the Setting Sun Alone
Shortinfo:
A Colourful Storm presents Tangerine, a collection of songs by Reiko and Tori Kudo. Recorded at Village Hototoguiss, Japan, in 2011 and 2012 and Cafe Oto, London, in 2009, Tangerine is the result of over thirty years of improvisation and intimacy between Reiko Kudo and Tori Kudo (Maher Shalal Hash Baz, Fushitsusha, Noise, Ché-SHIZU). Their live performances would welcome local musicians, neighbourhood children, friends and passersby on stage while in the studio, they have been joined by Ikuro Takahashi (LSD March) and Takashi Ueno (Tenniscoats), releasing on indie labels such as Geographic and K. A touchstone of contemporary Japanese folk minimalism and significantly the last recorded appearance of the duo. Originally released on CD by Hyotan in 2013 and presented for the first time on vinyl by A Colourful Storm. Full-colour sleeve with insert, postcard and lyrics in Japanese and English.
More
Label:A Colourful Storm
Cat-No:ACOLOUR035
Release-Date:30.07.2021
Configuration:LP Excl
Barcode:4251804124904
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Last in:26.05.2023
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Last in:26.05.2023
Label:A Colourful Storm
Cat-No:ACOLOUR035
Release-Date:30.07.2021
Configuration:LP Excl
Barcode:4251804124904
1
Maxine Funke - A1. Fairy Baby
2
Maxine Funke - A2. Quiet Shore
3
Maxine Funke - A3. Lucky Penny
4
Maxine Funke - B1. Moody Relish
5
Maxine Funke - B2. Anzac Day
6
Maxine Funke - B3. Homage
7
Maxine Funke - B4. Goodbye
LP + Insert
Tracklist:
A1. Fairy Baby
A2. Quiet Shore
A3. Lucky Penny
B1 Moody Relish
B2 Anzac Day
B3 Homage
B4 Goodbye
t.
Description:
A Colourful Storm presents Seance, a new set of songs by Maxine Funke.
Following a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.
The voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy / There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.
Opener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.
An assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment. More
Tracklist:
A1. Fairy Baby
A2. Quiet Shore
A3. Lucky Penny
B1 Moody Relish
B2 Anzac Day
B3 Homage
B4 Goodbye
t.
Description:
A Colourful Storm presents Seance, a new set of songs by Maxine Funke.
Following a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.
The voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy / There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.
Opener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.
An assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment. More
LP Excl
in stock
Label:A Colourful Storm
Cat-No:ACOLOUR034
Release-Date:21.05.2021
Configuration:LP Excl
Barcode:4251804124928
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Last in:24.08.2021
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Label:A Colourful Storm
Cat-No:ACOLOUR034
Release-Date:21.05.2021
Configuration:LP Excl
Barcode:4251804124928
1
Ditterich von Euler-Donnersperg - A1. Der Luftbusen des kleinen Fritz
2
Ditterich von Euler-Donnersperg - A2. Der Tode von Allen der Welt
3
Ditterich von Euler-Donnersperg - A3. Das Gruselschiff des kleinen Fritz
4
Ditterich von Euler-Donnersperg - A4. Geldmopser Ohrenkitzler
5
Ditterich von Euler-Donnersperg - B1. An die Hohe Nacht
LP+Postcard
Tracklist
A1. Der Luftbusen des kleinen Fritz
A2. Der Tode von Allen der Welt
A3. Das Gruselschiff des kleinen Fritz
A4. Geldmopser Ohrenkitzler
B1. An die Hohe Nacht
Description:
Ditterich von Euler-Donnersperg, also known as Uli Rehberg and most certainty other names, is a mythologised figure in Germany's industrial underground. The man behind Walter Ulbricht Schallfolien, a label responsible for early releases by Throbbing Gristle and SPK and for being the home of the enigmatic Werkbund, it is long believed that Ditterich is part of, or completely behind, Werkbund himself. A Colourful Storm presents another piece of his puzzle. More
Tracklist
A1. Der Luftbusen des kleinen Fritz
A2. Der Tode von Allen der Welt
A3. Das Gruselschiff des kleinen Fritz
A4. Geldmopser Ohrenkitzler
B1. An die Hohe Nacht
Description:
Ditterich von Euler-Donnersperg, also known as Uli Rehberg and most certainty other names, is a mythologised figure in Germany's industrial underground. The man behind Walter Ulbricht Schallfolien, a label responsible for early releases by Throbbing Gristle and SPK and for being the home of the enigmatic Werkbund, it is long believed that Ditterich is part of, or completely behind, Werkbund himself. A Colourful Storm presents another piece of his puzzle. More
LP Excl
in stock
Label:A Colourful Storm
Cat-No:ACOLOUR031
Release-Date:27.11.2020
Configuration:LP Excl
Barcode:4251804123259
in stock
Last in:03.11.2020
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Last in:03.11.2020
Label:A Colourful Storm
Cat-No:ACOLOUR031
Release-Date:27.11.2020
Configuration:LP Excl
Barcode:4251804123259
1
Suburban Cracked Collective - A1. So Much Unlicked Air
2
Suburban Cracked Collective - A2. Makeshift Visions
3
Suburban Cracked Collective - A3. Where Are The Real Ones?
4
Suburban Cracked Collective - B1. Thousand Year Old Heart
5
Suburban Cracked Collective - B2. All Wretch, No Vomit
6
Suburban Cracked Collective - B3. It's All Gone Sideways
Tracklist
A1. So Much Unlicked Air
A2. Makeshift Visions
A3. Where Are The Real Ones?
B1. Thousand Year Old Heart
B2. All Wretch, No Vomit
B3. It's All Gone Sideways
Shortinfo:
A Colourful Storm presents a piece of the contemporary Australian underground. Suburban Cracked Collective is the project of Shaun Leacy, a figure with ties to Hour House, Castings and Altered States Tapes but otherwise shrouded in mystery. His private-pressed album, Private Failings was a cult hit of 2019, nabbing the attention of The Trilogy Tapes, Free Form Freakout and the WFMU freaks. Swimming Amongst The Dregs is the follow up and is an unbelievable mesh of concrète, electronics and un-pop overtones. Future classic for those into Dean Blunt, Kallista Kult and the subdued projects of James Ferraro. Edition of 250 with full-colour artwork.
More
LP Excl
in stock
Label:A Colourful Storm
Cat-No:ACOLOUR030
Release-Date:13.11.2020
Configuration:LP Excl
Barcode:4251804123242
in stock
Last in:03.11.2020
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Last in:03.11.2020
Label:A Colourful Storm
Cat-No:ACOLOUR030
Release-Date:13.11.2020
Configuration:LP Excl
Barcode:4251804123242
LP Full-colour artwork with double-sided insert
Tracklist
A1. Combine
A2. Delinquent Dreams
A3. Toteninsel
A4. Recurring Horrors
B1. Frost
B2. No Man's Land
B3. Blue Hours
Shortinfo:
Shortinfo:
Christoph de Babalon has relished the two years since his last full-length outing for A Colourful Storm, crossing paths with a new guard of prodigies while maintaining ties with a legion of disciples. Aphex Twin, his old foe, even played "Realistic Riot Ritual Routine" at the now-infamous Warehouse Project set, smashing it to bits and pieces over "Polynomial-C". Recurring Horrors dives deep into de Babalon's DAT archive, dragging out ghosts while pressing the jaw-dropping, nine-minute breakcore epic, "No Man's Land" to vinyl for the first time. Unmissable smut.
More
Tracklist
A1. Combine
A2. Delinquent Dreams
A3. Toteninsel
A4. Recurring Horrors
B1. Frost
B2. No Man's Land
B3. Blue Hours
Shortinfo:
Shortinfo:
Christoph de Babalon has relished the two years since his last full-length outing for A Colourful Storm, crossing paths with a new guard of prodigies while maintaining ties with a legion of disciples. Aphex Twin, his old foe, even played "Realistic Riot Ritual Routine" at the now-infamous Warehouse Project set, smashing it to bits and pieces over "Polynomial-C". Recurring Horrors dives deep into de Babalon's DAT archive, dragging out ghosts while pressing the jaw-dropping, nine-minute breakcore epic, "No Man's Land" to vinyl for the first time. Unmissable smut.
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Last in:29.02.2024
Label:Mojuba
Cat-No:MU2
Release-Date:17.01.2013
Genre:House
Configuration:2LP Excl
Barcode:
1
Jovonn - Garage Shelter
2
Jovonn - Tribal
3
Jovonn - I Like The Way
4
Jovonn - Garage Shelter
5
Jovonn - Love Destination
Release : 18.02.2013 Special Remarks: Double EP Set with Custom Color Sleeve
Tracklist 2x12":
A. Garage Shelter
B. Love Destination
C1. I Like The Way
C2. Tribal
D. Garage Shelter (Tuff City Kids Remix)
"Garage Shelter" is an undeniable classic by living New York house legend and recent Objectivity roster addition Jovonn, it was featured on the 1994 double EP set called "Stump It EP" on Nite Stuff and is highly in demand ever since. It has been picked up during the years by high-profile DJs like Theo Parrish, Ricardo Villalobos or Efdemin and became kind of a very effective secret weapon for them. Mojuba is very happy to make this rare killer release available again for you, completely restored and remastered and packed with an addition remix by recent Ostgut Ton / Unterton artists Tuff City Kids. Gerd Janson and Phillip Lauer are taking Garage Shelter to a whole new direction, maybe satisfying even the techno heads of you, who are more into the sound of WAX, EQD or Shed these days rather than old school underground garage house! A worthy follow up release after the Tyree - Nuthin Wrong 12" in the Mojuba Underground Series!
- one of the most sought-after Jovonn releases finally reissued
- played by the likes of Theo Parrish & Ricardo Villalobos
- all four original tracks plus a cross-genre remix by the aspiring Tuff City Kids
- remastered by Redshape
More
Tracklist 2x12":
A. Garage Shelter
B. Love Destination
C1. I Like The Way
C2. Tribal
D. Garage Shelter (Tuff City Kids Remix)
"Garage Shelter" is an undeniable classic by living New York house legend and recent Objectivity roster addition Jovonn, it was featured on the 1994 double EP set called "Stump It EP" on Nite Stuff and is highly in demand ever since. It has been picked up during the years by high-profile DJs like Theo Parrish, Ricardo Villalobos or Efdemin and became kind of a very effective secret weapon for them. Mojuba is very happy to make this rare killer release available again for you, completely restored and remastered and packed with an addition remix by recent Ostgut Ton / Unterton artists Tuff City Kids. Gerd Janson and Phillip Lauer are taking Garage Shelter to a whole new direction, maybe satisfying even the techno heads of you, who are more into the sound of WAX, EQD or Shed these days rather than old school underground garage house! A worthy follow up release after the Tyree - Nuthin Wrong 12" in the Mojuba Underground Series!
- one of the most sought-after Jovonn releases finally reissued
- played by the likes of Theo Parrish & Ricardo Villalobos
- all four original tracks plus a cross-genre remix by the aspiring Tuff City Kids
- remastered by Redshape
More
12" Excl
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Last in:20.03.2024
Label:Pampa
Cat-No:pampa031
Release-Date:21.04.2023
Genre:House
Configuration:12" Excl
Barcode:4260544823534
1
DJ Koze - Pick Up (12" Extended Disco Version)
2
DJ Koze - The Love Truck
2023 repress
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
More
Tracklist
A. Pick Up (12" Extended Disco Version)
B. The Love Truck
DJ Koze might be one of the world's best producers, but above all he's a DJ, and it's his DJ ear that governs. Just as in a great set, so with his releases: "Seeing Aliens" came out of nowhere, a big buzzing beast of a track, to announce that Koze was back on the scene and prime everyone for the coming album, knock knock. But now that Koze has your attention, it's time to remind everyone what's most important about club music, pull things back, take a turn to the left, and get deep into the groove.
Thus "Pick Up": the second single from knock knock is 100% pure groove, doubly so in the extended 12" version. In a sense it's incredibly familiar - it is essentially a filter disco record, very close to something you could imagine coming out of Paris around the turn of the millennium. But of course, this is Koze. Nothing is normal or familiar in his world, and he's taken this most foundational of clubland staples into new territory. Flipping samples of Gladys Knight & the Pips "Neither One Of Us (Wants to Be the First to Say Goodbye)" and Melba Moore's "Pick Me Up, I'll Dance", it creates something completely airborne, shot through with emotions such as gods must feel: not quite explicable to the human mind but strong enough to knock you off your feet. In its way it's absolutely as powerful as "Seeing Aliens", but it comes in like the proverbial iron fist in a glove of velvet.
The flip, a ten-minute new track, "The Love Truck" is a big contrast again. If "Pick Up" is giddy flight, "The Love Truck" is woozy floating. Its sharp, clicking percussion recalls 2000s minimal techno, but this time absolutely nothing is generic. The long, intense, on-and-off bass tones, the flickers of birdsong, the pure voices slipping in backwards as if from the future... it's all like the most blissful dream, and culminates in a coda so subtle yet so beautiful it's like ever time you've ever seen the sun rise and thought "I never want this to end", all the while understanding deep down that the fleeting nature of the pleasure is also what give it its power. But of course, being created with that consummate DJ's ear, it's also full of the thrill of wondering what Koze has in store next.
More
12" Excl
in stock
Label:Embassy One
Cat-No:EoM004
Release-Date:15.03.2024
Configuration:12" Excl
Barcode:4251648412939
in stock
Last in:07.03.2024
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Last in:07.03.2024
Label:Embassy One
Cat-No:EoM004
Release-Date:15.03.2024
Configuration:12" Excl
Barcode:4251648412939
1
Monolink - A. Return to Oz - Artbat Remix – 8:00
2
Monolink - B1. Father Ocean - Ben Böhmer Remix – 7:56
3
Monolink - B2. Sirens - Patrice Bäumel Remix – 7:25
2024 repress
Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25
Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.
More
Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25
Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.
More
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Last in:29.02.2024
Label:Mojuba
Cat-No:FREKOBA3
Release-Date:13.10.2023
Genre:House
Configuration:12" Excl
Barcode:
1
Sven Weisemann - Untitled A1
2
Sven Weisemann - Untitled A2
3
Sven Weisemann - Untitled A3
4
Sven Weisemann - Untitled B1
5
Sven Weisemann - Untitled B2
6
Sven Weisemann - Untitled B3
NON RETOURNABLE!
Special remarks:
limited 12" vinyl in screen-printed cover
Genre: Tech House, House, Deep House
Tracklist 12":
A1
A2
A3
B1
B2
B3
Short Info:
Long awaited 2nd part of Sven Weisemann's Limerence ToolZ series is here to jack your body and causing swinging motions while stirring up dance floors, enjoy!
Vital Sales Points:
(add some important short facts as below)
- limited edition
- collectable hand screen-printed cover
More
Special remarks:
limited 12" vinyl in screen-printed cover
Genre: Tech House, House, Deep House
Tracklist 12":
A1
A2
A3
B1
B2
B3
Short Info:
Long awaited 2nd part of Sven Weisemann's Limerence ToolZ series is here to jack your body and causing swinging motions while stirring up dance floors, enjoy!
Vital Sales Points:
(add some important short facts as below)
- limited edition
- collectable hand screen-printed cover
More
12" Excl
in stock
Label:Tresor Records
Cat-No:tresor252
Release-Date:15.09.2023
Genre:Techno
Configuration:12" Excl
Barcode:666017252063
in stock
Last in:19.07.2024
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Last in:19.07.2024
Label:Tresor Records
Cat-No:tresor252
Release-Date:15.09.2023
Genre:Techno
Configuration:12" Excl
Barcode:666017252063
1
Mike Huckaby - The Tresor Track 06:24
2
Mike Huckaby - Basement Trax 05:36
3
Mike Huckaby - The Upstairs Lounge 06:01
Territories: WORLD minus UK and US
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
2023 Repress
FORMAT 12", dl card
TRACKLIST
A1 The Tresor Track 06:24
B1 Basement Trax 05:36
B2 The Upstairs Lounge 06:01
Release Info:
Following the club and label’s 20th anniversary back in 2011, Tresor memorialised its two decades of existence with an exclusive
mix from one of its esteemed Detroit connections, Mike Huckaby. On that mix, Mike Huckaby included an exclusive production of
his, the first one to be released on Tresor Records.
Today, Tresor is proud to announce the repress of the ‘The Tresor Track’ on wax, making up for a massive A-side cut at 45 RPM.
This title is on its way to stand along with the label’s most important classics, a genuine anthem for the Berlin techno institute.
On the flip, Mike Huckaby goes for a stroll through the Tresor building, heading downstairs, exploring the room’s darker and more
twisted corners with ‘Basement Trax’, going back towards ‘The Upstairs Lounge’ and surprising his audience with some original
rhythmic patterns. The Tresor EP is a statement, a seal manifesting for a fruitful and long-lasting collaboration between Mike
Huckaby and Tresor.
"I try to create a vibe, feeling or idea that could create a vicarious expression. Often, this is derived from many of my personal
clubbing experiences. I have a permanent snapshot in my mind from the vibe I remember at the Music Institute in Detroit, or the
Shelter in NYC. So I vibe o of that quite often. In terms of house, it's usually based around strong chord progressions, and very
colorful and expressive sounds. For techno, it can be a mixture of both, or purely abrasive and dance floor driven.
Music is reciprocal. I have coined or phrased a term called "the reciprocal relationship" in music. The reciprocal relationship in
music demonstrates that tones excite chords, and chords excite tones. Here's an example to further elaborate on that: A chord
can invoke a specific feeling within the listener. But the strength or degree in which a feeling is invoked within the listener has a
lot to do with the notes or chord progression that is played upon a specific tone or patch.” Mike Huckaby, 2010.
In loving memory of one of the greatest. More
Label:Nechto Records
Cat-No:NECH022
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Barcode:8720246794618
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Last in:18.09.2023
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Last in:18.09.2023
Label:Nechto Records
Cat-No:NECH022
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Barcode:8720246794618
1
Louwave & Splinter (UA) - A1. Baby, Let's Vibe
2
Louwave & Splinter (UA) - A2. Different Souls
3
Louwave & Splinter (UA) - B1. To Be Continued
4
Louwave & Splinter (UA) - B2. Doom Drummer
12"
vinyl runs inside-out, 180g special cut, full color sleeve
2. GENRE/S:
Techno, tribal techno
3. TRACKLISTS:
A1. Baby, Let's Vibe
A2. Different Souls
B1. To Be Continued
B2. Doom Drummer
4. SHORT INFO:
Ukrainian record label NECHTO introduces a new design concept with the upcoming release NECH022 by Louwave & Splinter (UA). Founded by the illustrious DJ NASTIA, NECHTO has been a torchbearer for authentic dance music. This fresh design is a testament to the imprint's commitment to evolving while staying true to the core values of the dance music community. From its very beginning, Splinter (UA) has played a pivotal role within the label by joining label nights, producing the third EP and making notable appearances on both volumes of the 'Scary Beautiful' compilation. Following his relocation from Odessa to Lviv, he embarked on a collaborative studio venture with Louwave, ultimately giving rise to their joint release. Louwave and Splinter (UA) are no strangers to the electronic music realm, each boasting over 15 years of experience in their individual careers. Their live performances stand out with their ability to connect with the audience, turning each live show into an immersive experience. The upcoming EP skillfully blends classic techno elements with tribal groove aesthetics, resulting in a sonic landscape that tugs at emotions and entices dance floors alike.
5. VITAL SALES POINTS:
small pressing 150 copies
full color sleeve
inside-out cut on 180g vinyl
label run by Ukrainian DJ Nastia
supporting and presenting Ukrainian artists
More
vinyl runs inside-out, 180g special cut, full color sleeve
2. GENRE/S:
Techno, tribal techno
3. TRACKLISTS:
A1. Baby, Let's Vibe
A2. Different Souls
B1. To Be Continued
B2. Doom Drummer
4. SHORT INFO:
Ukrainian record label NECHTO introduces a new design concept with the upcoming release NECH022 by Louwave & Splinter (UA). Founded by the illustrious DJ NASTIA, NECHTO has been a torchbearer for authentic dance music. This fresh design is a testament to the imprint's commitment to evolving while staying true to the core values of the dance music community. From its very beginning, Splinter (UA) has played a pivotal role within the label by joining label nights, producing the third EP and making notable appearances on both volumes of the 'Scary Beautiful' compilation. Following his relocation from Odessa to Lviv, he embarked on a collaborative studio venture with Louwave, ultimately giving rise to their joint release. Louwave and Splinter (UA) are no strangers to the electronic music realm, each boasting over 15 years of experience in their individual careers. Their live performances stand out with their ability to connect with the audience, turning each live show into an immersive experience. The upcoming EP skillfully blends classic techno elements with tribal groove aesthetics, resulting in a sonic landscape that tugs at emotions and entices dance floors alike.
5. VITAL SALES POINTS:
small pressing 150 copies
full color sleeve
inside-out cut on 180g vinyl
label run by Ukrainian DJ Nastia
supporting and presenting Ukrainian artists
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12"
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Label:Sorted
Cat-No:sor24280yellow
Release-Date:15.11.2017
Genre:Acid House
Configuration:12"
Barcode:
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Last in:26.06.2024
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Last in:26.06.2024
Label:Sorted
Cat-No:sor24280yellow
Release-Date:15.11.2017
Genre:Acid House
Configuration:12"
Barcode:
1
winx - Don't Laugh (Live Raw Mix)
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winx - Don't Laugh (Accapella)
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winx - Don't Laugh (Richie Hawtin Remix)
A heavyweight classic! 'Don't Laugh' is one of those records, you know you've heard it, you may not who, what or where, but you know it! The original Winx mix is a classic, often imitated, never bettered, but the real gem here is Richie Hawtin's manic, almost borderline sinister 15+ minute reworking. Monster doesn't do it justice, tweaked out, narcotic, minimalist jacking gear. A dope combination of severe LOW end and some bracing sine waves that cut straight through. This one will surely test any club sound-system, if the venue is built for it you will know! This is one for the real heads, pure late night business oft overlooked for the more famous A-side, but trust us - Hawtin's mix will smash any dance! Oh, and there's an insane laughing acappella for those who want to mix and blend! Reissued, remastered and re-sorted for 2017 by Above Board Records with the full involvement of Nervous Records NYC.
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Last in:10.07.2024
Label:Defected
Cat-No:DFTD653
Release-Date:27.01.2023
Genre:House
Configuration:12"
Barcode:
1
Vintage Culture & Sonny Fodera - - Nightjar ft. SHELLS
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Vintage Culture & Sonny Fodera - - Nightjar ft. SHELLS (Riva Starr Bassbin Remix)
3
Louie Vega & The Martinez Brothers with - Let It Go (Vintage Culture Remix )
4
Vintage Culture - - It Is What It Is ft. Elise Legrow (Vintage Culture VIP Mix)
The fourteenth edition of Defected’s vinyl series continues to commit the label’s biggest digital releases to wax, delivering some of the best house music previously unavailable on vinyl. This special release celebrates all things Vintage Culture, who over the past ten years has established himself as an international powerhouse, reaching #11 in DJ MAG’s 2022 Top 100 DJs. The A-side of this four-track EP features two versions of his 2022 hit ‘Nightjar’. First up is the original collaboration with Australian house producer Sonny Fodera featuring vocalist SHELLS, followed by the Bassbin Remix by Italian producer and SNATCH! Records owner Riva Starr. Both versions of ‘Nightjar’ have universal appeal thanks to the diversity of its collaborators. A Vintage Culture collection would not be complete without some signature remixes; the B-side opens with his version of ‘Let It Go’ by Louie Vega & The Martinez Brothers with Marc E. Bassy. This is followed by a VIP remix of ‘It Is What It Is’, one of the DJ’s infectious original tracks and Defected debut featuring Canadian talent Elise LeGrow.
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Last in:10.07.2024
Label:Defected
Cat-No:DFTD680
Release-Date:21.07.2023
Genre:House
Configuration:12"
Barcode:826194633271
1
A'Studio ft. Polina - - SOS (Skylark Remix - Nic Fanciulli Edit)
2
Tensnake - - Coma Cat (Chloe´ Caillet Remix)
3
Harry Romero - - Revolution (House Masters Edit)
4
Prunk & Rona Ray - - Keep It Simple
Defected’s vinyl series continues to commit the label’s biggest digital releases to wax, delivering the best house music previously unavailable on vinyl. This seventeenth edition collates four unmissable releases from the first half of 2023. Opening the compilation, Grammy nominated producer and Saved Records boss Nic Fanciulli revisits his Skylark alias remix of ‘SOS’ by A’Studio featuring Polina, maintaining the bouncy, rolling feel of the original and taking dancers late into the night. Next up, BBC Radio 1 Dance Future Star and one of DJ Mag's artists to watch for 2023, Parisian DJ and producer Chloé Caillet remixes a record box essential, bringing her busy French touch and disco-inspired sound to Tensnake's iconic 'Coma Cat'. On the B-Side is the humble House Master Harry Romero’s update of 'Revolution', a powerful, modern Jersey jam, layering a familiar vocal loop over tight percussion. Closing out this massive collection is the highly anticipated Defected debut from founder of esteemed Amsterdam label PIV; Prunk showcases his signature addictive grooves on ‘Keep It Simple’, with Poland based Rona Ray on vocal duties.
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Label:MAW Records
Cat-No:MAW2028
Release-Date:13.10.2023
Genre:House
Configuration:12"
Barcode:197189919497
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Label:MAW Records
Cat-No:MAW2028
Release-Date:13.10.2023
Genre:House
Configuration:12"
Barcode:197189919497
1
Masters At Work - Boyd's Jam (On The Organ Mix)
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Masters At Work - Boyd's Jam (MAW Synth Dub)
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Masters At Work - Boyd's Jam (MAW Zipper Beats)
MAW Records release the next tracks in line from the Maw Lost Tapes digging saga by Masters At Work. This release entails the story of a special studio session by one of the NY House Pioneers who brought you 'The Music's Got Me' by Visual along with his partner Timmy Regisford back in 1982. His name is Boyd Jarvis (RIP), a keyboard genius, also one of the early creators of this unique sound. Masters At Work had only a few rare sessions in the early 90s with Boyd and the outcome are some of these stunning outtakes on 'Boyd's Jam' produced by MAW. Driven by the Zipper sound and swinging house KD beats in MAW style, the Boyd bassline carries the tune in the pocket groove with LV chords bringing atmosphere and mood. Then comes the Boyd magic with his organ solo ripping through the hypnotic groove. This one is classic Masters At Work taken from the early 91-92 sessions, it's as authentic as can be.
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Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804142717
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Last in:08.09.2023
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Last in:08.09.2023
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Barcode:4251804142717
1
Cybotron - Maintain 04:56
2
Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
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FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin Toler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
Label:MAW Records
Cat-No:MAW2029
Release-Date:13.10.2023
Genre:House
Configuration:12"
Barcode:
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Last in:20.02.2024
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Last in:20.02.2024
Label:MAW Records
Cat-No:MAW2029
Release-Date:13.10.2023
Genre:House
Configuration:12"
Barcode:
1
Masters At Work - Funky Anane´ (MAW Jazz Dub)
2
Masters At Work - MAW Want You
Maw Records continues to unleash Maw Lost Tapes for all Maw & Kenlou fans & enthusiats. Funky Anane’ brings forth the genius Kenny Dope layered,thick beats, syncopated snares, long with thumpin’ kicks and snaps to compliment te Louie Vega walking bassline and deep organ / clarinet sounds playing chords. From the archives we pulled this track out noticing the new parts never heard along with the vocal sample which was actually Anane’s first time in the studio with Masters At Work behind the mic back in 96’. Maw Want You is a early signature Maw groove which has inspired many house producers to pull from that vibe. Just a little Maw reminder of these timelss tracks now ready for the next generation to appreciate and play out!
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