2x12"
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Label:Bureau B
Cat-No:BB3811
Release-Date:10.03.2022
Genre:Alternative/Electronic
Configuration:2x12"
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1
Der Plan - Hey Baby Hop
2
Die Partei - Austauschprogramm
3
P!OFF? - Mein Walkman ist kaputt
4
Palais Schaumburg - Wir bauen eine neue Stadt
5
Dunkelziffer - Keine Python
6
Populäre Mechanik - Muster
7
Andreas Dorau, Die Doraus & Die Marinas - Sandkorn
8
Pyrolator - Im Zoo
9
Träneninvasion - Sentimental
10
Deutsche Wertarbeit - Guten Abend, Leute
11
Asmus Tietchens - Höhepunkt kleiner Mann
12
Die Fische - So verrückt
13
Conrad Schnitzler - Auf dem schwarzen Kanal
14
Carambolage - Die Farbe war Mord
15
Xao Seffcheque - Sample & Hold (Wer bitter im Munde hat, kann nicht süßpricken)
16
Foyer des Arts - Eine Königin mit Rädern untendran (Gerd Bluhm Remix)
17
Die Zimmermänner - Erwin, das tanzende Messer
18
Östro 430 - Sexueller Notstand
19
Die Radierer - Angriff aufs Schlaraffenland
20
Holger Hiller - Jonny (Du Lump)
More records from Bureau B
LP
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Label:Bureau B
Cat-No:BB196
Release-Date:13.12.2024
Genre:Electronic
Configuration:LP
Barcode:4015698510836
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Label:Bureau B
Cat-No:BB196
Release-Date:13.12.2024
Genre:Electronic
Configuration:LP
Barcode:4015698510836
1
Conrad Schnitzler - Untitled 1
2
Conrad Schnitzler - Untitled 2
3
Conrad Schnitzler - Untitled 3
4
Conrad Schnitzler - Untitled 4
5
Conrad Schnitzler - Untitled 5
6
Conrad Schnitzler - Untitled 6
7
Conrad Schnitzler - Untitled 7
8
Conrad Schnitzler - Untitled 8
9
Conrad Schnitzler - Untitled 9
10
Conrad Schnitzler - Untitled 10
11
Conrad Schnitzler - Untitled 11
12
Conrad Schnitzler - Untitled 12
13
Conrad Schnitzler - Untitled 13 (Bonus)
14
Conrad Schnitzler - Untitled 14 (Bonus)
Die Chronologie von Schnitzlers Solo-Veröffentlichungen in den 70er und vor allem in den 80er Jahren gleicht einem Buch mit sieben Siegeln. In zeitweise sehr kurzen Abständen brachte Schnitzler seine Musik teils auf analogen Kassetten, teils auf LPs heraus, nicht selten als "private releases", das heißt in eigener Regie und ohne Hilfe eines Labels oder professioneller Vertriebe. Das gelbe Album beispielsweise erschien 1981 als LP auf dem Label der Kunstgalerie von René Block in Berlin, nachdem Schnitzler bereits eine Reihe anderer Tonträger auf diversen Labels herausgebracht hatte. Tatsächlich ist die Musik des gelben Albums aber bereits 1974 als "The Black Cassette" in wahrscheinlich sehr geringer Stückzahl von Schnitzler selbst vertrieben worden. Das gelbe Album hat den Untertitel "12 Stücke aus dem Jahr 1974". Schon das deutet auf etwas Neues hin, denn bis dahin gingen Schnitzlers Stücke grundsätzlich über die ganze Platten- bzw. Kassettenseite. Hier versucht er sich nun erstmals an einer kürzeren Form. Außerdem neu: Schnitzler lässt auf mehreren Stücken nicht mehr nur automatische Klangprozesse ablaufen, sondern benutzt seine Keyboards offensichtlich auch, um "mit der Hand" gespielte melodie- ähnliche Improvisationen in seinen musikalischen Kosmos zu integrieren. Die eigentlich so kristalline, anorganische Kunstwelt Schnitz- lers wird damit um ein organisches, fast menschliches Element berei- chert. Durch die Musik des gelben Albums weht ein durchaus laues, freundliches Lüftchen, zum Glück meilenweit entfernt von den senti- mentalen Plattitüden der gebrauchsfertigen Ambient-Musik der 80er. Das gelbe Album ist nicht nur durch und durch freundlich, sondern es dokumentiert auch einen wichtigen Schritt in Schnitzlers musikalischer Entwicklung. Das späte Erscheinen als LP (1981) und die fehlenden diskografischen Angaben ließen diesen Gesichtspunkt etwas in den Hintergrund rücken. Aufmerksamen Hörern und Schnitzler-Kennern war jedoch sofort klar, dass das Album eine besondere Wegmarke darstellte, die einen deutlichen Weg in die Zukunft wies. Schnitzler hatte begonnen, sich aus dem Korsett der orthodoxen Konzeptkunst zu befreien, um in lichte Weiten unentdeckter musikalischer Gebiete vorzustoßen.
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Label:Bureau B
Cat-No:BB4751
Release-Date:15.11.2024
Configuration:LP
Barcode:4015698409161
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Label:Bureau B
Cat-No:BB4751
Release-Date:15.11.2024
Configuration:LP
Barcode:4015698409161
1
Günter Schickert - Aprico Brandy
2
Günter Schickert - Kriegsmaschinen, fahrt zur Hölle
3
Günter Schickert - Wald
Label:Bureau B
Cat-No:BB4701
Release-Date:08.11.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:4015698077704
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Label:Bureau B
Cat-No:BB4701
Release-Date:08.11.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:4015698077704
1
eat-girls - On A Crooked Swing
2
eat-girls - Unison
3
eat-girls - Canine
4
eat-girls - A Kin
5
eat-girls - Everything Goes In Diagonal
6
eat-girls - Saints' Discards
7
eat-girls - Earthcore
8
eat-girls - Para Los Pies Cansados
9
eat-girls - Omens
10
eat-girls - Trauschaft
Area Silenzio is eat-girls' debut record and it is both haunted and haunting. For the past four years, the French trio have been crafting their songs into little self-contained worlds with the patience of entomologists, taking them out all over the country and Europe to confront them with the wilderness of a live audience. The ten resulting tracks are a collection of electronic madrigals, groove-driven songs played on a mischievous multi-speed Victrola, ranging from languid dub drips to full-on drum machine cavalcades.
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Label:Bureau B
Cat-No:BBLTD4641
Release-Date:18.10.2024
Genre:Electronic
Configuration:LP
Barcode:4015698349139
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Cat-No:BBLTD4641
Release-Date:18.10.2024
Genre:Electronic
Configuration:LP
Barcode:4015698349139
1
Harald Grosskopf - Bureau 39
2
Harald Grosskopf - Blow
3
Harald Grosskopf - Später Strom
4
Harald Grosskopf - After The Future
5
Harald Grosskopf - Stylo Kraut
6
Harald Grosskopf - Gleich Strom
7
Harald Grosskopf - Um Pah Pah Uh
8
Harald Grosskopf - Stromklang
White Vinyl.
Kaum zu glauben: Harald Grosskopf gibt es jetzt schon ein Dreivierteljahrhundert. Anlässlich seines 75. Geburtstags erscheint nicht nur im Ventil Verlag seine Autobiographie "Monsieur Séquenceu" - sondern auch endlich wieder ein neues Album vom Elektronik-Altmeister. Man muss zu diesem Mann eigentlich nicht viel sagen: Mitbegründer von "Wallenstein", ergo Drummer auf mindestens zwei der wunderbarsten Krautrockalben (nämlich "Mother Universe" und "Cosmic Century"), Mitglied der legendären "Kosmischen Kuriere", Platten mit Ash Ra Temple und Klaus Schulze. Schließlich wechselt Harald Grosskopf dann von den Drums zu den Sequencern und schafft Atemberaubendes. Und nun: "Strom". Die Evokation der Elektrizität, der Virtuosität der Schaltung, die Mensch und Maschine kunstvoll verschraubt und der über ihrem Triumphzug verödeten musikalischen Digitalität entgegengestellt wird. Wer genau hinhört, der erkennt den Ingenieur hinter den Klanggebilden sogleich.
Previews:
https://www.youtube.com/watch?v=04FrqpgVbhE
https://www.youtube.com/watch?v=V8Bh4Kv3MNg More
Kaum zu glauben: Harald Grosskopf gibt es jetzt schon ein Dreivierteljahrhundert. Anlässlich seines 75. Geburtstags erscheint nicht nur im Ventil Verlag seine Autobiographie "Monsieur Séquenceu" - sondern auch endlich wieder ein neues Album vom Elektronik-Altmeister. Man muss zu diesem Mann eigentlich nicht viel sagen: Mitbegründer von "Wallenstein", ergo Drummer auf mindestens zwei der wunderbarsten Krautrockalben (nämlich "Mother Universe" und "Cosmic Century"), Mitglied der legendären "Kosmischen Kuriere", Platten mit Ash Ra Temple und Klaus Schulze. Schließlich wechselt Harald Grosskopf dann von den Drums zu den Sequencern und schafft Atemberaubendes. Und nun: "Strom". Die Evokation der Elektrizität, der Virtuosität der Schaltung, die Mensch und Maschine kunstvoll verschraubt und der über ihrem Triumphzug verödeten musikalischen Digitalität entgegengestellt wird. Wer genau hinhört, der erkennt den Ingenieur hinter den Klanggebilden sogleich.
Previews:
https://www.youtube.com/watch?v=04FrqpgVbhE
https://www.youtube.com/watch?v=V8Bh4Kv3MNg More
Label:Bureau B
Cat-No:BB4641
Release-Date:18.10.2024
Genre:Electronic
Configuration:LP
Barcode:4015698124767
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Genre:Electronic
Configuration:LP
Barcode:4015698124767
1
Harald Grosskopf - Bureau 39
2
Harald Grosskopf - Blow
3
Harald Grosskopf - Später Strom
4
Harald Grosskopf - After The Future
5
Harald Grosskopf - Stylo Kraut
6
Harald Grosskopf - Gleich Strom
7
Harald Grosskopf - Um Pah Pah Uh
8
Harald Grosskopf - Stromklang
Black Vinyl.
Kaum zu glauben: Harald Grosskopf gibt es jetzt schon ein Dreivierteljahrhundert. Anlässlich seines 75. Geburtstags erscheint nicht nur im Ventil Verlag seine Autobiographie "Monsieur Séquenceu" - sondern auch endlich wieder ein neues Album vom Elektronik-Altmeister. Man muss zu diesem Mann eigentlich nicht viel sagen: Mitbegründer von "Wallenstein", ergo Drummer auf mindestens zwei der wunderbarsten Krautrockalben (nämlich "Mother Universe" und "Cosmic Century"), Mitglied der legendären "Kosmischen Kuriere", Platten mit Ash Ra Temple und Klaus Schulze. Schließlich wechselt Harald Grosskopf dann von den Drums zu den Sequencern und schafft Atemberaubendes. Und nun: "Strom". Die Evokation der Elektrizität, der Virtuosität der Schaltung, die Mensch und Maschine kunstvoll verschraubt und der über ihrem Triumphzug verödeten musikalischen Digitalität entgegengestellt wird. Wer genau hinhört, der erkennt den Ingenieur hinter den Klanggebilden sogleich.
Previews:
https://www.youtube.com/watch?v=04FrqpgVbhE
https://www.youtube.com/watch?v=V8Bh4Kv3MNg More
Kaum zu glauben: Harald Grosskopf gibt es jetzt schon ein Dreivierteljahrhundert. Anlässlich seines 75. Geburtstags erscheint nicht nur im Ventil Verlag seine Autobiographie "Monsieur Séquenceu" - sondern auch endlich wieder ein neues Album vom Elektronik-Altmeister. Man muss zu diesem Mann eigentlich nicht viel sagen: Mitbegründer von "Wallenstein", ergo Drummer auf mindestens zwei der wunderbarsten Krautrockalben (nämlich "Mother Universe" und "Cosmic Century"), Mitglied der legendären "Kosmischen Kuriere", Platten mit Ash Ra Temple und Klaus Schulze. Schließlich wechselt Harald Grosskopf dann von den Drums zu den Sequencern und schafft Atemberaubendes. Und nun: "Strom". Die Evokation der Elektrizität, der Virtuosität der Schaltung, die Mensch und Maschine kunstvoll verschraubt und der über ihrem Triumphzug verödeten musikalischen Digitalität entgegengestellt wird. Wer genau hinhört, der erkennt den Ingenieur hinter den Klanggebilden sogleich.
Previews:
https://www.youtube.com/watch?v=04FrqpgVbhE
https://www.youtube.com/watch?v=V8Bh4Kv3MNg More
Label:Bureau B
Cat-No:BB4651
Release-Date:20.09.2024
Genre:Electronic
Configuration:LP
Barcode:4015698615463
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Cat-No:BB4651
Release-Date:20.09.2024
Genre:Electronic
Configuration:LP
Barcode:4015698615463
1
Tolouse Low Trax - Subghosts (Tolouse Low Trax Rework)
2
Tolouse Low Trax - A Song And A Photo Novela (Simo Cell 'Fabulous Santa' Edit)
3
Tolouse Low Trax - Dawn Is Temporal (Beat Detectives Dawn Redub)
4
Tolouse Low Trax - Milk In Water (Grim Lusk's Dub Version)
5
Tolouse Low Trax - Rushing Into Water (Joakim's Elemental Edit)
6
Tolouse Low Trax - Tristeros Empire (Ido Plumes Blazer Quest Mix)
7
Tolouse Low Trax - Make Friends (Froid Dub Rework)
Parisian-by-choice Detlef Weinrich aka Tolouse Low Trax turns the page again. Always willing for a new episode, notion, impulse, idea, ideal. Searching for some light out there. Now Kiosque Versions, a compilation compiled by himself, featuring seven edits by friends and treasured artists. They renew some rare TLT tunes, as well as hits, that never took the charts by storm.
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Label:Bureau B
Cat-No:BB4541
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:4015698168518
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Label:Bureau B
Cat-No:BB4541
Release-Date:13.09.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:4015698168518
1
Faust - For Schlaghammer
2
Faust - Künstliche Intelligenz
3
Faust - Sunny Night
4
Faust - Kriminelle Kur
5
Faust - Die 5. Revolution
6
Faust - Kratie
After dipping into the archive to deliver a series of essential reissues, Bureau B continue to encourage the chaotic brilliance of Faust with an LP of brand new music curated by originator Zappi Diermaier and a band of musical friends, including fellow founder Gunther Wüsthoff. Over the years Faust has become many things, each as separate as the fingers, but as together as the hand which makes up their eponymous fist. From 1971 to 1974 the Hamburg band blazed a bold sonic trail, helping to create the distinct and delirious strand of German music we"ve come to know as Krautrock. Uncompromising, innovative and experimental, their releases in that period, and the stories accompanying their creation, are nothing short of legendary, and the fact that after a hiatus, the band returned and remained active in a variety of separate and simultaneous incarnations is entirely fitting for these musical revolutionaries. On Blickwinkel, Diermaier"s incarnation embrace synchronicity and chance in order to capture the moment in a six track snapshot of industrial churn, unsettling ambience and psychedelic motorik.
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Label:Bureau B
Cat-No:BB4671
Release-Date:06.09.2024
Genre:Electronic
Configuration:LP
Barcode:4015698104578
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Cat-No:BB4671
Release-Date:06.09.2024
Genre:Electronic
Configuration:LP
Barcode:4015698104578
1
Heiko Maile + Julian Demarre - Patience
2
Heiko Maile + Julian Demarre - Reflection (Dark Horses)
3
Heiko Maile + Julian Demarre - Number Stations
4
Heiko Maile + Julian Demarre - Serengeti Ostinato
5
Heiko Maile + Julian Demarre - Universal Universe
6
Heiko Maile + Julian Demarre - Helios
7
Heiko Maile + Julian Demarre - Melancholia
8
Heiko Maile + Julian Demarre - Between Trees
9
Heiko Maile + Julian Demarre - Hollow Earth
10
Heiko Maile + Julian Demarre - Eternal Drift
Tip!
"Like everyone else in 2020, all of a sudden we found ourselves in the midst of a global pandemic and weeks of isolation at home, and so NEOSTALGIA also serves as our personal Corona diary. We got interrupted in between by film projects, so it took a little longer to get to the finish line. Which makes us all the happier today to finally hold this album in our hands." - Heiko Maile + Julian Demarre More
"Like everyone else in 2020, all of a sudden we found ourselves in the midst of a global pandemic and weeks of isolation at home, and so NEOSTALGIA also serves as our personal Corona diary. We got interrupted in between by film projects, so it took a little longer to get to the finish line. Which makes us all the happier today to finally hold this album in our hands." - Heiko Maile + Julian Demarre More
Label:Bureau B
Cat-No:BB4511
Release-Date:16.08.2024
Genre:Electronic
Configuration:LP
Barcode:4015698261158
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Label:Bureau B
Cat-No:BB4511
Release-Date:16.08.2024
Genre:Electronic
Configuration:LP
Barcode:4015698261158
1
Jimi Tenor - Theme Sax
2
Jimi Tenor - Crazy Hammond
3
Jimi Tenor - Union Ave
4
Jimi Tenor - Take Me Baby
5
Jimi Tenor - Matti B
6
Jimi Tenor - Teräsmies
7
Jimi Tenor - Voimamies
8
Jimi Tenor - Travelin Dem Spaceways
Sähkömies is Jimi Tenor's solo debut from his NYC period in early 90's. Sähkömies (Electrician) is a mixture of great melodies embedded to Tenor's first ideas of his SunRa-flavoured jazz tableau. The album is combining Tenor's smokey sax with lo-fi electronics and experimentations with techno synths like Roland 303&606.
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Label:Bureau B
Cat-No:BBLE4511
Release-Date:16.08.2024
Genre:Electronic
Configuration:LP
Barcode:4015698679977
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Label:Bureau B
Cat-No:BBLE4511
Release-Date:16.08.2024
Genre:Electronic
Configuration:LP
Barcode:4015698679977
1
Jimi Tenor - Theme Sax
2
Jimi Tenor - Crazy Hammond
3
Jimi Tenor - Union Ave
4
Jimi Tenor - Take Me Baby
5
Jimi Tenor - Matti B
6
Jimi Tenor - Teräsmies
7
Jimi Tenor - Voimamies
8
Jimi Tenor - Travelin Dem Spaceways
Limited Clear Vinyl!
Sähkömies is Jimi Tenor's solo debut from his NYC period in early 90's. Sähkömies (Electrician) is a mixture of great melodies embedded to Tenor's first ideas of his SunRa-flavoured jazz tableau. The album is combining Tenor's smokey sax with lo-fi electronics and experimentations with techno synths like Roland 303&606. More
Sähkömies is Jimi Tenor's solo debut from his NYC period in early 90's. Sähkömies (Electrician) is a mixture of great melodies embedded to Tenor's first ideas of his SunRa-flavoured jazz tableau. The album is combining Tenor's smokey sax with lo-fi electronics and experimentations with techno synths like Roland 303&606. More
Label:Bureau B
Cat-No:BB4421
Release-Date:09.08.2024
Genre:Electronic
Configuration:LP
Barcode:4015698114249
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Label:Bureau B
Cat-No:BB4421
Release-Date:09.08.2024
Genre:Electronic
Configuration:LP
Barcode:4015698114249
1
Supersempfft - Roboterwerke
2
Supersempfft - We Found It Out
3
Supersempfft - Fantasia
4
Supersempfft - Pipedreams On A Lilypad
5
Supersempfft - Let's Beam Him Up
6
Supersempfft - I'm Gonna Make You Big
7
Supersempfft - Be A Man You Frog
8
Supersempfft - Supersempfft
9
Supersempfft - Out Of Time
10
Supersempfft - The Best Thing Is To Get High
Nachdem 2023 der technotropische Pop von Supersempfft durch die Wiederveröffentlichung der zweiten LP "Metaluna" (1981) vorgestellt wurde, beamt sich das Hamburger Label Bureau B 2024 ein paar Jahre zurück, um mit "Roboterwerke" (1979) das herausragende Debüt der Hessener Band zu präsentieren. Das kollaborative Vehikel karrt durch den Kosmos wie ein Hochleistungsclownsauto, das gewagte Akkordprogressionen, technische Innovationen und einen Haufen Hooks hinter seinem Cartoon-Chassis verbirgt und die glücklichen Hörer*innen mit auf seine Spritztour nimmt.
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LP
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Label:Bureau B
Cat-No:BBLE4471
Release-Date:14.06.2024
Genre:Electronic
Configuration:LP
Barcode:4015698762471
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Label:Bureau B
Cat-No:BBLE4471
Release-Date:14.06.2024
Genre:Electronic
Configuration:LP
Barcode:4015698762471
1
Cluster - Hollywood
2
Cluster - Caramel
3
Cluster - Rote Riki
4
Cluster - Rosa
5
Cluster - Caramba
6
Cluster - Fotschi Tong
7
Cluster - James
8
Cluster - Marzipan
9
Cluster - Rotor
10
Cluster - Heiße Lippen
Limited Anniversary Edition: 180g vinyl, hand numbered, 1000 copies available!
In 1974, Cluster entered the sugar era. This doesn"t mean that they had finally arrived in their promised land, but they had simply moved from Berlin to the country, to a small place called Forst on the river Weser. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster. More
In 1974, Cluster entered the sugar era. This doesn"t mean that they had finally arrived in their promised land, but they had simply moved from Berlin to the country, to a small place called Forst on the river Weser. Many a thing had changed for band members Moebius and Roedelius since Cluster II: They had moved from boisterous Berlin to this calm rural village, they had founded the band Harmonia, had set up their own studio and had bought new equipment. As a result of this and many other things, new impulses were noticeably spurring the evolution of their music. The album Zuckerzeit ("sugar era") launched a revolution for Cluster. More
LP
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Label:Bureau B
Cat-No:BBLE1031
Release-Date:14.06.2024
Genre:Electronic
Configuration:LP
Barcode:4015698599183
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Cat-No:BBLE1031
Release-Date:14.06.2024
Genre:Electronic
Configuration:LP
Barcode:4015698599183
1
Conrad Schnitzler - Die Rebellen Haben Sich In Den Bergen Versteckt
2
Conrad Schnitzler - Jupiter
Limited Anniversary Edition: embossed, reverse board, hand numbered, limited edition blue vinyl, 500 copies available!
Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The blue album ("Blau") from 1974 was Schnitzler"s second solo LP More
Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The blue album ("Blau") from 1974 was Schnitzler"s second solo LP More
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Label:Bureau B
Cat-No:BB4441
Release-Date:02.02.2024
Genre:Pop
Configuration:LP
Barcode:4015698879544
1
Ja, Panik - Lost
2
Ja, Panik - Mama Made This Boy
3
Ja, Panik - Kung Fu Fighter
4
Ja, Panik - Dream 12059
5
Ja, Panik - Hey Reina
6
Ja, Panik - Teuferl
7
Ja, Panik - Changes
8
Ja, Panik - Facism Is Invisible (Why Not You?)
9
Ja, Panik - Die Angst Des Archivars Vor Der Sichtung Der Welt
10
Ja, Panik - Every Sun That Shines
11
Ja, Panik - Ushuaia
Ja, Panik sind zurück! Während das letzte, experimentellforschende und in viele Richtungen mäandernde Pop-Album "Die Gruppe Ja, Panik" (2021) ihr überraschendes Comeback nach siebenjähriger Kreativpause markierte, ist "Don"t play with the rich kids" nun so etwas wie ihre Rückkehr als RockBand. Als die Gang aus dem Burgenland, die sich spätestens seit "The Angst And The Money" (2009) in unser aller Herzen gespielt hat. Wir sehen Stefan Pabst, Sebastian Janata, Laura Landergott und Andreas Spechtl auf dem Cover-Foto sanft umhüllt von einem Tuch am Strand von Nirgendwo. Es hält die Band nach innen zusammen und weist gleichzeitig eine klare Grenze nach außen: Wir sind hier, und Du bist da! Und es scheint nahezu unmöglich, in diesen inner circle hineinzukommen. Eleganter lässt sich das weltweit grassierende Klassismus-Problem wohl kaum darstellen. wohl auch irgendwann einmal mit auf den Weg gegeben. Während Ja, Panik früher das System immer wieder von innen heraus zerstören wollten, mit sehr viel Glam und lustvoll vorgetragener Autoaggression, haben sie ihre Marke noch einmal gründlich relaunched, um es im Werbe-Sprech der 90er-Jahre zu formulieren. Ihr Nihilismus made in Austria als Grundgefühl ist immer noch wichtiger Markenkern, aber er wird nun wesentlich reflektierter vorgetragen. Und das inzwischen ganz selbstverständliche Mitverhandeln der eigenen Privilegien scheint die Band in ihren neuen Songs regelrecht zu beflügeln. Denn diese Rich Kids sind schließlich auch sie selbst. Davon lässt sich selbstbewusst erzählen. Wobei das natürlich unbedingt im globalen Maßstab zu sehen ist. Wir alle wissen, was eine vierköpfige, linkspolitische Indie-Rock-Band zwischen Berlin und Wien mit ihrer Musik so verdient. Und auch wenn laut Spechtl nach wie vor "1.000 Kämpfe in seinem Körper kämpfen", von denen er nach eigener Feststellung keinen einzigen je gewinnen kann, scheint ihm seine neue Rolle als Zen-Rocker und selbsternannter Kung-Fu-Fighter umgeben von seinen alten Bandkolleg:innen in ausgezeichneter Form sehr gut zu tun. Tja, viele Menschen in ihrem Alter besitzen inzwischen ein Haus in Brandenburg oder eine Eigentumswohnung in Berlin, aber wer kann sich schon Mitglied der Gruppe Ja, Panik nennen? Kulturelles Kapital, von dem viele Menschen nicht mal zu träumen wagen.
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Label:Bureau B
Cat-No:BBLTD4431
Release-Date:12.01.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:4015698924770
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Label:Bureau B
Cat-No:BBLTD4431
Release-Date:12.01.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:4015698924770
1
Kreidler - Polaris
2
Kreidler - Tanger Telex
3
Kreidler - Diver
4
Kreidler - Loisaida Sister
5
Kreidler - Arithmétique
6
Kreidler - Hands
7
Kreidler - Hopscotch
8
Kreidler - Mount Mason
9
Kreidler - Kandili
Kreidlers siebte Langspielplatte für Bureau B ist eine Affaire elektronischer Popmusik genährt in Jetztzeit-Clubs und wurzelnd in rheinischem Kraut, britischem Post-Punk (mit einem Hauch NYC und Brüssel) und internationaler Polyrhythmik. Im dreißigsten Jahr der Bandgeschichte hat "Düsseldorfs zweitberühmteste Band" (Boomkat) auf Twists (a visitor arrives) auf vier von neun Stücken mit den Gästen Khan Of Finland, Maxim Bosch, Natalie Beridze und Timuçin Dündar zusammengearbeitet; die Covergestaltung legten sie in die Hände von Fette Sans.
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Label:Bureau B
Cat-No:BBLTD040
Release-Date:08.12.2023
Configuration:LP
Barcode:4015698263534
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Label:Bureau B
Cat-No:BBLTD040
Release-Date:08.12.2023
Configuration:LP
Barcode:4015698263534
1
Moebius - Contramio
2
Moebius - Hasenheide
3
Moebius - Rattenwiesel
4
Moebius - Transport
5
Moebius - Etwas
6
Moebius - Nervös
7
Moebius - B 36
8
Moebius - Furbo
9
Moebius - Sinister
10
Moebius - Immerhin
Limited to 500 handnumbered copies on red vinyl!
Dieter Moebius is one of the most important protagonists of avant-garde electronic music in Germany (He is/was part of Cluster and Harmonia). "Tonspuren" dates back to 1983 and was his first solo album. It features meticulously fabricated pearls of electronic music with a sense of pop melody. More
Dieter Moebius is one of the most important protagonists of avant-garde electronic music in Germany (He is/was part of Cluster and Harmonia). "Tonspuren" dates back to 1983 and was his first solo album. It features meticulously fabricated pearls of electronic music with a sense of pop melody. More
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Label:Bureau B
Cat-No:BBLTD1021
Release-Date:22.09.2023
Configuration:LP
Barcode:4015698269789
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Label:Bureau B
Cat-No:BBLTD1021
Release-Date:22.09.2023
Configuration:LP
Barcode:4015698269789
1
Conrad Schnitzler - Meditation
2
Conrad Schnitzler - Krautrock
Conrad Schnitzler (1937-2011), composer and concept artist, is one of the most important representatives of Germany"s electronic music avant-garde. A student of Beuys, he founded Berlin"s legendary Zodiak Free Arts Lab, a subculture club, in 1967/68, was a member of Tangerine Dream (together with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. The red album ("Rot") from 1973 was Schnitzler"s first solo LP.
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Label:Bureau B
Cat-No:BB4361
Release-Date:18.08.2023
Genre:Alternative/Electronic
Configuration:LP
Barcode:4015698847772
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Label:Bureau B
Cat-No:BB4361
Release-Date:18.08.2023
Genre:Alternative/Electronic
Configuration:LP
Barcode:4015698847772
Im Schatten von Neo-Kraut und Diskurs-Pop wuchs in den letzten 10 Jahren im Unterholz deutscher Klangtopographien fast unbemerkt ein sonderbares Myzel aus dem Boden. Aus diesem unterirdischen Geflecht treten eine Handvoll Projekte mit so geheimnisvollen und poetischen Namen wie Brannten Schnüre, Baldruin, Kirschstein, Freundliche Kreisel und Balint Brösel hervor. Die Compilation "Gespensterland" archiviert und anthologisiert erstmalig ihre magischen Arbeiten, die an der Grenze zwischen Folklore, experimenteller Elektronik und (Alb- )Traum operieren und besitzt als Zeitdokument schon jetzt das Potential, die Strahlkraft von Kultsamplern wie etwa Pordenones "The Great Complotto" zu entwickeln
TRACKLIST
1.1 Freundliche Kreisel - Gespensterland
1.2 Kirschstein - Komet über Sch(r)attenberg
1.3 Baldruin - Reich der Illusionen
1.4 Kirschstein - Ach, Du große Nachtmusik
1.5 Freundliche Kreisel - Abbild
1.6 Baldruin - Elektrische Kräuter
1.7 Kirschstein - Futura Narkotica
1.8 Brannten Schnüre - Ich versäum' doch nichts
1.9 Kirschstein - Mouches Volantes oder die tanzenden Mücke
1.10 Kirschstein - Gold der Liebe
1.11 Brannten Schnüre - Supermarkt
1.12 Freundliche Kreisel - Spannung
1.13 Baldruin - In heimlichen Winkeln
1.14 Balint Brösel & Brannten Schnüre - Disco
1.15 Freundliche Kreisel - Entwirklichung More
TRACKLIST
1.1 Freundliche Kreisel - Gespensterland
1.2 Kirschstein - Komet über Sch(r)attenberg
1.3 Baldruin - Reich der Illusionen
1.4 Kirschstein - Ach, Du große Nachtmusik
1.5 Freundliche Kreisel - Abbild
1.6 Baldruin - Elektrische Kräuter
1.7 Kirschstein - Futura Narkotica
1.8 Brannten Schnüre - Ich versäum' doch nichts
1.9 Kirschstein - Mouches Volantes oder die tanzenden Mücke
1.10 Kirschstein - Gold der Liebe
1.11 Brannten Schnüre - Supermarkt
1.12 Freundliche Kreisel - Spannung
1.13 Baldruin - In heimlichen Winkeln
1.14 Balint Brösel & Brannten Schnüre - Disco
1.15 Freundliche Kreisel - Entwirklichung More
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Label:Nippon Columbia Japan
Cat-No:hmjy193
Release-Date:03.11.2023
Genre:Jazz
Configuration:LP
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Label:Nippon Columbia Japan
Cat-No:hmjy193
Release-Date:03.11.2023
Genre:Jazz
Configuration:LP
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(clear pink color vinyl / LP with OBI) Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
TRACKLIST
A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up
INFO
Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
Originally released in 1975
Features a cover of “Funky Stuff” by Kool & The Gang
All songs written and arranged by Hiromasa Suzuki
Pressed on Pink Vinyl
Tenor Sax, Alto Sax, Flute, Producer – Jiro Inagaki
Electric Piano – Hiromasa Suzuki
Drums – Hajime Ishimatsu
Bass – Akira Okazawa
Guitar – Hiroshi Yasukawa
Trombone – Takashi Imai More
TRACKLIST
A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up
INFO
Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.
Originally released in 1975
Features a cover of “Funky Stuff” by Kool & The Gang
All songs written and arranged by Hiromasa Suzuki
Pressed on Pink Vinyl
Tenor Sax, Alto Sax, Flute, Producer – Jiro Inagaki
Electric Piano – Hiromasa Suzuki
Drums – Hajime Ishimatsu
Bass – Akira Okazawa
Guitar – Hiroshi Yasukawa
Trombone – Takashi Imai More
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Label:Modern Silence
Cat-No:OI001
Release-Date:01.03.2024
Configuration:LP
Barcode:0889397108496
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Label:Modern Silence
Cat-No:OI001
Release-Date:01.03.2024
Configuration:LP
Barcode:0889397108496
1
Steve Reich - Four Organs
2
Steve Reich - My Name Is
3
Steve Reich - Piano Phase Part One
4
Steve Reich - Piano Phase Part Two
5
Steve Reich - Phase Patterns
A live performance of four early works by Steve Reich: "Four Organs", "My Name Is", "Piano Phase", and "Phase Patterns." This performance marked an important moment in San Francisco Bay Area new music history with the triumphant return to the East Bay by Steve Reich, who studied at Mills College with Luciano Berio, and who performed the 1964 world premiere of Terry Riley's seminal work, “In C", at the San Francisco Tape Music Center. The resonant acoustics of the University of California at Berkeley Museum’s concrete interior were especially appropriate for “Four Organs”, with its long additive sustained chords over a maraca pulse. The capacity crowd occupied every conceivable area of the interior space, including walkway ramps suspended over gallery spaces. It was an electrifying evening!
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(Pressed on Black vinyl, LP with OBI, original released in 1970) 2023 pressing Japanese Import of the Japanese Jazz-Funk classic. From the opening 'The Vamp' to the final 'Head Rock', this is a dazzling jazz rock showcase with dreadnought songs that are filled with ideas and passion you can hold. A masterpiece that has an overwhelming presence in the history of jazz in Japan, as a heresy left on the prestigious jazz label Tact.
TRACKLIST
A1. The Vamp
A2. Twenty One
A3. Spoonful
B1. Back To Rack
B2. High Jack
B3. The Ground For Peace
B4. Head Rock
INFO
From the opening “The Vamp” to the final “Head Rock”, this is a dazzling jazz rock showcase with dreadnought songs that are filled with ideas and passion you can hold. A masterpiece that has an overwhelming presence in the history of jazz in Japan, as a heresy left on the prestigious jazz label Tact.
Bass – Yasuo Arakawa
Drums – Sadakazu Tabata
Guitar – Ryo Kawasaki
Organ – Masaru Imada
Tenor Saxophone, Soprano Saxophone – Jiro Inagaki
Trumpet – Tetsuo Fushimi More
TRACKLIST
A1. The Vamp
A2. Twenty One
A3. Spoonful
B1. Back To Rack
B2. High Jack
B3. The Ground For Peace
B4. Head Rock
INFO
From the opening “The Vamp” to the final “Head Rock”, this is a dazzling jazz rock showcase with dreadnought songs that are filled with ideas and passion you can hold. A masterpiece that has an overwhelming presence in the history of jazz in Japan, as a heresy left on the prestigious jazz label Tact.
Bass – Yasuo Arakawa
Drums – Sadakazu Tabata
Guitar – Ryo Kawasaki
Organ – Masaru Imada
Tenor Saxophone, Soprano Saxophone – Jiro Inagaki
Trumpet – Tetsuo Fushimi More
Label:1985 Music
Cat-No:ONEF050
Release-Date:03.11.2023
Genre:Drum + Bass
Configuration:2LP
Barcode:
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Label:1985 Music
Cat-No:ONEF050
Release-Date:03.11.2023
Genre:Drum + Bass
Configuration:2LP
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1
Alix Perez & Headland - A1 - Mirage Pt I
2
Alix Perez & Headland - A2 - Mirage Pt II
3
Alix Perez & Headland - B1 - The Grove
4
Alix Perez & Headland - B2 – Shuriken
5
Alix Perez & Headland - C1 – Hellion
6
Alix Perez & Headland - C2 – 1024
7
Alix Perez & Headland - D1 – Coco
8
Alix Perez & Headland - D2 - Elk's Point
Label head honcho Alix Perez teams up with fellow New Zealand based producer DJ Headland on their mini LP 'Hellion'. Delivering eight heavyweight cuts that have been doing damage on sound systems across the world.
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Label:Above Board Projects
Cat-No:BEATSPUN003
Release-Date:03.11.2023
Genre:Breaks
Configuration:2LP
Barcode:5061002834395
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Cat-No:BEATSPUN003
Release-Date:03.11.2023
Genre:Breaks
Configuration:2LP
Barcode:5061002834395
1
Tasti Box - - San Francisco
2
Mattski - - Live at the Brotherhood
3
Bass Kittens - - Get a Grip (Mission St. Mix)
4
Housebound - - Electro Rhythms
5
Hawke - - 3 Moods in a Purple Garden (Robbie Hardkiss Mix)
6
Trailmix - - Tequilla Sunset
7
Studio X - - Los Kings del Mambo
8
Deep2 - - Sphere
The Beat by SPUN – West Coast Breakbeat Rave Electrofunk 1988-1994. In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as "The Beat." Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix. As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores. In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days.
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Label:Amazing!
Cat-No:A003
Release-Date:27.10.2023
Genre:House / Techno
Configuration:2LP
Barcode:8720246794700
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Label:Amazing!
Cat-No:A003
Release-Date:27.10.2023
Genre:House / Techno
Configuration:2LP
Barcode:8720246794700
1
The Connection Machine - Echoes From Tau Ceti
2
Direct Movement - Natural Chemistry
3
Paradise 3001 - Surfin The Cuban Waves
4
Exquisite Corpse - Strange Attractor
5
Orlando Voorn - Still
6
NYX - Delphi (Rewaxed)
7
Stefan Robbers - Afridisiac (Jumpy Mix)
8
Fluxland - Fluxland
9
This Side Up - Glider
10
Georgio Schultz - Trance
11
Quazar - Cycledrops
12
2000 And One - Crystal
Through 35 tracks stretched across three volumes, Music For The Radical Xenomaniac delivers the first ever deep dive into The Netherlands’ colourful house sound of the 90s and the under-celebrated producers and record labels whose music soundtracked a countrywide cultural movement.
Plenty of books and documentaries have celebrated the riotous raves, legendary clubs, high profile DJs and promoters who shaped The Netherlands’ hedonistic house scene throughout the 90s. Music For The Radical Xenomaniac dares to challenge these narratives by shining a light, for the first time, on those who created the scene’s kaleidoscopic, game-changing and globally influential soundtrack.
Leading the charge were a disparate group of key creators who not only forged links with their counterparts in Detroit, Chicago, New York, Belgium, Germany and the United Kingdom, but also became celebrated figures on the worldwide electronic underground (Eric Nouhan, Aad De Mooy, Orlando Voorn, Stefan Robbers and Steve Rachmad). Alongside key underground imprints (Stealth Records, Basic Energy, ESP, Prime and Outland Records included) and lesser-known producers, these pioneers gave flavour to a radical musical movement via open-mindedness, unheard-of creativity and a genuinely futuristic ethos. All of these artists and labels are represented throughout the series.
So, what defined this hedonistic house sound from The Netherlands? Stylistically, it was varied – as the series so emphatically proves – but was defined by a set of distinctive sonic characteristics: emotive musical motifs, high-frequency synth sounds, mellow basslines, pulsating rhythms and more than a touch of hallucinatory intent.
Volume 3 is packed with in-demand tracks and hard-to-find gems, including a previously CD-only cut from Dutch techno originator Orlando Voorn (1999’s ‘Still’), a genuine rave classic from The Hague by hardcore DJ Charly Lownoise as Fluxland, and a killer cut from prolific producer – and genuinely influential pioneer – Aad De Mooy AKA D-Shake. He’s represented on this volume by Paradise 3001 cut ‘Surfin The Cuban Waves’, which first appeared on ESP Records in 1993.
Other highlights include Direct Movement’s ‘Natural Chemistry’, a sought-after slow house cut produced by Dennis Buné, who had an enormous impact on the Dutch house scene as Jaimy, and ‘Delphi (Rewaxed)’ by NYX, a highly regarded and hard to find single from former new wave and synth-pop producer Bart Barten, and occasional studio partner Hanz Meyer.
Packed full of forward-thinking 90s gems remastered for today’s dance floors by Alden Tyrell, Music For The Radical Xenomaniac Volume 3 is a life-affirming celebration of a distinctly Dutch musical movement, whose rich textures and melodies are still inspiring new generations of DJs and dancers today.
Music For The Radical Xenomaniac was compiled and curated by long-serving Dutch scene stalwarts Christiaan Macdonald and Arne Visser and marks the debut of their new independent label, Amazing! Macdonald co-founded Rush Hour and Safe Trip, and also co-curated the acclaimed Welcome To Paradise and Planet Love compilations. Visser is known as selector and radio host Cinema Royale, and for his Dekmantel-released Italo-disco compilation, Profondo Nero. More
Plenty of books and documentaries have celebrated the riotous raves, legendary clubs, high profile DJs and promoters who shaped The Netherlands’ hedonistic house scene throughout the 90s. Music For The Radical Xenomaniac dares to challenge these narratives by shining a light, for the first time, on those who created the scene’s kaleidoscopic, game-changing and globally influential soundtrack.
Leading the charge were a disparate group of key creators who not only forged links with their counterparts in Detroit, Chicago, New York, Belgium, Germany and the United Kingdom, but also became celebrated figures on the worldwide electronic underground (Eric Nouhan, Aad De Mooy, Orlando Voorn, Stefan Robbers and Steve Rachmad). Alongside key underground imprints (Stealth Records, Basic Energy, ESP, Prime and Outland Records included) and lesser-known producers, these pioneers gave flavour to a radical musical movement via open-mindedness, unheard-of creativity and a genuinely futuristic ethos. All of these artists and labels are represented throughout the series.
So, what defined this hedonistic house sound from The Netherlands? Stylistically, it was varied – as the series so emphatically proves – but was defined by a set of distinctive sonic characteristics: emotive musical motifs, high-frequency synth sounds, mellow basslines, pulsating rhythms and more than a touch of hallucinatory intent.
Volume 3 is packed with in-demand tracks and hard-to-find gems, including a previously CD-only cut from Dutch techno originator Orlando Voorn (1999’s ‘Still’), a genuine rave classic from The Hague by hardcore DJ Charly Lownoise as Fluxland, and a killer cut from prolific producer – and genuinely influential pioneer – Aad De Mooy AKA D-Shake. He’s represented on this volume by Paradise 3001 cut ‘Surfin The Cuban Waves’, which first appeared on ESP Records in 1993.
Other highlights include Direct Movement’s ‘Natural Chemistry’, a sought-after slow house cut produced by Dennis Buné, who had an enormous impact on the Dutch house scene as Jaimy, and ‘Delphi (Rewaxed)’ by NYX, a highly regarded and hard to find single from former new wave and synth-pop producer Bart Barten, and occasional studio partner Hanz Meyer.
Packed full of forward-thinking 90s gems remastered for today’s dance floors by Alden Tyrell, Music For The Radical Xenomaniac Volume 3 is a life-affirming celebration of a distinctly Dutch musical movement, whose rich textures and melodies are still inspiring new generations of DJs and dancers today.
Music For The Radical Xenomaniac was compiled and curated by long-serving Dutch scene stalwarts Christiaan Macdonald and Arne Visser and marks the debut of their new independent label, Amazing! Macdonald co-founded Rush Hour and Safe Trip, and also co-curated the acclaimed Welcome To Paradise and Planet Love compilations. Visser is known as selector and radio host Cinema Royale, and for his Dekmantel-released Italo-disco compilation, Profondo Nero. More
Label:Basic Moves
Cat-No:BM019
Release-Date:30.06.2023
Genre:House
Configuration:2LP
Barcode:
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Label:Basic Moves
Cat-No:BM019
Release-Date:30.06.2023
Genre:House
Configuration:2LP
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1
Reformed Society - Constant State Of Hustle
2
Reformed Society - Touch And Go
3
Reformed Society - Hammer The Keys
4
Reformed Society - Hug Pit
5
Reformed Society - Adrenaline Rush
6
Reformed Society - Dream Shuttle
Reformed Society joins the roster of Brussel's, Belgium's Basic Moves this June with a 2x12'' EP, comprising six original compositions from the New Delhi born now Barcelona based artist. After many years sharing music, Basic Moves boss Walrus welcomes Indian artist Harsh Puri onto the imprint for a special double pack vinyl release. The material was gradually reduced down to the six compositions that make up BM19 after received over a hundred demo tracks from Harsh the past few years. Much of the release is inspired by UK tech house of the late nineties and the turn of the millennium and embraces a heads down, dance floor focused aesthetic throughout. Opening the release is 'Constant State Of Hustle', perfectly setting the tone with an amalgamation of bubbling synthesizer tones, a choppy bass groove, sporadic pads and a heavily swung drum groove. 'Touch' then shifts focus over to fluttering stab sequences, bright chords, airy strings and a crunchy rhythm section before 'Hammer The Keys' embraces the core essence of the early Tech House sound, fusing organic percussion with multilayered machine funk melodies, all infused with an underlying acid feel. Next up is 'Hug Pit' which dives into deep realms via ethereal, cinematic pad textures, wandering resonant synth lines and shuffled drums. The aptly named 'Adrenaline Rush' follows next, picking up the pace again courtesy of a gnarly bass melody, squelchy synth tones and a robust drum machine workout. 'Dream Shuttle' then rounds out the release, employing hazy atmospheric textures and a bumpy bass groove alongside dynamic, crisp drums.
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Label:Hole In One
Cat-No:HIOX006
Release-Date:24.02.2023
Genre:Dope Beat/Hip Hop
Configuration:2LP
Barcode:
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Label:Hole In One
Cat-No:HIOX006
Release-Date:24.02.2023
Genre:Dope Beat/Hip Hop
Configuration:2LP
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1
SMK - Nigga Type Shit (Original Version)
2
SMK - Who's Got The Fiah
3
SMK - Get Off A Niggaz Nutz (Original Version)
4
SMK - It Ain't Easy
5
SMK - Every Single Bitch
6
SMK - Dat Bounce
7
SMK - Just A Murdarah
8
SMK - Yall Bitches
9
SMK - They Can't Attack
10
SMK - It's Hard Being Black
11
SMK - We Got Da Weed
12
SMK - Suck A Nigga Dick
13
SMK - I Want YOu
14
SMK - When I Make It Rich
SMK aka South Memphis King is one of the real godfathers of Memphis rap. He released his first album in 1991 and is still active today. This is one of his early recordings, never released on vinyl before, Straight bangin' underground shit for the streets of your city. Roll a blunt and enjoy the sick madness over here.
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4LP Excl
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Label:Tresor Records
Cat-No:TRESOR300x
Release-Date:29.07.2022
Genre:Techno
Configuration:4LP Excl
Barcode:5051142009562
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Last in:16.03.2024
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Last in:16.03.2024
Label:Tresor Records
Cat-No:TRESOR300x
Release-Date:29.07.2022
Genre:Techno
Configuration:4LP Excl
Barcode:5051142009562
1
Simulant - New Machines 06:32
2
Simulant - Musical Box 05:55
3
Simulant - Wav. Form 06:30
4
Simulant - Wav. Form (Mix) 07:05
5
Simulant - Untitled (locked groove)
6
Simulant - Knife Edge 07:28
7
Simulant - Spectre 06:52
8
Simulant - Access Future Audio 04:36
9
Simulant - Access Future Audio (Mix) 08:13
10
Pollon - Lost Souls 05:42
11
Pollon - Lonely Planet 07:04
12
Pollon - Intro 02:25
13
Pollon - Lost Souls (Mix) 04:41
14
Pollon - Xtro 02:06
15
Various Artists - Optimal Flow 05:09
16
Simulant - Pressure Point 05:12
Territories: World excl. UK + North America
FORMAT 4x12” 180g vinyl, UV spot varnish
TRACKLIST:
SX12001 Simulant – Simm City (1998)
A1. Simulant - New Machines 06:32
A2. Simulant - Musical Box 05:55
B1. Simulant - Wav. Form 06:30
B2. Simulant - Wav. Form (Mix) 07:05
B3. Simulant - Untitled (locked groove)
SX12002 Simulant – Out Of Ether (2000)
A1. Simulant - Knife Edge 07:28
A2. Simulant - Spectre 06:52
B1. Simulant - Access Future Audio 04:36
B2. Simulant - Access Future Audio (Mix) 08:13
SX12003 Pollon – Electratech (2000)
A1. Pollon - Lost Souls 05:42
A2. Pollon - Lonely Planet 07:04
B1. Pollon - Intro 02:25
B2. Pollon - Lost Souls (Mix) 04:41
B3. Pollon - Xtro 02:06
SX12004 Simulant (2000)
A. Simulant - Optimal Flow 05:09
B. Simulant - Pressure Point 05:12
RELEASE INFO:
Extended Repress Alert!
Originally reissued to mark the 300th release on Tresor Records and the 20th anniversary of the mysterious Scopex
imprint, Tresor is pleased to present the long-awaited repress of the package. The three essential Scopex records
and the previously unreleased track "Optimal Flow" are now completed by "Pressure Point", a new track on the
H-side, available on vinyl for the first time on the 2022 edition.
Re-mastered from the original DAT tapes, the 4 records come together in a beautiful gatefold sleeve featuring the
original and idiosyncratic Scopex designs with delicate spot UV print.
Essential...
INCLUDES:
SX12001 – Simulant - Simm City (12”)
SX12002 – Simulant - Out Of Ether (12”)
SX12003 – Pollon - Electratech (12”)
SX12004 – Simulant - Optimal Flow/Pressure Point (12”) More
FORMAT 4x12” 180g vinyl, UV spot varnish
TRACKLIST:
SX12001 Simulant – Simm City (1998)
A1. Simulant - New Machines 06:32
A2. Simulant - Musical Box 05:55
B1. Simulant - Wav. Form 06:30
B2. Simulant - Wav. Form (Mix) 07:05
B3. Simulant - Untitled (locked groove)
SX12002 Simulant – Out Of Ether (2000)
A1. Simulant - Knife Edge 07:28
A2. Simulant - Spectre 06:52
B1. Simulant - Access Future Audio 04:36
B2. Simulant - Access Future Audio (Mix) 08:13
SX12003 Pollon – Electratech (2000)
A1. Pollon - Lost Souls 05:42
A2. Pollon - Lonely Planet 07:04
B1. Pollon - Intro 02:25
B2. Pollon - Lost Souls (Mix) 04:41
B3. Pollon - Xtro 02:06
SX12004 Simulant (2000)
A. Simulant - Optimal Flow 05:09
B. Simulant - Pressure Point 05:12
RELEASE INFO:
Extended Repress Alert!
Originally reissued to mark the 300th release on Tresor Records and the 20th anniversary of the mysterious Scopex
imprint, Tresor is pleased to present the long-awaited repress of the package. The three essential Scopex records
and the previously unreleased track "Optimal Flow" are now completed by "Pressure Point", a new track on the
H-side, available on vinyl for the first time on the 2022 edition.
Re-mastered from the original DAT tapes, the 4 records come together in a beautiful gatefold sleeve featuring the
original and idiosyncratic Scopex designs with delicate spot UV print.
Essential...
INCLUDES:
SX12001 – Simulant - Simm City (12”)
SX12002 – Simulant - Out Of Ether (12”)
SX12003 – Pollon - Electratech (12”)
SX12004 – Simulant - Optimal Flow/Pressure Point (12”) More
Label:Dark Entries
Cat-No:DE-312
Release-Date:15.03.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:
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Last in:31.05.2024
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Last in:31.05.2024
Label:Dark Entries
Cat-No:DE-312
Release-Date:15.03.2024
Genre:Alternative/Electronic
Configuration:LP
Barcode:
1
Ike Yard - Facile
2
Ike Yard - Dancing + Slaving
3
Ike Yard - War=Strong
4
Ike Yard - Agua (Diablo)
5
Ike Yard - S.I. (I Couldn't See)
6
Ike Yard - A Dull Life
7
Ike Yard - We Are One
8
Ike Yard - I Killed Picasso
9
Ike Yard - Freighter
10
Ike Yard - Wolfen
Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP - only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink. The album features a live photo of the band by Makoto Iida and includes an insert with liner notes from Stuart Argabright. 1982 is essential for fans of post-punk and caustic electronics from Liaisons Dangereuses to Beau Wanzer.
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Cat-No:hrlp315
Release-Date:13.12.2023
Configuration:LP
Barcode:
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Last in:11.04.2024
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Last in:11.04.2024
Cat-No:hrlp315
Release-Date:13.12.2023
Configuration:LP
Barcode:
(Originally released in 1987, Comes with obi, Pressed on Black Viny) A masterpiece of Japanese ambient/new age music
TRACKLIST
A1. Himawari
A2. Retro no Shizuku
A3. Yasha
A4. Boufuu
A5. Reien no Madobe
B1. Kinshitsu no Shirabe
B2. Itoshi no Rei
B3. Keisetsu
B4. Ranja no Sono
B5. Koshuu
INFO
Soundtrack of the documentary program for Japanese art history, “Japan: Its Heart and Form” which was aired on NHK educational channel from 1987 to 1988. Akira Mitake worked on it, and after the dissolution of Ippudo, he produced music for the media and provided music to many artists, mainly pop music. It’s an electronic work that expresses the silence, space, romance reminiscent of Japanese spirit. The entire contents has a mysterious atmosphere, “Yasha” and “Keisetsu” are particularly captivating, evoking the beauty of Japan. Truly amazing piece left by the talent behind Masami Tsuchiya, who can be interpreted as ambient music. More
TRACKLIST
A1. Himawari
A2. Retro no Shizuku
A3. Yasha
A4. Boufuu
A5. Reien no Madobe
B1. Kinshitsu no Shirabe
B2. Itoshi no Rei
B3. Keisetsu
B4. Ranja no Sono
B5. Koshuu
INFO
Soundtrack of the documentary program for Japanese art history, “Japan: Its Heart and Form” which was aired on NHK educational channel from 1987 to 1988. Akira Mitake worked on it, and after the dissolution of Ippudo, he produced music for the media and provided music to many artists, mainly pop music. It’s an electronic work that expresses the silence, space, romance reminiscent of Japanese spirit. The entire contents has a mysterious atmosphere, “Yasha” and “Keisetsu” are particularly captivating, evoking the beauty of Japan. Truly amazing piece left by the talent behind Masami Tsuchiya, who can be interpreted as ambient music. More
2LP
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Label:Above Board Projects
Cat-No:BEATSPUN002
Release-Date:06.10.2023
Genre:Breaks
Configuration:2LP
Barcode:
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Last in:24.05.2024
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Last in:24.05.2024
Label:Above Board Projects
Cat-No:BEATSPUN002
Release-Date:06.10.2023
Genre:Breaks
Configuration:2LP
Barcode:
1
DJ EFX (Beta Test) - - Star Trax
2
Wechselspannung - - 220V (Extract)
3
Jupiter 6 - - A8
4
The Ultraviolet Catastrophe - - The Trip (Trip Harder)
5
Electroliners - - Loose Caboose
6
High Lonesome Soundsystem - - Champion Sound
7
Single Cell Orchestra - - I Hear the DJ’s Here
8
Jim Hopkins - - C’mon Now
9
Central Fire - - Kamba (The Lost Mix)
10
DJ Emma - - The Duster (Fuck Off and Dance Mix)
The Beat by SPUN – West Coast Breakbeat Rave Electrofunk 1988-1994. In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as "The Beat." Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix. As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores. In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days.
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