Soul Jazz Records" new Miami Sound 2 is a superlative collection of 70s soul, funk, disco and boogie featuring tracks from legendary artists such as Betty Wright, Timmy Thomas, Gwen McRae, Milton Wright, T-Connection and many more, all released on the mighty TK Records musical empire based in Miami, Florida. More

Soul Jazz Records are releasing flautist Lloyd McNeill's album 'Elegia' (1980). Originally released on the artists' own private press Baobab label in New York, the album is a serious collectors' piece, a heavyweight and fascinating fusion of deep spiritual jazz with Brazilian rhythms and melodies. The album has been out of print for nearly 40 years. This groundbreaking album is the culmination of Lloyd McNeill's many years involved with Brazilian musicians and features the great percussionist Nana Vasconcelos alongside fellow Brazilians Portinho and Dom Salvador, and US jazz musicians including bassist Cecil McBee. In a 50-year musical career, McNeill has worked with many artists including Nina Simone, Eric Dolphy, Mulatu Asatke and Sabu Martinez. This is the fifth Lloyd McNeill album that Soul Jazz Records have released and follows on from the recent release of 'Treasures' (1976) and the earlier albums 'Asha' (1969), 'Tanner Suite' (1969) and 'Washington Suite' (1970), all of which are being re-pressed to coincide with this new release. More

Repress!

18 years on from its original release Studio One Dub remains super-hard hitting featuring classic + rare Dub tracks from Studio One, many available on vinyl for the first time in over thirty years.

Studio One Dub includes the dubs of many classic tracks such as Horace Andy’s “Skylarkin”, Johnny Osbourne’s “Truth and Rights”, John Holt’s “Hooligan”, Freddie McGregor’s “Bobby Bobylon” plus many more rare tracks.

The album also comes with two rare interviews - one with Clement 'Sir Coxsone' Dodd about dub and dubplates and one with the sound engineer Sylvan Morris, talking about his groundbreaking period at Studio One and his many innovations that he evolved there.

In short, this is a 100% essential album!




REVIEWS:

"Almighty slab of dub featuring loads of rare and classic dub versions of Studio One's foundation tracks." Rough Trade

“Quite a treat awaiting here for the unsuspecting reggae faithful - as always with Soul jazz chock full of a bunch of big tunes - but here in version form lies some of the freshest rhythms and most radical revisions of some of the greatest Studio One music. The darkest and the absolute deepest in the series - naturally essential”. Boomkat

"Continuing the Studio 1 Series this album features classic and rare Dub tracks from Studio One, many available for the first time in over thirty years. Studio One Dub includes the dubs of many classic tracks such as Horace Andy’s “Skylarkin”, Johnny Osbourne’s “Truth and Rights”, John Holt’s “Hooligan”, Freddie McGregor’s “Bobby Bobylon” plus many more rare tracks. In short, this is an essential album!" Wax Museum

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“Soul Jazz’s Studio One Dub collection, cannot help but to serve as loving tribute to Sir Coxsone Dodd. This giant of a man not only defined popular music for the isle of Jamaica, but for the world over, his innovations laying the foundations for hip-hop, dance and post-rock.”

“Dodd's dubs drew on such a fertile ground of classic Jamaican rhythms that he rarely missed. As such, it's difficult to find fault with the versions presented here and many of these cuts are ridiculously rare.”

“This burning set celebrates Dodd's extraordinary life by mashing time and space until it's joyfully suspended. What better tribute could there be?” Pitchfork More

Repress!

Studio One's music in the 1970s took the label to new heights. The new style of Disco Mix brought many areas of Reggae together ­ Roots, Lovers, Disco and Dub all came together in extended form, re-versioning classic hits, experimenting with new studio technology, over-dubbing, syn-drums and more producing what many fans describe as the most creative and innovative phase in the history of the legendary Studio One Records.

This Studio One Disco Mix album includes many sought after classic tunes only ever released in very small quantities (on Studio One's very first 12" records as well as it's infamous Music Lab 10"s out of New York) and consequently many of these track s have been unavailable since their day of release. Studio One Disco Mix features many of the classic Studio One artists such as Alton Ellis, Sugar Minott, Jackie Mittoo and Willie Williams (with his classic re-versioning of his own "Armigideon Time") alongside less well artists such as Doreen Schaeffer, Judah Eskender Tafari and George Dudley and many more. More

Repress!

Lovingly compiled, this album features only the finest Lovers from Jamaica’s finest label. From Blues parties in London, Birmingham, Bristol etc Lovers Rock quickly became one of the UK’s finest-ever musical movements.

Sweet harmonies, soulful reggae, love songs – the key ingredients of Lovers Rock - were all based on the revival of many of the classic Rocksteady harmony groups of the late 60s and early 70s, such as The Heptones, Carlton and The Shoes, Larry & Alvin, The Paragons, that Clement "Sir Coxsone" Dodd’s Studio One and rival Duke Reid’s Treasure Isle label produced hit after hit with as they fought for dominance in the dancehalls of Kingston.

As well as these classic harmony groups, this album also features fine contributions from many of the reggae greats – Horace Andy, Alton Ellis, Bob Marley and The Wailers, Delroy Wilson – All artists who became stars at the legendary Studio One Records which Chris Blackwell, founder of Island Records, describes as "The University of Reggae". More

20th Anniversary Repress!

Studio One Roots set the standard for Soul Jazz Records’ long-standing series of Studio One collections and features many of the classic artists from Clement 'Sir Coxsone’ Dodd’s mighty roster of reggae.

This album includes Freddie McGregor, Willie Williams, Cornell Campbell, Alton Ellis, Devon Russell alongside some of the defining crack-session men groups of Jamaican reggae history - The Sound Dimension, Brentford All-Stars, The Skatalites, New Establishment and more. As ever the album is filled with a mixture of seminal cuts and super-rarities from the vast vaults of 13 Brentford Road.

Stand-out tracks include Alton Ellis’s Blackish White, a surreal and powerful Afro-centric dream, Count Ossie Nyabinghi and Rastafarian drummers genre-defying interpretation of Booker T and The MGs ‘Meditation’, Willie Williams awe-inspiring versioning of the Skatalites' seminal Rastafari anthem Addis Ababa and many, many more.

This album has been fully digitally remastered, analog cut and packaged complete with the following: Original sleevenotes by Lloyd Bradley (author of When Reggae Was King), compiled by Mark Ainley (Honest Jons), high-quality Soul Jazz mastering, wicked images of Count Ossie and the Mystic Revelation of Rastafari on the cover, and a rare image of Clement Dodd and musicians inside the studio at Studio One on the full colour inner sleeves.

REVIEWS:

"Having established himself as one of Jamaica's top producers the day Studio One opened its doors in the early '60s, Clement "Coxsone" Dodd was unable to maintain his status during the roots era of the subsequent decade. This can be attributed to a couple of factors. One was Dodd's apparent reluctance to record the new, overtly Rasta-inspired music. The other was an infusion of new blood into the Jamaican music business. Eager to make a name for themselves, producers like Joe Gibbs, Bunny Lee, Lee "Scratch" Perry, and Winston "Niney" Holness managed to supplant the island's "big three" (Dodd, Duke Reid, and Prince Buster) in the process, driving the music's evolution in the '70s.

There isn't a weak number across these 16 tracks, from the Gaylads' ode to "Africa" and Devon Russell's version of the heavyweight "Drum Song" rhythm, to a trio of stunning instrumentals: Jackie Mittoo and the Cyclones with nyahbinghi drummer Count Ossie on "Meditation," Lenny Hibbert's sparkling vibe work over Mittoo's "Ghetto Organ" ("More Creation"), and Sound Dimension's "Congo Rock."

The music of this compilation is of a rare, rare beauty and is essential to anyone's reggae collection." All Music More

Reissue!

For this Studio One release we return to the roots of Reggae music-The Soundsystem. Throughout the late 1950s and 1960s Soundsystems played throughout the city of Kingston, Jamaica. As well as Sir Coxsone's Downbeat Soundsystem other famous Soundsystem operators included Duke Reid (the Trojan), Prince Buster, Tom the Great and King Edwards.

These Soundystems were the birthplace of much of Jamaica's musical culture ­ Soundclashes, Dancehall and the idea of the Toaster who sang over records- theDJ. As ever Clement "Sir Coxsone" Dodd led the field and so for this release the focus is on DJ's at Studio One and features legendary toasters such as Denis Alcapone, Dillinger and Prince Far I as well as a host of rare material by lesser known artists. Also included is Count Machuki ­ the original DJ- the first man ever to speak over the mic-at Sir Coxsone¹s Downbeat Sound System- from where it all began.

As Steve Barrow (author of The Rough Guide to Reggae/Blood and Fire Records) writes in the sleevenotes, Jamaican deejay music is the source for all Rap music: From Count Machuki talking over records on Sir Coxsone's legendary Downbeat Sound System this style would eventually travel to America when the Jamaican-born Kool Herc began playing at Block parties (a version of the Kingston Soundsystem parties) in the Bronx. Cutting up rare-groove classics for the first B-Boys to rap over, Hip-Hop was born and theDJ music that had started on the early Soundsystems of Kingston would go on to conquer the world!

Studio One Records is the original Jamaican record label. Studio One Records started the career of hundreds of Jamaican artists from Bob Marley to The Skatalites, from Horace Andy to The Heptones. Studio One DJs (compiled by Mark Ainley) is the next in the series of releases where Soul Jazz Records are showcasing the music of Studio One, the label that literally defines Reggae. More

VINYL ALBUM ONLY REPRESS (COMES WITHOUT DVD/CD)!

Soul Jazz Records’ feature-length documentary/CD/Book ‘Studio One Story’ is being re-released on 1 August 2011, and is also available for the first time as a stand alone DVD.
The DVD is being issued as a prelude to the forthcoming deluxe-hardback book ‘Original Cover Art of Studio One Records’ released this autumn by Soul Jazz Records as well as a new Studio One album compilation on Soul Jazz to coincide with the new book.


Studio One Story is a documentary this is both a staggering slice of musical history and a definitive guide to Studio One, Jamaica’s greatest ever record company, and its legendary founder, Clement ‘Coxsone’ Dodd. ‘Studio One Story’ was filmed in 2002, two years before the death of the legendary Clement ‘Sir Coxsone’ Dodd, a man famously reticent of being interviewed - until the making of this film. Described by Chris Blackwell as the Motown of Jamaica, or ‘The University of Reggae’, Studio One is where the careers of literally hundreds of reggae artists began: Bob Marley and the Wailers, Alton Ellis, The Heptones, Ken Boothe, The Skatalites, Burning Spear and Sugar Minott, to name but a few! Studio One is the ‘foundation’ label of Jamaican Reggae and Clement ‘Sir Coxsone’ Dodd is seen by many as its father.

One and a half years in the making, Studio One Story is a truly unique documentary in which the late Clement Dodd gave unprecedented personal access to tell the previously untold story of how he and the many artists and musicians at Studio One literally shaped the rise of Reggae music from the 1950s onwards through to the late 1970s. This is the true story of reggae music and its Jamaican roots told from the inside: From the rise of Kington’s sound systems in the 1940s and 1950s, through to the evolution of a Jamaican music industry (and Studio One’s dominance) in the 1960s and the worldwide success of reggae in the 1970s.

The 4 hour documentary (including over an hour of extras) was filmed on location in Kingston, Jamaica and features interviews with Horace Andy, Alton Ellis, Ken Boothe, Sugar Minott, Denis Alcapone, The Ethiopians, Sylvan Morris, Johnny Moore, Lone Ranger, King Stitt and many others. The DVD also includes rare footage of The Skatalites, Jackie Mittoo, Count Ossie, Marcia Griffiths and others. As well as the stand-alone DVD, Soul Jazz Records are reissuing the original (DVD +CD+Book) original box set. More

Seminal rare groove funk and deep soul album originally released in 1973 on GRC Records now released 50 years later on Soul Jazz Records in this fully remastered edition of this CLASSIC album. The album "Ripple" contains the all-time classic "I Don"t know What It Is, But It Sure Is Funky", one of the most memorable funk tunes of all time and sampled many times over. Ripple"s unique blend of funk, soul, rock, proto-disco and more stood them alongside groups like Funkadelic, Brass Construction, Mandrill, Pleasure, Kool and the Gang and The Blackbyrds, who were all blending these styles while remaining firmly focussed on the dancefloor. Like the group Funkadelic, Ripple hailed from Michigan and in 1976 opened for the group on their Parliament/Funkadelic Mothership Connection tour. This classic album has been out of print for nearly 30 years on vinyl and is now fully remastered and presented here in its original artwork.

Tracklist
1.1You Were Right On Time
1.2Be My Friend
1.3I Don't Know What It Is, But It Sure Is Funky
1.4I'll Be Right There Trying
1.5Get Off
1.6See The Light In The Window
1.7A Funky Song
1.8Willie, Pass The Water
1.9Dance, Lady Dance
1.10Ripplin' More

This is a very special one-off new special edition of one of the most popular of all the Soul Jazz Records" collections that has been out of print for many years! Featuring great new sleeve design as well as a special coloured vinyl pressing, Studio One Kings is a "who"s who" of the world"s greatest reggae artists. Studio One"s list of singers launched at the famous label reads like a roll call of Jamaican music. Horace Andy, Alton Ellis, Ken Boothe, Freddie McGregor, Johnny Osbourne and more. This album features classic and rare tracks that span the breadth of the legendary Studio One catalogue: Ska, Roots, Rocksteady, Lovers and more from the 1960s and 70s. The album also comes with sleeve-notes by the great writer Chris Salewicz, author of books on Reggae Explosion, Rude Boy as well as books on Bob Marley, The Rolling Stones, Jimmy Page, Joe Strummer and more.

Tracklist
1.1Larry Marshall - I've Got To Make It
1.2Horace Andy - Every Tongue Shall Tell
1.3Alton Ellis - The Well Run Dry
1.4Johnny Osbourne - Water More Than Flour
1.5Anthony Rocky Ellis - I'm The Ruler
1.6Cornell Campbell - Pretty Looks Isn't All
1.7Alexander Henry - Please Be True
1.8Burning Spear - The A Come
1.9Joe Higgs - Change Of Plan
1.10Devon Russell - Roots Natty
2.1Ken Boothe - Be Yourself
2.2Freddie McGregor - I Shall Be Released
2.3Freddie McKay - Father Will Cut You Off
2.4The Ethiopian - Locust
2.5George Philip - One On One
2.6John Holt - I Don't Want To See You Cry
2.7Delroy Wilson - Won't You Come Home More

New 20th anniversary edition of Soul Jazz Records" long out-of-print Miami Sound: Rare Funk and Soul from Miami, Florida, 1967-74. This album had been unavailable for more than 15 years and is newly remastered. Soul Jazz Records Miami Sound features rare and classic Funk and Deep Soul from Miami, Florida between 1968 and 1974. The album brings together million-selling artists such as Gwen McRae, George McRae and Timmy Thomas alongside artists little known outside of the sunshine state such as James Knight and The Butlers, Frank Williams and The Rocketeers and All the People.


TRACKLIST
1.1 All The People - Cramp Your Style
1.2 Helene Smith - You Got To Be A Man
1.3 George McCrae - I Get Lifted
1.4 James Knight And The Butlers - Funky Cat
1.5 Gwen McCrae - 90% Of Me Is You
1.6 Little Beaver - Funkadelic Sound
1.7 James Knight And The Butlers - Save Me
1.8 Joey Gilmore - Do It To Me One More Time
2.1 Helene Smith - A Woman Will Do Wrong
2.2 James Knight And The Butlers - Fantasy World
2.3 Timmy Thomas - Funky Me
2.4 The New Clarence Reid - Cadillac Annie
2.5 Frank Williams And The Rocketeers - The Spanish Flyer
2.6 Della Humphrey - Don't Make The Good Girls Go Bad
2.7
Frank Williams And The Rocketeers - You Got To Be A
Man
2.8 Joey Gilmore - Somebody Done Took My More

Mind Maze is, amazingly, Trees Speak"s fifth album to be released on Soul Jazz Records in the space of little over two years - an output matched only by the intensity of their music created during this short time. As with all their previous releases, "Mind Maze" is a mind-boggling tightrope walk across an array of musical influences that seamlessly create the unique present-day world of Trees Speak. The band"s sound is characterized by a combination of German krautrock motoric-beat rhythms, angular New York post-punk attitude, 60s spy soundtracks, psych, rock, jazz, and 70s synthesizers and vocoders. There is also a cosmic spatial awareness to their sound; both personal inner space and galactic outer space, as well as a wilful pushing of sonic boundaries. Trees Speak are a musical duo based in Tucson, Arizona, composed of Daniel Martin Diaz and Damian Diaz. Their music is heavily influenced by the cosmic magic of the natural desert landscapes of Arizona, creating a unique and captivating sound that is both experimental and innovative. "Mind Maze" was recorded in Brooklyn, New York with special guests Gabriel Sullivan, Alex Pope, Craig Dreyer, Ben Nisbet and Stephani Guilmette.
Tracklist
1.1Mind Maze
1.2Minotaur
1.3Syndrome
1.4Sospetto
1.5Illusions
1.6Scanner
1.7Burner
1.8Rare Earth
1.9Pathways
1.10Skip Breath
1.11Odyssey
1.12Passage
1.13Signals
1.14Black Phone
1.15Mirror
1.16Stone Tape
2.1Seraphim (Bonus 7Inch)
2.2Orpheus (Bonus 7Inch) More

"There is no Acid in this House" is Hieroglyphic Being"s third solo album on Soul Jazz Records, a resolute and powerful statement of Jamal Moss"s raw, vital, pioneering, Afro-Futurist electronic (dance) music. On his new album Moss once-again draws upon the vast scope of experimentation that has defined Chicago"s musical universe over the last half a century - from the birth of house music with the pioneers Ron Hardy, Marshall Jefferson, Lil Louis and others to the radical avant-garde jazz legacy of the city, The Association for the Advancement of Creative Musicians, The Art Ensemble of Chicago and Sun Ra. Chicago"s musical universe continues to push-further forward today with artists such as Hieroglyphic Being, Angel Bat Dawid, Makaya McCraven, and labels such as International Anthem label and Hieroglyphic Being"s own Mathematics, all continuing to explore radical new music while drawing upon the city"s decidedly Afro-futurist lineage.

Tracklist
1.1Communion Of The Highest Order
1.2We Are The Light Vessels
1.3When Situations Get
1.4Look Over There 9 O'Clock
1.5Beyond The Outrage
1.6Frantic Moments
1.7Mephisto's Pulpit Of Stank
2.1Deconstructing The Path
2.2Nights Under The Nubian Sky
2.3Dark Acidic Organs From The Void
2.4Private Runner
2.5Let Me Know How U Really Feel
2.6There Is No Acid In This House (Just Emotions Remix)
2.7Dogs Don't Wear Pants More

18 years on from its original release Studio One Women remains one of our Studio One releases most in-demand titles and like all our earlier special coloured editions is sure to sell out fast! Ska, rocksteady, funky reggae, roots, dub mixes, disco mixes, they"re all here from the queens of the Jamaican music scene - Studio One Women features a wide mix of classics and obscurities from the finest female voices in reggae.

Tracklist
1.1Claudette McLean - Give Love Another Try
1.2Jennifer Lara - My Man
1.3The Soulettes - A Deh Pon Dem
1.4Della Humphrey - Dream Land
1.5Jennifer Lara - Consider Me
1.6Denise Darlington - War No Right
1.7Hortense Ellis - I'm Just A Girl
1.8Angela Prince - No Bother With No Fuss
2.1Jerry Jones - There's A Chance For Me
2.2The Soulettes - King Street
2.3Jennifer Lara - Tell Me Where
2.4The Tonettes - I'll Give It To You
2.5Marcia Griffiths - Tell Me Now
2.6The Jay Tees - Come To Me
2.7Angela Prince - You A Fool Boy
2.8Jennifer Lara - I Am In Love More

Disco Reggae Rockers features wicked reggae disco versions of funk, soul and disco classics! This new album follows on from Soul Jazz Records" earlier highly successful "Hustle: Disco Reggae" and features reggae covers of classic songs by Earth, Wind and Fire, Michael Jackson, The Isley Brothers, Candi Staton, Curtis Mayfield and more as performed by Derrick Harriott, Devon Russell, Hortense Ellis, Glen Adams, Dave Barker and others.

TRACKLIST:

1.1 Devon Russell - Move On Up
1.2 Crashers - Flight To Jamaica
1.3 Valerie Harrison - Fool's Paradise
1.4 Bill Campbell - For The Love Of You
1.5 Risco Connection - It's My House
1.6 Dave Barker - Glow Of Love
1.7 Derrick Harriott - Caught You In A Lie
1.8 Hortense Ellis - Young Hearts Run Free

2.1 Ed Watson and Brass Circle - Wanna Be Startin' Somethin
2.2 Devon Russell - We The People Who Are Darker Than Blue
2.3 Seventh Extension - Reasons
2.4 Derrick Harriott - Brown Baby
2.5 Ed Watson and Brass Circle - Let's Groove
2.6 Pete Campbell & The Sunshine Girls - Don't Let Love Get
2.7 Webby Jay - In The Rain
2.8 Glen Adams Affair - Just A Groove
More

3xLP + 7" SINGLE, DOWNLOADCODE, ART PRINT, MAG/ZINE

Like Sun Ra"s Arkestra and John Coltrane are to jazz, the Mystic Revelation of Rastafari are to reggae - the ultimate expression of roots music and Rastafarian ideology in reggae music, music functioning at a high level of spiritual consciousness combined with an equally avant-garde and forward-looking approach to sound. The group"s stunning, unique and groundbreaking 1973 album "Grounation", a mighty conceptual triplealbum (the first ever reggae triple!) is, similar to Marvin Gaye"s "What"s Goin" On", a definitive allencompassing cultural statement of its time and place. A sprawling album of raw and unique cultural expression that combined Rastafari consciousness with deep spiritual jazz music - an absolute and essential classic of Reggae music. The Mystic Revelation of Rastafari group came into existence at the start of 1970s, the union of two artists (and groups) of equal repute - Count Ossie and his African Drums and saxophonist Cedric "Im" Brooks" and his group, The Mystics. Both Ossie and Brooks were alumni from the great Studio One Records.

TRACKLIST:

1.1 Bongo Man
1.2 Narration
1.3 Narration Continued
1.4 Mabrat (Passin Thru)
1.5 Poem I
1.6 Four Hundred Years
1.7 Poem II

2.1 Song
2.2 Lumba
2.3 Way Back Home
2.4 Ethiopian Serenade

3.1 Oh Carolina
3.2 So Long
3.3 Grounation
3.4 Grounation Continued

4.1 Blacker Black 7" Single
4.2 Grounation (Excerpt) 7" Single More

Like Sun Ra"s Arkestra and John Coltrane are to jazz, the Mystic Revelation of Rastafari are to reggae - the ultimate expression of roots music and Rastafarian ideology in reggae music, music functioning at a high level of spiritual consciousness combined with an equally avant-garde and forward-looking approach to sound. The group"s stunning, unique and groundbreaking 1973 album "Grounation", a mighty conceptual triplealbum (the first ever reggae triple!) is, similar to Marvin Gaye"s "What"s Goin" On", a definitive allencompassing cultural statement of its time and place. A sprawling album of raw and unique cultural expression that combined Rastafari consciousness with deep spiritual jazz music - an absolute and essential classic of Reggae music. The Mystic Revelation of Rastafari group came into existence at the start of 1970s, the union of two artists (and groups) of equal repute - Count Ossie and his African Drums and saxophonist Cedric "Im" Brooks" and his group, The Mystics. Both Ossie and Brooks were alumni from the great Studio One Records.

TRACKLIST:

1.1 Bongo Man
1.2 Narration
1.3 Narration Continued
1.4 Mabrat (Passin Thru)
1.5 Poem I
1.6 Four Hundred Years
1.7 Poem II

2.1 Song
2.2 Lumba
2.3 Way Back Home
2.4 Ethiopian Serenade

3.1 Oh Carolina
3.2 So Long
3.3 Grounation
3.4 Grounation Continued More

Krikor rolls out a bass flexing mutant dancehall rhythm on the a side with some deep hypnosis synth on the flip. Ltd edition 12". Big Tip! More

A live performance of four early works by Steve Reich: "Four Organs", "My Name Is", "Piano Phase", and "Phase Patterns." This performance marked an important moment in San Francisco Bay Area new music history with the triumphant return to the East Bay by Steve Reich, who studied at Mills College with Luciano Berio, and who performed the 1964 world premiere of Terry Riley's seminal work, “In C", at the San Francisco Tape Music Center. The resonant acoustics of the University of California at Berkeley Museum’s concrete interior were especially appropriate for “Four Organs”, with its long additive sustained chords over a maraca pulse. The capacity crowd occupied every conceivable area of the interior space, including walkway ramps suspended over gallery spaces. It was an electrifying evening! More

(clear pink color vinyl / LP with OBI) Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.



TRACKLIST

A1. Painted Paradise
A2. Funky Motion
A3. Breeze
A4. Scratch
B1. Funky Stuff
B2. One For Jiro
B3. Gentle Wave
B4. Four Up


INFO

Fresh reissued magic of Funky Stuff, formerly a rare exquisite by jazzmaster Jiro Inagaki, originally released in 1975. An enduring, pioneering fusion of jazz, funk, soul and rock - with influences from Herbie Hancock, James Brown and Santana - the album features some of the best and most acclaimed Japanese musicians of the time, enlisting the talent-wares of Hiromasa Suzuki on keyboards, Akira Ishikawa on drums and Takeru Muraoka on sax.



Originally released in 1975
Features a cover of “Funky Stuff” by Kool & The Gang
All songs written and arranged by Hiromasa Suzuki
Pressed on Pink Vinyl

Tenor Sax, Alto Sax, Flute, Producer – Jiro Inagaki
Electric Piano – Hiromasa Suzuki
Drums – Hajime Ishimatsu
Bass – Akira Okazawa
Guitar – Hiroshi Yasukawa
Trombone – Takashi Imai More

(Pressed on Black vinyl, LP with OBI, original released in 1970) 2023 pressing Japanese Import of the Japanese Jazz-Funk classic. From the opening 'The Vamp' to the final 'Head Rock', this is a dazzling jazz rock showcase with dreadnought songs that are filled with ideas and passion you can hold. A masterpiece that has an overwhelming presence in the history of jazz in Japan, as a heresy left on the prestigious jazz label Tact.


TRACKLIST

A1. The Vamp
A2. Twenty One
A3. Spoonful
B1. Back To Rack
B2. High Jack
B3. The Ground For Peace
B4. Head Rock


INFO

From the opening “The Vamp” to the final “Head Rock”, this is a dazzling jazz rock showcase with dreadnought songs that are filled with ideas and passion you can hold. A masterpiece that has an overwhelming presence in the history of jazz in Japan, as a heresy left on the prestigious jazz label Tact.


Bass – Yasuo Arakawa

Drums – Sadakazu Tabata

Guitar – Ryo Kawasaki

Organ – Masaru Imada

Tenor Saxophone, Soprano Saxophone – Jiro Inagaki

Trumpet – Tetsuo Fushimi More

Label head honcho Alix Perez teams up with fellow New Zealand based producer DJ Headland on their mini LP 'Hellion'. Delivering eight heavyweight cuts that have been doing damage on sound systems across the world.
More

The Beat by SPUN – West Coast Breakbeat Rave Electrofunk 1988-1994. In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as "The Beat." Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix. As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores. In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days. More

A double LP collection of retrospective works ** FULL INFO COMING SOON!

TRACKLISTING
A1 Crazy Love
A2 Call You Back
A3 Little Bit Of Our Love

B1 Samba De Howa Howa
B2 Love Luv Rendez-vous

C1 (Earth In) Blue
C2 Dancing On Mars
C3 Tsun-Ban-Tsun-Yeah

D1 Super Love
D2 Love Me One More Time More

Explosive Miami live performance with a selection of tracks released in the first half of the decade.

Tracklist :

Side A

Endorphinmachine
Space
Interactive
Get Wild
The Most Beautiful Girl In The World

Side B

It's Alright
I Believe In You
Maybe Your Baby
Santana Medley
319 More

Dark Entries flashes back to the grimy streets of New York City circa 1982 to bring us an unreleased album from cult outfit Ike Yard. Comprised of Stuart Argabright, Michael Diekmann, Kenneth Compton, and Fred Szymanski, Ike Yard sits between the sinewy proto-body music of the Neue Deutsche Welle and the shattered grooves of their No Wave peers in New York. The band’s initial run was short but blinding. They released an EP for Les Disques du Crépuscule in 1981, which was followed by their legendary self-titled LP for Factory in 1982. They disbanded within a year, frustrated by the slow pace at which the industry was able to release their increasingly challenging music. 1982 features 10 tracks which likely would have become the band’s second LP - only four of these songs have previously seen release on 2006’s 1980-82 Collected via Acute Records. Following the release of Ike Yard, they continued down their tortured path of hybrid electro-acoustic music with an arsenal of now-classic analog instruments, including the Korg MS-20 and the Roland TR-808. Skittering rhythms teeter on the verge of collapse while seasick synth warbles threaten to push us overboard. Electronic washes devolve into waves of feedback. Sneering basslines threaten dancers to move, but how can the body obey? This is dangerous music, gliding along the brink. The album features a live photo of the band by Makoto Iida and includes an insert with liner notes from Stuart Argabright. 1982 is essential for fans of post-punk and caustic electronics from Liaisons Dangereuses to Beau Wanzer. More

(Originally released in 1987, Comes with obi, Pressed on Black Viny) A masterpiece of Japanese ambient/new age music

TRACKLIST

A1. Himawari
A2. Retro no Shizuku
A3. Yasha
A4. Boufuu
A5. Reien no Madobe
B1. Kinshitsu no Shirabe
B2. Itoshi no Rei
B3. Keisetsu
B4. Ranja no Sono
B5. Koshuu

INFO

Soundtrack of the documentary program for Japanese art history, “Japan: Its Heart and Form” which was aired on NHK educational channel from 1987 to 1988. Akira Mitake worked on it, and after the dissolution of Ippudo, he produced music for the media and provided music to many artists, mainly pop music. It’s an electronic work that expresses the silence, space, romance reminiscent of Japanese spirit. The entire contents has a mysterious atmosphere, “Yasha” and “Keisetsu” are particularly captivating, evoking the beauty of Japan. Truly amazing piece left by the talent behind Masami Tsuchiya, who can be interpreted as ambient music. More

The Beat by SPUN – West Coast Breakbeat Rave Electrofunk 1988-1994. In the late 1980s, Disco was taking a backseat to the burgeoning psychedelic scene in San Francisco, marking a pivotal shift in musical culture. A dynamic transformation was underway as the younger generation sought a fresh auditory adventure, all while the devastating AIDS epidemic cast a somber pall over the city's nightlife. Amidst this evolving backdrop, a subtle yet distinct sonic movement quietly emerged within the confines of San Francisco’s vibrant club scene, often referred to as "The Beat." Although Hip-Hop, New Wave, Gothic, Punk, and the burgeoning Modern Rock genre held considerable sway, the pre-RAVE clubs in SF witnessed the fusion of these genres into a unique amalgam of sound that insiders dubbed “The Beat.” This musical tapestry encompassed everything from Hip-Hop and Freestyle to Industrial, New Wave, Boogie, Miami Bass, and Techno – the unifying thread being the distinctive vibe that characterised this eclectic mix. As House, Techno, and Raving gradually gained prominence along the West Coast, a distinctive interpretation of these evolving sounds took root. Drawing inspiration from influential hubs like New York, Chicago, Detroit, Europe, and notably the UK, which saw a wave of talented young DJs migrate to California, San Francisco became the backdrop for its own version of the second Summer of Love. While the exact chronology might spark debate – some recalling '92, while others leaning towards '93 – what remains indisputable is the era spanning from 1990 to 1994, an unparalleled epoch of exuberant dancefloor revelry on the western shores. In the face of limited backing from major labels or established independent dance music entities of the time, a grassroots movement of labels and producers emerged organically, ardently championing this distinct sound and catapulting it onto the global stage. This sonic identity was deeply influenced by “the Beat,” acting as a creative wellspring that informed the musical landscape. While the tracks compiled in these volumes might not encompass the entirety of this transformative musical epoch, they offer a vivid snapshot of the melodious tapestry that coloured San Francisco and the broader West Coast during that era. Each track featured stands as a 100% Sure Shot that was played heavily by DJ Spun back in those very heady days. More