Lone returns to Greco-Roman with a two track 12” of some of his finest work to date. A’-side Waterfall Reverse’ is an ecstatic hardcore song that ascends into a utopian dream. Resident Advisor called it "A fresh reinterpretation of Lone's dayglo breakbeat hardcore.....one of Cutler’s best moments" AA-side Triton serves as a companion piece and keeps things leaner and focused on a 4/4 club sound. Both tracks are peak Lone; mind bendingly, breathtaking machine funk! More

On 22nd October, the Nottingham-raised and highly-praised musician/DJ/producer Matt Cutler, AKA Lone, presents his 8th album – and first in 5 years – ‘Always Inside Your Head’. It marks two major changes, with both a new label and new approach – featuring vocalists for the first time. This deeply textural and ethereal artwork is situated high above the clouds, amidst the heavens, occupying a stratospheric state where swathes of synthesized vapour and azure rays sound like a literal breath of fresh air. A varied selection of music influenced the record, but two main influences were Cocteau Twins and My Bloody Valentine. “I wanted to approach a range of different styles, but attack them from their angle in a way, so for example on 'Inlove2' I tried to imagine what a Balearic / acid house tune might sound like if it were produced by Kevin Shields”, comments Lone. Another key example of Cutler’s strange but successful combination of elements is the halcyon bliss of ‘Echo Paths’, where his trademark fat drums and love for hip hop meet double-time pan pipes, dub effects and dream pop, mixed into a wonderfully lysergic concoction. In addition to the above, the LP exists somewhere between trip hop on Mo' Wax, 90s Warp, intelligent drum & bass and ambient house. There are heavier forays too, like ‘Mouth Of God’, where darker clouds emerge, but are pierced like acid lightning with fierce, tearing tech-step bass. Although still firmly rooted in club culture – here Lone shows a definite leaning towards a song-based sound, with several tracks edging towards the same crossover space as the nineties hits which also inspired him – particularly William Orbit’s production on Madonna's 'Frozen', and Olive's 'You're Not Alone'. This is especially evident on the bright, spacious brilliance of 'Hidden By Horizons', where vocals and synths swirl around one another, with crisp breakbeats and reggae rolls pushing purposefully through the ether. Despite initially seeming almost entirely sunny of disposition, upon deeper immersion there’s lot more beneath the album’s surface, both in its deep pools of immiscible layered elements, and also thematically. When recording Cutler kept in mind a loose narrative based on birth, death, and our existence in-between. He then extended this idea to reach what may happen after death, which is reflected in the sequencing: By penultimate track ‘Undaunted’ the life reflected in this longplayer has come to an end, which is then followed by 'Coming In To Being And Passing Away' – an afterlife epilogue, which evokes a transition from this world to the next. More

Following Lone AKA Matt Cutler’s stunning sixth album ‘Levitate’s hallucinogenic joyride through breakbeats, he returns to R&S with ‘Ambivert Tools’ the first in a series of EPs for the floor returning to hypnotic 4/4 excursions. Inspired in no small part by the rich seam of house that he’s been excavating with his fine Magicwire imprint, a refreshed Cutler delivers an EP stacked with sure-fire bullets, crafted for his intoxicating DJ sets.
First up is ‘Crush Mood’ - crunching drums, lush resampled chords and dulcet female vox combine into a heady, peak-time rush. ‘Chroma' comes off like a lost 90s anthem, with its shimmering vibes, airy chords and bumpy rhythm track. B-side closer ‘From A Past Life’ could well be the strongest track on the EP - hazy Emulator ii chords, spiral arpeggios, gooey bass and woozy african percussion that finds Lone digging deeper into some of his more esoteric House music influences. 'Ambivert Tools' finds Cutler a true master, at the top of his game - taking all he’s learned over his many years of beat exploration and condensing it down into rugged house stacked full of nagging melody / harmony that elegantly pays tribute to bygone years whilst simultaneously feeling fresh and vital to 21st century dance floors. More

Lone AKA Matt Cutler presents his 6th album 'Levitate' - which marks a point of departure from the inviting warmth of 'Reality Testing's blend of hip hop and house - the listener is taken on a rapid joy ride through breakbeats that at times will leave them gasping. Following previous album 'Reality Testing' (and it's all conquering single 'Airglow Fires'), Cutler was left at somewhat of a musical impasse - a 6 month dry period with no new inspiration that was showing no signs of abating. The 'epiphany' moment came in New York. Bed ridden and feverish for days Cutler started to hallucinate "It was prett y terrifying - I'd try to go to sleep and I'd be hearing mad rave tunes form in my head. When i recovered i was left with all these ideas for fast, feverish tunes. Following that we went to LA and hung out with friends, driving round all day in the baking sun playing jungle and hardcore edits - all the best bits from rare jungle tunes spliced together. There was something that really seemed to fit hearing these energetic tracks whilst speeding around LA under perfect blue skies, that was amazingly similar to music I'd been dreaming up whilst in New York. I couldn't wait to get home and start putting this together - I had a new theme." The result is an incredible 9 track LP, a breakneck psychedelic journey through hardcore, jungle, ambient, clocks in at a fat-free 34 minutes. More

Lone AKA Matt Cutler presents his 6th album 'Levitate' - which marks a point of departure from the inviting warmth of 'Reality Testing's blend of hip hop and house - the listener is taken on a rapid joy ride through breakbeats that at times will leave them gasping. Following previous album 'Reality Testing' (and it's all conquering single 'Airglow Fires'), Cutler was left at somewhat of a musical impasse - a 6 month dry period with no new inspiration that was showing no signs of abating. The 'epiphany' moment came in New York. Bed ridden and feverish for days Cutler started to hallucinate "It was prett y terrifying - I'd try to go to sleep and I'd be hearing mad rave tunes form in my head. When i recovered i was left with all these ideas for fast, feverish tunes. Following that we went to LA and hung out with friends, driving round all day in the baking sun playing jungle and hardcore edits - all the best bits from rare jungle tunes spliced together. There was something that really seemed to fit hearing these energetic tracks whilst speeding around LA under perfect blue skies, that was amazingly similar to music I'd been dreaming up whilst in New York. I couldn't wait to get home and start putting this together - I had a new theme." The result is an incredible 9 track LP, a breakneck psychedelic journey through hardcore, jungle, ambient, clocks in at a fat-free 34 minutes. More

The hyper-chromatic music of Matt Cutler marks him out as a true impressionist; as Lone, he drizzles brightly coloured melody through his tracks with all the reflexive skill of a master painter daubing inks and pigment across paper. On Cutler's fifth Lone album, Reality Testing, released on R&S, he sends notes and chords rippling delicately into space before allowing them to disperse, each oozing beautifully away into the background fabric of the music. Combined
with rhythms that ebb and flow, shifting from propulsive club constructions to beatific coastal hip-hop, it's a sensuous, immersive, heady experience, and easily his most accomplished and selfcontained work to date. More

Airglow Fires' is the first new Lone material to emerge since his masterful 'Galaxy Garden' album, his most complete body of work to date.
Departing from the themes of the rave/hardcore revival and cinematic interstellar travel, 'Airglow Fires' sees him exploring a more considered and intimate sound alongside a rediscovered love of classic hip-hop, as he explains "I love hip hop and house music when it's at it's rawest - to me 'Airglow Fires' has that kind of 90's basement vibe to it, where the lines between the two genres are kind blurred". As a comeback single, 'Airglow Fires' has certainly been worth the wait - arriving just in time to surely nestle its way into all discerning DJ's record boxes this summer - from the opening celestial melodies to the insistent processions of jazz inflected chords dance around the crunchy proto house drums that shuddering sub bass it's obvious that this track has golden sunshine in its DNA. On the flip 'Begin To Begin' explores similar territory to 'Airglow Fires' but wears its charms in a more subdued, but no less infectious manner - a repeating hypnotic chord stab, draped with burbling synth melodies and yet more tough drums combine for a sumptuous and mesmeric listen - as the song says "am I dreaming? am I awake" - with music like this to soundtrack your dreams, who would want to wake up? More

Galaxy Garden, the latest album by electronic explorer Lone, already seems one of 2012's most hyped releases.
Following our in-depth interview with the man, we’re handling the UK premiere of a teaser trailer for the album, made by Konx-Om-Pax. It’s your first chance to hear new music from the record ¨C perhaps the most lasting realisation of Lone’s vision of dance music yet ¨C and it looks stunning to boot. What more could you want?
R&S will release Galaxy Garden on May 5, its lead single ‘Crystal Caverns 1991' is out this month.
tRACKLISTING.
1. New Colour 2. The Animal Pattern 3. As A Child (With Machinedrum) 4. Lying In The Reeds 5. Dragon Blue Eyes 6. Crystal Caverns 1991 7. Raindance 8. Dream Girl / Sky Surfer
9. Earth's Lungs 10. Cthulhu (With Machinedrum) 11. Stands Tidal Waves 12. Spirals (With Anneka)

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Lone returns to Greco-Roman with a two track 12” of some of his finest work to date. A’-side Waterfall Reverse’ is an ecstatic hardcore song that ascends into a utopian dream. Resident Advisor called it "A fresh reinterpretation of Lone's dayglo breakbeat hardcore.....one of Cutler’s best moments" AA-side Triton serves as a companion piece and keeps things leaner and focused on a 4/4 club sound. Both tracks are peak Lone; mind bendingly, breathtaking machine funk! More

On 22nd October, the Nottingham-raised and highly-praised musician/DJ/producer Matt Cutler, AKA Lone, presents his 8th album – and first in 5 years – ‘Always Inside Your Head’. It marks two major changes, with both a new label and new approach – featuring vocalists for the first time. This deeply textural and ethereal artwork is situated high above the clouds, amidst the heavens, occupying a stratospheric state where swathes of synthesized vapour and azure rays sound like a literal breath of fresh air. A varied selection of music influenced the record, but two main influences were Cocteau Twins and My Bloody Valentine. “I wanted to approach a range of different styles, but attack them from their angle in a way, so for example on 'Inlove2' I tried to imagine what a Balearic / acid house tune might sound like if it were produced by Kevin Shields”, comments Lone. Another key example of Cutler’s strange but successful combination of elements is the halcyon bliss of ‘Echo Paths’, where his trademark fat drums and love for hip hop meet double-time pan pipes, dub effects and dream pop, mixed into a wonderfully lysergic concoction. In addition to the above, the LP exists somewhere between trip hop on Mo' Wax, 90s Warp, intelligent drum & bass and ambient house. There are heavier forays too, like ‘Mouth Of God’, where darker clouds emerge, but are pierced like acid lightning with fierce, tearing tech-step bass. Although still firmly rooted in club culture – here Lone shows a definite leaning towards a song-based sound, with several tracks edging towards the same crossover space as the nineties hits which also inspired him – particularly William Orbit’s production on Madonna's 'Frozen', and Olive's 'You're Not Alone'. This is especially evident on the bright, spacious brilliance of 'Hidden By Horizons', where vocals and synths swirl around one another, with crisp breakbeats and reggae rolls pushing purposefully through the ether. Despite initially seeming almost entirely sunny of disposition, upon deeper immersion there’s lot more beneath the album’s surface, both in its deep pools of immiscible layered elements, and also thematically. When recording Cutler kept in mind a loose narrative based on birth, death, and our existence in-between. He then extended this idea to reach what may happen after death, which is reflected in the sequencing: By penultimate track ‘Undaunted’ the life reflected in this longplayer has come to an end, which is then followed by 'Coming In To Being And Passing Away' – an afterlife epilogue, which evokes a transition from this world to the next. More

Lxury returns with an all Greco remix package of Square 1 feat. Deptford Goth. Joe Goddard starts off the record with his quirky adaptation of Square 1, followed by the mysterious V.O.X and their spacey dub edit. On the B side George T & Jean Gabriel Becker bring their 90s DAT loop sound to the table and to round things off we have the original cut of Square 1 feat. Deptford Goth. Prepare for 4 tracks of peculiar melodics, 90s DAT Loops, and blissed out cuts... More

Hot on the heels of their recently released label compilation We Make Colourful Music Because We Dance In The Dark, and an EP from new talent TCTS, London via Berlin collective Greco-Roman get set to release ‘Our Town’ by letthemusicplay featuring Kate Tempest Remixes on December 9th 2013. Starting out as a teen rapper in Lewisham and now hailed by The Guardian as “one of the brightest British talents around”, 27 yearold South London spoken word phenomenon Kate Tempest has been causing a stir at poetry slams and performances up and down the UK, from Glastonbury festival to the Edinburgh Fringe. This year saw her self-penned performance piece Brand New Ancients claim the Ted Hughes Award for innovation in poetry – making her the first person under 40 to do so – and shortly after her victory she was one of eight poets commissioned to perform at the Hayward Gallery’s Light Show in London. While Brand New Ancients saw Tempest backed by an orchestra, on ‘Our Town’ she join forces with letthemusicplay, two enigmatic London-based beat-makers who craft a punchy UK house backdrop to more than match her pneumatic words, with fizzing synth bursts and ping pong beats peppering exhortations to spend the afternoon in bed with three bottles of wine, to drink ‘til the sun
comes up and stagger through alleyways. With echoes of fellow urban poets The Streets and Gil Scott–Heron, ‘Our Town’ is a paean to loved-up nights in the city, drunken confessionals and post-rave sunrises narrated by one of the UK’s fiercest voices. ‘Our Town’ Remixes is released on December 9th via Greco-Roman, backed with remixes from none other than Lennie De Ice, the man responsible for the 90's track "We Are I.e" which is often considered to be one of the first Jungle records. Whilst our very own Joe Goddard gives "Our Town" his unique dub treatment. Rounded off very nicely indeed with a fantastic Sister Bliss vs I Said No Dancefloor Dub!!! More

This Autumn the most prolific label in the game, Greco-Roman, keeps on giving as they announce an EP from rising Manchester DJ/producer TCTS aka Sam O’Neill. The respected London collective will release ‘These Heights’ on November 25th TCTS first came to attention with his debut EP ‘Hands’ on the Cool Kid Music label, and following the success of that release Bondax snapped up his underground hit ‘1997’ for their fledgling
imprint Just Us. The track soon landed on the BBC Radio 1 playlist with support from key protagonists including Huw Stephens, Nick
Grimshaw and Annie Mac, and led to Sam appearing at some of the major summer festivals this year including Glastonbury, Leeds
and Secret Garden Party, alongside shows throughout the UK, Ibiza and across Europe. Now TCTS follows in the hallowed footsteps of Greco alumni Disclosure, Joe Goddard, Roosevelt and Totally Enormous Extinct Dinosaurs as he gets ready to release a stunning EP next month. Across 4 exquisite tracks ‘These Heights’ showcases his signature blend of a house aesthetic married with lush synth work and on point percussion, making it arguably his most important and arresting release to date. Title track ‘These Heights’ melds unique, irresistible vocals from 18 year-old BRIT School wunderkind Shivum Sharma with fizzing synth pulses and an insistent beat, while ‘Over’ does melancholy club music to a tee and features the sensational vocals of Holly Partridge (daughter of XTC’s Andy Partridge, fact fans). Joining them are ‘90s tinged piano house number ‘Lose Control’ and cheeky closer ‘Do It Alright’ which keeps the momentum up to the very end. Remixes come courtesy of Kry Wolf, Detroit Swindle and Greco-Roman Soundsystem. Catch TCTS DJ alongside a Greco-Roman flavored line-up on November 8th at London’s legendary Fabric with TEED, Roosevelt and more including secret special guests. Head to the Fabric site for further details: http://www.fabriclondon.com/club/listing/824 2013. More

Taking us deeper into the night are the four remixes: London veteran Seiji fuses house and garage for a 6 minute roller, DFA’s Juan Maclean delves into his deep house roots with his new Peach Melba project, London duo Compound One pay homage to Gabriel’s UK garage roots with sweet old school 2 step and Hyperdub’s Ossie turns in a decidedly trippy UK Funky hybrid. More

Greco-Roman welcomes a new artist to its camp: following some first appearances at the collective’s local events, London-based producer Enchante will soon release his debut EP North End there, while playing the next Berlin label night this Saturday with Azari & III (DJ set) and others at Picknick. And the new material perfectly fits into the usual Greco-diversity: opening track “Ego” offers deep UK garage, while “Reggay” (despite its name) comes in as the finest skweee-2step we have heard in a long while.
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TEED's sound swings between overt musicality and scarily on-point dance floor intuition, tearing up gigs around the globe with his live show of bizarre instruments, glitter cannons and of course… dancing dinosaurs. Beautiful blip and blop intro, touching vocals, and scathing drum beat break is the makeup of Totally Enormous Extinct Dinosaur’s track, Household Goods. This is seriously good remix EP Featuring mixes from Justin Martin, Lone & 2 Bears. DJ support from Erol Alkan, Annie Mac & Tayo.
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This is the one. This is the summer tune of 2011. Skream Annie Mac & Nick Grimshaw have all been building the hype Hackman's epic title track Close. Probably one of the best pieces of, bass driven vocal dance music this year. Cheekily sniping the Alicia Keys acapella from 'No One' and employing the pitching down technique Hackman compliments the vocal riff with layers of heavily clapped out garage breakbeats, and tops it off with a euphoric, futuristic grime bassline that rolls out like an Atlantic breaker. It's not just close, it's perfect - and it's another effortlessly curated release from Greco-Roman More