1
Safari - Safari
2
Safari - The Morning After
3
Safari - Lonely One In City
4
Safari - Brass Monkey
5
Safari - Mr. Gregg
6
Safari - Day Dream At The Bob's Beach
7
Safari - All Right In The Night
8
Safari - Twin Of The Cafe Au Lait
LP: Transparent Vinyl, Heavyweight 350gsm Sleeve, Obi
Tracklisting LP
A1 Safari 6:17
A2 The Morning After 5:02
A3 Lonely One In City 5:33
A4 Brass Monkey 5:32
B1 Mr. Gregg 5:27
B2 Day Dream At The Bob's Beach 4:43
B3 All Right In The Night 4:42
B4 Twin Of The Cafe Au Lait 6:45
Info
WRWTFWW Records is extremely happy to present the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available now as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi.
Originally released on fabled label VAP, Safari is a one-of-a-kind city pop-adjacent summer blend of AOR, smooth jazz, and sun-drenched boogie. The sole album from the all-star outfit was the brainchild of keyboardist Toshiyuki Daitoku and Japan-based Californian jazz-funk-latin-fusion bassist Gregg Lee. Together with a large team of experienced musicians, they created a lush, immaculately-arranged 8-track cruise filled with poolside grooves, breezy rhythms, and feel-good vocal harmonies.
Safari features the well-known title track which acted as the theme song for an 80s sports program on Fuji Television, the night-swim chill music tune "All Right in The Night", and the fan-favorite buoyant vacation hit "The Morning After".
The official reissue is fully licensed and sourced from the original masters, with an audiophile cut by Sidney Meyer at Emil Berliner Studios, ensuring the warm, pristine sound this lost treasure deserves.
Safari is the second release from WRWTFWW's City Pop Series, following Momoko Kikuchi's beach classic Ocean Side, also available on transparent vinyl LP. The series, complete with a visual identity designed by Lopetz/Büro Destruct, also comes with a limited merch capsule, and more sun-soaked gems lined up for the future.
Points of interest
- For fans of Jazz-fusion, AOR, mellow funk, yacht rock, city pop, smooth jazz, chillwave, vaporwave, very endless summers, private press treasures, skinny dipping at night, living life with no worries.
- Super limited edition transparent vinyl LP reissue of Japanese jazz-fusion classic Safari by…Safari!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting LP
A1 Safari 6:17
A2 The Morning After 5:02
A3 Lonely One In City 5:33
A4 Brass Monkey 5:32
B1 Mr. Gregg 5:27
B2 Day Dream At The Bob's Beach 4:43
B3 All Right In The Night 4:42
B4 Twin Of The Cafe Au Lait 6:45
Info
WRWTFWW Records is extremely happy to present the official reissue of Safari's self-titled album from 1984. The Japanese jazz-fusion super gem is available now as a limited-edition transparent vinyl LP housed in a heavyweight sleeve with obi.
Originally released on fabled label VAP, Safari is a one-of-a-kind city pop-adjacent summer blend of AOR, smooth jazz, and sun-drenched boogie. The sole album from the all-star outfit was the brainchild of keyboardist Toshiyuki Daitoku and Japan-based Californian jazz-funk-latin-fusion bassist Gregg Lee. Together with a large team of experienced musicians, they created a lush, immaculately-arranged 8-track cruise filled with poolside grooves, breezy rhythms, and feel-good vocal harmonies.
Safari features the well-known title track which acted as the theme song for an 80s sports program on Fuji Television, the night-swim chill music tune "All Right in The Night", and the fan-favorite buoyant vacation hit "The Morning After".
The official reissue is fully licensed and sourced from the original masters, with an audiophile cut by Sidney Meyer at Emil Berliner Studios, ensuring the warm, pristine sound this lost treasure deserves.
Safari is the second release from WRWTFWW's City Pop Series, following Momoko Kikuchi's beach classic Ocean Side, also available on transparent vinyl LP. The series, complete with a visual identity designed by Lopetz/Büro Destruct, also comes with a limited merch capsule, and more sun-soaked gems lined up for the future.
Points of interest
- For fans of Jazz-fusion, AOR, mellow funk, yacht rock, city pop, smooth jazz, chillwave, vaporwave, very endless summers, private press treasures, skinny dipping at night, living life with no worries.
- Super limited edition transparent vinyl LP reissue of Japanese jazz-fusion classic Safari by…Safari!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from WRWTFWW
1
Obad - Block
2
Obad - Progie
3
Obad - Bandar
4
Obad - Suspended
Territories: WORLD
Genre: Jazz, Fusion, Funk-Rock, Improvisation
LP: Limited Edition, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Block 10:14
A2. Progie 06:46
B1. Bandar 09:59
B2. Suspended 12:03
Info
We Release JAZZ is very happy to announce the limited vinyl edition of Obad’s powerful new album Suspended, a vivid document of the Tehran ensemble’s endlessly evolving sonic universe — now available as a limited LP housed in a heavyweight sleeve with an Obi strip and featuring original artwork by Iranian painter Sadra Baniasadi.
Suspended is a superbly spontaneous, improvisational blend of exploratory jazz fusion, progressive funk-rock, and transcendental groove. Built from lived experience and shaped by Tehran’s pulse, Obad’s music is kinetic and intuitive — an ever-morphing dialogue between rhythm and texture, emotion and message.
With Farid Farzian Pour on drums, Siavash Karimi on electric guitar, Kiarash Radmehr on bass guitar, and Hamidreza Keshavrpajuh (aka Pajuh) on tenor saxophone, Obad creates a soundworld where hypnotic basslines meet thunderous, free-flowing percussion; where searing guitar motifs coil around saxophone phrases that move from whispered invocation to explosive catharsis. Suspended captures the quartet at full creative stretch: alive, unguarded, and deeply attuned to one another.
Sadra Baniasadi’s striking cover painting mirrors the album’s energy — bold, dreamlike, charged with movement, and extending Obad’s world into the visual realm.
Suspended stands as a major statement from one of Iran’s most compelling contemporary ensembles, marking Obad’s first release on We Release JAZZ and continuing the label’s commitment to boundary-pushing music born from profound listening, place, and collective intuition.
________________________________________
Points of interest
• For fans of exploratory jazz fusion, improvised music, progressive funk-rock, transcendental groove, Tehran, urban energy, meditative intensity, shamanistic rituals, deep vibes, heartful connections, music shaped by environment and lived experience.
• Limited-edition vinyl release of Suspended, capturing Obad’s spontaneous and continuously evolving ensemble sound.
• Features the Tehran quartet of Farid Farzian Pour (drums), Siavash Karimi (electric guitar), Kiarash Radmehr (bass guitar), and Hamidreza Keshavrpajuh aka Pajuh (tenor saxophone).
• Housed in a heavyweight sleeve with Obi.
• Original artwork by Iranian painter Sadra Baniasadi.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Jazz, Fusion, Funk-Rock, Improvisation
LP: Limited Edition, Heavy 350gsm Sleeve, Obi
Tracklisting LP
A1. Block 10:14
A2. Progie 06:46
B1. Bandar 09:59
B2. Suspended 12:03
Info
We Release JAZZ is very happy to announce the limited vinyl edition of Obad’s powerful new album Suspended, a vivid document of the Tehran ensemble’s endlessly evolving sonic universe — now available as a limited LP housed in a heavyweight sleeve with an Obi strip and featuring original artwork by Iranian painter Sadra Baniasadi.
Suspended is a superbly spontaneous, improvisational blend of exploratory jazz fusion, progressive funk-rock, and transcendental groove. Built from lived experience and shaped by Tehran’s pulse, Obad’s music is kinetic and intuitive — an ever-morphing dialogue between rhythm and texture, emotion and message.
With Farid Farzian Pour on drums, Siavash Karimi on electric guitar, Kiarash Radmehr on bass guitar, and Hamidreza Keshavrpajuh (aka Pajuh) on tenor saxophone, Obad creates a soundworld where hypnotic basslines meet thunderous, free-flowing percussion; where searing guitar motifs coil around saxophone phrases that move from whispered invocation to explosive catharsis. Suspended captures the quartet at full creative stretch: alive, unguarded, and deeply attuned to one another.
Sadra Baniasadi’s striking cover painting mirrors the album’s energy — bold, dreamlike, charged with movement, and extending Obad’s world into the visual realm.
Suspended stands as a major statement from one of Iran’s most compelling contemporary ensembles, marking Obad’s first release on We Release JAZZ and continuing the label’s commitment to boundary-pushing music born from profound listening, place, and collective intuition.
________________________________________
Points of interest
• For fans of exploratory jazz fusion, improvised music, progressive funk-rock, transcendental groove, Tehran, urban energy, meditative intensity, shamanistic rituals, deep vibes, heartful connections, music shaped by environment and lived experience.
• Limited-edition vinyl release of Suspended, capturing Obad’s spontaneous and continuously evolving ensemble sound.
• Features the Tehran quartet of Farid Farzian Pour (drums), Siavash Karimi (electric guitar), Kiarash Radmehr (bass guitar), and Hamidreza Keshavrpajuh aka Pajuh (tenor saxophone).
• Housed in a heavyweight sleeve with Obi.
• Original artwork by Iranian painter Sadra Baniasadi.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:WRWTFWW
Cat-No:WRWTFWW126
Release-Date:13.03.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:WRWTFWW
Cat-No:WRWTFWW126
Release-Date:13.03.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Mag-Net-Walker - Rover
2
Tensor - Gently Drifting
3
Minerva - Dreamers Notion
4
Souther - Jupiter
5
Dendrobium - Ethereal
6
Mag-Net-Walker - Slope
7
Virgo - First Epilogue
8
Micro Wave Assessment Chisei - Film
9
Led-M - Sweet Memories
10
Penance - Marine Snow
Territories: World
Genre: Electronic, IDM, Techno, Ambient, Soulful, Acid
DLP: Limited Edition, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Mag-Net-Walker - Rover
A2. Tensor - Gently Drifting
A3. Minerva - Dreamers Notion
B1. Souther - Jupiter
B2. Dendrobium - Ethereal
B3. Mag-Net-Walker - Slope
C1. Virgo - First Epilogue
C2. Micro Wave Assessment Chisei - Film
D1. Led-M - Sweet Memories
D2. Penance - Marine Snow
Info
WRWTFWW Records is delighted to announce the first-ever vinyl release of Art Form I, the overlooked 1997 compilation from Tokyo’s cult imprint FORM@ RECORDS, now available as a limited edition double LP housed in a heavyweight sleeve as part of the ongoing collaborative series between the Swiss and Japanese labels.
Originally issued only on CD, Art Form I is a fascinating deep dive into the rich and singular world of late ’90s Tokyo electronic music—an inspired collection of timeless IDM, techno, ambient, and electronica experiments. Showcasing a roster of visionary underground artists including fan-favorite Virgo (Landform Code, Remnants), the compilation maps the innovative spirit of the era: emotional machine music, intricate rhythmic architecture, mind-expanding textures, and the soulful heart that serves as the solid foundation of everything FORM@ RECORDS.
Art Form I reminds of the pioneering explorations from Warp’s Artificial Intelligence series, B12, The Black Dog, Ken Ishii, and early Carl Craig, all while maintaining its own distinctive local identity. This long-awaited vinyl edition offers listeners a fully immersive rediscovery of a pivotal moment in underground music.
Following the acclaimed reissues of Virgo’s Landform Code (1998) and Remnants (1999), the simultaneous releases of Art Form I and Art Form 2 (1998) continue the archival collaboration between WRWTFWW Records and FORM@ RECORDS, with a forthcoming vinyl edition of remix collection Re-Form Ver-1.0 (1999) to follow.
Points of interest
• For fans of Warp’s Artificial Intelligence series, Virgo, Ken Ishii, Carl Craig, B12, The Black Dog, deep electronic music, experimental soundscapes, time-capsule compilations, and late ’90s machine soul.
• First ever vinyl release of the cult Japanese electronic compilation Art Form I (1997), resurrected from the vaults of FORM@ RECORDS.
• A captivating snapshot of Japanese electronic underground: IDM, techno, ambient, acid—forward-thinking, emotional, and timeless.
• From the WRWTFWW x FORM@ archival series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Electronic, IDM, Techno, Ambient, Soulful, Acid
DLP: Limited Edition, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Mag-Net-Walker - Rover
A2. Tensor - Gently Drifting
A3. Minerva - Dreamers Notion
B1. Souther - Jupiter
B2. Dendrobium - Ethereal
B3. Mag-Net-Walker - Slope
C1. Virgo - First Epilogue
C2. Micro Wave Assessment Chisei - Film
D1. Led-M - Sweet Memories
D2. Penance - Marine Snow
Info
WRWTFWW Records is delighted to announce the first-ever vinyl release of Art Form I, the overlooked 1997 compilation from Tokyo’s cult imprint FORM@ RECORDS, now available as a limited edition double LP housed in a heavyweight sleeve as part of the ongoing collaborative series between the Swiss and Japanese labels.
Originally issued only on CD, Art Form I is a fascinating deep dive into the rich and singular world of late ’90s Tokyo electronic music—an inspired collection of timeless IDM, techno, ambient, and electronica experiments. Showcasing a roster of visionary underground artists including fan-favorite Virgo (Landform Code, Remnants), the compilation maps the innovative spirit of the era: emotional machine music, intricate rhythmic architecture, mind-expanding textures, and the soulful heart that serves as the solid foundation of everything FORM@ RECORDS.
Art Form I reminds of the pioneering explorations from Warp’s Artificial Intelligence series, B12, The Black Dog, Ken Ishii, and early Carl Craig, all while maintaining its own distinctive local identity. This long-awaited vinyl edition offers listeners a fully immersive rediscovery of a pivotal moment in underground music.
Following the acclaimed reissues of Virgo’s Landform Code (1998) and Remnants (1999), the simultaneous releases of Art Form I and Art Form 2 (1998) continue the archival collaboration between WRWTFWW Records and FORM@ RECORDS, with a forthcoming vinyl edition of remix collection Re-Form Ver-1.0 (1999) to follow.
Points of interest
• For fans of Warp’s Artificial Intelligence series, Virgo, Ken Ishii, Carl Craig, B12, The Black Dog, deep electronic music, experimental soundscapes, time-capsule compilations, and late ’90s machine soul.
• First ever vinyl release of the cult Japanese electronic compilation Art Form I (1997), resurrected from the vaults of FORM@ RECORDS.
• A captivating snapshot of Japanese electronic underground: IDM, techno, ambient, acid—forward-thinking, emotional, and timeless.
• From the WRWTFWW x FORM@ archival series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:WRWTFWW
Cat-No:WRWTFWW127
Release-Date:13.03.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:WRWTFWW
Cat-No:WRWTFWW127
Release-Date:13.03.2026
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Circle Limit - Insence
2
Led-M - 713AW
3
Missing Project - Poisson D'Avril
4
Virgo - Clear Columns
5
Tensor - Solar Eclipse
6
Tek Of 606 - Moment Of The Decay
7
Misty Fuzz - In The End Of The Trip
8
Fossil - Green Tectonics (Virgo Mix)
9
Modern Living - Snow Bird
10
Tensor - Balloon
11
Toh Chisei - Cubby
Territories: World
Genre: Electronic, IDM, Techno, Ambient, Soulful, Acid
DLP: Limited Edition, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Circle Limit - Insence
A2. Led-M - 713AW
A3. Missing Project - Poisson D'Avril
B1. Virgo - Clear Columns
B2. Tensor - Solar Eclipse
B3. Tek Of 606 - Moment Of The Decay
C1. Misty Fuzz - In The End Of The Trip
C2. Fossil - Green Tectonics (Virgo Mix)
D1. Modern Living - Snow Bird
D2. Tensor – Balloon
D3. Toh Chisei - Cubby
Info
WRWTFWW Records is very pleased to announce the first-ever vinyl release of Art Form 2, the seminal 1998 Various Artists compilation from Tokyo’s cult label FORM@ RECORDS, now available as a limited edition double LP housed in a heavyweight sleeve, as part of the ongoing collaborative series between the Swiss and Japanese labels.
Initially available only in CD form, Art Form 2 emerges as a quiet artifact from an exploratory phase in FORM@ RECORDS’ late-1990s trajectory. The compilation drifts through the deeper layers of Tokyo’s electronic underground, where IDM, techno, ambient, and downtempo dissolve into one another within an atmosphere of deliberate experimentation. Both intimate and forward-looking, it preserves a moment in which a local scene, largely unseen, was patiently reshaping the future beyond the reach of prevailing global narratives.
Flowing with carefully sculpted rhythms, immersive sound design, and a subtle sense of machine soul, Art Form 2 reflects the maturity of the FORM@ aesthetic in 1998. The compilation resonates with the spirit of Warp’s Artificial Intelligence era, Carl Craig’s melodic futurism, Ken Ishii’s cerebral techno, B12’s deep electronics, and Ian O’Brien’s emotive touch, while remaining unmistakably rooted in its own local context. Timeless and singular, it stands as a beautifully preserved time capsule of underground electronic music.
Following the vinyl excavations of Virgo’s Landform Code (1998) and Remnants (1999), Art Form 2 continues WRWTFWW Records’ collaboration with FORM@ RECORDS. It is released simultaneously with Art Form I (1997), further expanding this archival series, which will continue with the forthcoming vinyl edition of Re-Form Ver-1.0 (1999).
Points of interest
• For fans of Warp’s Artificial Intelligence series, Ken Ishii, Carl Craig, B12, Ian O’Brien, soulful electronic music, experimental soundscapes, and late ’90s underground movements, obscure compilations, good stuff.
• First ever vinyl release of the lost 1998 compilation Art Form 2, sourced directly from the vaults of FORM@ RECORDS.
• A deep and immersive dive into Tokyo’s electronic underground: IDM, techno, ambient, downtempo—timeless, introspective, and quietly forward-thinking.
• Part of the WRWTFWW x FORM@ RECORDS archival series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Electronic, IDM, Techno, Ambient, Soulful, Acid
DLP: Limited Edition, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Circle Limit - Insence
A2. Led-M - 713AW
A3. Missing Project - Poisson D'Avril
B1. Virgo - Clear Columns
B2. Tensor - Solar Eclipse
B3. Tek Of 606 - Moment Of The Decay
C1. Misty Fuzz - In The End Of The Trip
C2. Fossil - Green Tectonics (Virgo Mix)
D1. Modern Living - Snow Bird
D2. Tensor – Balloon
D3. Toh Chisei - Cubby
Info
WRWTFWW Records is very pleased to announce the first-ever vinyl release of Art Form 2, the seminal 1998 Various Artists compilation from Tokyo’s cult label FORM@ RECORDS, now available as a limited edition double LP housed in a heavyweight sleeve, as part of the ongoing collaborative series between the Swiss and Japanese labels.
Initially available only in CD form, Art Form 2 emerges as a quiet artifact from an exploratory phase in FORM@ RECORDS’ late-1990s trajectory. The compilation drifts through the deeper layers of Tokyo’s electronic underground, where IDM, techno, ambient, and downtempo dissolve into one another within an atmosphere of deliberate experimentation. Both intimate and forward-looking, it preserves a moment in which a local scene, largely unseen, was patiently reshaping the future beyond the reach of prevailing global narratives.
Flowing with carefully sculpted rhythms, immersive sound design, and a subtle sense of machine soul, Art Form 2 reflects the maturity of the FORM@ aesthetic in 1998. The compilation resonates with the spirit of Warp’s Artificial Intelligence era, Carl Craig’s melodic futurism, Ken Ishii’s cerebral techno, B12’s deep electronics, and Ian O’Brien’s emotive touch, while remaining unmistakably rooted in its own local context. Timeless and singular, it stands as a beautifully preserved time capsule of underground electronic music.
Following the vinyl excavations of Virgo’s Landform Code (1998) and Remnants (1999), Art Form 2 continues WRWTFWW Records’ collaboration with FORM@ RECORDS. It is released simultaneously with Art Form I (1997), further expanding this archival series, which will continue with the forthcoming vinyl edition of Re-Form Ver-1.0 (1999).
Points of interest
• For fans of Warp’s Artificial Intelligence series, Ken Ishii, Carl Craig, B12, Ian O’Brien, soulful electronic music, experimental soundscapes, and late ’90s underground movements, obscure compilations, good stuff.
• First ever vinyl release of the lost 1998 compilation Art Form 2, sourced directly from the vaults of FORM@ RECORDS.
• A deep and immersive dive into Tokyo’s electronic underground: IDM, techno, ambient, downtempo—timeless, introspective, and quietly forward-thinking.
• Part of the WRWTFWW x FORM@ RECORDS archival series.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Territories: World
DLP: Limited Edition, Heavy 350gsm Sleeve, Obi
Tracklisting DLP
A1. Live in Jura Pt. 1
B1. Live in Jura Pt. 2
C1. Live in Jura Pt. 3
D1. Live in Jura Bonus featuring The Voices of the Alpenglow
Info
We Release JAZZ is very happy to announce the limited vinyl edition of Ill Considered's transcendent new live album Live in Jura, an expansive document of the trio's 2023 performance at Spiegelberg Festival - now available as a double LP with a bonus D-side, housed in a heavyweight sleeve with obi and an original artwork by Vincent de Boer.
Captured in the heights of Saignelégier, Switzerland, in the middle of a pasture overlooking the Jura mountains, Live in Jura bottles the singular Ill Considered live experience at its most open, responsive, and elemental. From Idris Rahman (sax, flute), Liran Donin (bass), and Emre Ramazanoglu (drums), this is deep free improv built from intuition and heart - an ever-evolving conversation of groove, texture, and spirit. Whispered motifs bloom into towering climaxes; earthy bass surges meet shimmering cymbal work; woodwind lines move from meditative invocation to ecstatic release. It is music shaped by the audience, the environment, and the moment : alive, unrepeatable, and deeply organic.
The bonus D-side extends the album's world with a unique ambient composition made from field-recorded organic sounds of the forest surrounding the concert area. Re-composed into a drifting, luminous piece, it features The Voices of the Alpenglow, blurring the boundary between performance and landscape, human gesture and elemental presence.
Ill Considered - known for forging improvised music around simple themes or spontaneously created structures - here reach a new level of sensitivity and power. Live in Jura follows We Release JAZZ's release of Shoals by Ill Considered members Earth and Bones, continuing a line of exploratory, heart-forward music grounded in profound listening and spontaneous creation.
Points of interest
- For fans of live jazz, ambient-jazz, Jura, pasture, mountains, forests, meditative music, shamanistic rituals, improvisational process, deep vibes, Ill Considered, Vincent de Boer, heartful connections, healers and healing, the body, the otherworld, life within and outside, music shaped by environment and intuition
- First-ever vinyl release of Live in Jura, a stunning document of Ill Considered's 2023 Spiegelberg Festival performance.
- Includes a bonus D-side ambient piece built from forest field recordings featuring The Voices of the Alpenglow.
- Original artwork by Vincent de Boer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition, Heavy 350gsm Sleeve, Obi
Tracklisting DLP
A1. Live in Jura Pt. 1
B1. Live in Jura Pt. 2
C1. Live in Jura Pt. 3
D1. Live in Jura Bonus featuring The Voices of the Alpenglow
Info
We Release JAZZ is very happy to announce the limited vinyl edition of Ill Considered's transcendent new live album Live in Jura, an expansive document of the trio's 2023 performance at Spiegelberg Festival - now available as a double LP with a bonus D-side, housed in a heavyweight sleeve with obi and an original artwork by Vincent de Boer.
Captured in the heights of Saignelégier, Switzerland, in the middle of a pasture overlooking the Jura mountains, Live in Jura bottles the singular Ill Considered live experience at its most open, responsive, and elemental. From Idris Rahman (sax, flute), Liran Donin (bass), and Emre Ramazanoglu (drums), this is deep free improv built from intuition and heart - an ever-evolving conversation of groove, texture, and spirit. Whispered motifs bloom into towering climaxes; earthy bass surges meet shimmering cymbal work; woodwind lines move from meditative invocation to ecstatic release. It is music shaped by the audience, the environment, and the moment : alive, unrepeatable, and deeply organic.
The bonus D-side extends the album's world with a unique ambient composition made from field-recorded organic sounds of the forest surrounding the concert area. Re-composed into a drifting, luminous piece, it features The Voices of the Alpenglow, blurring the boundary between performance and landscape, human gesture and elemental presence.
Ill Considered - known for forging improvised music around simple themes or spontaneously created structures - here reach a new level of sensitivity and power. Live in Jura follows We Release JAZZ's release of Shoals by Ill Considered members Earth and Bones, continuing a line of exploratory, heart-forward music grounded in profound listening and spontaneous creation.
Points of interest
- For fans of live jazz, ambient-jazz, Jura, pasture, mountains, forests, meditative music, shamanistic rituals, improvisational process, deep vibes, Ill Considered, Vincent de Boer, heartful connections, healers and healing, the body, the otherworld, life within and outside, music shaped by environment and intuition
- First-ever vinyl release of Live in Jura, a stunning document of Ill Considered's 2023 Spiegelberg Festival performance.
- Includes a bonus D-side ambient piece built from forest field recordings featuring The Voices of the Alpenglow.
- Original artwork by Vincent de Boer.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Cristobal Tapia De Veer - Ponyboi
2
Cristobal Tapia De Veer - Working The Turnpike
3
Cristobal Tapia De Veer - Proud Mary
4
Cristobal Tapia De Veer - Be A Good Girl
5
Cristobal Tapia De Veer - Smoke With Me
6
Cristobal Tapia De Veer - One More Hit
7
Cristobal Tapia De Veer - Bye Lucky
8
Cristobal Tapia De Veer - Basura Catolica
9
Cristobal Tapia De Veer - Cleanse
10
Cristobal Tapia De Veer - Two Tone
11
Cristobal Tapia De Veer - Testosterone
12
Cristobal Tapia De Veer - I'm The Manager
13
Cristobal Tapia De Veer - You And Me
14
Cristobal Tapia De Veer - Vinny
15
Cristobal Tapia De Veer - Jersey Girl
16
Cristobal Tapia De Veer - Down The Shore
17
Cristobal Tapia De Veer - El Mustang
Territories: Worldwide
Genre: Soundtrack, Ambient, Electronic, Experimental
LP: Limited Edition, Heavyweight Gold Cardboard Sleeve, Sticker
Tracklisting LP
A1. Ponyboi
A2. Working The Turnpike
A3. Proud Mary
A4. Be A Good Girl
A5. Smoke With Me
A6. One More Hit
A7. Bye Lucky
A8. Basura Catolica
A9. Cleanse
A10. Two Tone
A11. Testosterone
B1. I'm The Manager
B2. You And Me
B3. Vinny
B4. Jersey Girl
B5. Down The Shore
B6. El Mustang
WRWTFWW Records is ecstatic to announce a limited edition vinyl release of the remarkable PONYBOI (Original Motion Picture Soundtrack) by Chilean-born composer, arranger, music producer, and multi-instrumentalist Cristobal "Cristo" Tapia de Veer (The White Lotus, Utopia, Smile, Black Mirror, and many more).
This collector's edition presents Tapia de Veer's complete original score for the critically acclaimed feature film PONYBOI - a bold, genre-defying neo-noir tale directed by Esteban Arango and and starring filmmaker, actor, screenwriter, model, and intersex rights activist River Gallo who also wrote the movie. The soundtrack arrives as a deluxe audiophile vinyl LP, housed in a luxurious 350gsm gold cardboard sleeve, cut with utmost precision by Sidney Claire Meyer at the legendary Emil Berliner Studios, home to Deutsche Grammophon's world-renowned legacy.
Vivid, seductive, gritty, dreamy, tender, and sometimes heart-pounding in its tension, the PONYBOI soundtrack is a sinuous creature of its own - an emotional, atmospheric, and deeply textural listening experience. Tapia de Veer fuses shimmering electronics with haunting melodies, raw rhythms, shadowy ambience, and surges of romantic intensity, perfectly embodying the film's world of danger, desire, identity, and survival on a single wild New Jersey night. It's daring, intimate, stylishly noir, and unmistakably Cristo: music that refuses boundaries and speaks directly to the pulse.
The LP showcases Cristobal Tapia de Veer's uncanny ability to blend experimental sound design with narrative emotion - a talent that has earned him global acclaim and numerous awards, including four Primetime Emmy Awards for The White Lotus.
This new WRWTFWW edition celebrates his artistry in its purest form: warm, rich, analog, and physically stunning. A must for soundtrack fanatics, ambient and experimental music lovers, and rare memorabilia collectors.
Points of interest
- For fans of soundtracks, neo-noir cinema, ambient, electronic atmospherics, experimental music, tension, dreamy night-rides, emotional synth work, identity odysseys, dangerous romance, motel lights, dark highways, and all things Cristobal Tapia de Veer.
- Exclusive vinyl release of the PONYBOI Original Motion Picture Soundtrack by Cristobal Tapia de Veer.
- Audiophile vinyl LP, cut at Emil Berliner Studios by Sidney Claire Meyer.
- Luxurious 350gsm gold sleeve with premium finish.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Soundtrack, Ambient, Electronic, Experimental
LP: Limited Edition, Heavyweight Gold Cardboard Sleeve, Sticker
Tracklisting LP
A1. Ponyboi
A2. Working The Turnpike
A3. Proud Mary
A4. Be A Good Girl
A5. Smoke With Me
A6. One More Hit
A7. Bye Lucky
A8. Basura Catolica
A9. Cleanse
A10. Two Tone
A11. Testosterone
B1. I'm The Manager
B2. You And Me
B3. Vinny
B4. Jersey Girl
B5. Down The Shore
B6. El Mustang
WRWTFWW Records is ecstatic to announce a limited edition vinyl release of the remarkable PONYBOI (Original Motion Picture Soundtrack) by Chilean-born composer, arranger, music producer, and multi-instrumentalist Cristobal "Cristo" Tapia de Veer (The White Lotus, Utopia, Smile, Black Mirror, and many more).
This collector's edition presents Tapia de Veer's complete original score for the critically acclaimed feature film PONYBOI - a bold, genre-defying neo-noir tale directed by Esteban Arango and and starring filmmaker, actor, screenwriter, model, and intersex rights activist River Gallo who also wrote the movie. The soundtrack arrives as a deluxe audiophile vinyl LP, housed in a luxurious 350gsm gold cardboard sleeve, cut with utmost precision by Sidney Claire Meyer at the legendary Emil Berliner Studios, home to Deutsche Grammophon's world-renowned legacy.
Vivid, seductive, gritty, dreamy, tender, and sometimes heart-pounding in its tension, the PONYBOI soundtrack is a sinuous creature of its own - an emotional, atmospheric, and deeply textural listening experience. Tapia de Veer fuses shimmering electronics with haunting melodies, raw rhythms, shadowy ambience, and surges of romantic intensity, perfectly embodying the film's world of danger, desire, identity, and survival on a single wild New Jersey night. It's daring, intimate, stylishly noir, and unmistakably Cristo: music that refuses boundaries and speaks directly to the pulse.
The LP showcases Cristobal Tapia de Veer's uncanny ability to blend experimental sound design with narrative emotion - a talent that has earned him global acclaim and numerous awards, including four Primetime Emmy Awards for The White Lotus.
This new WRWTFWW edition celebrates his artistry in its purest form: warm, rich, analog, and physically stunning. A must for soundtrack fanatics, ambient and experimental music lovers, and rare memorabilia collectors.
Points of interest
- For fans of soundtracks, neo-noir cinema, ambient, electronic atmospherics, experimental music, tension, dreamy night-rides, emotional synth work, identity odysseys, dangerous romance, motel lights, dark highways, and all things Cristobal Tapia de Veer.
- Exclusive vinyl release of the PONYBOI Original Motion Picture Soundtrack by Cristobal Tapia de Veer.
- Audiophile vinyl LP, cut at Emil Berliner Studios by Sidney Claire Meyer.
- Luxurious 350gsm gold sleeve with premium finish.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Christine Aufderharr and City of Prague - Orphans
2
Christine Aufderharr and City of Prague - Timejump
3
Christine Aufderharr and City of Prague - In Captivity Of Soldiers
4
Christine Aufderharr and City of Prague - Way To America
5
Christine Aufderharr and City of Prague - Filmset
6
Christine Aufderharr and City of Prague - Way To Kurdish People
7
Christine Aufderharr and City of Prague - With Kurds
8
Christine Aufderharr and City of Prague - Meeting Shepard And Way To Uncle
9
Christine Aufderharr and City of Prague - Uncle First Part
10
Christine Aufderharr and City of Prague - Uncle Second Part
11
Christine Aufderharr and City of Prague - Leaving Cousin
12
Christine Aufderharr and City of Prague - Hotel Lamar
13
Christine Aufderharr and City of Prague - Jump To Freedom
14
Christine Aufderharr and City of Prague - Mother's Death
15
Christine Aufderharr and City of Prague - Swimming
16
Christine Aufderharr and City of Prague - Train To Tbilisi
17
Christine Aufderharr and City of Prague - Newspaper Brother
18
Christine Aufderharr and City of Prague - Shepard
19
Christine Aufderharr and City of Prague - Betrayal
20
Christine Aufderharr and City of Prague - Aurora In School
21
Christine Aufderharr and City of Prague - Devastation
22
Christine Aufderharr and City of Prague - Aurora's Theme Gathering For Brother
23
Christine Aufderharr and City of Prague - Finding The Gun
24
Christine Aufderharr and City of Prague - River
25
Christine Aufderharr and City of Prague - House Mrs. Harrimann
26
Christine Aufderharr and City of Prague - Memories Jump
27
Christine Aufderharr and City of Prague - Memories Train
28
Christine Aufderharr and City of Prague - Aurora's Piano Theme Silk Cocons
29
Christine Aufderharr and City of Prague - Aunt's Killing
30
Christine Aufderharr and City of Prague - Stage Collaps
31
Christine Aufderharr and City of Prague - Crucifixion
Territories: WORLD
DLP: Limited Edition, 45rpm, Heavyweight Sleeve with Inside Out Print, Sticker
Tracklisting DLP
A1. Orphans
A2. Timejump
A3. In Captivity Of Soldiers
A4. Way To America
A5. Filmset
A6. Way To Kurdish People
A7. With Kurds
B1. Meeting Shepard And Way To Uncle
B2. Uncle First Part
B3. Uncle Second Part
B4. Leaving Cousin
B5. Hotel Lamar
B6. Jump To Freedom
B7. Mother's Death
B8. Swimming
B9. Train To Tbilisi
C1. Newspaper Brother
C2. Shepard
C3. Betrayal
C4. Aurora In School
C5. Devastation
C6. Aurora's Theme Gathering For Brother
C7. Finding The Gun
C8. River
D1. House Mrs. Harrimann
D2. Memories Jump
D3. Memories Train
D4. Aurora's Piano Theme Silk Cocons
D5. Aunt's Killing
D6. Stage Collaps
D7. Crucifixion
Info
WRWTFWW Records is proud to announce a super limited vinyl release of Christine Aufderhaar and City of Prague Philharmonic Orchestra's original soundtrack for the critically acclaimed, multiple award-winning 2022 animated-documentary film Aurora's Sunrise. The release comes as a 45rpm double LP in a heavyweight sleeve with inside out print.
Aurora's Sunrise is directed by Inna Sahakyan, and tells the extraordinary true story of Aurora Mardiganian, a survivor of the Armenian genocide who later became an actress in the United States. The film combines animated storytelling, archival footage, interviews, and rediscovered scenes from the 1919 silent film, and one of Hollywood's first blockbusters, Auction of Souls, in which Aurora starred. Aurora's Sunrise was Armenia's official submission for the 95th Academy Awards for best international feature film. It has won over 20 international prizes.
The composer, Christine Aufderhaar, is an accomplished German composer based in Berlin and Los Angeles, with over 20 years of experience and more than 50 films to her name. Her background spans classical, jazz, film scoring, and contemporary orchestral work, and she has been the recipient of numerous awards for her work.
The soundtrack performed by the City of Prague Philharmonic Orchestra is deeply emotional, blending intimate melodies and majestic orchestral work, and weaving together themes of memory, survival, loss, and hope. A perfect fit for collectors of film scores, contemporary classical music, and limited vinyl releases.
Points of interest
" For fans of animated documentaries, historical narratives, deeply moving real-life stories, orchestral soundtracks, classical music, film scores, intimate melodies, big emotions, humans.
" The first ever vinyl release of Aurora's Sunrise (Original Motion Picture Soundtrack) by Christine Aufderhaar and City of Prague Philharmonic Orchestra.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition, 45rpm, Heavyweight Sleeve with Inside Out Print, Sticker
Tracklisting DLP
A1. Orphans
A2. Timejump
A3. In Captivity Of Soldiers
A4. Way To America
A5. Filmset
A6. Way To Kurdish People
A7. With Kurds
B1. Meeting Shepard And Way To Uncle
B2. Uncle First Part
B3. Uncle Second Part
B4. Leaving Cousin
B5. Hotel Lamar
B6. Jump To Freedom
B7. Mother's Death
B8. Swimming
B9. Train To Tbilisi
C1. Newspaper Brother
C2. Shepard
C3. Betrayal
C4. Aurora In School
C5. Devastation
C6. Aurora's Theme Gathering For Brother
C7. Finding The Gun
C8. River
D1. House Mrs. Harrimann
D2. Memories Jump
D3. Memories Train
D4. Aurora's Piano Theme Silk Cocons
D5. Aunt's Killing
D6. Stage Collaps
D7. Crucifixion
Info
WRWTFWW Records is proud to announce a super limited vinyl release of Christine Aufderhaar and City of Prague Philharmonic Orchestra's original soundtrack for the critically acclaimed, multiple award-winning 2022 animated-documentary film Aurora's Sunrise. The release comes as a 45rpm double LP in a heavyweight sleeve with inside out print.
Aurora's Sunrise is directed by Inna Sahakyan, and tells the extraordinary true story of Aurora Mardiganian, a survivor of the Armenian genocide who later became an actress in the United States. The film combines animated storytelling, archival footage, interviews, and rediscovered scenes from the 1919 silent film, and one of Hollywood's first blockbusters, Auction of Souls, in which Aurora starred. Aurora's Sunrise was Armenia's official submission for the 95th Academy Awards for best international feature film. It has won over 20 international prizes.
The composer, Christine Aufderhaar, is an accomplished German composer based in Berlin and Los Angeles, with over 20 years of experience and more than 50 films to her name. Her background spans classical, jazz, film scoring, and contemporary orchestral work, and she has been the recipient of numerous awards for her work.
The soundtrack performed by the City of Prague Philharmonic Orchestra is deeply emotional, blending intimate melodies and majestic orchestral work, and weaving together themes of memory, survival, loss, and hope. A perfect fit for collectors of film scores, contemporary classical music, and limited vinyl releases.
Points of interest
" For fans of animated documentaries, historical narratives, deeply moving real-life stories, orchestral soundtracks, classical music, film scores, intimate melodies, big emotions, humans.
" The first ever vinyl release of Aurora's Sunrise (Original Motion Picture Soundtrack) by Christine Aufderhaar and City of Prague Philharmonic Orchestra.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Yoshiaki Ochi - Dawning
2
Yoshiaki Ochi - Balasong
3
Yoshiaki Ochi - Woods From The Sea
4
Yoshiaki Ochi - Madal Sonic
5
Yoshiaki Ochi - Anywhere
6
Yoshiaki Ochi - Beatsonic
7
Yoshiaki Ochi - Madal Sonic # 2
8
Yoshiaki Ochi - Ear Dreamin’
9
Yoshiaki Ochi - Urban Kogili
10
Yoshiaki Ochi - Beat The Water
Genre: Environmental, Ambient, Minimalism, Percussive, Tribal, Experimental
Tracklisting LP
A1. Dawning 5:20
A2. Balasong 4:32
A3. Woods From The Sea 3:43
A4. Madal Sonic 3:44
A5. Anywhere 5:06
B1. Beatsonic 4:48
B2. Madal Sonic # 2 3:20
B3. Ear Dreamin’ 4:41
B4. Urban Kogili 6:47
B5. Beat The Water 2:28
Info
WRWTFWW Records is thrilled to unveil the limited edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kanky? ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center / Spiral's visionary NEWSIC label.
Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm - a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative - an album that breathes with nature itself.
Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog - alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous - Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital.
A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.
Points of Interest
- Limited edition vinyl reissue of Yoshiaki Ochi's Natural Sonic (1990), a cult Japanese environmental music and percussion masterpiece, housed in heavyweight sleeve with obi.
- Originally released on NEWSIC, the forward-thinking label operated by Wacoal Art Center / Spiral (home to Yoshio Ojima, Motohiko Hamase, Satsuki Shibano, and more).
- A unique blend of earthly percussion (wood, water, stone) and environmental soundscapes, created during Ochi's tenure as in-house composer for Issey Miyake.
- Essential listening for fans of ambient, percussion, kanky? ongaku, experimental sound art, nature recordings, and artists such as Midori Takada, Geinoh Yamashirogumi, Ryuichi Sakamoto, and Yoshio Ojima.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting LP
A1. Dawning 5:20
A2. Balasong 4:32
A3. Woods From The Sea 3:43
A4. Madal Sonic 3:44
A5. Anywhere 5:06
B1. Beatsonic 4:48
B2. Madal Sonic # 2 3:20
B3. Ear Dreamin’ 4:41
B4. Urban Kogili 6:47
B5. Beat The Water 2:28
Info
WRWTFWW Records is thrilled to unveil the limited edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kanky? ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center / Spiral's visionary NEWSIC label.
Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm - a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative - an album that breathes with nature itself.
Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog - alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous - Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital.
A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.
Points of Interest
- Limited edition vinyl reissue of Yoshiaki Ochi's Natural Sonic (1990), a cult Japanese environmental music and percussion masterpiece, housed in heavyweight sleeve with obi.
- Originally released on NEWSIC, the forward-thinking label operated by Wacoal Art Center / Spiral (home to Yoshio Ojima, Motohiko Hamase, Satsuki Shibano, and more).
- A unique blend of earthly percussion (wood, water, stone) and environmental soundscapes, created during Ochi's tenure as in-house composer for Issey Miyake.
- Essential listening for fans of ambient, percussion, kanky? ongaku, experimental sound art, nature recordings, and artists such as Midori Takada, Geinoh Yamashirogumi, Ryuichi Sakamoto, and Yoshio Ojima.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Virgo - Arcadia
2
Virgo - System For Zodiac
3
Virgo - Remains
4
Virgo - Stroma
5
Virgo - Monochrome Sky
6
Virgo - Proxima Scope
7
Virgo - Diadem
8
Virgo - Ancient Architects
9
Virgo - Stroma Trite
10
Virgo - The Creation Of Typology
11
Virgo - Nostalgia
12
Virgo - Last Moment
Territories: WORLD
Genre: Techno, Electronic, Ambient, IDM, Soulful, Acid
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Arcadia
A2. System For Zodiac
A3. Remains
B1. Stroma
B2. Monochrome Sky
B3. Proxima Scope
C1. Diadem
C2. Ancient Architects
C3. Stroma Trite
D1. The Creation Of Typology
D2. Nostalgia
D3. Last Moment
Info
WRWTFWW Records is thrilled to announce the first-ever vinyl release of Japanese electronic music producer Virgo’s debut album, Landform Code, a forgotten underground classic from 1998, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Originally only released on CD by Tokyo-based cult label FORM@ RECORDS, Landform Code is an absolute gem of smooth, melodic Detroit techno infused with brilliant hints of acid, ambient, and IDM. It’s a dreamy, organic, and timeless record that captures the essence of late ‘90s electronic innovation with a deeply soulful touch.
The 12-track album, radiating with lush melodies, hypnotic rhythms, and textural detail, is an essential (hidden) treasure of electronic music history, transporting the listeners back to the pioneering days of Carl Craig, B12, The Black Dog, Ian O'Brien, or Warp’s Artificial Intelligence series, beautifully honoring its influences, while solidly standing on its own as a distinct and emotionally resonant piece from Japan’s underground scene.
Landform Code is released simultaneously with Virgo’s 1999 follow-up album Remnants, both excavated from the vaults of FORM@ RECORDS which has officially supervised the reissue efforts. This marks the first phase of a collaboration between the Swiss and Japanese labels – a project that will continue with forthcoming vinyl releases of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).
Points of interests
- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, Carl Craig, Warp Records, B12, the late 90s, feelings, machines with emotions.
- First ever vinyl release of Japanese soulful techno underground classic Landform Code by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Techno, Electronic, Ambient, IDM, Soulful, Acid
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Arcadia
A2. System For Zodiac
A3. Remains
B1. Stroma
B2. Monochrome Sky
B3. Proxima Scope
C1. Diadem
C2. Ancient Architects
C3. Stroma Trite
D1. The Creation Of Typology
D2. Nostalgia
D3. Last Moment
Info
WRWTFWW Records is thrilled to announce the first-ever vinyl release of Japanese electronic music producer Virgo’s debut album, Landform Code, a forgotten underground classic from 1998, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Originally only released on CD by Tokyo-based cult label FORM@ RECORDS, Landform Code is an absolute gem of smooth, melodic Detroit techno infused with brilliant hints of acid, ambient, and IDM. It’s a dreamy, organic, and timeless record that captures the essence of late ‘90s electronic innovation with a deeply soulful touch.
The 12-track album, radiating with lush melodies, hypnotic rhythms, and textural detail, is an essential (hidden) treasure of electronic music history, transporting the listeners back to the pioneering days of Carl Craig, B12, The Black Dog, Ian O'Brien, or Warp’s Artificial Intelligence series, beautifully honoring its influences, while solidly standing on its own as a distinct and emotionally resonant piece from Japan’s underground scene.
Landform Code is released simultaneously with Virgo’s 1999 follow-up album Remnants, both excavated from the vaults of FORM@ RECORDS which has officially supervised the reissue efforts. This marks the first phase of a collaboration between the Swiss and Japanese labels – a project that will continue with forthcoming vinyl releases of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).
Points of interests
- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, Carl Craig, Warp Records, B12, the late 90s, feelings, machines with emotions.
- First ever vinyl release of Japanese soulful techno underground classic Landform Code by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Virgo - Falling Seed
2
Virgo - Round On Cirque
3
Virgo - Utia
4
Virgo - Prelude
5
Virgo - Mesa
6
Virgo - Tower Of the Dual World
7
Virgo - Lost In Blue
8
Virgo - Ivied Scupltuer
9
Virgo - Remnants
10
Virgo - Starlight
Territories: WORLD
Genre: Techno, Electronic, Ambient, IDM, Soulful, Electronica, House
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Falling Seed
A2. Round On Cirque
B1. Utia
B2. Prelude
B3. Mesa
C1. Tower Of the Dual World
C2. Lost In Blue
C3. Ivied Scupltuer
D1. Remnants
D2. Starlight
Info
WRWTFWW Records is very happy to announce the first-ever vinyl release of Japanese electronic music producer Virgo's unheralded sophomore album, Remnants, a sleeper underground hit from 1999, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Released only on CD in 1999 by Tokyo-based cult label FORM@ RECORDS, Remnants is a quietly visionary record: mellow ambient techno, fluid electronica, and soul-laced atmospherics with the spirit of Detroit close to the heart. As the follow-up to his essential debut Landform Code, Virgo expands his palette here - working in widescreen textures, warm synth tones, and patient, emotive arrangements that feel both intimate and cinematic. The result is lush, heartfelt, and simply brilliant - a late '90s statement that rewards deep, repeated listening.
Remnants sits comfortably alongside the era's best explorations in soulful techno, ambient, and IDM, recalling the sensibilities of B12, The Black Dog, Ian O'Brien, and the lineage of labels Warp, Likemind and Clear, while remaining distinctly Virgo - subtle, sophisticated, and unexpectedly moving.
The album is released alongside Virgo's Landform Code, also available on vinyl for the first time ever, as part of a collaborative reissue series between WRWTFWW and FORM@. It aslo signals more archival treasures to come : vinyl pressings of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).
Points of interests
- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, emotive electronica, Carl Craig, B12, the Black Dog, labels such as Warp, Likemind, and Clear, the late 90s, feelings, machines with emotions, good sophomore albums, unknown classics, essential Japanese music from the underground.
- First ever vinyl release of Japanese soulful techno underground classic Remnants by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Techno, Electronic, Ambient, IDM, Soulful, Electronica, House
DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker
Tracklisting DLP
A1. Falling Seed
A2. Round On Cirque
B1. Utia
B2. Prelude
B3. Mesa
C1. Tower Of the Dual World
C2. Lost In Blue
C3. Ivied Scupltuer
D1. Remnants
D2. Starlight
Info
WRWTFWW Records is very happy to announce the first-ever vinyl release of Japanese electronic music producer Virgo's unheralded sophomore album, Remnants, a sleeper underground hit from 1999, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Released only on CD in 1999 by Tokyo-based cult label FORM@ RECORDS, Remnants is a quietly visionary record: mellow ambient techno, fluid electronica, and soul-laced atmospherics with the spirit of Detroit close to the heart. As the follow-up to his essential debut Landform Code, Virgo expands his palette here - working in widescreen textures, warm synth tones, and patient, emotive arrangements that feel both intimate and cinematic. The result is lush, heartfelt, and simply brilliant - a late '90s statement that rewards deep, repeated listening.
Remnants sits comfortably alongside the era's best explorations in soulful techno, ambient, and IDM, recalling the sensibilities of B12, The Black Dog, Ian O'Brien, and the lineage of labels Warp, Likemind and Clear, while remaining distinctly Virgo - subtle, sophisticated, and unexpectedly moving.
The album is released alongside Virgo's Landform Code, also available on vinyl for the first time ever, as part of a collaborative reissue series between WRWTFWW and FORM@. It aslo signals more archival treasures to come : vinyl pressings of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).
Points of interests
- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, emotive electronica, Carl Craig, B12, the Black Dog, labels such as Warp, Likemind, and Clear, the late 90s, feelings, machines with emotions, good sophomore albums, unknown classics, essential Japanese music from the underground.
- First ever vinyl release of Japanese soulful techno underground classic Remnants by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Meemo Comma - They, Spoke
2
Meemo Comma - The Soldier
3
Meemo Comma - The Poet
4
Meemo Comma - P3Alpha Exotoxin
5
Meemo Comma - From The Sky
6
Meemo Comma - Signs
7
Meemo Comma - Spectral Alignment
8
Meemo Comma - Meditation
9
Meemo Comma - What Does It Want
10
Meemo Comma - Journey To The Sphere
11
Meemo Comma - Area X
12
Meemo Comma - The Gift
13
Meemo Comma - Heavy Metal Offerings
14
Meemo Comma - As It Is Written
Genre: Ambient, Electronica, IDM, Electronic, Experimental
LP: Limited Edition of 100, Heavyweight Sleeve, Sticker
Tracklisting LP
A1. They, Spoke
A2. The Soldier
A3. The Poet
A4. P3Alpha Exotoxin
A5. From The Sky
A6. Signs
A7. Spectral Alignment
B1. Meditation
B2. What Does It Want
B3. Journey To The Sphere
B4. Area X
B5. The Gift
B6. Heavy Metal Offerings
B7. As It Is Written
Info
WRWTFWW Records presents an ultra limited (100 copies !) vinyl edition of Meemo Comma’s Decimation Of I album, originally released digitally in 2024 on Mike Paradinas' Planet Mu label. The collector’s pressing is housed in a heavyweight sleeve.
Decimation Of I is the fifth album by Brighton-based electronic musician Meemo Comma. It's a work based on the Strugatsky brothers‘ 1971 novel Roadside Picnic, a book that was also turned into the Russian cult classic Stalker by Andrei Tarkovsky. The inspiration came from reading the book alongside the backdrop of global climate disasters where an environment is rapidly becoming less habitable, all while powerful nations occupy and commit genocide.
The rough story of both film and novel is about a select group of characters exploring a land that has been transformed by alien visitors. We never meet the extraterrestrials, nor is it important to, we only have the artefacts left behind. The environment itself becomes the character, neither wholly Earth-like nor alien, but a surreal blend of both, inviting introspection on our insignificance amidst profound change. Within this land’s rebirth, our characters confront ego death, a necessary step towards the profound revelation, the discovery of one's true desire in the absence of ego.
The album opens with the innocent flutes of ’They, spoke,‘ and the disorienting electronica of ‘The Soldier‘ building towards the Terry Riley like undulating clarinets of ‘The Poet’, whose intertwining synth organ drones set the scene. Nods to the seventies electronica of Wendy Carlos and Eduard Artemyev can be heard with the use of Bach melodies in ‘P3Alpha Exotoxin‘ and ‘Area X,‘ however each of these songs draw the listener to primal noise undercurrents, their disintegrating melodies hinting at humanity's gradual dissolution, unveiling profound revelations beyond our comprehension.
As the album reaches its midpoint, ‘Spectral Alignment‘ paints a hazy morning prairie scene with Aaron Copland style French horn, restful woodwinds, spatial arpeggios and a warm drone culminating in an emotional pitstop as the soldiers wake in the dewy morning of this alien landscape, unaware the last of their humanity remains.
The last sentence in Roadside Picnic “HAPPINESS FOR EVERYBODY, FREE, AND MAY NO ONE BE LEFT BEHIND!” is the inspiration for ‘As It Is Written.’ We can either take from this the total annihilation of self has been filled with propaganda from their homeland, or the epiphany of their own autonomy in the war against a land and its inhabitants.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: Limited Edition of 100, Heavyweight Sleeve, Sticker
Tracklisting LP
A1. They, Spoke
A2. The Soldier
A3. The Poet
A4. P3Alpha Exotoxin
A5. From The Sky
A6. Signs
A7. Spectral Alignment
B1. Meditation
B2. What Does It Want
B3. Journey To The Sphere
B4. Area X
B5. The Gift
B6. Heavy Metal Offerings
B7. As It Is Written
Info
WRWTFWW Records presents an ultra limited (100 copies !) vinyl edition of Meemo Comma’s Decimation Of I album, originally released digitally in 2024 on Mike Paradinas' Planet Mu label. The collector’s pressing is housed in a heavyweight sleeve.
Decimation Of I is the fifth album by Brighton-based electronic musician Meemo Comma. It's a work based on the Strugatsky brothers‘ 1971 novel Roadside Picnic, a book that was also turned into the Russian cult classic Stalker by Andrei Tarkovsky. The inspiration came from reading the book alongside the backdrop of global climate disasters where an environment is rapidly becoming less habitable, all while powerful nations occupy and commit genocide.
The rough story of both film and novel is about a select group of characters exploring a land that has been transformed by alien visitors. We never meet the extraterrestrials, nor is it important to, we only have the artefacts left behind. The environment itself becomes the character, neither wholly Earth-like nor alien, but a surreal blend of both, inviting introspection on our insignificance amidst profound change. Within this land’s rebirth, our characters confront ego death, a necessary step towards the profound revelation, the discovery of one's true desire in the absence of ego.
The album opens with the innocent flutes of ’They, spoke,‘ and the disorienting electronica of ‘The Soldier‘ building towards the Terry Riley like undulating clarinets of ‘The Poet’, whose intertwining synth organ drones set the scene. Nods to the seventies electronica of Wendy Carlos and Eduard Artemyev can be heard with the use of Bach melodies in ‘P3Alpha Exotoxin‘ and ‘Area X,‘ however each of these songs draw the listener to primal noise undercurrents, their disintegrating melodies hinting at humanity's gradual dissolution, unveiling profound revelations beyond our comprehension.
As the album reaches its midpoint, ‘Spectral Alignment‘ paints a hazy morning prairie scene with Aaron Copland style French horn, restful woodwinds, spatial arpeggios and a warm drone culminating in an emotional pitstop as the soldiers wake in the dewy morning of this alien landscape, unaware the last of their humanity remains.
The last sentence in Roadside Picnic “HAPPINESS FOR EVERYBODY, FREE, AND MAY NO ONE BE LEFT BEHIND!” is the inspiration for ‘As It Is Written.’ We can either take from this the total annihilation of self has been filled with propaganda from their homeland, or the epiphany of their own autonomy in the war against a land and its inhabitants.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:WRWTFWW
Cat-No:WRWTFWW118
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:LP Excl
Label:WRWTFWW
Cat-No:WRWTFWW118
Release-Date:26.09.2025
Genre:Electronic, Electronica
Configuration:LP Excl
1
Throwing Shapes - Calyx
2
Throwing Shapes - Meant to Say
3
Throwing Shapes - Sonnoh
4
Throwing Shapes - Chosen Talk
5
Throwing Shapes - So and So
6
Throwing Shapes - Clearly Faded
7
Throwing Shapes - Leave it Out
8
Throwing Shapes - Lo and Behold
Territories: WORLD
LP: Limited Edition, Heavyweight Sleeve, Poster, Sticker
Tracklisting LP
A1. Calyx
A2. Meant to Say
A3. Sonnoh
B1. Chosen Talk
B2. So and So
B3. Clearly Faded
B4. Leave it Out
B5. Lo and Behold
Info
WRWTFWW Records is happy to announce the self-titled debut from Throwing Shapes, a new collaborative project featuring harpist Méabh McKenna, percussionist Ross Chaney, and label mainstay composer/producer Gareth Quinn Redmond. The immersive electronic meets traditional album is available on limited-edition LP housed in a heavyweight sleeve and including a beautiful mini-poster designed by artwork creator Stina Sandström. It is also available digitally.
A hypnotic, texturally rich exploration in sound led by the striking timbre of the Irish wire strung harp, Throwing Shapes weaves intricate instrumental tapestries with ambitious electronic synthesis and arrangements. The result is an immersive soundscape that feels rooted yet experiential and through which a unique vocabulary emerges - cinematic harp driven avant electronic conjuring lush sonic worlds that evoke both heritage and futurism.
Gareth Quinn Redmond's previous albums, Laistigh Den Ghleo, a ode to the work of Satoshi Ashikawa, Umcheol, mixing ambient with traditional Irish music instruments, his tape loops wonder Ar Ais Arís, and his collaborative effort with Albert Karch, Warszawa, are still available on WRWTFWW Records - complete the collection…again and again!
Points of interests
- For fans of ambient, minimalism, environmental, experimental, electro-acoustic, traditional Irish instruments, synth, cinematic harptronica, Satoshi Ashikawa, Erik Satie, Midori Takada, Albrt Karch, ambient supergroups, mini posters inside record sleeves, heritage, futurism, and meditative journeys.
- Super limited edition vinyl of Méabh McKenna, Ross Chaney, and Gareth Quinn Redmond collaborative effort Throwing Shapes with an artwork by Stina Sandström.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: Limited Edition, Heavyweight Sleeve, Poster, Sticker
Tracklisting LP
A1. Calyx
A2. Meant to Say
A3. Sonnoh
B1. Chosen Talk
B2. So and So
B3. Clearly Faded
B4. Leave it Out
B5. Lo and Behold
Info
WRWTFWW Records is happy to announce the self-titled debut from Throwing Shapes, a new collaborative project featuring harpist Méabh McKenna, percussionist Ross Chaney, and label mainstay composer/producer Gareth Quinn Redmond. The immersive electronic meets traditional album is available on limited-edition LP housed in a heavyweight sleeve and including a beautiful mini-poster designed by artwork creator Stina Sandström. It is also available digitally.
A hypnotic, texturally rich exploration in sound led by the striking timbre of the Irish wire strung harp, Throwing Shapes weaves intricate instrumental tapestries with ambitious electronic synthesis and arrangements. The result is an immersive soundscape that feels rooted yet experiential and through which a unique vocabulary emerges - cinematic harp driven avant electronic conjuring lush sonic worlds that evoke both heritage and futurism.
Gareth Quinn Redmond's previous albums, Laistigh Den Ghleo, a ode to the work of Satoshi Ashikawa, Umcheol, mixing ambient with traditional Irish music instruments, his tape loops wonder Ar Ais Arís, and his collaborative effort with Albert Karch, Warszawa, are still available on WRWTFWW Records - complete the collection…again and again!
Points of interests
- For fans of ambient, minimalism, environmental, experimental, electro-acoustic, traditional Irish instruments, synth, cinematic harptronica, Satoshi Ashikawa, Erik Satie, Midori Takada, Albrt Karch, ambient supergroups, mini posters inside record sleeves, heritage, futurism, and meditative journeys.
- Super limited edition vinyl of Méabh McKenna, Ross Chaney, and Gareth Quinn Redmond collaborative effort Throwing Shapes with an artwork by Stina Sandström.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Momoko Kikuchi - Ocean Side
2
Momoko Kikuchi - Shadow Surfer
3
Momoko Kikuchi - Blind Curve
4
Momoko Kikuchi - Summer Eyes
5
Momoko Kikuchi - Futari No Night Dive
6
Momoko Kikuchi - Seishun No Ijiwaru
7
Momoko Kikuchi - Evening Break
8
Momoko Kikuchi - So Many Dreams
9
Momoko Kikuchi - I Will
Genre: City Pop, Funk, Pop, Synth, Soul
LP: Transparent Vinyl, Heavyweight 350gsm Sleeve, Obi
Tracklisting LP
A1 Ocean Side 4:39
A2 Shadow Surfer 3:30
A3 Blind Curve 4:04
A4 Summer Eyes 3:42
A5 Futari No Night Dive 4:20
B1 Seishun No Ijiwaru 4:34
B2 Evening Break 3:49
B3 So Many Dreams 5:29
B4 I Will 6:57
Info
WRWTFWW Records is very excited to announce the first release from its new City Pop Series with Japanese singer, actress, entertainer, scholar and all-around legend Momoko Kikuchi’s sun-drenched classic Ocean Side album, available now as a limited-edition transparent vinyl LP in a heavyweight sleeve with obi.
A cult classic among Japanese music collectors, Ocean Side was originally released in 1984 by mythical label VAP and features lush compositions and arrangements by J-Pop icon Tetsuji Hayashi (Mariya Takeuchi, Miki Matsubara, Omega Tribe, Junichi Inagaki, Urusei Yatsura anime, soundtrack…). Momoko Kikuchi’s city pop gem is a flawless mix of heartwarming beachside funk, breezy grooves, and silky-smooth vocals - the feel-good music we all need in our life right now.
The 9-track summer-is-forever adventure notably includes the ultra-funky megahit “Blind Curve”, the fan-favorite title song, and the insanely romantic ballad “Futari No Night Drive”. A vibrant reflection of summer in 1980s Japan, Ocean Side masterfully balances nostalgia and elegance, and provides part of the origin story for revered modern music genres such as chillwave, and future funk, and vaporwave.
The official reissue licensed from VAP, Inc. is sourced from the original masters with an audiophile-cut by Sidney Meyer at Emil Berliner Studios.
WRWTFWW’s City Pop Series and its Lopetz/Büro Destruct-designed logo also includes jazz-fusion-AOR-mellow-funk treasure Safari (1984), a limited capsule collection of merch, and much more to come in the near future.
Points of interests
- For fans of city pop, J-pop, funk, soul, chillwave, future funk, vaporwave, the 80s, the summer, 80s summer movies, surfing, swimming, the beach, Mattfoley’s Beach Club™.
- Super limited edition transparent vinyl LP reissue of city pop mega classic Ocean Side by Momoko Kikuchi.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pizza Hotline - Polygon Island
2
Pizza Hotline - Region Free
3
Pizza Hotline - Z-buffer
4
Pizza Hotline - BIOS
5
Pizza Hotline - Memory Cycles
6
Pizza Hotline - Collision Detection
7
Pizza Hotline - Stage Select
8
Pizza Hotline - Y2K Dreamscape
Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music
DLP: Limited Edition Double LP with 45RPM Cut, Heavy 350gsm Gatefold Sleeve, Sticker
Tracklisting DLP
A1. Polygon Island
A2. Region Free
B1. Z-buffer
B2. BIOS
C1. Memory Cycles
C2. Collision Detection
D1. Stage Select
D2. Y2K Dreamscape
Info
WRWTFWW Records is boiling with excitement: Pizza Hotline is back! The UK producer and DJ is following up the already classic Level Select with another liquid drum & bass with a video game music twist beauty: the Polygon Island album, available in a limited edition double LP with a majestic 45rpm cut (for louder, bigger, bolder, deeper earth-shaking bass), packaged in a heavyweight 350gsm gatefold sleeve.
Home of eight all new slices of delicious atmospheric drum & bass, Polygon Island is the perfect artificial paradise beach for Pizza Hotline to deepen his exploration of modern jungle music liquified through the lens of 90s /Y2K video game motifs and seasoned with the soundtrack essence of PS1, PS2, N64, Sega Saturn & Dreamcast adventures.
Bewitching and larger than life, Pizza Hotline’s perfect follow-up to Level Select takes listeners (players?) on an endless summer escapade filled with immaculate vibes, crispy beats, and refashioned homages to, once again, LTJ Bukem, Peshay, the Wipeout OST, and Soichi Terada's Ape Escape. It’s bouncy, it flows, it’s dreamy – something to dance to, something to reminisce to, something to chill to. Pizza Hotline is back and it feels so good.
Press start. Again.
Points of interests
For fans of liquid DNB, video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select, good music, good music on video games, playing video games all night and possibly all week. Do that again and again and again.
Super limited edition vinyl of Pizza Hotline’s Polygon Island album redefining liquid drum & bass with a Y2K video game twist again and again and again.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DLP: Limited Edition Double LP with 45RPM Cut, Heavy 350gsm Gatefold Sleeve, Sticker
Tracklisting DLP
A1. Polygon Island
A2. Region Free
B1. Z-buffer
B2. BIOS
C1. Memory Cycles
C2. Collision Detection
D1. Stage Select
D2. Y2K Dreamscape
Info
WRWTFWW Records is boiling with excitement: Pizza Hotline is back! The UK producer and DJ is following up the already classic Level Select with another liquid drum & bass with a video game music twist beauty: the Polygon Island album, available in a limited edition double LP with a majestic 45rpm cut (for louder, bigger, bolder, deeper earth-shaking bass), packaged in a heavyweight 350gsm gatefold sleeve.
Home of eight all new slices of delicious atmospheric drum & bass, Polygon Island is the perfect artificial paradise beach for Pizza Hotline to deepen his exploration of modern jungle music liquified through the lens of 90s /Y2K video game motifs and seasoned with the soundtrack essence of PS1, PS2, N64, Sega Saturn & Dreamcast adventures.
Bewitching and larger than life, Pizza Hotline’s perfect follow-up to Level Select takes listeners (players?) on an endless summer escapade filled with immaculate vibes, crispy beats, and refashioned homages to, once again, LTJ Bukem, Peshay, the Wipeout OST, and Soichi Terada's Ape Escape. It’s bouncy, it flows, it’s dreamy – something to dance to, something to reminisce to, something to chill to. Pizza Hotline is back and it feels so good.
Press start. Again.
Points of interests
For fans of liquid DNB, video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, Pizza Hotline’s Level Select, good music, good music on video games, playing video games all night and possibly all week. Do that again and again and again.
Super limited edition vinyl of Pizza Hotline’s Polygon Island album redefining liquid drum & bass with a Y2K video game twist again and again and again.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:WRWTFWW
Cat-No:WRWTFWW092CD
Release-Date:01.08.2025
Genre:Electronic, Electronica
Configuration:2CD Excl
Label:WRWTFWW
Cat-No:WRWTFWW092CD
Release-Date:01.08.2025
Genre:Electronic, Electronica
Configuration:2CD Excl
1
Yutaka Hirose - Library
2
Yutaka Hirose - The other side part 1
3
Yutaka Hirose - Deserts
4
Yutaka Hirose - Uprising
5
Yutaka Hirose - The other side part 2
6
Yutaka Hirose - Contrast
7
Yutaka Hirose - Mixture
8
Yutaka Hirose - The other side part 3
9
Yutaka Hirose - Weed
10
Yutaka Hirose - Color
11
Yutaka Hirose - The other side part 4
12
Yutaka Hirose - Notation
Territory: WORLD
DCD: Digipack, Stickers, Liner Notes
Tracklisting DCD
CD1
01. Library
02. The other side part 1
03. Deserts
04. Uprising
05. The other side part 2
06. Contrast
CD2
01. Mixture
02. The other side part 3
03. Weed
04. Color
05. The other side part 4
06. Notation
Info
WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.
Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.
The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.
Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.
Points of interests
- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
DCD: Digipack, Stickers, Liner Notes
Tracklisting DCD
CD1
01. Library
02. The other side part 1
03. Deserts
04. Uprising
05. The other side part 2
06. Contrast
CD2
01. Mixture
02. The other side part 3
03. Weed
04. Color
05. The other side part 4
06. Notation
Info
WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.
Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.
The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.
Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.
Points of interests
- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:WRWTFWW
Cat-No:WRWTFWW092
Release-Date:01.08.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:WRWTFWW
Cat-No:WRWTFWW092
Release-Date:01.08.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
1
Yukata Hirose - Library
2
Yukata Hirose - The other side part 1
3
Yukata Hirose - Deserts
4
Yukata Hirose - Uprising
5
Yukata Hirose - The other side part 2
6
Yukata Hirose - Contrast
7
Yukata Hirose - Mixture
8
Yukata Hirose - The other side part 3
9
Yukata Hirose - Weed
10
Yukata Hirose - Color
11
Yukata Hirose - The other side part 4
12
Yukata Hirose - Notation
Territories: WORLD
Genre: Experimental, Electronic, Abstract, Ambient, IDM
DLP: Heavyweight 350gsm Sleeve, Stickers, Liner Notes
Tracklisting DLP
A1. Library
A2. The other side part 1
A3. Deserts
B1. Uprising
B2. The other side part 2
B3. Contrast
C1. Mixture
C2. The other side part 3
C3. Weed
D1. Color
D2. The other side part 4
D3. Notation
Info
WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.
Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.
The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.
Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.
Points of interests
- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Experimental, Electronic, Abstract, Ambient, IDM
DLP: Heavyweight 350gsm Sleeve, Stickers, Liner Notes
Tracklisting DLP
A1. Library
A2. The other side part 1
A3. Deserts
B1. Uprising
B2. The other side part 2
B3. Contrast
C1. Mixture
C2. The other side part 3
C3. Weed
D1. Color
D2. The other side part 4
D3. Notation
Info
WRWTFWW Records is very excited to announce its third release from visionary Japanese ambient/experimental/environmental composer/producer Yutaka Hirose, this time with brand new album Voices, available on limited edition heavyweight-sleeved double LP as well as double CD, both with liner notes from the artist.
Voices finds Yutaka Hirose expanding his signature spatial layering into a three-dimensional videography of sound, blending field recordings, electronic manipulations, and abstract narratives. The 12-track album is a journey through a crumbling library where books whisper, history collides, and sonic textures weave new realities. Chaos, memory, and transformation – Hirose’s voices echo throughout the space, creating a fully immersive sonic experience.
The pioneering experimental and abstract electronic piece with deep hints of ambient and IDM is beautifully represented by the original artwork by Koji Shiroshita and Mifuku gracing the double LP and double digipack CD sleeves.
Voices marks Yutaka Hirose’s third full-length release on WRWTFWW Records, following his kankyõ ongaku classics Nova + 4 (an expanded version of his genre defining Soundscape 2: Nova album) and archival compilation TRACE: Sound Design Works 1986-1989, both available in vinyl, CD, and digital formats.
Points of interests
- For fans of abstract, electronic, environmental, ambient, IDM, darkwave, kankyõ ongaku, experimental, three-dimensional sonic landscapes, field recordings, exploring new worlds, the unknown.
- 12 new tracks from master Yutaka Hirose (Soundscape 2: Nova) exploring abstract electronics, available on Double LP and Double CD.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited Cassette Version
Tracklisting (Included are the Same Songs as on the LP/CD Version)
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
A6. Wütendes Glas
A7. Kälte Kriecht
A8. Kunstgewerbe
A9. Der Weg Zu Zweit
A10. In Der Nacht
B1. Eisbär
B2. Ich Lieb Sie
B3. Moskau
B4. Ein Tanz Mit Dem Tod
B5. Traüme Mit Mir
B6. Ich Und Du
B7. Wütendes Glas (Maxi Version)
B8. Raum
B9. Film 1
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting (Included are the Same Songs as on the LP/CD Version)
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
A6. Wütendes Glas
A7. Kälte Kriecht
A8. Kunstgewerbe
A9. Der Weg Zu Zweit
A10. In Der Nacht
B1. Eisbär
B2. Ich Lieb Sie
B3. Moskau
B4. Ein Tanz Mit Dem Tod
B5. Traüme Mit Mir
B6. Ich Und Du
B7. Wütendes Glas (Maxi Version)
B8. Raum
B9. Film 1
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Joe Hisaishi - Sonatine ?act of violence?
2
Joe Hisaishi - Light And Darkness
3
Joe Hisaishi - Play On The Sands
4
Joe Hisaishi - Rain After That
5
Joe Hisaishi - A On The Fullmoon Mystery
6
Joe Hisaishi - Into A Trance
7
Joe Hisaishi - Sonatine ?in the beginning?
8
Joe Hisaishi - Magic Mushroom
9
Joe Hisaishi - Eye Witness
10
Joe Hisaishi - Runaway Trip
11
Joe Hisaishi - Mobius Band
12
Joe Hisaishi - Die Out Of Memories
13
Joe Hisaishi - See You...
14
Joe Hisaishi - Sonatine ?be over?
Territories: WORLD EXCL JP
Genre: Soundtrack, Modern Classical, Ambient
Tracklisting CD
01. Sonatine ?act of violence?
02. Light And Darkness
03. Play On The Sands
04. Rain After That
05. A On The Fullmoon Mystery
06. Into A Trance
07. Sonatine ?in the beginning?
08. Magic Mushroom
09. Eye Witness
10. Runaway Trip
11. Mobius Band
12. Die Out Of Memories
13. See You...
14. Sonatine ?be over?
Info
WRWTFWW Records is honored to announce the first ever vinyl release of Joe Hisaishi's original soundtrack for the critically acclaimed and all around classic 1993 Japanese yakuza/crime/thriller movie Sonatine. The legendary album comes in a limited edition digipack CD with selective varnish printing.
The celebrated Sonatine was directed, written and edited by Takeshi Kitano, who also takes center stage as the main protagonist of the thrilling yakuza film. Director, screenwriter, comedian, actor, tv personality and icon, 'Beat' Takeshi is also known for Boiling Point, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many many more.
Considered one of the greatest ever, Joe Hisaishi is a composer, musical director, conductor and pianist behind over 100 film scores including Kitano's A Scene at the Sea, Kikujiro, and Brother, as well as his famed work for director and animator Hayao Miyazaki's Studio Ghibli masterpieces Castle in the Sky, My Neighbor Totoro, Princess Mononoke and the list goes on. Little known fact: his first ever produced-album is a collaboration with percussionist Midori Takada (Through the Looking Glass): MKWAJU Ensemble's MKAWJU also released on WRWTFWW Records.
The Sonatine movie score showcases the composer's more contemplative, minimalistic, and intimate side in a superb and deeply evocative neo-classical and ambient musical journey. The depth and emotional resonance of the compositions make for an exceptional and timeless soundtrack. It is known to be one of Hisaishi's own favorites.
Sonatine (Original Soundtrack) by Joe Hisaishi follows the release of the soundtrack of Takeshi Kitano's Violent Cop (1989), as well as music from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995). Collect them all on WRWTFWW Records!
Points of interests
- For fans of yakuza movies, legendary soundtracks, Takeshi Kitano, Joe Hisaishi, piano, ambient, minimalism, classical, crime thrillers of the 90s, obi belts, Ghibli, good stuff.
- Official CD reissue of the soundtrack for classic Japanese crime/yakuza movie Sonatine (1993) directed by and starring the legend (Beat) Takeshi Kitano.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Soundtrack, Modern Classical, Ambient
Tracklisting CD
01. Sonatine ?act of violence?
02. Light And Darkness
03. Play On The Sands
04. Rain After That
05. A On The Fullmoon Mystery
06. Into A Trance
07. Sonatine ?in the beginning?
08. Magic Mushroom
09. Eye Witness
10. Runaway Trip
11. Mobius Band
12. Die Out Of Memories
13. See You...
14. Sonatine ?be over?
Info
WRWTFWW Records is honored to announce the first ever vinyl release of Joe Hisaishi's original soundtrack for the critically acclaimed and all around classic 1993 Japanese yakuza/crime/thriller movie Sonatine. The legendary album comes in a limited edition digipack CD with selective varnish printing.
The celebrated Sonatine was directed, written and edited by Takeshi Kitano, who also takes center stage as the main protagonist of the thrilling yakuza film. Director, screenwriter, comedian, actor, tv personality and icon, 'Beat' Takeshi is also known for Boiling Point, Hana-Bi, Battle Royale, Johnny Mnemonic, Ghost in the Shell and many many more.
Considered one of the greatest ever, Joe Hisaishi is a composer, musical director, conductor and pianist behind over 100 film scores including Kitano's A Scene at the Sea, Kikujiro, and Brother, as well as his famed work for director and animator Hayao Miyazaki's Studio Ghibli masterpieces Castle in the Sky, My Neighbor Totoro, Princess Mononoke and the list goes on. Little known fact: his first ever produced-album is a collaboration with percussionist Midori Takada (Through the Looking Glass): MKWAJU Ensemble's MKAWJU also released on WRWTFWW Records.
The Sonatine movie score showcases the composer's more contemplative, minimalistic, and intimate side in a superb and deeply evocative neo-classical and ambient musical journey. The depth and emotional resonance of the compositions make for an exceptional and timeless soundtrack. It is known to be one of Hisaishi's own favorites.
Sonatine (Original Soundtrack) by Joe Hisaishi follows the release of the soundtrack of Takeshi Kitano's Violent Cop (1989), as well as music from another groundbreaking Japanese movie, Shin'ya Tsukamoto's Tokyo Fist (1995). Collect them all on WRWTFWW Records!
Points of interests
- For fans of yakuza movies, legendary soundtracks, Takeshi Kitano, Joe Hisaishi, piano, ambient, minimalism, classical, crime thrillers of the 90s, obi belts, Ghibli, good stuff.
- Official CD reissue of the soundtrack for classic Japanese crime/yakuza movie Sonatine (1993) directed by and starring the legend (Beat) Takeshi Kitano.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Grauzone - Plastikherz
2
Grauzone - My Eyes
3
Grauzone - Animals Dance
4
Grauzone - Alone In The Jungle
5
Grauzone - Sommer 80
6
Grauzone - Funky Punk
7
Grauzone - Moskau
8
Grauzone - Waiting For A Light
9
Grauzone - Grauzone
Territories: WORLD
LP: Limited Edition White Vinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Plastikherz
A2. My Eyes
A3. Animals Dance
A4. Alone In The Jungle
A5. Sommer 80
B1. Funky Punk
B2. Moskau
B3. Waiting For A Light
B4. Grauzone
WRWTFWW Records is very happy to release Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher.
Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.
About Grauzone:
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Points of interests
- For fans of punk, DIY, underground, post-punk, cold wave, Swiss wave, Neue Deutsche Welle, 80s, Stephan Eicher, Marco Repetto, Switzerland, mountains, polar bears, xerox machines, guitars and drums, Bern, important artifacts, archives.
- Official release of Grauzone Live at Gaskessel, Bern, Switzerland, recorded on April 12th 1980! Limited edition white vinyl, artwork by Stephan Eicher.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: Limited Edition White Vinyl, Heavy 350gsm Sleeve, Sticker
Tracklisting LP
A1. Plastikherz
A2. My Eyes
A3. Animals Dance
A4. Alone In The Jungle
A5. Sommer 80
B1. Funky Punk
B2. Moskau
B3. Waiting For A Light
B4. Grauzone
WRWTFWW Records is very happy to release Swiss cult band Grauzone’s recording of their April 12th 1980 live show at Gaskessel in their hometown of Bern. The 9-track album, documenting the very beginnings of the group, is available as a limited edition white vinyl LP in heavy 350gsm sleeve with special artwork by band member Stephan Eicher.
Experience the early Grauzone days, live from Bern, Switzerland, with a concert recorded at legendary local venue Gaskessel, with Martin Eicher on guitar and vocals, Christian G.T. Trüssel on bass, Marco Repetto on drums, Stephan Eicher on synth, and Claudine Chirac on saxophone. The performance is a true time capsule of the early 80s underground, showcasing the punk side of Grauzone with renditions of songs that were never officially released, as well as future fan-favorite “Moskau”. A piece of Swiss music history, This limited release is a must have for all Grauzone fans and DIY archivists.
About Grauzone:
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Points of interests
- For fans of punk, DIY, underground, post-punk, cold wave, Swiss wave, Neue Deutsche Welle, 80s, Stephan Eicher, Marco Repetto, Switzerland, mountains, polar bears, xerox machines, guitars and drums, Bern, important artifacts, archives.
- Official release of Grauzone Live at Gaskessel, Bern, Switzerland, recorded on April 12th 1980! Limited edition white vinyl, artwork by Stephan Eicher.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Customers who bought this also bought this
1
Grauzone - Eisbär
2
Grauzone - FILM 2
3
Grauzone - Ich Lieb Sie
2024 repress
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie
Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.
Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?
"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).
The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.
At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.
Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Molly Nilsson - 1. Die Cry Lie
2
Molly Nilsson - 2. Valhalla
3
Molly Nilsson - 3. Swedish Nightmare
4
Molly Nilsson - 4. Classified
5
Molly Nilsson - 5. Long Time No See
6
Molly Nilsson - 6. Fatal Distraction
7
Molly Nilsson - 7. Get A Life
8
Molly Nilsson - 8. Joe Hill’s Last Will
9
Molly Nilsson - 9. How Much Is The World
10
Molly Nilsson - 10. Creeping Beauty
11
Molly Nilsson - 11. All The Way
12
Molly Nilsson - 12. Big Life
13
Molly Nilsson - 13. The Bitter End
LP - territory: WW- UK/USA/CA/Benelux/AU/NZ/JP
Lp - BLACK VINYL ONLY IN GLOSS LAMINATED SLEEVE
Tracklist:
1. Die Cry Lie
2. Valhalla
3. Swedish Nightmare
4. Classified
5. Long Time No See
6. Fatal Distraction
7. Get A Life
8. Joe Hill’s Last Will
9. How Much Is The World
10. Creeping Beauty
11. All The Way
12. Big Life
13. The Bitter End
The word "amateur" originates from the Latin word "amator," meaning "lover" or "admirer". This Latin term is derived from "amare," which means "to
love". The French adopted "amateur" from Latin, and the English then borrowed it from French, initially retaining the sense of someone who loves or
is devoted to something. Over time, the English usage of "amateur" also developed a meaning related to a lack of professional skill or experience.
How did a word derived from love become a slur? Is love really so defenseless? They say love conquers all, but in reality isn’t love quite ridiculous?
It has no intention, no motive, no agenda. How could it possibly prevail? It can’t be bought or sold, or so they say.Its mere existence can't be proven or
even measured. What an impossible thing. Trying and failing, time and time again, no wonder cynicism always seems to win. I see “amateurism” as a
delighted, even foolish, protest. Protest against everything. Of what’s expected of someone, or expected of someone to desire or strive for. To be elite,
to be expert, to be professional, to be a master, to excel and succeed. Where’s the joy in that? I just want to have fun. I want to want. I want to love.
And keep doing it, forever. I want to have fun, even when it’s tiring and sometimes even heaven is boring as hell. I want to be bad. I want to do my
own thing. “I vant to be alone”. I want to be someone so dedicated to their passion that it starts to seem like there’s something wrong with them. All
the way. We can take it all the way, and never get it back.
” - Molly Nilsson
Amateur is the 12th studio album by Molly Nilsson. Deep in the teeth of a career that threatens to tip into something resembling a “legacy,” Molly
Nilsson celebrates with an album recorded instinctively, quickly and bursting with so many moments of emotional brilliance and clarity it may be her
greatest yet. Hers has been a career spent reaching out, perennially powerful in her earnestness, a warrior ridiculously defenceless and armed with a
glittering sincerity. Shearing herself of the machinations of the music industry, recording at home, writing direct to the heart.
Amateur is a jubilee for losers. A treatise in 13 songs, Amateur states clearly that we should live our life with eternal curiosity, offers us an open hand
of comradeship out of the rat race. The songs on the album are both some of the most personal of Nilsson’s career and the most anthemic. First
single How Much Is The World asks us to re-evaluate value in the face of a Neo-liberal system squeezing the life out of our loves. Pulsing opener Die
Cry Lie satirises the commercialisation of emotion in the form of a shout-along diss-track. With a pounding rhythm track held down by gorgeous chord
changes, heartbreaker Valhalla carries the torch for the main themes of the album: never growing up, making mistakes with kindness, moving on.
When the drums crash in on the line “It’s going to get better now, you’ll see, going to be much better off without me” there is a world of feeling swirling
about in the vocal delivery. One reading of the track might be that it’s a break up song but the subtext is classic Molly Nilsson: by living truthfully,
making mistakes, we’re active agents against the myriad oppressions of the world.
All The Way takes the theme for a run into the eternal sunset. It’s a manifesto for living fully. “Take it all the way, and never get it back” - it’s the
process that’s the important point. The journey not the destination. Big Life, follows on like a part 2: An ode not only to Molly Nilsson’s career of
endless gigs, endless connections with people, it’s a massive ode for following your dreams, doing it yourself. Closer The Bitter End is a powerful
anthem for friendship, another definition of love infused in Nilsson’s work, A beautifully poignant ode to comradeship til the end, it seems to be the
songwriter approaching aging, approaching life’s inevitability with the same vigour and earnestness, the same love of life she enjoyed at the onset of
her career.
There are moments on Amateur shrouded in reverb, slightly out of focus, forcing the listener to step deeper into the Mollyverse.. Nilsson’s open-armed
beseeching to the world permeates every beat, every chord. These are songs exploding with life: the chunky, aggressive bassline on the punker Get A
Life can’t hide its massive, catchy chorus. The sweeping Swedish Nightmare might be a tongue-in-cheek self-reference, but at its heart it’s a song
about the duality of living life large, what is a dream, what is a nightmare? Molly Nilsson says you can’t have one without the other, and why would you
want to?
Here’s to making mistakes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Lp - BLACK VINYL ONLY IN GLOSS LAMINATED SLEEVE
Tracklist:
1. Die Cry Lie
2. Valhalla
3. Swedish Nightmare
4. Classified
5. Long Time No See
6. Fatal Distraction
7. Get A Life
8. Joe Hill’s Last Will
9. How Much Is The World
10. Creeping Beauty
11. All The Way
12. Big Life
13. The Bitter End
The word "amateur" originates from the Latin word "amator," meaning "lover" or "admirer". This Latin term is derived from "amare," which means "to
love". The French adopted "amateur" from Latin, and the English then borrowed it from French, initially retaining the sense of someone who loves or
is devoted to something. Over time, the English usage of "amateur" also developed a meaning related to a lack of professional skill or experience.
How did a word derived from love become a slur? Is love really so defenseless? They say love conquers all, but in reality isn’t love quite ridiculous?
It has no intention, no motive, no agenda. How could it possibly prevail? It can’t be bought or sold, or so they say.Its mere existence can't be proven or
even measured. What an impossible thing. Trying and failing, time and time again, no wonder cynicism always seems to win. I see “amateurism” as a
delighted, even foolish, protest. Protest against everything. Of what’s expected of someone, or expected of someone to desire or strive for. To be elite,
to be expert, to be professional, to be a master, to excel and succeed. Where’s the joy in that? I just want to have fun. I want to want. I want to love.
And keep doing it, forever. I want to have fun, even when it’s tiring and sometimes even heaven is boring as hell. I want to be bad. I want to do my
own thing. “I vant to be alone”. I want to be someone so dedicated to their passion that it starts to seem like there’s something wrong with them. All
the way. We can take it all the way, and never get it back.
” - Molly Nilsson
Amateur is the 12th studio album by Molly Nilsson. Deep in the teeth of a career that threatens to tip into something resembling a “legacy,” Molly
Nilsson celebrates with an album recorded instinctively, quickly and bursting with so many moments of emotional brilliance and clarity it may be her
greatest yet. Hers has been a career spent reaching out, perennially powerful in her earnestness, a warrior ridiculously defenceless and armed with a
glittering sincerity. Shearing herself of the machinations of the music industry, recording at home, writing direct to the heart.
Amateur is a jubilee for losers. A treatise in 13 songs, Amateur states clearly that we should live our life with eternal curiosity, offers us an open hand
of comradeship out of the rat race. The songs on the album are both some of the most personal of Nilsson’s career and the most anthemic. First
single How Much Is The World asks us to re-evaluate value in the face of a Neo-liberal system squeezing the life out of our loves. Pulsing opener Die
Cry Lie satirises the commercialisation of emotion in the form of a shout-along diss-track. With a pounding rhythm track held down by gorgeous chord
changes, heartbreaker Valhalla carries the torch for the main themes of the album: never growing up, making mistakes with kindness, moving on.
When the drums crash in on the line “It’s going to get better now, you’ll see, going to be much better off without me” there is a world of feeling swirling
about in the vocal delivery. One reading of the track might be that it’s a break up song but the subtext is classic Molly Nilsson: by living truthfully,
making mistakes, we’re active agents against the myriad oppressions of the world.
All The Way takes the theme for a run into the eternal sunset. It’s a manifesto for living fully. “Take it all the way, and never get it back” - it’s the
process that’s the important point. The journey not the destination. Big Life, follows on like a part 2: An ode not only to Molly Nilsson’s career of
endless gigs, endless connections with people, it’s a massive ode for following your dreams, doing it yourself. Closer The Bitter End is a powerful
anthem for friendship, another definition of love infused in Nilsson’s work, A beautifully poignant ode to comradeship til the end, it seems to be the
songwriter approaching aging, approaching life’s inevitability with the same vigour and earnestness, the same love of life she enjoyed at the onset of
her career.
There are moments on Amateur shrouded in reverb, slightly out of focus, forcing the listener to step deeper into the Mollyverse.. Nilsson’s open-armed
beseeching to the world permeates every beat, every chord. These are songs exploding with life: the chunky, aggressive bassline on the punker Get A
Life can’t hide its massive, catchy chorus. The sweeping Swedish Nightmare might be a tongue-in-cheek self-reference, but at its heart it’s a song
about the duality of living life large, what is a dream, what is a nightmare? Molly Nilsson says you can’t have one without the other, and why would you
want to?
Here’s to making mistakes.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Ryo Fukui - A1. Sonora
2
Ryo Fukui - A2. Stella by Starlight
3
Ryo Fukui - A3. Speak Low
4
Ryo Fukui - A4. Nobody Knows The Trouble I’ve Seen
5
Ryo Fukui - B1. Old Country
6
Ryo Fukui - B2. Soultrane
7
Ryo Fukui - B3. Chasin’ The Bird
8
Ryo Fukui - B4. Be My Love
-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi
Tracklisting LP
A1. Sonora
A2. Stella by Starlight
A3. Speak Low
A4. Nobody Knows The Trouble I’ve Seen
B1. Old Country
B2. Soultrane
B3. Chasin’ The Bird
B4. Be My Love
Info:
We Release Jazz is delighted to announce the official reissue of Ryo Fukui’s final album, the very personal contemporary jazz offering, A Letter from Slowboat, sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD.
Known for his miraculous albums Scenery (1976) and Mellow Dream (1977), legendary Hokkaido pianist Ryo Fukui, with the help of his wife Yasuko, opened his very own jazz club in Sapporo in 1995, Slowboat. This is where Ryo Fukui spent the latter half of his career, playing again and again, welcoming peers for unforgettable sessions, and perfecting the craft he lived for: jazz.
A Letter from Slowboat is a poetic, soulful, and honest love letter to Hokkaido, to Fukui’s jazz club, and to endless hours of practicing artistry in a place called home. Backed by longtime collaborators Takumi Awaya on bass, and Ittetsu Takemura on drums, Ryo Fukui flows through classics and originals with natural class, fluidity and absolute precision, expressing a smooth balance between skills and heart. Slowboat, full of breathtaking solos and exquisite moments of clarity, is another crucial piece in the career of one of the most fascinating jazzmen to ever grace the piano. It was released in 2016, sadly the year Ryo Fukui passed away, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come, and Slowboat, where the magic still happens to this day.
This is reissued in conjunction with Ryo Fukui’s Ryo Fukui in New York (1999), also available via We Release Jazz.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, boats, Sapporo, Scenery, jazz clubs and very personal letters.
- Official reissue of the final album by legendary Hokkaido pianist Ryo Fukui.
- 8th release from We Release Jazz, following Ryo Fukui’s Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin’s Pla-cebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada’s Through The Looking Glass and Lunar Cruise with Masahiko Sato, MKWAJU ensemble’s KI-Motion, Jun Fukamachi’s Nicole, Bruno Spoerri’s Voice of Taurus and The Sound of the UFOs, Piero Umiliani’s Tra Scienza e Fantascienza and Il Mondo Dei Romani…)
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ001-REG
Release-Date:19.10.2018
Genre:Electronic, Electronica
Configuration:LP Excl
1
Ryo Fukui - It Could Happen To You
2
Ryo Fukui - I Want To Talk About You
3
Ryo Fukui - Early Summer
4
Ryo Fukui - Willow Weep For Me
5
Ryo Fukui - Autumn Leaves
6
Ryo Fukui - Scenery
The Standard Edition - Territory - NO Sales to Japan
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Ryo Fukui's 1976 highly sought-after jazz masterpiece SCENERY-
LP Edition: Mastered at half speed, 140g vinyl, Sticker
We Release Jazz (WRWTFWW Records' new sister-label) is proud to present its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack CD.
Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by Bing Crosby and John Coltrane among others. From "It Could Happen To You" and its serene and calm intro which magically flows into a jubilant and upbeat piece, to the out-of-this-world piano solo of "Early Summer", or the incredible teamwork of "Autumn Leaves" where Fukui leads Satoshi Denpo (bass) and Yoshinori Fukui (drums) into groove heaven, every single note on the album oozes precision, confidence and flair and every single section slides seamlessly into one another, creating a supreme and elegant blend of jazz. Often compared to McCoy Tyner or Bill Evans, Ryo Fukui was a genius in his own right, a true master of his craft whose perfectionism gave birth to some of the greatest music ever recorded. Scenery is his magnum opus and an absolute must-have.
The Hokkaido wizard-pianist followed Scenery with the soulful gem Mellow Dream (also available on We Release Jazz) in 1977. He then focused on improving his live skills, often performing at Sapporo's Slowboat Jazz Club (which he co-founded with his wife Yasuko Fukui) and releasing 2 live albums. Ryo Fukui sadly passed away in March 2016, leaving behind a legacy of works that is sure to captivate jazz lovers for generations to come.
Tracklisting Vinyl LP
A1 It Could Happen To You
A2 I Want To Talk About You
A3 Early Summer
B1 Willow Weep For Me
B2 Autumn Leaves
B3 Scenery
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:London Records
Cat-No:LMS5521288
Release-Date:31.01.2020
Genre:Alternative/Electronic
Configuration:LP Excl
Label:London Records
Cat-No:LMS5521288
Release-Date:31.01.2020
Genre:Alternative/Electronic
Configuration:LP Excl
Territory: World excluding F+ UK
180g heavyweight 12" black vinyl in gatefold sleeve. Printed inner-sleeve.
Tracklist:
A1. Kinky Afro / A2. God's Cop / A3. Donovan / A4. Grandbag's Funeral / A5. Loose Fit
B1. Dennis And Lois / B2. Bob's Yer Uncle / B3. Step On / B4. Holiday / B5. Harmony
Short info:
Pills 'n' Thrills and Bellyaches was Happy Mondays commercial peak, both a No.4 victory and a benchmark album in history. That year the Mondays made a generation feel like the freaks were winning again, the dreamers and schemers hurtling in from the shadows to park themselves, like grin-faced goblins, in the daylight glare of the mainstream.
Artwork lovingly replicated by original Manchester designers Central Station Design. Featured the singles "Step On", "Kinky Afro" and "Loose Fit"
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
180g heavyweight 12" black vinyl in gatefold sleeve. Printed inner-sleeve.
Tracklist:
A1. Kinky Afro / A2. God's Cop / A3. Donovan / A4. Grandbag's Funeral / A5. Loose Fit
B1. Dennis And Lois / B2. Bob's Yer Uncle / B3. Step On / B4. Holiday / B5. Harmony
Short info:
Pills 'n' Thrills and Bellyaches was Happy Mondays commercial peak, both a No.4 victory and a benchmark album in history. That year the Mondays made a generation feel like the freaks were winning again, the dreamers and schemers hurtling in from the shadows to park themselves, like grin-faced goblins, in the daylight glare of the mainstream.
Artwork lovingly replicated by original Manchester designers Central Station Design. Featured the singles "Step On", "Kinky Afro" and "Loose Fit"
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Tristwch y Fenywod - 1. Blodyn Gwynedd
2
Tristwch y Fenywod - 2. Ferch Gyda’r Llygaid Du
3
Tristwch y Fenywod - 3. Y Trawsnewidiad
4
Tristwch y Fenywod - 4. Llwydwyrdd
5
Tristwch y Fenywod - 5. Byd Mewn Cysgod
6
Tristwch y Fenywod - 6. Gelain Görs
7
Tristwch y Fenywod - 7. Awen
8
Tristwch y Fenywod - 8. ‘Nes I Ddawnsio Efo’r Lleuad
territories:WW-US,CA,UK, BENELUX
Black Vinyl LP, 2025 REPRESS
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Black Vinyl LP, 2025 REPRESS
Tracklist
1. Blodyn Gwynedd
2. Ferch Gyda’r Llygaid Du
3. Y Trawsnewidiad
4. Llwydwyrdd
5. Byd Mewn Cysgod
6. Gelain Görs
7. Awen
8. ‘Nes I Ddawnsio Efo’r Lleuad
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moonglow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock powercoven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch
Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The
Courtneys).
Stark, striking and bewitching, Tristwch y Fenywod’s self-titled album is their debut studio recording, following just
10 gigs and a live demo. Formed in 2022, Tristwch y Fenywod ("The Sadness of Women”) record exclusively in the
Welsh language, conjuring an eldritch, subterranean, alien folk music played on dual zither, electronic drums and
bass guitar. With towering, siren-like vocals curling around the Welsh consonants, accompanied by stark, martial
rhythms and swirling claw-plucked strings, Tristwch y Fenywod feels like an early 4AD recording dredged from the
waters of an Anglesey swamp. The effect is simultaneously chilling and stirring.
The eight tracks on the record constitute what feels like a recently rediscovered, unholy grail of edgy, atmospheric,
occult feminist goth emissions. Gwretsien’s dual-zither playing scatters melodic fragments and spirals of harmony
around the decimated space opened up by the lugubrious bass playing and pounding, brooding drum pads.
Coupled with the Welsh vocal, Tristwch y Fenywod embody a new, unique Celtic darkwave sound, equal parts
Pornography-era The Cure, Svitlana Nianio’s haunted hammered string-work and the dark beauty of Dead Can
Dance or This Mortal Coil. Opener Blodyn Gwyrdd feels like the last ride of Princess Ukok, with lumbering bass
and 6/8 rhythms in procession to the event horizon with an entreating, impassioned vocal and surprising lyrical
theme. The doomed dancing of the zither provides the mysterious melodic bedrock throughout the album,
particularly on Ferch Gyda’r Llygaid Du’s heavy funereal sway and the slowly building, paroxysmal banshee
breakdown of Awen: an astonishing swell of thrilling chaos.
The album was recorded and produced by Ross Halden and the band at Hohm Studio, Bradford, Summer 2023.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP - Territory: WW- UK/USA/CA/Benelux/AU/NZ
2LP LTD VINYL REPRESS ON TRANSPARENT GREEN VINYL
TRACKLIST:
1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean
Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.
All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.
At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.
There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.
The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.
The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP LTD VINYL REPRESS ON TRANSPARENT GREEN VINYL
TRACKLIST:
1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean
Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.
All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.
At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.
There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.
The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.
The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Molly Nilsson - Un Po’ Più Vicino al Cielo
2
Molly Nilsson - Il Peggior Bar di Caracas
Superlimited Live Sold 7" - Only 40 Available
Tracklist:
1. Un Po’ Più Vicino al Cielo
2. Il Peggior Bar di Caracas
D.S.A. and Night School Records are once more teaming up to release a limited edition 7”: Certe Notti by Molly Nilsson. The
record contains the two new songs Un Po’ Più Vicino al Cielo and Il Peggior Bar di Caracas.
The songs were written and recorded in August 2024 in San Giorgio del Sannio, Benevento, during a month long artist
residency, made possible thanks to the kind invitation and hospitality of AUNA a.p.s.
A whole moon spent between local festivities, sagras and late nights in the best of worst bars, making new friends
forever and life-long memories (including an unforgettable Inti-Illimani concert), all infused with sweet drinks and ancient
lore of local witches.
The cover art depicts the view from the window on one of those nights, the rising moon, Liquore Strega yellow, and the
inlay hints at Nilsson's favourite crosswords magazine. With all these distractions it’s really a wonder any music was
made at all. But thanks in large part to endless espressi and ginseng, two new songs came to be. The first is Nilsson’s
first opus in the Italian language! The second, a hommage to her favourite joint and hang out, The Worst
Bar in Caracas.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
1. Un Po’ Più Vicino al Cielo
2. Il Peggior Bar di Caracas
D.S.A. and Night School Records are once more teaming up to release a limited edition 7”: Certe Notti by Molly Nilsson. The
record contains the two new songs Un Po’ Più Vicino al Cielo and Il Peggior Bar di Caracas.
The songs were written and recorded in August 2024 in San Giorgio del Sannio, Benevento, during a month long artist
residency, made possible thanks to the kind invitation and hospitality of AUNA a.p.s.
A whole moon spent between local festivities, sagras and late nights in the best of worst bars, making new friends
forever and life-long memories (including an unforgettable Inti-Illimani concert), all infused with sweet drinks and ancient
lore of local witches.
The cover art depicts the view from the window on one of those nights, the rising moon, Liquore Strega yellow, and the
inlay hints at Nilsson's favourite crosswords magazine. With all these distractions it’s really a wonder any music was
made at all. But thanks in large part to endless espressi and ginseng, two new songs came to be. The first is Nilsson’s
first opus in the Italian language! The second, a hommage to her favourite joint and hang out, The Worst
Bar in Caracas.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
-NO SALES TO JAPAN-
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, liner notes, sticker
Genre: Jazz, Hard Bop, Contemporary Jazz, Soulful, Solo Piano
Tracklisting LP
A1. Voyage
A2. Scenery
A3. Mellow Dream
A4. Nobody Knows The Trouble I've Seen
B1. Nobody's
B2. My Conception
B3. After Hours
B4. Nord Tracklisting CD
01. Voyage
02. Scenery
03. Mellow Dream
04. Nobody Knows The Trouble I've Seen
05. Nobody's
06. My Conception
07. After Hours
08. Nord
Info
We Release Jazz is very happy to announce the official reissue of Ryo Fukui's only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa.
Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("No-body's"), alternate versions of his mega classics "Scenery" and "Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish.
My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments.
- Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui.
- 11th release from We Release Jazz, notably following Hiroshi Suzuki's Cat, Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin's Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, liner notes, sticker
Genre: Jazz, Hard Bop, Contemporary Jazz, Soulful, Solo Piano
Tracklisting LP
A1. Voyage
A2. Scenery
A3. Mellow Dream
A4. Nobody Knows The Trouble I've Seen
B1. Nobody's
B2. My Conception
B3. After Hours
B4. Nord Tracklisting CD
01. Voyage
02. Scenery
03. Mellow Dream
04. Nobody Knows The Trouble I've Seen
05. Nobody's
06. My Conception
07. After Hours
08. Nord
Info
We Release Jazz is very happy to announce the official reissue of Ryo Fukui's only solo piano al-bum, recorded live, June 4-5, 1994 at The Lutheran Hall in Sapporo. Sourced from the original mas-ters, this intimate offering from the Japanese jazz legend is available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both formats come with liner notes by Yusuke Ogawa.
Originally released on CD only by Sapporo Jazz Create in 1994, My Favorite Tune is a beautiful bop adventure which includes two superb compositions that Ryo Fukui wrote as an homage to his belo-ved Hokkaido region, the fan-favorite "Nord" and "Voyage", a tribute to his mentor Barry Harris ("No-body's"), alternate versions of his mega classics "Scenery" and "Mellow Dream", and, last but not least, bewitching takes on timeless gems by Sonny Clark and Avery Parrish.
My Favorite Tune plays like a cool summer night, full of contemplative notes and deep feelings, with Ryo Fukui baring his heart on the piano and displaying the soulful sophistication he is loved for. A true masterpiece completing his amazing discography.
Points of interests
- For fans of jazz, soul jazz, modal, hard bop, piano, Japanese jazz, Hokkaido, Scenery, cool sum-mer nights and intimate piano moments.
- Official reissue of the only solo piano album by legendary Hokkaido pianist Ryo Fukui.
- 11th release from We Release Jazz, notably following Hiroshi Suzuki's Cat, Ryo Fukui's Scenery and Mellow Dream, the soundtrack of Le Cercle Rouge by Eric Demarsan, and Marc Moulin's Pla-cebo Live 1971. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
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LP - territory: WW- UK/USA/CA/ Benelux
2LP Black Vinyl w/8pg 12” booklet
TRACKLIST:
1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean
Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.
All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.
At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.
There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.
The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.
The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP Black Vinyl w/8pg 12” booklet
TRACKLIST:
1. Design - Premonition
2. Vision - Lucifer’s Friend
3. Richard Bone - Alien Girl
4. John Howard - I Tune Into You
5. Ian North - We’re Not Lonely
6. Selwin Image - The Unknown
7. Harry Kakoulli - I’m On A Rocket
8. Rich Wilde - The Lady Wants To Be Alone
9. Billy London - Woman
10. Alan Burnham - Science Fiction
11. The Microbes - Computer
12. The Goo-Q - I’m A Computer
13. Gerry & The Holograms - Gerry & The Holograms
14. The Warlord - The Ultimate Warlord
15. Die Marinas - Fred From Jupiter
16. Dee Jay Bert & Eagle - I Am Your Master
17. Peta Lily & Michael Process - I Am A Time Bomb
18. Sole Sister - It’s Not What You Are But How
19. Alasdair Riddell - Do You Read Me?
20. Karel Fialka - Armband (The Mystery Song)
21. John Springate - My Life
22. Incandescent Luminaire - Famous Names
23. Disco Volante - No Motion
24. Dream Unit - A Drop In The Ocean
Compiled by Philip King
“And then came the rise of synth pop : blokes with dodgy haircuts hunched over keyboard-operated
machines stuffed with wires and do-it-yourself tone oscillators making sounds like a brood of geese
passing gas in a wind tunnel. Whoopee! This is the way the ‘70s ended : not with a blood-curdling bang
bang but with a cheap, synthesized, emasculating whimper.”
NICK KENT, NME.
All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the
underbelly of the epoch-defining sound of the synthesiser in 80s popular music. Compiled by Philip
King (previously seen compiling All The Young Droogs, Glitterbest and Boobs - The Junkshop
Glam Discotheque), the music here connects the dots between DIY synth enthusiasts grappling with
new, cheap synthesisers at the tail-end of punk and wannabe, jobbing songwriters enthral to the new
music pioneered by Gary Numan, Depeche Mode and Daniel Miller’s Mute Records. Featuring rare
tracks of auto-didactic progressive pop music, proto-techno punk, shoot-for-the-stars-land-in-the-gutter
chart flops and heralded, underground synth classics, School Daze paints a picture of beautiful failure.
Complete with extensive sleeve notes written by King and never before seen imagery, all 24 tracks
were remastered by RPM in-house engineer Simon Murphy, many from vinyl copies due to lost master
tapes. The story told on All The Young Droids is one of the dawning opportunity presented by both the
emergence to the market of cheaper analog synthesisers and the distribution networks plus indie labels
that exploded with the advent of punk music in 1976. While the music that sprouted out all over the
globe in the wake of these factors was decried as fake, plastic, a refutation of punk’s guitar-led
revolution, it’s telling that much of the music on All The Young Droids.. was created in bedrooms,
ramshackle studios and home-made set ups with often borrowed equipment. In the era of record labels
jumping to capitalise on the success of The Sex Pistols, The Clash (both on major labels, of course)
these artists struggled to stand out from a new gold-rush with next to no budget or PR team. With radio
and labels desperate for the new Yazoo, what resulted was a testament to necessity being the mother
of invention.
At the time, the synthesiser was the music of the future, a shiny new machine that could paint like an
orchestra with a single finger and a 4-track. In the hands of Manchester avant-pranksters Gerry & The
Holograms it’s a pulsing, sardonic weapon.. the only instrument on the Messthetics classic lampooning
of New Wave fashion. In Hamburg, a 16 year old Andreas Dorau used it to write and record (with his
female classmates on vocals) a global smash in Fred Vom Jupiter (later licensed to Mute Records).
The hard-to-find English version (Fred From Jupiter, natch) is included here. Many artists with alreadystoried careers caught the bug and recorded synthesiser-fuelled peons to space, computers, the future
and, of course, love-interests. Harry Kakoulli, late of Squeeze, recorded a solo album in 1979 that
included the incredible power-synth-pop smash-that-never-smashed I’m On A Rocket. Similarly, Ian
North of Neo and American Power Pop stalwarts Milk ’n’ Cookies bought a Korg MS20 and used a
tape machine to record We’re Not Lonely, an absolute lost-classic of minimal synth pop. We’re Not
Lonely also features on the Junkshop Synth Pop sampler 7” twinned with John Howard unreleased
track You Will See, released April 12th 2025.
There are plenty of compilation debuts in evidence. Sole Sister were a mysterious trio who were
featured on the Scaling Triangles compilation of female-fronted, queer-adjacent post-punk /
underground music that also featured The Petticoats. Selwin Image were from San Francisco and
featured members of the recently defunct power pop/punk group The Pushups. Their stupidly catchy
The Unknown fizzes with New Wave energy - think XTC to Sparks but remains unreleased until now.
Dream Unit’s A Drop In The Ocean is an early synth wave cut, positively teaming with Joy Division
instrumentation, previously only released on a long-forgotten and super rare, self-released EP.
Incandescent Luminaire’s Famous Names belies an archetypal struggle of a small-town trying to
make it in a cruel industry but is a thrilling New Romantic-Synth Wave cross over with a OMD
gloominess that’s a joy to hear. Feminist Minimal Wave track I Am A Time Bomb by performance artist
Peta Lilly and Michael Chance is a revelation destined for new found cult status. It was released on 7”
and lost until now.
The flipside to the subterranean, never-made-it synth pop mentioned above are the ambitious, even
fruity attempts at success that have a perennial elegance to their confidence. New Jersey-ite Billy
London (real name Ed Barth) tried to cash in on the synth boom with Woman, released by a major
label, a lurching new wave track built on the Louie Louie rhythm and a wonderfully camp Lou Reedstyle sleazy vocal before exploding in the synthesised chorus. The song bombed but with a chorus like
this, you have to wonder why? Ex-Glitter Band member John Springate’s My Life is truly epic, with
doomed chord progressions and massive sounding drums turning into at least 3 different songs in the
course of the track. Before you wonder what’s going on the song resolves with a glorious return to the
main refrain.
The dry-ice-dressed dance floor is well catered for too. Design’s Premonition and Vision’s Lucifer’s
Friend are stone-cold minimal synth bangers, well loved but given a new lease of life here. The
Warlord’s The Ultimate Warlord was released in 1978, a homespun proto Hi NRG banger that was
later re-recorded by The Immortals in Canada who had a club hit with it. One-man- band Disco
Volante’s No Motion was re-issued by Synth wave label Medical in 2012 but makes its first vinyl
compilation appearance here. Close your eyes and you can imagine what Lawrence of Felt would have
sounded like with some cheap Korgs a little earlier in his career. Gibraltar-based trio The Microbes
imagined a computer programming people to dance - how prescient - and ended up with a propulsive,
robo-funk track with splendid rubbery bass playing over a tectonic drum machine. Previously picked up
by Belgian label Stroom TV, Dee Jay Bert & Eagle’s heavily Euro-accented I Am Your Master
demands the listener to “come to paradise!” In a frankly terrifying manner.
All The Young Droids is the first compilation to peel away from the narrative that dour, Minimal Synth
and Cold Wave were the only musical children of the first rush of synth pop. Philip King and School
Daze Records describe a much more complicated world: along with the austere, Brutalist children of
Daniel Miller (who produced Alan Burnham’s Bowie-Low-influenced Science Fiction here) was a
plethora of desperate cash-ins, accidental mainstream hits, ambitious pop dramas and major label
punts that went nowhere. Crucially, the compilation blurs the line between junk and treasure. What if the
two things are interchangeable. What if it’s all science fiction?
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
5
Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
Non Exclsuive LP
1. Absolute Power
2. Earth Girls
3. Fearless Like A Child
4. Kids Today
5. Intermezzo X – Wheel Of Fortune
6. Sweet Smell Of Success
7. Obnoxiously Talented
8. Avoid Heaven
9. Take Me To Your Leader
10. They Will Pay
11. Pompeii
“The letter X marks the spot, crosses over, literally with a cross. It’s the former, the ex-. The ex-lover known simply as “an ex”. Ex- is the latin
prefix meaning “out”. Exterior, an exit. Extraordinary. Excellent. It’s exciting. Generation X. X-files. X is the unknown. X is Extreme“
Extreme is Molly Nilsson’s tenth studio album. Recorded in 2019 and throughout the 2020 global pandemic at home in Berlin, Extreme
is a departure for Nilsson, an explosion of angry love. It’s an album of anthems for the jilted generation, soaked with joy and offering
solace, bristling with distorted, Metal guitars and planet-sized choruses that bring light to the dark centre of the galaxy. It’s an album of
the times, by the times and for the people. It’s a record about power. About how to fight it, how to take it and how to share it.
Absolute Power explodes with massive guitars, double kick beats and the instantly iconic line “It’s me versus the black hole at the
centre of the galaxy.” Nilsson’s performance itself portrays absolute power in its confidence but the song is a call-to-arms, an entreaty to
grasp the here and now, to take the power back. It’s Nilsson pacing the ring and we’re instantly in her corner. Earth Girls takes familiar
Molly Nilsson themes - female empowerment and subverting the patriarchy - but casually throws in one of the choruses of her career.
“Women have no place in this world” she sings, but it’s the world that isn’t good enough. Stadium-sized but still warmly hazy, Earth Girls
has its fists in the air, glorifying in harmony, almost ecstatic in its feeling good. Nilsson’s Springsteen-level conviction and righteousness
bleeds through the speaker cones, the cognitive dissonance between the song’s cadences and angry lyrics redolent of Bruce in his
prime. Female empowerment isn’t always an angry energy on Extreme, however. On Fearless Like A Child, Nilsson’s anthem to the
female body and women’s sovereignty of it, she croons over a mid-80s blue-eyed Soul groove. It sets a nocturnal scene as the narrator
surveys her past and her surroundings. Before we’re fully submerged in a dreamlike, Steve McQueen-era Prefab Sprout poem to
learning from your mistakes the song erupts into one of those lines only Molly Nilsson can get away with: “I love my womb, come inside I
feel so alive” she fervently sings. Against the backdrop of ever-encroaching, conservative rulings on women’s reproductive rights in
places like Texas, it’s simultaneously angry and full of love.
Every song on Extreme is a gleaming gem in a pouch of jewels. On Kids Today, Nilsson is the voice of wisdom, archly commenting on the
eternal struggle between youth and authority. Wisdom infuses Sweet Smell Of Success with a transcendent love that forgives the narrator’s
shortcomings and celebrates the moment, it’s a letter to the author from the author that asks “what is success” and concludes that this is it,
this song, this moment. It’s a rare moment of simple reflection that is generous in its insight to Nilsson’s inner life. “Success” is a tool of power
and we don’t need it… We need power tools and there are moments on Extreme where it feels like Nilsson is showing us how to find them. It's
an open conversation through out Extreme. She’s a warm, comforting presence through out the album and specially on these songs of
encouragement, songs perhaps sang to a younger Molly Nilsson or, really, to whomever needs to hear them. “They’ll praise your efforts, they’ll
call you slurs a rebel, a master, an amateur / Merely with your own existence, you already offer your resistance.” On Avoid Heaven she’s
even more direct, pleading with us to avoid concepts of purity and to embrace the glorious, ebullient, emotional mess we’re often in as a
method of upending the power structures who need things to be perfect.
They Will Pay brings back the big, distorted power chords in the form of a agit-punk, pop slammer. Of course, when Molly Nilsson does punk
pop we get the catchiest chorus this side of The Bangles or The Nerves. It’s rendered in an off the cuff, throwaway manner that is just perfect
in its roughness. However, it’s on Pompeii that Nilsson delivers the album’s epic, emotional heartbreaker. Like 1995 on Nilsson’s album Zenith,
or Days Of Dust on Twenty Twenty, the lyrics of Pompeii are heavy with a transcendent sadness, an aching poetry that cuts to the truth of the
heart like the best Leonard Cohen lines, though here delivered with an uplifting, life-affirming love. It contains the most personal moments of
Extreme, a song lit by the dying embers of romance. Yet it’s here where the alchemy at the base of all Nilsson’s best work is found. Turning
small nuggets of personal truth into big, generous universal moments that invite everyone to cry, to love and to fight the power. In an album of
jewels, it might be the shining star.
Molly Nilsson’s biggest, boldest and most vital album to date, Extreme is about power. Against the love of power and for the power of love
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1. Absolute Power
2. Earth Girls
3. Fearless Like A Child
4. Kids Today
5. Intermezzo X – Wheel Of Fortune
6. Sweet Smell Of Success
7. Obnoxiously Talented
8. Avoid Heaven
9. Take Me To Your Leader
10. They Will Pay
11. Pompeii
“The letter X marks the spot, crosses over, literally with a cross. It’s the former, the ex-. The ex-lover known simply as “an ex”. Ex- is the latin
prefix meaning “out”. Exterior, an exit. Extraordinary. Excellent. It’s exciting. Generation X. X-files. X is the unknown. X is Extreme“
Extreme is Molly Nilsson’s tenth studio album. Recorded in 2019 and throughout the 2020 global pandemic at home in Berlin, Extreme
is a departure for Nilsson, an explosion of angry love. It’s an album of anthems for the jilted generation, soaked with joy and offering
solace, bristling with distorted, Metal guitars and planet-sized choruses that bring light to the dark centre of the galaxy. It’s an album of
the times, by the times and for the people. It’s a record about power. About how to fight it, how to take it and how to share it.
Absolute Power explodes with massive guitars, double kick beats and the instantly iconic line “It’s me versus the black hole at the
centre of the galaxy.” Nilsson’s performance itself portrays absolute power in its confidence but the song is a call-to-arms, an entreaty to
grasp the here and now, to take the power back. It’s Nilsson pacing the ring and we’re instantly in her corner. Earth Girls takes familiar
Molly Nilsson themes - female empowerment and subverting the patriarchy - but casually throws in one of the choruses of her career.
“Women have no place in this world” she sings, but it’s the world that isn’t good enough. Stadium-sized but still warmly hazy, Earth Girls
has its fists in the air, glorifying in harmony, almost ecstatic in its feeling good. Nilsson’s Springsteen-level conviction and righteousness
bleeds through the speaker cones, the cognitive dissonance between the song’s cadences and angry lyrics redolent of Bruce in his
prime. Female empowerment isn’t always an angry energy on Extreme, however. On Fearless Like A Child, Nilsson’s anthem to the
female body and women’s sovereignty of it, she croons over a mid-80s blue-eyed Soul groove. It sets a nocturnal scene as the narrator
surveys her past and her surroundings. Before we’re fully submerged in a dreamlike, Steve McQueen-era Prefab Sprout poem to
learning from your mistakes the song erupts into one of those lines only Molly Nilsson can get away with: “I love my womb, come inside I
feel so alive” she fervently sings. Against the backdrop of ever-encroaching, conservative rulings on women’s reproductive rights in
places like Texas, it’s simultaneously angry and full of love.
Every song on Extreme is a gleaming gem in a pouch of jewels. On Kids Today, Nilsson is the voice of wisdom, archly commenting on the
eternal struggle between youth and authority. Wisdom infuses Sweet Smell Of Success with a transcendent love that forgives the narrator’s
shortcomings and celebrates the moment, it’s a letter to the author from the author that asks “what is success” and concludes that this is it,
this song, this moment. It’s a rare moment of simple reflection that is generous in its insight to Nilsson’s inner life. “Success” is a tool of power
and we don’t need it… We need power tools and there are moments on Extreme where it feels like Nilsson is showing us how to find them. It's
an open conversation through out Extreme. She’s a warm, comforting presence through out the album and specially on these songs of
encouragement, songs perhaps sang to a younger Molly Nilsson or, really, to whomever needs to hear them. “They’ll praise your efforts, they’ll
call you slurs a rebel, a master, an amateur / Merely with your own existence, you already offer your resistance.” On Avoid Heaven she’s
even more direct, pleading with us to avoid concepts of purity and to embrace the glorious, ebullient, emotional mess we’re often in as a
method of upending the power structures who need things to be perfect.
They Will Pay brings back the big, distorted power chords in the form of a agit-punk, pop slammer. Of course, when Molly Nilsson does punk
pop we get the catchiest chorus this side of The Bangles or The Nerves. It’s rendered in an off the cuff, throwaway manner that is just perfect
in its roughness. However, it’s on Pompeii that Nilsson delivers the album’s epic, emotional heartbreaker. Like 1995 on Nilsson’s album Zenith,
or Days Of Dust on Twenty Twenty, the lyrics of Pompeii are heavy with a transcendent sadness, an aching poetry that cuts to the truth of the
heart like the best Leonard Cohen lines, though here delivered with an uplifting, life-affirming love. It contains the most personal moments of
Extreme, a song lit by the dying embers of romance. Yet it’s here where the alchemy at the base of all Nilsson’s best work is found. Turning
small nuggets of personal truth into big, generous universal moments that invite everyone to cry, to love and to fight the power. In an album of
jewels, it might be the shining star.
Molly Nilsson’s biggest, boldest and most vital album to date, Extreme is about power. Against the love of power and for the power of love
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Limited Cassette Version
Tracklisting (Included are the Same Songs as on the LP/CD Version)
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
A6. Wütendes Glas
A7. Kälte Kriecht
A8. Kunstgewerbe
A9. Der Weg Zu Zweit
A10. In Der Nacht
B1. Eisbär
B2. Ich Lieb Sie
B3. Moskau
B4. Ein Tanz Mit Dem Tod
B5. Traüme Mit Mir
B6. Ich Und Du
B7. Wütendes Glas (Maxi Version)
B8. Raum
B9. Film 1
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting (Included are the Same Songs as on the LP/CD Version)
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
A6. Wütendes Glas
A7. Kälte Kriecht
A8. Kunstgewerbe
A9. Der Weg Zu Zweit
A10. In Der Nacht
B1. Eisbär
B2. Ich Lieb Sie
B3. Moskau
B4. Ein Tanz Mit Dem Tod
B5. Traüme Mit Mir
B6. Ich Und Du
B7. Wütendes Glas (Maxi Version)
B8. Raum
B9. Film 1
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More