1
Aldorande - Beau Beauty Islandty Island
2
Aldorande - Sir Boastful
3
Aldorande - Praia Do Destino
4
Aldorande - Sous La Lune
5
Aldorande - Petite Cherie
6
Aldorande - Straight To The Point
7
Aldorande - Because Of You
8
Aldorande - Rayon Vert
9
Aldorande - La Fin Est Un Commencement
TRACKLIST:
A1. Beauty Island
A2. Sir Boastful
B1. Praia Do Destino
B2. Sous La Lune
C1. Petite Cherie
C2. Straight To The Point
D1. Because Of You
D2. Rayon Vert
D3. La Fin Est Un Commencement
Ready for an adventure running parallel to their lives in common units, the quartet boarded a starship to set off on an astral expedition. The mission began perfectly, according to plan. From the very first measures, the travellers were released from the Earth's gravity. Very quickly, their home planet appeared tiny and distant, before disappearing completely. Comets and novae lit the way through the fathomless depths of interstellar space. Their preliminary, in-depth studies of seventies jazz-funk were a great source of inspiration. Very early on, they knew that this sonic esthetic would allow them to travel even farther, navigating only with organic instruments and no digital backing or enhancements.
Commander Virgile Raffaëlli's bass lines guided their journey, offering a calm, yet vibrant foundation for the smoother phases and turning up the power to bring them through turbulence and meteor showers safe and sound. Like a compass, the bass indicated the direction and traced a groove that the loyal, valued crew could follow as their travels continued. Mathieu Edouard's drums solidly locked down the rhythm to avoid any sudden jolts, working in tandem with Erwan Loeffel's jet-propelled percussion. On the keyboards, Florian Pellissier drew harmonies and riffs from the synthesizers and electric pianos to oil the machinery and lighten the load when the ensemble needed to rise a few feet. The crew's almost telepathic cohesion was key to their success, allowing them to express interior emotions with just a few notes. More
A1. Beauty Island
A2. Sir Boastful
B1. Praia Do Destino
B2. Sous La Lune
C1. Petite Cherie
C2. Straight To The Point
D1. Because Of You
D2. Rayon Vert
D3. La Fin Est Un Commencement
Ready for an adventure running parallel to their lives in common units, the quartet boarded a starship to set off on an astral expedition. The mission began perfectly, according to plan. From the very first measures, the travellers were released from the Earth's gravity. Very quickly, their home planet appeared tiny and distant, before disappearing completely. Comets and novae lit the way through the fathomless depths of interstellar space. Their preliminary, in-depth studies of seventies jazz-funk were a great source of inspiration. Very early on, they knew that this sonic esthetic would allow them to travel even farther, navigating only with organic instruments and no digital backing or enhancements.
Commander Virgile Raffaëlli's bass lines guided their journey, offering a calm, yet vibrant foundation for the smoother phases and turning up the power to bring them through turbulence and meteor showers safe and sound. Like a compass, the bass indicated the direction and traced a groove that the loyal, valued crew could follow as their travels continued. Mathieu Edouard's drums solidly locked down the rhythm to avoid any sudden jolts, working in tandem with Erwan Loeffel's jet-propelled percussion. On the keyboards, Florian Pellissier drew harmonies and riffs from the synthesizers and electric pianos to oil the machinery and lighten the load when the ensemble needed to rise a few feet. The crew's almost telepathic cohesion was key to their success, allowing them to express interior emotions with just a few notes. More
More records from Aldorande
1
Aldorande - Fenêtres sur le Temps
2
Aldorande - Vortex des Possibles
3
Aldorande - La Pierre des Mondes
4
Aldorande - Oracle
5
Aldorande - La Promesse au Soleil
6
Aldorande - Arcane 17
A1 - Fenêtres sur le Temps
A2 - Vortex des Possibles
A3 - La Pierre des Mondes
B1 - Oracle
B2 - La Promesse au Soleil
B3 - Arcane 17
Favorite Recordings presents the new and second album of Parisian jazz-funk quartet Aldorande entitled deux.
In this new chapter, the four explorers pursue their interstellar trip on the Aldorande planet, deploying their ever deeper love for the 70's Jazz-Funk & Fusion scene. Classic and contemporary at the same time, Deux is built for the like-minded souls still looking for the perfect beat. More
A2 - Vortex des Possibles
A3 - La Pierre des Mondes
B1 - Oracle
B2 - La Promesse au Soleil
B3 - Arcane 17
Favorite Recordings presents the new and second album of Parisian jazz-funk quartet Aldorande entitled deux.
In this new chapter, the four explorers pursue their interstellar trip on the Aldorande planet, deploying their ever deeper love for the 70's Jazz-Funk & Fusion scene. Classic and contemporary at the same time, Deux is built for the like-minded souls still looking for the perfect beat. More
1
Aldorande - No Title
2
Aldorande - No Title
3
Aldorande - No Title
4
Aldorande - No Title
Aldorande is back! The French Jazz-Funk quartet returns with a strong new EP “Summer Body / Breakfast in Space” widening its musical universe to join the Favorite Recordings’ 2020 Disco Jazz-Funk series.
After their first eponymous LP released in June 2019, our explorers strike again with two club-friendly compositions joining the dots between Jazz-Funk and Disco/Boogie. Recorded with great care, reflecting Favorite Recordings’ journey towards the authentic analogue sound, both tracks coming with a Charles Maurice dub versions. With this new musical space trip, Aldorande confirmed – if needed – their solid position at the heart of the French jazz scene: a great appetizer before their upcoming 2nd album to be released later this year.
A-side opens with “Summer Body”, a boogie banger driven by a magnetic bassline, surrounded by lush synthesizers and catchy backing vocals arranged in the tradition of the best Brazilian songs. On the B-side comes “Breakfast in Space”, a sort of cosmic opera. The slap bass and drums set up a P-Funk foundation. On the top, Aldorande put psychedelic vocal lines making the whole journey a definitive trip into funkiness.
Behind Aldorande, you will find a team of great musicians including bandleader and founder Virgile Raffaëlli on bass (Setenta, Camarão Orkestra), Florian Pellissier on keys (Iggy Pop, Guts, Setenta, Cotonete,…), Mathieu Edward on drums (Chassol, De La Soul) and Erwan Loeffel on percussion (10LEC6, Camarão Orkestra). For this new EP, always looking for more funk into their groove, they’ve been joined by French guitarist Farid Baha (Cotonete, Camarão Orkestra).
A1. Summer Body
A2. Summer Body (Charles Maurice Dub Version)
B1. Breakfast in Space
B2. Breakfast in Space (Charles Maurice Dub Version) More
After their first eponymous LP released in June 2019, our explorers strike again with two club-friendly compositions joining the dots between Jazz-Funk and Disco/Boogie. Recorded with great care, reflecting Favorite Recordings’ journey towards the authentic analogue sound, both tracks coming with a Charles Maurice dub versions. With this new musical space trip, Aldorande confirmed – if needed – their solid position at the heart of the French jazz scene: a great appetizer before their upcoming 2nd album to be released later this year.
A-side opens with “Summer Body”, a boogie banger driven by a magnetic bassline, surrounded by lush synthesizers and catchy backing vocals arranged in the tradition of the best Brazilian songs. On the B-side comes “Breakfast in Space”, a sort of cosmic opera. The slap bass and drums set up a P-Funk foundation. On the top, Aldorande put psychedelic vocal lines making the whole journey a definitive trip into funkiness.
Behind Aldorande, you will find a team of great musicians including bandleader and founder Virgile Raffaëlli on bass (Setenta, Camarão Orkestra), Florian Pellissier on keys (Iggy Pop, Guts, Setenta, Cotonete,…), Mathieu Edward on drums (Chassol, De La Soul) and Erwan Loeffel on percussion (10LEC6, Camarão Orkestra). For this new EP, always looking for more funk into their groove, they’ve been joined by French guitarist Farid Baha (Cotonete, Camarão Orkestra).
A1. Summer Body
A2. Summer Body (Charles Maurice Dub Version)
B1. Breakfast in Space
B2. Breakfast in Space (Charles Maurice Dub Version) More
More records from Favorite Recordings
1
Painel De Controle - Relax (Extended Waxist Version)
2
Rabo De Saia - Ripa Na Xulipa (Extended Version)
3
Os Famks - Labirinto (Extended Nick The Record Edit)
Brazilian Disco Boogie Sound is a compilation that brings together nine of the most important and obscure hits of the Brazilian Funk-Boogie-Disco scene during the years of 1978 to 1982.
Following its acclaimed release in late 2014, Favorite Recordings now present a great additional 12inch single package, including exclusive extended versions by Nick The Record, Waxist and Charles Maurice.
The 3 DJs provide new exclusive extended versions of Painel De Controle, Rabo De Saia, and Famks’ killing originals tracks. More
Following its acclaimed release in late 2014, Favorite Recordings now present a great additional 12inch single package, including exclusive extended versions by Nick The Record, Waxist and Charles Maurice.
The 3 DJs provide new exclusive extended versions of Painel De Controle, Rabo De Saia, and Famks’ killing originals tracks. More
1
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco Blend)
2
voilaaa - Spies Are Watching Me (Africaine 808 Remix)
3
voilaaa - On te l’avait dit (Dimitri From Paris Super Disco
Voilaaa is one of the many projects led and produced by Bruno “Patchworks” Hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres. This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa’s first album, On te l’avait dit, released last year on Favorite Recordings.
With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control! More
With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes. If any would doubt that, here comes a hot remixes single package, which should end any debate about it, with Dimitri From Paris and Africaine 808 at the control! More
1
di melo - A.e.i.o.u
2
di melo - A.e.i.o.u. (Dub Version)
New single by legendary Brazilian singer DI MELO, 40 years after his classic self-titled Samba-Soul LP. Performed and produced by French brilliant combo COTONETE, this single and collaboration will be followed by a full album early 2019.
More
More
1
Lamar Thomas - Feels So Good Inside (Extended Version)
2
Lamar Thomas - Feels So Good Inside
3
Lamar Thomas - Take Me To (New York City) (Original Mix)
1
Voilaaa - Faché (feat. Pat Kalla)
2
Voilaaa - Faché (Dub)
3
Voilaaa - Trouble Travel (Garage version) [feat. Nai-Jah]
4
Voilaaa - Too Young to Die (feat. Olivya)
5
Voilaaa - Trop jeune pour ça
Favorite Recordings presents Faché, a new long awaited EP by Voilaaa, including 3 brand new tracks from the Afro-Disco maestro, and tasty exclusive versions. This is also a first taste of the upcoming 4th album, which is planned to be released in September this year.
The EP opens with “Faché”, and it includes all the elements of Voilaaa’s famous style and skills: killer Afro-Disco production with heavy bass, hot percussions and playful horns and keyboards, coming with French spicy vocals by longtime partner Pat Kalla. A dub version is provided then.
Next track is “Trouble Travel”, which is displayed in a “Garage Version” fully exclusive to this release and perfectly tailored to kill any dancefloor. It features upraising singer Nai-Jah collaborating for the first time with Voilaaa.
On the B-side, you’ll find a surprising and blowing version of Jamiroquai’s “Too Young to Die”. The classic hit taking a new life in a Tropical perfect suit, with stunning Creole vocals by Olivya (Dowdelin).
Voilaaa is back and ready to delight your summer!!
A1 - Faché (feat. Pat Kalla)
A2 - Faché (Dub)
A3 - Trouble Travel (Garage version) [feat. Nai-Jah]
B1 - Too Young to Die (feat. Olivya)
B2 - Trop jeune pour ça More
The EP opens with “Faché”, and it includes all the elements of Voilaaa’s famous style and skills: killer Afro-Disco production with heavy bass, hot percussions and playful horns and keyboards, coming with French spicy vocals by longtime partner Pat Kalla. A dub version is provided then.
Next track is “Trouble Travel”, which is displayed in a “Garage Version” fully exclusive to this release and perfectly tailored to kill any dancefloor. It features upraising singer Nai-Jah collaborating for the first time with Voilaaa.
On the B-side, you’ll find a surprising and blowing version of Jamiroquai’s “Too Young to Die”. The classic hit taking a new life in a Tropical perfect suit, with stunning Creole vocals by Olivya (Dowdelin).
Voilaaa is back and ready to delight your summer!!
A1 - Faché (feat. Pat Kalla)
A2 - Faché (Dub)
A3 - Trouble Travel (Garage version) [feat. Nai-Jah]
B1 - Too Young to Die (feat. Olivya)
B2 - Trop jeune pour ça More
1
Lucas Arruda - Intro
2
Lucas Arruda - The Bravest Heart
3
Lucas Arruda - Novos Planos
4
Lucas Arruda - Outras Dimensoes
5
Lucas Arruda - Abraco Pro Ed
6
Lucas Arruda - 4:28 Am
7
Lucas Arruda - The Mountain
8
Lucas Arruda - Ominira
9
Lucas Arruda - Projecoes
5 years after his last and 3rd album, Lucas Arruda finally presents his long awaited new LP, Ominira.
Since the release of his first album on Favorite Recordings (Sambadi / 2013), Lucas Arruda has clearly established himself as one of the most talented contemporary artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul, Pop and Funk music.
During these 10 years of collaboration with label honcho Pascal Rioux, Lucas Arruda’ music has always received great supports and feedbacks from international media and tastemakers, each album perfecting the level of composition and production. With Onda Nova (2019), Lucas dived willingly into Robson Jorge & Lincoln Olivetti influences, aiming to capture the true essence of Brazilian Funk and AOR tradition. Now a father and family man, he turned more deeply into his native influences when composing this new beautiful album. Fully composed and produced by Lucas, Ominira also features appearances from friends local musicians and artists such as Italo Vinicius (Drums), Thiago Arruda (guitars), Roger Rocha (sax), or Flavia K and Andre Motta on vocals.
"Ominira is about freedom, art and music. It's also about honoring my ancestors and my musical influences. I delved a little deeper into my African roots, in addition to Brazilian music and rhythms, and my longtime passion for Soul/Funk. After a long production process I feel like I made my best album. So, I present to you OMINIRA, a new chapter in my career. Have a nice trip!"
A1 - Intro
A2 - The Bravest Heart
A3 - Novos Planos
A4 - Outras Dimensoes
A5 - Abraco Pro Ed
B1 - 4:28 Am
B2 - The Mountain
B3 - Ominira
B4 - Projecoes More
Since the release of his first album on Favorite Recordings (Sambadi / 2013), Lucas Arruda has clearly established himself as one of the most talented contemporary artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul, Pop and Funk music.
During these 10 years of collaboration with label honcho Pascal Rioux, Lucas Arruda’ music has always received great supports and feedbacks from international media and tastemakers, each album perfecting the level of composition and production. With Onda Nova (2019), Lucas dived willingly into Robson Jorge & Lincoln Olivetti influences, aiming to capture the true essence of Brazilian Funk and AOR tradition. Now a father and family man, he turned more deeply into his native influences when composing this new beautiful album. Fully composed and produced by Lucas, Ominira also features appearances from friends local musicians and artists such as Italo Vinicius (Drums), Thiago Arruda (guitars), Roger Rocha (sax), or Flavia K and Andre Motta on vocals.
"Ominira is about freedom, art and music. It's also about honoring my ancestors and my musical influences. I delved a little deeper into my African roots, in addition to Brazilian music and rhythms, and my longtime passion for Soul/Funk. After a long production process I feel like I made my best album. So, I present to you OMINIRA, a new chapter in my career. Have a nice trip!"
A1 - Intro
A2 - The Bravest Heart
A3 - Novos Planos
A4 - Outras Dimensoes
A5 - Abraco Pro Ed
B1 - 4:28 Am
B2 - The Mountain
B3 - Ominira
B4 - Projecoes More
1
Kerri "Kaoz 6:23" Chandler - Be There (Kerri's Club Mix)
2
Slowhouse 2 - Untitled
3
Truth - Emotional
4
Passion Dance Orchestra - Inner Dance
5
Abacus - Blax Thanxs
6
Transient feat Sherman Benton - Higher (Club Mix)
7
Pure Science - Ekeyz
8
N'Dambi - Can't Change Me (Ron Trent Remix)
Favorite recordings and Lea Lisa presents Many Shades of House, a personal selection of House music tracks that have a very special place in Lea Lisa's heart and in her record box.
Amongst this selection, Many Shades Of House is including many very rare and hard to find titles, mostly never reissued on vinyl until now.
Lea Lisa (Phonica Records, Wolf Music…) is a DJ, producer & vinyl addict who never stops digging and hasn’t since she first started in 1995. House music is so rich and varied that she naturally felt the desire to show and share this diversity. “Through this compilation I wanted to present artists and records that have greatly influenced me throughout my career. Whether through the strong messages they convey or through the emotions I felt discovering each of these vinyl.” said Lea Lisa.
Carefully packed with long-forgotten US house gems (Transient's groove keeper "Higher" and a 1997 NYC House tune from Kerri Chandler in his garage house days), iconic early house/techno treasure (Mark Goddard's "Truth"), intensive journeys (Passion Dance Orchestra) to atmospheric soundscapes (Pure Science), soulful grooves (Ron Trent's boogie infused "Can't Change Me") and timeless deep house gems (Slowhouse, Abacus).
Created in 2005, Favorite Recordings presents a rich catalogue combining the productions of new artists with reissues of forgotten masterpieces all along the wide groove music spectrum, from Soul/Funk, Jazz, Disco, to Reggae, Hip-Hop, House or Electronic genres. Before launching Favorite. Pascal Rioux, founder and label honcho, started in the mid-90s with the House music label Rotax Disques. In 2014, following his meeting and affinity with French House DJ Jeremy Underground, they quickly collaborated on a series of compilations (My Love Is Underground) curated by Jeremy and reissuing some of his finest Underground House music hidden gems. Today the story starts again with Lea Lisa with this finest compilation for House Music Lovers…
A1 - Kerri "Kaoz 6:23" Chandler - Be There (Kerri's Club Mix)
A2 - Slowhouse 2 – Untitled
B1 - Truth – Emotional
B2 - Passion Dance Orchestra - Inner Dance
C1 - Abacus - Blax Thanxs
C2 - Transient feat Sherman Benton - Higher (Club Mix)
D1 - Pure Science – Ekeyz
D2 - N'Dambi - Can't Change Me (Ron Trent Remix) More
Amongst this selection, Many Shades Of House is including many very rare and hard to find titles, mostly never reissued on vinyl until now.
Lea Lisa (Phonica Records, Wolf Music…) is a DJ, producer & vinyl addict who never stops digging and hasn’t since she first started in 1995. House music is so rich and varied that she naturally felt the desire to show and share this diversity. “Through this compilation I wanted to present artists and records that have greatly influenced me throughout my career. Whether through the strong messages they convey or through the emotions I felt discovering each of these vinyl.” said Lea Lisa.
Carefully packed with long-forgotten US house gems (Transient's groove keeper "Higher" and a 1997 NYC House tune from Kerri Chandler in his garage house days), iconic early house/techno treasure (Mark Goddard's "Truth"), intensive journeys (Passion Dance Orchestra) to atmospheric soundscapes (Pure Science), soulful grooves (Ron Trent's boogie infused "Can't Change Me") and timeless deep house gems (Slowhouse, Abacus).
Created in 2005, Favorite Recordings presents a rich catalogue combining the productions of new artists with reissues of forgotten masterpieces all along the wide groove music spectrum, from Soul/Funk, Jazz, Disco, to Reggae, Hip-Hop, House or Electronic genres. Before launching Favorite. Pascal Rioux, founder and label honcho, started in the mid-90s with the House music label Rotax Disques. In 2014, following his meeting and affinity with French House DJ Jeremy Underground, they quickly collaborated on a series of compilations (My Love Is Underground) curated by Jeremy and reissuing some of his finest Underground House music hidden gems. Today the story starts again with Lea Lisa with this finest compilation for House Music Lovers…
A1 - Kerri "Kaoz 6:23" Chandler - Be There (Kerri's Club Mix)
A2 - Slowhouse 2 – Untitled
B1 - Truth – Emotional
B2 - Passion Dance Orchestra - Inner Dance
C1 - Abacus - Blax Thanxs
C2 - Transient feat Sherman Benton - Higher (Club Mix)
D1 - Pure Science – Ekeyz
D2 - N'Dambi - Can't Change Me (Ron Trent Remix) More
1
Lerma dela Cruz - Free
2
Nivaldo Ornelas - Cactus
3
Krystyna Pronìko - Oto Przyczyna
4
Bobby Martinez - Pendulum
5
Tom Grant - Mystified
6
Nivaldo Ornelas - Los Angeles
7
Carlos Mendes - Oamoreìomar
8
Dana Kaproff - Brownstones
Favorite Recordings comes back with the 2nd edition of its compilation series: Fusion Global
Sounds. 8 rare and hidden tracks produced between 1976 and 1984 in various parts of the world.
As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice cooked another fine
selection of forgotten Fusion Jazz productions, this time driven by a common Brazilian influence.
On this 2nd edition, recordings come from Brazil, Philippines, Netherlands, Poland, and US, all
again from underrated artists mostly unknown from the masses. You'll find here the best elements of
the Fusion genre: fine vocal arrangements, catchy Fender Rhodes and synthesizers, irresistible
basslines, and classy horns section, altogether bringing a unique groove infused with Brazilian
flavors.
The compilation starts with Lerma dela Cruz, a quite occult songstress from Philippines. “Free” was
part of a very rare compilation titled “Tropical Jazz Fusion”, released in 1983 on A&W Horizon label
(also home of Boy Katindig). With its blowing Samba / Jazz-Funk vibes, it was an obvious match to
open this collection. The following song could only enhance this ambience, since that of Brazilian
saxophonist, Nivaldo Ornelas, present on this opus with 2 titles taken from his album A Tarde
(1983). On “Cactus”, Nivaldo is supported on keyboards by his friend Marcos Resende, both also
known for their album on the MPBC series released by Phonogram-Polygram between 1978 and
1981, which has clearly been an inspiration for Charles Maurice in building this second edition.
We could continue telling stories and details about the others great tracks included in Fusion Global
Sounds Vol.2, but we believe that the best way is to listen to it and pursue your trip through Fusion
Jazz combined with Brazilian styles, including surprising stopover in Poland, or Netherlands.
A1. Lerma dela Cruz - Free
A2. Nivaldo Ornelas - Cactus
A3. Krystyna Pronìko - Oto Przyczyna
A4. Bobby Martinez - Pendulum
B1. Tom Grant - Mystified
B2. Nivaldo Ornelas - Los Angeles
B3. Carlos Mendes - Oamoreìomar
B4. Dana Kaproff - Brownstones More
Sounds. 8 rare and hidden tracks produced between 1976 and 1984 in various parts of the world.
As a fine collector of Jazz-Funk and Fusion for many years, Charles Maurice cooked another fine
selection of forgotten Fusion Jazz productions, this time driven by a common Brazilian influence.
On this 2nd edition, recordings come from Brazil, Philippines, Netherlands, Poland, and US, all
again from underrated artists mostly unknown from the masses. You'll find here the best elements of
the Fusion genre: fine vocal arrangements, catchy Fender Rhodes and synthesizers, irresistible
basslines, and classy horns section, altogether bringing a unique groove infused with Brazilian
flavors.
The compilation starts with Lerma dela Cruz, a quite occult songstress from Philippines. “Free” was
part of a very rare compilation titled “Tropical Jazz Fusion”, released in 1983 on A&W Horizon label
(also home of Boy Katindig). With its blowing Samba / Jazz-Funk vibes, it was an obvious match to
open this collection. The following song could only enhance this ambience, since that of Brazilian
saxophonist, Nivaldo Ornelas, present on this opus with 2 titles taken from his album A Tarde
(1983). On “Cactus”, Nivaldo is supported on keyboards by his friend Marcos Resende, both also
known for their album on the MPBC series released by Phonogram-Polygram between 1978 and
1981, which has clearly been an inspiration for Charles Maurice in building this second edition.
We could continue telling stories and details about the others great tracks included in Fusion Global
Sounds Vol.2, but we believe that the best way is to listen to it and pursue your trip through Fusion
Jazz combined with Brazilian styles, including surprising stopover in Poland, or Netherlands.
A1. Lerma dela Cruz - Free
A2. Nivaldo Ornelas - Cactus
A3. Krystyna Pronìko - Oto Przyczyna
A4. Bobby Martinez - Pendulum
B1. Tom Grant - Mystified
B2. Nivaldo Ornelas - Los Angeles
B3. Carlos Mendes - Oamoreìomar
B4. Dana Kaproff - Brownstones More
1
Magic Source - Saturn Moon Dive
2
Magic Source - Superglider
3
Magic Source - Spead Boat To Atlantis
4
Magic Source - Dreaming Of You
5
Magic Source - Pyramide
6
Magic Source - Genius Of Love
7
Magic Source - Rainy Afternoon In Paris
8
Magic Source - Space Of Mind
Magic Source invites you to a journey to the obscure side of disco music.
Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer.
Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape.
An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding down a polyrhythmic puzzle of guitars, clavinets, B-3, drums and percussions.
TRACKLIST:
A1. Saturn Moon Dive
A2. Superglider
A3. Spead Boat To Atlantis
A4. Dreaming Of You
B1. Pyramide
B2. Genius Of Love
B3. Rainy Afternoon In Paris
B4. Space Of Mind More
Led by producer & notorious tape operator Björn Wagner (of Mighty Mocambos, Bacao Rhythm & Steel Band and Mocambo Records), the group follows up on their rootsy cosmic debut LP Earthrising and last year's EP Riviera Drive, whose stunning flute jazz cover of “Genius of Love” is also featured on this longplayer.
Further exploring the more unusual facets of disco in its otherworldly and international stylings, Voyage Spectral travels through a wide musical scope, ranging from “lost” tropical grooves, Mediterranean funk, outernational boogie, to cosmic sci-fi soundtracks. All 100% organic - created by real musicians with real vintage instruments, captured on 16-track analog tape.
An all-star cast of musicians invites you to a fantasy trip where angelic voices blend with spaced-out synths, ethnic string instruments interplay with sharp horn lines while the rhythm section is holding down a polyrhythmic puzzle of guitars, clavinets, B-3, drums and percussions.
TRACKLIST:
A1. Saturn Moon Dive
A2. Superglider
A3. Spead Boat To Atlantis
A4. Dreaming Of You
B1. Pyramide
B2. Genius Of Love
B3. Rainy Afternoon In Paris
B4. Space Of Mind More
1
Charms - Givin’ It Up
2
France Lise - Pour moi ça va
Favorite Recordings proudly presents its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.
On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.
A. Charms – Givin’ It Up
B. France Lise – Pour moi ça va More
On the first side comes "Givin’ It Up" by Belgian funk band Charms. Compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original vinyl 7inch was released in 1982 on famous Biram label and is now a very hard to find gem for reasonable prices. Not really surprising considering the immediate power of this Disco track, filled catchy synths lines, sweet vocals and fateful chorus.
On the other side comes another French Disco underground hit with “Pour moi ça va” by France-Lise. It takes only a few seconds to get driven on the dancefloor by the heavily funky guitar and bassline and the immediate energy of this song. Also compiled by Charles Maurice on French Disco Boogie Sounds Vol. 1, this is also a quite hard to find OG. With its charming French vocals and bouncing percussions, it should delight any Disco player.
A. Charms – Givin’ It Up
B. France Lise – Pour moi ça va More
1
Crystal - Funky Biguine
2
J.E.K.Y.S - Looking For You
Favorite Recordings proudly present its new series of 7" reissues with the following concept: each side
dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side, you'll get the amazing track "Funky Biguine" by West Indies band Crystal. Originally
compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original eponymous album still goes
for crazy prices. And there's a reason for that: "Funky Biguine" will bring the heat on the dancefloor with its
enchanting synth bassline, its West Indies influences and melodious Funk arrangement. Don't miss the synth
solo in the end!
On the other side, you'll find a reissue of "Looking For You" by J.E.K.Y.S from the island of Réunion. The
song has just started and you're already overwhelmed by the strong bassline and the sirens of this French boogie
anthem - despite this one has English lyrics. Originally, you'll find it compiled by Charles Maurice on French Disco
Boogie Sounds Vol. 3. Expect lovely harmonic progressions and perhaps a more spacey groove, as in these
beautiful bridges leading to chorus where the lyrics blend perfectly with the synthesisers line and Fender Rhodes.
TRACKLIST:
A. Crystal – Funky Biguine
B. J.E.K.Y.S – Looking For You More
dedicated to one Funky French track coming with its original artwork. You just have to flip it!
On the first side, you'll get the amazing track "Funky Biguine" by West Indies band Crystal. Originally
compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original eponymous album still goes
for crazy prices. And there's a reason for that: "Funky Biguine" will bring the heat on the dancefloor with its
enchanting synth bassline, its West Indies influences and melodious Funk arrangement. Don't miss the synth
solo in the end!
On the other side, you'll find a reissue of "Looking For You" by J.E.K.Y.S from the island of Réunion. The
song has just started and you're already overwhelmed by the strong bassline and the sirens of this French boogie
anthem - despite this one has English lyrics. Originally, you'll find it compiled by Charles Maurice on French Disco
Boogie Sounds Vol. 3. Expect lovely harmonic progressions and perhaps a more spacey groove, as in these
beautiful bridges leading to chorus where the lyrics blend perfectly with the synthesisers line and Fender Rhodes.
TRACKLIST:
A. Crystal – Funky Biguine
B. J.E.K.Y.S – Looking For You More
1
Paul Fathy - Funky Baby Love
2
Corail' - Karukera C'est Comme Ça
Favorite Recordings proudly present a new series of 7" reissues with a simple concept: each side dedicated to one French funky track coming with its original artwork. You just have to flip it!
Starting with "Funky Baby Love" by Paul Fathy, it could not get funkier! The French boogie track originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3, is your perfect tool for the dancefloor. It brings together all the ingredients of a great production with irresistible disco strings, a catchy chorus supported by beautiful backing vocals and its final climax will bring the dancers to a point of no return.
On the other side, you get an exclusive reissue of West-Indies band Corail', with their song "Karukera C'est Comme Ça" taken from their eponymous album. This under-the-radar, zouky and funky track will surprise every listener with its appealing arrangement and lyrics: "Ça va danser / Sur l'île aux oiseaux". Soon, you won't be able to get it out of your head. The bass is groovin', the rhythmic guitar is infectious and digital keyboards are on point: we're pretty much sure this one will become sooner or later a banger of its own.
TRACKLIST:
A. Paul Fathy – Funky Baby Love
B. Corail' – Karukera C'est Comme Ça More
Starting with "Funky Baby Love" by Paul Fathy, it could not get funkier! The French boogie track originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3, is your perfect tool for the dancefloor. It brings together all the ingredients of a great production with irresistible disco strings, a catchy chorus supported by beautiful backing vocals and its final climax will bring the dancers to a point of no return.
On the other side, you get an exclusive reissue of West-Indies band Corail', with their song "Karukera C'est Comme Ça" taken from their eponymous album. This under-the-radar, zouky and funky track will surprise every listener with its appealing arrangement and lyrics: "Ça va danser / Sur l'île aux oiseaux". Soon, you won't be able to get it out of your head. The bass is groovin', the rhythmic guitar is infectious and digital keyboards are on point: we're pretty much sure this one will become sooner or later a banger of its own.
TRACKLIST:
A. Paul Fathy – Funky Baby Love
B. Corail' – Karukera C'est Comme Ça More
1
Lucas Arruda - Tamba Part 1
2
Lucas Arruda - Batuque
3
Lucas Arruda - Who’s That Lady
4
Lucas Arruda - Rio Afternoon
5
Lucas Arruda - Na Feira
6
Lucas Arruda - Sambadi
7
Lucas Arruda - Carnival
8
Lucas Arruda - Alma Nova
9
Lucas Arruda - Tamba Part 2
Lucas Arruda’s born in 1983, in a Brazilian state called Espírito Santo, near Rio de Janeiro. Coming from
a musical family (his dad and older brother are musicians) he started playing and listening to music very
young. At the age of 13, he was also playing professionally already.
After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and
keyboards, expanding his musical range of skills. At the same time he started a project called Du Black,
with his older brother Thiago, quickly receiving various local support from people like Ed Motta, William
Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon (Brazilian soul legend).
From the growing notoriety obtained, the band began to work with various other artists and singers such
as Tamy Macedo, or Bossa Nova’s legend, Leila Pinheiro, leading Lucas to build a recording studio with
Thiago in 2011. Now 2 years after he launched this home-studio, here comes “Sambadi”, first solo album
by Lucas Arruda!
On this recording he also started to team up with Fabricio di Monaco (Modo Solar), who clearly became
a fundamental piece, as Lucas relates: “Fabricio introduced me to Pascal Rioux at Favorite Recordings,
as they released his EP few years ago. He’s a brilliant musician and a great human being.”
In Lucas’ words, Sambadi is highly inspired by Rio de Janeiro. As for the musical side, the album almost
sounds like a tribute to his longtime heroes like Stevie Wonder, Curtis Mayfield, Marcos Valle, Azymuth,
or Robson Jorge & Lincoln Olivetti. And Lucas also humbly concludes: “I really hope to honor all the
guys who influenced me.”
TRACKLIST:
A1. Physis
A2. Tamba Part 1
A3. Batuque
A4. Who’s That Lady
A5. Rio Afternoon
B1. Na Feira
B2. Sambadi
B3. Carnival
B4. Alma Nova
B5. Tamba Part 2 More
a musical family (his dad and older brother are musicians) he started playing and listening to music very
young. At the age of 13, he was also playing professionally already.
After studying electric guitar and playing in various bands, Lucas passion quickly turned into Rhodes and
keyboards, expanding his musical range of skills. At the same time he started a project called Du Black,
with his older brother Thiago, quickly receiving various local support from people like Ed Motta, William
Magalhães (Banda Black Rio), Robert Lamm (Chicago) or Hyldon (Brazilian soul legend).
From the growing notoriety obtained, the band began to work with various other artists and singers such
as Tamy Macedo, or Bossa Nova’s legend, Leila Pinheiro, leading Lucas to build a recording studio with
Thiago in 2011. Now 2 years after he launched this home-studio, here comes “Sambadi”, first solo album
by Lucas Arruda!
On this recording he also started to team up with Fabricio di Monaco (Modo Solar), who clearly became
a fundamental piece, as Lucas relates: “Fabricio introduced me to Pascal Rioux at Favorite Recordings,
as they released his EP few years ago. He’s a brilliant musician and a great human being.”
In Lucas’ words, Sambadi is highly inspired by Rio de Janeiro. As for the musical side, the album almost
sounds like a tribute to his longtime heroes like Stevie Wonder, Curtis Mayfield, Marcos Valle, Azymuth,
or Robson Jorge & Lincoln Olivetti. And Lucas also humbly concludes: “I really hope to honor all the
guys who influenced me.”
TRACKLIST:
A1. Physis
A2. Tamba Part 1
A3. Batuque
A4. Who’s That Lady
A5. Rio Afternoon
B1. Na Feira
B2. Sambadi
B3. Carnival
B4. Alma Nova
B5. Tamba Part 2 More
1
Sundance - Buster
2
Renato Anselmi - Hello Mr. Acuvis
3
Zane Cronje - Tropical Island
4
The 1860 Band - Keep That Same Old Feeling
5
Otroshakers - Siempre Tu
6
Daniel Bechet - Astral Dance
7
Renato Anselmi - Quiet Fire
8
Pedro Ruy-Blas - Despertar
Favorite Recordings and Charles Maurice proudly present a brand new compilation series: Fusion Global Sounds. 9 rare and
hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years,
Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and
Brazilian Disco Boogie Sounds compilations series.
This time, recordings come from Sweden, Switzerland, South Africa, New Zealand, Uruguay, Spain and France, from artists and
bands mostly known in their local scenes. You'll hear here the best elements of the Fusion and Jazz-Funk genre: breezy vocal
arrangements reminding Flora Purim in Return To Forever or George Duke's albums, sweet and virtuosic Fender Rhodes (kind of common
thread of the comp), melodic spiral-shaped fuzzy synthesizers leads, or irresistible basslines, altogether bringing a unique groove to life.
"Buster" is taken from the first and only album of the Swedish band, Sundance. The band from Gothenburg was formed around US
trumpet player Stephen Frankevich (notably playing with Mahavishnu Orchestra) after he moved to Sweden. Cosmic, with razor-sharp
rhythms, it naturally brings you to the second title, "Hello Mr. Ancuvis" by Renato Anselmi. One of the key players of the Swiss Jazz
scene during the sixties and the seventies, Renato also had the chance to play with Harvey Mason or Alphonso Johnson. Funky, jazzy but
still a bit breezy, here again sweet vocals nicely blend with uptempo Rhodes part. Also included is another title from Renato Anselmi,
"Quiet Fire", a mellow Rhodes-driven ballad with funky accents, wide strings and guitar arrangements.
"Tropical Island" by Zane Cronje, a South-African composer and arranger, was initially a track from a music library catalogue:
dreamy, soaked in thorough synthesizers, we're only attached to the earth by the Guiro groove. You'll also hear this cosmic vibe in "Astral
Dance" by French-American drummer and Jazz musician/composer Daniel Bechet, taken from Songs To My Father LP, dedicated to his
father the famous Sax/Clarinet player Sydney Bechet. In this 4 minutes dope jam, keys, guitar and percussion will elevate your mind to
another level of consciousness: deep!
The 1860 Band was hailing from Wellington, New Zealand, playing mostly in bars, cafes and pubs - their name is taken from a tavern
where they had an extended afternoon residency keeping the clients entertained. Their sole LP, now rare and sought-after, was a nice mix
of Jazz-Funk and Disco grooves. Their amazing and groovy cover of "Keep That Same Old Feeling" by The Crusaders, brings the best of
their playing.
Otroshakers was formed around Hugo and Osvaldo Fattoruso, as a tribute project to their former band Los Shakers, some sort of
copycat band of The Beatles with great success in Latin America. Listening to "Siempre Tu", you can almost hear The Beatles'
psychedelic vocal of Sgt. Pepper's Lonely Hearts Club Band. Later joining Ringo Thielmann in the US, they formed the band OPA together,
after having recorded for Airto's seminal album Fingers. Blending Jazz, South-American musical elements and Funk, their fusion quickly
gained the respect of the NY musical scene.
"Despertar" by Spanish drummer, singer and actor Pedro Ruy-Blas, is taken from Luna Llena, his great first Jazz-Funk album. The
track is a funky piece with wah-wah expressive Rhodes, ending with a beautiful flute solo. "Prologue" by Dutch-French pianist Majoie
Hajary (sometimes called the "Hindu pianist"), can be found on La Passion Selon Judas, a very unique religious album blending her own
style with Psych, Funk and Jazz elements.
Surely we could continue detailing stories of all these gems, but we guess that the best way to learn more about them, is to listen
to Fusion Global Sounds, fully remastered from originals and whether your preference is for vinyl or CD formats.
TRACKLIST:
A1. Sundance – Buster
A2. Renato Anselmi – Hello Mr. Acuvis
A3. Zane Cronje – Tropical Island
A4. The 1860 Band – Keep That Same Old Feeling
B1. Otroshakers – Siempre Tu
B2. Daniel Bechet – Astral Dance
B3. Renato Anselmi – Quiet Fire
B4. Pedro Ruy-Blas – Despertar
B5. Majoie Hajary – Prologue More
hidden tracks produced between 1970 and 1983 in various parts of the world. As a fine collector of Jazz-Funk and Fusion for many years,
Charles Maurice selected some of his favorite forgotten productions, as he previously did for the AOR Global Sounds, French and
Brazilian Disco Boogie Sounds compilations series.
This time, recordings come from Sweden, Switzerland, South Africa, New Zealand, Uruguay, Spain and France, from artists and
bands mostly known in their local scenes. You'll hear here the best elements of the Fusion and Jazz-Funk genre: breezy vocal
arrangements reminding Flora Purim in Return To Forever or George Duke's albums, sweet and virtuosic Fender Rhodes (kind of common
thread of the comp), melodic spiral-shaped fuzzy synthesizers leads, or irresistible basslines, altogether bringing a unique groove to life.
"Buster" is taken from the first and only album of the Swedish band, Sundance. The band from Gothenburg was formed around US
trumpet player Stephen Frankevich (notably playing with Mahavishnu Orchestra) after he moved to Sweden. Cosmic, with razor-sharp
rhythms, it naturally brings you to the second title, "Hello Mr. Ancuvis" by Renato Anselmi. One of the key players of the Swiss Jazz
scene during the sixties and the seventies, Renato also had the chance to play with Harvey Mason or Alphonso Johnson. Funky, jazzy but
still a bit breezy, here again sweet vocals nicely blend with uptempo Rhodes part. Also included is another title from Renato Anselmi,
"Quiet Fire", a mellow Rhodes-driven ballad with funky accents, wide strings and guitar arrangements.
"Tropical Island" by Zane Cronje, a South-African composer and arranger, was initially a track from a music library catalogue:
dreamy, soaked in thorough synthesizers, we're only attached to the earth by the Guiro groove. You'll also hear this cosmic vibe in "Astral
Dance" by French-American drummer and Jazz musician/composer Daniel Bechet, taken from Songs To My Father LP, dedicated to his
father the famous Sax/Clarinet player Sydney Bechet. In this 4 minutes dope jam, keys, guitar and percussion will elevate your mind to
another level of consciousness: deep!
The 1860 Band was hailing from Wellington, New Zealand, playing mostly in bars, cafes and pubs - their name is taken from a tavern
where they had an extended afternoon residency keeping the clients entertained. Their sole LP, now rare and sought-after, was a nice mix
of Jazz-Funk and Disco grooves. Their amazing and groovy cover of "Keep That Same Old Feeling" by The Crusaders, brings the best of
their playing.
Otroshakers was formed around Hugo and Osvaldo Fattoruso, as a tribute project to their former band Los Shakers, some sort of
copycat band of The Beatles with great success in Latin America. Listening to "Siempre Tu", you can almost hear The Beatles'
psychedelic vocal of Sgt. Pepper's Lonely Hearts Club Band. Later joining Ringo Thielmann in the US, they formed the band OPA together,
after having recorded for Airto's seminal album Fingers. Blending Jazz, South-American musical elements and Funk, their fusion quickly
gained the respect of the NY musical scene.
"Despertar" by Spanish drummer, singer and actor Pedro Ruy-Blas, is taken from Luna Llena, his great first Jazz-Funk album. The
track is a funky piece with wah-wah expressive Rhodes, ending with a beautiful flute solo. "Prologue" by Dutch-French pianist Majoie
Hajary (sometimes called the "Hindu pianist"), can be found on La Passion Selon Judas, a very unique religious album blending her own
style with Psych, Funk and Jazz elements.
Surely we could continue detailing stories of all these gems, but we guess that the best way to learn more about them, is to listen
to Fusion Global Sounds, fully remastered from originals and whether your preference is for vinyl or CD formats.
TRACKLIST:
A1. Sundance – Buster
A2. Renato Anselmi – Hello Mr. Acuvis
A3. Zane Cronje – Tropical Island
A4. The 1860 Band – Keep That Same Old Feeling
B1. Otroshakers – Siempre Tu
B2. Daniel Bechet – Astral Dance
B3. Renato Anselmi – Quiet Fire
B4. Pedro Ruy-Blas – Despertar
B5. Majoie Hajary – Prologue More
1
VOILAAA - Ku La Foon feat. Lass (JKriv Remix)
2
VOILAAA - Ben Bene La feat. Lass (Patchworks Remix)
3
VOILAAA - Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
4
VOILAAA - Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix)
Favorite Recordings presents Remixes by Voilaaa, a new EP built with exclusive versions of
some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix) More
some of its biggest hits. Known for its Afro-Disco sound and strong dancefloor-friendly festive
bangers, these new mixes bring another light to the successful project of Bruno "Patchworks"
Hovart.
On A Side, Voilaaa asked famous Brooklyn-based producer and remixer JKriv (Razor-N-Tape) to
provide even more club energy to "Ku La Foon (feat. Lass)”, originally released on Voilaaa's third
and last album. The result is a powerful bomb that won't give any rest to the crowd.
The tracklist goes on with "Ben Bene La (feat. Lass)” reworked by Patchworks himself in a very
Latin way, taking inspiration from the NY scene and its dancers, "Spanish Harlem" and Mongo
Santamaria. You've got to play it loud and we're pretty sure you'll see some special moves on the
dancefloor.
On B side, you'll hear another Patchworks remix, this time with probably one of Voilaaa's biggest
hits, "Spies Are Watching Me (feat Sir Jean)”. In the footsteps of Moodymann, Masters At Work or
the UK Garage scene, Patchworks delivers here some of his classic house music energy. You may
know he started his career with house music: he transformed this anthem into a proper deep house
cut with the same passion!
Finally, Voilaaa remixed himself! Working on "Tu Mens Devant Moi (feat. Ramatou Traore)”,
Voilaaa carries the arrangement closer to the Angolese and Cape Verdean sound, reminding also the
sound of Super Mama Djombo from Guinea Bissau. A tropical cut that will bring more and more
sunshine to the club.
TRACKLIST:
A1. Ku La Foon feat. Lass (JKriv Remix)
A2. Ben Bene La feat. Lass (Patchworks Remix)
B1. Spies Are Watching Me feat. Sir Jean (Patchworks Remix)
B2. Tu Mens Devant Moi feat. Ramatou Traore (Voilaaa Remix) More
1
Alan Shearer - The Flea Age
2
Alan Shearer - The Heart Patrol
3
Alan Shearer - Dark Is The Color
4
Alan Shearer - Generation V
5
Alan Shearer - Chronomaster
6
Alan Shearer - Nocturnal March
7
Alan Shearer - Tropical Terminal
8
Alan Shearer - Only For One Girl
9
Alan Shearer - Blackstone
10
Alan Shearer - Down Town
11
Alan Shearer - Sons Of The Snake
Favorite Recordings presents Dark Is The Color, the first LP by Alan Shearer reissued on vinyl for the first time. Despite being initially composed and produced for the French library label PSI, this rare and obscure in-demand gem from 1985 sounds retrospectively like a proper album with great coherence and sophistication all along. Indeed, these 11 tracks will delight synthesizers addicts. Expect deeply emotive instrumental compositions, with ingenious analogue sequencing on stimulating chord progressions. The result is a highly retrofuturistic album, sometimes almost anticipating 90's videogames scores. Just imagine Wally Badarou in a bunker with Talking Heads watching New York 1997 from John Carpenter.
Composed mostly step by step on a Sequential Pro-One synthesizer, Dark Is The Color is the product of the exciting state of mind from the 80's era with new sounds, new tools and new trends on the music spectrum. Influenced by bands like Talking Head or Japan, the sirens of the new wave scene strongly resonate here with Alan Shearer's familiarity and craftmanship with synthesizers.
Back in the days, Alan Shearer aka Frédéric Viger was working for his father’s music label, “Musique Pour L'image”, and their sublabel “PSI”. He started with Marathon Life under his real name before taking the Alan Shearer monitor. These records were produced for radio, TV and cinema industries but as well for companies’ internal communication. They represented a real investment from the label and these catalogues are usually full of amazing music from great artists such as Martial Solal, Vladimir Cosma, Joël Fajerman, Harlem Pop Trotters and even Manu Dibango.
About his musical illustration process, Alan Shearer tells: "Soundtracks are indeed my biggest influences and I'm a real fan of American composers as Jerry Goldsmith or Elmer Bernstein. I've always considered soundtracks as the new classical music or classical music of our century. There is a real state of mind producing music for illustration: you have to stick to the video. You should not tell what the image is saying but accompany what it is saying. You have to find a unique link, people always told me music should not be noticed for itself in a movie, that's what makes it good.”
A1 - The Flea Age
A2 - The Heart Patrol
A3 - Dark Is The Color
A4 - Generation V
A5 - Chronomaster
A6 - Nocturnal March
B1 - Tropical Terminal
B2 - Only For One Girl
B3 - Blackstone
B4 - Down Town
B5 - Sons Of The Snake More
Composed mostly step by step on a Sequential Pro-One synthesizer, Dark Is The Color is the product of the exciting state of mind from the 80's era with new sounds, new tools and new trends on the music spectrum. Influenced by bands like Talking Head or Japan, the sirens of the new wave scene strongly resonate here with Alan Shearer's familiarity and craftmanship with synthesizers.
Back in the days, Alan Shearer aka Frédéric Viger was working for his father’s music label, “Musique Pour L'image”, and their sublabel “PSI”. He started with Marathon Life under his real name before taking the Alan Shearer monitor. These records were produced for radio, TV and cinema industries but as well for companies’ internal communication. They represented a real investment from the label and these catalogues are usually full of amazing music from great artists such as Martial Solal, Vladimir Cosma, Joël Fajerman, Harlem Pop Trotters and even Manu Dibango.
About his musical illustration process, Alan Shearer tells: "Soundtracks are indeed my biggest influences and I'm a real fan of American composers as Jerry Goldsmith or Elmer Bernstein. I've always considered soundtracks as the new classical music or classical music of our century. There is a real state of mind producing music for illustration: you have to stick to the video. You should not tell what the image is saying but accompany what it is saying. You have to find a unique link, people always told me music should not be noticed for itself in a movie, that's what makes it good.”
A1 - The Flea Age
A2 - The Heart Patrol
A3 - Dark Is The Color
A4 - Generation V
A5 - Chronomaster
A6 - Nocturnal March
B1 - Tropical Terminal
B2 - Only For One Girl
B3 - Blackstone
B4 - Down Town
B5 - Sons Of The Snake More
1
Magic Source - Riviera Drive (Extended Version)
2
Magic Source - Genius Of Love
Favorite Recordings proudly presents the new 12" of Magic Source. The all-star group around producer Björn Wagner (known also for his cosmic and tropical-flavoured disco music as Bacao Rhythm & Steel Band and The Mighty Mocambos) creates here a hypnotic four-on-the-floor sound that is both earthy and spaced out and all their own.
Recorded on 16 track analogue tape with inexpensive vintage gear, the crew explores the more unusual facets of disco music off the beaten track in favour of more otherwordly and international stylings. In their music, one could hear echoes from lost tropical disco records, cinematic flavors from library soundtracks and a healthy dose of DIY garage funk rawness.
On A side, "Riviera Drive" is an extended Mediterranean disco groove based on hypnotic percussions and soulful horn themes that alternate with trippy keyboard excursions. The tune is equally at ease on the dancefloor as in a chill-out zone, but of course, prefers to be in its natural habitat in a classic car somewhere between Nice and Monaco.
On the flip, Tom Tom Club's "Genius Of Love" is reimagined as a jazzy yacht soul instrumental with an echoed flute taking the lead. You'll also find a shorter Radio Edit of "Rivieria Drive".
Tracklist:
A - Riviera Drive (Extended Version)
B1 - Genius Of Love
B2 - Riviera Drive (Radio Edit) More
Recorded on 16 track analogue tape with inexpensive vintage gear, the crew explores the more unusual facets of disco music off the beaten track in favour of more otherwordly and international stylings. In their music, one could hear echoes from lost tropical disco records, cinematic flavors from library soundtracks and a healthy dose of DIY garage funk rawness.
On A side, "Riviera Drive" is an extended Mediterranean disco groove based on hypnotic percussions and soulful horn themes that alternate with trippy keyboard excursions. The tune is equally at ease on the dancefloor as in a chill-out zone, but of course, prefers to be in its natural habitat in a classic car somewhere between Nice and Monaco.
On the flip, Tom Tom Club's "Genius Of Love" is reimagined as a jazzy yacht soul instrumental with an echoed flute taking the lead. You'll also find a shorter Radio Edit of "Rivieria Drive".
Tracklist:
A - Riviera Drive (Extended Version)
B1 - Genius Of Love
B2 - Riviera Drive (Radio Edit) More
1
Esperanto - Tell Me This Is Love
2
Esperanto - Kailua
3
Esperanto - Love Crusader
4
Esperanto - Wishful Thinkin'
5
Esperanto - Hollywood
6
Esperanto - Kenny's Place
7
Esperanto - Elle Est Tres Ellegant
8
Esperanto - Theme From Vegas
After the recent reissue of their first eponymous album, Favorite Recordings proudly presents Vegas, the
second LP from Venezuelan band Esperanto. Rare and sought-after for many collectors, it was recorded in
between Las Vegas and Caracas and originally released in 1981. Following bandleader Jorge Aguilar in his
musical trip to the infamous American city bathing into flashing lights and vivid colors, we're invited to an
excursion in Disco, Boogie and Jazz-Funk territories. Finally reissued, fully remastered, Vegas will be available
as Gatefold Tip-On Vinyl LP.
With great care and attention to details, Esperanto managed to create a very convincing sequel to their Jazz-
Funk debuts. Vegas keeps indeed a perfect balance between various influences. Through energic disco beats
with intense funky solos, catchy AOR-influenced songs, where Jorge delivers convincing vocal performance, or
sunny jazz-funk slow jams, the album still reveals something quite authentic. And this feeling echoes surely the
one that could have been felt by Jorge Aguilar while discovering USA on a trip - where it all started for the
music he loves. Like sometimes a foreigner's enriching view on some local specialty, he surely brought with the
band all his authenticity and young but vibrant experience while convincing at the same time major labels for
distribution.
With certain notoriety coming with the release of their first album, Jorge Aguilar and his drummer Pablo
Matarazzo planned to go to Los Angeles for a few gigs. But once there, they realized their contact had to leave
for Tina Turner's tour in Europe. Before that, he invited them to come along to Las Vegas and eventually meet
musicians there. Luckily, the plan worked perfectly: Jorge came back to Los Angeles with a lot of contacts then
moved to Boston and NYC before finally coming back to Caracas. He told: "I was so impressed with this trip
that I told myself that one day I would return to Los Angeles and Las Vegas. The first tracks I did them in Los
Angeles with Kenny More, James Gadson and other session musicians from that city. Later, I took the tracks
to Caracas where the musicians of the band recorded overdubs. After that, I returned to Los Angeles to master
with Bernie Grundman who was still working in his small studio at A & M records studios in Hollywood. As can
be seen in the title of some of the songs like "Hollywood", "Vegas", "Kenny's Place", were only the translation of
my experiences at the time." More
second LP from Venezuelan band Esperanto. Rare and sought-after for many collectors, it was recorded in
between Las Vegas and Caracas and originally released in 1981. Following bandleader Jorge Aguilar in his
musical trip to the infamous American city bathing into flashing lights and vivid colors, we're invited to an
excursion in Disco, Boogie and Jazz-Funk territories. Finally reissued, fully remastered, Vegas will be available
as Gatefold Tip-On Vinyl LP.
With great care and attention to details, Esperanto managed to create a very convincing sequel to their Jazz-
Funk debuts. Vegas keeps indeed a perfect balance between various influences. Through energic disco beats
with intense funky solos, catchy AOR-influenced songs, where Jorge delivers convincing vocal performance, or
sunny jazz-funk slow jams, the album still reveals something quite authentic. And this feeling echoes surely the
one that could have been felt by Jorge Aguilar while discovering USA on a trip - where it all started for the
music he loves. Like sometimes a foreigner's enriching view on some local specialty, he surely brought with the
band all his authenticity and young but vibrant experience while convincing at the same time major labels for
distribution.
With certain notoriety coming with the release of their first album, Jorge Aguilar and his drummer Pablo
Matarazzo planned to go to Los Angeles for a few gigs. But once there, they realized their contact had to leave
for Tina Turner's tour in Europe. Before that, he invited them to come along to Las Vegas and eventually meet
musicians there. Luckily, the plan worked perfectly: Jorge came back to Los Angeles with a lot of contacts then
moved to Boston and NYC before finally coming back to Caracas. He told: "I was so impressed with this trip
that I told myself that one day I would return to Los Angeles and Las Vegas. The first tracks I did them in Los
Angeles with Kenny More, James Gadson and other session musicians from that city. Later, I took the tracks
to Caracas where the musicians of the band recorded overdubs. After that, I returned to Los Angeles to master
with Bernie Grundman who was still working in his small studio at A & M records studios in Hollywood. As can
be seen in the title of some of the songs like "Hollywood", "Vegas", "Kenny's Place", were only the translation of
my experiences at the time." More
Customers who bought this also bought this
Mr. Money With The Vibe is the debut studio album from
Nigerian singer Asake. Following an impressive debut and meteoric rise in the
music industry, Asake signed with YBNL Nation, the label founded by one of the
godfathers of modern Afrobeats, Olamide. The 12-track album features elements
of traditional Nigerian fuji music, Afropop, and South African Amapiano and
sees appearances from fellow Nigerian star Burna Boy and American rapper Russ.
The results are an ethereal sonic oasis that clearly sets Asake apart from his
peers. Includes the single, “Sungba (Remix),” “Peace Be Unto You (PBUY),” &
“Terminator.” 1xLP, pressed on Bone Vinyl with Red Splatter.
Tracklist:
A1/1. Dull
A2/2. Terminator
A3/3. Organise
A4/4. Peace Be Unto You (PBUY)
A5/5. Dupe
A6/6. Muse
B1/7. Joha
B2/8. Nzaza
B3/9. Ototo
B4/10. Reason (feat. Russ)
B5/11. Sunmomi
B6/12. Sungba (Remix) (feat. Burna Boy)
Key Marketing/Selling:
-
One of the
biggest Nigerian artists at the moment
-
Debut studio
album
-
The album has
over 1B streams across platforms
-
Elton John played
- ‘Organise’ in his Rocket Hour radio show on Apple Music
-
’Joha’ was Remi
Burgz’ Record Of The Week on BBC 1Xtra - w/c 20th September
-
Peaked at #1 in
31 countries on Apple Music; including UK, Nigeria, UAE, Ireland, Ghana
-
Peaked at #5 on
the US Apple Music all genre album charts
-
Peaked at #22 on
UK’s Official Albums Chart Top 100
-
25M total streams
within 24 hours of release
-
1st African debut
album to peak at #1 on the UK Apple music albums chart
-
Album release was
covered by Complex, Rolling Stone, The Guardian, The Fader, and more
-
Multiple music
videos released to support the album
-
Just recently
sold out London’s O2 Arena, marking only the 4th time a Nigerian artist has
done that - 20k tickets
-
Performed at
Barclays Center in Brooklyn on 9/8 - Sold out show - 19k tickets sold - marking
the first time an African artist has headlined and sold out the venue
-
Pressed on Bone
vinyl with Red Splatter
-
First physical
release for Asake
More
Nigerian singer Asake. Following an impressive debut and meteoric rise in the
music industry, Asake signed with YBNL Nation, the label founded by one of the
godfathers of modern Afrobeats, Olamide. The 12-track album features elements
of traditional Nigerian fuji music, Afropop, and South African Amapiano and
sees appearances from fellow Nigerian star Burna Boy and American rapper Russ.
The results are an ethereal sonic oasis that clearly sets Asake apart from his
peers. Includes the single, “Sungba (Remix),” “Peace Be Unto You (PBUY),” &
“Terminator.” 1xLP, pressed on Bone Vinyl with Red Splatter.
Tracklist:
A1/1. Dull
A2/2. Terminator
A3/3. Organise
A4/4. Peace Be Unto You (PBUY)
A5/5. Dupe
A6/6. Muse
B1/7. Joha
B2/8. Nzaza
B3/9. Ototo
B4/10. Reason (feat. Russ)
B5/11. Sunmomi
B6/12. Sungba (Remix) (feat. Burna Boy)
Key Marketing/Selling:
-
One of the
biggest Nigerian artists at the moment
-
Debut studio
album
-
The album has
over 1B streams across platforms
-
Elton John played
- ‘Organise’ in his Rocket Hour radio show on Apple Music
-
’Joha’ was Remi
Burgz’ Record Of The Week on BBC 1Xtra - w/c 20th September
-
Peaked at #1 in
31 countries on Apple Music; including UK, Nigeria, UAE, Ireland, Ghana
-
Peaked at #5 on
the US Apple Music all genre album charts
-
Peaked at #22 on
UK’s Official Albums Chart Top 100
-
25M total streams
within 24 hours of release
-
1st African debut
album to peak at #1 on the UK Apple music albums chart
-
Album release was
covered by Complex, Rolling Stone, The Guardian, The Fader, and more
-
Multiple music
videos released to support the album
-
Just recently
sold out London’s O2 Arena, marking only the 4th time a Nigerian artist has
done that - 20k tickets
-
Performed at
Barclays Center in Brooklyn on 9/8 - Sold out show - 19k tickets sold - marking
the first time an African artist has headlined and sold out the venue
-
Pressed on Bone
vinyl with Red Splatter
-
First physical
release for Asake
More
1
Enji - A1. Zavkhan
2
Enji - A2. Diary of June 9th
3
Enji - A3. Gandii Mod
4
Enji - A4. I'm Glad There Is You
5
Enji - A5. Khorom
6
Enji - B1. Sevkhet Bor
7
Enji - B2. Ursgal
8
Enji - B3. Aya
9
Enji - B4. An Untitled Hil
LP Vinyl
Tracklist:
A1) Zavkhan 03:28 min
A2) Diary of June 9th 02:30 min
A3) Gandii Mod 03:45 min
A4) I'm Glad There Is You 03:46 min
A5) Khorom 05:03 min
B1) Sevkhet Bor 04:40 min
B2) Ursgal 05:56 min
B3) Aya 03:13 min
B4) An Untitled Hil 04:54 min
Info:
On her second album Ursgal Mongolian singer Enji creates a unique blend of Jazz and Folk with the thousand-year-old traditions of Mongolian music. Currently based in Munich, her lyrics tell personal stories about unbearable distances, the oddness of being on earth and the simple truths in life.
She's accompanied by Paul Brändle on guitar and Munguntovch Tsolmonbayar on double bass.
Born in Ulaanbaatar, Enji grew up in a yurt to a working-class family. Having always been drawn to music, dance and literature, she initially wanted to become a music teacher with little ambitions to compose or be on stage. A program by the local Goethe Institute sparked her passion for Jazz and eventually led her to become a performing artist. Inspired by the music of Carmen McRae, Ella Fitzgerald and Nancy Wilson, Enji started writing songs of her own, cherishing this newfound means of expression. Ursgal is the first record featuring her original compositions.
More
Tracklist:
A1) Zavkhan 03:28 min
A2) Diary of June 9th 02:30 min
A3) Gandii Mod 03:45 min
A4) I'm Glad There Is You 03:46 min
A5) Khorom 05:03 min
B1) Sevkhet Bor 04:40 min
B2) Ursgal 05:56 min
B3) Aya 03:13 min
B4) An Untitled Hil 04:54 min
Info:
On her second album Ursgal Mongolian singer Enji creates a unique blend of Jazz and Folk with the thousand-year-old traditions of Mongolian music. Currently based in Munich, her lyrics tell personal stories about unbearable distances, the oddness of being on earth and the simple truths in life.
She's accompanied by Paul Brändle on guitar and Munguntovch Tsolmonbayar on double bass.
Born in Ulaanbaatar, Enji grew up in a yurt to a working-class family. Having always been drawn to music, dance and literature, she initially wanted to become a music teacher with little ambitions to compose or be on stage. A program by the local Goethe Institute sparked her passion for Jazz and eventually led her to become a performing artist. Inspired by the music of Carmen McRae, Ella Fitzgerald and Nancy Wilson, Enji started writing songs of her own, cherishing this newfound means of expression. Ursgal is the first record featuring her original compositions.
More
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2023 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
More
1
Kenji Kawai - 01 - Making of Cyborg
2
Kenji Kawai - 02 - Ghost Hacker
3
Kenji Kawai - 03 - Puppet Master
4
Kenji Kawai - 04 - Virtual Crime
5
Kenji Kawai - 05 - Ghost City
6
Kenji Kawai - 06 - Access
7
Kenji Kawai - 07 - Night Stalker
8
Kenji Kawai - 08 - Floating Museum
9
Kenji Kawai - 09 - Ghost Dive
10
Kenji Kawai - 10 - Reincarnation
11
Kenji Kawai - 11 - Bonus Track
2024 Repress
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
More
- NO SALES TO JAPAN -
Regular Offcial Authorised Vinyl Version, Original Soundtrack, 350g Sleeve, Black Inner, Sticker, 12" 140g Vinyl
- The first ever OFFICIAL vinyl release of the soundtrack for Mamoru Oshii's legendary science fiction anime film GHOST IN THE SHELL (1995).
- LP cut from the original master reels at Emil Berliner Studios, official Ghost in the Shell artwork
Tracklisting LP :
A1 ?I - Making Of Cyborg
A2 Ghosthack
A3 Puppetmaster
A4 Virtual Crime
A5 ?II - Ghost City
B1 Access
B2 Nightstalker
B3 Floating Museum
B4 Ghostdive
B5 ?III - Reincarnation
We Release Whatever The Fuck We Want Records is thrilled and honored to announce the first ever official vinyl pressing of the soundtrack for Mamoru Oshii's critically acclaimed and all around legendary science fiction anime film GHOST IN THE SHELL (1995), adapted from Masamune Shirow's groundbreaking manga series of the same name.
Cut from the original master reels at Emil Berliner Studios (formerly the in-house recording department of renowned classical record label Deutsche Grammophon), the album comes as a LP accompanied by a bonus one-sided 7" housed in official Ghost in the Shell artwork sleeve with silver gilt printing and a Japanese obi, and contains extensive 24-page liner notes.
The haunting score is composed by Kenji Kawai, one of Japan's most celebrated soundtrack composers, alongside Joe Hisaishi and Ry?ichi Sakamoto, whose work includes Hideo Nakata's Ring (1998) and Ring 2 (1999), Death Note (2006), Hong Kong films Seven Swords by Tsui Hark (2005) and Ip Man by Wilson Yip (2008), and countless others. Kawai's compositions see ancient harmonies and percussions uncannily mesh with synthesized sounds of the modern world to convey a sumptuous balance between folklore tradition and futuristic outlook. For its iconic main theme "Making of Cyborg", Kawai had a choir chant a wedding song in ancient Japanese following Bulgarian folk harmonies, setting the standard for a timeless and unparalleled soundtrack that admirably echoes the film's musings on the nature of humanity in a technologically advanced world.
Ghost in the Shell is widely considered one of the best anime films of all time and its influence has been felt in the work of numerous movie directors, including James Cameron (Avatar), the Wachowskis (The Matrix), and Steven Spielberg (AI: Artificial Intelligence).
More
non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.
All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!
Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium
More
1
Rupa - Moja Bhari Moja
2
Rupa - East West Shuffle
3
Rupa - Aaj Shanibar
4
Rupa - Ayee Morshume Be-Reham Duniya