LP
2. GENRE/S: Ambient, New Age, Fourth World

3. TRACKLIST:

Side A:

A1 Sants
A2 Lake Lake Lake
A3 Journey
A4 Waves of Time
A5 Unlimited Light

Side B:

B1 Lila
B2 Reloj
B2 Opción
B4 Eco

4. SHORT INFO:
Andalusian emerging-talent producer GAZZI, a young yet influential figure within the broader Spanish electronic scene, presents an LP that feels like a quiet turning point in his career. Rooted in ambient and new-age minimalism, the record drifts through piano-based textures, soft pauses, and spacious moments that invite deep introspection.
Across its delicate arrangements, GAZZI captures the sensation of slowing down in a world where everything feels fleeting. These tracks hold space for reflection-offering nostalgia, stillness, and the subtle suggestion that hope remains at the edges of even the most ephemeral moments. Each piece unfolds like a landscape suspended in time, shaped by restraint, emotional nuance, and a profound sense of presence.
Presented by Glossy Mistakes, the release reflects the label's ongoing commitment to uplifting a new wave of contemporary Spanish artists, highlighting creators who are redefining the country's sonic identity through experimentation, sensitivity, and forward-thinking sound design.
In GAZZI's own words:
"These songs were made to sit with the wound - to let you drift, to feel scattered, contemplative; they're meant to keep you from thinking too much - or maybe to make you think a lot."
The result is a meditative, deeply personal body of work-one that not only marks a cornerstone in GAZZI's artistic path but also extends Glossy Mistakes' mission to showcase innovative, emotionally resonant voices from Spain's evolving music landscape.

5. VITAL SALES POINTS:
- New work by Andalusian emerging talent Gazzi, an introspective meditation rooted in ambient and new age.


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LP
GENRE/S: Avantgarde, Lounge, Experimental

TRACKLISTS:

A1 Venise
A2 Mais Où Est Donc Ornicar ?
A3 Antilope
A4 Celles De La Haute Mer
A5 Opium

B1 Voyage Autour De Ma Tête
B2 Le Trapéziste
B3 Moitié Panthère
B4 L'Année De La Comète
B5 Quand Nos Pères Étaient Des Poissons



SHORT INFO:
An elusive cult gem resurfaces through Glossy Mistakes. Originally released in 1986, L'Empire Des Sons is an otherworldly blend of synth pop, folk experimentation, and cinematic percussive layers-dreamlike, poetic, and wildly ahead of its time.
L'Empire Des Sons was a fleeting yet powerful transmission from the fringes of the French underground-an album that blurred genre lines and evaded easy classification. Fusing experimental folk, lo-fi synth pop, and avant-garde textures, the record exists in its own sonic universe: poetic, layered, and fiercely independent.
Formed in Saint-Étienne by percussionist and composer Dominique Lentin (Dagon, Fille Qui Mousse) and first-time vocalist Bipé Redon, L'Empire Des Sons emerged from the vibrant DIY spirit of the early 1980s. Their paths crossed during the interdisciplinary project L'Opéra Quotidien, and what followed was an intuitive, deeply collaborative process. "I would bring in lyrics and my voice," Bipé recalled, "and Dominique would shape the music around the atmosphere or rhythm suggested by the words."
The result is a collection of songs that feel both meticulously constructed and completely free. Ethnic percussion, marimbas, xylophones, and synthesizers dance around Bipé's surreal, fragmented lyrics-little sonic postcards from imagined worlds. There's a theatricality here, but it never feels forced; rather, it's playful, intimate, and raw.
Despite their inventiveness, L'Empire Des Sons remained a well-kept secret-circulating only in select avant-garde circles and eventually becoming an extremely sought-after collector's item.
Now, thanks to Glossy Mistakes, this lost artifact returns to the world with new life: remastered from the original tapes, pressed on vinyl for the first time with extended liner notes.
L'Empire Des Sons was never meant to be boxed in. Like the quote from Brian Eno that opens their liner notes-"For the world to be interesting, you have to be manipulating it all the time"-their music resists stasis. It evolves, shifts, surprises. And now, it finally gets the audience it always deserved.


VITAL SALES POINTS:

- One of the most sought-after private pressings from the French avant-garde
- Remastered from source material
- Includes extensive liner notes with unseen pictures of the band


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12"
- Selections of rare and sought after tracks from legendary japanese house producers Ecstasy Boys
- Released between 1990 and 1993
- Remastered for vinyl for kicking pleasure



GENRE/S: House, Progressive House, Balearic, Disco

TRACKLIST:

Side A:
Tsukino Oshie (Full Moon Temple Mix)

Side B:
B1. Chichichi Gankannon
B2. Nirvana Sexy (Amoras Dub Disco Heruka Mix)

SHORT INFO:
Glossy Mistakes is proud to unveil Ecstasy Boys Selections, a carefully curated collection of three mesmerizing tracks from the pioneering Japanese electronic trio Ecstasy Boys. These tracks released originally between 1990 and 1994, curated by Glossy Mario, revisits the innovative sounds of the group that shaped underground Japanese club culture during the 90s. While their influence remained largely within Japan, their music resonates far beyond borders, standing as a testament to the creativity and innovation that defined an era of Japanese club culture.
The Ecstasy Boys-formed by Mitsuru Kotaki, Shiro Amamiya, and Tatsuro Amamiya-were a driving force in the Japanese electronic music scene. Known for their eclectic productions and boundary-pushing performances, the trio captivated audiences and influenced a generation of local DJs, producers, and club-goers.
Ecstasy Boys Selections pays homage to this vital chapter in Japanese dance music history, highlighting the trio's creativity. The compilation includes three tracks that exemplify their unique blend of Balearic, leftfield house, and progressive sounds:
- Tsukino Oshie (Full Moon Temple Mix)
A collaboration between Shiro Amamiya and Mark Kamins, this track is a late-night Balearic trance odyssey that captures the spirit of dreamy, moonlit dancefloors. Its hypnotic rhythms, uplifting vocals, and meditative energy make it the perfect opener to this carefully curated selection.
- Chichichi Gankannon
A deeply atmospheric slow jam that gradually builds in a haunting crescendo, Chichichi Gankannon showcases the group's ability to blend emotional resonance with experimental textures. Featuring spectral pianos and warm, otherworldly vibes, it's an ideal track for setting a deeply introspective and cinematic mood.
- Nirvana Sexy (Amoras Dub Disco Heruka Mix)
This disco-infused, leftfield house gem rounds off the collection with irresistible groove and seductive energy. Nirvana Sexy features vocals sung in dozens of languages, weaving together cosmic beats and hypnotic textures to create an unforgettable moment on the dancefloor.
Remastered by Wouter Brandenburg in Amsterdam, Ecstasy Boys Selections breathes new life into these timeless tracks while preserving their original character and depth. Licensed courtesy of Shiro Amamiya and Avex Inc. this release is an essential addition to the libraries of Balearic, house, and experimental music enthusiasts.


5. VITAL SALES POINTS:
- Selections of rare and sought after tracks from legendary japanese house producers Ecstasy Boys
- Released between 1990 and 1993
- Remastered for vinyl for kicking pleasure



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Re_Released as Exclsuive Title with New Lower Exclusive Pricing

Reissue of Future Sound of Melbourne's iconic "Melodia" EP. Originally released in 1992 as a maxi two song record, and now added two extra bonus tracks, this timeless collection of tracks, meticulously remastered by Damian Schwartz, promises to ignite dancefloors festivities with its infectious blend of techno, rave house, and breakbeat piano anthems. Bursting with retro-futuristic energy, each track transports listeners to the golden era of electronic music while retaining an undeniable contemporary allure.

Formed in 1990 by bass and drum producer Davide Carbone, bass guitarist and vocalist Josh Abrahams, and acid house DJ Steve Robbins, Future Sound of Melbourne crafted a sonic legacy that continues to resonate with audiences worldwide.

The EP kicks off with "Alien," a high-octane journey through techno's upbeat 90s soundscapes, setting the stage for an exhilarating sonic adventure. "Heaven" follows suit, delivering a euphoric rave house anthem guaranteed to lift spirits with its infectious energy. Next up is "Melodia," a breakbeat piano banger that harkens back to the glory days of underground raves, its infectious rhythms and haunting melodies captivating listeners from start to finish. Rounding out the EP is "Melodia 95," a reimagined version that offers a fresh perspective on the timeless classic, showcasing FSOM's versatility and innovative spirit.

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2LP

- First compilation diving deep into the Portuguese experimental scene from 80-90s on a double LP special edition
- Iconic figures such as Telectu, Luís Cilia, Nuno Rebelo or Carlos Maria Trindade are featured on the compilation
- Previously unreleased material on vinyl
- Extensive liner notes on a serigraph artwork and hype sticker


2. GENRE/S: Experimental, Ambient, New Wave, Indie Rock, Abstract

3. TRACKLIST:

Side A:
1 Fé de Sábio - Crepúsculo
2 Nuno Rebelo - Vê-Se Das Nuvens
3 Vítor Rúa - T
4 Tó Neto - Daly

Side B:
B1 Luis Cilia - Saxofonía
B2 SPQR - Flow
B3 Telectu - Untitled
B4 Pilar - Voz do Mar

Side C:
C1 Carlos María Trindade - Em Campo Aberto
C2 Balladium - Andrómeda
C3 Ban - Irreal Social


Side D:
D1 Pop Dell'Arte - Querelle
D2 Santa Maria Gasolina Em Teu Ventre - Optical Sunday Without William Burroughs
D3 Croix Sainte - We Build Cities
D4 Linha Geral - Hino À Nossa Luta

4. SHORT INFO:

Unveiling an unheard scene: Glossy Mistakes presents "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993"
Glossy Mistakes is proud to announce the upcoming release of "Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993," a groundbreaking double LP compilation that offers a unique glimpse into the vibrant landscape of Portuguese experimental music. Set to launch on June 10th, this monumental release showcases the evolution and innovation of the Portuguese music scene during a transformative decade marked by political upheaval and artistic experimentation.
Compiled by Glossy Mario and featuring liner notes by Rui Miguel Abreu, "Atlantic Mavericks" captures the essence of a generation of artists who dared to challenge conventions and push the boundaries of what was possible in music.
The compilation stands as a testament to the eclecticism of the Portuguese music scene during this period, featuring a diverse range of genres and styles. From ambient and new age to electro, rock, and synth-pop, "Atlantic Mavericks" offers something for every listener, inviting them to explore the rich tapestry of sounds that defined the era.
The 1980s in Portugal were a time of profound transformation, marked by the aftermath of a peaceful revolution and a burgeoning desire for artistic expression. As the country emerged from political turbulence, a new generation of musicians began to explore uncharted territories, paving the way for a wave of experimentation and innovation.
From the emergence of artists like Rui Veloso and bands like UHF, who ushered in a new era of Portuguese rock, to the founding of independent record labels like Fundação Atlântica and Ama Romanta, the 1980s saw a surge in creativity and a desire for independence within the music industry.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" offers a comprehensive overview of this dynamic period, featuring tracks that span the spectrum of experimental music. Each song tells a story of artistic evolution and creative risk-taking, reflecting the diverse influences and eclectic tastes of the Portuguese music scene during this transformative decade.
Spanning from 1982 to 1993, the compilation includes contributions from a wide range of artists, including SPQR, Croix Sainte, Linha Geral, Balladium, Ban, Santa Maria, Gasolina Em Teu Ventre!, Fé de Sábio, and Telectu, among others. With each track carefully curated to showcase the breadth and depth of Portuguese experimental music, "Atlantic Mavericks" promises to be a must-have for music enthusiasts and adventurous listeners alike.
"Atlantic Mavericks: a Decade of Experimental Music in Portugal 1982-1993" will be available on June 10th as a double LP release, offering listeners a chance to immerse themselves in the sonic landscapes of 1980s Portugal. Whether experienced on vinyl or through digital channels, this monumental compilation is sure to leave a lasting impression on all who encounter it.



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LP

- Eight album after the success of "Cavalante", released in Hozulam
- Brian Eno, Hiroshi Yoshimura and Takashi Kokubo influences


GENRE/S: Ambient, Fourth World, New Age, Minimal

TRACKLIST:

Side A:
Esperança
Retrato
Momento Claro

Side B:
Retiro Guerreiro
Excerto Só Loser
Sol Nascente
Tempo
Batalha Real


SHORT INFO:
"Momento Claro", a dream-like landscape crafted by funcionário, influenced by Jon Hassell and Hiroshi Yoshimura's latest works

Glossy Mistakes proudly announces the upcoming release of "Momento Claro," the latest full-length album by Portuguese artist funcionário. Scheduled to drop on May 10th, "Momento Claro" will be available digitally and on vinyl, inviting listeners to embark on a profound auditory exploration.

Following the success of his previous work "Cavalcante," released on Hozulam, funcionário returns delving deep into the realms of ambient and Fourth World. Inspired by the likes of Jon Hassel, Brian Eno, and Japanese environmental artist such as Hiroshi Yoshimura and Takashi Kokubo. "Momento Claro" offers a sonic tapestry rich with textures and layers, evoking a sense of spirituality and introspection. A split second.

At the heart of the album lies a collection of eight tracks, each a testament to funcionário's craft. The journey begins with "Esperança," a mesmerising nine-minute meditation adorned with the soothing sounds of the ocean, setting the tone for the ethereal voyage ahead. From the tranquil atmospheres of "Retrato" to the contemplative depths of "Momento Claro," each composition invites listeners to immerse themselves fully in the sonic, dream-like landscape crafted with care and depth.

Here a glimpse into the intricacies of day-to-day experiences and interactions collide throughout a collage of organic layers, atmospheres and approaches, "Momento Claro" serves as a poignant reflection on the contemporary working society, where "the power of sound as a bridge between memory and the imagination that interprets it".

Mastered by Damian Schwartz, "Momento Claro" achieves a sonic clarity that enhances the album's immersive qualities, ensuring that each note resonates with precision and depth.

Prepare to be transported to a realm where time stands still and the boundaries between reality and reverie blur. A deep journey that promises to captivate the mind and nourish the soul.





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LP
GENRE/S: Synth Pop, Experimental, Minimal, New Wave

- Highly sought after compilation originally released in Japan in 1983
- Remastered from Master Tapes, first ever vinyl reissue
- One of a kind experimental and DIY artist from the influential Nippon era


TRACKLISTS:

Side A
A1. clä-sick - Morning in China
A2. La Sellrose Can Can - Aerobicise
A3. Linolium - Unit 25
A4. Sume ba Miyako
A5. Pink Label - Good Luck
A6. NAME - N.H.K.
A7. Picky Picnic - Kibo no Asu
A8. ReveR - Performan

Side B
B1. NAME - Do We All Need Love
B2. Classic Pearl - Pearl
B3. La Sellrose Can Can - Happy Morning
B4. clä-sick - Every Night
B5. clä-sick - Black Nile

SHORT INFO:
Celebrated new wave compilation from Japan reissued for the first time on Glossy Mistakes.
A much-cherished gem from the 1980s underground Japanese music scene returns as Soft Selection 84 is reissued by Glossy Mistakes for its 40th anniversary. Originally released on DIY label Soft, the compilation sees 13 tracks from nine acts spanning minimal, ambient, zolo and more for a beguiling listen.
The result is a charming time capsule of eclectic creativity in which nothing sounds dated. Take La Sellrose Can Can, whose two party jams predate Kero Kero Bonito's hyperpop by decades. In addition, an impeccable remastering from the original master tapes adds to the "could have been recorded yesterday" feel of the collection.
Soft Selection 84 also includes the eccentric Picky Picnic. One of the few featured artists with recordings beyond the anthology, the trio is an essential act for those curious about Japanese art pop of the era. There is also new wave introspection from Name, whose "Do We All Need Love" plays out as a sensual nod to John Lennon. In a similar vein is Clä-Sick, the recording name of Goro Some, the compilation's original producer and founder of Soft.
The record's rerelease comes with Some's blessing, along with his original artwork and photography. Ultimately, the listener is left tantalised by his selection and its bold excursions into no wave, synth pop, radioplay and bizzaro house. Most of the artists on this release would fade into obscurity, but the transient nature of the potential showcased has helped cement the compilation's reputation over the years.
Soft Selection will be released on vinyl LP by Glossy Mistakes on March 2024, with a remastering from the original master tapes.


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LP

Tracklist:
A1 Silver Screen Wellness
A2 Morning Walk With Marlene
A3 Berthold Brecht Aqua Aerobics
A4 Seven Year Massage
A5 Sophia Meet Me At The Sana
A6 Film Night At Magic Mountain
B1 The Imaginarium Of Groucho
B2 Grace & Marcello Bored
B3 Ancient Stars
B4 Dean Martin's Blizzard Dreams
B5 Cognac At The Esalen Lounge
B6 Buchla Mind Correction
B7 Carnival Of The Jetsetters


Magic Mountain is the third full-length album from the itinerant American businessman, composer, and producer Martin Glass. Inspired by German electronic music pioneer Edgar Froese, Vangelis, early Warp Records releases, The Orb and The Future Sound of London, the album is a Fellinian memory maze of new age wellness culture, mid-20th century Hollywood glitz, exhaustion, dreams, fantasy, desire and listless ennui. The less sense it makes, the more we can't stop listening to it.

Drawing from the impressionistic recollections of an unreliable narrator with an ever-loosening relationship with time and space, Magic Mountain tells the story of Martin’s feverish stay in a celebrity health resort in the hills beyond Hollywood. Over the course of thirteen evocatively titled tracks, the album unfolds like a half-remembered dream of a place somehow lost and imagined but not beyond our reach. Expressed through sweeping, retrofuturistic synthesisers, haunted old-time melodies, grainy samples and the occasional gently lulling rhythm, it plugs directly into emotion and pleasure, calling the listener to fall into the fantasy.

“As I’ve got older, I just want the music to be evocative, to take people away, to transport them somewhere, to move them,” Martin says. That’s such a basic requirement of music, I know, but – to me, increasingly – it’s becoming the only requirement! How can this record stop somebody on their mobile phone and make them feel something or yearn for something?”

Limited first run of 300 copies.



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LP

TRACKLIST
A1 The Is No Motorways In Space
A2 Last Sunset Ever
A3 Nighthunter
A4 Post Nine Days
A5 Cyclop Ohne Puppe
B1 The Dices
B2 Post Trauma
B3 Earthpeople
C1 The Cute Woman You Don't Want Reggae
C2 Ambient Wet End
C3 Funkypunk
D1 Glitter Morning
D2 Cosmic Egg

Fake Yourself is an act of revolt as much as it is a celebration of life and an expression of human alienation. As usual in most of his work, soFa here reflects contrasts and contradictions as our existence so often does. It’s about sadness and joy, ups and downs and the fine line which connects them to tell a story. Fake Yourself comes as a spontaneous output of an artist escaping a scene of which the constant superficiality is unavoidable. Mistakes and wrong production with a strong DIY flavor are a conscious choice to not lose the spontaneous feeling which defines these recordings.
A pure and direct self, exploring a realm of sound with sharp curiosity, emotion and humour. Where simplicity and complexity marry.
This album is a good example on how some of the most authentic musical explorations are the most personal ones.
soFa leaves all boundaries behind and let many of his influences confluence. Unconsciously or not, traces of IDM, Disco, New Beat, Dub and mostly Krautrock cross heavenly paths, followed by ironic and confronted vocals and his hypnotic signature basslines. Everything seems to make sense, to fill the chapters of an adventurous short novel.

What makes Fake Yourself remarkable is not the deep blend of genres, but the definition of one man shaping and finding his authentic sound. Killing boundaries to create this journey in his very own "style-no-style".

All tunes were improvised, recorded and arranged within 10 days in a wooden cabin, isolated in the middle of the nature in Alentejo/Portugal in 2022. This album was not meant to happen and one can strongly feel its spontaneous soul. No overdubs.



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2 LP


TRACKLIST
A1 Radio Tarifa
A2 El Secreto De Las 12
A3 Luna
A4 Zoo Zulu
B1 Juana Y Rosalía
B2 Hybla
B3 Managua
B4 Bahía De Los Genoveses
C1 El Viento Que Mece Los Juncos
C2 Costa De La Muerte
C3 Petróleo, Petróleo
C4 Las Reglas De La Regata
D1 El Viaje De Iradier
D2 Alma Ata
D3 Los Restos Del Naufragio
D4 El Pulso De La Madera
D5 Geosinclal


"Pulso de la Madera" comes as the definitive official reissue of the first album by the legendary band, along with previously unreleased remastered material, on a double LP with extensive liner notes and previously unseen pictures of the band. Essential to revisit the work of a band that inspired fourth world and organic ambient as we know it today; these tunes sound immersive and still contemporary.

On their short but influential career, Finis Africae proposed an informal and decentralized model of creativity that was decades ahead of current practices linked to technological advances; they explored unknown worlds and imagined landscapes of the “fourth world” apart from their present; they neither affirmed nor denied any of the labels they were to assign to them (“New Age”, “ethnic music”, “world music”, etc.); they recreated, used, and nourished foreign cultures without fear.

And most importantly - they shaped a sound “finis”. Your own space. Where there were no rules. A dimension in which the collective was submerged in long sessions of improvisation; where they could be goblins and magical entities; a place where they could imagine scales and structures unreal; where they could play any instrument in the known world; where they could tour the Mediterranean, Africa, and the Middle East in a blink of an eye; where they could be themselves without caring about anything that happened outside.

The unreleased tracks come as a careful selection of a deep-dive over hundred tracks and demos, compiled by Urba and Glossy Mario. The license comes from Juan Alberto Arteche's family.

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LP

TRACKLIST
A1: Só Tem Lugar Prá Você
A2: A Rã
A3: Carolina
A4: Falsa Baiana
A5: Beijo Partido
A6: Só Louco
B1: Chega De Saudade
B2: Tamanco No Samba
B3: Europanema
B4: Saudade Da Bahia
B5: Atire A Primeira Pedra
B6: Tibidabo
B7: Pink Bar



Vocal harmonies and arrangements and excellent guitar work are masterfully combined creating a joyful journey featuring the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.
"The human voice is more than just a musical instrument; it is ally to the thought. Vocal art is one of the most beautiful forms of musical expression and an endless resource. It's a shame that so few devote themselves to it in our popular music. I would therefore like to congratulate AQUARIUS and CONTINENTAL for the release of this LP and may it be received by all with the same affection and attention than those who dedicated themselves to making it" Paulinho Tapajos

These notes, originally printed on the back cover of this 1976 beauty, are a perfect introduction to the vocal harmonies and arrangements and excellent guitar work that are masterfully combined creating a joyful journey that features the undisputed talent of Raymundo Bittencourt, Octávio Burnier and Paulo Moura.

An amazing bit of Brazilian samba funk that also touches on MPB, bossa nova, jazz…
This sought-after gem opens with the beautiful version of Burnier & Cartier’s ‘Só Tem Lugar Prá Você’ (one of the two B&C versions included on this album, with a pitched-down ‘Europanema’ sparkling on the B side), building up a mellow, airy vibe that stays throughout the entire album.


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LP

Tracklist:

A1 You Go On Natural
A2 I'm Waiting For You
A3 The Guard Of Sensitivity
A4 Heavy Feelings In My Mind
B1 Make It Together
B2 Caroline Calls Me
B3 Let's Find Our Bright Speed Again
B4 Morning Song



Tokyo. 1981. A couple of fashion designers decide to go for it and start recording music with a third musician. Their debut album, Dance, is an influential synth pop and wave album twisting the boundaries of the genres. Earthling consisted of the couple: lead vocalist/guitarist John, bass guitarist Yoko Fujiwara, plus keyboard/sythesizer player Jin Haijama. The group was formed in Tokyo in 1979 when John and Yoko, previously fashion and textile designers, felt the desire to give the music they'd written a more permanent environment. They recruited Jim, who was working in an amusement park, and evolved a musical form which pulsed with a steady beat, yet was tempered by hypnotic vocal chanting. The sound of Earthling reinforces the subtle and sensitive connections which link modern music to dance to, with hints of synth-pop, new wave and heavy punk vocals tainted by drum machines. While the group uses a rhythm-machine to epitomize the sustained beat of Tokyo in the early 80s, the emotional vocal impact of songs like ''Heavy Feeling in My mind'' and ''The Guard of Sensitivity'' add an urgent, street-wise dimension to their precise instrumental presentation. Earthling are sound pioneers, painting future dreams that transcend the present day. Their music crossed borders also internationally: "You go on Natural" became a well-known banger in the late 80s in La Ruta Destroy in Valencia, championed by local djs back then. The band also toured the United States in the early 80s.

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Territories: WORLD

Genre: Techno, Electronic, Ambient, IDM, Soulful, Acid

DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker

Tracklisting DLP
A1. Arcadia
A2. System For Zodiac
A3. Remains
B1. Stroma
B2. Monochrome Sky
B3. Proxima Scope
C1. Diadem
C2. Ancient Architects
C3. Stroma Trite
D1. The Creation Of Typology
D2. Nostalgia
D3. Last Moment

Info
WRWTFWW Records is thrilled to announce the first-ever vinyl release of Japanese electronic music producer Virgo’s debut album, Landform Code, a forgotten underground classic from 1998, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Originally only released on CD by Tokyo-based cult label FORM@ RECORDS, Landform Code is an absolute gem of smooth, melodic Detroit techno infused with brilliant hints of acid, ambient, and IDM. It’s a dreamy, organic, and timeless record that captures the essence of late ‘90s electronic innovation with a deeply soulful touch.
The 12-track album, radiating with lush melodies, hypnotic rhythms, and textural detail, is an essential (hidden) treasure of electronic music history, transporting the listeners back to the pioneering days of Carl Craig, B12, The Black Dog, Ian O'Brien, or Warp’s Artificial Intelligence series, beautifully honoring its influences, while solidly standing on its own as a distinct and emotionally resonant piece from Japan’s underground scene.
Landform Code is released simultaneously with Virgo’s 1999 follow-up album Remnants, both excavated from the vaults of FORM@ RECORDS which has officially supervised the reissue efforts. This marks the first phase of a collaboration between the Swiss and Japanese labels – a project that will continue with forthcoming vinyl releases of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).

Points of interests

- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, Carl Craig, Warp Records, B12, the late 90s, feelings, machines with emotions.

- First ever vinyl release of Japanese soulful techno underground classic Landform Code by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.



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Germany
Contact: [email protected]More

Format: 2LP

Tracklist

A1 someone else
A2 slide by side
B1 fauna
B2 fair enough 2 be fair
C1 slk
C2 sslip
C3 gurgle
D1 sonder
D2 rezz
D3 the haze


Info:

An intimate, mesmerising record about loss and change, ‘sorry i thought you were someone else’ is K-LONE’s most personal album to date and his debut release on Incienso.

Made after his father’s passing, the album became a place of escape and reflection. It’s a warm, hypnotic space to drift within.














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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Territories: WORLD

Genre: Techno, Electronic, Ambient, IDM, Soulful, Electronica, House

DLP: Limited Edition, 45rpm Cut, Heavyweight Sleeve, Inside Out Pantone Printing, Sticker

Tracklisting DLP
A1. Falling Seed
A2. Round On Cirque
B1. Utia
B2. Prelude
B3. Mesa
C1. Tower Of the Dual World
C2. Lost In Blue
C3. Ivied Scupltuer
D1. Remnants
D2. Starlight


Info
WRWTFWW Records is very happy to announce the first-ever vinyl release of Japanese electronic music producer Virgo's unheralded sophomore album, Remnants, a sleeper underground hit from 1999, now finally available as a limited edition 45rpm cut double LP housed in a heavyweight sleeve.
Released only on CD in 1999 by Tokyo-based cult label FORM@ RECORDS, Remnants is a quietly visionary record: mellow ambient techno, fluid electronica, and soul-laced atmospherics with the spirit of Detroit close to the heart. As the follow-up to his essential debut Landform Code, Virgo expands his palette here - working in widescreen textures, warm synth tones, and patient, emotive arrangements that feel both intimate and cinematic. The result is lush, heartfelt, and simply brilliant - a late '90s statement that rewards deep, repeated listening.
Remnants sits comfortably alongside the era's best explorations in soulful techno, ambient, and IDM, recalling the sensibilities of B12, The Black Dog, Ian O'Brien, and the lineage of labels Warp, Likemind and Clear, while remaining distinctly Virgo - subtle, sophisticated, and unexpectedly moving.
The album is released alongside Virgo's Landform Code, also available on vinyl for the first time ever, as part of a collaborative reissue series between WRWTFWW and FORM@. It aslo signals more archival treasures to come : vinyl pressings of FORM@ compilations Art Form I (1997), Art Form 2 (1998), and Re-Form Ver-1.0 (1999).

Points of interests

- For fans of techno, house, ambient, IDM, acid, synth, Detroit, soulful electronic music, emotive electronica, Carl Craig, B12, the Black Dog, labels such as Warp, Likemind, and Clear, the late 90s, feelings, machines with emotions, good sophomore albums, unknown classics, essential Japanese music from the underground.

- First ever vinyl release of Japanese soulful techno underground classic Remnants by Virgo in collaboration with super cult Tokyo label FORM@ RECORDS.



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Genre: Environmental, Ambient, Minimalism, Percussive, Tribal, Experimental

Tracklisting LP
A1. Dawning 5:20
A2. Balasong 4:32
A3. Woods From The Sea 3:43
A4. Madal Sonic 3:44
A5. Anywhere 5:06
B1. Beatsonic 4:48
B2. Madal Sonic # 2 3:20
B3. Ear Dreamin’ 4:41
B4. Urban Kogili 6:47
B5. Beat The Water 2:28

Info
WRWTFWW Records is thrilled to unveil the limited edition vinyl reissue of Natural Sonic, the groundbreaking 1990 environmental percussion album by Japanese composer and performer Yoshiaki Ochi. Long a hidden gem of the kanky? ongaku movement, Natural Sonic finally returns in its full analog glory, housed in a heavyweight sleeve with obi and carefully remastered from the original archives of Wacoal Art Center / Spiral's visionary NEWSIC label.
Originally released only in Japan at the dawn of the 1990s, Natural Sonic is a mesmerizing exploration of earthly sound and rhythm - a sonic tapestry woven from wood, water, and stone, and skin. Ochi, who at the time was the in-house composer and performer for world-renowned designer Issey Miyake, created a series of elemental pieces that blur the line between avant-garde percussion, ritual music, and environmental sound art. The result is both deeply physical and profoundly meditative - an album that breathes with nature itself.
Echoing the organic minimalism of Midori Takada's Through the Looking Glass and the ecological grandeur of Geinoh Yamashirogumi's Ecophony Gaia, Ochi's compositions open portals into primal landscapes, evoking forests, rivers, and stones in flux. Part of NEWSIC's celebrated experimental catalog - alongside Yoshio Ojima's Une Collection des Chaînons, Motohiko Hamase's #Notes of Forestry, and Satsuki Shibano's Rendez-Vous - Natural Sonic now finds new life for contemporary listeners seeking sound that feels both timeless and vital.
A singular album of resonance and restraint, Natural Sonic is a treasure from the golden age of Japanese environmental music, finally available again over three decades later.

Points of Interest
- Limited edition vinyl reissue of Yoshiaki Ochi's Natural Sonic (1990), a cult Japanese environmental music and percussion masterpiece, housed in heavyweight sleeve with obi.
- Originally released on NEWSIC, the forward-thinking label operated by Wacoal Art Center / Spiral (home to Yoshio Ojima, Motohiko Hamase, Satsuki Shibano, and more).
- A unique blend of earthly percussion (wood, water, stone) and environmental soundscapes, created during Ochi's tenure as in-house composer for Issey Miyake.
- Essential listening for fans of ambient, percussion, kanky? ongaku, experimental sound art, nature recordings, and artists such as Midori Takada, Geinoh Yamashirogumi, Ryuichi Sakamoto, and Yoshio Ojima.


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Rights: World excluding FR & UK

Packaging: 1x Black 140 Grs Vinyl, 'Dufy' Sleeve with textured card & gold Pms, printed inner sleeve, marketing sticker. Vinyl cut at half-speed.

COLLECTOR VINYL 1LP,
- Restored "second edition" artwork with textured sleeve
- The exact textured card for the outer sleeve has been accurately sourced. Gold PMS finish, printed inner sleeve, marketing sticker.
- 45th anniversary edition
- Newly remastered from the original source tapes for the first time since 1980
- ½ speed master
- Liner notes by The Durutti Column / Factory Records expert James Nice

VINYL EDITION

Side One (all 2025 remasters)
1. Sketch For Summer
2. Requiem for a Father
3. Katherine
4. Conduct

Side Two (all 2025 remasters)
1. Untitled
2. Beginning
3. Jazz
4. Sketch for Winter
5. Collette
6. In 'D'
7. Lips That Would Kiss
8. Madeleine


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

1. LP - Territory: WW Minus UK/Eire,Usa, Canada

- 2025 Repress
- Black Bio vinyl

- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK


2. GENRE/S: Alternative / Ambient

3. TRACKLISTS:


A

1. Duvet
2. Lisière
3. Feux fuyants
4. Reflets
5. Intérieurs
6. Carnets

B

1. Clessidra
2. Point-virgule
3. Correspondances
4. Golden t-shirts
5. Exit

4. SHORT INFO:


Laurie Torres is a Canadian musician and composer raised in Montréal, Québec by Haitian parents. Since 2008, she has been a trusted stage and studio performer for Julia Jacklin, Pomme, and Land of Talk, as well as being a founding member of Folly & The Hunter, with whom she recorded four studio albums and toured Canada, Europe and the UK.

In 2023, Laurie shifted focus to work on her own creations, a process of making time - the will and the need becoming omnipresent. Drawing creative inspiration from contemporary artists like Tirzah, Gia Margaret, Valentina Magaletti, Tara Clerkin Trio and ML Buch, 'Après coup' finds Torres intersecting at a pivotal moment where artists whose marginalized identities are at the forefront in creating a beautiful array of "other options".

"Being othered and tokenized as a woman who plays music, as well as a queer and black person, takes a toll, while also positively feeding a strong urge to push and be seen."

Centering around piano, drums and synthesizer with interweaving field recordings, 'Après coup' follows the precursor ep 'Correspondances' in the form of a sprawling 11-track album. Translating directly from French - afterwards, after the event - its title subliminally points at something deeper between the lines. Recorded in 2023 between tours in a small window of time where 'normal' life hadn't quite recommenced, Torres meticulously crafted her debut solo material in view of surrounding nature, all providing the perfect nourishment for long streams of improvisation. Built right up to the edge of a lake, Studio Wild in St-Zénon, Québec offered an unparalleled location and set up for her freeform creativity.

Instrumental music seemed like a natural response and evolution for Torres who had long basked in the world of "pop music" as she elaborates: "I had an urge to use creativity as a sort of resting place, a place where things can unfold slowly and take time to reveal themselves. In other worlds words, I felt the need to make something slower, more elusive"

The immediacy of Torres' recorded takes doubled with minimal overdubs create a fiercely direct, intimate and unpolished lo-fi beauty. 'Après coup' then is self-reflective, open and inclusive with Torres allowing herself to be fully seen. An album to be felt at close distance with unrivalled authenticity. This album stands as a testament to Laurie's artistic evolution and serves as a beacon, inspiring her to continue nurturing her own creative pursuits and finding exhilarating freedom.


Full Press Release here: Click here


5. VITAL SALES POINTS:

- PR + Radio campaign by Someonegreat PR (UK/USA) / Dense PR + Radio campaign (EU)



" NPR - New Music Friday:
The Best albums out Oct 24 (ep)

" Somewhere Soul - Best New Music out this week (900K followers)



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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Rights: World excl. FR, UK & US

Packaging: 2 x 180 grs Black Vinyl, 5mm spine sleeve, 2 x printed inner sleeve, marketing front sticker

TRACKLISTING - DOUBLE VINYL.
Exclusive 2025 repress - Double Heavyweight black LP , printed inners

A 1 Dry The Rain
A 2 I Know
A 3 B + A
B 1 Dogs Got a Bone
B 2 Inner Meet Me
B 3 The House Song
C 1 The Monolith
C 2 She's the One
D 1 Push It Out
D 2 It's Over
D 3 Dr. Baker
D 4 Needles In My Eyes

BIOGRAPHY BY IRVINE WELSH
I discovered the Beta Band, like I discovered a lot of great music, basically through eventually surrendering to the enthused urgings of a mate who was cooler than me. He continually evangelized about the EP's. I was lost to the concert hall and firmly ensconced on the dancefloor by then and highly resistant, but quite taken by the idea that a band would bring out extended plays rather than singles. When I did check them out, I was instantly smitten by their originality and power.

The band, therefore, were pivotal for me in terms of my own musical journey, in that they represented a gateway back into indie guitar music, which I'd basically given up since becoming obsessed with rave and acid house.

The Beta Band were definitely a band for the cool cognoscenti- like my buddy- the ones you make a bit of a tit of yourself trying to convert quite straight boring people to.

The emotions they induced were a kind of throwback to school days when you were very pompous and prescriptive about what you liked, and derisive towards non believers. It's a testimony to the power of the music that they could take me to the raw state of the younger man.

I took it personally that they didn't hit the mainstream commercial base. At least two of the three albums they made deserved quadruple platinum status. Hot Shots II and Heroes to Zeros are permanently lodged very high in my top one hundred albums of all time.

So, the return of the Beta Band has me moving into the same mode of immature, adolescent anticipation. Everyone should have the Beta Band albums and EP's in their collection. It still kind of annoys me - in fact it bugs the shit out of me - that most of them don't.

And that really is something.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Territories: WORLD MINUS US,CA,UK

LP
- Limited Edition - First Pressing (500 copies worldwide)
- Embossed outer sleeve (Front and Back)
- Black Bio vinyl

- Printed on heavyweight reverse board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK


GENRE/S: Alternative/Electronic

TRACKLISTS:

Please add track lists for all listed formats.

A1. Circles
A2. Cut Paper
A3. Berlin
A4. Flowers for David
A5. Seeds

B1. Yarrow
B2. Strand
B3. The Animal
B4. Vertical Hold
B5. To Read

SHORT INFO:


Blue Lake reveals his most ambitious album yet, which finds its visionary creator Jason Dungan harnessing the collective alchemy of his band, with ten spirited tracks that resonate with a powerful directness, evoking an ecological connection to the wider world.

The solo project (Blue Lake), now on its fifth album, found its name and inspiration via Don Cherry's 1974 live album, sparking a creative epiphany in Dungan, who set off on a path into his own untapped sonic world, guided by what he cited as the emotional potential found within non-lyrical composition. With a newly inspired ethos aimed toward creating direct and simple instrumental music imbued with a deep sense of feeling, Jason began combining an array of musical elements that gave rise to his highly revered album 'Sun Arcs' (2023), with its "ornate, zither-led lattices" (Pitchfork, Best New Music). Conceived in the blissful isolation of a Swedish cabin set in the woods, this was music that soundtracked spring in full bloom. Then, in contrast to the solitary approach of 'Sun Arcs', the highly lauded mini-album 'Weft' (2025) began to set the tone for a more band-oriented approach to delivering the Blue Lake sound. Jason had by this time experienced a special collective energy with his band during a swathe of live performances, which he then sought to harness and distill on 'The Animal', leading him to take the project into a traditional recording studio (The Village) and its limitless potential along with his gifted cohorts.

'The Animal' at its core vividly celebrates human collaboration and is deeply rooted in a sense of community and non-hierarchical connectivity. The group's creative alchemy transcends outwards and beyond the musicians performing together, to summon an inclusive, existential and ecological connection to the wider world and its inhabited spaces. The album contemplates the idea of the human as an animal as Dungan explains: "I'm quite fascinated in thinking about humans more as part of the animal environment and not as something that's so separated into a "human" realm, or sitting on top of a hierarchical pyramid. So the Animal is also me, or us - that we are just living, existing, in the same way as a piece of moss or a sparrow or a cow.

'The Animal' is a form of musical metamorphosis, still acoustic, yet more amplified, elevating it to new dimensions. The Blue Lake project takes on a new lease of life to encompass collaboration with Jason Dungan bound in a universal connectivity, resulting in his most ambitious album to date. A harmonious rejoicing that cements his reputation as a transformative presence in contemporary music.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More