Tracklist:
A1: Auslaufrillen Megamix Vol.1
B1: Auslaufrillen Megamix Vol. 2

File under: Noise, Clicks'n'Cuts, Musique Concrete

Release Info:
(This is...) one of Sascha Müller's weirdest, most experimental musical ideas brought to life as a limited, hand-numbered edition of 100 gold vinyl 7"es. Following the concept of recording crackling run-out grooves from various classic Pop albums and glueing them together into one crackly mess of a megamix this one is a collectors novelty piece for those searching for the most extreme, unusual vinyl releases they can get hold of. Expect looped crackles, pops, surface noise and all the good stuff related to listening to vinyl on a regular but do not expect any kind of structure or user friendly listening experience at all. This is for the die-hard collectors and vinyl freaks only.
(review excerpt from www.nitestylez.de)

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Tracklist:
A1: Untitled 2
B1: Untitled_1
B2: Untitled_2

File under: Acid, Electro, Techno

Release Info:
(This...) edition of 100 hand-numbered copies worldwide, all housed in an 8" floppy disk sleeve (...) provides three untitled tunes on this 7" single, starting with a gooey, yet fascinatingly melodic, multi-layered, ever spiralling Acid workout on the A-side whilst the flip provides both fast-paced, jumpy ElectroAcid as well as an interesting, hypnotic antigroove take on the genre for a second cut .
(review excerpt from www.nitestylez.de)

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Format: 7“. One-sided. Yellow vinyl. Limited to 300 hand-stamped copies.

Tracklist
A1: Chihuahua On Acid

File under: AcidHouse, Acid, House, Chicago

This ain't from Chicago. But it could well be. The mysterious production duo operating under
the sonic nom de guerre CHIHUAHUA ON ACID works the box like jack never left the
dancefloor, fully indulging in a classic, ever so positive and ecstatic AcidHouse vibe that
makes us feel like it still is 1988. An absolutely banging - or better: jacking - vinyl debut for
the project, proudly presented by Intrauterin Recordings as a hand-stamped, limited to 300
copies one-sided yellow vinyl 7“ edition.


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Cat.No.: INTRAUTERIN007-dirt

2023 REPRESS

Format: 7“, additional stamp, marbled vinyl, limited to 200 copies

Tracklist
A1: Crystals
B1: Crystals *Speed Mix

File under: UK Garage / SpeedGarage / Breakbeat Garage

Back by popular demand! First repress ever on specially marbled vinyl which looks as raw, dirty and grimey as the streets these basslines are made for. 100% underground shit.

After their Grime / Dubstep leaning debut single in late 2018 Intrauterin Recordings mastermind baze.djunkiii and production partner Sascha Müller return with a new outing of their conjunctional COMBAT DUBS project. With „Crystals“ they're coming at us with a special twist, presenting a fascinating crossover of UK Garage and Breakbeat sporting overwhelming basslines and a crystalline, most beautiful and ever cascading synth motif whilst the flipside sees the pair of producers diving deep into raw SpeedGarage / BasslineHouse territories for maximum dancefloor pressure with the aptly titled „Crystals *Speed Mix“.



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Initial pressing will be limited to 225 copies on 7“ whitelabel vinyl. Hand-stamped with stickered cover.

File under: Drum'n'Bass / Jungle

Tracklist:
A1: 333
B1: Watch It Go Roun Roun [featuring Mikey Dredd]

Release Info:
Freddy Fresh is a legend. Period. From a plethora of 12“es on labels like Nu Groove, Drop Bass Network, Forced Nostalgia, Spaziotempo, Lone Romantic or Toolbox Killers to albums
on 90s scene mainstays like Harthouse, Anodyne or Eye Q to countless releases on his own imprints like Howlin Records, Analog Records USA and Electric Music Foundation. From
remixes for the likes of GusGus, Heaven 17, Kitachi, Steve Stoll, Frankie Bones and many more to hitting the UK Top 40 with the massive BigBeat smasher „Badder Badder Schwing“
produced alongside Fatboy Slim. The man has done it all. Nearly.
And therefore Intrauterin Recordings is proud to present the first ever Drum'n'Bass release in the more than 30 year spanning career of the one and only Freddy Fresh!
With „333“ Freddy Fresh is going down a twisted, hard stepping and yet positive alley of what the man himself refers to as Modular Drum'n'Bass that is unmistakably cooked up live
and direct in his Minneapolis-based studio. Expect a whirlwind of swirls, swooshes, bleeps and FX alongside raw junglistic beats and the most positive Synth bass motif you've heard in
a long while.
Yet the singles' main dancefloor smash is to be found on the flip side. „Watch It Go Roun Roun“ is a raw classic, a heavy original JumpUp banger driven by a killer vocal performance
by Mike Gates a.k.a. Mikey Dredd. Likely better known to many for his Techno productions on labels like Kanzleramt, Creation Rebel or Howlin Records rather than for his MC skills
this is the very first time Mikey Dredd's secret love for taking up the microphone as a proper Jungle / Drum'n'Bass MC is officially recognized and revealed on wax as a late tribute to and
honoration of a large scale talent which passed away way too soon in 2019. Lighter crew!
Initial pressing will be limited to 225 copies on 7“ whitelabel vinyl. Hand-stamped with stickered cover.


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Format: 7“, white, limited to 200 copies

Tracklist
A1: Crystals
B1: Crystals *Speed Mix

File under: UK Garage / Breakbeat / Speed Garage.

After their Grime / Dubstep leaning debut single in late 2018 Intrauterin Recordings mastermind baze.djunkiii and production partner Sascha Müller return with a new outing of their conjunctional COMBAT DUBS project. With „Crystals“ they're coming at us with a special twist, presenting a fascinating crossover of UK Garage and Breakbeat sporting overwhelming basslines and a crystalline, most beautiful and ever cascading synth motif whilst the flipside sees the pair of producers diving deep into raw SpeedGarage / BasslineHouse territories for maximum dancefloor pressure with the aptly titled „Crystals *Speed Mix“.

Initial pressing will be limited to 200 copies on white vinyl.



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Tracklist
A1: I Can't Believe (baze.djunkiii meets The Crystal Apes 'Breakbeats Dream Of 92' Remix)
B1: Broken End (baze.djunkiii meets The Crystal Apes 'When Time Decays There Is No Need For Architecture' Remix)


Hamburg's long time standing Goth (Not Goth) / Rock (Not Rock) band outfit The Crystal
Apes get a full on electronic remix treatment which has been dubplate tested and dancefloor
proved by Intrauterin Recordings mastermind baze.djunkiii as a secret weapon on countless
occasions over the past years, slowly and carefully building up towards a full vinyl release.
The A-side „I Can't Believe (baze.djunkiii meets The Crystal Apes 'Breakbeats Dream
Of 92' Remix)“ hits dancefloors with an original Oldskool Rave / Breakbeat Hardcore vibe,
dramatic panorama strings and seductive vocals for the lighter and whistle crew.
Meanwhile the flipside „Broken End (baze.djunkiii meets The Crystal Apes 'When Time
Decays There Is No Need For Architecture' Remix)“ brings forth a different flavor, fusing
a blurred out, spatial, minimalist and heavily Dub-infused take on Bass Music / Post Dubstep
with more dramatic dramatic string works and a surprisingly powerful Rock attitude for very
special moments on the dancefloor.
Initial pressing will be limited to 200 copies on black vinyl.

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Format : 12” Red Marbled Vinyl (Limited Edition in PVC Bag w/ Printed Inlay Sheet)
Genre : Electro Clash / Electro

Track list:
A1 STR & Tim Tycoon - Second Wish (Break 3000 Remix)
A2 The Wait
B1 Electric Blue
B2 Lectrolite #2
B3 Spacemaschinenreise

Release Info:
Break 3000 present this special vinyl re-issue of some much sought after Electro Clash classics from the period 1998-2003.
Available now on limited Red Marbled Vinyl for the first time again since almost 25 Years ago!

After the fast selling “Emolotion EP” on Italy’s “Mondo Phase” imprint and the “The Rise of Poseidon 1” on the Argentinian label “Calypso’s Dream” released last year we present you the final chapter of the early 00’s Electro and Electro Clash gems produced by Break 3000 while living in Maastricht and Cologne.

The first track is a remix made for the legendary “Pocketgame” label from Germany in 2003 that was run by Maru & Comix, released on the “We Are He-Man EP” by “STR & Tim Tycoon” that also featured a stellar “Legowelt” remix. This one is an absolute belter of a track and to this day is one of Break 3000’s favorite tunes he ever produced. Followed by the cool, dark and Cold-Wave’esque Electro cut “The Wait” that was released on a massive Compilation on “Pocketgame” that same year called “Bonuslevel One – North and South” with such amazing artists on it like “Steril”, “Ladytron”, “Mutron”, “Nitsch and Gleinser”, “Hong Kong Counterfeit” and of course the label heads “Maru & Comix”.

The B-side looks back in time even further. “Electric Blue” and “Spacemachinenreise” were released on “Meuse Muzique” from Maastricht and were on the “Maastricht-Liege EP” and the “Electric Kingdom EP” from 2002 and 2003. Lastly “Lectrolite #2” was released on a one-off vinyl release on Break 3000’s own “Casa Nova” imprint in 1999. And especially this tune marked the start of his Electro endeavors the following years.

So get your hands on these fine tunes once more with this special packaged and limited re-release. All tracks have been carefully re-mastered from the original tapes and sound better than ever! Play it LOUD!

All tracks are re-mastered by Salz Mastering in Cologne. Music, Photography & Art by Break 3000.


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"Fast Rate" blends echoes of nostalgia with futuristic innovation, crafting a sonic landscape. In the relentless
rush of life's high-speed journey, it invites introspection, courageously urging listeners to delve into the
intricate web of contemporary life.
This EP is inspired by deep reflections on the meaning of life in a fast-paced world filled with thoughts and
emotions. It symbolizes a futuristic journey, mirroring the human struggle to gain an external perspective in
our busy lives. Random Alias prompts users to contemplate their existence, offering a musical experience
that transcends mere dance rhythms.
The 5 tracker showcases a wide array of sounds, from aggressive tones to captivating and atmospheric
elements unveiling a new face of the label that keeps exploring the interconnection between human and
technology.
The A side roars with high bpm and furious rhythms."Keep me high" express the need of escaping ordinary
life, seeking something that keeps us "high" and allows to escape and reset.
Following up "Fast Rate" spans a variety of influences, blending the allure of old-school Detroit electro with
futuristic sounds achieved through bold experimentation and advanced wave modeling. This fusion results
in a diverse and innovative sonic aesthetic, ranging from nostalgic '80s/'90s vibes to experimental
dimensions where tones morph and evolve.
"Solo in Space" and "Restless" on the filp side deliver direct, pulsating sounds and rhythms, embracing an
impactful electro-techno vision. These tracks merge both worlds, combining the energy and drive of electro
with the power and tension typical of techno, resulting in a sonic journey that blurs genre boundaries.
Completing the collection is a digital bonus track, "Galactic Power," which serves as a soulful embodiment of
the EP's essence. With its otherworldly alien-style pitched vocals,The track intricately crafts a cosmic palette
of bright pulses and ethereal FM synthesis.
This release represents a bold and progressive vision of electro, confirming and solidifying the eclectic
direction and the concept of inter genre flexibility. Music can be an ever-evolving form of art, blending
elements that transport listeners to distant cosmic realms.
Time shapes people, people shape technology, technology shapes music, music shapes time.


TRACKLISTS:

A1. Keep Me High
A2. Fast Rate
B1. Solo In Space
B2. Restless


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Electro / Techno

Parallax explores the shifting boundary between human intuition and algorithmic logic, a space where two perspectives converge and blur until the center is lost. Composed through a hybrid system of voltage-controlled hardware and digital manipulation, the five tracks apply FM synthesis, granular processing, and bit-level degradation to rigid electro structures. Sequences are shaped by modulation instability and clock drift, gradually disrupting pattern integrity and simulating a loss of systemic control. Precise yet disrupted grooves hint at a deeper malfunction, as if something is corrupting the system from within. Parallax is the gap between the human who creates and the algorithm that imitates.

A1. Supra
A2. Buzzr
B1. Pluma
B2. Signals
B3. Parallax

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Cat.No.: INTRAUTERIN007-dirt

2023 REPRESS

Format: 7“, additional stamp, marbled vinyl, limited to 200 copies

Tracklist
A1: Crystals
B1: Crystals *Speed Mix

File under: UK Garage / SpeedGarage / Breakbeat Garage

Back by popular demand! First repress ever on specially marbled vinyl which looks as raw, dirty and grimey as the streets these basslines are made for. 100% underground shit.

After their Grime / Dubstep leaning debut single in late 2018 Intrauterin Recordings mastermind baze.djunkiii and production partner Sascha Müller return with a new outing of their conjunctional COMBAT DUBS project. With „Crystals“ they're coming at us with a special twist, presenting a fascinating crossover of UK Garage and Breakbeat sporting overwhelming basslines and a crystalline, most beautiful and ever cascading synth motif whilst the flipside sees the pair of producers diving deep into raw SpeedGarage / BasslineHouse territories for maximum dancefloor pressure with the aptly titled „Crystals *Speed Mix“.



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Gatefold, red 180gr Vinyl

Genre: Independent Deutsch
File under: Electro, Post Punk, Experimental

Tracklist:

01. Motorboy
02. Sandsturm
03. Stiefel Im Wind
04. Delinquent
05. Fukushima
06. Vielen Dank, Herr Kapitaen
07. Radikal
08. Schmerz
09. Sex To Go
10. Als Ich Aufwachte
11. Baeng Baeng
12. Sinnlos High


MONA MUR Soloalbum "Delinquent" auf Cheezy Crust Records! Vinyl-Erstveröffentlichung des 2019er Albums - auf 300 Stück limitierte, farbige Vinyl-Edition

Mona Mur - ein Name, der für eine rauchig-coole Stimme, manisch-intensive Auftritte und eine illustre Liste von wechselnden Mitmusikern steht. Sie ist nicht nur Sängerin, sondern auch Songschreiberin und Produzentin. Als "80s survivor" hat sie sich in den letzten drei Jahrzehnten kontinuierlich in der Musikszene behauptet, auf Tour oder in ihrem eigenen Berliner Studio KATANA. Jetzt können Musikliebhaber ihr 2019er Album "Delinquent" als limitierte Vinyl-Edition auf dem Hamburger Label Cheezy Crust Records erleben. "Delinquent" ist eine Sammlung von 12 Songs auf Deutsch in hartem Schwarz-Weiß, - kurze Geschichten im Urban Desperado Style - körperlich schmerzhaft, schön und brutal wie die gegenwärtige Realität. Trotz ihrer Intensität sind sie tanzbar und verströmen eine unerwartete Leichtigkeit, sogar Humor. An der Seite von Mona Mur: Ralf Goldkind (bekannt durch Lucilectric und Die Fantastischen 4), Co-Produzent und Co-Autor von "Delinquent". Goldkinds hypnotische Twang-Gitarren und Minimal-Elektronik-Loops fungieren als kraftvolle Auslöser für den Elektro-Rock'n'Roll, der auf diesem Album zu hören ist. Die Zusammenarbeit zwischen Mona Mur und Ralf Goldkind hat einen knalligen und eingängigen Sound hervorgebracht. Goldkind, Hitproduzent und Punk der ersten Stunde, zeigte sich begeistert, endlich das Mona Mur-Album zu realisieren, von dem er schon immer geträumt hatte. Die Musik von Mona Mur ist eine einzigartige Mischung aus düsteren und intensiven Emotionen, die in einem elektrisierenden Soundgewand verpackt sind. Mit "Delinquent" setzt sie ein eindrucksvolles Zeichen in der Welt der alternativen Musik. "Delinquent" wird die Fans begeistern und neue Hörer in ihren Bann ziehen. Als Gastvokalistinnen sind Anja Huwe (X Mal Deutschland), Bettina Köster (Malaria) und Annika Line Trost (Cobra Killer) zu hören.



MONA MUR solo album "Delinquent" on Cheezy Crust Records! First vinyl release of the 2019 album - colored vinyl edition limited to 300 copies

Mona Mur - a name that stands for a smoky-cool voice, manic-intense performances and an illustrious list of changing musicians. She is not only a singer but also a songwriter and producer. As an "80s survivor", she has continuously asserted herself in the music scene over the last three decades, on tour or in her own Berlin studio KATANA. Now music lovers can experience their 2019 album “Delinquent” as a limited vinyl edition on the Hamburg label Cheezy Crust Records. "Delinquent" is a collection of 12 songs in German in harsh black and white, - short stories in urban desperado style - physically painful, beautiful and brutal like the current reality. Despite their intensity, they are danceable and exude an unexpected lightness, even humor. At Mona Mur's side: Ralf Goldkind (known for Lucilectric and Die Fantastischen 4), co-producer and co-author of "Delinquent". Goldkind's hypnotic twang guitars and minimal electronic loops act as powerful triggers for the electro rock 'n' roll heard on this album. The collaboration between Mona Mur and Ralf Goldkind has produced a bright and catchy sound. Goldkind, hit producer and punk from the very beginning, was thrilled to finally realize the Mona Mur album he had always dreamed of. Mona Mur's music is a unique mix of dark and intense emotions wrapped in an electrifying sound. With "Delinquent" she makes an impressive statement in the world of alternative music. “Delinquent” will delight fans and captivate new listeners. Anja Huwe (X Mal Deutschland), Bettina Köster (Malaria) and Annika Line Trost (Cobra Killer) can be heard as guest vocalists.


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Tracklist

A1. Narciss 'Venice' Remix
A2. Cinthie Remix
A3. Curses Remix
B1. Narciss 'Salford' Remix
B2. Kid Simius 'Bolero' Remix

Remix package deluxe! Ede & Deckert feat Sargland’s catchy new wave post punk hit Immer gets the special treatment. Their tale of lover’s grief or delight is being put through the mangle by a varied bunch of remixers. Literally taking the advance party its Berlin’s Narciss with two different takes. Known to be without fear of emotional peaks and blessed with the usual sense of delight, they manage to hit the nail on its head. The Venice Remix is a master class in vintage sounds coming through new speakers: primed for the prime time, while the Salford version does exactly what the name implies: for lads and lovers.

Followed up by the simplicity of grass roots house music. Cinthie channels her inner DJ Duke and choreographs the indie dance steps back to basics. The Curses Vocal keeps the instrumental, stays in the original vibe, but switches the vocals – and the language. Finally, Kid Simius takes us on a bumper car ride somewhere between Miami Sound Machine and Yazoo.

Immer works its magic in every way for everyone and now on almost any dance floor.







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2024 Repress

Territories: World excl. UK

FORMAT 12" vinyl, generic sleeve, dl card

TRACKLIST
1. / A1 Cogitor 06:27
2. / A2 Sexual Tension 06:05
3. / B1 Fragment 04:17
4. / B2 Solar 05:11
5. / B3 Gargk 04:30
4. / DX Wallon (Digital Bonus) 05:49

Writing about techno is quite difficult without falling into cliché: there are only so many ways that you can say
something about a music whose core elements are forged on deliberate repetition; where real talent is attributed
to those who can find the perfect groove where nothing needs added or subtracted to hold the listener’s attention for upwards of five minutes.
Such tracks are the hallmark of Tresor’s catalogue, and this joy in repetition can be found in works from Detroit,
Berlin, Birmingham, Edinburgh, and more. And it is through this lens that Parisian artist, UFO95, focuses his
output, resulting in Backward Improvement, an EP that sits perfectly in the spectrum of techno found in the
Tresor chronology.
The title itself makes an abstract reference to the influence of the classics of the genre, inspiring him to take a
distinct less-is-more approach to production for this collection of stripped-down yet unrelenting techno chiselled
from the live set which has fixed UFO95 as one of the next holdfasts for the future of the scene.
Perhaps it is the fact the UFO95 only performs live that had led to such crisp and focussed studio productions.;
each of the tracks showcase the artist’s burgeoning talent for creating the essential foundations of techno;
perfect, looping, instinctual grooves that are counterbalanced by an apprehensive tension from off-key tones.
Backward Improvement marks the addition of a new name in the list of techno’s best producers and proves that
while the genre may now be in its 40th year there are yet sonic explorations to be made and variations that are
worth unearthing.

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